Episode Transcript
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Your best skin awaits. Welcome
1:00
to the Behind the
1:02
Song podcast, taking
1:04
you deeper into classic rock's
1:06
most timeless tunes. Here's
1:09
your host, Janda. I'm
1:11
Janda and it is the season
1:13
for love songs. So I got
1:16
together with my husband Christian Lane
1:18
to talk about our top five
1:20
classic rock love songs. Hi Christian.
1:23
Hey Janda. So right off
1:25
the bat I just have to mention I
1:27
gave myself a bit of a handicap. in
1:30
thinking about classic rock love
1:32
songs because aren't like half
1:34
of classic rock songs about
1:36
love anyway so sure in some
1:38
way yeah so i went with
1:40
classic rock love songs about
1:43
real people OK, I like
1:45
that. Yeah, I mean, I'm sure
1:47
I could have picked many other classic rock
1:49
love songs, but this is the parameters I
1:51
gave myself. OK, I did
1:53
not necessarily go that route. I
1:55
picked songs based entirely on how
1:57
I felt about them. OK,
2:00
I mean, that's good. I mean, that's
2:02
really what music's all about is your
2:04
reaction and relationship to it. So yeah,
2:07
good. Good. Well, would you like to
2:09
start with number five on your list?
2:12
I'm gonna go with the very obvious,
2:15
Maybe I'm Amazed by Mr. Paul
2:17
McCartney, the topic of our most
2:19
recent Behind the Song podcast. It's
2:29
the passion. I mean, it's, first
2:31
of all, I should mention it's about his wife,
2:33
Linda. So there's the real person.
2:35
Yeah. Yeah. You can refer to the podcast
2:37
for the whole story, but you know, he
2:40
was down and out and Linda propped him
2:42
up and he was saying, basically, I'm amazed.
2:44
I can't believe I found this person. You
2:47
mentioned the way it makes you feel. I
2:49
mean, it gives me goosebumps when he's basically
2:51
screaming his love at the top of his
2:53
lungs for Linda. I just, I can't get
2:56
enough of the performance. Either
2:58
one, the one on McCartney or
3:00
the live one. Wings over
3:02
America. Wings over America. Yeah, I just think
3:04
it's one of the best. So I'm sorry
3:06
that it's five, but I had to put
3:08
it somewhere. So five it is. You know,
3:11
I'm really glad that you mentioned that one
3:13
because I think we would be remiss if
3:15
we didn't include, maybe I'm amazed
3:17
in this list of top classic rock love
3:19
songs. And no doubt we will miss some
3:21
because we're talking about, you know, five each.
3:23
And as you mentioned off the top, there
3:25
are so many. But I'm really
3:27
glad that you came through with Maybe I'm
3:30
Amazed for this list. I mean, if you
3:32
don't mention it, what are we doing here?
3:34
Okay, now you go. Okay,
3:37
so in position number five on my
3:39
list of classic rock top love songs,
3:42
I'm going with David Bowie because, you
3:44
know, I can't have any kind of
3:46
a list without David Bowie in it.
3:48
So I'm going to work him in
3:51
here no matter what. I'm
3:53
gonna go with Heroes by Bowie.
4:01
And of course I love the
4:03
song because I'm a Bowie nerd.
4:05
But it's also really interesting how
4:08
this song came about. You know,
4:10
they were recording the hero's album,
4:12
the Berlin trilogy over in Berlin,
4:14
and he spies out the window
4:16
of the studio, which was right
4:18
by the Berlin Wall. Tony
4:21
Viscani, who you know, Christian,
4:24
kissing his girlfriend as... bullets were
4:27
flying overhead, whether real or imaginary,
4:29
you know, for the purposes of
4:31
the song at that time. And
4:33
that's what Bowie took from the
4:35
moment, sort of a love rising
4:37
up in the face of oppression
4:39
and, you know, with the world
4:41
against you, if you will. And
4:44
I think that that's so much
4:46
about what the beginning of a
4:48
lot of love relationships feels like
4:50
anyway. And it's
4:52
perfectly encapsulated against a backdrop
4:55
of world events. And
4:58
the song became sort of like
5:00
an arc for Bowie, a fan
5:02
favorite for sure. And I
5:04
just think it's cool to think that
5:06
you can connect with someone on such
5:08
a level that You can be heroes
5:11
and overcome whatever's going on, you know,
5:13
in your life, you know, with this
5:15
relationship and this love that you feel
5:17
for another person. So it made it
5:19
to number five on my list. Yeah,
5:21
that studio that they were recording, it
5:24
was called Hansa by the Wall. I
5:26
mean, it was literally by the wall.
5:29
And I think it's a great
5:31
point, Janda, that you just made
5:34
about the beginnings of love. And
5:36
teenagers, especially if you tell them,
5:38
don't see that person, oh my
5:40
goodness, are they going to dig
5:42
their heels in even more? If
5:44
you give young love something to
5:46
rebel against, it gives me
5:48
that feeling of, we're going to dig in
5:50
even more and love each other even harder.
5:52
And I love it. Great pick, Janda. Great
5:55
pick. I knew you would approve of that
5:57
one. What about you? What's
5:59
number four on your list? Number
6:01
four, let's go with something
6:04
by George Harrison and well,
6:06
the Beatles, but George Harrison
6:08
wrote it for Patty. for
6:10
Patty Boyd, his wife, soon
6:13
-to -be -not -wife. Janda,
6:15
you've covered that with Layla. And,
6:18
you know, there was, I don't know
6:20
if you call it a love triangle
6:23
going on with Eric Clapton, but it
6:25
got a little sticky and messy. But
6:27
this song, to me, I love it
6:29
because he's mystified. George seems
6:31
very mystified by this person and
6:34
by this love that he has
6:36
for her. She
6:41
moves. Something in
6:43
the way she moves. I mean, that's just one of
6:45
the most beautiful. It's just so
6:47
simple and so beautiful. And
6:49
about this song written by
6:52
George Harrison, Frank
6:54
Sinatra said, something is the greatest
6:56
love song written by Lennon and
6:58
McCartney. He got
7:00
that part wrong, but he got the
7:03
rest of it right. Wow. So
7:05
that's my number four. I'm sure
7:07
so much has been said about
7:10
it before, but like I said,
7:12
I like the sort of mystic
7:14
quality of it. Love as a
7:16
spirit, love as something that in...
7:18
you know, imbues your spirit and
7:21
raises you up above the messy
7:23
world. So, something by
7:25
George Harrison. I think the reason that
7:27
something would land on a lot of
7:30
people's lists, I would be willing to
7:32
wager when you're talking about love songs,
7:34
is because he was able to describe
7:36
that feeling, that sort
7:38
of unfathomable feeling that you have
7:41
about why it is that you
7:43
feel love towards someone. You know,
7:46
sometimes, You don't know what it is.
7:48
You have no idea.
7:51
It's just something mystical
7:53
and magical. They
7:55
say that the two things that stay
7:58
with you the longest in terms of
8:00
memories are music and smells. So
8:03
he really got to the bottom of
8:05
that unknowable feeling when you know that
8:07
you're head over heels with someone. I
8:09
would just be interested to see what
8:11
anybody else thinks of that. Drop us
8:14
a line and let us know. So
8:16
that's my wrap on that, Janda. I'm
8:19
curious now, we'll throw it back to
8:21
you for number four. Number four on
8:23
my list. This should
8:25
be as no surprise to you
8:27
Christian or to anybody who listens
8:29
to my radio show. You
8:32
know, I love me some Dire
8:34
Straits. So for number
8:36
four, I chose Dire Straits
8:38
so far away. I love
8:40
how that song. comes at
8:43
you lyrically, because you know,
8:45
I'm a huge lyrics person.
8:47
It starts out, here I am again
8:49
in this mean old town, and you're
8:52
so far away from me. And
8:54
where are you when the sun go down?
8:57
You're so far away from me.
8:59
Now, obviously this is Mark Knopfler
9:01
who's on the road touring and
9:03
is away from his person and
9:05
is writing about that, boiled down
9:08
to the raw essence. of it
9:10
if you've ever had to spend
9:12
any time from someone that you're
9:14
in a relationship with because of
9:16
work, basically, or
9:18
circumstance, distance and time
9:20
apart and how you don't want to
9:23
be there. And I love how he
9:25
distilled that down. And further, I
9:28
love in this song, he brings
9:30
me back in this day and
9:32
age to those times when you
9:34
would spend hours on the phone
9:36
with someone that you were in
9:38
a relationship with. You know,
9:40
it was all about the phone calls
9:43
and, you know, not ending the calls
9:45
and, you know, you hang up. No,
9:47
you hang up. You hang up. No,
9:49
you hang up. He covers that when
9:51
the lyrics go, I'm tired
9:53
of making out on the telephone because
9:56
you're so far away from me. You
10:02
know, I mean, that's something that
10:04
if you came up during a
10:06
certain time, you spent time on
10:08
the phone with someone that you
10:10
cared about, it reminds me of
10:12
that, of like those simpler days
10:14
in general. And not for nothing,
10:16
I love his guitar work on
10:18
this song too. I just think
10:20
this is a really great, I'm
10:23
separated from somebody that I care about
10:25
a whole lot song. And it made
10:27
it to number four because, you
10:29
know, those can tend to get a
10:31
little sappy, you know, but, but somehow
10:34
or another, this, this one's still cool.
10:36
You picked a really good one
10:39
as far as that trick right
10:41
there of distilling things down, and
10:43
you're right. It's a
10:45
slippery slope. When
10:48
you were reading those lyrics, it
10:50
reminded me of a poet named
10:52
Delmore Schwartz, who actually was a
10:54
teacher of Lou Reed, and the
10:56
thing that Lou Reed took from
10:59
him is take away everything that's
11:01
superfluous. Get rid of
11:03
everything that doesn't matter. boil
11:05
it down, get it down to,
11:08
you know, distill it down to
11:10
the least amount of words possible.
11:12
And that will be the truest
11:15
connection and that will cut through
11:17
the most. And Knopfler killed it
11:19
on this one. I mean, you're
11:21
so right. I really can picture
11:24
those things with an economy of
11:26
words. I can picture every scene
11:28
that he's laying out for us.
11:30
It's a really good one, Janda.
11:33
Nice one. Thank you. All
11:35
right, back to you. Song number three on
11:37
your list. Song
11:40
number three from me. I'm
11:42
going with the Rolling Stones
11:44
classic written by Keith Richards,
11:46
Angie. It's pretty well documented.
11:49
It's about Anita Pallenberg, who I suppose
11:51
was his wife. It's always been a
11:53
little unclear to me if they actually
11:55
got married. Someone,
12:00
not me, someone said
12:02
at some point that
12:04
instead of saying Angie,
12:06
Angie should have been saying
12:08
Anita, Anita. And
12:12
that makes perfect sense to
12:14
me because to me, this
12:17
is a love song, but
12:19
it's also commiseration. It's
12:21
desperate. It's sort of painting them as
12:24
vagabonds, which I think at the time,
12:26
they kind of were. Even from the
12:28
Rolling Stones, they were a little bit
12:31
on the outside at that point. Yeah,
12:41
commiseration. That's what I hear in Angie.
12:45
You know, and Mick Jagger channeling his
12:47
friend. He really channels that clinging and
12:49
how they're clinging to each other and
12:51
you cling to a love when you're
12:54
desperate. So, yeah,
12:56
number three, Angie or
12:58
Anita, as it were.
13:01
So, Janda, I just talked about
13:03
desperate love for my number three.
13:06
What is your number three? My
13:09
number three is a super sweet
13:11
song. Thank goodness. I
13:15
am going with Fleetwood
13:17
Max Songbird written by
13:19
Ms. Christine McVeigh, a
13:21
song that will absolutely
13:23
make me cry almost
13:25
quicker than any other.
13:27
This is true. I
13:35
find it so lovely that Christine
13:38
McVie's maiden name was Christine Perfect
13:40
because I think that her voice
13:42
was perfect. I loved how she
13:44
was the glue in a very,
13:46
very chaotic Fleetwood Mac. Her
13:49
piano playing was excellent
13:51
or was excellent. And
13:54
when she wrote this song,
13:56
Songbird, I mean, you know,
13:58
and the Songbirds are singing
14:01
like they know the score.
14:03
And I love you, I love you,
14:05
I love you like never before. I
14:08
mean, something about the songbirds
14:10
are singing like they know
14:12
the score. I mean,
14:14
you assume that the songbirds are
14:17
singing a happy song, but you
14:19
could almost as easily turn that
14:21
on its head in your imagination
14:24
and hear the songbirds singing a
14:26
sad song, like if it wasn't
14:28
going to work out. I fear
14:30
that they're hearing a sad song.
14:33
But I like that you hear
14:35
potentially a happy song because I'd
14:37
rather think of it in that
14:39
way. It's just so sweet. And
14:42
it's heartbreaking, actually.
14:45
Yeah. When she when she put
14:47
those lines together, she covered off
14:49
on the entire range of emotions,
14:52
no matter where you could be
14:54
coming from, you know, in a
14:56
relationship. And that is the pure
14:58
genius of a of a great,
15:00
great songwriter, and Christine McVeigh certainly
15:02
was one, so I had to
15:04
put her at number three on
15:07
my list on an album, by
15:09
the way, that's filled with all
15:11
different kinds of love songs. I
15:13
mean, you're gonna talk about running
15:15
the gambit. you know, in the
15:17
old Peyton Place that was Fleetwood
15:20
Mac in 1977 when Rumors was
15:22
released. I mean, just about
15:24
every single song on that album is about
15:26
love in some way or another to your
15:28
point at the beginning of this episode, Christian.
15:31
But Songbird by Christine McVee
15:33
stands out so much in
15:35
a sea of really wonderful
15:38
songs. She became the Songbird.
15:40
It became her theme song,
15:42
you know, to the point
15:44
where she was known as
15:46
Songbird. That is incredibly effective.
15:49
Yeah. Well, coming out of your
15:52
Fleetwood Mac, I'm going to go right into
15:54
my Fleetwood Mac. You make Love and Fun
15:56
off the same album. Yeah. Completely
15:59
different on love.
16:02
And in keeping with, you know, my
16:04
songs about real people, this is a
16:06
song about lighting director. Curry Grant. Yeah,
16:10
wonderfully monocled Curry Grant. Yeah.
16:12
Her name was Christine Perfect.
16:14
She married John McVeigh. She
16:17
was Christine McVeigh. They're in the band
16:19
together. As you mentioned, quite the Peyton
16:22
Place over there. She
16:24
starts having an affair with the
16:26
lighting director. to the point where
16:29
she falls in love and they
16:31
become an item. And
16:33
this song, You Make Love and Fun,
16:36
to me, it's a wonderful love song
16:38
about the first throws of love. It
16:41
even sounds like the music, everything
16:43
sounds like the first throws of
16:45
love. It's
16:50
really, you know, it's exciting and
16:52
it's fun and it's sexy. But
16:55
then I think about Her saying
16:57
this to Curry Grant, while her
16:59
husband, John McVee, is playing bass.
17:02
You, Curry Grant, make love
17:04
and fun. John McVee, thanks
17:06
for playing bass on this song. It was
17:08
a very serviceable bass part. I
17:11
mean, that band was harsh.
17:13
They were harsh. They, you
17:15
know, singing disses to each
17:18
other on stage. It's incredible. But it
17:20
doesn't take away from the fact that
17:22
it's a really fun upbeat poppy love
17:24
song about new love. And who doesn't
17:26
love new love? Everybody does. Yeah. I
17:28
mean, what a good point. I mean,
17:30
God, you had to be so tough
17:33
to be in Fleetwood and Mack back
17:35
in the day. I'm sure
17:37
that many a psychiatrist's couch
17:39
has been filled by the seat
17:41
of a Fleetwood Mac member,
17:43
if I may. I
17:46
wonder if they just had shrinks on speed dial.
17:48
I think they had something on speed dial, but
17:50
I don't know if it was a psychiatrist. But
17:54
yeah, what a great song. And again,
17:56
showing the range on Christine
17:58
McVie's songwriting talents in a band full
18:01
of great songwriters. Of course, Stevie Nicks
18:03
was amazing as a songwriter and had
18:05
plenty of great songs from that album.
18:08
And from those sessions herself, I'll point
18:10
out Silver Springs, which is a great
18:12
song that didn't make it to the
18:14
album. And Lindsay, of course,
18:17
a great songwriter. it still stands
18:19
out and it still covers off
18:21
on like that, that optimistic feeling
18:23
of new love. For sure. All
18:25
right. Number two on
18:28
my list is about a song
18:30
that I would defy anyone to
18:32
come up with a better tune,
18:34
a love song about forgiveness. And
18:37
that is the great
18:39
Leon Russell, a song
18:41
for you. He's
18:48
a musical genius, I would think.
18:50
Absolutely. On his debut album that
18:52
a song for you is from,
18:55
who wasn't on it? Eric Clapton
18:57
played on it, George Harrison played
18:59
on it, Ringo Starr played on
19:02
it, everybody. admired Leon Russell because
19:04
he was so musical I think
19:07
you know and and other musicians
19:09
would sort of like chime chime
19:11
with that and like Moth to
19:14
a flame you know around his
19:16
his musical light and just a
19:18
quirky dude and somehow or another
19:21
he could wrestle the lyrics out
19:23
of something in a completely different
19:25
way and say something all the
19:28
while playing you know this beautiful
19:30
piano that that was different. Maybe
19:32
it's a piano player thing. I
19:35
think Warren Zevon had those qualities
19:37
too. But the lines
19:39
that kill me on Leon
19:41
Russell's A Song For You,
19:44
when he sings, I love you
19:46
in a place where there's no space
19:49
or time. I love you for
19:51
my life, you're a friend of mine. And
19:54
when my life is over, remember
19:56
when we were together, we were
19:58
alone, and I was singing this
20:00
song to you. Wow. I would
20:03
just say to anyone, just
20:05
keep this song handy. When
20:07
you need to feel feelings
20:09
or when you need to
20:12
touch something that's hard to
20:14
get to, whether you have
20:16
a person in mind or
20:18
not, this song is such
20:20
a behemoth in terms of
20:22
putting into words something that
20:24
we, mere mortals, find trouble
20:26
saying. I would say, yeah,
20:28
that's why it's my number two love song of
20:30
all time. Leon Russell, a song for you. That
20:33
is so strong. I don't I almost
20:35
don't have anything to say about it.
20:37
It's just listen to it. It's just
20:39
like you said, if you need to
20:41
feel something, put it on. And
20:44
it'll do it. It'll take you
20:46
there. He's incredibly underrated, made everyone
20:48
around him look good, which I
20:51
think is part of why people
20:53
wanted to be around him. And
20:56
yeah. What a great pick, Janda. I
20:58
hope people, I
21:00
envy people who may be going to listen to
21:02
it for the first time. Yeah, great
21:04
pick. Me too. I have that same envy. OK,
21:08
what about you? Song number one from
21:10
Christian. OK, song number one
21:12
by one of my favorite singer
21:15
songwriters. It's funny to call him
21:17
that by John Lennon. The
21:19
ultimate song about real person
21:21
and name checked in the
21:24
title. Oh, Yoko. by
21:26
John Lennon about Yoko Ono. You
21:29
know, when you're in the biggest band,
21:31
you know, we talked about the Stones
21:33
being the biggest band, the Beatles had
21:35
broken up at that point. That's why
21:37
the Beatles were the biggest band in
21:39
the world. And rather
21:41
than continue being a Beatle,
21:43
John wanted some autonomy and
21:46
he fell in love with
21:48
an artist named Yoko Ono.
21:50
And that was what he
21:52
was doing from that point
21:55
on. he was loving Yoko
21:57
and he expresses it to
21:59
the world so it's in
22:02
no uncertain terms and I
22:04
think that's bold and courageous
22:06
and also really
22:09
sweet. And the song
22:11
sounds like a daydream, you know?
22:13
It sounds like you're laying in
22:16
a grassy field with a cool
22:18
breeze and you're having a daydream
22:20
about the person you love. So
22:22
for those reasons, it is my
22:24
number one love song. People
22:30
have trashed on Yoko Ono for
22:33
a long, long time. But the
22:35
fact is she was the love
22:38
and the center of his life.
22:40
I think that he understood her
22:42
and that's all that matters. And
22:46
so the rest of us, it doesn't
22:48
really matter if we could understand why
22:50
John Lennon loves Yoko Ono or not
22:52
because he could and he 100 %
22:54
did. It must have felt like a
22:56
daydream to him to meet her. And
22:59
to have felt that, you know, artistic
23:01
freedom from her when he'd been in
23:03
the constraints of the Beatles and and
23:05
so on and so forth, you know,
23:07
when they first got together anyway. So
23:09
I like it. I like it. So
23:11
we got to get to your number
23:14
one pick, Janda. All right.
23:16
My top number one love song
23:18
of all time is by the
23:21
Beach Boys. God only
23:23
knows. Incredible. That that's
23:25
a number one. This song
23:27
almost. doesn't even seem like
23:29
it's from the earth. You
23:32
know, I mean, here you have
23:34
Brian Wilson and Tony Asher, which
23:37
Tony Asher was basically like a
23:39
copywriter and a jingle writer who
23:41
got together with Brian Wilson and
23:43
ended up collaborating on this song
23:46
and many other Beach Boys songs.
23:49
you know, Carl Wilson sang it,
23:51
but it's the music of Brian
23:54
Wilson, you know, those intricate, you
23:56
know, patterns that he put together
23:58
out of his very musical mind,
24:00
along with these lyrics. I mean,
24:02
who in the world comes up
24:05
with lyrics like this, especially back
24:07
in 1966, when at the time
24:09
it was taboo to even have
24:11
the word God in a song.
24:13
Like, you just didn't do that,
24:16
you know, unless it was a
24:18
religious song or something like that.
24:20
But here's the Beach Boys, you
24:22
know, coming out with this song,
24:24
God Only Knows on Pet Sounds.
24:27
When the lyrics go, I may
24:29
not always love you, but long
24:31
as there are stars above you,
24:33
you never need to doubt it.
24:35
I'll make you so sure about
24:38
it. God only knows what
24:40
I'd be without you. I
24:43
just got chills. Just from that,
24:45
I got chills. Yeah, it's incredible.
24:52
Centuries ago, when
24:54
cavemen would sit around and think
24:57
about abstract concepts and stuff before
24:59
we had names for things, they
25:01
only had their feelings and what
25:03
they were seeing in the world
25:06
around them, the environment, the sun,
25:08
the moon, the stars, and so
25:10
on. And it was very simple
25:13
and it all Equaled into the
25:15
same channel of of a higher
25:17
plane somehow when you were elevated
25:19
by a spirit or elevated by
25:22
a feeling of something And and
25:24
in this somehow there's also like
25:26
comfort, you know in these lines
25:28
in this song There's like the
25:31
comfort of knowing that you can
25:33
rest assured that this person's going
25:35
to be there for you even
25:39
though they may not always love
25:41
you, there's so much
25:44
going on lyrically in the
25:46
song. Incredible dedication that they
25:48
would always be there for
25:50
you, even if they might
25:52
not always love you. It's
25:55
like a pact. I
25:57
think it's interesting to note that
26:00
when Brian Wilson
26:02
was writing pet sounds. He
26:04
said that every day before
26:06
writing, he sat down and
26:09
prayed. And he said
26:11
he prayed to God to let
26:13
him make a spiritual album for
26:15
people. And God only
26:18
knows, is surely evidence of it,
26:20
that those prayers were answered, I
26:22
think. The comparison you
26:24
made to the cavemen, it's
26:26
so apt and such a
26:28
lovely comparison. So
26:31
thank you for that one, Janet.
26:33
That was really good. No, it's
26:36
really making me think about that
26:38
in those terms of if you
26:40
didn't have even words to use
26:42
to explain it. Yeah,
26:45
you really touched something there. I love that.
26:47
Well, thank you. Well, you know,
26:49
this song really touched something in me and I
26:51
bet a lot of other people. So
26:54
there you have it. There's there's
26:56
our top five each. I mean,
26:58
recapping my from five to one
27:01
for me. It was David Bowie
27:03
heroes, Dire Straits, so far away.
27:06
Number three, Songbird, Fleetwood Mac.
27:09
Number two. Leon Russell, a song
27:11
for you and number one for
27:13
me Beach Boys God Only Knows,
27:16
Christian. Maybe I'm amazed by Paul
27:18
McCartney. Something by The Beatles, George
27:20
Harrison. Angie by The
27:22
Rolling Stones. You
27:24
make love and fun. Written by
27:27
Miss Christine McAvie for Fleetwood Mac
27:29
and number one. Oh, Yoko by
27:31
John Lennon. There you have it.
27:33
10 classic rock love songs that
27:35
you can't go wrong with in
27:37
our humble opinion. Drop us a
27:39
note in the comments and let
27:41
us know yours. Thanks, Christian. Thanks,
27:44
Janda. Happy Valentine's Day. You too.
27:46
And on the way, much more classic rock and
27:49
roll.
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