Imagination and Creativity at Work with Duncan Wardle

Imagination and Creativity at Work with Duncan Wardle

Released Thursday, 20th February 2025
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Imagination and Creativity at Work with Duncan Wardle

Imagination and Creativity at Work with Duncan Wardle

Imagination and Creativity at Work with Duncan Wardle

Imagination and Creativity at Work with Duncan Wardle

Thursday, 20th February 2025
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Episode Transcript

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year. Visit McAfee. Cancel any

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time. Terms apply. Hello

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and welcome back to Beyond the

0:49

To-Do list a podcast about productivity.

0:51

I'm your host Eric Fisher and

0:53

I have a treat this episode.

0:55

Somebody that I've wanted to have

0:57

on the show for a long

0:59

time ever since I saw them

1:02

speak not only in a large

1:04

setting but especially in a small

1:06

setting. It's Duncan Wardle. He's the

1:08

former head of innovation and creativity

1:10

at Disney, a global speaker, and

1:12

an expert in unlocking the human

1:15

imagination. the creative tools to change

1:17

the way you think. And if you've

1:19

never heard Duncan speak, you're in for

1:21

a treat. Although if you have heard

1:23

him speak, you are more aware of

1:26

how amazing Duncan is when he speaks.

1:28

And as you guessed it, we're talking

1:30

about creativity and imagination in this episode,

1:32

why adults don't believe they're creative and

1:34

how to reclaim that curiosity and imagination

1:37

we had when we were a kid,

1:39

how to identify and escape rivers of

1:41

thinking that limit our problem solving abilities

1:43

and how to come up with fresh

1:45

ideas. Pepperdine lessons from his time

1:48

at Disney. This is an

1:50

energy packed episode. So enjoy

1:52

this conversation with Duncan Wardle.

1:55

Well, I am excited to

1:57

bring to the show Duncan

1:59

Wardle. and welcome to Beyond

2:01

the To-Doo list. Thanks for having

2:03

me. So I just told you

2:05

pre-recording that I've seen you a

2:07

couple times, but the one time

2:09

I really spent the most time

2:11

was at our mutual friend Lou

2:14

Mungelo's momentum event that he does

2:16

every fall down in Florida. And

2:18

you got to have free reign of the

2:20

room. It was a room of about 50

2:22

people, and I was one of those people,

2:24

and you were just taking us through this.

2:26

It was almost, dare I say it, I

2:29

say it's a... Robin Williams asked type of

2:31

time where it was like we'd spend

2:33

time on one thing and then go

2:35

to another and go to another and

2:37

it was like this is amazing but

2:40

each time we paused and stopped and

2:42

did a kind of a brain bending

2:44

activity it really illustrated I think

2:46

what we're gonna talk about today

2:49

which is imagination and creativity and

2:51

I couldn't help but walk away

2:53

from that time thinking of this

2:56

Pablo Picasso quote where he says

2:58

Every child is an

3:00

artist and the problem is

3:02

how to remain an artist

3:05

once they grow up. Yeah,

3:07

that's the truth. So wait,

3:09

no, you've got it, it's

3:11

time, we're all going. We're

3:13

out of pen and a piece

3:15

of paper. You got some pen

3:18

and paper? Okay, let's do

3:20

this. Let's do this. There we

3:22

go. All right, so, put your

3:24

pad of paper on your knee.

3:26

Okay. So, two questions. Do you

3:29

believe you're a creative person? Yes

3:31

or no? Yes. Okay. Do you believe you

3:33

could draw, like the Spanish painter,

3:35

Piper Picasso? Yes or no? Knowing his

3:37

work, yes. Okay, so, here's what we're

3:39

going to do. You're going to look

3:41

lovingly into my eyes, straight at my

3:44

eyes. Okay, okay. Better than webcam. So,

3:46

without once, losing eye contact. You're not

3:48

going to lose eye contact once. You're

3:50

not going to look down. You're not

3:52

going to look down, go. You're not

3:55

going. You're not going. You're not going.

3:58

But you look down My

4:00

pen was on the eraser. Okay, now

4:02

it's fixed. High lashes, like browns, nose,

4:04

ears, eyes. Oh mouth, got my chin,

4:06

beard. Ten, nine, eight, seven, six, five,

4:08

four, three, two, share your genius. All

4:10

right. There. Bekassa, Bekassa. See, we don't

4:13

think we could. People, you know, it's

4:15

amazing. When I walk into a room

4:17

and ask people, hands up if you

4:19

think you think you're creative, you're creative.

4:21

how few people will put their hands

4:23

up. And then you can you draw

4:25

a Picasso? No. And then you can

4:27

give them an exercise and they draw

4:30

a Picasso. We just, the problem is

4:32

school. You know, I gave a talk

4:34

at a university recently, 3,000 university students.

4:36

And so I brought in a first

4:38

grade class of 30 little six-year-olds and

4:40

I said, hands up, who's creative? Me,

4:42

me, me, me! 30 little hands didn't

4:44

hesitate. The other 3,000, 3,000,000 stayed down.

4:46

The other 3, the other 3, 3,

4:49

3, 3, 3, 3, 3, 3,000,000, 3,000,

4:51

3,000,000, 3,000,000,000,000,000,000,000, 3,000,000, 3,000,000,000,000,000, 3,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000 But if

4:53

you ask the people programming AI what

4:55

they believe will be the most employable

4:57

skill sets in the next five to

4:59

ten years, they'll tell you the ones

5:01

that will be the hardest to program

5:03

into AI, and then you ask them

5:06

what they are, the ones with which

5:08

we were born. Imagination, used to play

5:10

with the box, not the toy. Curiosity

5:12

used to ask why, why, why, and

5:14

why again. Intuition, empathy, imagination. These are

5:16

all things with which we were born

5:18

but the time we're 18 we've been

5:20

told we're not creative so many times.

5:23

Our first grade teacher tells us don't

5:25

forget to colour in between the lines.

5:27

Then she tells us or he tells

5:29

us to stop our scene, why because

5:31

we're only one right answer. Curiosity. dead

5:33

by the time we enter the workforce.

5:35

Yeah. And going through those different exercises,

5:37

it was just clear to us. I

5:40

remember in that room and even just

5:42

what we did now was this kind

5:44

of rediscovering or reawakening. It was kind

5:46

of digging deep into the like an

5:48

old trunk we pulled out of a

5:50

closet and finding it there at the

5:52

bottom back corner. Yeah, listen, when I

5:54

ask people who are the most creative

5:57

people they've ever met, people always say

5:59

kids. and then you say yeah and

6:01

how much money they go oh that's

6:03

right they don't mmm so but kids

6:05

are better you know what do they

6:07

do better than us they play right

6:09

and when you ask people where are

6:11

you usually what are you doing when

6:14

you get your best ideas people say

6:16

shower bathroom walking jogging running at the

6:18

gym falling asleep waking up on the

6:20

beach nobody I've done it with 20,000

6:22

people in the room and not one

6:24

person wrote down at work at work

6:26

ooh that's a bummer isn't a bummer

6:28

And so when you think about the last argument

6:31

you were in, you sort of walk away from

6:33

the argument, 10 seconds later, bang the killer online,

6:35

oh I wish I'd used that to you. But

6:37

you never did. Because being in an argument is

6:39

like being at the office, your brain is moving

6:42

at a thousand miles an hour defending yourself or

6:44

doing emails and presentations and we hear ourselves say,

6:46

I don't have time to think. And when we don't

6:48

have time to think that door between our

6:50

conscious and subconscious brain is firmly closed and

6:52

we only have access to our conscious brain,

6:54

people listening in can Google, what presenting my

6:56

brain is conscious, 13%, 87% of your brain

6:58

is subconscious. Every meeting you've ever attended, every

7:01

creative problem you've ever solved, every innovation you've

7:03

ever seen is back here waiting to help

7:05

yourself, the challenge that you're on. But when

7:07

the door is shut, you don't have access

7:09

to it. So what do I do? I run energizers.

7:11

Well, what's an energizer? We did one. I just made you draw a bikasa.

7:13

It's a 60-second exercise specifically designed to make you laugh, because the moment I

7:15

laugh, I know that I've subconsciously opened that door, metaphorically opened the door, between

7:17

your conscious and subconscious brain, and metaphorically placed you back in the shower, where

7:19

you are, when you have your best ideas. I don't expect people to be

7:22

playful every minute of every day. Life will be great fun. We can get

7:24

great fun, but we can get great fun, but we can get my work,

7:26

but we can get my work done. We can get my work done. We

7:28

can get my work done. We can get my work done. We can get

7:30

my work done. We can get my work done. I do. We can get

7:32

my work done. I do expect people. I do expect people. I do expect

7:34

people. I do expect people. I do expect people. I do expect people. I

7:37

do. I do. I do expect So obviously this

7:39

idea of or this this approach

7:41

of this reawakening this rediscovering this

7:43

this drawing back out of ourselves

7:45

or You know pulling that out

7:47

and using it Obviously you're saying

7:49

it doesn't happen at work Traditionally

7:51

or normality at this point, but

7:53

we want it to and need

7:55

it to especially in our day

7:57

jobs in our commercial life, but

8:00

Also in the rest of our life

8:02

too, but obviously that's that setting, busting

8:04

that setting out, like doing retreats, probably

8:06

not just, that's not enough, it's not

8:08

just enough to do that, but it's

8:11

putting it into a ritualistic without being

8:13

constrictive, repetitive in other words, making it

8:15

normal, making it part of everyday life.

8:17

Yeah, when I was asked, you know,

8:20

I was asked, that's the wrong word,

8:22

when I was told. I was, you're

8:24

going to be in charge of innovation

8:26

and creativity at Pixar, Marvel, look at

8:28

it from Disney, I was like, oh

8:31

what the hell is that? And Bob

8:33

said, well I don't know exactly, we

8:35

just want to embed a cultural innovation

8:37

and creativity into everybody's DNA. So I

8:39

failed three times, the first time I

8:42

thought, right, I don't know what I'm

8:44

doing, I'm going to possibly go wrong.

8:46

Nobody outside of legal does legal work,

8:48

nobody outside of marketing does marketing, nobody

8:51

outside of sales does. So when you

8:53

have an innovation team you subliminally just

8:55

told everybody else in the organisation you're

8:57

off the hook, we've got an innovation

8:59

team. Model number three was an accelerated

9:02

program where we bring in some young

9:04

tech startups and take a 50-50 stake

9:06

in their business. We could help them

9:08

scale it and they could help us

9:11

take it to market much quicker because

9:13

they weren't encumbered by our politics, but

9:15

we had failed in our overall goal.

9:17

So I thought, right, I'm going to

9:19

make a toolkit. That's going to have

9:22

three principles. It's going to take intimidation

9:24

out of innovation and make it accessible

9:26

to normal hardworking people. Make creativity tangible

9:28

for 50% of us who are uncomfortable

9:31

with ambiguity. Far more importantly, make it

9:33

fun. Give people tools they choose to

9:35

use, but we're not around. That's when

9:37

you know when you're changing in culture.

9:39

So, what, five, six years on, I

9:42

thought, right, every single time I get

9:44

off a stage, have you got a

9:46

book? No. Do you have a book?

9:48

No, do you have a book? Pass

9:50

off. No, I died of a book.

9:53

So I thought, right, I better do

9:55

a book. So I said to them

9:57

of the publisher, I said, it's... Not

9:59

a book. He goes, well, what do

10:02

you mean he's not a book? I

10:04

said, okay. Well, actually, I'll ask you,

10:06

when you see a book in a

10:09

business environment, it's a business book, it's

10:11

in your office somewhere. Where is

10:13

the book traditionally? Where is it?

10:15

Sitting on a shelf. Yeah, you

10:17

know, and along with thousands of

10:19

others that we've never read, why?

10:21

Because my boss needs something by

10:23

three o'clock, I've got a time

10:26

to read. So I don't have

10:28

to do now. My mom's cookbook. You

10:30

on Shepherds Pie, go to pay 67.

10:32

Sherry Tival, pay three. So the book

10:34

is designed the same way. So it

10:36

says, the contents page, it says, have

10:38

you ever been to your brainstorm when

10:41

nothing ever happened as a result? Go

10:43

to pay 67. Work in a heavily

10:45

regulated industry. Go to pay 13. Don't

10:47

know how to evaluate your idea. Go

10:49

to pay 47. I'm trying to make

10:52

it accessible to people. And then the

10:54

other thing I wanted to do was appeal

10:56

to how we learn to how we learn. Keep

10:58

your eyes closed. How did you know?

11:00

How did you remember? How did you

11:02

learn? What eyes closed? Oh, what

11:04

can you see with your eyes closed? How

11:07

did you know there were 30 days

11:09

in September? I kind of have

11:11

a semi photographic memory, so I'm

11:13

looking at it in my

11:15

photographic memory So I'm looking at

11:18

it in my head and I'm

11:20

just kind of in my photographic

11:22

memory. So I'm looking at it

11:24

in my head and I'm just

11:26

told me they learned it Not that

11:28

30% puts their knuckles together and starts going

11:30

January, February, March, April, May, June, July. They're

11:32

kinesthetic learners. They learned by doing. You learn

11:34

by seeing. So when I created the book,

11:36

I thought, right, how do I appeal to

11:38

all three learning stars? I thought, right, I

11:40

love doing stuff I've never done before. There's

11:43

a QR code in each chapter. Spotify

11:45

playlist in each chapter for people who learn by

11:47

listen. Animated videos. I'm now an animated character. I've

11:49

never been a character. Well, I went shot on

11:52

a green screen in Los Angeles. I now pop

11:54

out of the pages with the characters from the

11:56

book and show you how to use the tools.

11:58

And in the back you... code is the

12:00

visual and it's the back cover is

12:03

AI first ever fully integrated. It's artificial

12:05

intelligence book ever published. Why? Because I

12:07

didn't know how to do it this.

12:10

And so you can ask the book

12:12

questions. You go through the back you

12:14

are code sign up on what's app

12:16

and you can ask the book questions

12:19

through a chat TVT because how could

12:21

I use the what if tool on

12:23

pay 67 to help me sell more

12:26

orange sharpies on Tuesday morning at 10

12:28

o'clock? And the book will answer you

12:30

and it's bloody good. But no, because

12:32

it's about making it fun and engaging

12:35

for people. I mean, look, I come

12:37

from Disney. It's about, is it a

12:39

book or is it an experience? I

12:41

would argue it's an experience. Yeah. I

12:44

think the one downside for me was

12:46

I received a PDF copy, so it

12:48

was flat on a screen. So I

12:51

will be. But for me, again, I

12:53

always love the tangible book. I love

12:55

being able to open it and flip

12:57

it up. Send me your address. Spark

13:00

Zing Nova. So, because when I originally

13:02

created the book, I created this character,

13:04

I mean, come on, I come from

13:07

Disney, go out of a character somewhere.

13:09

So I thought, right, we're going to

13:11

have Archie. Archie is, he's a direct

13:13

descendant of our comedians. Well, why are

13:16

comedians? Well, because when you ask people

13:18

where they are, when they're best ideas,

13:20

they say they shower. Well, our comedians

13:23

was in the bath. So I'm sketching

13:25

it and drawing it, I'm getting into

13:27

graphicic graphici. You're an old white guy,

13:29

you can't do that anymore. So I've

13:32

created three new characters. Spark is masculine,

13:34

he's a light bulb, he introduces you

13:36

to the creative behaviors. Zing, gender neutral,

13:38

introduces you to the energizers and knows

13:41

where she's female and she introduces you

13:43

to each of the tools. And so

13:45

this isn't a book about case studies.

13:48

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13:50

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15:56

culture will follow. I was like, you,

15:58

users, it's culture first and profit. will

16:00

follow. If you don't get the culture right you

16:02

can have all the tools you want it doesn't

16:04

matter. But getting the culture right is so important.

16:06

You and I both know that when we go

16:08

to work or every time we pitch an idea

16:10

it's no because we tried that last year it's

16:12

no because we tried that last year. No because

16:15

that one here our KPIs. No because that's not

16:17

the way we do it here. So so actually

16:19

I want to demonstrate this for your listeners so

16:21

you and I are charged with coming up with

16:23

the birthday party. Marvel, so I'm going to come

16:25

out with you with some ideas for a Marvel

16:27

party. I'd like you to start eating their response

16:29

with the words you know you hear every day,

16:32

no because, and then you'll tell me why not.

16:34

Okay, but each time you're responding no because. So

16:36

I was thinking about, oh guardians, the galaxy party.

16:38

Yeah, we could go with, yes, with, I'm grud

16:40

and rocket and the big guy and star lord,

16:42

it could be a costume party, we could be

16:44

a costume party, we could be a costume party,

16:46

we could be a costume party, we could be

16:49

a costume party, or a costume party, we could

16:51

be a costume party, or a costume party, we

16:53

could be a costume party, we could be a

16:55

costume party, or a costume party, or a costume

16:57

party, or a costume party, or a costume party,

16:59

or a costume party, or a costume party, or

17:01

a costume party, or a costume, or a costume,

17:03

All right, oh man, okay. Well tell you what,

17:05

then, what if we just brought the costumes from

17:08

the sets? So just the set costumes, so we'll

17:10

actually have, you know, like, one of those displays

17:12

of all the costumes in like, sort of a

17:14

museum setting, we'd have some cocktails. No, because transporting

17:16

them, they've got to be guarded. All right, okay.

17:18

Right, what if we, I tell you what, we'd

17:20

do a Guardians of Galaxy party. And then everybody

17:22

could come dressed as a galaxy, a galaxy party.

17:25

No, because everybody's going to feel like they've got

17:27

to have a competition going to win. Right. I

17:29

tell you what then, what if you just show

17:31

all three movies in a movie theater and we

17:33

give people some free popcorn tote fella? No, because

17:35

we don't know how many you're going to show

17:37

up and we can't estimate the cost correctly. Okay,

17:39

so I'm having fun with that. Yeah, were you

17:41

in legal for a while? I'm just kidding to

17:44

all my legal friends. Legal people are much more

17:46

creative than anybody gets in credit for. The problem

17:48

is we leave them to the last possible.

17:50

minute to see if they

17:52

can help us solve

17:54

something. So let me ask

17:56

you a question. Do

17:58

you think that was getting

18:01

bigger or smaller as

18:03

we were going along? It's

18:05

constricting. It's getting smaller

18:07

every time. Also, if I

18:09

was honest, I'd say it was like business as

18:11

usual. So let's do it again. I'm going to

18:13

give your listeners a different tool, one that I

18:15

believe can change your culture overnight. So this time

18:17

it's doing Potter or Star Wars. What are we

18:19

doing? I'll see Star Wars. Okay. So

18:21

I'm going to come at you some Star Wars

18:23

ideas. I like the first exercise where you started

18:25

with the words no because each time this time

18:28

I want you to start with the words yes

18:30

and and we'll just build it together. Okay. So

18:32

right. Oh, I tell you what, we could get

18:34

one of those dark black carpets and then we

18:36

could do holographic projections onto it in a galaxy

18:38

far, far away. And then it would actually name

18:40

all of us individually as we're going up the

18:42

carpet. Yes. And once in a while,

18:44

we can have the lights flash like we're going

18:46

into hyperspace. Yes. And

18:48

we can throw in the dark

18:50

lightsabers. Yes.

18:53

And we can have

18:55

blasters that shoot

18:57

lights. Oh, I

18:59

tell you what, yes. And we could do an intergalactic

19:01

food and wine festival. We could have, we could have food

19:03

and wine from the heart and the boo and Tatooine. Yes.

19:06

And we can definitely have

19:08

people dress up because we want

19:10

to have everybody bring their

19:13

favorite Star Wars character. Oh,

19:15

yes. And all the tall people come as Vader and

19:17

all the little people who dress as Evox. Yes.

19:20

And even all of them in between.

19:22

And we can see who can do

19:24

the best wookie impression. Yes. Oh,

19:26

notice that we can put them all on a big corporate

19:28

jet and fly them down to Disney World to see the

19:30

new galaxy's edge. I

19:32

don't know what I was to say, but yeah.

19:34

A lot more laughter, a lot more energy, but you

19:36

became Italian for the first time today. You're right.

19:39

Absolutely. So this time around was the idea getting bigger

19:41

or smaller. It was getting bigger. We,

19:43

we expand. We're adding into it. Right. And

19:45

we, you know, we have colleagues and clients

19:47

and constituents and government and people that we need

19:49

to bring on board with our ideas. When

19:51

we just finished building that idea together, whose idea

19:53

was it by the time we finished? Everybody's

19:56

hours. Very simple words

19:58

from the world of improv. that can take

20:00

a small idea into a big one

20:02

really really quickly. But far more important

20:04

is the power of transforming my idea

20:07

to our idea and accelerate its opportunity

20:09

to get done. Just remind yourselves, you

20:11

know, when people come at you with

20:13

an idea you're not thinking of, that's

20:15

a really good place to start. Innovation

20:17

is about getting you to an idea you

20:19

can't get to by yourself. But just remind

20:21

yourselves if you tend to be one of

20:24

those people who will kill the ideas. Just

20:26

remind yourself, we're not green lighting this idea

20:28

for execution. I love the word greenhouse. The

20:30

other thing I noticed was that instead of

20:33

constricting it as we went, we were expanding

20:35

and then when we get to that semi

20:37

and, well you even said bring the

20:40

lawyers in early, but even if we

20:42

get to that point where logistically some

20:44

of what we suggested isn't going to

20:47

work, we find that out later and

20:49

we haven't limited ourselves or walled ourselves

20:51

off from entertaining those possibilities. I'm very

20:53

clear this is an expensive session or is a

20:55

reductive session and if you're an expensive session you

20:58

don't get to use the words nobody calls. One

21:00

of the things I would offer some advice is

21:02

we all have boring meeting rooms where we work,

21:04

but all of us have an art school within

21:06

five miles where we work. Well what if we

21:09

got the art students to come in and paint

21:11

a greenhouse around the walls? Call it the greenhouse

21:13

and everybody knows when they walk into the greenhouse.

21:15

This is the one room where you don't get

21:17

to kill ideas. You don't get to kill ideas.

21:19

You don't get to kill ideas. Yeah, yes, because

21:22

good ideas come from many ideas. Yeah,

21:24

Ed Katner once said, creativity doesn't

21:26

get good ideas and creativity, don't

21:28

follow job titles, they just come

21:30

from where they come from. Oh, that's

21:32

great. That was a great example of an

21:34

activator. Let's go back to one of those

21:37

other characters. What were the other two? I

21:39

forget their names off the top of my

21:41

head. Zing does energizes. Energizers are, so when you,

21:43

you know... We never get our best idea at

21:45

work, right? It's always in the shower,

21:47

it's always somewhere else, it's never at

21:49

work, so energizes specifically designed to open

21:52

the door between your conscious and subconscious

21:54

brain and metaphorically pledge you back in

21:56

the shower. What are they? 60-second exercises

21:58

specifically designed to make you laugh. actually

22:00

takes you through them all that we

22:02

did the earlier one where we became

22:04

bicasso. So there are some stitches. Again,

22:06

they are specifically designed with laughter in

22:09

mind to get you out of busy

22:11

beta. That's the brain state that science

22:13

calls beta and into alpha where you

22:15

open the door between your conscious and

22:17

subconscious brain. Okay. You got any other

22:19

ones? Let's do another one real quick.

22:21

Would you not have any energizing? Yeah,

22:23

actually now. So this is half energised,

22:25

but half to make a point. This

22:28

is actually, this is an innovation tool.

22:30

This is, well, I'm brought to you

22:32

by Nova. This one is, who else?

22:34

Who else is uniquely positioned? to get

22:36

you out of your own. So I

22:38

said, we say the biggest barrier to

22:40

innovation is I don't have time to

22:42

think. I would argue it is in

22:44

fact all of us on our own

22:47

river of thinking. Well what's a river

22:49

of thinking? A river of thinking is

22:51

our own expertise and our own experience

22:53

and the more our expertise and experience

22:55

we have, the wider, the faster, the

22:57

deeper is our river of thinking in

22:59

the industry in which we work. And

23:01

that works really well up until 2020.

23:03

Then we had a global pandemic, global

23:05

climate change, global climate change, generations, generations,

23:08

the coming, the world, the work, the

23:10

work, the work, the work, the work,

23:12

the work, the way, the way, the

23:14

way, the way, the way, and AI.

23:16

or for our career. So the tools

23:18

are designed specifically designed to get you

23:20

out of your ever thinking and thinking

23:22

differently. So this one is about who

23:24

else is uniquely positioned to get you

23:27

out of your ever thinking. This is

23:29

the naive expert. Well who or what

23:31

are they? Well they are chosen because

23:33

they don't work in your line of

23:35

business or perhaps your industry. Well why

23:37

are they there then? Well they're not

23:39

there to solve the challenge that would

23:41

be an unrealistic objective. They're there to

23:43

say or do something to stop you

23:46

thinking the way you always do. We

23:48

were designing a new retail dining and

23:50

entertainment complex for the Hong Kong Disney

23:52

Resort. In the room that day, the

23:54

12th white male American architects, Disney imaginary.

23:56

So I invited in a young female

23:58

Chinese chef. Why? She was female, not

24:00

male, not male, male, Chinese chef. Why?

24:02

She was female, not male, Chinese chef.

24:05

Why? She was female, not male, Chinese

24:07

chef. Why? She was female, not male.

24:09

seven seconds ready ready ready okay please

24:11

would you draw a house seven six

24:13

five four three two one share your

24:15

genius let's take a look let's take

24:17

a look and oh look at twins

24:19

that looks very close yes so We

24:21

both drew one door, we both drew

24:24

two windows and we both threw the

24:26

room for the shape of a triangle.

24:28

Why? Because all of our expertise and

24:30

all of our experience tells us that's

24:32

what the house should look like. The

24:34

young Chinese chef, she was there, so

24:36

everybody drew exactly what you and I

24:38

did except the young female Chinese chef.

24:40

She drew a dim sum architecture. Why

24:43

wouldn't she? She's a young female Chinese

24:45

chef. Never occurred to her to draw

24:47

the house the same way we would.

24:49

On the way out the door, Disney

24:51

Imaginee had put a post over a

24:53

drawing and said, Distinctly Disney Authentically Chinese.

24:55

Seven years later, the strategic brand position

24:57

that guided the entire design of the

24:59

Shanghai Disney Resort, Distantly Disney Authentically Chinese.

25:01

Now I can bounce back to one

25:04

of the behaviors, so we'll do bravery

25:06

here. So, bravery. We want to hear

25:08

a story about how I sent Buzzlike,

25:10

you're into space or how I stole

25:12

the turkey from the President United States

25:14

of America on Thanksgiving. What would you

25:16

prefer? The turkey, I've heard the buzz

25:18

lightier story, so the turkey one is

25:20

peeping in interest for sure. Okay. This

25:23

is all about bravery and that wonderful

25:25

quote by Henry Ford, whether or not

25:27

you think you can or think you

25:29

can't, you're probably right. So we were

25:31

tasked with getting some coverage for Disneyland's

25:33

50th anniversary. The actual anniversary was over.

25:35

It was in July. So the media

25:37

were like, please, we don't want to

25:39

talk about it anymore. So we were

25:42

like, well, okay, what are those other

25:44

events in the American calendar that the

25:46

media will have to cover? Well, they're

25:48

going to have to come with Mother's

25:50

Day, Father's Day, Halloween, Thanksgiving, Christmas. Well,

25:52

tell me, well, tell me about Thanksgiving,

25:54

Christmas. So I said, well, tell me

25:56

about Thanksgiving, Christmas. Well, tell me about

25:58

Thanksgiving. before Thanksgiving. I was like, oh

26:01

well, he said he goes back to Eisenhower. I

26:03

said, well, okay. I said, well, so that's the one

26:05

turkey pardons. So they don't get killed, right? He said, yeah.

26:07

I said, well, wouldn't that make it the happiest turkey

26:09

on earth? And everybody was like, oh, don't even go

26:11

there? Oh, don't even go there? Oh, don't even go

26:13

there. Don't even go there? Oh, don't even go, oh,

26:15

don't even, the happiest turkey on earth. Don't even. Don't

26:17

even. Don't even, don't even. Don't even, don't even, don't

26:19

even, don't even, don't even, don't even, don't even,

26:22

don't even, don't even, don't even, don't even,

26:24

don't even, don't even, don't even, don't even,

26:26

don't, don't even, don't, don't, don't, don't, don't,

26:28

don't, And the director comes at the White House and

26:30

says, oh, we send it to the National Turkey Federation.

26:32

I said, I didn't know he ever. I said, well, you

26:34

couldn't give me their phone number, could you? So he

26:36

did. So I found the president of the National Turkey

26:38

Federation. I said, what do you do with the turkeys

26:41

after the party in ceremony? He says, oh, we put

26:43

them on a petting zoo in Virginia. It's like,

26:45

oh, aren't we supposed to negotiate or handle

26:47

a little bit? Anyway. Anyway. So then I

26:49

found out more about turkeys than you could

26:51

possibly want to learn. Turkeys when growing to

26:54

a certain size, such as the pardoning turkeys

26:56

for the ceremony, have heart attacks and die

26:58

like that. I thought, wow, you want coverage?

27:00

I'll get your coverage. The one turkey pardoned

27:02

by the President of the United States of

27:05

America is killed by a British Pialgo in

27:07

a stump for Disney. So in a moment

27:09

of total and utter stupidity, in one of

27:11

those seemed like a good decision at the

27:13

time, I sent Pilgrim Mickey the walk-around

27:16

character and the parade music up

27:18

to the pen in Virginia for

27:20

two weeks. Oh yes, I did.

27:22

Turkey will get a climatise. And

27:24

then I thought, oh, I wonder if the National

27:26

Turkey Federation have told the White House we're taking the

27:28

Turkey, I thought, well, phone up. So I found out

27:30

then the National, and I said, yeah, I've told the

27:33

White House Disney's taking the Turkey, right? He said, no.

27:35

I said, well, you're going to have to, because we're

27:37

going to do the MVP spot, Turkey. Well, you're going

27:39

to have to, you know, we're going to do the

27:41

MVP spot, Turkey, but, because we're, because we're, you know,

27:43

because we're, because we're, you know, because we're, you know, because

27:45

we're, you know, because we're, you know, because we're,

27:47

you know, you know, because we're, because, you know,

27:49

you know, you know, because, you know, because, you

27:51

know, you know, you're, because, you're, you're, we're, we're,

27:53

we're, we're, we're, we're So they won't get a

27:55

call from our chairman. He says, Duncan, I see

27:57

you've booked the corporate chair out of Washington DC

27:59

to LA. on My

32:29

dad works in B2B marketing. He

32:31

came by my school for career

32:34

day and said he was a

32:36

big row as man. Then he

32:38

told everyone how much he loved

32:40

calculating his return on ad spend.

32:43

My friends still laughing me

32:45

to this day. Not everyone

32:47

gets B2B, but with LinkedIn,

32:49

you'll be able to reach

32:52

people who do. Get $100

32:54

credit on your next ad

32:57

campaign. Go to linkedin.com/results. Well

46:32

that's another podcast crossed off your listening

46:34

to-do list. I hope that you got

46:36

many many things out of this conversation

46:38

and I hope that you go grab

46:40

the book because it is definitely worth

46:42

grabbing. Like I said in the conversation

46:44

I saw Duncan in person for about

46:46

two hours plus in about a 50-60

46:48

person room and we went through so

46:51

many of these activators and things that

46:53

got us out of our rivers of

46:55

thinking and then we would brainstorm on

46:57

our own stuff. And it was just

46:59

a fantastic time. So I knew. When

47:01

the option for him to be on

47:03

the show came up, I had to

47:05

do it. And I hope that you

47:07

are walking away energized and contemplating the

47:09

possibilities that are in front of you

47:11

if you start to put into place

47:13

and do some of the things that

47:16

he talked about in this episode and

47:18

in his book. So check the show

47:20

notes beyond the to-do list.com is where

47:22

you can find those. You find the

47:24

link to the book there as well

47:26

as how to get in touch with

47:28

all the other things Duncan is doing

47:30

if you found this podcast helpful. Please

47:32

do me the favor of sending this

47:34

to somebody you know needs to hear

47:36

it, share it on social, tag me,

47:39

tag Duncan. Thank you so much for

47:41

sharing. Thanks again for listening and I'll

47:43

see you next episode.

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