0:00

Let you at play in

0:02

Separkor, Quix de Zamore.

0:04

Let you at play

0:06

in Separkor, Quix de

0:08

Zamore. In the episode,

0:10

President, Arrasseur. In the

0:13

episode, President, Arrasheh,

0:15

Alastaira, a chair, a

0:17

chair, a board of l'er, a

0:19

chair, a board of l'e,

0:22

experemontal, the Professor Zarzarkov. Flush

0:24

Gordon and Alardin gained the

0:26

Mr. Eus Mughu, to a

0:29

lot of people who had

0:31

been lost to their own humanity.

0:34

Gassent, terrific! We couldn't care

0:36

the courage. The telly of

0:39

the men who had trained

0:41

it. And luirish, the promise,

0:44

he left the promise, that he

0:46

left the promise, that he

0:48

left the promise, he left

0:50

a lot more proud of

0:52

the galaxy, of course. How

0:55

many archcalfe gardens do you

0:57

serve in an affair of

0:59

awnge, the metric of prison?

1:01

The leuen invoison d'seil d'u

1:03

flash, sturatile, cote d'un Europe,

1:05

the princesses are a real

1:07

Montreal pattern. The repons are

1:10

a question, and the promise

1:12

of Nauteril, all treat,

1:14

encoulette, and a mamma, surmongo,

1:17

to a million of the

1:19

kilometre of the kilometre of

1:21

the lattert. So there's a

1:24

lot of comfort of the

1:26

princess or her. But I've

1:28

got to say to her,

1:31

for her dad. No, it's

1:33

part. Oh, it's a great

1:35

place to come. Because when

1:37

I say this is a

1:40

school. And I presume we're

1:42

going to occur on a

1:44

mini-go city, or in the

1:47

three-fond du Palais de l'enprire

1:49

Mingia, so l'eruiluiluiluiluiluiluiluiluiluiluiluiluiluilouiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluuiluuuuuuuuuuuuuuuuuuuuuu There are a

1:51

lot of years on the me, the

1:53

professor Zarkov, who lab, on training the

1:55

force on this planet, but more often

1:57

on the condition abominable of three longs.

2:00

we're doing a great suite, a problem, but

2:02

what's the thing to make it, a lot, a

2:04

lot, a lot, a lot, a lot, a

2:06

lot, a lot, a lot, a lot, a

2:08

bit, a few, a lot, a process, or

2:10

a lot, a survey, a dungrons, a grand

2:12

suite, a paupé, a paupé, a pau-a-lau refresh,

2:15

a great afreshfres, a grand fresres, a grandfres,

2:17

a grandfres, a grandfres, a grandeur, a grandeur,

2:19

afreshfres, a grandeur, a grandeur, afreshfres, a grande,

2:21

a grande, a grande, a grande, a grande,

2:23

a grande, a grande, a grande, a, a,

2:25

a, a, a, a, a, a, a, a,

2:27

a, a, a, a, a, a, a, a,

2:29

a, a, So, do you know, do you

2:32

want to propose a civilization mini-go-it? Totally

2:34

do, we have to recap what

2:36

we're saying. We've seen a day

2:38

at Ponce, we've given Rochi, a

2:40

great show to you, a flash,

2:42

a lack of cat, because two

2:44

of you have a cat, because

2:46

two of you have a cat,

2:48

a great one, a great one,

2:51

a great one, one, one, one,

2:53

one, one, one, two, one, one,

2:55

one, one, one, one, one, one,

2:57

one, one, one, one. to win

2:59

the sabre of a grand grand

3:01

compass, that the movement, to protect

3:03

the servant, to the courtizant, to

3:05

the process. And to realize that

3:07

I just a month, that is

3:10

a sull-rogar of the processorak, that

3:12

is, it is, it is, it

3:14

is a great moment to see

3:16

what's possible. So it's like I'm

3:19

in part a whole that I've used

3:21

to look at a good one. It's

3:23

a good one. It's a good one.

3:25

13. How far did

3:27

you go to that?

3:30

Uh, Denver, it's real.

3:32

We're in pro-setter impasse

3:35

in the sensation that

3:37

it has. I'm supposed

3:40

to say, and it's

3:42

a lie-lai-lai-shoo, and I'll-lai-lai-dih,

3:45

and I'll-on, and I'll-hore-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-

3:47

We've mentioned here a

3:49

part of our time on

3:51

the road lines of if we're

3:54

through the flash, yeah, we're on

3:56

complies. We're coming through time,

3:58

ma'am. It's a problem. A person,

4:01

though, is a red dresser, a yarder, and a picnic.

4:03

I think that both lived a month, and I'm a

4:05

little, a little, a little, a, a, a, a, a,

4:07

a, a, a, a, a, a, a, a, a, a,

4:09

a, a, a, p, a, p, a, p, a, p,

4:11

a, p, a, p, a, a, p, a, a, a,

4:14

a, a, a, a, a, a, a, a, a, a,

4:16

a, a, a, a, a, a, a, a, a, a,

4:18

a, a, a, a, a, a, a, a, a, a,

4:20

a, a, a, a, a, a, a, a, a, a,

4:22

a, a, a, a, a, a, a, a, a, a,

4:24

a, a, a, a, a, And the affiliate of

4:27

Papier, is the three cases that are not

4:29

available for a new, a lot of chambulegiers,

4:31

a sort of disabling,

4:33

three brilliant, a lot of, three

4:35

brilliant, a lot of common things, but we're

4:37

not going to put up the door to

4:39

the piers, so, like, the question you may

4:41

have found out on the door, too, which

4:43

I mean, first, when that's what we're going

4:46

on, when that in the ducimion, when that

4:48

in the duxed, dux, d' d' d' d' d'

4:50

d' d' d' d' d' d' d' d' d' d' d'h, d'h,

4:52

d'h, d'h, d'h, d'h, d'h, d'h, d'h,

4:54

d'h, d'h, d'h, d'h, d' Yeah,

4:56

I've got to do all of

4:59

the integrity of the production of

5:01

the mé, all re-harvin, and passé,

5:03

in the pastès, in the minister,

5:06

in the nation, in the

5:08

nation, in the nation. But

5:10

it's, it's a sense, evoke,

5:12

in the community, but

5:14

in the concretes. It's totally,

5:16

because I should, but I

5:19

should, but it's exactly, I'm

5:21

sorry. Grief and don't have

5:23

a book that would be

5:25

true because it's a little

5:27

bit more important. The certain

5:29

verde lardin, the other, the

5:31

other, the other day, the

5:34

other day, they're a lot

5:36

more than three months later,

5:38

so that they're trying to

5:40

run you, lardin, in fact,

5:42

a little, me, me, me,

5:44

me, and Michael, I'm sure

5:46

I'll have a little, but a

5:49

little... I've never seen a book

5:51

cover of this one. This is

5:54

me. Delva, a pot-simile man, a

5:56

solovese, a de stuprochete, a so

5:58

gyrindon, a bureau, It's that I've

6:01

been a lawyer to express, and

6:03

I've seen what I've seen

6:05

here, I've come on, and so

6:08

have a flash, and it's a

6:10

punchy, and I've been here in

6:12

the process now, but I've done

6:15

that, I've done that, I've done.

6:17

It's that I've been a lot

6:20

of threats, and it's that you've

6:22

got to the princess, and concrete

6:24

to non-tension. What's that for

6:26

us is about all the discussion?

6:29

I mean, it's about for us in

6:31

function, but it's all functionate with example

6:33

in, and I'm, I just, I've, I've,

6:35

I've, I've, I've, I've, I've, I've, I've,

6:37

I've, I've, I've, I've, I've, I've, I've,

6:39

I've, I've, I've, I've, I've, I've, done,

6:41

I've, I've, I've, I've, I've, I've, I've,

6:43

I've, I've, I've, I've, I've, I've, I've,

6:45

I've, I, I, I, I, I, I,

6:47

I, I, I, I, I, I, I,

6:49

I, I, I, I, I, I, I,

6:51

I, I, I, I, I, I, I,

6:53

I, I, I, I, I, I, I,

6:56

I, I, So, in vices, it's a

6:58

vouac that you've worked here, sorry, papi.

7:00

We, we will not. Okay.

7:02

Do you call the Princess

7:04

Sturgada, with a lien, a

7:07

la, la, la, la, la,

7:09

la, la, la, la, la,

7:11

la, la, la, la, la,

7:13

la, la, la, la, la,

7:16

la, la, la, la, la,

7:18

la, la, la, la, la,

7:20

la, la, la, la, I'm

7:22

sure she has to say,

7:25

see a new, want to

7:27

do it, and never try.

7:29

Companion, voyage. I've been too,

7:31

I'll let's see it. Um...

7:33

Oh, I'm sure. What's going

7:36

to do with this? Okay.

7:38

No matter. I'll chat you

7:40

on the going pilot.

7:42

Uh-huh. So

7:45

I have

7:48

got a-a-ta-ha-ha-ha-ha-ta-ha-ha-ha-ha-ha-ha-ha-ha-wa.

7:50

At a moment, it's a valid

7:52

sale. The price is over $1.5

7:54

million, but it's a few long

7:57

time, but it's less expensive, and

7:59

it's worse. Okay, so it's a little,

8:01

a little bit, a lot of time,

8:03

it's on the servant, a lot of

8:05

good ideas, to try and find. It's

8:08

a lot of reason, okay. This

8:10

is, it's the cortisone, it's a

8:12

pack of l'a-p'a-p'a-pose hand-jor-journuette. Oh, yeah.

8:14

Oh, yeah. All right. All right.

8:16

All right. All right. All right.

8:18

All right. All right. All right.

8:20

All right. All right. All right.

8:22

All right. All right. All right.

8:24

All right. All right. All right.

8:26

All right. In particular, I would

8:28

see the very responsibility, for example,

8:31

the administration, the strategy, the administration,

8:33

imperial, the strategy, other, etc., etc.,

8:35

etc., etc., or to have a

8:37

charge of a little bit of

8:39

detail, which will be the most

8:41

important thing that that place could

8:44

have on earths. So, that's also

8:46

a order of the function, to

8:48

iterative round visit, of the grand

8:50

visit, of the grand visit, of

8:52

the grand visit, of the grand visit,

8:54

of the grand visit, We've been here,

8:56

we've been here, we've been here, we've been

8:58

there, we've seen, we've seen, we've, we've, we've,

9:00

we've, but, we've, we've, we've, we've, we've, we've,

9:03

we've, we've, we've, we've, we've, we've, we've,

9:05

we've, we've, we've, we've, we've, we've, we've,

9:07

we've, we've, we've, we've, looked, we've, we've,

9:09

we've, we've, we've, we've, we've, we've, we've,

9:11

we've, we've, we've, we've, we've, we've, we've,

9:13

we've, we've, we've, we've, we've, we've, we've,

9:15

we've, we've, we've, we've, we've, we've, we've,

9:17

we've, we've, we've, we've, we've, we've,

9:19

Well, but I am a

9:21

man, a man, a friend,

9:23

a friend, a few of

9:25

me, three, three facilements, a

9:27

second, one, a lot, a

9:29

lot, for a certain moment

9:31

of the police secret, that

9:33

here, the general, the police

9:35

secret, that here, the general,

9:37

the law, the police, the

9:39

police, the police, the police,

9:41

the police, the police of

9:43

police secret, and, uh, that's

9:45

a reserve of police secret.

9:47

But you see that certain months,

9:49

that the plaids, that the plaids,

9:51

are not turned on, but at

9:53

the time, wrapuise a moment, promise,

9:55

and it's a bad mala flashgarnant,

9:57

don't have a pluto de porte.

10:00

And the papa promised he

10:02

was a friend, a woman.

10:04

Reebanam. Okay, but you could

10:06

have seen a lot in

10:08

the process that put in

10:10

paragraphs, in the document, in

10:12

the two-ton, oops, you know, oops,

10:15

you see. Come see, it's a

10:17

time there, but you see, I

10:19

agree, but that you say, I

10:21

said, but it's okay. It's a

10:24

paragraph that's interesting. It's a lot

10:26

of three companions. Inaccessible,

10:29

I believe in, I believe

10:31

in, the text and miracleism,

10:33

in, angry, in, american, in,

10:35

american, in, american, carse,

10:37

the long intergalactic, the

10:40

badwis, gras, leitn't no

10:42

frisme, de de desenitrante,

10:45

eisn't mongre, enbienen, je

10:48

velier, atontiivm, le Vargave,

10:50

like a point la princesses,

10:52

And it's a place in

10:54

other areas, a salary, that

10:56

a salary, that a different,

10:58

that a rapporteur, a tailor,

11:00

and a group, a component,

11:03

that has a little, a

11:05

little, a little prisoner, a

11:07

leg-so-planet, entrogimiter, and it is

11:09

a sorry, a sullesor, a

11:12

sullesor, for a sullagard, of

11:14

the officiée, de the officiade,

11:16

in the prison de prisone,

11:18

de la prisone, de la

11:20

prisono de la I just

11:23

can't move any order. On

11:25

the end of summer, I'm

11:27

curious to see, I've done

11:29

a lot of it. I've

11:31

created, I'm a rib like,

11:33

I'm pretty much, but

11:35

I'm, I'm pretty confident,

11:37

comfortable, man, in the

11:40

red of Saturn. I'm

11:42

probably flash, newy, and I've

11:44

come in, I'm sure, I'm,

11:46

I'm sorry, but I'm sorry,

11:49

I'm sorry, I'm sorry, I'm

11:51

sorry. I'm sorry, I'm sorry, for

11:53

a resentendent, a good resentententer, a

11:56

broad, on the corridor, in the

11:58

space of a vestibate. Oh, no,

12:00

no, that's a part of

12:03

a chartier-princier, duress du Palais.

12:05

We'll entend all the best

12:07

moments, adieuet, one of the

12:09

premiere-dam, that, ah, okay, it's true. We'll

12:11

see what they're doing. What's

12:14

that doing? What's it doing? What's

12:16

it doing? What's it doing with

12:18

you? What's it doing? What's it

12:20

doing? What's it doing? What's it

12:22

doing? What's it doing? It doing? What's

12:24

the truth? It's a visual, a Come

12:27

on, come on! Flash!

12:30

So, the princess

12:32

is a kind

12:34

of language echtémé, echtémé,

12:36

echémémé, echémé, et céllères, de

12:38

célèsle, de célères, de méinères, de

12:41

méré, l' l'éinéinéinères, le méinères, le

12:43

méinères, le méinères, le méinères, le

12:45

méiné, le mé, le mé, le

12:48

mé, le mé, le mé, mé,

12:50

mé, mé, mé, mé, mé, mé, le mé,

12:52

mé, mé, mé, mé, mé, mé, mé, mé,

12:55

What's up there? We've got to do with

12:57

all catastrophe. We've already faced many new affirming

12:59

in the assesses. We've got a lot

13:01

of money. We've got a lot more

13:03

than, and we've got a lot,

13:05

and we've got

13:08

to do it.

13:10

And we've opened

13:12

up a lot

13:14

of systematic n'u

13:16

n'u-u-u-d'u-r-u-n'u-u-l-u-u-u-u-l-u-u-u-u-u-u-u-l-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u-u- I think that's a

13:19

problem. I've got to listen

13:21

to the papers. I've seen

13:23

a lot of people, a

13:25

lot of people, a present

13:27

of flash identity, some of

13:29

them. And I've had to

13:31

be in the believe in

13:33

a poor, all the money

13:35

and brilliant, for a lusser,

13:37

a more leucer, a problem,

13:39

a few problems with the

13:41

princess, though, in a lot of three

13:44

piers. We'll be fair on combatant.

13:46

We'll bathe elocarism. You coulda, yeah,

13:48

up, the camera, it's very tough

13:50

on all the princesses, I'm the

13:53

two-second-salis, de baton-a-la-foir. What's that sex

13:55

a few of few, de sibom

13:57

baton? What's that we've been saying?

14:00

general vene repalamenture me family. But

14:02

what I want is, is it

14:04

a point where you had a

14:07

bus culide in a corridor, for

14:09

the corridor, and if you want

14:11

to, I suppose it was for

14:13

a part of a few, a

14:16

month. It was like, yeah, anti-ropage,

14:18

of the partisan, and what it

14:20

was guard, but a guard, but

14:23

a guard, but a guard of

14:25

personnel. a friend of each, a

14:27

woman, a two-month-old soldier, or an

14:30

army, and a soldier, a police,

14:32

and a man, who took her

14:34

connect with a general, a numeral

14:37

killer, the numerood, the police officer,

14:39

he said here, a l'er, a

14:41

l'er, m'am-grad, what he used, but

14:44

a l'er-lésor, a l'er-lissor of general,

14:46

he used. A farm, a two-ve-ve-to-to-to-to-to-to-to-to-two-two-two-two-two-two-two-two-two-two-two-two-two-two-two-one,

14:48

a, a, a, no a, no-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one

14:51

Porton is a senior of the

14:53

police's creator, who are born and

14:55

granted, so it's a pretty good.

14:58

But the general color is in

15:00

a space of the costume that

15:02

you have inserted, a sort of

15:05

cagull, as it is. The three

15:07

belles, see, a non-spi rapporteur, a

15:09

non-spilliper, that don't sadism of it.

15:12

Two or eight, two adieu du

15:14

du du du du du du

15:16

du du du jé du jé

15:19

du jé de jouge affere, afferely

15:21

affere l' afferely fa' affiral. I

15:23

thought you were a little bit

15:26

more positive and proved too. It's

15:28

a little difficult to cashier, or

15:30

a lot of things. We take

15:33

care of tomorrow. I thought that

15:35

it would have been great. It's

15:37

a process for me, but I'm

15:40

not sure. I thought it was

15:42

a man. I thought you were

15:44

personal, impasse, l'avant, l'avant, l'ant-e, l'a-l'a-l'a-l'a-l'a-l'a-l-l-l-l'a-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-

15:47

The process, and what comes to

15:49

you with me, Karte, the poise

15:51

enpien, poise la mensur la ench,

15:54

that's not an enché, a problem,

15:56

Mark, It's a disapprobation. And it's

15:58

a solid book that works with

16:01

shame. And it's true, and it's

16:03

because we're a revere. The Doran

16:05

Corps. It's more the tone of

16:08

the pre-béric. It's true. We're perfect.

16:10

We're patient. Absolutely. A stelivou. How

16:12

can I say the character and

16:15

the fear? I mean, I have

16:17

a lot to say it. I've

16:19

seen it. A lot of it.

16:22

A lot of it is a

16:24

three-nese, a day's abbey, I'm sorry.

16:26

I've done a circle to the

16:29

muslin, brilliant and pay them. And

16:31

it's a lot like the ports.

16:33

It's just the tone, tone, tone,

16:36

brus. It's the say and de

16:38

plac. I'm sorry. I'll regard to

16:40

the aden. I say. And for

16:43

part us, and it's... It's... I

16:45

mean, I'm not part of the

16:47

fenp. Oh, I'm a... a... a...

16:50

a minute, clak, a, a, a,

16:52

a, a, a, a, a, a,

16:54

a, a, a, a, a, a,

16:57

a, a, a, a, a, a,

16:59

a, a, a, a, a, a,

17:01

a, a, a, a, a, a,

17:04

a, a, a, a, traveling, a,

17:06

a, traveling, traveling, a, a, a,

17:08

a, traveling, a, a, a, a,

17:11

a, a, a, a, a, a,

17:13

a, a, a, a, a, a,

17:15

a, a, a, a, a, a,

17:18

a, a, a, a, a, a,

17:20

a, a, a, a, a, a,

17:22

a, a, a, a, a, a,

17:25

a, a, a, a, a So,

17:27

we're going to put on show

17:29

Balcon, a lot of effect, but

17:32

we've got to do this through

17:34

a loon, or a couple comments,

17:36

a lot more on the Connecticut,

17:39

really, the architecture of the Mingo

17:41

city, and a common vertigenus, and

17:43

a lot of these super, devour,

17:46

de la partemos, classic, and of

17:48

a new view, manifest sure l'

17:50

city, but, as if we're going

17:53

to say it, it's a little

17:55

further a-tigen, a little-tos, Princess Olevu

17:57

paraiseur, I suppose, made decor d'hôt

18:00

o'er, pukecoupe, it's not wrong for

18:02

the coup? And the d'rat'stum. Oh,

18:04

see, sir. And the souton verlily,

18:07

the tourgard, the regarduleilililililililil, the tourgard.

18:09

Yes, I'm supposed to be doing

18:11

it for me to do it.

18:14

And I'm glad you didn't want

18:16

to do it, but I'm saying,

18:18

put it, put it, put it,

18:21

because it's not a problem for

18:23

the most. Yes. What do you

18:25

do you want to say? I'm

18:28

not going to say that it

18:30

was difficult to say that in

18:32

the person who has been three,

18:35

but in a chance we're going

18:37

to have a chance not to

18:39

run a litage down soon, but

18:42

to call back. I mean, yeah,

18:44

I mean, yeah, I've always on

18:46

process. Okay, let me say. So,

18:49

look at what you say, let's

18:51

say it's a passet down to

18:53

us, you see, you know, do

18:56

you do. And if you don't,

18:58

if you can, if you can,

19:00

if you're going to see, if

19:03

you're here, if you're here, if

19:05

you're here, if you're here, if

19:07

you're here, if you're here, do

19:10

you want to, if you're here,

19:12

do you want to, you know,

19:14

to meet you, to the visit,

19:17

the divvine, visit, to the process,

19:19

for a lot of things. I'm

19:21

sorry, I don't know, I'm sorry,

19:24

I don't know, the process is

19:26

more common, but I'm sorry, I'm

19:28

sorry, okay, hey, only one, it's

19:31

actually, we're in common, ma'am, we're

19:33

in m'am, we're in m'am, we're

19:35

in the midst of, we're in

19:38

the midst a, a, three, three,

19:40

three, three, three, three, I mean,

19:42

the difficulty, three, I mean, two

19:45

good. What? What? What? What? What?

19:47

What? What? What? What? What? What?

19:49

What? What? What? What? What? What?

19:52

What? What? What? It's. What? It's

19:54

what? It's what? It's what? It's

19:56

what? It's what? What? It's what?

19:59

What? What? What? What? What? What?

20:01

What? The primary? What? The primary?

20:03

What? The primary? What? What? I

20:06

prefer commemoisant to... Well, we say

20:08

certain privacy. We see, sir. Okay,

20:10

and I cat, on the da-s.

20:13

About, pre-key question, what's- No, I

20:15

see. Why? Catoumon, severe, hula, hula,

20:17

hula, hula, hula, hula, hula, hula,

20:20

hula. What is really a lussis?

20:22

I mean, it was a quacko.

20:24

I'm a para. We want to

20:27

have a vigilance to permit the

20:29

rosary annu, which is effectively on

20:31

top of the hash, that it

20:34

is a gross-de-confinish, a mishma. And,

20:36

uh, is good, motoriz. the protectress,

20:38

for at sure, that, for the

20:41

princess, not to run for the

20:43

groups, but see the tone, more

20:45

assist, I'm really aware of it.

20:48

Lassam, for the museum, so let's

20:50

propose, that it's connetons de voirre,

20:52

that Morganfas Saint-Gé, We've had a

20:55

lot of issues, it's a permitted

20:57

of the local church. Such auditor,

20:59

who dialer, means, means, means, who

21:02

disputes on an. It's a, a,

21:04

a, a, a, a, a, a,

21:06

a, a, a, a, a, a,

21:09

a, a, a, a, a, a,

21:11

a, a, a, a, a, a,

21:13

a, a, a, a, a, a,

21:16

a, a, a, a, a, a,

21:18

a, a, a, a, a, a,

21:20

a, a, a, I'm sure you

21:23

can't do anything else. I'm going

21:25

to say a little bit more.

21:27

I think I have a problem

21:30

with all the other kids. I've

21:32

got to leave. But I'm not

21:34

sure if you can't leave. But

21:37

the limit is on privacy. Cessa.

21:39

Well, I've got a good question.

21:41

I've never seen you. I've seen

21:44

you. I've got you. I've got

21:46

you. I've got you. I've met

21:48

you. Oh, wait. You've seen you.

21:51

No. Oops. But, that's what I've

21:53

said. No. Oops. But, in fact,

21:55

I've got you. I've seen it.

21:58

It's so hard. I've got you.

22:00

It's a pretty detail. a nagintier,

22:02

a essential product, a gymnast. The

22:05

two-tafel the possibility of rejecting an

22:07

affair is a plus, a puretre,

22:09

but in these elements narrative, in

22:12

a proper, in a certain limit,

22:14

is a puretre, a puretre, a

22:16

puretre, a purette, a certain thing,

22:19

a purette, a, I've never fixed

22:21

the problem. I've been fixed the

22:23

problem, when I've really, when we're

22:26

involved in a problem with having

22:28

a really, a really, in a

22:30

part-univorem, a, a, a, a, a,

22:33

a, a, a, a, a, a,

22:35

a, a, a, a, a, a,

22:37

a, a, a, a, a, a,

22:40

a, a, a, a, a, a,

22:42

a, a, a, a, a, a,

22:44

a, a, a, a, a, a,

22:47

a, a, a, a, a, a,

22:49

a,, a, A lot of it

22:51

is a lot different than when

22:54

we went in here. I've just

22:56

thought a lot less on the

22:58

overall, the permission, the tissue that

23:00

has been used at least, but

23:03

with the data sheet, it's a

23:05

miracle, it's a miracle, that it's

23:07

a good idea, for a new

23:10

notion, but for the new scenario,

23:12

and for the general's analysis and

23:14

of timing, and of the techniques,

23:17

and of the techniques, but it's

23:19

a technique, well, it's a good

23:21

technique, it's a And if you

23:24

could, we're supposed to put a

23:26

motto that you have to operate

23:28

last night, and we're not going

23:31

to narrate it, I'm three, three,

23:33

and then we're here, and I'm

23:35

here, and I'm here, but I'm

23:38

going to put it back to

23:40

the end of the year, and

23:42

it's not for some of the

23:45

attention to the attention for a

23:47

portion. It's a mistake. It's a

23:49

mistake. It's a result. It's a

23:52

great consequence. It's that too bad.

23:54

It's a bad show. It's a

23:56

bad show, a lot. It's a

23:59

good thing. And yeah, you've already

24:01

seen it. Oh, sure. It's a

24:03

good thing. It's a good thing.

24:06

It's true. But I've really, uh,

24:08

I think it's a great beviter.

24:10

Avert. I don't sure the same

24:13

process as a process, as a

24:15

mamma. W- so you're a plateau

24:17

in rest of the journey. You've

24:20

got a person, you've used to

24:22

have an impression on the sale

24:24

too, that if you starten months,

24:27

it's a bustion. All right, no,

24:29

no, no, no, no. The process

24:31

for a post-and-do-throughs, I've, a, a,

24:34

a, a, a, all-tone, a, a,

24:36

a, a, a, a, with, a,

24:38

a, a, a, a, a, a,

24:41

a, a, a, a, a, a,

24:43

a, a, a, a, a, a,

24:45

a, a, a, But I've almost

24:48

said, I said, it's actually a

24:50

part of mine. I've only had,

24:52

but a domestic, and a, I've

24:55

only grown big, I'm sorry. I

24:57

said, I've been there two, and

24:59

I'm present, I said, I'm present,

25:02

I said that, I said, but,

25:04

b, b, b, b, b, b,

25:06

b, b, cah, cah, cah. Oh,

25:09

no, I want to say that

25:11

I should not. I mean. It's

25:13

a little bit more precious. And

25:16

it's an article of the plateau

25:18

that's now. Well, no, no, it's

25:20

like the trend of quay, no,

25:23

I think that the trend of

25:25

quay, no, I don't know, I've

25:27

got, oh, I've, oh, I've, I've

25:30

got, I've, I've, I've, I've, I've,

25:32

I've, I've, I've, I've seen, I've,

25:34

I've, I've, put it possible, I've,

25:37

I've, I've, I've, I've, I've, I've,

25:39

I've, It's a little bit possible

25:41

to be possible to see, and

25:44

I've just searched the double-de-motechnge, a

25:46

lot better, a graph like. No,

25:48

ma'am. Okay. We've found out there

25:51

the cartel police, and in particular,

25:53

did I particularly, did I? Oh,

25:55

okay. I've done a good job.

25:58

I'm going to go out there

26:00

a poch that could be a

26:02

push. That not a lot of

26:05

less than a grim... So the

26:07

impression of a word harmony, or

26:09

the structural impression of a word,

26:12

the burden that's on rent, or

26:14

the result, and it's like, it's

26:16

a, it's a human leantelizer, it's

26:19

a really good part. In humidity,

26:21

the effect is that we have

26:23

on the balance of the flood,

26:26

in those in cabin, in a

26:28

day, in a day, and in

26:30

a day, in a day, and

26:33

in a day, in a day,

26:35

in place, in place, in place,

26:37

in a day-to, in a cello,

26:40

in a three hour, a short

26:42

ago, in the air, which is

26:44

a pretty pro-provage of Professor Sarkov,

26:47

that that that is a cello

26:49

lat-elatoin. We thought of a plan

26:51

to a jimismismismin in the d'

26:54

in the d' in the d'

26:56

in the d' in the d'

26:58

in the d' in the d'

27:01

in a cello-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s- At the home,

27:03

it's a matter of prison, it's

27:05

a rosebrot, a susse, a suspense

27:08

of what could occur, that was

27:10

a cashier, that the deformity, a

27:12

layer of the recantee, of the

27:15

suspectacla. That's odd. I'm a number

27:17

of mercy, so gratuice. A grandeur,

27:19

a grandeur, a grandeur, a grandeur,

27:22

I know. A grandeur, I'm not

27:24

sure. Oh, I can't. All right.

27:26

I mean, it's new. It's new.

27:29

It's new. It's new. It's new.

27:31

It's new. It's new. It's new.

27:33

It's a small o'er. And I'm

27:36

not a public lubric. I'm telling

27:38

you, it's public lubricic, that you

27:40

are fascinated, Not a long time,

27:43

I thought, to test the resistance

27:45

of baro on purport, and it

27:47

was, it was, it was, it

27:50

was, it was, it was a

27:52

shame, it was a shame to

27:54

recusion. The shame to recusion, mercy,

27:57

I fought land not. But it's

27:59

more, contaiseuilu, connede, t'antiseuil, t's, t's,

28:01

t's, t'shoey, It's a dollar, a

28:04

super tab. You know, it's a

28:06

two-foot, a tonative, two-tative, three billion.

28:08

Oh yeah, but it's a little

28:11

bit more serious than I've seen

28:13

in the manipulation. Well, wait a

28:15

moment, I guess that... Salte de

28:18

Metro de Jean-en-en-cien. You madame Brisele-Ezzelle?

28:20

I'm sure Zarkov, a-cote d'attat-dwart, and

28:22

l'as, m'uazzin, a-l-l'a-l'a-l'a-l-l'a-l-l'a-lé-l'-l'-l'-l'-l'-l'-l'-l'-l'-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l-l- This is a

28:25

new one. It's a good one.

28:27

It's a good one. It's a

28:29

good one. It's a good one.

28:32

I'm sure many months. What would

28:34

I do? We'll have you. We'll

28:36

turn on the front pusses on

28:39

sous-jay. What do you think is

28:41

a good thing to me? It's

28:43

a palermo. It's a

28:45

palermo. It's a palermo.

28:47

It's a palermos. It's

28:50

a toner. I don't

28:52

a pous sous-de-de-de-de-de-de-a-a-a-shous-a-a-a-a-a-sha-a-sha-sha-sha-sha-a-sha-a-sha-sha-sha-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a- It's

28:54

the note that it's

28:56

a leader, a cyclist.

28:58

It's a factor. It's

29:00

a founder. It's probably

29:02

the secondation, travel, and

29:04

the maguil, the robbery,

29:06

of the, of, the,

29:08

of, the matine, of

29:10

the second-metre, and of

29:12

the slah and the

29:14

affinacy. And you've seen

29:16

you, you've demonstrated, too,

29:19

as a supranpteligence. I'm

29:21

trying to, I'm not

29:23

sure if you can

29:25

not put on purpose

29:27

the cry. No, and

29:29

it's a bad mood

29:31

like my capacity, but

29:33

I'm a remark here.

29:35

The meditation has put

29:37

it in the cliflage

29:39

golden. I'm pensive. It's

29:41

possible for the meditation

29:43

of the trumpet. It's

29:46

a machine. The meditation?

29:48

Really? ...Pepa where it's

29:50

a cloisin in the

29:52

Harvard. And for a

29:54

matter of a disposition,

29:56

display? Hmm. It's a

29:58

process or occultie. Ilian,

30:01

for a couple of grande-blonde,

30:03

grande-de-grindved, totally nagissant, with so

30:06

non-concion, that's possible complaines that

30:08

I've had. Sajid de Sipnotizet,

30:11

souamim. Practicment, voila, that's a

30:13

dispositive, in a crowd of

30:16

mil-de-lai mille. Puvantenenen, we've ententé,

30:18

enta-tuagiluilituilisuisinuisinuiluiluiluiluiluisinidouiluiluiluiluiluiluisinidouiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluil So, so, so, we're

30:20

super l'amulcier, because, particularly, we're

30:23

displeased, but, oh, vouch, I'm

30:25

sure that it's all for

30:28

British session, plus. I'm sorry,

30:30

I'm sorry, I'm sorry, I'm

30:33

sorry, I'm not involved. Well,

30:35

at all, David, you too.

30:38

But, can I for, or

30:40

do it, you put patero,

30:43

or you see a carte

30:45

de manu, or, what, what,

30:47

it's a flashkered, I'm two-month-old,

30:50

poor-tente, parfaire, a-setted, plenitude. I've

30:52

lived on Terrier, I agree.

30:55

But, yeah, but you've infringed,

30:57

I've infringed, I've infringed on,

31:00

I've infringed on, I've infringed

31:02

on, on the second musclam,

31:05

that's savan. It's savan. It's

31:07

a great rule that the

31:09

meditation, I'm just a lot.

31:12

Have you can balance? It's

31:14

exactly, I don't know, it's

31:17

absolutely millennial, but it's just,

31:19

it's, it's super transcript, it's

31:22

super. It's exactly what I'm

31:24

saying, it's past, or the

31:27

power. It's a music of

31:29

Angelis, like the famous. Whis!

31:31

The style of the first,

31:34

is... Flashly, some premiere reflexes,

31:36

d't t't t'ttttttt. Oh, well,

31:39

I imagine, no. No, I've

31:41

been coming to Palatiret, and

31:44

sweet, I play dry. A

31:46

sake, it's like a smell.

31:49

But I'm not going to

31:51

try on seven. A cat!

31:53

The guine is a super

31:56

sui. A sis! With cheque

31:58

catastriff. A du? A du,

32:01

a la-turement plaidis. It's that

32:03

I put through a-a-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot- Atlety,

32:06

it's all three per se.

32:08

The confidence is the plus

32:11

evident. It's a plus. It's

32:13

a plus. Because as we

32:16

want to, I've confidence, I'll

32:18

expartive to Zarkov. And you

32:20

could, I've used to push,

32:23

we need to, we'll have

32:25

to, we'll enter, we'll have

32:28

to, let's have, let's see.

32:30

Right? Long time, it's as

32:33

a premier. Well, it's good.

32:35

I've got a good. I'll

32:38

pull away, and we'll suit

32:40

the crew on the memory

32:42

of today, as could you

32:45

accept a confidence, the confidence

32:47

that I've put on that.

32:50

It's a problem. No, it's

32:52

like a man cat. That's

32:55

nice, I'm a check. But,

32:57

hey, I want to come

33:00

here to my mom, that's

33:02

a reduit, that's true, a

33:04

challenge, a challenge, a problem,

33:07

a problem, a problem, a

33:09

motive. So I can't tell

33:12

you what to tell you.

33:14

Oh, you mean? Well, it's

33:17

efficient. I'm glad I'm a

33:19

relative. I don't know if

33:22

he's working on. It's true.

33:24

I'm totally afraid. I agree

33:27

with you. It's true, I

33:29

mean, I told you, I'm

33:31

totally on the back-man, so

33:34

the point of mind. So,

33:36

let's say a lesson. I've

33:39

got to have a brand-aid,

33:41

a-de-de-to-de-trovay, a-do-do-do-trovay-trovay-trovay-trovay-trovay-tove-trovay-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove-tove It's, I don't

33:44

care how many of you.

33:46

I've never, I've never, I've,

33:49

I've, I've, I've, I've found,

33:51

a, a, a, a, a,

33:53

Aising, and a lot of

33:56

people, when I'm curious, are

33:58

southerly, a part of the

34:01

view. I've been a person

34:03

who has been a poor,

34:06

just like the felicity of

34:08

the sudden air, a three-cent

34:11

person. The balance will bear,

34:13

and person will be a

34:15

person, and person will be

34:18

a person who has been

34:20

a problem. And it's not

34:23

a little bit of a

34:25

little bit more. I'm sorry,

34:28

I've offered you a lot

34:30

to do it, because I'm

34:33

a fissantiger, and it's a

34:35

channel. I've seen people doing

34:37

a lot of it. The

34:40

German. I'm not at home.

34:42

I'm not at home. I'm

34:45

not at work. I'm not

34:47

at work. I'm not at

34:50

home. I'm not at home.

34:52

I'm at home. I'm at

34:55

home. I'm at home. I'm

34:57

at home. Uh,

34:59

no, but I don't know, or

35:01

I'm, or is it too, and

35:04

o'clock, I don't think, you know,

35:06

if you can, but I don't

35:08

see, you volunteer, or astranage, or

35:10

the police, or the police, on

35:13

the part two, volunteer, I'm very

35:15

motivated. But you have to tell

35:17

us, well, I'm not sure, I'm

35:19

close to the cease. And at

35:21

night I'm not plaid for an

35:24

athletic, but I've done the same

35:26

thing. Okay, athletic, well, I don't,

35:28

I accept it, I accept it,

35:30

I've, I've, I've, I've, I've, I've,

35:32

I've, I've, I'm plougic, I've volunteered,

35:35

I've, I've, I've, I've, I've, I've,

35:37

I've, I've, I've, I've, I've, I've,

35:39

I've, I've, I've, I've already, I've,

35:41

I've, I've, I've, I've, I've, I've,

35:43

I've, I've, I've, I've, I've, I've,

35:46

I've, I've, I've, I've, I've, I've,

35:48

I've, I've, I've, I've, I've, I've,

35:50

I've, I've, I've, I've, I've, I've,

35:52

I've, I've, I've, I Paris Prix,

35:54

the artifice de l'Achene, de l'Arém

35:57

d'oeuvres, A problem with having a

35:59

lot of time. A lot of

36:01

time. A lot of time, a

36:03

force, the traction, comes out, to

36:05

arrive at a carte, and in

36:08

a million. But you'll try to,

36:10

it's probably a minute, 10 minutes,

36:12

and it's a good place to

36:14

go. A lot of time, a

36:17

lot of time, a, a, a,

36:19

a, a, a, a, a, a

36:21

great one, a, a, a, a

36:23

great, and a lot of power,

36:25

a lot of value, a million,

36:28

a, a, a, a, a, a,

36:30

a, a, a, a, a, a,

36:32

a, a, a, a, a, a,

36:34

a, a, a, a, a, a,

36:36

a, a, a, a, a, a,

36:39

a, a, a, a, a, a,

36:41

a, a, a, a, a, a,

36:43

a, a, a, a, a, a,

36:45

a, a, a, a, a, a

36:47

It's the effect that effect even

36:50

if it's in the reclusion, to

36:52

work with the serpent interior around

36:54

here the salimi an ovo, and

36:56

if it's the piscite, the blocks,

36:58

it's in the talent, to a

37:01

lot less than a lot more

37:03

than a lot of effort to

37:05

enter into the door. It's the

37:07

metallic. A couple of hours later,

37:09

to work a count to the

37:12

project, sufficed, one, two, to work

37:14

out here, or in a point

37:16

in the solule, and in some

37:18

content of the sentiment, to accoutilate

37:21

three months in the proximity immediate,

37:23

to work, to work here, to

37:25

the rest, the rest inert, to

37:27

it. Barfaire. I've served with a

37:29

little bit of need made of

37:32

guard of humor. But I want

37:34

to talk to all over the

37:36

past. I've worked at a moment,

37:38

I'm in sort of the chariot,

37:40

to see, to guard, and in

37:43

the balance, I'll describe at the

37:45

author, the matter, to divisage, to

37:47

the l'er, to l'erp and to

37:49

l'eratois, to l'eratois, to work that

37:51

to j' let the j'le-liqueuile. A

37:54

primary baro, as I'm sorry, what's

37:56

going on with the role-visioning in

37:58

the baro, and that I just,

38:00

what, that's the conclusion of the

38:02

group that we're accessing. I'm sure

38:05

I'm sure I'm going to pass,

38:07

because it's done in the next

38:09

year, No, no, no, no, no,

38:11

no, no, no, no, no, no,

38:13

no, no, no, no, no, no,

38:16

no, no, no, no, no, no,

38:18

no, no, no, no, no, gardin'

38:20

in question, let me, let me

38:22

guard your question, let me, let

38:25

me, let me, let me, let

38:27

me, let me guard you on

38:29

the question, let me, let me,

38:31

let me, let me, let me,

38:33

let me, let me, let me,

38:36

let me, let me, let me,

38:38

let me, let me, let me,

38:40

let me, let me, let me,

38:42

let me, let me, let me,

38:44

let me, let me, let me,

38:47

let me, let me, let me,

38:49

let me, let me, let me,

38:51

let me, let me, let me,

38:53

let me, let me, let me,

38:55

let me, let me, let me,

38:58

let me, let me, let me,

39:00

let me, let me, This is

39:02

a moment of time where I'm

39:04

excited, I'm diffused, and I'm sure

39:06

that you can also sell the

39:09

chariot, and in a space of

39:11

long matrice, and in sort of

39:13

just o'clock, the curateur, and the

39:15

frockes, it's a little bit more

39:17

difficult. It's a matter of fact.

39:20

Like, you see, I say, I'm

39:22

going to try to experience, I'm

39:24

for a wing wink, but I

39:26

say, plus the attention of a

39:29

manor, that's for a spirit, that

39:31

a grow, bow, tone, or rouge,

39:33

I can copar on a piece,

39:35

who pisourier, totally le la la

39:37

volle, on insulf. It's like, I

39:40

callen, I'm practically, I'm not playing

39:42

here. I work here, I feel

39:44

like a fitement, I do you've

39:46

seen, a visit, a visit, a

39:48

visit, a visit, a visit, a

39:51

vous, a vous, a vous, a

39:53

vous, a vous, like, like, like,

39:55

a lot, a corridor, a, a,

39:57

a, a, a, a, a, a,

39:59

a, a, a, a, corridor, a,

40:02

a, a, a, a, a, a,

40:04

a, a, a, a, a, a,

40:06

a, a, a, a, a, a,

40:08

I think that it's a lot,

40:10

it's a long corridor, I think

40:13

the cello, the two cotet, who's

40:15

a bit of a little cotay,

40:17

for common reason to make it,

40:19

which provides us a little, and

40:21

it's a little, and it's really

40:24

a good idea. It's a problem.

40:26

It's a problem. It's a good

40:28

thing. It's a good thing. It's

40:30

a good thing. It's a great

40:33

thing. It's formidable. I know it's

40:35

a great thing. It's a nice

40:37

thing. It's a tough thing. It's

40:39

a tough thing. It's a good

40:41

thing. It's a good thing. It's

40:44

a good thing. It's important. It's

40:46

a machine. It's a technology. I

40:48

mean, well, Princeton. Right. France. of

40:50

people talking with that prisoners, a

40:52

copier on the young, and I

40:55

imagine that we've imagined to have

40:57

a... What's the point? What's the

40:59

truth? What's the truth? What's the

41:01

truth? What's the power? Miracla? We'll

41:03

end up deviary all these elements.

41:06

It's not a violation of the

41:08

Reclusion Contingald Pass. As a brush.

41:10

It's the facile of the la

41:12

trape. I'll be fracacacacilat, conclébébé, and

41:14

it's a seizure of the cell

41:17

phone. More. What's your question? It's

41:19

about what we're doing for a

41:21

deactivation. The shell direct region, no.

41:23

I don't know. You might call

41:26

him a library, can we? What?

41:28

It's a piece entree. It's a

41:30

piece entree, it's a piece entree,

41:32

I've never seen any problem. Excuse

41:34

me. Excuse me. We're entree. We're

41:37

entree. We're entre. We're entre. We're

41:39

entosurk. We're entosurk. We're entosur. We're

41:41

entosur. We're entosur. We're entosur. We're

41:43

entosur. We're entosur. We're entosur. We're

41:45

entosur. We're entosur. We're entosur. We're

41:48

entosur. We're entosur. We're entosur. We're

41:50

entosur. We're entosur. We're entosur. We're

41:52

entosur. We're entosur. We're entosur So

41:54

we're coming at Sovietic. Sovietic? Because

41:56

we're going to be at a

41:59

change of inclusion and the Sufi

42:01

of the ellipse. Oh, expropriate of

42:03

those brochures and what I think

42:05

that I should have done. I

42:07

don't want to leave a new

42:10

owner or a popular one. A

42:12

good man, I don't know, but

42:14

I don't know if that's a

42:16

paupionse. It's a refugent I'm not

42:18

saying that the souvenir, because it's

42:21

a problem, that I've never passed

42:23

on, I don't think that I'm,

42:25

because I've been, as I've done

42:27

a, a part, a month, in

42:30

school, a, a, a, a, a,

42:32

a, a, a, a, a, a,

42:34

a, a, a, a, a, a,

42:36

a, a, a, a, a, a,

42:38

two, a, a, a, two, a,

42:41

a, two, a, a, two, a,

42:43

a, a, a, a, a, a,

42:45

a, a, a, three, a, a,

42:47

a, a, a, three, a, a,

42:49

a, a, a, a, a, three,

42:52

a, a, a, a, a, three,

42:54

a, a, a, a, a, a,

42:56

a, a, a, a, a, a,

42:58

a, a, a, a, a, a,

43:00

a, I think that I've probably,

43:03

for a little bit of a

43:05

concern, a crack that's on cancel

43:07

the solar. It's different. I'm fine.

43:09

I've, I've, uh, ten. Oh, I've,

43:11

oh, I've, uh, ten. Oh, I've

43:14

got a show, sir. I don't

43:16

run here, do I travel around,

43:18

travel the murk, and we see

43:20

back. I'm sorry, I'm sorry, I'm

43:22

sorry, but I'm not with the

43:25

fame, but I should, I've never

43:27

had a nature of speaking, determined,

43:29

to sustain. I'm confident we're not

43:31

going to run out solution. I

43:34

work as a lumeier, best, don't

43:36

go out there. We're visible more,

43:38

or I'm sure we're passing out

43:40

on mud, moor-huh. We're going to

43:42

be a pretty grand amount of

43:45

it, actually, a matter of the

43:47

prisoner of office. I work, tonne,

43:49

to dear, to dear, dear, yeah.

43:51

when it's the enemy, as I'm

43:53

just, an guard, that's true of

43:56

2010, for Bien. So cool, too,

43:58

de pum. We're not sure. We're

44:00

going to have a cetacean, but

44:02

with a son. I want to

44:04

talk to Zarkov, and to try

44:07

and parley, I've found a lot

44:09

more courage, as if you want

44:11

to have a real, de ken

44:13

d'hyr, de ken, de kang d'ulten.

44:15

A sip patitic, viebleminen, a l'

44:18

vouisen, a l' vouisen, a l'

44:20

h' h' h' h' h' h'

44:22

h' h' h' h' h' h'

44:24

h' h' h' h' h' h'

44:26

h' h' h' h' h' h'

44:29

h' h' h' h' h' h'

44:31

h' h' h' h' h' h'

44:33

h' h' h' h' h' h'

44:35

h' h Ellipse, effeciment, is it

44:38

dam? Saint-entrent, de, suffily, in the

44:40

interminable cul-uard de Sousolle, de la

44:42

police secrete. But, but, la police

44:44

secrete, I mean, what? La police

44:46

secrete, I mean, we're working on,

44:49

but, uh, de Jean-E-Monte, it's a

44:51

French-mon Ostaire. And it's a lot

44:53

more poucheur-de-jean. We have been too

44:55

busy to find a me-tour-to-be, and

44:57

it's a-tou-la, it's a complicated justify,

45:00

my presence, and a lot, and

45:02

a lot, and we have a

45:04

dispositive, automatic-de-defense, standard, that these aspects

45:06

of total automatizies, of what are

45:08

in our work? We need a

45:11

lot of the constable. We have

45:13

to do a real play here.

45:15

We have to just a month

45:17

after that. We have space. I've

45:19

never done anything else to ask

45:22

you on a page on a

45:24

recupery, but at both portions. I

45:26

imagine we've imagined we need to

45:28

have the, we've done, for what

45:30

we've done, for what I've done,

45:33

for the debauter, the debauter, for

45:35

the debauter, for the strategic, and

45:37

for the people who's been there,

45:39

I mean, I've not asked when

45:42

I was going on the page

45:44

on recuper, on recuperated, or I'm

45:46

serious, saying, I'm sorry, sorry, sorry,

45:48

So that's what I want to

45:50

leave it, we'll have it. We've

45:53

used to put a cap, but

45:55

we've got to model, the person,

45:57

who's been traveling, right? Oh, we've

45:59

been here. Requisition, period. Yeah, it's

46:01

true. We'll have it. We'll have

46:04

it. We'll leave. That's it, that's

46:06

it, that's it, that's it, it's

46:08

it, it's, it's, it's, it's, it's,

46:10

it's, it's, it's, it's, it's, it's,

46:12

it's, it's, it's, it's, it's, uh,

46:15

pretty usual, it, it's, it's, it's,

46:17

it's, it's, uh, pretty sure, it,

46:19

it, it, it's, uh, it, a,

46:21

a, a, a, a, a, a,

46:23

a, a, a, a, a, a,

46:26

a, a, a, a, a, a,

46:28

a, a, a, a, a, a,

46:30

a, a, a, a, a, a,

46:32

a, a, a, a, a, a,

46:34

a, a, a, a, a, a,

46:37

a, a, a, a, a, a,

46:39

a, a, a, a, a, a,

46:41

a, a, a, What's it for

46:43

us? We want to look at

46:46

you. We can't control a mirror

46:48

in the quantum of the Lardin.

46:50

It's a lot. It's a limit.

46:52

It's an example of unique history.

46:54

We'll see if it's a needy,

46:57

the Lardin. Thank you, Bob. I

46:59

just, of what I spent, I've

47:01

already seen the idea of, and

47:03

I think that when I was

47:05

in the future, the news at

47:08

the fair, continues to be a

47:10

total money at plus, and I'd

47:12

usually vary. A little bit, I

47:14

don't know, I fear, me, I

47:16

just thought. And it's the same

47:19

as I said in reality, I

47:21

said, it's really, it's a bit

47:23

of the strategy, don't you know,

47:25

I've, a lot of, a, a,

47:27

a, a, a, a, a, a,

47:30

a, a, a, a, a, a,

47:32

a, a, a, a, a, a,

47:34

a, a, a, a, a, a,

47:36

a, a, a, a, a, a,

47:38

a, a, a, a, a, a,

47:41

a, a, a, a, a, a,

47:43

a, a, a, a, a, a,

47:45

a, a, a, a, a, a,

47:47

a, a, a, a, a, a,

47:50

a, a, a, a, a, a,

47:52

a, a, a, a, a, a,

47:54

a, I'm going to pass a

47:56

test for a major in the

47:58

park for a guard with a

48:01

lot of guard footage. I suppose

48:03

that I've viewed an enshoument that's

48:05

a poor securization, and I've, I've

48:07

met with a princess, and in

48:09

part, decided I've seen it, but

48:12

it's a lot of particular material

48:14

at all social moments. I just,

48:16

I've seen a moment in the

48:18

moment. And I'm serious. A certain,

48:20

fair, fair, certain, of the place.

48:23

A week, we have seen the

48:25

space to architect who has been

48:27

put on industrial, comes up. A

48:29

week, these spaces, these spaces, the

48:31

space to cruise, the work, the

48:34

enfilitant, the liberu, but these functioners,

48:36

the administration, the police secret. It's

48:38

a fair, a huge space of

48:40

comfort, that's a good look, that's

48:42

a pretty disinformation, I have made,

48:45

that roll o'er-de-shos, o'er de jean,

48:47

we're in the kitchen, we're in

48:49

the kitchen, we're in the kitchen,

48:51

we're in the kitchen, we're in-attache,

48:54

and we're visible, three-malades, because we're

48:56

in there, a lot of positive

48:58

education. A little bit more often,

49:00

a fun day, and a whole

49:02

year, and a lot more, a

49:05

lot of, a lot of, a

49:07

lot, a lot, a lot, a

49:09

lot, a lot, a lot, a

49:11

lot, a lot, a lot, a

49:13

lot, a big congebser, a big

49:16

zoo, a big zoo, a big

49:18

zoo, and a big zoo, a

49:20

great, a lot, a lot, a,

49:22

a, I think that's true. I've

49:24

lost a nice city with a

49:27

small airport. I've tried to see,

49:29

what's the best thing possible. I've

49:31

learned, as I've got to you,

49:33

continue. And I've seen a person

49:35

who's right, but I've seen a

49:38

lot of trucks, and a person

49:40

who has been called Tonks. I've

49:42

progressed, and I've arrived in a

49:44

space of... The shoulder escalates, a

49:46

pugelage, a pugeliskelic that is gross,

49:49

as I'm sorry. The effectivement, alluring,

49:51

and it's like a million, and

49:53

so how many, is it so

49:55

many years of the grossescalilliers, and

49:58

it's a little bit more than

50:00

the last one, a little more

50:02

than a little more active, but

50:04

a little more. I can't link

50:06

it past you. I don't think

50:09

so. I'm sure. I'm sure. I'm

50:11

just as proud to call it

50:13

a lira inert. And I feel

50:15

like we're saying this is a

50:17

scaly. And we're a nice, a

50:20

most active part, special. But we'll

50:22

come to the river, a lot

50:24

of y'er, of y'all guard, a

50:26

gigarnasse. Ah. Arme. I've talked to

50:28

you, I mean, uh... I mean,

50:31

you've fantastic, uh... Oh, poor man,

50:33

uh, poor man, when we've sent

50:35

a, the scallier, I've never, uh,

50:37

the princesses, uh, never entered into,

50:39

I've, I've, I've, a, the benefit

50:42

of the bureaucracy of Fordism, and

50:44

it's a bad repatriate, and I

50:46

continue. And it's a bit more

50:48

than a couple of hours, a

50:50

fordice. And a lot of time,

50:53

a lot of the church, a

50:55

lot of hours, that's true, that

50:57

a tonant, that's a lot of

50:59

fordice, but that it's really terrific,

51:02

but, well, a lot less. It's

51:04

a good thing. It's a good

51:06

thing. Oh, okay. Oh, okay. Oh,

51:08

cool. Yeah, fair. It's so neat,

51:10

it's a level of work, as

51:13

I'll, uh, and I'm, uh, and

51:15

I'm, I'm, whatever, I'm fishing at,

51:17

uh, a papier, or a prat,

51:19

a prat, a prat, a prat,

51:21

a prat, a prat, a prat,

51:24

a prat, a prat, a, a,

51:26

gat, a, a, a, I've, a,

51:28

a, a, a, a, a, a,

51:30

a, a, a, a, a, an

51:32

accident of murder, in the prison

51:35

of the police secret. The remainder

51:37

of alluring all the men of

51:39

the Francaiseurap, to rely on what

51:41

is a case, to the disposition

51:43

of travel, de di suget, de

51:46

samagistet, and a charge of federal

51:48

rapporteur, a charge of rapporteur, a

51:50

friend of visage, de lissant de

51:52

lissant, The institution of the glorious

51:54

majesty, of the right here, and

51:57

the right here in Pepsi. And

51:59

in fact, the all the Papier,

52:01

the evident, the evident, the possess,

52:03

and dua, show the truth, and

52:06

a lot of what's on the

52:08

truth, what's on the truth that

52:10

you have already said, uh, not

52:12

poor. Wait. Vila. The fussy of

52:14

Chekhov of the episode, but I've

52:17

been on the text, or at

52:19

the end of the yard. I'm

52:21

a fan. I'm a fan of

52:23

the nadugard. I'm a fan. I'm

52:25

a fan of my own. I'm

52:28

not a manatee. Oh, as we're

52:30

on post-okleid one, but I'm sorry.

52:32

We, and two, three, three, three,

52:34

two, okay. No, you see. It's

52:36

the best of three. It's the

52:39

best of three, four, four, three,

52:41

three, two, two, three, two, two,

52:43

two, two, two, two, two, hmm.

52:45

Saint, Elle, I'm... three, six? Ah!

52:47

And two, okay! We're supposed to,

52:50

three, but in France. Ah, l'er,

52:52

I've already seen a premiere at

52:54

all, which I've, uh, that I've

52:56

seen a manipulator's. No, but I've

52:58

seen a rompu, a lard of

53:01

a resort, and I've just seen

53:03

a rompu. Oh, yeah. Oh, yeah.

53:05

Oh, yeah. Oh, yeah. Oh, yeah.

53:07

Oh, yeah. Oh, yeah. Oh, yeah.

53:10

Oh. Oh, yeah. Okay. So, yeah,

53:12

oh, okay. So, oh, oh, okay.

53:14

Oh, so, no, no, no, no,

53:16

right. Oh, right, but you want

53:18

to do you know, come over

53:21

there. Oh, yeah. Oh, the far

53:23

this. Okay. Okay. Oh, I've here.

53:25

In fact, I've heard of a

53:27

disease in two years, I've heard

53:29

of three years, a little bit,

53:32

a few days. It's a lot

53:34

of security. It's a document of

53:36

the process, and a document official,

53:38

with the Emperor, with the Emperor,

53:40

on a parlor, on a parplacenta.

53:43

It's true. It's a marsh, samash.

53:45

Okay. A six-seven. Six-two? Three-two, two-two-two-two-two-two-two-two-two-two-two-two-two-two...

53:47

I'm not a bunch of the

53:49

Germans, but I've found out how

53:51

to tell you the details. I've

53:54

found out that there is one

53:56

of the signature and more audits,

53:58

voila. But I'm trying to tell

54:00

you, and I'm not easy for

54:02

the so-imperial. I work as a

54:05

subordinate, a lier de laissez. I'm

54:07

afraid allude, you know. We've, we've,

54:09

uh, pretty a minute. Princess, I've

54:11

been referring... A lute n'er-g'er, gat,

54:14

a-m'am. And I've pourothed the l'er-l'er-l'er-l'er-n't'in-t'in-t'in-t'-tou-lutn'u-t'-lou-tou-tou-tou-tou-tou-tou-tou-tou-tout-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-tou-t

54:16

It is a lot less serious

54:18

than a lot of work and

54:20

a total of color and a

54:22

lot less. A lot of it

54:25

is a lot more often. It

54:27

is a good time for you

54:29

in the procedure inadequate and in

54:31

a month of formation evident and

54:33

clear. It is the recognition and

54:36

clear. It is the recognition of

54:38

the reconnaissance of the recognition and

54:40

clear. It is the recognizance of

54:42

the recognition of the reconnaissance of

54:44

the recognition. In comparison, Francis, I've

54:47

used to use Scottish, I've seen,

54:49

I've seen a break, and I've

54:51

been bricconced, a branchette. Au, a

54:53

branchet. A branchet. A branchet. A

54:55

branchette. A branchette. A notte. A

54:58

bracke. A bracke. Notte. The

55:00

main show, it's the primary line,

55:03

and with clear remand with the

55:05

spectris of the travel note, what

55:07

are you saying, two skisps? I

55:10

think that it's dumb to the

55:12

care fact that it is the

55:14

first case that that we do

55:17

see, and that's all right, and

55:19

that's it, and it's a problem,

55:21

and it's a problem, and it's

55:23

a problem, and it's a problem,

55:26

and it's a problem, and it's

55:28

a problem, and it's a problem,

55:30

and it's a problem, and it's

55:33

a problem, and it's a problem,

55:35

and it's a problem, and it's

55:37

a, a, a, a, a, a,

55:39

a, a, a, a, a, a,

55:42

a, a, a, a, a, a,

55:44

a, a, a, a, a, a,

55:46

a, a, a, a, a, a,

55:49

a, a, a, a, a, a,

55:51

a, a, a, a, a, a,

55:53

a, a, That's their post, I've

55:56

jolle's accompanied Jus Corbett. And I

55:58

believe that Louise, how many, how

56:00

many, you have? Absolutely, ma'am. Well,

56:02

you know, and how many have

56:05

we discussed it? You can't say

56:07

are even in the Andrei, in

56:09

a roweloisin, the cartel, the police

56:12

secret? You can mention a rivet

56:14

in a rivet in a union?

56:16

We need to remark quickly the

56:18

platform and as a regular use,

56:21

a book or a plu. and

56:23

a book of plau de platform,

56:25

see? The port, the porton air

56:28

plus is a lot wooie, a

56:30

wooie, a wooie, a hoehy, this

56:32

is a space of greenie, and

56:35

a vu-tauvigny, a nespeau, which don't

56:37

sure, just a moment in Saint-de-Foss.

56:39

And it's first, it's in fact

56:41

the corridor, or it's not a

56:44

linear, it's a, it's a, it's

56:46

a, it's a, it's a, what,

56:48

and on the cello, and it's

56:51

a, I pass it on the

56:53

phone. Oh, yeah. And it's a

56:55

plus that's a, a a, a,

56:57

a, a, a, a, a, a,

57:00

a, a, a, a, a, a,

57:02

a, a, a, a, a, a,

57:04

a, a, a, a, a, a,

57:07

a, a, a, a, a, a,

57:09

a, a, a, a, a, a,

57:11

a, a, a, a, a, a,

57:14

a, a, a, a, a, a,

57:16

a, a, a, a, a, a,

57:18

a, a, a, a, a, a,

57:20

a, a, a, a, a, a,

57:23

a, a, a, a, a, a,

57:25

a, a and visible to me,

57:27

it's part of the idea that

57:30

we had to use a company,

57:32

so if we had to do

57:34

that, we had to, we had

57:36

to, we had, and we had

57:39

to, we had to, we had

57:41

to alarm. What? We had to

57:43

do it, we had to do

57:46

it, we had to regard this.

57:48

At all of us, we would

57:50

leave here. And we had to

57:53

reciprocity, we would have been, and

57:55

we had to precipitate, with a

57:57

precipitate for the Gary Tancastion. so

57:59

that we're trying to find out

58:02

what's going on. That's a space

58:04

of this planet, huh? That's how

58:06

much long, though, after a month's

58:09

endometre, don't we? What's that? We're

58:11

like, a lot of visit, and

58:13

it's like, we're having some, or

58:15

because it's a remote machine, and

58:18

it's like, we're going to do

58:20

it for control. Amba, a control

58:22

bar, d'hande, d'hande-courido, d'and-de-garde-and-de-gard-and-de-de-and-courida, d'and-courid-on-courid-on-courid-on-courid-on-contral-bar. But

58:25

we're, we're, we're, I think, we're,

58:27

we're, we're, we're, we're, we're, we're,

58:29

we're, we're, we're, we're, we're, we're,

58:32

a, a, a, a, a, a,

58:34

a, a, a, a, a, giss,

58:36

a, a, gissier, not a share,

58:38

um, a, a, a, a, a,

58:41

a, a, a, a, a, a,

58:43

a, a, a, a, a, a,

58:45

a, a, a, a, And it's

58:48

true, it's true, it's true, it's

58:50

true, it's new, it's good. And

58:52

I also got it, it's clear

58:54

that it is, well, because all

58:57

emotions and crick, correct them, and

58:59

me, open our reviation. We remand,

59:01

all the punctuation and l'er le,

59:04

le, le, le, le, le, le,

59:06

le, le, le, le, le, le,

59:08

le, le, le, leism. No, but

59:10

I guess. Exactly. No, terra. No,

59:13

terra. It's possible. And day-la-la-liebittute. No,

59:15

vuu, the surnum, so far the

59:17

part of the area that lives,

59:20

it's done a sure, a nespez,

59:22

a nespez de bure, a l'anteriarducala,

59:24

d'uselt d'uselté, so-télères, a-télè-té-té-télères,-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té-té The importance

59:27

of having a lot of work

59:29

and to travel is your own.

59:31

It has to be the idea

59:33

of having a lot of time,

59:36

a lot of it is a

59:38

lot more important to tell you,

59:40

a special fun, of it. And,

59:43

uh, continue to continue to entree.

59:45

And I've been here to two

59:47

of the calculations. And I've been

59:49

here to two of the calculations.

59:52

I'm not a liar, I think

59:54

that's pastile, to a case of

59:56

a large yard and lividisant. I

59:59

see that the shows are all

1:00:01

visible. I'm okay. I'm sure I've

1:00:03

got three-furtive, with a fact, a

1:00:06

lot of delardent, you see? But,

1:00:08

two of my men, yeah, but

1:00:10

I say to voice in your

1:00:12

mind, I have, I'm sure, I'm

1:00:15

really para-a-a-sar, a crocable. It's interesting,

1:00:17

yeah, sure, yeah, sure. And, uh,

1:00:19

and you could, I'll, I'll, go

1:00:22

pass the day, lardin, shh, d'h-s'h't't't't't't't't't't't't't't't't't't't't't't'-t't't't't'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'-t'

1:00:24

A crush on spasiphan and a

1:00:26

alert of vogue d'arguade, d'oeuvre, the

1:00:28

surgeon, to a lot of his

1:00:31

own. I'm part of the son-in-arm,

1:00:33

and it's the past that the

1:00:35

shows detrench, or beyond me similarly,

1:00:38

a invasion of vogartier process. Two,

1:00:40

two of the securities securities, we're

1:00:42

in a more, in his attach.

1:00:45

I'm sorry, I'm sorry, I'm fine,

1:00:47

but I'm prisoner. I want to

1:00:49

leave, and I'm... I'm a man.

1:00:51

And, uh, visible more, and it's

1:00:54

part of what I'm feeling, I'm

1:00:56

feeling like, I'm feeling like, I'm

1:00:58

feeling like, I'm feeling like, I'm

1:01:01

feeling like, I'm a, look like,

1:01:03

a, look like, a, a, look,

1:01:05

and a, look, and a, look,

1:01:07

no, a, a, a, a, a,

1:01:10

a, a, a, a, a, a,

1:01:12

a, a, a, a, a, a,

1:01:14

a, But, uh, but, uh, what's-what,

1:01:17

what's-what, what's-what-what-you-what-you-you-do-how-what-what-you-man?-what-what-what-but-men?-what-you-what-what-you-man?-wok-l'-w'-w'w'u-w'u-w'u-w'u-l-l-nogie. A-tond, a-tond-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-a-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-t-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend-tend- I'm not

1:01:19

a teenager, but I'm not a

1:01:21

kid. The only way I can

1:01:24

do it, because I can't show,

1:01:26

I've met in-kind today, and I've

1:01:28

been in-jay, in-cis, oh, the same,

1:01:30

thank you. It's a good idea.

1:01:33

A good idea. A good idea.

1:01:35

A good idea. It's a great

1:01:37

thing. We're pro-vogloten. And the last

1:01:40

siren, and the princess. But it's

1:01:42

a bad idea. It's a jet-tress.

1:01:44

I mean, it's a great story.

1:01:46

I'm mad. It's a pretty fleshen.

1:01:49

I'm sure that you're a lot

1:01:51

more d'hmm. Trabiar. A-hmm. A-h-h-hmm. A-hmm.

1:01:53

It was a little bit, a

1:01:56

good idea, a good art that

1:01:58

was in the past, a lot

1:02:00

more than a sort, a little

1:02:03

bit more, a fissure, a fissure,

1:02:05

a little bit more, a lot

1:02:07

more, and a lot more, a

1:02:09

lot more, and a bit more,

1:02:12

and a bit more, I thought,

1:02:14

a lot more fun, a lot

1:02:16

more fun, a lot of rick

1:02:19

person than my idea, a lot

1:02:21

of recuperable. It's a lot of

1:02:23

frustrating. I've never done anything else,

1:02:25

and it's a fruit. And it's

1:02:28

a move, and it's a different

1:02:30

way of doing it. Oh, so

1:02:32

you can move. Oh, it's a

1:02:35

good place. In person, the month,

1:02:37

we have some visage. Right. Well,

1:02:39

I've, I've, I've only, I've heard

1:02:42

past the moment. But I've got

1:02:44

a fair pass a moment. What

1:02:46

I've got to say a few

1:02:48

new pasty, and a valid breneelure,

1:02:51

that's a s'a. I have a

1:02:53

very confident shot now. Okay. Well,

1:02:55

you know, the part-sover, and we're

1:02:58

here at home, totally have what

1:03:00

you've been told to, and you

1:03:02

saw in the space of the

1:03:04

pestilential, the front line, and I'll

1:03:07

have you on the pierce tooth.

1:03:09

I've never been here, but I'm

1:03:11

not here, but I'm not here,

1:03:14

but I'm going to say a

1:03:16

little more, I'm planic, you've got

1:03:18

a view, of a de de

1:03:21

de de de de-sold-soldis-cé, a curator,

1:03:23

curator, a curator, a curator, a

1:03:25

curator, a curator, a curator-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a And,

1:03:27

uh, I work in a minute,

1:03:30

pray, to vote, uh, demeton, that

1:03:32

pass patriluant to a degree of

1:03:34

it. And the point in Korea,

1:03:37

and later in the army, It's

1:03:39

a good thing. It's a good

1:03:41

thing. It's a good thing. It's

1:03:43

different. It's different. It's different. It's

1:03:46

better. But it's a bad thing?

1:03:48

It's difficult to do. It's a

1:03:50

good thing. It's a difficult to

1:03:53

do. Plus, uh, because it's a

1:03:55

pretty bad road, or what's it

1:03:57

for? Okay. It's a bad thing.

1:04:00

But I just played it for

1:04:02

an attitude. No, man. It's a

1:04:04

simple guard, and the person said

1:04:06

to. problem. Okay, so what did

1:04:09

you think we were saying, what's

1:04:11

going to do you feel like

1:04:13

that? Uh, I've used to trap

1:04:16

a pet, as I've received in

1:04:18

the Princeton, some ma'hua, and it's

1:04:20

in central shock, that we're contacted

1:04:22

to solve, mombra, a couple of

1:04:25

places, a couple of things, a

1:04:27

couple of people, mub, or two

1:04:29

of two of my minions, and,

1:04:32

uh, like we're entertained in a

1:04:34

brat de Murphy. I'm sorry, I'm

1:04:36

sorry, I'm sorry, I'm sorry, I'm

1:04:39

sorry, I'm sorry, I'm sorry, I'm

1:04:41

sorry, Libya. Well, in fact, I'm

1:04:43

here, both, I'm next to, I

1:04:45

heard, but I'm next to, oh,

1:04:48

I'm next to, oh, oh, oh,

1:04:50

the same as part of my

1:04:52

partner's, I'm a, I'm a, I'm

1:04:55

a, I'm not a, I'm a,

1:04:57

I'm a, I'm a, a, I'm

1:04:59

a, I'm, a, a, a, a,

1:05:01

a, a, a, a, a, a,

1:05:04

a, a, a, a, a, a,

1:05:06

a, a, a, a, a, a,

1:05:08

a, a, a, a, a, a,

1:05:11

a, a, a, a, Don't tell

1:05:13

you, don't tell you. It's a

1:05:15

force slash n. No. But I

1:05:18

see, I see, I see, I

1:05:20

see, I believe, it's a good

1:05:22

place. No, sir. I'm sure. I've

1:05:24

lost three, three, three, three, three,

1:05:27

three, three, four, oh. It's a

1:05:29

it's an hour to come on,

1:05:31

say, a second, a second, one,

1:05:34

a second, a second, a second,

1:05:36

a second, a second, a second,

1:05:38

a second, And, Dior, I'm poor

1:05:40

man-me, yeah, I'm trying to put

1:05:43

on a, a, a-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toottat-toot-toottat-toot-toottat-toot-tat-toot-toot-toot-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat-tat- What's that?

1:05:45

You know, this is a, a,

1:05:47

a, a, a, a, a, a,

1:05:50

a, a, a, a, a, a,

1:05:52

a, a, a, a, a, a,

1:05:54

a, a, a, a, a, a,

1:05:57

a, a, a, a, a, a,

1:05:59

a, a, a, a, a, a,

1:06:01

a, a, a, a, a, a,

1:06:03

a, a, a, a, a, a,

1:06:06

a, a, a, a, a, a,

1:06:08

a, a, a, a, a, a,

1:06:10

a, a, a, a, a, a,

1:06:13

a, a, a, a, a, a,

1:06:15

a, a, a, a, a, a,

1:06:17

a, a, a, a, a, a,

1:06:19

a, a, a, And it's extremely

1:06:22

simple. Totally precipitate for the Liberes-Arkovs,

1:06:24

I imagine. And the Princeton, the

1:06:26

Padma, the Galmons, and Clat-Lashhen, the

1:06:29

Shen, the Shenrissen, the Shenrissen, the

1:06:31

Shenrissen, the Shenriché, Rochienz-Arcoff, the Saluiluil,

1:06:33

okay. Okay, okay, okay. So, okay.

1:06:35

I kept it kept tivity for

1:06:38

a moushevotalan. It's the color that

1:06:40

many men are. Well, I just

1:06:42

thought I was going to go

1:06:45

easier, because I've been using a

1:06:47

failure, the cat too. Well, you

1:06:49

know, a squad of three guards

1:06:52

that entrant are really, or two

1:06:54

decorating. Oh, no, the problem. Oh,

1:06:56

no, no, no, no. No, no,

1:06:58

no. No, I'm repass, sure, or

1:07:01

a selem. No, I, what's, what,

1:07:03

uh, what, uh, what, uh, what,

1:07:05

uh, uh, what, uh, uh, uh,

1:07:08

uh, uh, what, uh, uh, uh,

1:07:10

uh, uh, uh, uh, uh, uh,

1:07:12

uh, uh, uh, uh, uh, uh,

1:07:14

uh, uh, uh, uh, uh, uh,

1:07:17

uh, uh, uh, uh, uh, uh,

1:07:19

uh, uh, uh, uh, uh, uh,

1:07:21

uh, uh, uh, uh, uh, uh,

1:07:24

uh, uh, uh, uh, uh, uh,

1:07:26

uh, uh, The past is the

1:07:28

paroleur, because, well, the princesses, and

1:07:31

she'll find out there a booming

1:07:33

abduge, that messier, so I told

1:07:35

you. Well, no, no, I'm not

1:07:37

sure if it's true or not.

1:07:40

We've already done it. A lot

1:07:42

more, no, I'm, uh, the princesses,

1:07:44

in our inspection, the she actually

1:07:47

seen, a prisoner in prisonier, which

1:07:49

is a shapiep. We're the bummer,

1:07:51

oh God, the stupid, because I'm

1:07:53

not imaginary, you know. Golly, quack,

1:07:56

quack, gaw, gaw, tell you, larkenet.

1:07:58

It's okay, it's a pond duodeward,

1:08:00

that's good. It's a good thing.

1:08:03

It's a good idea. And, well,

1:08:05

if you're looking at a pen,

1:08:07

then it's a good one,

1:08:09

and it's a good one,

1:08:11

it's a fun one,

1:08:14

but you've never looked

1:08:16

like a good one,

1:08:18

but I'm sure on

1:08:21

the past. It's very

1:08:23

important. And it's for

1:08:25

more of a good

1:08:27

one. And I've seen

1:08:30

it's easy. Uh-huh, I

1:08:32

don't know. Uh-huh, not-huh,

1:08:37

narrative-negat-huh,

1:08:40

don't-huh. Oh, we?

1:08:43

Oh, me? Oh, me?

1:08:45

Oh, me? Oh, me? Oh,

1:08:47

me? Oh, me? Oh, me?

1:08:49

Oh, me? Oh, me? Oh,

1:08:51

I'm going on. I

1:08:54

don't. I don't.

1:08:56

Okay. I'm sorry, I'm sorry,

1:08:58

I'm sorry, I'm going home, but just,

1:09:01

during, during the event, due to a

1:09:03

lot of time, and I'm going to

1:09:05

have a mind that's present, I'm sure,

1:09:07

so I'm going to be able to,

1:09:10

I'm not going to say, I'm going

1:09:12

to be a lot more easy, but

1:09:14

in the presentation, I don't know, but

1:09:16

I'm going to. I'm good day. I'm

1:09:19

going to say I'm sorry. I'm sorry.

1:09:21

I'm sorry. I'm sorry. I'm

1:09:23

sorry. I'm sorry. I'm sorry.

1:09:25

I'm going to say I'm

1:09:28

sorry. I'm sorry. Oh, okay.

1:09:30

We'll set me navite. Hey.

1:09:32

I've never seen the occasion

1:09:35

of a navite of my

1:09:37

modest apartment. No, because it's

1:09:39

horrible. Just for me. Just

1:09:42

for me. What is it

1:09:44

that you call, effect one?

1:09:46

The process is the part that I want

1:09:48

to tell you, tell you, the best extraction

1:09:50

you have on the evidence. And the fact

1:09:52

that that's what I think is a need

1:09:55

to do. And it's a lot more often,

1:09:57

a lot, a lot, a little bit, a

1:09:59

little, a-hmm, a-huh. Yeah. So, we've done

1:10:01

it for the day, for the move, in,

1:10:03

in, in, in, in, in, in, in, in,

1:10:05

in, in, in, in, in, in, in, in,

1:10:07

in, in, in, in, in, in, in, in,

1:10:09

in, in, in, in, in, in, in, in,

1:10:11

in, in, in, in, in, in, in, in,

1:10:13

in, in, in, in, in, in, in, in,

1:10:15

in, in, in, in, in, in, in, in,

1:10:17

in, in, in, in, in, in, in, in,

1:10:20

in, in, in, in, in, in, in, in,

1:10:22

in, in, in, in, in, in, in, in,

1:10:24

in, in, in, in, in, in, in, in,

1:10:26

in, in, in, in, in, in, in, in,

1:10:29

in, in, in, in, in, in, in, And

1:10:31

as a moment, when two years saw, I've

1:10:33

opened a day to tears. I mean, I

1:10:36

mean, it's a lot more in the accident.

1:10:38

It's a lot more in the

1:10:40

accident. It's a sumier accident. So

1:10:43

if you're sure to tell the

1:10:45

process, it's a time of a

1:10:47

process that's in the common part

1:10:50

of the truth. You can't tell

1:10:52

a few more. I just have time

1:10:54

to say to you for a year,

1:10:56

but I have said to you,

1:10:58

for a minute. I've read through

1:11:00

three designs, I've seen one of

1:11:02

the two that I've done, one

1:11:04

of them, I've done it, I've

1:11:06

done it, the resistance and the

1:11:09

cartoon, for a mere, or a

1:11:11

system of the sombre. And for

1:11:13

a reason, it's a mission, the

1:11:15

experimental, I have had, or, of

1:11:17

course, a, a, of, of, of,

1:11:19

of, of, of, of, of, of,

1:11:21

of, of, of, of, of, okay,

1:11:23

of, of, of, of, of, of,

1:11:25

of, of, of, of, of, of,

1:11:27

of, of, of, I don't

1:11:29

know. I don't know.

1:11:31

I'm not pretty much

1:11:34

what? I'm sorry. I'm

1:11:36

fine. I'm fine. And

1:11:38

you know. Say, Salatarian,

1:11:41

Kietavivu, to

1:11:43

decide. Alurgat,

1:11:45

I'm sorry. Alurgat, I'm

1:11:48

sorry. I'm sorry. I'm

1:11:50

sorry. I'm sorry. I'm sorry.

1:11:52

Don't you want me to

1:11:54

lead on the Zalib, the

1:11:56

Zalib, the Zalib, the Zalib, the

1:11:58

Zalmattu comes up? And he'll fail.

1:12:01

He'll tell you. He'll tell

1:12:03

you. He'll tell you. I'm

1:12:05

sure that a lot more

1:12:07

profusely is a source of

1:12:10

the areas of Europe, as

1:12:12

part of the sweet of

1:12:14

the rung, and sort of

1:12:16

the splendor of the splendor.

1:12:18

And he'll be back. He'll

1:12:21

see it in the process,

1:12:23

but I can't believe it.

1:12:25

I can't find out how

1:12:27

to talk about it. I

1:12:30

mean, okay. Anyway, it's

1:12:32

a good word. Dale.

1:12:34

Voisellelele, the joy of

1:12:36

my collection. He'll hold it.

1:12:38

I'm geez, I'm still a

1:12:40

special boy. I can't

1:12:42

hold that. I'll leave

1:12:44

there. The escalator, the

1:12:46

escalator, that's all in

1:12:48

the corridor. I'm not

1:12:50

sure. The prisoner and

1:12:53

robot. A fussy, atomic

1:12:55

alma. We've got profited

1:12:57

from the therapy, because

1:12:59

we've done long-profit, it's

1:13:01

practically, but in the

1:13:03

spot-crush-de-salma. We've taken two-two-three,

1:13:06

actually longer-de-shan-com-sah, and commosha.

1:13:08

And it's the first

1:13:10

one coming-drita. It's la

1:13:12

jubel-mo. The class. Well,

1:13:14

you know, when we're

1:13:16

in a store, there

1:13:18

are can be discussed

1:13:20

with the analysts, and

1:13:22

we're in a bar, the

1:13:24

founder, and we're in a

1:13:27

bunch of situations where they're

1:13:29

able to, well, don't you

1:13:31

have to do it for

1:13:33

a day, because if it's

1:13:35

a charge of autonomy, we'll

1:13:37

probably will be able to

1:13:39

sell it for a few

1:13:41

more words. What's that, what,

1:13:43

what, what, what, what, what,

1:13:45

what, what, what, what, what,

1:13:47

what, how, how, how, how,

1:13:49

how, if we are there,

1:13:51

I guess, what, who is there?

1:13:53

Who is a dozen? This is

1:13:56

the corridor? Why? To see if

1:13:58

it's a, it's imagineessa? So, yeah,

1:14:00

and I've been there in

1:14:03

case I've been there a

1:14:05

bit of a million for

1:14:07

a minute to recover. Why?

1:14:09

It's a little problem. Well,

1:14:11

it's in part, you know,

1:14:13

in manufacturing, it's, it's a

1:14:16

shell lab for a, it's

1:14:18

the, it's the, it's the,

1:14:20

it's the, it's the, it's

1:14:22

the, it's the, it's the,

1:14:24

it's the, gat-ush-ush-h-h-huh, it's the,

1:14:27

you-h-h-h-hmm-hmm-hmm, I-h-h-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh Oh yeah, it's

1:14:29

huge. Yeah. Come on, I'm

1:14:31

sorry, but I'm sorry, I'm

1:14:33

touch on, so look,

1:14:36

yeah. Mm-hmm.

1:14:38

No. Oh,

1:14:40

it's a

1:14:43

pussence du?

1:14:45

Me, sontuuuu,

1:14:47

sna, ma'am,

1:14:50

ma'am, ma'am,

1:14:52

ma'am, ma'am,

1:14:55

ma'am, ma'a-a-a-a-a-a-a-a-s'a-ma-ma-ma-ma-ma-ma-ma-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a

1:14:57

I'm sorry, I'm sorry, I'm

1:14:59

sorry. I'm not too gradually,

1:15:01

I thought. I'm just, I'm,

1:15:04

okay. St. I told you,

1:15:06

I've been here, right? I

1:15:08

mean, cat, we're not too,

1:15:10

I'm, ah, we're in, we're

1:15:13

in, we're in, we're in,

1:15:15

we're in, we're in, in,

1:15:17

in, in, in, in, in,

1:15:19

in, in, in, in, in,

1:15:22

in, in, in, in, in,

1:15:24

in, in, You know, for

1:15:26

now for most of the

1:15:28

time, my part chance, my

1:15:30

part of courage, when I'm

1:15:33

away, I'm a jetier, and

1:15:35

I'm just a proximity, I'm

1:15:37

a balance, I'm looking at

1:15:39

the fortune entrelation, a propitomb,

1:15:41

and it's possible, I've been

1:15:43

in turn to me, and

1:15:45

it's a fusic, if it's a

1:15:48

moment, a minute, a distance. If

1:15:50

you don't know if it's a

1:15:52

common limit or if it's a

1:15:54

challenge, but if it's more, it's

1:15:56

a solution to people. Too

1:15:58

much. Precipite. So, yeah, I've got

1:16:01

to charge of the phugia automic, that

1:16:03

it's a lot of other, that crazy, that

1:16:05

calcium, the looker, that you've put in on

1:16:07

top of this, and it's a few

1:16:09

things, a bit more important, a bit more

1:16:12

important, a bit more important, a bit more

1:16:14

important, and a lot more important, a

1:16:16

lot more important, a lot more important, a

1:16:18

lot more important, a lot more important, save

1:16:20

a better than a lot of events

1:16:22

have been, a better than a few a

1:16:25

cat when he had met. A friend in

1:16:27

front of me, a little bit, a little

1:16:29

bit more cat.

1:16:32

It's a

1:16:34

three, a

1:16:36

three-one, a-two-one,

1:16:38

and a-two-one,

1:16:40

three-two, but

1:16:42

a-pen-two-two-one, a-two-two-one,

1:16:45

a-bala-a-fri-five, two-two-one-one-two-one-one-one-one-two-one-one-one-two-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one-one

1:16:47

Oh, well, oh. Oh, it's true.

1:16:49

Oh, that's true. Yeah, I've never

1:16:51

met me this issue too. Right,

1:16:54

yeah. I've focused on, I'm just

1:16:56

on process. Right. I've never canceled.

1:16:58

Ah, but I've canceled. Oh, it's

1:17:01

important for me. Oh, but good.

1:17:03

I'm the carotiff. I'm in carty

1:17:05

infamined, one, three anatomic, debaras, because

1:17:08

I'm a person. What I said, I said, I

1:17:10

said, I said, I said, I said, I said,

1:17:12

I said, I said, I thought that in the

1:17:14

strict case respect, the fissie atomic alma, I meant,

1:17:17

I thought, a puss avuartne, a nous a-worton, a

1:17:19

nous-a-worton, a-worton, a-pression, a-lier, a guy, a guy, a

1:17:21

guy, a guy, a guy, a guy, a guy,

1:17:23

a guy, a guy, a guy, a guy, a

1:17:26

guy, who a man, a man, a man, a

1:17:28

man, a man, a man, a man, a man,

1:17:30

a, a, a, a, a, a, a, a, a,

1:17:32

a, a, a, a, a, a, a, a, a,

1:17:35

a, a, a, man, a, a, a, man, a,

1:17:37

a, a, man, a, a, a,

1:17:39

man, man It's just a story

1:17:41

of the slur, declar, declarte, or

1:17:44

a lance of infusi. No, I'm

1:17:46

a professor. I keep on the,

1:17:48

I'm trying to, I'm sure, I've,

1:17:51

I've, I've, I've, I've, I've,

1:17:53

I've, I've, I've, I've, I've,

1:17:55

done, I've, I've, I've seen

1:17:57

there, but no, I've, I've

1:17:59

never, But not clear to

1:18:01

me, but to me, the total

1:18:03

automatic, we're in a clanchet, we're

1:18:06

in a lard of dirt, and

1:18:08

we're in a funder, and we're

1:18:10

in a drawer, and we're in

1:18:13

a drawer, which a conch, of

1:18:15

a jean, in the preformed city,

1:18:17

the Ming city. And we're in

1:18:20

a place where a character, that

1:18:22

he really is usually a pro, that's

1:18:24

a pain, a pud la pud la

1:18:26

terror. I suppose a month so I'm

1:18:28

captive, I'm a little bit of a

1:18:30

vast of a program, I suppose a

1:18:32

month for a year, I'm sorry, is

1:18:34

it just that I'm a-so-dung-dier? Oh, I'm

1:18:36

too capen, she does, I complain, she

1:18:39

does, I complain. I mean, I mean,

1:18:41

I mean, I do, I mean, I,

1:18:43

I mean, I, I mean, I, I

1:18:45

do like a three-lonton, and I look

1:18:47

like a three-trel, three-tre, three-tre, three-tre, three-tre,

1:18:49

three-tre, three-tre, three-tre, three-tre, three-tre, three-tre,

1:18:51

three-tre, three-t, three-t, three-t,

1:18:53

three-t, three-t, three-t, three-t, three-t,

1:18:56

three-t, three-t, three-t, three-t, three-t-t

1:18:58

It's a... a little bit...

1:19:01

a little bit more valuable.

1:19:03

It's a... a... a... a...

1:19:06

a second. It's a tarantula.

1:19:08

It's a tarantula, a pepul,

1:19:11

a tromuchet, car. It's a...

1:19:13

it's a... it's a superform,

1:19:15

particularly a colon de

1:19:18

lancier, a minigosity. Aven

1:19:21

mam that's a

1:19:23

palmingosity, a pudelatero.

1:19:25

At the time I found out how I was supposed

1:19:28

to have met him. What has done is done.

1:19:30

But it's been done. I just got hurt

1:19:32

from the city. And it was a result

1:19:34

of the spatio-par. T'aou, a

1:19:36

lot more family.

1:19:38

It's a little

1:19:40

bit more divinity.

1:19:43

It's a-wha-wha-thoupe and

1:19:45

a-paretous detail. And,

1:19:47

you could, I

1:19:49

have turned over

1:19:51

a-verter-verton-e-a-my-my-my-my-may-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my-my I do

1:19:53

a sovedale. Oh,

1:19:55

but that's true.

1:19:57

We're at a store.

1:20:00

We're still

1:20:04

a

1:20:07

couple

1:20:10

of

1:20:13

the

1:20:16

rotism.

1:20:20

I'm sorry, I'm sorry, I

1:20:22

said, to salute no,

1:20:24

in the direction, and

1:20:27

I'm going to go

1:20:29

through it. I mean,

1:20:31

I said, no, I'm

1:20:33

not sure, but in

1:20:35

June, I've come on

1:20:37

stage, I've never seen

1:20:39

a lot of interest in

1:20:41

it, but because I'm

1:20:44

afraid I've put too

1:20:46

visit here, but... We've

1:20:48

got to go ahead

1:20:51

with you. We've got

1:20:53

to pay you, in

1:20:55

my cage, and we've

1:20:58

used to have sent

1:21:00

you a guard of

1:21:02

fresh. We're sweet, we'll

1:21:05

be here. We've got

1:21:07

to go. We've got

1:21:09

to go. We've got

1:21:11

to go. We've got

1:21:13

to leave. We're going

1:21:15

to have a good

1:21:17

time. So what's the

1:21:19

reason you have to do

1:21:22

with this year? But I

1:21:24

just want to do this.

1:21:26

We've got to pass a

1:21:28

huge corridor, like we're in

1:21:30

control of a... a really,

1:21:32

it's a part of the

1:21:34

solution, a minute, and we've

1:21:36

promised to have worked with

1:21:38

us, and we're in, we're

1:21:40

in, we're in, we're in,

1:21:42

we're in, we're in, we're

1:21:44

in, we're in, we're in,

1:21:46

in, we're in, uh, In

1:21:48

Bong-de-Gá, for a moment, he

1:21:50

commonsa, six-treathers just a

1:21:52

month, two-tongued near Vervin,

1:21:54

and l'a, l'a, l'h,

1:21:57

t'h, m'hmm, gosh, gosh,

1:21:59

gosh. But what you

1:22:01

want to say, what you

1:22:03

want, what you want, what

1:22:05

you want to say, no

1:22:07

see? It's a little, it's

1:22:10

a little, it's a little,

1:22:12

it's only, it's only a

1:22:14

three-ong, and it's a bracket,

1:22:16

it's a, a, a, a,

1:22:19

métronjo. A lot more often

1:22:21

than a lot more often in

1:22:23

the group, but the commensal is

1:22:25

a coup, but we're not here,

1:22:28

and we're here, we're here in

1:22:30

a revolt, and we're there still

1:22:32

a month, and we're there still

1:22:34

a month, and we're there, and

1:22:37

it's three, it's three, it's five,

1:22:39

it's fat, and it's like, like,

1:22:41

like, like, shows. I'm going to

1:22:43

get here. Well, we're going to

1:22:46

the duilat, I, but see on

1:22:48

YouTube, you too. If you see

1:22:50

more, we look at all the

1:22:53

paconter, we continue to say, to look

1:22:55

at the pastile, we saw

1:22:57

men as well, and have

1:22:59

used more live passume, or

1:23:02

a passum, or a passal,

1:23:04

to continue. I do want

1:23:06

to do a better idea. Okay.

1:23:08

Okay. Okay. A lot of it. And

1:23:11

a credit of bass.

1:23:13

Uh-huh. Uh-huh. I'm a

1:23:15

badger, I've never, I've

1:23:17

got to, I've got

1:23:20

to, I've, I don't know.

1:23:22

Oh, I'll see what you'll

1:23:24

say. Oh yeah. I've

1:23:27

never bought one. Yeah.

1:23:29

It's so much. Ah.

1:23:31

It's bad, ma'am. Ah.

1:23:33

It's so much. Ah. It's

1:23:35

bad. Okay. Okay, I've got

1:23:38

a good question. Nice. Ah.

1:23:40

I can't really recommend the

1:23:42

technology there. Well, I suppose

1:23:44

I've, I've, it's a lotteries,

1:23:47

it's the best pickers on

1:23:49

the two, no, uh, for,

1:23:51

uh, a, a, a, a,

1:23:53

I'm, I think, a, a,

1:23:56

a, a, a, a, a,

1:23:58

a, a, a, a, I'm

1:24:00

here at a group,

1:24:02

I've been here, and

1:24:05

I've spent the moment,

1:24:07

and I've, as I'm

1:24:09

moving, to prepare a

1:24:12

lot, I've found a

1:24:14

lot, I've been here to

1:24:16

try to, I'm going to have a,

1:24:18

I'm here, a, a, a, a, a, a, a,

1:24:20

a, a, a, a, a, a, a, a, a,

1:24:23

a, a, a, a, a, a, a, a, a,

1:24:25

a, a, a, a, a, a, a, a,

1:24:27

And I've used to look at

1:24:29

the rubber to the pastoral and

1:24:31

impubate to men. And in my

1:24:33

mind, I've found a prostrate, and

1:24:36

I've used my, let it be,

1:24:38

I've been running around and is

1:24:41

very cute, and it's a project

1:24:43

for de sumo. Okay, that's what

1:24:45

I've talked to me, but that

1:24:48

I'm the right man, and I'm

1:24:50

going to, I'm glad you're close,

1:24:52

you're close, you're close, you're close,

1:24:55

you're close, I'm becoming mad, and

1:24:57

I'm sorry now, but I'm... Okay,

1:24:59

so I'm pretty, but I'm sorry

1:25:01

for you, but I'm sorry for

1:25:04

you, I'm sorry, I'm anticipating, so

1:25:06

many of them. It's, it's, it's,

1:25:08

it's, it's, it's, it's, it's a

1:25:11

foul, it's a lot more bad,

1:25:13

it's trach, and it's,

1:25:15

it's a, wait,

1:25:18

what you, uh-huh-h-huh-huh,

1:25:20

totally-naught-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-huh-h-h-h Well, look

1:25:23

at you, and

1:25:25

the three more,

1:25:27

the three-month maps

1:25:30

of stress, and

1:25:32

the Alpateri, because

1:25:35

I have a,

1:25:37

it's a paragraph. You,

1:25:39

what's going to tell

1:25:42

me? I'm a, come

1:25:44

the Rhombartic, I guess,

1:25:46

I've, I've, I've, I've,

1:25:49

I've, I've, a, a, a, a, a,

1:25:51

a, a, a, a, a, a, a, a, a, a,

1:25:53

a, a, a, a, a, a, a, I just

1:25:55

said, oh, it's not a transparent day. No, no,

1:25:57

it's not a bad spring day. I'm going to ask

1:25:59

you. I want to tell you,

1:26:01

I will tell you, I'm going

1:26:04

to tell you. I'm going to

1:26:06

tell you, and it's a lot

1:26:09

more common, but it's a good

1:26:11

one. It's a belabion, a mere

1:26:13

emont, and it's a perfect thing.

1:26:16

I've got to say, I've got

1:26:18

a good word, despite. And I've

1:26:20

got to say, I've got a

1:26:23

good word, despite. And I mean,

1:26:25

I saw. I mean, I said,

1:26:28

I mean, I saw. And I've

1:26:30

lost, it's limited I've spent a

1:26:32

lot more fissile of the joy

1:26:34

of the gassa. And I've tried

1:26:36

to, I don't know. It's just

1:26:38

a family. Ljutna to road push,

1:26:41

you say? It's a lot more cool, you

1:26:43

say? It's a lot more than a

1:26:45

prilla. To work on the

1:26:47

ljutna to road-tousa. It's a

1:26:49

lie bernar jest. I've seen

1:26:52

three children. One friend, I've

1:26:54

seen three children's daughter, flash,

1:26:56

and her mother's, but she'll

1:26:58

go back. Uh, in fact,

1:27:01

no, that's sad. That's true,

1:27:03

that a bonus of over

1:27:05

$1,000. Wow, but you don't

1:27:07

tell you're... The lute no,

1:27:09

lute no, lute no, and

1:27:12

it's three, uh, three of,

1:27:14

uh, dange. So if it's a

1:27:16

flash that fails, I guess it's a little

1:27:18

simpler. Oh, well, they say the truth. But,

1:27:21

oh, it's a bonus of more money. Well,

1:27:23

I think that I look at a look

1:27:25

at a look at a look at a

1:27:27

look at a look at a look at

1:27:30

a look at a look at a look at

1:27:32

what you attack, that's a problem

1:27:34

with the initially. I'm supposed to,

1:27:36

I'm opposed to the fact that

1:27:39

it's a rent-rentin-in-de-de-de-front. The problem with

1:27:41

is that you've been having a

1:27:43

lot of knowledge. No, no, no,

1:27:46

they don't, you don't, you know,

1:27:48

okay. And if you know, I've

1:27:50

seen, I've seen, I've, I've done,

1:27:53

I've, I've, I've, I've, I've, I've,

1:27:55

I've, I've, I've, I've seen, I've,

1:27:57

I've seen a lot of control.

1:28:00

I'm sorry, but I'm sorry, but I'm going

1:28:02

to do it in the situation, because

1:28:04

I've really been cruel, but I've often,

1:28:06

I've, I've, I've, I've, found out, in the, in the, in

1:28:08

the, in the, in the, in the, in the, in the,

1:28:10

in the, in the, in the, in the, in the, in

1:28:12

the, in the, in the, in the past, in the past,

1:28:14

in the past, in the past, in the past, in the

1:28:17

past, in, in the past, in the past, in, in,

1:28:19

in the past, in, in the past, past, in, in,

1:28:21

past, in, past, in, in, in, in, past, in, in,

1:28:23

in, in, in, in, in, in, in, in, in, in,

1:28:25

in, in, in, in, in, in, in, in, in, in,

1:28:27

in, in, in, in, in, in, in, in It's true.

1:28:29

Yeah, it's true. I'm sorry, but it was, well, it's

1:28:31

only, it's a matter of a little, but it's

1:28:33

good work to want this, you're sorry,

1:28:35

I've tried to, but I just turned

1:28:38

around here, leotna, don't do the

1:28:40

situation, who's at some serious damage

1:28:42

to the human, and we've never

1:28:44

created a sacrileg, the beer pisois,

1:28:46

sorta mois de cetera, or vis,

1:28:49

and spastre, espaisse, de chapabbezpus de

1:28:51

ma'aab. It's a tag of magnetic.

1:28:53

You've got to say, I've changed

1:28:55

a minute, but I'm not. So,

1:28:58

clay, you brought us to the

1:29:00

end out or the board. You

1:29:02

know, it has deficits. So, you've

1:29:04

done it. You've done it. You've

1:29:06

done it. You've done it. You've

1:29:08

done it. But, I've done it

1:29:11

because it's a tea. It's a

1:29:13

tea. It's a tea. It is

1:29:15

a tea. Well, don't pay for

1:29:17

business. Wow. And don't say

1:29:19

you've had a lot. Yeah.

1:29:22

Okay. Well, I don't, I

1:29:24

don't know. Well, let two

1:29:27

authorities. I've been coming to

1:29:29

a softie road. Come on.

1:29:32

It's a little bit more

1:29:34

than a little bit more

1:29:36

than a three. I'm sure.

1:29:38

Why, why, wait, I'm a

1:29:40

clear. We, eh, le two

1:29:42

rodeo-de-haun. Oh, fine. You do

1:29:44

take that. I'm sure, I'm

1:29:46

sure, I'm just... Oh, I'm

1:29:48

sorry. I'm sorry. I'm sure,

1:29:50

I'm gonna wrap up. I'm

1:29:53

totally cool. It's a bar.

1:29:55

It's a bar. I'm just

1:29:57

in the most strong direction.

1:30:00

To work, how many times do we

1:30:02

have these cases? We have a lot

1:30:04

of them. We have a lot of

1:30:07

them, the boy, but, the girl, in

1:30:09

the direction, and in the room, I

1:30:11

offer, when we're in front of a

1:30:13

pantier. We could look like a look,

1:30:16

and roof, look, look, look, look, look,

1:30:18

look, look, and look, look, and look,

1:30:20

look, and look, look, and look, look,

1:30:23

look, and look like, look, look, and

1:30:25

look, look, look, look, and look, look,

1:30:27

look, look, and look, and look, like

1:30:30

the like the like the like the

1:30:32

fus. I'm sorry, I'm trying to tell

1:30:34

you, but I'm sorry, I'm just saying,

1:30:37

I'm sorry, I'm sorry, and I'm going

1:30:39

to end up with a day, a

1:30:41

little bit, and I want to end

1:30:44

up with a day, a ponshire, for

1:30:46

a second, a, a, a, a, a,

1:30:48

a, a, a, a, a, a, a,

1:30:51

a, a, a, a, a, three, we

1:30:53

have a, a, a, a, a, three,

1:30:55

a, a, a, a, a, a, a,

1:30:58

a, a, a, a, a, a, a,

1:31:00

a, a, a, a, a, a, a,

1:31:02

a, a, a, a, a, a, a,

1:31:05

a, a, a, a, a, a, a,

1:31:07

a, a, a, a, a, a, a,

1:31:09

a, a, a, a, a, a, a,

1:31:12

a, a, a, a, a, a, a

1:31:14

But we've really need to eventually explain

1:31:16

what we like, we have, we've, we've

1:31:19

got, we've got to, we've, we've, we've,

1:31:21

we've, we've, we've, we've, we've, we've, we've,

1:31:23

we've, we've, we've, we've, we've, we've, we've,

1:31:26

we've, we've, we've, we've, we've, we've, we've,

1:31:28

we've, we've, we've, we've, we've, we've, we've,

1:31:30

we've, we've, we've, we've, we've, we've, we've,

1:31:33

we've, we've, we've, we've, we've, we've, we've,

1:31:35

we've, we've, we've, we've, we've, we've, we've,

1:31:37

we've, we've, we've, we've, we've, we've, we've,

1:31:40

we've, we've, we've, we've, we've, we've, we've

1:31:42

I'm a precipitual, man, I'm not sure

1:31:44

if I'm all too satire. I'm a

1:31:47

suleh, I've, I've, I've, I've, I've, I've,

1:31:49

I've, I've, I've, I've, I've, I've, I've,

1:31:51

I've, I've, I've, I've, I've, I've, I've,

1:31:54

I've, I've, I've, I've, I've, I've, I've,

1:31:56

I, I've, I've, I've, I've, I've, I've,

1:31:58

I've, I've, I've, I've, I've, I've, I've,

1:32:01

I've, I've, I've, I've, I've, I've, I've,

1:32:03

I've, I've, I've, I've, I've, I've, I've,

1:32:05

I've, I've, I've, I've, I've, I've, I've,

1:32:08

I've, I've, I've, I've, I don't think

1:32:10

they're a brick! Oh, well, we're going

1:32:12

to have a slapletier. And I'm sure

1:32:15

I'm a problem. What is it? We're

1:32:17

the fidde. I'm sorry, I've found a

1:32:19

great delipsler. It's a lot more than

1:32:22

I've never done it. I'm a little

1:32:24

more terrier than. A lot more terrier?

1:32:26

And, well, I've left a lot. Terrier.

1:32:29

Okay. There is a little bit. Oh,

1:32:31

yeah. I've got a good person. I've

1:32:33

been fair to gross delipsler. It's good.

1:32:36

It's the venture, but I've passed by

1:32:38

the... I've reviewed the recommendation of the

1:32:40

office, the founder, but pay us a

1:32:43

no, I've found a lot, I've already

1:32:45

vivite, a man who manifests in a

1:32:47

fight of security, for because I've come

1:32:50

in a budget for a space of

1:32:52

degree, that we've already exetermed, to have

1:32:54

done a lot, and I've put prostrage,

1:32:57

I've done a lot of oppression, a

1:32:59

lot of acts today. as a space

1:33:01

of color of maintenance and vousant d'haint

1:33:04

on the entree, in the villa, in

1:33:06

the two-cliffed clavre, in private, in a

1:33:08

community, in a community, in effect. And

1:33:11

if it's a month when we've used

1:33:13

index, we've, in the space of a

1:33:15

predicament of age, a brute-de-bridge brute, and

1:33:18

a pure vertigine that enfence a fa-a-la-la-a-la-a-la-a-la-a-la-la-la-la-la-la-la-la-la-la-la-la-a-la-la-la-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-

1:33:21

I'm sorry, I'm sorry, I'm very

1:33:24

bad, I'm afraid. I said, I'm

1:33:26

sorry, I'm pretty critical. And in

1:33:28

this time, I'm so diverse, all

1:33:30

the space of corridor, the maintenance

1:33:32

technique, the co-judice, as it is

1:33:35

all wrong. And in fact, we're

1:33:37

going to come to us a

1:33:39

tonne, to an air, as is

1:33:41

a imprint of the new space

1:33:44

of... the, come on, the, the,

1:33:46

the, the, the, the, the, the,

1:33:48

the, the, the, the, the, that

1:33:50

you've addressed all the problems in

1:33:52

war. And if it's more, you

1:33:55

can see, a good idea of

1:33:57

doing these things to push. And

1:33:59

I've passed the day, because I've

1:34:01

seen a lot of work. And

1:34:04

if you're coming in, I'll say,

1:34:06

well, it's a good thing to

1:34:08

do for a day's order. It's

1:34:10

a pick. And in all the

1:34:12

sickoo. But in patrol, what's in

1:34:15

command of the sole detours, of

1:34:17

the sole, and all the two

1:34:19

cursive, of the city, have tried

1:34:21

to research, with minigucyt, a lard

1:34:24

of embolicion, and I am a

1:34:26

guard, an sultade of minga, a

1:34:28

minigocyt, and a patient wrote also

1:34:30

to the actual. But we don't

1:34:32

have to talk to you, but

1:34:35

I think that's usually a prior

1:34:37

error. And it comes out of

1:34:39

a scene, or a scene, of

1:34:41

two-year-old-oldier, who's in-fencein' in the norm

1:34:44

of a beam, for a rivet,

1:34:46

effectively, and effectively, a fan. Puy,

1:34:48

we honor him, officially a new

1:34:50

one, a special, a special, a

1:34:52

protection, a diration, to arrive in

1:34:55

the spes d'hancion, suit, des entropu,

1:34:57

moisie, etc. Puy, de zoon, de

1:34:59

stokage, apople, appuululou correct, and fetsimont,

1:35:01

you can see me festimur, the

1:35:04

spasiopore, domoicious. The poor people in

1:35:06

the space of the corner, and

1:35:08

the poor, who are living in

1:35:10

a good city, in all the

1:35:12

space you put, to imagine in

1:35:15

a space of grandeur that comes

1:35:17

out, and he received the fusies,

1:35:19

the norm fusies, d'oeuvres, the paures,

1:35:21

imperial, all the other forms in

1:35:23

his space of corona, all of

1:35:26

the circular, all of these spes

1:35:28

of lonsa, a problem, a problem,

1:35:30

a problem, a problem, a problem,

1:35:32

a problem, a lot, and a

1:35:35

secret, and a solution, right, and

1:35:37

that's important. And a lot, on

1:35:39

this end, we have tried to

1:35:41

describe, a commieur, a commieur, a

1:35:43

commieur d'irigue, but a l'eriguiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluiluil We

1:35:46

have a lot of time here,

1:35:48

we have a lot of time,

1:35:50

we have a privilege of the

1:35:52

processor, which is distant to the

1:35:55

effect that we see a lot

1:35:57

of years. It's a difficult time