0:15

I see the mountains

0:18

where silence rose,

0:21

to whispers of

0:24

the wind, the

0:26

sacred flow, I

0:29

am the watcher,

0:32

I am the

0:34

flame, in the

0:37

silence, I shed

0:40

my name. I

1:43

sail. Third I wide,

1:45

third I bright. I

1:47

see the thought of

1:49

me your life. I

1:52

see it beyond the

1:54

veil. But times dance

1:56

till I sail. Third

1:58

I wide. I'm third

2:00

I'm bright, I see the

2:03

pie, I feel the light.

2:55

The vision's clear, I'm

2:57

lost between the now

2:59

and in. Energy harms,

3:01

the circle spins through

3:03

the o'er as my

3:06

journey begins. Storm's

3:42

beat, mind dissolves, I'm no

3:44

longer one, I'm no longer

3:47

whole. Time

4:12

stands till I sail.

4:14

Third I white, third

4:16

I bright, I see

4:18

the fire, I feel

4:20

the light. Seven

7:16

days in the

7:18

week, Pisces enters

7:20

each one gently,

7:23

careful not to

7:25

bruise a single

7:27

second. An

7:48

early morning Neptune

7:50

mist rises from

7:52

the sea. A

7:54

soft white carpet

7:57

for ices to

7:59

walk. Goodbye. Hating

8:59

people with promise.

9:02

Poring the world

9:04

out of a

9:07

moonstone. Go

9:54

go take

9:56

the old

9:58

Moscow! We got a

10:01

groove, yes, you know. It's a

10:03

groove! For all you swing and

10:05

comrades, you'll hear all the superhero.

10:08

Here's superhero hit 672. The four

10:10

treason and tell it to the

10:12

snow. This

10:40

is the key to the

10:42

K. Everybody's come red on.

10:45

Radio Moscow! Home of the

10:47

Vice Guys! The time is

10:49

half Tuesday. Temperature minus 23.

10:51

Radio Moscow degrees. Radio Moscow!

10:53

Hey, frozen face, you can

10:55

win a Radio Moscow Vice

10:57

Guy Svetcher. The first 20

11:00

calls we receive, turning in

11:02

a close relative to the

11:04

secret police, will win a

11:06

radio Moscow Vice Guy sweatshirt.

11:08

Just call comrade, argue, one

11:10

two, out of town, please

11:12

don't call collect. Super hit,

11:14

552! They dig it, baby!

11:17

The crazy Lenin great sound!

11:19

The shriekers and... Hey,

11:47

don't forget the boss all-star show Saturday

11:49

night at Kremlin Casino Big Man. We

11:51

got the mommus and the pop-offs, the

11:53

Red Guardsmen, Sonia and Sergei, Mo, the

11:56

Mongol, and the Ukrainian views, and the

11:58

Latin soul brothers, the Havana... and for

12:00

you Red Squares, Lester Lennon

12:03

out in the parking lot.

12:05

And me of course, Nikita

12:07

the K, and all us

12:10

Radio Moscow lies guys. Radio

12:12

Monster! And now to bend

12:14

your minds right out of

12:17

your skulls, here it is.

12:19

Records! The breakout record of

12:21

the week, already number one!

12:24

The Red Magus! And you

12:26

ain't seen nothing yet! Your...

12:29

And you're forcing me

12:31

down, because I hurt

12:34

you in the wind,

12:36

the rain off the

12:39

ground. Now that's just

12:42

a sound of how

12:44

it'll get, if you

12:47

mess around, if you

12:49

get me upset. Aye,

12:52

a-dye, a-dye, a-dye, a-dye,

12:54

a-dye, a-dye, a-d-dye, a-d-dye,

12:57

a-d-dye, a-dye, for

13:19

the show. Okay, okay, where's

13:21

our first female singer? There she

13:24

sits all along. Now what are

13:26

you crying for again? Now I'm

13:28

not going to take that stuff

13:31

today from you people. I'm going

13:33

to start selling it off. Oh

13:36

no. Wait a minute. Now what

13:38

is this? This is dedicated to

13:40

the one I love. Well you

13:43

know we don't take

13:45

dedication unless it's an

13:47

anniversary or birthday. these

13:52

people up to that.

13:54

Now what are you

13:56

doing over there? You're

13:58

doing what? of you.

14:01

Think twice? I'll see every one

14:03

of you after the show. Tonight

14:05

you're mine. And when did you

14:07

join his sickness? On July 3rd

14:09

in 63. Yeah well about this

14:11

job you'd be broke. Got a

14:14

penny in my pocket. Okay director

14:16

what time is it? It's party

14:18

time! Well we're gonna be late.

14:20

What do you mean don't worry?

14:22

Where are all the girls? much

14:30

trouble. So wait, your troubles,

14:32

dream with me. Wait a

14:34

minute. Wait just a minute.

14:36

You come right back. Oh,

14:38

what a walk. A little

14:40

wiggle here. Yeah. A little

14:42

wiggle there. A little wiggle

14:44

there. Ah. Here a wiggle. There

14:46

a wiggle. There a wiggle. We're

14:49

on the air. This is W. S.

14:51

S. M. A. No. No. No. I

15:08

was a first president. December

15:38

1776 on the banks of

15:41

the Delaware. Cruel winds whistle

15:43

through the threadbare clothing

15:45

of the 8,000-man American

15:47

army. All too aware

15:49

of General Howe's powerful

15:51

troops across the icy

15:53

waters, they await the

15:55

decision of their leader

15:58

General George Washington. For

16:00

he and he alone can make the

16:02

choice, upon which hinges the destiny of

16:05

their infant nation. All right then, how

16:07

much you want for the boat that

16:09

says Popeye on it? A buck twenty

16:11

an hour! Uh-huh. Well, how about the

16:14

one that says Donald Duck on it?

16:16

He won the little strip it awning

16:18

there? Oh yeah. Well, that boat right

16:21

there. That boat right there. We'll run

16:23

you two bucks an hour. What? That's

16:25

an outrage. There's December. It's your off

16:27

season. It's your off season. How many

16:30

customers can you get this time of

16:32

year? Look, fellow, you run the army

16:34

and let me run the boat rental,

16:36

okay? All right, don't get smart with

16:39

me, I'm General Washington. I know who

16:41

you are, I've seen you picture on the

16:43

money and I wish you'd make up your

16:45

mind, the boat rides are closing. Well,

16:47

let's review them once again here. Pop

16:50

I was a buck 20 an hour,

16:52

yeah. And the one with a stripe

16:54

and awning. General Washington, Sam. Yes, what

16:56

is it. The men are freezing. So we

16:58

were wondering if we could come to some decision

17:01

on the boat. Yeah, they think they got problems.

17:03

I just had my wig set this morning and

17:05

this damp air isn't doing it any good. Look

17:07

at it. Straight is a stick. Well, it looks

17:10

just fine to me, sir. Really? Yes. Think it

17:12

looks all right? Listen, you're going to rent a

17:14

boat tonight or not? I'd like to freeze my

17:16

ears, oh! All right, don't rush me. If we

17:19

could make a decision on the decision on the

17:21

boat, sir, it'll soon be daylight, it'll soon be

17:23

daylight, it'll soon be daylight. Let it be daylight.

17:25

We're liable to tip over out there at night.

17:27

Yes, well, there was the element

17:30

of surprise in the whole thing, don't

17:32

you see, sir? Oh. Well, all right, you

17:34

could get the men loaded in the other

17:37

boats, get that out of the way. They

17:39

are in the other boats, sir. They have

17:41

been for hours. Now, if we could just

17:43

come to something. All right, hold

17:46

your horses. We ate the horses yesterday,

17:48

sir. Well, I'll be with you.

17:50

Did you really? They did. And

17:52

the listed man. Now I

17:54

got it narrowed down to two

17:57

here. Papa has a dear

17:59

little seat. That's a buck 20,

18:01

see? And Donald Duck has a stripe

18:03

and awning. I see. Two dollars. Now, leave

18:05

it up to you, Lieutenant. Doesn't that

18:07

strike you with a little high?

18:09

Well, I don't know, sir, perhaps

18:11

a bit. All right, you see there?

18:13

Now, what would you say to a buck

18:16

75 for Donald Duck? Two dollars an hour,

18:18

not a penniless. Say, what are you

18:20

trying to do, gouge a serviceman? I

18:22

might ask, what are you army guys

18:24

trying to do? Stifle the small businessman?

18:26

Oh, that's ridiculous. It's not ridiculous. All

18:29

right, then kick the end of Donald

18:31

Duck around there again. Let me see.

18:33

I can't. My feet are frozen. Look,

18:35

Mr. Why don't you take the one

18:37

called Papa? You'll be happy with that

18:39

boat. The price is right about 20

18:41

an hour. Well, I don't know. You

18:43

like it, sir. Besides, we're only renting

18:46

it for the one night. But you

18:48

really like it better than the one

18:50

with the awning. You wouldn't want the

18:52

one with the awning, sir. Once you

18:54

got into it, you'd hate it. Honestly.

18:56

Honestly. Honestly, take the one. You think

18:58

it's really me? Yes, on my word,

19:00

sir. It's you. But I just don't

19:03

know about the color. The

19:05

color is fine. Black is

19:07

a great color. It sets

19:09

off your wig. Really? Yes!

19:11

All right? Pop-eye it is.

19:13

Oh, I tell you boy, I've

19:16

seen some customers, but this

19:18

guy's a lotto. No,

19:20

and we got everything,

19:22

the flag? Right, sir.

19:24

The ukulele? Yes, sir.

19:26

The, uh, the sandwiches?

19:28

The boatman has some

19:30

right here, sir. Oh, what

19:32

kind you got there?

19:35

Well, I, uh, I got ham

19:37

in Swiss, liver worst

19:39

or, uh, tune salad.

19:41

Well, let me see, is

19:44

he? Tuna salad good today?

19:46

It's you, it's you! All

19:48

right, how about 25 cents?

19:50

What? 25 cents for a

19:52

tuna salad sandwich? Here, take

19:55

it with my blessings! Well,

19:57

I... Take a liver wish to

19:59

enjoy, enjoy! So the Delaware was

20:01

crossed. Thus was begun one

20:04

of the most glorious pages

20:06

in American history. Imagine that

20:08

guy, what a 25 cent,

20:10

lousy poodle, whoops, what were

20:12

you wrong now? And like

20:14

this little boat I picked

20:17

up right here? Well, pup-on.

20:32

Washington, Washington, Washington,

20:35

time. Six foot eight ways of

20:37

fucking time. Opponents beware, opponents beware.

20:39

He's coming, he's coming, he's coming.

20:42

Let me lay it on the

20:44

line. He had two on the

20:46

vine. I mean two sets of

20:49

testicles, so divine. On the horse

20:51

made of crystal, he patrolled

20:54

the land with the

20:56

masonning and shower and

20:58

his perfect hands. Here

21:01

comes George, in control.

21:03

Women dug his surf

21:05

and his gallant stroll.

21:08

Eight opponents brains! An

21:10

invented cocaine. He's coming.

21:13

He's coming. Washington. Washington.

21:15

Washington. Washington. Six foot

21:17

twenty. Fucking. Killing for

21:20

fun. Spread. Spread. Delaware.

21:22

He's coming. He's coming.

21:24

He'll say, me if I

21:27

go too fast, but the

21:29

sons of his opponents wish

21:31

that he was their dad.

21:34

Got a big for his

21:36

big, got a brain for

21:38

his heart. He'll kick you

21:40

apart. He'll kick you apart.

21:43

Ooh, he'll save children, but

21:45

not be British children. He'll

21:47

save children, but not the

21:50

British children. He'll save children,

21:52

but not

21:55

the British

21:57

children. He

22:00

made love like an eagle

22:02

falling out of the sky

22:05

killed his sense in a

22:07

duel and he never said

22:10

why Washington washing his time

22:12

12 stories high made of

22:15

radiation the present beware the

22:17

future beware he's coming he's

22:20

coming I mentioned his four

22:22

nuts. Well, he also had

22:25

four jicks. If you took

22:27

off his boot, you'd be

22:30

the jicks growing off

22:32

his feet. I heard

22:34

that motherfucker had like

22:36

30 god-dam jicks. He

22:39

once held an

22:41

opponent's wife's hand

22:43

in a jar of acid,

22:45

at a party. that

22:53

you've got. What

28:53

do you have to do

28:56

with you? Do you know,

28:58

see, in the bar, go

29:00

to, and, in the, and,

29:02

see, jay, per, see, on

29:05

the rasson? Intances, and just

29:07

me kidding me, but ha,

29:09

and just me kidding me,

29:11

but, ha, and just me

29:14

kidding me, but, heh, am

29:16

bonito, and I believe, and

29:18

I am, I'll

29:22

tell you, what's the truth,

29:24

what, what, what, what, what,

29:26

what, what, what, what, what,

29:29

what, what, what, what, what,

29:31

what, on, just, race, race,

29:33

race, race, race, race, race,

29:35

race, the aura, e'os, no

29:38

me puivens, dominere, entonces, eis,

29:40

eisos me kidding, je me

29:42

kirin, gipa, hahos, mekirin' gipa,

29:45

h'a, h'a, h'a, h'uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu I

29:47

think that there are some

29:49

risks that are consequences, but

29:51

it's important and for us,

29:54

and I don't know, but

29:56

here it is. and so

29:58

on and on and on

30:01

and on and on and

30:03

on and on and on

30:05

and on and on and

30:07

on and on and on

30:10

and on and on and

30:12

on and on and on

30:14

and on and on and

30:17

on and on and on

30:19

and on and on and

30:21

on and on and on

30:23

and on and on and

30:26

on and on and on

30:28

and on burs and bursa

30:30

but on and bursa and

30:33

qua don't cicos zapato and

30:35

cicos n' and gorba pepore

30:37

poreato and h'a and h'a

30:39

mikoumikirmikirmikirmikirin gi mikirin gah! Possinella,

30:42

comida, limtea, la Casa, me,

30:44

pegels, botanis, sisurci l'er, and

30:46

this, manera, me, pagastanardente moor?

30:49

Eh! G'e-teban, contrary, tebana, contrary,

30:51

tebana, tebara, pass here, trale,

30:53

trale, trale, tepara, tepara, tepana,

30:55

tepana, tepana, tepa-tis, t'a-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-a-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-tis-t A

31:03

nogar, felis, with brokulas nip,

31:06

lesigato, and much salmendas, con

31:08

nipo, de suves, misagrasicos, and

31:10

go, oh my, ha ha

31:13

ha ha, ha, ha, ha,

31:15

ha, comister trombon in Apollion,

31:18

pubi, with la polion, pupi,

31:20

drombo, mister, pupi, pupi, in

31:22

Apollion, trombon, The

31:39

trail open along the

31:41

dusty trail. I'm a

31:44

rolling stone that gathers

31:46

no more. Loping along

31:49

the trail and feeling

31:52

mighty weary because I'm

31:54

loping along without a

31:57

horse. Loping

32:10

along on foot, my feet

32:12

are getting sore, since my

32:14

bronco horse decided to skid

32:17

at all. But I don't

32:19

mind too much if I

32:21

got sore feet. It's better

32:23

than what I get from

32:26

a saddle. I tell you,

32:28

I love the West. It's

32:30

grand out here in the

32:32

Old West. Out here where

32:35

there ain't no housing shortage,

32:37

because there ain't no houses.

32:39

Out here where a man

32:42

can be by himself, with

32:44

no one around to talk

32:46

to, for thousands of miles.

32:48

It's friendly. I've lived back

32:51

east for a while, but

32:53

I didn't like it. And

32:55

one day I sit to

32:57

old paint. That's my wife.

33:00

Honey, I said, I'm a

33:02

hanker and for sage brush.

33:04

Let's you and me saddle

33:07

up a couple of a

33:09

couple of kayuses. and Mosey

33:11

on back to the Mesquite.

33:13

And she looked at me

33:16

and said, whack! She was

33:18

a Brooklyn girl. Never knew

33:20

nothing about the westerner cattle.

33:22

While the first time she

33:25

ever saw a cow, she

33:27

thought it was a horse

33:29

that had swallowed a glove.

33:32

But she wouldn't let me

33:34

go by myself? No, she

33:36

came along. She had pioneer

33:38

blood in her veins. Yes,

33:41

my wife was like most

33:43

pioneer women. Brave! strong and

33:45

impossible to unload. And I

33:47

can tell you I'm glad

33:50

to be back here in

33:52

the West, just a plain

33:54

cowboy. Loping along the trail,

33:57

I'm shouting Yippy I-I-A, Yippy-I-A,

33:59

and sometimes yippy-I-E-I-E. Yippi Aye!

34:01

Aye! What a what

34:03

a terrible vocabulary!

34:06

Lope and a law! Lope

34:08

and a alone not

34:10

on me not

34:12

on the

34:15

lone prairie Oh,

34:18

bury me not on

34:20

the lone prairie lone bury

34:22

me not on the

34:24

lone prairie on know

34:27

why? Because I ain't

34:29

dead Loping alone! The

34:41

night and

34:43

darkness used

34:46

into one

34:49

I feel the

34:51

power of the

34:53

spirit coming on

34:55

Slowly my soul

34:57

starts to rise

34:59

out of me Give

35:02

me the chance

35:04

and the best to

35:06

be free Walking

35:16

my window, the journey

35:18

is on Taking me down

35:20

glass, no matter the

35:22

scars Walking as I see

35:24

myself home Into the

35:27

crowds of the astral world

35:59

watching! They

36:30

will not come near

36:44

Feelings are jogged

36:46

by children's

36:48

bread I must

36:50

return to

36:52

my body again

36:54

For more

36:56

than a thought

36:58

was my

37:00

journey take Won't

37:02

be too

37:04

much, ain't it

37:07

bled wide awake? This

37:27

is for Alright

37:42

This competition all

37:44

over the world Can

37:48

you feel it yet? How many here

37:50

we go? Here we go again Feel

37:55

the

37:57

competition If

38:00

I go on,

38:02

you take me higher

38:08

Feel competition If

38:11

I go

38:13

on, you take

38:15

me higher Steal

38:20

competition out

38:22

of the world

38:25

I feel you screw me, they screw

38:27

us, they screw us again Alright,

38:35

we had so much

38:37

fun We went together,

38:39

we went together, we

38:41

went together now I

38:47

looked high in

38:49

your eyes I was

38:51

in love at

38:54

first sight In different

38:56

minutes, you've been

38:58

waiting, waiting for your

39:00

truth Waiting for

39:03

your death Steal

39:14

competition If

39:16

I go on,

39:19

you take

39:21

me higher Steal

39:26

competition If

39:28

I go

39:30

on, you

39:32

take me

39:34

higher Steal

39:37

competition out

39:39

of the world

39:43

If I go on, you

39:45

take higher Steal

39:47

competition Alright, had

39:53

so much fun We

39:56

went together, we went together,

39:58

we went together now

40:00

Yeah! Take

40:04

your mother. Another car

40:07

in your ride I

40:09

was in love at

40:11

first sight It's been

40:13

minutes, you've been waiting

40:16

Waiting for your turn

40:18

Your turn will come

40:30

Yeah! Feel

40:37

competition Feel

40:44

competition Feel

40:56

competition

41:04

Feel competition

41:20

Now isn't that what what

41:22

roll should be, roll

41:25

Am I Right? Am I

41:27

kidding? Huh? Yeah. All right.

41:29

Good evening, my friends.

41:31

KBC KBC with you.

41:33

you. Another edition of

41:35

Bitslap And tonight we

41:37

have a we have a

41:39

grab I'm just too

41:41

lazy to try

41:43

to make sense of

41:46

it all. If

41:48

the world can't make

41:50

any sense, why

41:52

should I? You know,

41:54

the world can't make any sense, why

41:56

Anyway, know? Yeah. we

41:58

got just a bunch

42:00

of just a of

42:02

unrelated stuff unrelated stuff around.

42:05

around. out with something

42:07

called out with something called Holy

42:09

I'm pretty sure sure

42:11

his AI. That was was

42:13

something called Third Eye

42:15

Eye activation in Tibet. album

42:17

of of this guy's soul search

42:19

search or sort nonsense.

42:21

I don't know. I don't

42:23

know. We heard from Wirt Garson and

42:26

his Zodiac Cosmic Sounds album Pices, The

42:28

Peace Piper. I'm always really especially glad

42:30

to see Pices come around. As of

42:32

February 23rd, pretty much every year, which

42:34

is tomorrow or something, the temperature begins

42:36

to rise again in search of summer.

42:38

Okay, and I think that's worth celebrating.

42:40

Picy is the Peace Piper. Go Go

42:42

Radio Moscow. Get used to it. That

42:44

was the key to the K. Don't

42:47

have any idea who that was behind

42:49

that. The Incognitos, after that, DJ's dilemma.

42:51

That was actually Ron Lundy in there

42:53

somewhere. Producer, sponge, I don't know. Anyway,

42:55

we heard something about George Washington. We

42:57

heard from Stan Freiburg, Washington Crossing to

42:59

Delaware, and George Washington, the song, by

43:01

Brad Neely. Let's see, an introduce who's

43:03

at Beatles. Second version, take five, and

43:06

your bird can sing. High White Child,

43:08

Jimmy Hendrix, from April of 67 in

43:10

the Olympic Studio, is getting ready for,

43:12

I don't know, one of his many

43:14

albums. The guy spent all of his

43:16

time in the studio. Yeah, you heard

43:18

it right. In Spanish, okay. Don't know

43:20

who that was. You don't want to

43:22

know either, trust me. Eight boroughs, open

43:24

along. We heard from the flying hat

43:27

band, and that was the seventh plane.

43:29

Okay, and then stiff competition, an outtake

43:31

and outtake. from Heaven Tonight Cheap Trick's

43:33

third album. Okay? Does that bring us

43:35

up to date? Okay. So yeah, it's

43:37

been a confusing week and I just

43:39

have too many headaches from doing too

43:41

much research lately. So don't worry, we'll

43:43

get back on it. So let's just

43:45

continue right on now, but first, a

43:48

word from our sponsor. that

43:51

will bolster you. So you

43:54

don't have to hide, stop

43:56

cringing the hairs on your

43:58

skin. When

44:38

I was a boy

44:41

in Youngstown, the voices

44:43

of the poets cried

44:45

quick. They do not

44:47

cry today. When I

44:50

was a boy, the

44:52

voices of the poets

44:54

cried loud, cried the

44:56

truth. They do not

44:58

cry no more. Today

45:01

there is no more

45:03

but the echo. The wild

45:05

throng, the wild crowd with

45:08

their pupu-pah-doo and Rudy too.

45:10

Do you wear a tattoo?

45:12

Do you see the USA

45:14

in your Chevrolet and see

45:16

those voices alive in images

45:19

no longer echoes, but begging,

45:21

crying, for something more than

45:24

the slogan of an artless

45:26

age? You did it! You

45:29

son of a gun in

45:31

your grave flannel suit! You

45:34

drowned the poets! The flannel

45:36

and the mouth choking the

45:38

voice of the silver bird

45:41

that cries no more. Winston

45:43

tastes good like a cigarette

45:46

should. You get a lot

45:48

to like in the

45:50

Marlboro. Smoke cools,

45:53

smoke cools. And

45:55

roto, rooto, sua

45:57

service, roto roo.

46:00

Peltas, Ewers, service, Drowning

46:02

the voice of those

46:04

no longer here. Delcy

46:06

is Lanleine soft, and

46:09

in that softness sinks

46:11

the weight of the

46:14

world, Crushed beneath endless

46:16

scotions, crushed beneath Pernow,

46:19

crushed beneath gin and

46:21

tonic, crushed, crushed like

46:23

a little dead brown

46:25

field muse. Where are

46:27

they now? Where is

46:29

Emily Dickinson? said Tisdale.

46:32

Where is Robert Frost?

46:34

Edgar guessed that whole

46:36

crowd. Where are they

46:38

now? You did it,

46:40

you son of a

46:42

gun. You did it.

46:44

And they are gone.

46:47

And the song ends.

46:49

And the song ends.

47:19

the snow. Well I

47:21

don't ski well you

47:23

know that's true I

47:25

kiss that tree. my

47:49

nose. about

48:15

this song.

48:17

No, I'm

48:19

not mad,

48:21

because I'm

48:23

divine. Now

48:25

every hill

48:27

and mountains

48:29

looking fine. Baby.

48:32

Watch that tree,

48:34

baby. Watch that

48:37

tree, baby. Watch

48:40

that tree, baby.

48:52

for dreams.

48:54

I can't

48:57

see them.

48:59

What's that

49:02

treating? What's

49:06

that treating?

49:09

What's that

49:13

treating? Crescures

52:26

rising yesterday.

52:29

The check was

52:31

sent. Learning physics from

52:33

a book. It's interesting,

52:35

but won't they rent.

52:38

My landlord is such

52:40

a don't. He thinks

52:42

his ass is royalty.

52:45

But he's the one

52:47

with a cellular phone.

52:49

And he owns all

52:52

the... proper tea. I

52:54

live on the third

52:56

floor, my windows about

52:58

25 feet off the

53:01

ground. My formulas tell

53:03

me something would take

53:05

my quarters of a

53:08

second to hit the

53:10

ground. Now I wonder

53:12

what object one might

53:15

use in this little

53:17

gravitational experiment. It's

53:28

the ground.

53:32

Throw your

53:34

landlord out

53:37

the window

53:39

and make

53:42

sure that

53:44

he makes

53:47

a sound.

53:49

Right! His

53:52

age he

53:54

will have

53:57

a gee-t.

53:59

squared. T represents

54:02

the time in seconds.

54:04

H represents the height

54:07

of fall. But height

54:09

is 25, we know.

54:12

So it's T for

54:14

a wish we need

54:17

to solve. Let's multiply

54:19

both sides by two.

54:21

Divide by G and

54:24

take the square root.

54:26

That leaves us with

54:29

a formula of the

54:31

square love to H-O-G-O-G-E-L-S-T.

54:34

We'll put the numbers

54:36

in a moment, but

54:39

it's important right now

54:41

not to forget the

54:43

purpose of this problem.

54:46

To throw your landlord

54:48

out the window! How

54:51

long till he hits

54:53

the ground! Throw your

54:56

landlord out the window!

54:58

Make sure... I must

55:01

have dropped a carpeting.

55:06

And the numbers and

55:09

H over G becomes

55:11

25 or 32. Multiply

55:13

by 2. And that

55:16

gives 50 or 32.

55:18

To get the square

55:20

root, we have to

55:22

multiply by 2 or

55:25

2. This gives us

55:27

100 over 64, but

55:29

doesn't change the value.

55:31

The square root of

55:34

that is 10 over

55:36

8, and that factors

55:38

down to 5 over

55:40

4. And that's the

55:43

answer. The number of

55:45

seconds from the third

55:47

floor window expressed to

55:49

the door. And that's

55:52

the answer. That's how

55:54

long you would take

55:56

if you wanted to

55:58

go window. To

56:02

throw your landmort

56:04

out the window, how

56:06

long tell he

56:08

hits the ground? Throw

56:11

your landmort out

56:13

the window, make sure

56:15

that makes that sound. And

56:18

remember to throw him

56:20

from the throw things the near

56:22

the equator. because

56:24

things fall slower near the

56:26

your Throw your

56:28

the window, out the

56:30

window. How long tell

56:32

the ground? the ground.

56:34

your landmort

56:36

out the window,

56:39

make sure that he

56:41

makes that sound. throw

57:01

ground? ground? Throw

57:30

We'll never get an

57:32

answer when we're knocking

57:35

at the door. With

57:37

a thousand million questions

57:40

about hate and death and

57:42

war. It's when we

57:44

stop and look around us,

57:46

there is nothing that

57:49

we need. In a

57:51

world of persecution

57:53

that is burning into

57:55

heat. Oh,

57:58

oh, oh,

58:00

oh, oh,

58:03

oh.

58:05

Oh, Oh

58:08

Foi Why

58:18

do we never get

58:20

an answer When we're knocking

58:22

at the door Because

58:24

the truth is hard to

58:26

swallow It's

58:42

the way way that

58:44

you it When

58:46

you do those

58:48

things to me to

58:50

me. It's way the way

58:52

you mean it

58:54

When you tell

58:56

me what me

58:58

be be. And when when

59:00

you stop and

59:02

think about it

59:04

you won't believe

59:06

it's true That

59:08

all the love

59:10

you've been giving

59:12

Has all been

59:14

meant for you

59:16

I'm looking for

59:18

someone to change

59:21

my life I'm

59:23

looking for a

59:25

miracle in my

59:27

life And if

59:29

you could see

59:31

what it's done

59:33

to me Lose

59:35

the love I

59:37

knew and save

59:39

me through Between

59:42

the silence of

59:44

the mountains and the

59:46

of the sea

59:48

There lies a

59:51

lies a once lived

59:53

in And lived

59:55

there for me there

59:58

for me. All

1:00:01

the morning, my mind

1:00:03

becomes between

1:00:05

the between the

1:00:08

dead and the sleeping

1:00:10

must choose

1:00:12

that I must

1:00:15

looking for for

1:00:18

to change

1:00:20

my came by night. I'm

1:00:22

looking... a

1:00:24

miracle in my

1:00:27

life And if

1:00:29

you could see

1:00:31

what it's done

1:00:33

to me You

1:00:35

know that I

1:00:37

knew it safely

1:00:39

and need me

1:00:41

to The man

1:00:43

that I want

1:00:45

you And I

1:00:47

miss people, the

1:00:49

secrets of our

1:00:51

soul It's

1:00:54

not the way That

1:00:56

you say it we

1:00:58

do those things

1:01:00

to me It's more

1:01:02

the way you

1:01:04

really mean it when

1:01:06

you tell me

1:01:08

what will be Oh

1:01:39

I'm for

1:01:44

life Why

1:01:46

do we never get

1:01:48

an answer when we're

1:01:50

knocking at the door

1:01:53

with a thousand million

1:01:55

questions about hate and

1:01:57

death at the war?

1:02:00

But when we stop

1:02:02

we look around look around

1:02:04

is nothing nothing that we

1:02:06

need. In a world of

1:02:08

persecution that is

1:02:10

burning in the street Why

1:02:34

do we never get

1:02:36

an answer Don't you

1:02:38

get the door? I

1:03:13

can't get

1:03:15

no satisfaction

1:03:19

I can't get no

1:03:21

no reaction But

1:03:24

I'm right, and I'm

1:03:26

not right And

1:03:28

I'm right, and I'm

1:03:30

not right I

1:03:33

can't get no, I

1:03:35

can't get no

1:03:39

When I am riding

1:03:41

around the world

1:03:43

I'm doin'ism, trying not, trying to

1:03:46

to make down. Tell me

1:03:48

Tell me baby, better

1:03:50

come back Maybe

1:03:52

next week cause you all

1:03:54

I'm and sleep sleep. I

1:03:57

can't get get me though.

1:04:00

No, no, no. go,

1:04:02

go, go. hey! hey,

1:04:04

hey. what I say here.

1:04:06

I say, I am

1:04:08

writing in And gun

1:04:11

in my car, radio.

1:04:13

man comes on

1:04:15

the radio. more

1:04:17

He is telling

1:04:19

me more about

1:04:21

some useless information. poster

1:04:24

fire to fire

1:04:26

my imagination. And

1:04:28

again, get me no,

1:04:30

no. no, no.

1:04:33

hey. Hey, hey,

1:04:35

hey. That's what I say,

1:04:37

say. No, no, no. Hey,

1:04:39

hey, hey. No, no,

1:04:41

no. Hey, hey, hey.

1:04:43

No, no, no. Hey,

1:04:45

hey, hey. Hey,

1:05:22

hey. Hand

1:05:29

me down the walk it

1:05:31

came, hand me down my hat

1:05:33

Every now and don't be

1:05:35

late cause we ain't got time

1:05:37

to chat You and

1:05:39

me, we're going out to

1:05:41

catch the latest sounds Guaranteed

1:05:44

to blow your mind

1:05:46

so high you won't come

1:05:48

down Head on, prepare

1:05:51

yourself for the rubber band

1:05:53

Man, you'll never hear

1:05:55

the sound like a rubber

1:05:57

band Man, you're bound

1:05:59

to try to win

1:06:01

a rubber band Oh, this dude is

1:06:04

out of sight. Everything he does is

1:06:06

out of sight come out right.

1:06:08

he does to hit to come

1:06:10

out right a I went

1:06:12

to hit of At I was

1:06:15

so town I was so

1:06:17

surprised I was hypnotized when

1:06:19

the was asked for a guy. When

1:06:21

I saw this short fat band

1:06:24

between his toes band I

1:06:26

laughed so hard Cause

1:06:28

the toes. down When the

1:06:30

color is just gold Hey,

1:06:33

y 'all prepare yourself For

1:06:35

the rubber band You've

1:06:38

never heard a sound Like

1:06:40

a rubber band Man, you're

1:06:43

bound to lose control When

1:06:45

the rubber band Start to

1:06:47

jam Got that

1:06:49

rubber band Rub it

1:06:51

on his toes And

1:06:54

get it rigged lit up On

1:06:56

the round as noise Do

1:06:58

-do -do -do -do -do -do -do Can't

1:07:00

even see through your mind

1:07:02

Do -do -do -do -do -do -do -do Man,

1:07:04

all that music Yes, keeping

1:07:06

time Do -do -do -do -do -do

1:07:08

Find the world You didn't

1:07:11

learn that Oh, no We're

1:07:13

all out to get away

1:07:16

Hey, y 'all prepare yourself For

1:07:18

the rubber band You've

1:07:20

never heard a sound Like

1:07:22

a rubber band Whoa

1:07:25

You've bound to lose

1:07:27

control When band Start

1:07:29

to jam Do

1:07:31

-do -do -do -do -do -do

1:07:33

Do -do -do -do -do

1:07:35

-do -do it on

1:07:37

it on toes

1:07:40

Do -do -do -do -do

1:07:44

-do -do -do -do

1:07:46

Do I

1:07:48

want you to keep moving Just

1:07:50

move it Got it grooving On

1:07:52

the corner It's kinda rough, y

1:07:55

'all Whoa, whoa

1:07:57

Hey, y 'all, hey, y 'all Oh,

1:08:01

hey, my man, you've

1:08:03

never heard a sound No,

1:08:07

you're bound to listen to it

1:08:09

When the rubber band, oh, sit

1:08:11

down Yah, yah,

1:08:13

yah, yah Boy, that

1:08:15

rubber band man's a goose Who's

1:08:19

so quick, oh, he'll make you

1:08:21

lose it And then he

1:08:23

starts to Shouldn't that. wiggle it up, you

1:08:25

wiggle it down You

1:08:27

got speed to movement That

1:08:30

rubber band off the ground You

1:08:32

lift it as well At

1:08:35

the sky, oh, and then he Oh,

1:08:37

get with it Hey, you'll

1:08:40

prepare yourself from the rubber

1:08:42

band Man, you've

1:08:44

never heard a sound What's

1:08:46

your saviour band? You're

1:08:49

bound to listen to it

1:08:51

When the rubber band, oh,

1:08:53

sit down yah,

1:08:57

yah, yah, yah, yah, yah,

1:09:00

yah, yah, yah, yah A rubber

1:09:02

band man How much

1:09:04

do you stop it? Do you think

1:09:06

we can stop it? So

1:09:09

much rhythm, grace and heaven one a one

1:09:11

man. then you had to know

1:09:13

the quiggle is left to

1:09:15

But those knees got a feeling

1:09:17

in his head, y 'all Oh,

1:09:19

come on, baby

1:09:22

Hey, you'll prepare yourself

1:09:24

from the band

1:09:26

Man, you've never heard a

1:09:28

sound What's band? Oh,

1:09:30

he's a man And

1:09:32

he likes to jam What's your

1:09:34

saviour band? A rubber band man

1:09:36

starts to jam Moving up and

1:09:38

down, he starts to dance He

1:09:40

got a wiggle all in his

1:09:42

waist Every thing about him seems

1:09:44

out of place But you'll prepare

1:09:46

yourself rubber band Rubber

1:09:49

band, rubber band man I

1:09:52

feel like a little bit more good. Rubber

1:09:54

band, rubber band man, get

1:09:56

down Oh, sit

1:09:58

down, baby I'm

1:11:00

down, I won't do

1:11:02

my little man I'm

1:11:04

ready to get down,

1:11:07

I gotta do my

1:11:09

little man Trin, trin,

1:11:11

trang, trank, trank What'd

1:11:14

I say, trin, trang,

1:11:16

trank, trank Just stuck

1:11:18

me in my bones

1:11:20

Trin, trang, trang, trank

1:11:22

I'ma show you all, I

1:11:24

kinda do when I hear Ah

1:11:26

-na -na -na In all the places

1:11:28

of the band Got to

1:11:31

believe In me, in me He's

1:11:33

a family cat In a

1:11:35

band Who's a friend? a band

1:11:37

Well, Swing's the one In

1:11:39

a band He's a family a

1:11:42

big, big man That's the

1:11:44

world Everybody on the mark won't

1:11:46

work When you see the man

1:11:48

do his stuff I'm gonna

1:11:50

run, done, see the love Oh, do

1:11:52

it, do it, do Move to

1:11:54

the show, do it Got to stand,

1:11:56

side to side Do it, do

1:11:58

it, do it been crankin' with

1:12:00

a little hat of costume on. Oh,

1:12:04

wait a minute, oh,

1:12:06

wait a minute, let's

1:12:08

do it. Walk"]

1:12:22

That's a sack of shit. And

1:12:25

I'm only playing out shit. And

1:12:27

I'm no head of a jacket, this is

1:12:30

where I go. And to do

1:12:32

this. Just

1:12:34

walk. Just

1:12:37

walk. walk,

1:12:39

just walk,

1:12:41

just walk,

1:12:45

walk That's fast! You're not gonna take

1:12:47

a stop, you're not gonna get

1:12:49

out of your bunker But when you

1:12:51

do the war, you do it

1:12:53

in style Shake your hips and it

1:12:55

blows your ride Just walk, just

1:12:58

walk, just

1:13:00

walk, just

1:13:03

walk Just

1:13:05

walk, walk

1:13:59

walk I

1:14:30

don't even know how go And

1:14:32

when you do the walk, get it

1:14:34

cussed gonna put this on your

1:14:36

top I'm gonna on top

1:14:39

Just walk Just

1:14:41

walk Just

1:14:44

walk Just walk Just

1:14:49

walk Well, if you don't know

1:14:51

what it's all about I'm

1:14:53

gonna be a showy I'm it

1:14:55

fast Do it slow We

1:14:57

don't know where it really goes

1:15:01

Just walk

1:15:03

Just walk Just

1:15:06

walk Just

1:15:08

walk Just walk

1:15:10

Hey! Music

1:15:58

Music over

1:17:03

hillway up in

1:17:05

Harlem. If you

1:17:08

miss the hatred,

1:17:11

you will find

1:17:14

you miss the

1:17:17

quickest way

1:17:19

to Harlem.

1:17:32

Lisa! Hurry

1:18:02

hurry

1:18:05

hurry

1:18:07

hurry

1:18:10

hurry

1:18:12

get

1:18:15

on

1:18:17

now

1:18:20

it's

1:18:22

coming!

1:19:37

I think you

1:19:39

did bottom. Oh

1:19:41

no! There's a

1:19:43

bottom deal. Do

1:20:04

you think you've hit

1:20:07

bottom? Do you think

1:20:09

you've hit bottom? Oh

1:20:12

no! There is a

1:20:14

bottom below. You sit

1:20:17

at the party and

1:20:19

watch the spot and

1:20:22

it don't touch you

1:20:24

none, because you're all

1:20:27

fat. Do

1:20:36

you think you've hit

1:20:39

bottom? Do you think

1:20:41

you've hit bottom? Oh

1:20:43

no! There's a bottom

1:20:45

below. There's a nightmare

1:20:48

kind where you fall

1:20:50

and fall and you

1:20:52

wait to find. You

1:20:55

haven't been dreaming at

1:20:57

all. Do you think

1:20:59

you've been dreaming at

1:21:02

all? Do you think

1:21:04

you've been dreaming? Do

1:21:08

you think you've

1:21:10

hit bottom? Oh

1:21:12

no! There's a

1:21:14

low below. There's

1:21:16

a low below,

1:21:19

the low you

1:21:21

know. You can't

1:21:23

imagine how far

1:21:25

you can go.

1:21:59

once was a boy

1:22:01

named Pierre

1:22:03

who only

1:22:05

would say

1:22:08

I don't

1:22:10

care I

1:22:12

don't care

1:22:14

I don't

1:22:17

care And

1:23:15

now, because you've

1:23:18

all been so sweet,

1:23:21

another duet

1:23:23

for you. They say

1:23:25

we're young and we

1:23:28

don't know, warm by

1:23:30

note until we grow.

1:23:33

Well, I don't know.

1:23:35

I guess it's true,

1:23:37

because you got me,

1:23:40

baby, I got you.

1:23:42

I got you, babe.

1:23:45

I got you, babe.

1:23:47

They say our love

1:23:50

won't pay the rent

1:23:52

before return. Our

1:23:55

money's always spent.

1:23:57

Well, I don't know.

1:24:00

We ain't got no

1:24:02

plot. Still I'm sure.

1:24:05

All the love we

1:24:07

got. Babe. I got

1:24:10

you, babe. I got

1:24:13

flowers in the spring.

1:24:15

I got you to

1:24:17

where am I ring.

1:24:19

Where I'm sad, your

1:24:22

clown, when I

1:24:24

get scared you're

1:24:27

always around.

1:24:29

Some people say, your

1:24:31

hair is too long.

1:24:33

I don't care with you,

1:24:35

I can't go wrong. So

1:24:38

put your little hand in

1:24:40

my heart. There ain't no

1:24:42

hill or mountain we can

1:24:45

clow. I got you, babe.

1:24:47

I got you, babe. I

1:24:50

got you, babe. I got

1:24:52

you, babe. I got you,

1:24:54

babe. I got you, babe.

1:24:56

I got you, babe. Oh,

1:25:18

I love a weird duet, don't

1:25:21

you? Yeah. All right, well, anyway,

1:25:23

we got through it somehow, so

1:25:25

we're just gonna keep up the

1:25:28

front, keep doing whatever we can,

1:25:30

right? Okay. We started up top

1:25:32

with Nichols and Ming. That

1:25:34

was, everybody's doing it

1:25:37

now, something from the

1:25:39

improvisations to music album,

1:25:41

I believe. I didn't

1:25:43

research that. No research

1:25:45

this week, okay? Yeah.

1:25:47

Bob Rivers. Too soon?

1:25:49

This is what baseball

1:25:51

ball really is. That

1:25:53

was the Squids. Today

1:25:55

was the first exhibition

1:25:57

games, at least for

1:25:59

the Mets. Anyway, so yeah,

1:26:01

it's coming back. What did I

1:26:03

say about the temperature? Gradually warming?

1:26:05

Here it comes. Throw your landlord

1:26:07

out the window. That was the

1:26:10

Evolution Control Committee. Solving a problem,

1:26:12

as only they could. Question, the

1:26:14

question of balance, alternate version from

1:26:16

the moody blues. Let's see, Sam

1:26:18

Chopin, satisfaction. The less I say

1:26:20

about him the better, am I

1:26:23

right? Mm-hmm. The spinners, rubber band

1:26:25

man, that was a good one.

1:26:27

We heard from the hamsters, and

1:26:29

that was the walk, of course,

1:26:31

and if the walk don't work,

1:26:34

you can always take the A-train.

1:26:36

That was Jonathan and Arlene. Ah,

1:26:38

yes, our favorites here. And then

1:26:40

there's a bottom below, and there

1:26:42

is. Don't make no mistake, it's

1:26:44

going to get worse, okay, folks.

1:26:47

Melvin Reynolds there and then the

1:26:49

evolution control committee one more time.

1:26:51

I don't care. All right, and

1:26:53

then Tiny Tim I got you

1:26:55

back. All right, so All right,

1:26:57

that lets out the string I

1:27:00

got two more for you, including

1:27:02

another one by the hamsters. How

1:27:04

does that sound? In the meantime,

1:27:06

please keep the faith. Please keep

1:27:08

the faith resist, etc. Okay, and

1:27:11

I'll be back here next week

1:27:13

with some sort of Great socially

1:27:15

important or something. I don't know.

1:27:17

Please have a good week. I

1:27:19

love you all and have a

1:27:21

good one You

1:28:12

Yeah. You

1:29:28

You You

1:29:31

Yeah, between it and

1:29:33

the magic I say,

1:29:36

right now it's not the

1:29:38

reason For man,

1:29:40

when I'm a fuck -up,

1:29:42

I'll get up She promise

1:29:44

me a gold star And

1:29:47

I told her we could

1:29:49

go far And I told

1:29:51

her we could go far

1:29:53

And this is crasting Well,

1:29:56

I can take it with

1:29:58

you Like a logger, dip

1:30:00

in cold to me on the last stop.

1:30:02

She got a for style, I'm

1:30:04

glad to be there They

1:30:06

get up on the number

1:30:08

nine First

1:30:14

place I run,

1:30:16

I'm a lady

1:30:18

And I ain't

1:30:20

got no cigarettes

1:30:23

Just a couple of livers

1:30:25

for three years Only

1:30:29

a body of

1:30:32

Let's see. that's a

1:30:34

hard way to

1:30:36

get out of

1:30:38

there Feelin'

1:30:43

too blue, hey, hey, are

1:30:45

you takin' me? Feel like a

1:30:47

lot forever, steep in intensity

1:30:49

I got it in high style,

1:30:51

but she got a flankin'

1:30:53

style I'm not the queen Puff

1:31:36

Push that roll,

1:31:38

number nine Push

1:31:40

that roll,

1:31:42

number nine

1:31:44

Push that

1:31:46

roll, number

1:31:49

nine Can

1:32:30

I more... Number...

1:32:35

Nine! Number...

1:33:03

Number... Number...

1:33:12

Number... Number...

1:33:23

Number... Number... Number...

1:33:25

Number... Number...

1:33:28

Number... Number...

1:33:45

Number...

1:33:47

Number... Yeah,

1:34:00

yeah,

1:34:03

yeah You

1:34:07

run really fast

1:34:09

But I'm tired

1:34:11

of living anyway

1:34:14

I'm all around Dr. Goku's

1:34:16

The blaze inside is

1:34:19

all we call the blues

1:34:21

Don't let go down

1:34:23

that lonesome road Cause I'm

1:34:25

so sick and tired

1:34:27

of trying Running

1:34:30

away from the city dogs

1:34:32

So, gonna get my kicks

1:34:34

out Rule 6, 6, 6

1:34:36

The cruel and the fools

1:34:38

make the rules it seems

1:34:40

The rest of us search

1:34:42

for salvation and dreams Yeah,

1:34:51

I'm talking by the time that

1:34:53

they don't say a thing Show

1:34:55

the little bit of stuff Made

1:34:57

me feel like a king Don't

1:35:06

wait for me now

1:35:09

To keep it up till

1:35:11

we get it done My

1:35:13

soul is under a

1:35:15

spell Now I'm

1:35:17

on my way to

1:35:19

hell Don't let go down

1:35:22

that lonesome road Cause

1:35:24

I'm so sick and tired

1:35:26

of crying Level

1:35:28

to the metal ready

1:35:30

to explode Gonna get my

1:35:33

kicks out Rule 6,

1:35:35

6, 6 watching!

1:36:13

When I'm away cause I

1:36:15

had enough love, now I'm

1:36:17

so far gone, I'm gonna

1:36:19

die, oh, oh, oh I'm

1:36:27

a junkie with a monkey

1:36:29

and I pull the hose,

1:36:31

living on the age of

1:36:33

control I'm

1:36:40

a

1:36:42

junkie

1:36:44

with

1:36:46

a

1:36:48

monkey

1:36:50

and

1:36:52

I

1:36:54

pull

1:36:57

the

1:36:59

hose,

1:37:04

control I'm

1:37:15

a

1:37:19

junkie

1:37:22

with

1:37:26

the

1:37:34

control I'm

1:37:52

a

1:37:54

junkie

1:37:58

pull hose I

1:38:29

know