0:09

Here's an ancient Russian

0:11

story That sings of

0:14

love In all its

0:16

glory It's called Prajai

0:18

Which means goodbye, goodbye

0:21

Don't cry, I'll soon

0:23

be returning to you

0:25

Don't cry, there is one

0:27

frosty hour I love you,

0:29

dearly, I long for you,

0:31

some Every night when the

0:34

Russian moonlight Reminds me we've

0:36

said Prajai Prajai,

0:40

goodbye Prajai,

0:43

let's kiss and

0:46

say farewell Prajai,

0:49

goodbye Prajai,

0:53

I leave my

0:55

heart Prajai,

0:59

goodbye Prajai,

1:03

oh, let

1:05

others play

1:07

Prajai, goodbye

1:11

Prajai, that means

1:14

so long oh,

1:31

others play Prajai,

1:35

goodbye Prajai,

1:37

Prajai, goodbye

1:39

Prajai, Prajai,

1:41

goodbye Oh.

4:10

Yeah.

4:40

Yeah. When

5:06

I'm calling you, you, it's

5:08

Dr. That

5:11

means the awful my love

5:13

to you, to-da-da-da. That

5:16

time the awful my love

5:18

to you, to

5:20

be wrong. If

5:22

you refuse me,

5:24

I will be

5:26

blue, I'm waiting

5:28

all alone. But

5:30

when you hear

5:32

my love ball

5:34

ringing ringing with

5:36

me. And I

5:38

hear your answer,

5:40

bring that gold,

5:42

something. Then I

5:44

will know. I'll

5:46

stop you, come

5:48

through. You

5:50

belong to

5:52

me. I

5:55

belong to

5:57

you. The

6:30

will shine, the

6:33

will fall,

6:36

and the oil

6:38

a grow,

6:40

and grow and

6:42

grow. Behind

6:44

Knee the

6:46

by the

6:48

force

6:50

of July and

6:53

Iowa. hey,

6:56

hi, hi do. Oh,

6:58

I'll watch it. I'll watch it.

7:01

Bell's heart by the

7:03

force of July

7:05

and I Oh,

7:08

hey, hey,

7:11

hi, hi to you

7:13

Oh, hey, hi,

7:16

hi, hi to

7:18

Just the golden

7:20

seed down, right

7:23

down on on I over

7:25

ground, it ever

7:28

gets there, that

7:30

seed will grow

7:32

in in mid-air, By

7:34

high, by the the

7:36

force of July, and I. Oh,

7:41

hey, hi, hi

7:44

to you Iowa, Iowa,

7:47

Iowa, Iowa, Iowa

7:49

That's where where

7:51

I was born

7:54

in Iowa In

7:56

Iowa That's

7:58

what we call Cause

8:00

calls come... And I

8:02

have a... Hey!

8:06

Hey! I, I,

8:08

I... Hey! Hey!

8:10

I, I, I... Hey!

8:13

Hey! I, I,

8:16

I... Hey! I, I, I,

8:18

I, oh, I, I, I, I, I,

8:21

I, I I love!

8:58

I. Oh, I. Oh, I. Oh,

9:00

I. Oh, I. Oh. back

9:03

there where I

9:05

was born in

9:07

Iowa that's

9:11

what we

9:13

call, called, born

9:15

in Iowa

9:17

oh, hey, I,

9:20

I, I

9:22

do oh,

9:24

hey, I,

9:26

I, I

9:28

do oh,

9:30

hey, I,

9:32

I, I

9:34

do Love

9:42

your skimmets, Judy. Where did you you it? My hat? Oh, Bing, how

9:44

nice of you asked me that, how nice of you

9:46

to ask me that because there's a

9:48

very interesting story hat. There really hat there

9:50

really is, was walking down the street in

9:52

the middle and probably, no one, it was in the car. It's a very

9:55

dear friend mine. Well, we walked around the story. What her wife had to

9:57

do with a millillary shop. And she looked in the window, so I had

9:59

said, that is for you. we're

10:03

sitting close

10:06

together in

10:09

a cozy

10:13

taxi cab

10:16

Must do

10:19

yachty, yachty,

10:22

yachty, yachty,

10:25

gab-gal. Aristotle,

10:28

mathematics, economics,

10:31

antique chairs,

10:34

the classics,

10:37

the comics.

10:41

Darling, who cares? There's

10:44

a brand new moon

10:46

this evening, and the

10:49

weather should be fine.

10:51

If you yat, yat,

10:53

yat, a, yat, a

10:56

same old line. I'll

10:58

politely close your lips

11:00

with mine. How's

11:03

your golf thing? Michael? Oh, I'm really moving

11:06

that ball out there. Striking at a turn.

11:08

I had a 69 Sunday, it should have

11:10

been a 65. Terrific wind blown, couldn't drop

11:12

a single foot, it was murder. Oh, I

11:15

lost my head with this question. And of

11:17

course, the equipment, you can't get any golf

11:19

balls anymore. The actors are hoarding them all.

11:21

The caddies, they want an annuity for 18.

11:24

How's going to take an option on, I

11:26

want to be sure to be sure to

11:28

be sure you'll show up. When the parlor

11:30

lies, it's lower, and the family isn't in.

11:32

Must you, yat, yat, yat, yat, yat, chint,

11:35

chim, chang. When this music's softly playing, and

11:37

I'm sitting on your lap, must you, yat,

11:39

a, yat, a, yat, a, yat, a, yat,

11:41

yat, yat, yat, yap, yap, yap, yap, yap,

11:44

yap. Forward passes, second baggers, or a jockey

11:46

who is hot, or boxing. hockey darling so

11:48

what? I'll attempt some other

11:50

evening Well, you you call for

11:53

me night. Calling. But if

11:55

you yacht it's a

11:57

yacht it's a yacht

11:59

yacht it's a same

12:02

old line What do

12:04

you mean the same

12:06

old line you asked

12:08

me about my hat

12:10

You've been standing there

12:13

for an hour talking

12:15

your big fat head

12:17

off about golf you

12:19

didn't even let me

12:22

finish my story I

12:24

told you what I

12:26

do you do Let

12:28

me finish It's

12:35

so nice to

12:37

close your leg. With

12:41

With My

13:00

We heard a chick the

13:02

other other day cooling out out

13:04

her boyfriend in every

13:06

way. She kept kept on

13:08

a full of

13:10

complaints Like she she

13:12

expected folks to

13:15

be saints. She insisted

13:17

he he neat. So this

13:19

was was her

13:21

complaint complete Report

13:23

to the to the

13:25

like I dimple in

13:27

your chin chin. I

13:29

love the tricky

13:31

way you grin. Still,

13:33

you ain't no no of

13:35

cat. You know know don't

13:38

tell him. Boy, your socks

13:40

don't match. The teeth

13:42

teeth you have

13:44

are white. white All

13:46

both of them

13:48

Your lips are

13:50

sweet and day pucker-right.

13:52

You're the kind to

13:54

my life, but don't go

13:56

you boy. socks don't

13:58

match The shoes

14:00

you wear reveal your

14:02

holes one red and

14:04

one bright blue

14:06

blue They're strangers, strangers,

14:08

I suppose you

14:10

should introduce those

14:12

those two. You've got eyes

14:14

of lovely blue.

14:16

low Our pug

14:18

knows I could

14:20

go far I could go

14:22

far you're the

14:24

best of all best

14:26

of all the bash. Take

14:28

your socks don't

14:30

match your socks

14:33

don't match. That's

14:44

pretty blue, Lou, but

14:46

your socks don't match blue-loo,

14:50

but your socks don't match.

14:53

The you wear

14:55

reveal your horse,

14:57

One red and

14:59

one bright

15:02

blue blue, That total

15:04

strangers, and

15:06

I suppose you

15:08

should introduce

15:11

those those two. Oh, you've

15:13

got two eyes

15:15

of lovely blue,

15:17

Keep Our cute

15:20

cute little go

15:22

far too I

15:24

hope to get

15:27

go far too. the

15:29

best of

15:31

all in here. Though you're

15:33

the best socks

15:36

don't match You

15:38

got a

15:40

red one, sir,

15:42

blue one, socks don't

15:45

do You've socks

15:47

don't match one,

15:49

ain't gonna do some, your

15:51

socks don't match. Oh.

17:03

Shaking like a leaf

17:05

on a tree, a tree. That's

17:07

come a loose from the stem. Shaking like

17:09

like a leaf on

17:12

a tree, Because a I'm

17:14

goose, to my I'm like a

17:16

weeping a Weep an armor pillow. For

17:18

years years and years

17:20

there ain't no man. That's worth

17:22

a soul soul mine. Bob-a-da-da-bab. What- down

17:25

and down he dragged me like a

17:28

he dragged me, bag peony

17:30

for years years and years

17:32

ain't no sweet man, worth

17:35

the soul of mine but that up

17:37

but done may be

17:39

blue, may be blue still I

17:41

must tell him tell

17:43

him Rather than

17:45

have that man, gonna lay

17:48

me me down and

17:50

just die. like Oh,

17:52

broken-hearted history, aggravated mystery, let me your

17:54

ears, the rain-o-sweet man. That's worth the

17:57

salt of my, blah, blah, blah, blah,

17:59

blah, blah. up?

19:12

Yeah. Hey, hey,

19:14

women are going

19:16

mad today. Hey,

19:19

hey,

19:21

women, I'm

19:24

going

19:26

mad as bad.

19:28

I'll say, go

19:31

anywhere. Just I'll

19:33

say. stare. You

19:35

say there's lots.

19:37

and stare. look

19:40

at say clothes,

19:42

when you

19:44

look at

19:46

the clothes

19:48

they wear.

19:50

women, feminine

19:52

men, which

19:54

is the

19:56

rooster, which

19:58

is a hen.

20:00

It's time

20:02

to tell

20:04

them apart today. And

20:06

say, sister is busy

20:08

is busy

20:10

learning She's rather

20:12

brother just

20:14

loves her permanent

20:16

wave. It's time

20:18

to tell

20:20

them them apart

20:23

today. hey, girls, my

20:25

girls, and boys, my

20:27

boys, when I'm on

20:29

the top. Now we

20:31

don't know who we're

20:33

two or even what's,

20:35

what's, what, difference in

20:37

trousers, baggy and white.

20:39

Nobody knows who's walking

20:41

in tight, those masculine

20:43

women and feminine men.

20:45

Stop, look, lesson and

20:47

you'll agree with me.

20:49

Things are not what

20:51

they used to be,

20:53

you'll see. You say

20:55

hello, to Uncle Joe,

20:57

then look again, and

20:59

you'll find it your

21:01

answer as he flows.

21:03

Mash-givin' whippin' whippin' whippin'

21:06

And say, why aren't

21:08

he smoking, blowing her

21:10

own? Uncle is always

21:12

fine, cologne. It's hard

21:14

to tell on the

21:16

heart today. Hey, hey,

21:18

you go in to

21:20

give your girl a

21:22

kiss in the hall.

21:24

But instead you find

21:26

your kissing her brother

21:28

Paul. Mom's got a

21:30

sweater, up to her

21:32

chin. Kyle's got a

21:34

girl holding you in.

21:36

Those masculine women and

21:38

feminine women and feminine

21:40

men. Now why'd he

21:42

is praying, billiard and

21:44

pool, hobby of dressing,

21:46

the kitties for school?

21:49

It's hard to tell

21:51

him a heart today.

21:53

Hey, hey, since the

21:55

prince of Wales and

21:57

lady's dress is washing.

21:59

Now what does he

22:01

intend to be? The

22:03

king or the queen?

22:05

Why, grandmother, mine, those

22:07

palerme clothes, grandfather fries,

22:09

who smell like the

22:11

rose, those master and

22:13

women and men? Wonderful,

22:15

for it's wonderful to

22:17

be in love with

22:19

you. Beautiful, you're in

22:21

love with you. Beautiful,

22:23

you're so beautiful, you're

22:25

so beautiful, you hurt

22:27

me all day through.

22:29

Every little breeze seems

22:32

to whisper, First in

22:34

the trees, seem to

22:36

tweet the Louise. Each

22:38

little rose tells me

22:40

it knows I love

22:42

you, love you. Every

22:44

little bit that I

22:46

feel in my heart,

22:48

seems to repeat what

22:50

I felt at the

22:52

start. Each little strike

22:54

tells me that I

22:56

adore you. Louise. Just

22:58

to see and hear

23:00

you, enjoy and never

23:02

knew. But to be

23:04

so near you, raise

23:06

me through and through.

23:08

Anyone can see why

23:10

I want your kids.

23:12

It took me, but

23:15

the wonder is this.

23:17

Can it be true?

23:19

Someone like you could

23:21

love me. Louis! Every

23:23

little breeze seems to

23:25

whisper Louis. But in

23:27

the tree, it seems

23:29

to Twitter, Louis. Each

23:31

figure around tells me

23:33

it low. I love

23:35

you. I love you.

23:37

Every little bit that

23:39

I feel in my

23:41

heart. Seems to repeat.

23:43

What I felt at

23:45

the start, each little

23:47

sign, tells me that

23:49

I adore you. Fluey.

23:51

Just to see and

23:53

hear you. Enjoy and

23:55

never knew. But to

23:58

be so near you.

24:01

me me and through

24:03

through. Anyone can

24:05

see see why I want

24:07

had to be,

24:09

but the wonder

24:11

is to be, it

24:14

be true? Someone

24:16

like you could

24:18

love me, true? Someone like

24:20

you could love me. Louis! Just

24:34

to see and hear you,

24:36

with joy and never knew.

24:38

But to be to

24:41

see and

24:43

hear you Oh,

24:46

with joy

24:48

I never knew

24:51

never to be

24:53

so near

24:55

you be me

24:58

through and through

25:00

you, Anyone can

25:02

see see why I want you to

25:05

to be, but the

25:07

wonder is the it

25:09

be is this. like

25:12

you could Someone like

25:14

you could love me. Louise. Now

25:16

wake up, boys. Now wake up,

25:18

boys. Get out on the

25:21

up It get out

25:23

on the rock

25:26

but it's four four

25:28

o 'clock Oh, no,

25:30

no, pop. know that

25:33

ain't the ain't to

25:35

play? What you're talking the

25:38

WPA Now I

25:40

said that WBA.

25:42

The WPA WBA. Sleep

25:45

you work, while

25:47

you rest, while

25:49

you you on your

25:52

shovel play. time

25:54

away Tend what

25:57

you do, you

25:59

can pass a time that?

26:01

The WPA do, you

26:04

can jive for your pay. Why

26:06

is WPA Now don't be

26:09

a fool working hard as passing.

26:11

You stand from five to six

26:13

hours a day. Sit down and

26:16

joke while you smoke. It's okay.

26:18

The WBA. I'm so tired. Don't

26:21

know what to do. Can't get

26:23

fired. So I take my best

26:25

until my work is through. WBA.

26:30

W.P.A. Don't

26:32

mind the

26:35

positive he's

26:38

cross when

26:40

you're gay.

26:43

He'll get

26:46

a pink

26:49

slip next

26:51

month anyway.

26:54

Three little

26:57

letters that

26:59

make lab

27:02

okay. W.P.A.

27:05

I'm sorry,

27:08

I don't

27:10

know, I

27:13

don't know.

27:16

I'm sorry,

27:18

I'm sorry,

27:21

I don't

27:24

know. Don't

27:26

know what to do.

27:29

Can't get fired. So

27:32

take my rest till

27:34

the work is true.

27:37

W.P.A. Don't mind the

27:39

boss if he's cross

27:42

when you get. He'll

27:45

get a thingy slip

27:47

next month anyway. Three

27:50

little letters that makes

27:53

life okay. W.A. What's

27:57

the beauty?

28:01

Yeah.

28:27

Yeah.

28:57

Let's a joy jump in a

29:00

good time's row. Let's a pleasure

29:02

pop. Now let's take a stroll.

29:04

Light up! Let's all get melon.

29:06

Light up. You're smoking your eyes.

29:09

Light up. Get hit what they

29:11

fella. Light up. Hey, what is

29:13

this, John? Light up. Let's all

29:16

get ready. Light up. I know

29:18

how you feel. Now don't be

29:20

a Friday, you find what I

29:22

mean in any old field. One,

29:25

two, three, four, five, six, seven.

29:27

Blow. Eight, nine, ten, and then

29:29

he'll never. Boy enough. Now get

29:32

your day going. Clean up. I'm

29:34

say, that's the thing. Light up.

29:36

Don't let that man get you,

29:39

just pop on your dig and

29:41

blow the little bag. Yeah.

30:00

Yeah.

30:19

Oh.

30:49

There's a great a

30:51

great of

30:53

today today, know is

30:57

talking and fooling

31:00

with with radio. It's

31:02

a wireless telephone. I just

31:04

bought one of my own.

31:07

Now I sit at home

31:09

alone and hear them distanced.

31:11

But all that I can

31:14

hear is... The

31:17

thing in my ear

31:20

is, down my wild

31:22

cat is, but if

31:25

boys and miss us,

31:27

they can't silly wishes,

31:30

they're ending wireless, it's

31:32

all night through

31:35

that that. Same

31:38

old story ever

31:40

ever new, and it million

31:42

girls and boys

31:44

are making all

31:46

that noise for

31:48

that making

31:50

you noise

31:52

for that mean. can

31:55

hear it All

31:57

that I can hear is.

31:59

think in my ear if

32:03

Traveling men and see men,

32:06

soooms, and e

32:08

-mails, Boomed by

32:10

by dust and ashes, making

32:12

wild and mad, and all

32:14

the with, is filled

32:16

with... filled with with

32:19

love, fire, score, and

32:21

And maybe

32:23

more, but love or power

32:25

of art, and beneath what

32:27

they start, L -O

32:29

-V -E, signing

32:32

off. off, good night. Oh.

33:14

ah, oh.

33:27

Rock and roll, roll

33:29

and rock away. Rock

33:31

and roll and rock

33:33

away. Up and down,

33:36

roll and

33:38

rock away

33:40

Up and

33:42

down, round

33:44

and round

33:46

we'll sway

33:49

with each

33:51

in the

33:53

spell Of the rolling

33:56

of the rhythm of the

33:58

sea. and and old

34:00

rock along rock is

34:02

sweet, treat it

34:04

with a song

34:06

While we dance,

34:09

there's romance In the

34:11

rolling In rhythm of

34:13

the rock and rhythm of the

34:16

sea. moon hangs low

34:18

low, hold tight, all

34:20

overboard, we'll go Rock

34:22

and roll like

34:24

a rock in cheer

34:27

Laugh and smile

34:29

while we drown each

34:31

care In the we

34:35

we glide each

34:37

the rolling

34:40

rock and

34:42

rhythm of

34:45

the tide as

34:47

we glide through the

34:50

rolling rock and rhythm

34:52

of the sea. care

35:26

Oh.

35:57

Laugh smile

36:16

care

36:25

Oh,

36:33

Oh,

36:47

Will you take

36:49

your fingers out

36:52

of your mouth?

36:55

I want to

36:58

keep from you.

37:01

When you take

37:04

your finger out

37:07

of your mouth,

37:10

you know you're

37:13

over too. But

37:16

can you keep

37:19

it? He's free

37:22

to see. But

37:25

when you get

37:28

it, get it.

37:31

It's getting a

37:34

kiss from me.

37:37

Just you take

37:39

your finger out

37:42

of your mouth.

37:45

I want to

37:48

keep from you!

37:56

Yeah.

38:25

Oh!

38:59

What do they do

39:01

on a rainy night

39:03

in Rio? What do

39:05

they do when there

39:07

is no starry sky?

39:10

Where do they go

39:12

when they can't go

39:14

for a walk? Do

39:16

they stay home and

39:18

talk? Or do they

39:20

sit inside? Where do

39:22

they woo on a

39:24

rainy night in Rio?

39:27

Where does the casing

39:29

you're with us A-C-C-C-C.

39:32

Maybe the girl wants a

39:34

tender kiss and yet a

39:36

tender can you get? When

39:38

you're beneath the wet palm

39:40

tree. But what do they

39:43

do in Mississippi? When skies

39:45

are tippy and what do

39:47

they do? And when is

39:49

murky? In Albert, Turkey. And

39:51

what do they do? And

39:53

do you wanna? When they

39:56

wanna snuggle tight? Well, that's

39:58

what they do in... on

40:02

the rain, near,

40:04

and nice. Oh!

40:56

What do they do

40:58

with dries of dairy?

41:00

A long lake herey.

41:02

And what do they

41:05

do with grass to

41:07

do with? In old

41:09

St. Louis. And what

41:11

do they do in

41:14

Tallahassee? When the Lassie

41:16

say all right. Well,

41:18

that's what they do

41:20

in Rio on a

41:23

rainy night. All

41:26

right, Sherman, the way way back machine for,

41:28

I know know, 1943, 1937, 1926, all right? When,

41:30

let me all right walk, all let

41:32

me out somewhere good all

41:34

right anyway good evening my

41:36

friends welcome once again to the Bitslap,

41:38

here we are dragging our

41:40

piles of 78s in in your

41:42

face again this year because

41:45

you really need that we

41:47

all all do should probably do

41:49

more of these shows of these

41:51

shows most of my topical

41:53

choices I'm not working on on fumes

41:55

tonight Hundreds more to go more to go

41:57

pile whole pile of records the the

41:59

closet. that I have to find a

42:02

decent turntable to match them with.

42:04

You know what I mean? Anyway,

42:06

what are we here? We started

42:09

with Artie Shaw. We heard too

42:11

from Artie Shaw there featuring vocals

42:13

from Tony Pastor in both cases.

42:16

We heard Prasjai and the Indian

42:18

Love Call. Ben Crosby and Waring's

42:21

Pennsylvania. That was the Iowa Indian

42:23

song. Thai High High by the

42:25

4th of July, right? Yes, indeed.

42:28

Yatter to yada, was Bing Crosby

42:30

and Judy Garland. That's the old

42:32

version of yada yada yada, you

42:35

know what I mean, right? Okay.

42:37

Let's see, Bing Crosby and Louis

42:40

Jordan there, your socks don't match.

42:42

clever little tune there with the

42:44

lady in mind. There ain't no

42:47

sweet man worth the salt of

42:49

my tears with Bing Crosby and

42:52

the Rhythm Boys with Paul Whiteman

42:54

Orchestra. We heard from Ervin Kauffman,

42:56

those masculine women and feminine men.

42:59

Oh boy would he be surprised

43:01

today. That was from 1926. We've

43:03

come a long way baby. Louise

43:06

was Maurice Chevalier along with the

43:08

Letterjoy Orchestra. from 1929, Louis Armstrong

43:11

and the Mills Brothers. That was

43:13

WPA. Light up. Buster Bailey's rhythm

43:15

busters. Light up and lean on

43:18

those shovels, boys. Okay, that's it.

43:20

Radio from the Atlanta, Atlanta, Atlantic.

43:22

ATL, Dance Orchestra, I'm a miss

43:25

here. featuring a vocal from Arthur

43:27

Hill. That I took the right

43:30

down. All right, then Johnny Johnson,

43:32

his brother Lee Johnson on vocals

43:34

from 1934, Rock and Roll. Yeah,

43:37

you thought you invented it? Ah,

43:39

no, take a seat, Chuck. Let's

43:42

see, and then why you're at

43:44

it, take your finger out of

43:46

your mouth from 1927. featuring

43:49

Arthur Briggs, Savoy Sinkapators, with a

43:51

vocal from Alboli, and Sam Donahue,

43:54

rainy night in Rio, Sam Donovan

43:56

Orchestra, Sam Donahue vocal. 1947. Okay,

43:58

so yeah, we got a bunch

44:01

of them this evening here for

44:03

you. Nobody else, I don't see

44:05

anybody else here, you're talking to

44:08

me, but you. All right, so

44:10

let's just go on with it

44:12

then. Who's this? This is Gracie

44:15

Field. She might not recognize her

44:17

voice, but this is Gracie Field,

44:19

honest to God. Oh

44:25

dear, I am worried. I know

44:28

I'm laughing really, but I am

44:30

worried. It's my brother's birthday. I

44:32

don't want to buy him. Oh

44:35

dear. Can I ask you a

44:37

question? A question that's silly. It's

44:39

something I can't figure out. I

44:42

hope you won't say no. It's

44:44

all about my brother. My brother

44:46

John Willis has joined the nudist

44:49

colony so what I want to

44:51

know. What can you buy a

44:53

nudist on his birthday? Birthday, what

44:56

sort of birthday present can you

44:58

buy? I can't think what to

45:01

give him, no matter how I

45:03

try. Do you think he would

45:05

be allowed to wear his old

45:08

school tie? What can you give

45:10

a nudist for a present? The

45:12

things I used to buy him

45:15

would be wrong. I'd send a

45:17

check, but dash it. How can

45:19

he go out and cash it?

45:22

What can you give a nudist

45:24

for his birthday? What sort of

45:27

birthday present can you buy? I

45:29

bought a pair of braces just

45:32

like a silly book. But what's

45:34

the good of braces if there's

45:36

not one holding up? What can

45:39

you give a nudist for a

45:41

present? I'm sure a ball of

45:43

hat would be all wrong. And

45:46

he's not the kind of fella

45:48

who would need an umbrella. What

45:50

can you give a nudist when

45:53

his birthday comes along? Oh dear

45:55

to you! I've been in Holy

45:57

Terror. that I make an error.

46:00

I did think of a camera,

46:02

but snapshot. bicycle sounds stupid when

46:04

you're dressed up like Cupid. I

46:07

must send something suitable. That's why

46:09

I'm asking you. What can you

46:11

give a new oldest on his

46:14

birthday? What sort of birthday present

46:16

can you buy? And here's another

46:18

riddle, but give it up I

46:21

won't. When at a dance, do

46:23

they weigh fancier as or do

46:25

they don't? What can you give

46:27

a nudist for a present? I

46:30

somehow think that coupleants would be

46:32

wrong. And a watch chain would

46:34

look silly dream to cross the

46:37

front of Willie! What can you

46:39

give? What sort of birthday breast

46:41

can you buy? I have heard

46:44

that they play hockey, so something

46:46

I had got. But I don't

46:48

know for certain if they were

46:51

Shin guards or not. What can

46:53

you give a nudist for a

46:55

present? A shop girl told Miss

46:58

Fats would be all wrong. She

47:00

said, good gracious madam, I'm just

47:02

imagining, that's all I don't know,

47:05

what can you give a new

47:07

this when his birthday comes for

47:09

love? Oh dear dear, what can

47:12

I buy? No, let's miss me,

47:14

here's no honest, what can I

47:16

buy? A lump of soap. A

47:19

lump of soap? Oh, that's a

47:21

good idea, a lump of soap,

47:23

and he's all smoky too, that's

47:26

good. Thank you very much. Farmer

47:29

Brown came to

47:32

town, started to

47:34

take in the

47:37

site, have a

47:39

raise, well, cafes,

47:42

took up most

47:45

of his mind.

47:47

After seven days

47:50

or so, after

47:53

seeing every snow,

47:55

after meeting me

47:58

and flow, Moore.

48:02

I love the cows

48:04

and chickens, but this

48:06

is the life. Whoo!

48:09

This is the life.

48:11

I love to raise

48:13

a victim. While I'm

48:15

cabering, with a band

48:18

displaying, I love the

48:20

homemade sinus. But I'd

48:22

rather have wine. No

48:25

more picking berries. Me

48:27

for cocktail cherries. This

48:29

is alive. This is

48:31

alive. This is alive

48:34

for mine. Mrs.

48:42

Brown, out of town,

48:45

wrote to her husband

48:47

and said, Please come

48:49

home, I'm alone, when

48:51

her letter he raised.

48:53

Farmer Brown took off

48:55

his coat, sat right

48:57

down, and then he

48:59

rose, to his wife

49:01

a little low. This

49:03

is what he said.

49:06

I love the cows

49:08

and chickens, but this

49:10

is a life. Whoo!

49:12

This is a life.

49:14

I love to raise

49:16

a dickend, while I'm

49:18

cabaret, where the band

49:20

is playing. I love

49:22

the homemade cider, but

49:24

I'd rather have wine.

49:27

Me for wealthy water,

49:29

dip, there goes another

49:31

quarter. This is a

49:33

life, this is a

49:35

life, this is a

49:37

life for mine. I

49:39

love the cows and

49:41

chicken, but this is

49:43

a life, this is

49:45

a life, my love,

49:48

to raise a chicken

49:50

while I'm have a

49:52

rain with a band.

49:54

Playing my mom, the

49:56

homemade spider, but I'd

49:58

rather have one. more

50:01

concrete women, me for women.

50:03

This is a life, this

50:06

is a life, this is

50:08

a life for mine. Why,

50:11

that's the truth, Uncle. Yeah,

50:13

well, anyway, you just tell

50:15

me to stop here. Doesn't

50:18

it either, myself. I used

50:20

to write in one of

50:23

your benzene bunnies. Oh, that's

50:25

all right, Uncle. It is.

50:28

Well, maybe you're all right,

50:30

but you just tell him

50:32

I want to get out

50:35

of the day. I don't

50:37

want to take up to

50:40

yesterday. Well, here we go,

50:42

Uncle. Hey, Henry, start your

50:45

own thing. He's just right

50:47

here. Hey, Henry, lies and

50:50

working in the road. Look

50:52

out. That's what we see

50:54

us. We don't have to

50:57

see them. Yeah, see, Henry,

50:59

I think we run over

51:02

a man back then, dog.

51:04

That's oh, well, that's all

51:07

right. There's a courthouse off

51:09

there another way. You'll stop

51:11

and say a fight. Well,

51:14

hey, Henry, let's turn it.

51:16

Hey, and you're fine. I

51:19

don't want to get in

51:21

no courthouse either. Hey, Henry,

51:24

what now that me went

51:26

by? Why don't go back

51:28

with new areas? Just top,

51:31

top! Besides, oh my goodness,

51:33

oh, you mean we're such

51:36

a big and deep in

51:38

a town! Hey, Henry, what's

51:41

up? We jumped over back

51:43

there. Why, that's the Hudson

51:46

River, who? Hey, Henry, go

51:48

a little like, Slopes. I'm

51:50

a loot in my air!

51:55

Hey everyone, say so

51:57

we and now? I

52:00

think we're in special

52:02

ring. yeah, sure, sing

52:04

it all. Six, this,

52:07

go turn, and tell

52:09

me, and tell me,

52:12

I'll tell you, and

52:14

I'll for me. Say,

52:16

Henry, you set my

52:19

eyes out on the

52:21

date for, like, you'll

52:24

welcome that one of

52:26

my years. Well, I'll

52:28

be show, sir. Say,

52:31

Henry, welcome, come on

52:33

that show, for tell

52:36

for tell us. Why

52:38

let him a bird

52:40

a tree? Hello,

52:45

I've been wearing on you

52:47

for a long time, come

52:49

now. Hey, Henry, what we

52:52

want now is I have

52:54

to go home. Hello, Carl.

52:56

Tuning up the old bus,

52:58

eh? Yeah. Hans found it,

53:00

there goes another time. They

53:02

wanted Sunday driving B without

53:04

the punctures. Isn't it true?

53:06

Hey, Bill, how'd you make

53:08

out on your trip last

53:10

Sunday? Oh, great. Beat two

53:13

trains to the crossings, lost

53:15

three fenders, and you ought

53:17

to see the big parades

53:19

I held up. Well, you

53:21

watch me next Sunday. And

53:23

this is next Sunday. The

53:26

tank is full of gasoline. I've

53:28

bought a quarter of oil. I'm

53:31

stepping out in my machine next

53:33

Sunday with the oil. My leafy

53:35

is polished up. She's dating for

53:38

the bell. Say when we hit

53:40

that boulevard, you're going to hear

53:43

us yell. On the road and

53:45

off the road, we're the Sunday

53:47

drivers. Taking curves, quite alamode. We're

53:50

the Sunday drivers. When we're in

53:52

our fliver hoops, you will hear

53:55

us our hoops. You're not safe

53:57

on your front stoops. We're the

53:59

Sunday drivers. Oh, Papa, don't go

54:02

so quickly. Shut up, will you?

54:04

This is Sunday and it's the

54:07

only chance I have to drive.

54:09

My, what a long since we're

54:11

petting. Hey, the marks. Don't you

54:14

know them are mild posts? Hey,

54:16

hey, pull over there. You know,

54:19

I'm winning all the races along

54:21

this boulevard. Where do you think

54:23

you're going? Say, Mr. policeman, don't

54:26

stop me, please. I'm going to

54:28

the ballgame and I ain't got

54:31

my ticket yet. Well, don't worry.

54:33

I'll give you a ticket right

54:35

now. Papa. Maybe he's got a

54:38

ticket for me, too. Here. Here's

54:40

an invitation to meet the judge

54:43

in the morning. Dave, it wasn't

54:45

for my wife and the six

54:47

children, and my wife's family's family.

54:50

You wouldn't catch me till next

54:52

Friday. Yeah, these Sunday drivers make

54:54

me sick. Got no light and

54:57

got no breaks. We're the Sunday

54:59

drivers. We're to blame for all

55:02

the wake. We're the Sunday drivers.

55:04

When we're riding in our hack,

55:06

or a driver, we don't like.

55:09

Born in front and six in

55:11

back, we're the Sunday drivers. Rolling

55:14

backward down a hill, we're the

55:16

Sunday drivers. Giving traffic cops the

55:18

thrill. We're the Sunday drivers. We

55:21

go riding in a bunch, and

55:23

we always bring our lunch. If

55:26

you hear a slam-bang crunch... Hey,

55:28

why don't you look where you're

55:30

going? Say, why don't you go

55:33

where you're looking? Ah, can't you

55:35

see this as a one-way street?

55:38

Well, I'm only going one day.

55:40

Hey, stand back there. I'm the

55:42

sheriff. I'm the sheriff. Anybody hurt?

55:45

Anybody hurt? I don't know yet.

55:47

I'll have to see my lawyer

55:50

for him. Well, serve you right,

55:52

girl, don't you? I had times

55:54

you from that tree over there

55:57

and you're over there, gosh. You're

55:59

right. Never thought of that. meet

56:02

trains that crossings too. We're the

56:04

Sunday drivers. Sometimes we win, sometimes

56:06

they do. We're the Sunday drivers.

56:09

If from trouble, you would hide.

56:11

Or to come, it's suicide. Just

56:14

come, it doesn't take our eyes.

56:16

We're the Sunday drivers. And

56:19

don't they marry Mabel, a wild

56:21

old owl? A wild old owl

56:23

was he. He told her that

56:26

he never drank a stronger sing

56:28

than tea. But after honey looning,

56:30

at night he stayed away, And

56:33

for a week he never got

56:35

home till the break of day,

56:37

At last for Mabel, as the

56:40

reason why. Said Jones, I'm going

56:42

to tell a truth or die.

56:44

Baby dear, listen a year, I'm

56:46

afraid to come home in the

56:49

dark. Every day, the paper's day,

56:51

a robbery in the park. So

56:53

I sat alone in a YMCA,

56:56

singing just like a lark. Oh,

56:58

there's no place like home, but

57:00

I couldn't come home in the

57:03

dark. That night after dinner, he

57:05

fed his wife at you. Said,

57:07

see, oh, no, it's dark, and

57:10

so I'll go along with you.

57:12

But somehow, don't they shook her?

57:14

And he was smooth and still.

57:17

He just got home in time

57:19

to meet the man that brought

57:21

some milk. His wife stood waiting

57:23

for him on the stair. while

57:26

Jonesy and the Milkman sang in

57:28

air. Baby dear, to listen a

57:30

year, I'm afraid to come home

57:33

in the dark. Every day the

57:35

paper says a robbery in the

57:37

park. So I sat alone in

57:40

a ym. C.A. singing. like

57:42

a like a lark. Oh,

57:44

there's no no place

57:47

like home, I I

57:49

come home in

57:51

the dark. home in the

57:54

dark. He kissed him good

57:56

He kissed him see

57:58

to see if

58:00

he was glad.

58:03

as he took him

58:05

up in bed that

58:07

don't look as I'm bad.

58:10

day the same

58:12

old story. He

58:14

got home just home

58:17

just at he got

58:19

sober right away

58:21

when he found

58:24

he was gone.

58:26

she was gone. heard

58:28

her slam the her

58:31

slam, the garden gate. said Peter

58:33

Donty straight, huh? on

58:35

straight, huh? Baby dear, listen are

58:37

afraid afraid to dark.

58:40

in the dark. day day,

58:42

the paper's day, the in

58:44

the in the So

58:47

I sat alone

58:49

in a in -F

58:51

-E singing just

58:54

like a like a

58:56

Oh, there's no

58:58

place like home,

59:01

but I couldn't

59:03

come home in

59:05

the dark. come

59:08

home in the

59:10

dark. Oh,

59:44

home. Oh,

59:54

place but

59:58

dark. It's

1:00:10

all one day in the month of

1:00:13

May Through the park I can't choose to

1:00:15

stray I saw a bumblebee buzzing around

1:00:17

I buzzed right away right

1:00:19

a bumblebee buzzing round the

1:00:21

tree around to be a friend

1:00:23

to be a can do this

1:00:25

song you find song, and you'll get

1:00:28

to it in the end

1:00:30

because you'll get you in the end. I'm gonna

1:00:32

let the bumblebee be be. A

1:00:34

bumblebee buzz, but that that ain't

1:00:36

all he does a I ain't

1:00:38

the fool that I used

1:00:41

to was I'm gonna let

1:00:43

the bumblebee be the

1:01:28

I'm gonna

1:01:30

be A

1:01:40

buzz be watching!

1:02:24

Oh.

1:04:04

I'll have to

1:04:06

see my broker out

1:04:08

what he can

1:04:10

do can do, in

1:04:12

the in for

1:04:14

you you. There won't

1:04:16

be any joker with

1:04:18

I'm all all through,

1:04:20

I want you you

1:04:22

outright, it's true. going

1:04:25

up, up, up in

1:04:27

my estimation I

1:04:29

want a thousand

1:04:31

shares of your caresses

1:04:33

shares of count the

1:04:35

hugs and kisses when

1:04:37

dividends are due But

1:04:40

I'm in the market

1:04:42

for you kisses

1:04:44

when dividends are

1:04:47

due. A time

1:04:50

in the market

1:04:53

for you. I've

1:05:27

got a brother, looked like me,

1:05:29

in fact I am his will.

1:05:31

I call upon his brother, see

1:05:33

if she take me for him.

1:05:35

He like me

1:05:37

In fact, I

1:05:39

am his neck, I I

1:05:42

call upon

1:05:45

his but see

1:05:47

If she'd take

1:05:49

me for

1:05:52

him He threw her

1:05:54

arms around my

1:05:57

neck I

1:05:59

couldn't say a

1:06:01

word for he

1:06:04

know know the discipline. Her

1:06:06

brothers want me to hide!

1:06:09

walked right in the round

1:06:11

and he walked right out

1:06:14

again. He made that round

1:06:16

trip in that time and

1:06:18

it takes two out of

1:06:21

ten. He didn't answer even

1:06:23

why. He didn't stop to

1:06:26

say goodbye. He walked right

1:06:28

here, turned around, and he

1:06:31

walked right out again. For

1:06:33

raising babies other nights, they

1:06:35

locked me up in jail,

1:06:38

and they wouldn't let me

1:06:40

out again, till someone went

1:06:43

my bail. So to my

1:06:45

brother, I said, would ask

1:06:47

for a helping hand. But

1:06:50

when he came in, he

1:06:52

saw the judge, what is

1:06:55

that gal's old man? He

1:06:57

walked right in, turned around,

1:07:00

and he walked right out

1:07:02

again. He made that round,

1:07:04

said, in that time of

1:07:07

it takes to found a

1:07:09

pen. He didn't have no

1:07:12

question why. He didn't stop

1:07:14

to say goodbye. He walked

1:07:17

right here, turned around, and

1:07:19

he walked right out again.

1:07:21

To get the wife, he'll

1:07:24

empathize, and found one that

1:07:26

same day. And he was

1:07:29

a brave salooner, so he

1:07:31

married right away. His wife

1:07:33

had wooden arms and feet,

1:07:36

the paucet and hail. And

1:07:38

when Bill came home, most

1:07:41

of his wife, was hanging

1:07:43

on a scale. He walked

1:07:46

right in. He was around

1:07:48

and he walked right out

1:07:50

again. He made that round

1:07:53

fit in this time and

1:07:55

it makes you sound a

1:07:58

hand. He did it. no

1:08:03

question why.

1:08:06

He still

1:08:09

stops and

1:08:11

says goodbye.

1:08:14

He walks

1:08:17

right here

1:08:20

and he

1:08:22

walks right

1:08:25

out again.

1:08:37

Pardon me, but if I

1:08:39

may, I would like to

1:08:41

speak to you. Maybe you

1:08:43

have noticed too. Our dogs

1:08:46

have learned to care. You

1:08:48

can see it in their

1:08:50

eyes. You can hear it

1:08:52

in their size. Whench you

1:08:54

mentioned it today, they are

1:08:56

very much that way. My

1:08:59

dog loves your dog, and

1:09:01

your dog loves my dog.

1:09:04

If our dog is love

1:09:06

each other, why can't we?

1:09:08

My dog's a he-dog, and

1:09:11

your dog's a she-dog. I

1:09:13

wish you love me the

1:09:15

way that he loves she.

1:09:17

Don't they look sweet every

1:09:20

time they meet beneath their

1:09:22

favorite tree? My big-air day

1:09:24

old wags his little tail

1:09:27

to tell your terrier is

1:09:29

crazy to marry her my

1:09:31

dog. loves your dog and

1:09:33

your dog loves my dog

1:09:36

if our dog is love

1:09:38

each other why can't we

1:09:40

your dog loves my dog

1:09:43

and my dog loves your

1:09:45

dog if our dog is

1:09:47

love each other why can't

1:09:49

we all night he's whining

1:09:52

because he keeps pinning to

1:09:54

be with her the way

1:09:56

I'd like be with you.

1:09:59

I take him out and

1:10:01

he runs about to see

1:10:03

if she is in sight.

1:10:05

By his nose he knows

1:10:08

every place she goes. He

1:10:10

calls to her bawawaw. I

1:10:12

love you and how wow.

1:10:15

My dog loves your dog

1:10:17

and your dog loves my

1:10:19

dog. If our dog is

1:10:21

love each other why can't

1:10:24

we? Your dog. My

1:10:27

dog, if our dogies

1:10:29

love each other, why

1:10:31

can't we? Look how

1:10:34

she pets him, and

1:10:36

look how she lets

1:10:38

him, play around the

1:10:41

way I'd like to

1:10:43

play with you. Chows

1:10:45

and pecanese who have

1:10:48

pedigrees are crazy over

1:10:50

my hound. But your

1:10:53

little mutt simply got

1:10:55

him nuts, and he'd

1:10:57

gladly give her his

1:11:00

last piece of liver,

1:11:02

because my dog loves

1:11:04

your dog. Your dog

1:11:07

loves my dog. If

1:11:09

our dogies love each

1:11:11

other, why can't we?

1:11:20

The story of the three

1:11:22

little pigs. The first little

1:11:24

pig fell the half of

1:11:27

straw. The shakiest half you

1:11:29

ever saw. He should have

1:11:31

known that he was wrong.

1:11:33

A house of straw can

1:11:35

be too strong. Along came

1:11:37

a wolf, as mean as

1:11:39

he could be. He said

1:11:41

to the pig, he said

1:11:43

that he... I'm a very

1:11:46

friendly wolf. Please let me...

1:11:48

Not by the hair on

1:11:50

my chin and chin. Not

1:11:52

by the hair on your

1:11:54

chin and chin. So

1:12:00

he helped, and he helped,

1:12:02

and he blew the house

1:12:04

in. And he ate the

1:12:06

first little pig. The second

1:12:08

little pig filled a house

1:12:10

of wood. A rickety house

1:12:12

that was no good. He

1:12:15

didn't use any nails at

1:12:17

all. A house like that.

1:12:19

What's bound to fall? The

1:12:21

alarm came the wolf, as

1:12:23

mean as he could be.

1:12:25

He said to the pig,

1:12:27

he said, said he. I'm

1:12:29

a very friendly boy. Please

1:12:31

let me end. Not by

1:12:33

the hair on my guinea-chinn.

1:12:35

Not by the hair on

1:12:37

your chitty-chinn. and

1:12:43

he flew the house and he

1:12:45

flew the house in and he

1:12:47

ate the second little kid. The

1:12:50

third little kid was a smart

1:12:52

young kid. His wonderful house was

1:12:54

drawn big. He wasn't afraid to

1:12:57

be alone because he built his

1:12:59

house of soap. Along came the

1:13:01

horse. The mean is easy to

1:13:04

me. She said to the... He

1:13:06

said he said he. I am

1:13:08

a very friendly wolf. Please let

1:13:11

me end. And by the hand

1:13:13

of my kitty-kitty-kitty. Not by the

1:13:15

hair of your chitty-chitty-chin. And I'll

1:13:18

hump, and I'll pup, and I'll

1:13:20

pump, and I'll pull your house.

1:13:22

And he helps, and he helps,

1:13:25

and he helps. But he couldn't

1:13:27

blow this house, Ken. The walls

1:13:29

are strong, and the jars had

1:13:31

lost. But the mean old wolf

1:13:34

was a fly as a fly

1:13:36

as a fire as a fire.

1:13:39

The wolf tried all the

1:13:41

tricks he knew. He wanted

1:13:43

to eat the third pig

1:13:45

too. So up to the

1:13:48

roots, the wilts didn't lie.

1:13:50

He thought he'd get the

1:13:52

pig this time. He slid

1:13:54

down the chimney. And you

1:13:56

know what? He landed in

1:13:58

a cooking pile. Use

1:14:04

his head.

1:14:08

This little

1:14:12

pig is

1:14:15

wolf! It's

1:14:19

bad! There

1:14:22

won the little man man and

1:14:24

he had a his mate was and

1:14:27

his maid was on his drum

1:14:29

he used to play. his drum he

1:14:31

used to grew up and so

1:14:33

he planned so he to join

1:14:35

to join a big dead only thing

1:14:37

that I can say I can say.

1:14:40

He's a little should listen to

1:14:42

young Tom Thumb he he plays

1:14:44

lot of drum And he starts to

1:14:46

make things come with a with

1:14:48

a bump, in a little, little, bump, playing When

1:14:50

he's playing the you should hear

1:14:53

the you should hear the brakes up top, don't know

1:14:55

where he gets them little, in a bump,

1:14:57

bump. He's a little devil

1:14:59

with the sticks, devil with he

1:15:01

knows an awful lot of

1:15:03

tricks. an That's the reason tricks.

1:15:05

That's the him. around He gets hot

1:15:07

as the tune goes on. Anything he

1:15:10

plays upon, Everybody shots were Tom with

1:15:12

little, little up, Tom, In

1:15:14

a little, a boy, play

1:15:16

a little bum. Drummer boy,

1:15:18

play a little break. Make

1:15:20

his Don't y 'all make? and a hit,

1:15:23

You'll make. Tom, Tom, symbols,

1:15:25

give him all a bash. Tom,

1:15:27

Tom, symbols, give him all a

1:15:30

bash. Yeah.

1:16:05

Do

1:16:18

you?

1:16:36

Oh.

1:17:08

Don't fall

1:17:11

fall asleep

1:17:13

and dream

1:17:15

your your gable. Don't

1:17:17

fall asleep,

1:17:19

I'm your

1:17:21

not able. And I'm

1:17:24

a gal who knows.

1:17:26

love means

1:17:30

I don't need

1:17:32

need you I

1:17:35

do my love

1:17:37

I do my love scene.

1:17:39

Don't fall asleep

1:17:41

and be ready. Oh wait

1:17:43

for a sleep, you're still

1:17:45

my you're still

1:17:47

my Forget the child

1:17:49

of charm of

1:17:51

greater Can't keep

1:17:53

your mind

1:17:55

on me

1:17:57

Oh please, stop counting

1:17:59

she. follow

1:18:02

me. You've

1:19:47

gotta get up, you

1:19:49

mustn't wait, Hurry up

1:19:52

and get dressed, or

1:19:54

you're gonna be late

1:19:56

Wash your face, eat

1:19:58

your food, no one

1:20:00

cares if you're not

1:20:02

in the mood cares if you're

1:20:04

not got the mood. I've got those

1:20:06

wake up 730. your ears, they're

1:20:08

dirty Eat your eggs

1:20:10

eat your eggs, and old meal roast is

1:20:12

such a nice day

1:20:14

a rather go play

1:20:16

But I play, to school

1:20:18

get to school. So late bell will

1:20:20

bell will ring day's the same

1:20:22

the same thing Always

1:20:24

and Eat oatmeal like

1:20:27

a meal like a food. Ten and twelve

1:20:29

twenty teachers teachers. Nothing other kind.

1:20:31

If I I don't get

1:20:33

something right, I'll lose my

1:20:35

card pick in mine. I did

1:20:37

Columbus sail the ocean?

1:20:39

Did he travel very

1:20:41

far? do my I didn't

1:20:43

do my homework I'd

1:20:45

much rather play get up

1:20:47

got days mustn't wait. face, you put

1:20:49

your food and get

1:20:51

dressed Or you're gonna

1:20:53

be late be laid? I've

1:21:09

got those those

1:21:12

golds sitting in a

1:21:14

Jackie feel like Jackie

1:21:16

keeps me teacher always

1:21:18

keeps me after school

1:21:20

do no do

1:21:23

no flitting, just keep

1:21:25

us sitting high

1:21:27

so high. I

1:21:31

put daddy's dough up

1:21:33

if I I could just

1:21:36

up, up Got those

1:21:38

reading and writing Those those

1:21:40

grammars blue till I die. Question after question

1:21:43

day day long

1:21:46

it isn't

1:21:48

fair ask you

1:21:50

ask me confidential

1:21:53

you'll ask, I think teacher

1:21:55

is a swear. But I'll

1:21:57

get out of classroom

1:22:00

the teacher is

1:22:02

the boss Might

1:22:04

as well

1:22:07

be on the

1:22:09

prairie ride my

1:22:11

open horse. He's got those

1:22:14

big and brighten and when

1:22:16

you come back you stay

1:22:18

at the school and you

1:22:21

feel like a full blues.

1:22:23

Good. Good. Wash your ears,

1:22:25

they're dirty, God's those reading

1:22:28

and writing, those rammers, blue

1:22:30

blues till I die. I've

1:22:41

got those 730 time to go

1:22:43

to bed blues myself. I have

1:22:45

really become a morning person here

1:22:48

in Maine because there's nothing to

1:22:50

do at night and there's nothing

1:22:52

to do in the morning but

1:22:54

tell my cat to shut up

1:22:56

for three hours. So it's like,

1:22:58

what can I tell you? So

1:23:01

we started up top with

1:23:03

Gracie Fields. Remember Gracie Fields?

1:23:05

She was British, right? Okay.

1:23:07

Well, can you get a

1:23:10

nudist on his birthday? And

1:23:12

just so you know, my

1:23:14

birthday is coming up pretty

1:23:16

soon, but not too many

1:23:18

nudists in January and Maine.

1:23:20

I can tell you that

1:23:22

right now. Billy Murray there,

1:23:24

this is the Life, and

1:23:27

it is. Uncle Josh on

1:23:29

an automobile. Was, of course,

1:23:31

laughing Cal Stewart from the

1:23:33

turn of the last century.

1:23:35

We're the Sunday drivers, was

1:23:37

Billy Murray and Myron Silver,

1:23:39

kind of like the Taylor

1:23:41

Swift and Paul McCartney. doing

1:23:44

a song together something like

1:23:46

that I don't know where

1:23:48

the Sunday drivers all right

1:23:50

okay let's see I'm afraid

1:23:52

to come home in the

1:23:54

dark was Clarice Clarice Vance

1:23:56

from 1908 six jumping jacks

1:23:58

after that with Tom Stacks

1:24:01

on vocalisms I'm gonna let

1:24:03

that bumblebee be and you

1:24:05

better damn well leave those

1:24:07

bumblebees alone they work hard

1:24:09

right they work for their

1:24:11

money. Honey, get it. I'm

1:24:13

in the market for you

1:24:15

was George Olson and his

1:24:18

orchestra from 1930. That was

1:24:20

a vocal from Fred McMurray

1:24:22

on the Victor label way

1:24:24

back then. Fred McMurray, remember

1:24:26

him? Of course you do.

1:24:28

After that ragtime Bob Roberts

1:24:30

from 19 aught six. He

1:24:33

walked right in, turned around

1:24:35

and walked right out. Okay,

1:24:37

that was a pretty short

1:24:39

thing. They were... kind of

1:24:41

up against the wall for

1:24:43

things to write songs about

1:24:45

that I guess. I don't

1:24:47

know. The Meals song, see

1:24:50

what I mean? That was

1:24:52

Baron and Dalhart. Cliff Edwards,

1:24:54

Yke, my dog, loves your

1:24:56

dog. All dogs log up

1:24:58

to all dogs, they do.

1:25:00

I don't know. You know,

1:25:02

we have a dog walking

1:25:04

parade ground in front of

1:25:07

our house. Any, sorry I've

1:25:09

mentioned that, I see a

1:25:11

lot of dogs. Three little

1:25:13

pigs was Toby Dean and

1:25:15

her hummingbirds. I think the

1:25:17

hummingbirds were on that one

1:25:19

too. They might have been

1:25:21

out of town, I don't

1:25:24

know. Tom Tom's Hum's Drum

1:25:26

was Jay Wilber and his

1:25:28

band. Don't fall asleep. Artie

1:25:30

Shaw back again this time

1:25:32

with Pauline Byrne from 1940

1:25:34

and Jimmy Boyd got those

1:25:36

wake up 730 blues and

1:25:38

we all get those in

1:25:41

the morning, don't we? My

1:25:43

cat tells time. He knows

1:25:45

when it's exactly 7 o'clock

1:25:47

and comes up the stairs.

1:25:49

It's weird. Anyway, we're going

1:25:51

to waltz on out of

1:25:53

here. I've got three more

1:25:56

coming. Let's see, in order,

1:25:58

Harry Champion from 1911. Frankie

1:26:00

Marvin, and is you from

1:26:02

1928, and Cab Calloway from

1:26:04

1934. I'll see you next

1:26:06

week. Meanwhile, stay warm. You

1:26:08

don't know who you're looking

1:26:10

at. Now just you look

1:26:13

at me. I'm a bit

1:26:15

of a knob. I am

1:26:17

belong to royalty. I tell

1:26:19

you how we've got a

1:26:21

bath. I'm married with old

1:26:23

birds. I was being a

1:26:25

bingle and when we'd dodgy

1:26:27

down to church. Outside. got

1:26:30

married seven times before. Everyone

1:26:32

was a Henry. She wouldn't

1:26:34

ever win a race. I

1:26:36

am. I got married to

1:26:38

the widow. I am. Henry,

1:26:40

the ace. I am. I

1:26:42

am. I got married to

1:26:44

the widow next door. She'd

1:26:47

been married seven times before.

1:26:49

Everyone was a Henry. She

1:26:51

wouldn't ever win the order

1:26:53

Sam. I'm a race-home man

1:26:55

named Innerry, innery, the ice

1:26:57

I am. I lived the

1:26:59

Duke of Cumberland, a pub

1:27:01

up in the town. Soon

1:27:04

with one or two monarch,

1:27:06

I was old enough, me

1:27:08

crown. Since did on the

1:27:10

bucket was the common call

1:27:12

their own. Surrounded by me,

1:27:14

some chick I was sitting

1:27:16

on, the throne. Up came

1:27:19

the potman, and he said,

1:27:21

Now get off the bed.

1:27:23

Said I know, say another

1:27:25

word, an o'er-go- ye. I'm

1:27:27

in her easy eyes, I

1:27:29

am! In her easy eyes,

1:27:31

I am, I am. I

1:27:33

got married to the widow

1:27:36

next door. She'd been married

1:27:38

there and died before. Everyone

1:27:40

was the Henry. She would

1:27:42

never win a moor to

1:27:44

Sam. I'm a race, old

1:27:46

man named in her hair.

1:27:48

Enery's the Ace I am!

1:27:50

The Undertaker called unto the

1:27:53

wife I heard in say,

1:27:55

If you've got any orders,

1:27:57

Mum, with respect to die,

1:27:59

I've checked up number seven

1:28:01

for you for the Golden

1:28:03

Gate, Let's ever pound a

1:28:05

pound of pola count of

1:28:07

Venery's the Acey. Oh, when

1:28:10

he measured me with half

1:28:12

a yard a string, I'm

1:28:14

dropped upon me maribunds and

1:28:16

then God saves the king.

1:28:18

I'm in a rainy ice.

1:28:20

I am in a rainy

1:28:22

ice. I am. I got

1:28:25

married to the widow next

1:28:27

door. She'd been married seven

1:28:29

days before. Everyone was a

1:28:31

hanery. She wouldn't ever willy-order

1:28:33

Sam. I'm a race-old man,

1:28:35

name's injury. In a really,

1:28:37

the ace I am. Oh,

1:28:40

you have no idea. There's

1:28:43

a girl. There's a girl.

1:28:45

Has the old men wishing

1:28:47

for new ambition. Every time

1:28:50

to see her passing along.

1:28:52

What a girl? What a

1:28:54

girl? She's a real life

1:28:57

header. Sweetheart get her. When

1:28:59

I tell you, I'm not

1:29:01

telling you wrong. Has the

1:29:04

eyes asked boards of doors.

1:29:06

Does she know what she's

1:29:08

got them for? Oh, you

1:29:10

have no idea. Now has

1:29:13

she eyes out full of

1:29:15

love? Do they show what

1:29:17

she's thinking of? Oh, you

1:29:20

have no idea. She's got

1:29:22

that what-you-what-you-what-you-what folks can explain.

1:29:24

And say that what-you-what-you-what-you-what-you-what-you-what-you-what- make

1:29:27

Young Lindbergh when you take

1:29:29

her out? Does she know

1:29:31

what it's all about? Oh,

1:29:34

you have no idea! I

1:29:36

don't do, do, do, do,

1:29:38

do, do, do, do, do,

1:29:41

do, do, do, do, do,

1:29:43

do, do, do, do, do,

1:29:45

do, do, do, do, do,

1:29:48

do, do, do, do, do,

1:29:50

do, do, do, do, do,

1:29:52

do, do, do, do, do,

1:29:55

do, do, do, do, do,

1:29:57

do, do, do, do, do,

1:29:59

do, do. she go, there

1:30:01

she go. Any time she

1:30:04

passes, get out your glasses,

1:30:06

cause you're bound, see the

1:30:08

class of the town. Never

1:30:11

lay or a day. Rather,

1:30:13

you can't beat it, and

1:30:15

don't forget it. She picks

1:30:18

who she wants and turns

1:30:20

the rest down. Has

1:30:23

she got quite a good

1:30:25

gal? E-mine body and all

1:30:27

three feet. Oh, you have

1:30:29

no idea. Does she go

1:30:32

every time she's part? Has

1:30:34

she got all the extra

1:30:36

parts? Oh, you have no

1:30:38

idea. She owns a risky

1:30:41

limousine, though folks say she's

1:30:43

done. And boys, when she

1:30:45

needs gasoline, she knows just

1:30:47

where to get it from.

1:30:49

When she's with one of

1:30:52

those mistakes, can't she throw

1:30:54

on those four-wheel brakes? Oh,

1:30:56

you have no idea. She

1:30:58

just came back in Hollywood

1:31:01

in those movie scenes. Was

1:31:03

she good? Oh, you have

1:31:05

no idea. Did she know

1:31:07

how to vamp a sheet?

1:31:10

Was she worth what? She

1:31:12

got a week. Oh, you

1:31:14

have no idea. Whenever she

1:31:16

was on the lot, oh,

1:31:18

how she did thrill him.

1:31:21

And was that baby's love

1:31:23

and heart? Her kisses burned

1:31:25

up every film. Did she

1:31:27

give me the vera more?

1:31:30

Thrills that he never had

1:31:32

before. Oh, you have no

1:31:34

idea. You

1:31:44

do, do, do, do, do, do,

1:31:46

do, do, do, do, do, do,

1:31:48

do, do, do, do, do, do,

1:31:50

do, do, do, do, do, do,

1:31:53

do, do, do, do, do, do,

1:31:55

do, do, do, do, do, do,

1:31:57

do, do, do, do, do, do,

1:31:59

do. now,

1:32:10

not now.

1:32:13

Now here's

1:32:16

a fairy,

1:32:20

entrancing phrase.

1:32:23

It will

1:32:26

put you

1:32:30

in a

1:32:33

day. To

1:32:36

me it

1:32:40

don't mean

1:32:43

a thing.

1:32:46

But it's

1:32:50

got a

1:32:53

very peculiar

1:32:56

sweet. Now

1:33:00

Zazu Zazu Zazz

1:33:03

was handed down

1:33:05

from a blowdown

1:33:07

in Chinatown. It

1:33:10

seems his name

1:33:12

was Smoky Joe

1:33:14

and they used

1:33:17

to hide de-high-de-de-huh.

1:33:19

Zazu Zazu Zazzazzazzu

1:33:21

Zazzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz San

1:33:28

Jose, San

1:33:31

Jose, San,

1:33:35

San, San,

1:33:38

San, San,

1:33:42

San, San,

1:33:45

San, San,

1:33:49

San, San,

1:33:53

When Smoky Joe came

1:33:55

into town, and he

1:33:57

kicked to go. round

1:34:00

any that

1:34:02

he would

1:34:04

go go it

1:34:06

leaves the to

1:34:09

go she would

1:34:11

show to go with

1:34:13

their San Jose and

1:34:15

who's there's who's who's

1:34:18

who's who's who's who's

1:34:20

who's makes

1:34:22

no difference

1:34:24

where you

1:34:27

go go? one

1:34:29

thing that

1:34:31

they shawndo

1:34:33

one thing no

1:34:36

need for

1:34:38

them to

1:34:40

be blue

1:34:42

do know. sass

1:34:45

will always

1:34:47

see them

1:34:49

through need for

1:34:51

them to be blue.

1:34:54

Because Sazu Zaz will

1:34:56

always see them through.

1:34:59

sassouze sassouze

1:35:01

sassouze

1:35:04

sassouze Soo,

1:35:08

soo, doo, doo, doo, doo,

1:35:10

goo, do-go, do-go, do-go, do-go,

1:35:13

do-go, do-k, keep, and, ros,

1:35:15

do-d, do-d, do-d, do-d, do-d,

1:35:18

do-d, do-d, do-l, do-l,

1:35:20

sassouze do-d, do-l, do-l-l, do-d-l,

1:35:23

do-l, do-l-l, support

1:35:25

us, support us.

1:35:28

do-l,