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Well, I began with a coin.
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odu.com, o-d-o-o.com. Hi,
2:00
I'm Kristen Davis, and I want
2:02
to know, are you a Charlotte?
2:04
So when you think about, I
2:06
mean, I have so many questions,
2:08
I don't even know where to
2:10
start, but like, if you think
2:12
about, can you remember before, Miranda?
2:14
And you would just go about
2:16
your life and no one would
2:18
recognize you, or people would randomly
2:20
recognize you from different things. What
2:22
was it like, in terms of
2:24
being in the world? You mean
2:26
before our show? Yeah. because I
2:28
was in this pretty successful movie
2:30
when I was 12. Right. I
2:32
haven't, uh, no, no, uh, Little
2:34
Darlings. Little Darlings, got it. Later,
2:36
later, but also, I mean, Oscar.
2:38
Oscar, right. So I always had
2:40
a certain, very manageable number of
2:42
people. Got it. Recognizing. But so
2:44
it was like comfortable. It was
2:46
like a little, a little salt.
2:48
Sure. It wasn't like an entire
2:50
meatloaf. It was like a little
2:52
salt. Yes, yes, yes. Yes. And
2:54
then, do you remember when when
2:56
the show started to air and
2:58
people started to watch it? More
3:00
than half, like three quarters of
3:02
the people that would come up
3:04
to us were black men? No.
3:06
Remember this? No. It was so...
3:08
I mean... Fascinating. And I don't
3:10
think it was just me because
3:12
we've all we all used to
3:14
talk about it. It was well
3:16
in the very beginning days. Uh-huh.
3:18
It was like, surely you're not
3:20
our demographic, right? What's going on?
3:22
But amazing. But it was fantastic.
3:24
Maybe it was the guys who
3:27
wanted to watch the boxing on
3:29
HBO. That's what it was. Oh,
3:31
wow. It was the live sports
3:33
event. Right. So it had a
3:35
very mail and I don't know.
3:37
In terms of the sexuality stuff,
3:39
like the actual sex scenes, you
3:41
know, and I struggled with this
3:43
myself, which is coming up is
3:45
when I locked myself in the
3:47
dressing room, but it hasn't happened
3:49
yet. Did you think about, I
3:51
mean, you were very fearful. Not
3:53
afraid at all times in the
3:55
sex scenes to the point where
3:57
I would be like, maybe I
3:59
need to go and Cynthia is
4:01
filming sex scenes so that I
4:03
can tell Eigenberg, do you not
4:05
grab her breast like that? Remember
4:07
this? I was like, why do
4:09
you grab your breast like that?
4:11
You're just like, what are you
4:13
talking about? I'm like, it's just
4:15
not attractive. It's like, it's too
4:17
hard. audience or is this for
4:19
the female audience? Do you what
4:21
I'm saying like? Yeah. I guess
4:23
I always, I always thought it
4:25
was kind of, I always thought
4:27
that it was for the female
4:29
audience primarily, but I thought it
4:31
was like, it's like, maybe this
4:33
is a crazy simile, but it's
4:35
kind of like birth control, right?
4:37
It's like really important for us
4:39
as women to have birth control.
4:41
But like, and the guys are
4:43
like, you've got birth control? This
4:45
is fantastic. We can have sex.
4:47
You're interested in having sex? Right?
4:49
This is, you know? It's kind
4:51
of like, I mean, I feel
4:53
like it was so empowering. And
4:55
maybe it was a little on
4:57
steroids from the reality for most
4:59
women. But it was happening out
5:01
there. And so men. You know,
5:03
I think for men it was
5:05
like a, like it was not
5:07
only a wonderful peek into the
5:09
secret world, which was fascinating, but
5:11
it was also like, there is
5:13
this very old, and it has
5:15
some truth to it, but it's
5:17
not the entire truth, right? There
5:19
is some sense of like, women
5:21
use sex as a tool to
5:23
get commitment, right? And it's like
5:25
for men to be. shown this
5:27
world and these people. It's like,
5:29
actually, you know what? who just
5:31
really like having sex with you.
5:33
Right. Right. It's sort of, I
5:35
think, a wonderful thing for men
5:37
to learn because they had been
5:39
told the opposite so many times.
5:41
That's true. And I do feel,
5:43
unfortunately, weirdly, like that's still out
5:45
there in a strange way. Well,
5:47
and it's not completely untrue. I
5:49
mean, yeah. Both things are true.
5:51
I guess that's true. I mean,
5:53
the thing that's funny to me,
5:55
though, is like, if you think
5:57
about then and then you think
5:59
about now, like, you know, hookup
6:01
culture, like young, it's very, very
6:03
more advanced, like the dating apps.
6:05
Yes, or whatever, blah, blah, blah,
6:08
right? Obviously, I don't know. And
6:10
I guess my, my thing that
6:12
seems to me... different than our
6:14
show, right, is like women can
6:16
and always have had a lot
6:18
of sex. But I think not
6:20
a hundred percent of the time,
6:22
but by and large, the sex
6:24
that these four women were having
6:26
was not to try and get
6:28
meant like that. That's a good
6:30
point, yeah. And so that's what
6:32
I worry about the hookup culture
6:34
now. It's like... You think you're
6:36
very liberated because you're having a
6:38
lot of sex, but are you,
6:40
do you want to be, are
6:42
you enjoying the sex? Are you
6:44
having sex because you want to,
6:46
or are you having sex to
6:48
try to get something? To try
6:50
and get, like a different version
6:52
of like trying to get a
6:54
ring. It's like. Does he like
6:56
me? Right, right, right? And that's
6:58
so universal. Will you not call
7:00
me if I don't do this?
7:02
Which is like so Charlotte also
7:04
with the, with the, you know,
7:06
off the butt thing, right? Like
7:08
she, because she doesn't want to
7:10
do it, you know, right? She
7:12
really likes that guy, you know,
7:14
and then, and she thinks like
7:16
he's just gonna break up with
7:18
her or not marry her or
7:20
whatever. It's like so crazy, right,
7:22
right, right? Right, right, right, right,
7:24
right, right, right, right, right, right,
7:26
right, right, right, right, right, right,
7:28
right, right, right, right, right, right,
7:30
right, right, right, right, right, right,
7:32
right, right, right, right, right. he's
7:34
going to break up with her
7:36
if she doesn't do it, but
7:38
also, she's not really at the
7:40
moment interested in it, right, as
7:42
a thing in and of itself,
7:44
but also it's like, but if
7:46
I do do this... Will he
7:48
respect me? Will he never marry
7:50
me? Right, and also, because Samantha
7:52
very smartly in the car is
7:54
like in the cab, she's like,
7:56
you know, and you talk about
7:58
the power dynamics, like it's like,
8:00
it's super fascinating, I mean... We're
8:02
touching on all of it, you
8:04
know, in such a good way
8:06
that I do feel like is
8:08
still true. You know, like are
8:10
you doing it because you want
8:12
to do it, but also you
8:14
need to think about like someone's
8:16
going to give up the power
8:18
and you might have more power,
8:20
but you might have less power.
8:22
Like it's super fascinating and still,
8:24
I think, so interestingly true. Right,
8:26
right. And I think, you know,
8:28
if you think about Samantha, who
8:30
is like the most empowered, right?
8:32
The most sexually free, but also
8:34
just the most empowered, right? Yes.
8:36
But there are, you know, you
8:38
see the pain that she had,
8:40
like particularly when she's dating Richard.
8:42
Yeah, so we haven't gotten there
8:44
yet, but yeah, yeah, yeah, yeah,
8:46
yeah, yeah. That there is, even
8:48
for the strongest character, you know,
8:51
well, even in Valley of the
8:53
20-something guys, you know, she's with
8:55
the chef guy, do you remember
8:57
that he's like lanky, he's got
8:59
like long floppy hair, and then
9:01
she'll always be older. Yes, right,
9:03
that cut, for me, that cut
9:05
deep, you know, I mean, it's
9:07
so interesting how many small moments
9:09
we have in almost every episode
9:11
that I'm like that I'm like.
9:13
Well that's and that's the thing
9:15
that was so great about the
9:17
show you know is that because
9:19
again people saying like that a
9:21
feminist show but you're wearing high
9:23
heels and sexy outfits like right
9:25
yeah it's like one of the
9:27
great things about the show is
9:29
that all of the characters not
9:31
the least of Kerry you know
9:33
are all deeply flawed and make
9:35
bad decisions yes so you know
9:37
I love Wonder Woman I've always
9:39
loved Wonder Woman. Yes, we love
9:41
that you love. But I... I
9:43
have my Wonder Woman back here
9:45
today, but I know and I
9:47
have always known that Wonder Woman
9:49
is a very two-dimensional figure. Good
9:51
point. She's perfect, right. She's loving,
9:53
she's strong, she's, you name it,
9:55
she's getting an A plus. Definitely.
9:57
And I enjoy her. But I
9:59
understand, she has no dimension and
10:01
she's really not that interesting, right?
10:03
And that's the thing about all
10:05
of our both in the writing
10:07
and in the playing, the thing
10:09
that you were talking about before,
10:11
about how you have the headline
10:13
of who the character is, but
10:15
right below the headline, they're all
10:17
the contradictions and the price to
10:19
be paid, even like for Charlotte,
10:21
Charlotte is trying so hard to
10:23
buy into the fairy tale of.
10:25
being the perfect girl and doing
10:27
the right thing and winning the
10:29
gold ribbon of the of the
10:31
perfect handsome husband and the ring
10:33
right yeah but she you know
10:35
but she's constantly having that myth
10:37
kind of eaten away most definitely
10:39
and also when particularly when she
10:41
tries to get married and then
10:43
doesn't No, I know. The pie
10:45
in the face, you know, Michael
10:47
and I talked a lot about
10:49
the pie in the face and
10:51
how all of us get our
10:53
own version of the pie in
10:55
the face. We also talked about
10:57
the complexities of the character because
10:59
I do feel like there's this
11:01
crazy thing about Kerry not being
11:03
likable, which is, you know, kind
11:05
of insane because I don't know
11:07
why we would still be, you
11:09
know, like... Well, but it's why
11:11
we're so lucky to have you
11:13
playing Charlotte. Right? I mean, I
11:15
think so. All I remember at
11:17
the time, because as you know,
11:19
my life is not like Charlotte's
11:21
life, basically at all, there are
11:23
some crossovers, but I was never
11:25
interested in getting married. So like
11:27
that took a lot of work
11:29
on my part to be like,
11:31
ah, you know, but I do
11:34
think, I mean, they didn't know
11:36
this, you know, like this is
11:38
kind of the magic, there's a
11:40
certain element of magic in all.
11:42
all of our coming together, you
11:44
know, that they didn't, you know,
11:46
like we never read together. We
11:48
never really made each other. Right,
11:50
no, there's no chemistry read. I
11:52
know, no, nothing. So thank God
11:54
it worked out. Right. We do
11:56
have these characteristics that are very
11:58
good for our characters. 100% we've
12:00
got the characteristics, but then we're
12:02
also very complex people, right? And
12:04
also very different people coming together
12:06
from different places, which I think
12:08
contributed in a positive way. to
12:10
what was on screen. You don't
12:12
need to know that, right? You
12:14
just feel it when you're watching
12:16
it. Right. You know what my
12:18
mother used to say about the
12:20
show. What? She said, know what
12:22
I like about your show and
12:24
watch it. I can tell who
12:26
everyone is. They don't all look
12:28
alike. I'm not confused. That's true.
12:30
I don't know what this. I
12:32
think she's talking about how television,
12:34
because I was talking about this
12:36
a little bit too, like there
12:38
was a homogeny, you know, like
12:40
a... I mean, we're all white,
12:42
obviously, and we're all of an
12:44
age, right? It's true, but see,
12:46
even that was different, right? Because
12:48
we were all of an age.
12:50
There was no other show other
12:52
than the Golden Girls, you know?
12:54
Which, I mean, I remember going
12:56
to a late night thing, and
12:58
he goes... Oh, you know, you
13:00
guys are the new golden girls.
13:02
And I was like mad. I
13:04
was so mad. And I was
13:06
like, now I'm going to have
13:08
to go through this whole interview
13:10
mad. And then he asked me
13:12
about penis size. And I was
13:14
just like, what on earth? Like,
13:16
I just remember getting put through
13:18
so many bizarre, like embarrassing and
13:20
complex things where you will want
13:22
to be like, do you not
13:24
know that that's kind of like
13:26
offensive? Like, I guess you're trying
13:28
to be nice. There's just nothing.
13:30
There's just nothing. And because we
13:32
weren't 25, and because there were
13:34
four women, right, even though it
13:36
wasn't clear at the beginning, but
13:38
it became more and more clear,
13:40
you know, that each of us
13:42
were going to kind of get
13:44
fleshed out and have that and
13:46
have our own lane. Right. And
13:48
she would can. neckdust, you know,
13:50
with the voiceover and all that.
13:52
Oh, let's ask you this. What
13:54
did you think about talking to
13:56
the camera? I love the talking
13:58
to the camera. This is why
14:00
we love Cindy. I know Sir
14:02
Jessica always hated it. Yeah, I
14:04
love it. Why? I don't know.
14:06
I always, whether it's on film
14:08
or on stage when a character
14:10
turns and talks to me, I
14:12
love it. You love to break
14:14
the fourth wall. I like to
14:17
do it myself, but I love
14:19
to have it happen to me
14:21
as an audience member. Okay, okay.
14:23
And you know, you now you
14:25
see it's slightly different, but you
14:27
see all those shows like, like
14:29
the Office in Modern Family and
14:31
right, where they're constantly like, looking
14:33
at the, looking at the camera.
14:35
Right, right. Well, they're doing interviews,
14:37
right, right. It's a cute little.
14:39
Yeah, I never mind. I never
14:41
mind it. I mean, I don't
14:43
enjoy those as well. I don't
14:45
really miss it. I don't really
14:47
miss it once it's gone. Right.
14:49
No, I don't either. But I,
14:51
but I, I liked it. I
14:53
liked it. I mean, I think
14:55
it's interesting. I think it was
14:57
hard for Sarah, partly because she's
14:59
in a Matthew. Yeah. And also
15:01
because of the Matthew thing with
15:03
it, which I didn't even remember,
15:05
but it makes total sense. But
15:07
like when you watch. I think
15:09
it was the pilot or the
15:11
first episode, she's in a scene
15:13
and then the guy gets in
15:15
the cabin, she turns and talks
15:17
to the camera. Like it's a
15:19
very weird... Yeah, I never did,
15:21
I never had to do that,
15:23
but I would have loved that.
15:25
But I would have loved that.
15:27
I mean, we would just, we'd
15:29
have our scene where we were
15:31
talking to the camera and you're
15:33
so funny in the pilot when
15:35
you're trying to the camera, but
15:37
also when we used to do
15:39
all those like... Man on the
15:41
street woman on the street. Yeah,
15:43
giving their opinion about whatever the
15:45
subject at hand was I I
15:47
feel like They partly cut those
15:49
because they were just time-consuming They
15:51
were hard to do they were
15:53
hard to do and you always
15:55
had to oh, we had to
15:57
cast it and then yes, find
15:59
a location and shoot this true,
16:01
right? It's true. I mean, that's
16:03
why I love the basketball one,
16:05
because they're in one place and
16:07
all these different guys. And it's
16:09
the guys in the episode. It's
16:11
also not some random person that
16:13
you're never going to see again
16:15
in the episode or anywhere else.
16:17
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16:19
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friends to the Playful Scratch from the
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California Lottery. We've got a special guest
18:05
today, The Scratchers Scratch Master himself, Juan.
18:07
Juan, you've mastered seven hundred and thirteen
18:10
playful ways to scratch. Impressive! How'd you
18:12
do it? Well, I began with a
18:14
coin, then tried a guitar pick. I
18:17
even used a cactus once. I can
18:19
scratch with anything. Even this mic right
18:21
here. See? See? Well there you have
18:24
it. Scratchers are fun, no matter how
18:26
you scratch, no matter how you scratch,
18:28
how you scratch player claim. Welcome
32:03
friends to the Playful Scratch from the
32:05
California Lottery. We've got a special guest
32:07
today, The Scratchers Scratch Master himself, Juan.
32:10
Juan, you've mastered seven hundred and thirteen
32:12
playful ways to scratch. Impressive! How'd you
32:14
do it? Well, I began with a
32:17
coin, then tried a guitar pick. I
32:19
even used a cactus once. I can
32:21
scratch with anything. Even this mic right
32:24
here. See? See? Well there you have
32:26
it. Scratchers are fun, no matter how
32:28
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34:31
can't really remember Miranda in the book so
34:33
much. Like I do feel also, like as
34:35
much as I think about Charlotte not being
34:37
fleshed out in the book, I don't really
34:40
think anyone was that fleshed out in the
34:42
book in a way. Yeah, I mean I
34:44
read the book and I like the book
34:46
but I don't remember it hardly at all.
34:48
Like I think we kind of just... I
34:51
remember it was hard to like the people.
34:53
It was really hard to like the people.
34:55
Michael and I talked about this like it
34:57
was like it was... You know I do
35:00
think that Candace was you know kind of
35:02
reporting the things she was hearing were going
35:04
on in this kind of certain group of
35:06
people like the finance pros and the you
35:08
know it was a dark as Michael put
35:11
it a dark kind of a and the
35:13
men had a lot of power and money
35:15
a lot of power and money and there
35:17
was kind of this and the women were
35:20
wanting to be love. So Michael talks about
35:22
when he came in that he didn't really
35:24
know that world. You know, Darren knew it
35:26
and Candace knew it obviously, but Darren knew
35:29
it and was bringing that like when I
35:31
watched The Modelizer, I had totally forgotten about
35:33
that sex tape thing. I was like, what
35:35
on earth? Right. Now I'm 100% sure that
35:37
that really happened in Candace was just reporting
35:40
about it. But like the fact that Carrie
35:42
has to sit there and be like, oh.
35:44
Do you have a light? Like it's so
35:46
crazy. But then later she does go to
35:49
Samantha and say like, oh, you know, you
35:51
might not want to go over there. You
35:53
know, and Samantha's like, I will. Which, you
35:55
know, the thing I remember about the book
35:58
is that there are all these people. and
36:01
they're all alienated. Yeah. The men
36:03
and women are definitely alienated from
36:05
each other, they're working across purposes,
36:07
they're not showing their hand, they're
36:09
trying to win, but they're not,
36:11
not win through, let me tell
36:14
you what I want. Right, right,
36:16
right. Let me hear what you
36:18
want, you know, and that there's
36:20
no sense that I remember in
36:22
the book of the women being
36:24
allied with other. Right. And so
36:26
I think that that's the, I
36:28
mean, and the, and the, and
36:30
the pilot, which I love the
36:32
pilot, but the pilot captures much
36:35
more of that sense of like,
36:37
we're all ships that pass in
36:39
the night and we can't help
36:41
each other and we're all kind
36:43
of doomed. It's true, right? Yeah.
36:45
But that's the big switch that
36:47
makes the show, the show is
36:49
like, we're all on our separate
36:51
journeys and they're often disappointing or
36:53
worse. you know, harrowing in some
36:56
way, but we, the thing that
36:58
we are not in doubt of
37:00
is our love for each other
37:02
and our commitment to each other.
37:04
And the fact that we're, right,
37:06
and that we're always gonna be
37:08
there for each other. And that
37:10
as opposed to men with whom
37:12
you might feel like you have
37:14
to play a game, that between
37:17
the women, we tell each other
37:19
what we think. Right. Which is
37:21
so, so great. and
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