0:00

Good evening. This is Lewis Marshman

0:02

speaking for myself and my thousands

0:04

of fellow professionals who, like myself,

0:07

are responsible for speaking to you

0:09

as I am at this time.

0:11

We are all involved in a

0:14

national news emergency of such magnitude

0:16

that only now can we pause

0:18

for a moment to distort its

0:21

proportions back to our own limited

0:23

perspective. The credibility gap now

0:26

stretches beyond the international dateline so

0:28

that lies fabricated in the foreign

0:30

press are repudiated in our local

0:33

papers the day before they appear

0:35

in the country of their origin. The

0:37

advance of science now allows us

0:39

to bounce our information off the

0:41

planet Saturn, but none of it has

0:44

returned, leaving our global home bereft

0:46

of news. And so, concerned citizens like

0:48

myself sit here tonight, with

0:50

absolutely nothing of any importance to

0:52

say. Then let it be said,

0:55

not to enlighten, but to

0:57

inform. Our generation has achieved

0:59

failure at the cost

1:01

of its own success,

1:03

and our great-great-grandchildren are

1:05

paying for that powerful failure.

1:07

But they are too young to work

1:10

in the dark, so we must lend

1:12

them the little immense energy left

1:14

to help them shoulder that

1:16

impossible load. Yet debt has

1:18

never frightened us. It is, after

1:20

all, the currency of fear

1:23

and fear is where we're

1:25

rich. We have learned to

1:27

hoard despair and make it

1:29

pay great dividends. The shadow

1:31

of a chicken in every

1:33

pot. The freeways. Jammed with

1:35

empty holiday cars. One hundred

1:38

million television sets turned to

1:40

face the wall. Yes. A

1:42

rich land with cream in

1:44

the coffee bread lines in

1:46

their palms. But the memory

1:48

banks are closing. Because our

1:50

youth and the young at heart

1:52

refuse to gossip the good talk, refuse

1:55

to dance on the grid, refuse

1:57

to even pretend to be duped.

2:00

and a nation that can't be

2:02

duped, can't be made fun

2:04

of itself. I and every

2:06

other mind sewn together in

2:08

this great circle of world

2:11

thought, gave up the declining

2:13

years of their boyhood, beat

2:15

off every desire and phantom

2:18

lover to conjure up all

2:20

the little people on the

2:22

billboard you've loved to eat

2:24

so much. Crunchy caramel. Mr.

2:27

Peanut. Captain Crunch. They're the

2:29

children of my career. Throw

2:31

them in the gutter and

2:33

you drown my breakfast. So

2:35

come on. Let's be kids

2:37

again. Let's listen to the radio

2:39

and spoil our appetites. Let's put

2:41

on daddy's shoes and invent the

2:43

atom bomb. Or at least, let's

2:45

say we did it. Or at

2:47

very least, let's start storing up

2:50

some respect for the people whose job

2:52

it is to tell us about it.

2:54

Actors and soldiers are people too,

2:56

you know. There's one at your

2:58

door right now, reading your number.

3:00

Let him in. Just because he's got

3:03

to snap a uniform on doesn't

3:05

mean he isn't a cripple. Just

3:07

because I'm talking to millions of

3:10

you doesn't mean I'm not lonely.

3:12

So give us a dime, or give us

3:14

a call, but for God's sake, don't give

3:16

us away. Thank you. And now back to

3:18

the news. This has been

3:20

an important inquiry from the

3:22

management of this radio station.

3:32

This is happening. I love

3:34

you, Zelda Dinkleberry. I love

3:36

you so madly. Oh, I've

3:39

been asked to get married

3:41

lots of times. Oh yeah? Who'd

3:43

have asked you? My mother, my

3:45

father, my brother, my uncle

3:47

Charlie. Hi dear friends, this

3:49

is Moiska Dava. You're finally

3:52

commentator. And welcome to creep

3:54

on the street. And here

3:56

comes a creep on the

3:59

street now. Hi. Meer meer on

4:01

the wall. Who's the fairer.

4:03

Meer, meer on the wall.

4:05

Who's the fairest of them

4:07

all? You, Snow Whitehead. Mir,

4:09

mirror on the wall. Who's

4:12

the fairest of them

4:14

all? You, Snow Whitehead. Why

4:24

doesn't Jimmy like me? Maybe

4:27

it's your breath. No, I

4:29

goggle, I brush, I give

4:31

myself a breath check every

4:34

five minutes. Maybe it's

4:36

your deodorant. Oh, come on,

4:38

I spray, roll on, powder, rubbing.

4:41

Maybe it's just you. Look

4:43

in the sky. It's a

4:45

plane. It's super pimple. And

4:51

then they turned on the lights and

4:53

there I was embracing Ralph. I

4:55

love you so madly. Be my

4:57

girl. We're in the bottom of

5:00

the night. Hinky-finky is up.

5:02

All eyes are glued on him.

5:04

He looks very silly with all

5:06

those eyes glued on him. The

5:08

pitch to Hinky-finky is a sinker

5:11

way inside and that

5:13

winky-dink sinker just

5:16

tinky-finky-finky-finky-finger. I ain't

5:19

got a lot of money or

5:21

a big house or two cars

5:23

like Harry Winneker, but I love you.

5:25

I like you too, but tell me

5:27

more about Harry Winneker. Hey,

5:29

Pokedots are back in style.

5:31

How about your crooked smile?

5:34

Look, Sir Lance, a little,

5:36

if fire breathed in dragon. Yes,

5:38

I know. Wow. In the morning

5:40

when that dragon breathes fire,

5:42

phew. Today's the

5:44

day I tell him,

5:47

Dragon, you got bad

5:49

fire, bad fire! I

5:51

love you so madly!

5:54

Be my girl! I

5:56

love you so madly!

5:58

Be my girl! What

6:01

was happening?

6:03

You know, what was

6:05

going on? I love

6:07

you, see, but I'll...

11:00

The guy walking along there looking

11:02

at me and when I

11:04

go to the old person I

11:06

see the people staying around,

11:08

staying around Looking at me and

11:10

not thinking about something And

11:12

every day when I'm down

11:15

I will see the people

11:17

And stand around looking at

11:19

me They look at me,

11:21

they look at me, stand

11:23

My story is a lot

11:26

better than everywhere But if

11:28

I'm trying to find something

11:30

to look at me They

11:32

look at me, they look

11:34

at me, why

11:36

don't I look at

11:39

them? watching!

11:58

Okay. There's

14:05

going to be

14:08

some changes in

14:10

the White House.

14:13

This year, when

14:15

they see Lincoln's

14:18

ghost just running

14:20

around, they're going

14:23

to see George

14:25

Washington and other

14:28

prayers to death.

14:35

They're watching all

14:38

the messes going

14:41

around. They're watching

14:43

all the messes

14:46

going around. There's

14:49

going to be

14:51

the friend of

14:54

old Kedati. That

14:56

is fair. In

14:59

our quiet house.

15:02

Kedati's going. When

15:08

he does, his people

15:10

are going to hold

15:12

him down. So he

15:15

won't cause havoc to

15:17

their land again. There's

15:19

going to be some

15:21

changes in there. When

15:23

all the lights begin

15:25

to go out and

15:27

blackouts come from all.

16:01

It's going to

16:04

be a time.

16:06

all the

16:08

power of all

16:11

the names

16:13

we'll fall with

16:16

all the

16:18

blackouts come around.

16:26

When we look

16:29

around we'll see

16:31

a galaxy our

16:35

land with the

16:37

brand new kind

16:39

of love. People

16:47

fall, the universe

16:50

are coming to

16:52

the earth, they're

16:54

coming here to

16:56

help the earth

16:58

and help us

17:00

gain back our

17:02

land. Love

17:07

will come

17:09

out again

17:12

with all

17:14

the spells.

17:37

There's going to be some Here

17:40

in will

17:59

spells. What

18:33

ever happened to the You

18:35

saw Jugler, was a good

18:37

friend of mine of mine. And

18:40

how did you learn to

18:42

kiss like that, said

18:44

a man to his German shepherd. It's not

18:46

not the to talk when

18:48

your mouth is full of

18:50

big bumblebees. But it's it's okay to

18:52

love your long long as

18:55

you don't get her

18:57

pregnant Everybody! There's

19:07

something wrong with this

19:09

song Cross

19:14

my heart, yes, stick a

19:17

finger in my eye No,

19:19

but wife, I'm telling me

19:21

truth I've slept with your

19:23

sister, your your dad And the

19:25

second and the you best sex was you.

19:28

Oh, three men in a

19:30

tub in a tub. Need I say And Jack

19:32

And Jack eat no fat. eat he

19:34

divorced her, everybody! her, there's know that

19:36

there's something wrong with this

19:38

song I just don't know

19:41

what it could be Yes,

19:43

I know that there's something

19:45

wrong with this song I

19:47

just don't know what it

19:49

could be Oh

19:52

God, that

19:54

sounds sounds bad.

19:56

Who's off? Drums? Ooh.

19:58

Acoustic guitar? Not me,

20:00

man. That was base,

20:02

wasn't it? Oh crap.

20:04

Are we ready? Here

20:06

we go! Whatever happened

20:08

to the chainsaw jumper?

20:11

He was a good

20:13

friend of mine. I

20:15

heard he died. Nobody

20:17

cried. Instead, they all

20:19

chopped off their arms.

20:21

Oh well. When in

20:23

Rome. None compulsmen. This

20:25

person and non-grata in-b-nomrita

20:27

said hi. He purvis

20:29

Unum, if two aries

20:31

human, the boy am

20:33

I glad we're in

20:35

charge. Oh, a Buddhist,

20:37

a Muslim, a nun,

20:39

and a Jew, we're

20:41

stuck in a hotter

20:43

balloon. It suddenly popped,

20:45

no, they prayed as

20:47

it dropped. It proves

20:49

that God hates us

20:51

all. He

21:11

shouted down to the angry villagers

21:13

far below. He said, you may

21:15

have won the battle. Baham. Oh,

21:18

I'm out of ammunition. He said,

21:20

life isn't a bull of cherries.

21:22

It's, it's... Okay, maybe it is.

21:25

He said, it's not the size

21:27

that counts. It's the woman that

21:30

counts the size. He said, you

21:32

can't sue yourself for writing an

21:34

unauthorized autobiography. He said, if it

21:37

purse you don't succeed. He

21:41

said it's not whether you win

21:43

or lose. It's whether I win

21:45

or lose. He said don't throw

21:47

the baby out with the bathwater.

21:49

Unless it's floating face down. He

21:51

said if you can't beat him,

21:53

let me beat him. He said

21:55

you can tell a lot about

21:57

a guy. And

22:00

he said, fight for

22:03

peace, make love, not war,

22:05

war, unless love to kill. kill,

22:07

right? And as they dawned the mountain and kicking

22:09

to death, he said

22:11

one more thing, he said,

22:13

Oh! Yeah! Stop kicking

22:15

me! Oh! Oh! Oh! Oh! Oh!

22:19

Oh my gosh! Go! Oh!

22:29

And as the Martian sat

22:31

away from his driver's seat

22:33

window of his hovering seat spaceship

22:35

on his way back to

22:37

Martian he offered these way words

22:40

of advice. He offered He said,

22:42

yourself a advice. stop this a

22:44

song. this god damn song. couldn't. Because

22:49

we still didn't know! Whatever

22:53

happened to the chainsaw juggler,

22:55

he was a good friend

22:57

of mine. I heard

22:59

he died, but nobody cried.

23:01

He said they all chopped off

23:03

their arms. Well, that sure

23:05

makes sense. He was to by his

23:07

fans, but tell me, how did

23:09

he die? Nobody knows

23:11

they found him alone, all

23:13

bloody with his arms by his

23:16

side. Everybody! I know that

23:18

there's something wrong with this song.

23:20

I just don't know what

23:22

it could be. There's

23:26

something wrong with this song,

23:28

wrong with this song, wrong

23:30

with this song. Here

23:42

come my baby. She

23:44

pretty good.

23:47

pretty good. She's

23:49

like she

23:52

should. useful. Just like

23:54

she should. I... just...

23:56

once. Tell

24:01

you that she's the one

24:03

I know I put her

24:05

on the stove. She's simma

24:07

and simma all day long.

24:09

I cut meat and sing

24:11

my song I go Way

24:13

way up a hole. Ding

24:15

down. Yeah way way up

24:17

a hole. Ding down. Way

24:19

way up a hole. Ding

24:21

down. Way way up a

24:23

hole. Ding. She's

24:35

my baby, she's all

24:37

right. Keeps me fairly

24:40

warm at night going.

24:42

Why do you need

24:45

anything that isn't diseased?

24:47

Yeah, she comes walking

24:50

down the roof. Hey,

24:52

wait, stop, play, day,

24:54

woe! She's not heavy,

24:57

man, that's the proof.

24:59

Hey, wait, stop, play,

25:02

day, woe! She's not

25:04

heavy, man, that's the

25:07

proof. He got an

25:09

aerial strap to his

25:11

back. He got a

25:14

dog with legs of

25:16

black. He got an

25:19

aerial strap to his

25:21

back. He worked by

25:24

remote control. I sent

25:26

him down to the

25:29

water. He worked by

25:31

remote control. I

25:35

said, never

25:39

you mind,

25:42

just bring

25:46

her here

25:49

till you

25:52

hear me.

26:00

Do you hear me, bring her

26:02

here Stay on my

26:04

job her of Take her on get

26:06

my baby back legs black. Gonna

26:08

yeah, my Way, way, half

26:10

a hole, ding dong way,

26:12

way, half a hole,

26:14

ding dong, yeah, yeah Way,

26:16

way, half a hole,

26:18

ding dong ding, this one way,

26:20

a whole, thing, yeah, you, way, way, way, way,

26:22

way, jam Here

26:26

she come rolling up the Kibberjabi,

26:28

chippa -jabba, hop from the jibber,

26:30

fill her up, but

26:32

she jibber, jibber, -jabba, chippa -jabba, hop

26:34

from the squeak Ponies

26:36

come with a laser gun

26:38

Paper jibber, jibber, jibber, chibber, jibber, the

26:40

way they run Paper

26:42

lady blubber in the moon

26:45

day sun Took my

26:47

baby off hibber, hibber, hibber, got

26:49

paralysis dibber, dibber, dibber, dibber, dibber, way,

26:51

half a hole, ding dong

26:53

Way way way, half a

26:55

hole, ding dong, yeah, yeah

26:57

way way have the hole ding dong

27:30

Like the wind

27:35

You keep me

27:37

runnin' Take

27:39

the consequence

27:41

of livin' There's

27:46

no space There's

27:50

no tomorrow

27:52

But we

27:54

need some

27:56

unification The

28:00

sun will

28:02

never shine

28:06

Marathon in any way

28:08

The sun weighs

28:10

on your mind Like

28:16

the wind No

28:19

wind from

28:21

somewhere Letters

28:23

from your own

28:26

venue There's

28:30

no place For

28:34

any sorrow

28:37

Time for young and

28:40

master's premium Check

28:43

it in, check it

28:45

out But the sun

28:47

will never shine Marathon

28:51

in any way The

28:53

sun weighs on your

28:55

mind Marathon

29:27

in any way

29:29

The sun will

29:31

never shine Marathon

29:35

in any way The

29:37

sun weighs on your

29:40

mind Check

29:42

it in, check it out It's

29:44

the sound of the blues Tear

29:46

it in, tear it off It's

29:49

a good excuse Check it in,

29:51

check it out It's the sound

29:53

of the blues Tear it in,

29:55

tear it off It's a good

29:57

excuse Check it in, check it

29:59

out It's the blues So some

30:01

of I don't know. tearin' out the

30:03

good excuse Checkin' and

30:05

checkin' out the some of

30:07

the blues tearin' and

30:09

tearin' out the good excuse

30:55

Checkin' checkin'

30:59

the Checkin' excuse D-D-D-D-D-D-D-D-D-D-D-D-D-D-D-D-D-D.

31:27

tearin' Checkin'

31:54

the some of the

31:59

excuse Let's

32:09

do

32:12

that

32:15

again.

33:03

He rode till he came

33:05

to his mouth's door. King

33:07

Kong, kiss he, kiss he,

33:09

kiss he, cry me, oh,

33:11

cry, me, a way down,

33:13

yun, run a hauler, tree,

33:15

an owl in a bath

33:17

in a bumblebee. King Kong,

33:19

kiss he, kiss he, kiss

33:21

he cry, meo. He rode

33:23

till he came to his

33:25

mouth's door. King Kong, kiss

33:27

he, kiss he cry, cry,

33:29

me. King

33:36

Kong, kissy, kissy, kissy, cry

33:38

meo. He took Miss Mouse

33:40

up on his knee. King

33:42

Kong, kissy, kissy, kissy, crymeo,

33:45

and he said, Little mouse,

33:47

will you marry me? King

33:49

Kong, kissy, kissy, kissy, cimey,

33:52

me, oh, and he said,

33:54

Little Mouse, will you marry

33:56

me? King Kong, kissy, kissy,

33:59

kissy, kissy, cimy. Miss Mallpaps

34:01

had suitors three or four.

34:03

King Kong, Ketch, Ketch, Ketch,

34:05

Kow, Kow, Kow, Kow, Kow,

34:08

Kow, and there they came

34:10

right in the door. King,

34:12

Kow, Ketch, Ketch, Kow, Kow,

34:15

Kow, Kow, Kow, Kow, Kow,

34:17

Kow, Kow, Kow, Kow, Kow,

34:19

Kow, Kow, Kow, Kow, Kow,

34:22

Kow, Kow, Kow, Kow, Kow,

34:24

Kow, Kow, Kow, Kow, Kow,

34:26

Kow, Kow, Kow, Kow, Kow,

34:28

Kow, Kow, Kow, Kow, Kow,

34:31

Kow, Kow, Kow, Kow, Kow,

34:33

Kow, Kow, Kow, Kow, Kow,

34:35

Kow, King Kong, kissy, kissy,

34:38

kissy, cry meo. And that

34:40

holler tree was a terrible

34:42

night. King Kong, kissy, kissy,

34:45

kissy, mokey, away down, yonder

34:47

in the holler tree, and

34:49

all in the bat, and

34:52

the bumblebee. King Kong, kissy,

34:54

kissy, kissy, kissy, kissy, cry

34:56

meo. I'm

34:58

all key, a way

35:00

down, yonder in a

35:02

holler tree, an owl

35:04

and a bat, and

35:06

a bumblebee. King Kong,

35:08

kiss, catch, cry meo.

35:10

They went through the

35:13

parse in the very

35:15

next day, King Kong,

35:17

kiss, kiss, cry, meo,

35:19

and left on their

35:21

honeymoon right away. King,

35:23

kong, kiss, kiss, kiss,

35:25

kiss, kiss, cry, meo.

35:30

Now they live far off in

35:33

a holler tree. King Kong

35:35

kitty kitty kitty kitty kitty kitty

35:37

kitty kitty kitty ki meo. Kime-o-keem-o-kime-o-kea-way

35:40

down younger in a holler tree.

35:42

And all in the bat and

35:45

the bumblebee. King Kong kitty

35:47

kitty kitty kitty kimieo. Standing

36:04

in the line at

36:06

a well-known banking town.

36:08

He lied waited for

36:10

alone. His stage was

36:12

falling down. His nurse

36:14

was all on level.

36:16

He had never had

36:18

a home. His hand

36:20

reached for his back.

36:22

My gosh, she said,

36:24

was home. And hippie

36:27

there behind him. Trist

36:29

all. and let her

36:31

close. Long black hair

36:33

and the smell of

36:35

a beer with air

36:37

ling in his nose.

36:39

I have some wacky

36:41

back in a whisper

36:43

Tony spoke. Not much

36:45

for $50, but I

36:47

gotta have a smoke.

36:49

Soon looking like a

36:51

chimney. He but spoke

36:53

everywhere. Has the butt

36:55

burned to his lip?

36:57

Well, Ellea, I take

36:59

a chair. He placed

37:01

his feet up on

37:04

her to ask me

37:06

love, how do you

37:08

do? I have to

37:10

ask some questions before

37:12

it alone comes true.

37:14

Well, ask me who

37:16

the premier. There's me,

37:18

but ages all full.

37:20

There must be an

37:22

education in that wacky,

37:24

backy smoke. Because I've

37:26

never spent a day

37:28

in school, but now

37:30

I'm just a wish.

37:32

Go ahead and we'll

37:34

open, ask me, who

37:36

to clean their day.

37:38

Now how much cash

37:41

you need, and sir,

37:43

take your feet down

37:45

off me, dad's. He

37:47

said, don't you piece

37:49

of Charlie Shin, a

37:51

bank as big as

37:53

did. You go on

37:55

out in two. You

37:57

don't all talk, stay

37:59

and have a dream.

38:01

Don't bother with the

38:03

count and fill up

38:05

the poor bay. She

38:07

said, what about your

38:09

collateral? We fill that

38:11

form of next. My

38:13

love the word is

38:16

cholesterol and mine is

38:18

up on six. Is

38:20

he you that if

38:22

he's sister? Cause he

38:24

could not say spoke.

38:26

He couldn't burn out

38:28

his his hiss, no,

38:30

he had to call

38:32

the toe. Josephine then

38:34

made a call, oh,

38:36

Sergeant Reed, we have

38:38

some trouble at the

38:40

bank, oh, glee lies

38:42

on the weed. As

38:45

quick as you can change

38:47

a check in walk, the

38:50

boys in red. Said Skipper,

38:52

we need some answers in

38:54

on gleam, I said. Well,

38:56

I asked me, oh, the

38:58

premier is me behind his

39:00

own throat. There must be

39:03

an education in that wacky

39:05

bag me smoke, because I've

39:07

never spent a day in

39:09

school, but now I'm just

39:11

a whiff. Oh, ahead me,

39:13

boys, and has made Who

39:15

to pray there is. On

39:18

the way downtown, the mound,

39:20

he said, You're not allowed

39:22

to talk. He said, up

39:24

your nose, with a rubber

39:26

hose, and he filled the

39:28

cabbage smoke. Soon, the mouths'

39:31

mine was on cloud night,

39:33

they were floating in the

39:35

blue. He trapped the gas

39:37

and shouted, Have a day,

39:39

but do! In the station

39:41

walked and saw me, Why

39:44

she surprised to see, Uncle

39:46

Lee, Law, and the Mounties,

39:48

Actin' Gibberty, He like he

39:50

was how he was given

39:52

how to quiz. Go ahead,

39:54

me boys, and tell me

39:57

who to bring her in.

39:59

And Sophie grabbed him by

40:01

the next little o'er, don't

40:03

let me kill. She drove

40:05

away his back, he locked

40:07

him out his in the

40:10

cell. As eel I lifty

40:12

wave, good boys, it is

40:14

three have been made. I

40:16

got me education, boys, and

40:18

the money's in the bay.

40:20

Now ask me who the

40:23

premier is me brains as

40:25

all full. There must be

40:27

an education in that wacky-backy

40:29

smoke, because I've never spent

40:31

a day in school, but

40:33

now I'm just a wits.

40:36

Go ahead, me boys, I'm

40:38

past me, who to pray

40:40

for you. Go ahead, I'm

40:42

past me, who to pray

40:44

for you. Okay, good evening,

40:46

my friends, and welcome. Welcome

40:48

to the weekend, finally, eh?

40:51

What a week it has

40:53

been, has it not? Anybody

40:55

have total chaos? on their

40:57

card already. No, all right.

40:59

Keep going. Anyway, I thought

41:01

we would just get it

41:04

down with some just plain

41:06

nonsense this week. We're going

41:08

to need, you know, all

41:10

our sense later on. We're

41:12

not going to have fun,

41:14

so we might as well

41:17

get it out of our

41:19

way now and buckle down.

41:21

As the time comes, we

41:23

started out with an editorial

41:25

from Lewis Marshman. Lewis is

41:27

our reproducer here at KBC

41:30

Radio and also vice president

41:32

in charge of volcanic activity.

41:34

Okay? We followed that up

41:36

with a single to Fernando

41:38

with Love. That was Googie

41:40

and Joe. his workshop from

41:43

1967. The bad news is

41:45

that's part one. The good

41:47

news is we'll be hearing

41:49

part two later, okay? That's

41:51

not a threat. We heard

41:53

from Christian Markley. recorded on

41:56

a show called Night Music.

41:58

I don't know if that

42:00

was in New York or

42:02

where from 1989, but that

42:04

was that whole messy thing

42:06

that was all recorded live

42:09

using tape decks, turntables, cassettes,

42:11

all kinds of stuff, but

42:13

it was recorded live and

42:15

you get to watch it.

42:17

So you could probably find

42:19

it on YouTube somewhere. It's

42:21

probably where I got it.

42:24

Every day's, here, this is

42:26

tough. Every day's way down

42:28

to the suburbs. That was

42:30

Staff Carpenter and Electric Sea.

42:32

I don't know what C

42:34

stands for because I didn't

42:37

bother filling it out. Francis

42:39

Cannon and the Extraterrestials. You

42:41

remember her? She's a singing

42:43

psychic, right? Remember that? This

42:45

was Lincoln's Ghost about bad

42:47

waves in the White House,

42:50

okay? Let's see how that

42:52

goes. We'll keep you posted.

42:54

Chainsaw juggler? That was the

42:56

four postman, Way Way Hepahoe,

42:58

was the soft boys in

43:00

Robin Hitchcock, Subways of Your

43:03

Mind. From 1983, that was

43:05

F-E-X, I have no idea

43:07

what that stands for. Whistle

43:09

stop from Mr. Roger Miller,

43:11

King Kong Kitchikai Kiyai Mio.

43:13

It's tough to say, Camp,

43:16

Camp Song, you know. Chubby

43:18

Parker in the old-time banjo,

43:20

and then Elis on the

43:22

weed. not a camp song

43:24

that was Ellis Coles okay

43:26

we up to speed here

43:29

all right no sponsors this

43:31

week because nobody wanted nobody

43:33

wanted to underwrite this thing

43:35

here this is just too

43:37

weird for the mainstream radio

43:39

and sponsoring you know it's

43:42

too weird for big sponsor

43:44

you know what I mean

43:46

so let's just get back

43:48

to work here I got

43:50

some more stuff here that's

43:52

just guaranteed you

44:25

You You

45:02

Ha

45:06

ha

45:10

ha

45:14

ha

45:18

ha

45:23

ha

45:27

ha!

46:00

Here is a tale to

46:02

make your crash fleet. It'll

46:04

give you pooskimples. It's a

46:06

story for feeboke and biggled

46:08

topeep. That's we folk and

46:10

bigger people too. It's a

46:12

story about Cinderella who lived

46:14

in a big harked house

46:16

with her mean-old meptother near

46:18

two-sisty uglers. And they made

46:20

Cinderella do all the wordy

46:23

journey, while they sat around

46:25

cheating ochlets and Mag and

46:27

read-as. And

46:29

one day when Cinderella was in

46:31

the kitchen flopping the moor, the

46:34

two sistyagras came in and said,

46:36

guess what? The pance of hints

46:38

is bro in a fancy threshold,

46:40

and we're invited. It's too bad

46:43

that you can't go. So Cinderella

46:45

went back in the kitchen with

46:47

ears in her ties, and she

46:50

was just about to chick-a-see-a-fricken, when

46:52

suddenly there was a lying blush

46:54

of flight. And standing beside her

46:57

was a feudable berry. And Cinderella

46:59

said, who are you and what

47:01

do you want? And the feudable

47:04

Barry said, oh, well, I'm your

47:06

Barry fun, Gother. And Cinderella said,

47:08

well, may I go to the

47:10

ball? And the fairy said, well,

47:13

that's quite a wish. But she

47:15

said, OK. So she waved her

47:17

magic wand, and instantly Cinderella was

47:20

transformed into a babish and roody.

47:22

She had a long white gap

47:24

and sound and a necklace of

47:27

poopies and rurals. And on our

47:29

few were two tiny sass clippers,

47:31

sass clippers. And the ferry said,

47:33

now you may go, but you

47:36

must promise to be moaned by

47:38

midnight. And Cinderella said, okay. So

47:40

she was off. And soon she

47:43

cast to the camel. That's came

47:45

to the castle. And Cinderella jumped

47:47

out in the first boot depot

47:50

she ran into were the two

47:52

Sustiaglars. And she was so beautiful,

47:54

they didn't even cinderize, Recco. So

47:57

they introduced her to the Prants

47:59

and Hens. And he said, may

48:01

I damn this chance. He said,

48:03

you're so beautiful, you remind me

48:06

of Beep and Slutiep and Slutie.

48:08

He was just about to ask

48:10

for her mare and handage when

48:13

suddenly the strikes well. And Cinderella

48:15

banned from the roll. But as

48:17

she did, one of the sas

48:20

clippers flipped from her soot. The

48:22

pants and hints picked it up

48:24

and he says, now all I

48:26

have to do is find the

48:29

woman who soot this flipper sits

48:31

and I'll know whom I've lollum

48:33

and fub. So the next day

48:36

he went from house to house

48:38

and you can't turn that around.

48:40

And soon he came to the

48:43

scent, where House Dorella lived, and

48:45

he docked on the north. And

48:47

who should come to the door

48:50

with the two Sisti Aglis? And

48:52

he says, I'm looking for the

48:54

woman who sipped the slipper sits.

48:56

Well, of course there were beat

48:59

or too fake. But then it

49:01

was Cinderella's turn, and guess what?

49:03

The clipper pitted serfically, they were

49:06

married, and they have liberty ever

49:08

after. And that's the end of

49:10

the story of the story of

49:13

Cinderellarella. But you see, there's a

49:15

moral to this fairy tale because

49:17

Cinderella never gave up. And as

49:19

you walk down the pathway of

49:22

life, never give up. Christopher Columbus

49:24

never gave up. Benjamin Franklin never

49:26

gave up. Abraham Lincoln never gave

49:29

up. Oliver Twiddle D. Who's he?

49:31

You see? You don't know, because

49:33

he gave up. And always remember

49:36

this little philosophy. You see some

49:38

of our snubberful trawl and some

49:40

of our bubbles are trick. But

49:43

if we try to have no

49:45

hunkles, how could we blackenize our

49:47

rescings? Last night I had a

49:49

nightmare, the dream I had was

49:52

weird. I turned on the radio

49:54

and this is what I hear.

49:56

The old gray goose, he got

49:59

hands shot, he fell into the

50:01

old cook pot, the far got

50:03

hot and the water filed, and

50:06

that's what made the old goose

50:08

wild. New, train wild goose chadnook

50:10

his shoes shine, I bewitched and

50:13

bothered too. Tisane, tisanee, tisanee, dance

50:15

of jig, to the jump and

50:17

beat of the dancing pig. The

50:19

dancing pig they call him Fatty,

50:22

they shipped him all to Cincinnati.

50:24

The little pig was fat and

50:26

how, but he's a breaded poor

50:29

chop now. Few

50:32

train wild goose chat

50:34

and doogie shoe shine

50:36

sunshine cake is good

50:39

and sweet. I want

50:41

to be loved by

50:44

a bona leezy and

50:46

listen to the bony

50:49

parts retreat. You got

50:51

me a sleeping at

50:53

the foot of the

50:56

bed. I don't care

50:58

if the sun don't

51:01

shine. Why don't you

51:03

all often love me

51:06

one more time? Mute

51:08

train while goose chat

51:10

a nooky shoe shine,

51:13

slipping around and feeling

51:15

to me. Bloodshot eyes

51:18

I'm a sea in

51:20

the red. Good night,

51:23

Irene, go to bed.

51:38

There's a sea bottom

51:40

of the in rolls

51:43

and mombo-jombo to tickle

51:45

your toes that fur

51:47

and stubs too deep

51:50

for me. Just play

51:52

me a simple melody.

51:54

Shosh shine this year's

51:57

song don't seem come

51:59

a leap. Come on,

52:01

Jethro and get on

52:04

the beam and pick

52:06

a little dab of

52:08

the third man theme.

52:11

That's little enough. An

52:22

economical pandemic, a mental

52:24

director from the top

52:27

on the San Antonio-West

52:29

Virginia energy malaprop. It

52:31

should readjustable non-commusical witness

52:33

to be used and

52:35

be mandatorably inexcusably struck

52:38

with a muse, which

52:40

does not essentially superclish

52:42

requirements being made, geometrical

52:44

hydroelectric conducive laminate, the

52:46

existential conducive laminate, the

52:49

existentialism. It's just that

52:51

the after the two

52:53

are superconductors are the

52:55

killer be the best.

52:57

These are the situations

53:00

where artists get elected.

53:02

Some sort of fluctuates

53:04

wait. Just what gets

53:06

protected. There are the

53:08

rivers on the sun.

53:11

Nouncers on the city.

53:13

Nobody can anything done,

53:15

but it's sure. Would

53:17

be pretty. Some

53:26

of the genuine, the good, good,

53:28

good, pet, it is the bad,

53:30

appropriation, the scientific, big, but, penitential,

53:32

serialized, going to Marianese, and preposterously,

53:35

incorrigible, mindset, such as yours, assert,

53:37

a by-way, non-professional, contagious, little, source,

53:39

or techillosphere, interpolational, or rival different

53:41

planes, while sea volus tree homeostasis

53:43

takes a path to bring. On

54:00

the city No

54:02

way to get anything done But

54:04

it sure Would

54:06

be pretty Yeah

54:28

Our educational malnutrition was noticed And in

54:30

there a psychosomatic efflorescent Appeared out

54:32

of thin air So it did Plomedical

54:34

engineering New to consortium at the

54:36

pool There's ones of physical, broken -belly

54:38

solutions to the rule These

54:40

are the situations When

54:42

everyone works together

54:44

Some subtle fluctuations To

54:46

make it all

54:48

work better All the

54:50

rivers on the

54:52

sun The mountains on

54:54

the moon Can

54:56

be navigated in that

54:58

body This

55:01

afternoon Did

55:22

got looking to my

55:25

TV set I

55:27

see that man you know Donnie

55:29

Carson changing

55:31

quite a bit

55:33

of his views when

55:36

a visitor while

55:38

I believe his

55:40

great aunt that's passed on

55:42

quite a while ago

55:44

shows him where a lost

55:47

document is I

55:49

see him untouched through

55:51

that fair just hiding his

55:53

head while he can't

55:55

believe his eyes and cheaters

55:57

won't go away While

56:00

that man is gonna

56:02

really change And

56:05

I see some big

56:07

changes in For one of

56:09

his friends that seems

56:11

to put psychics down When

56:17

it's proved that he's been

56:19

doctrine all those pictures I

56:26

see some big changes

56:28

coming For

56:33

Sybil Shepard When she

56:35

discovers under hypnosis That she

56:37

and co -star Bruce Willis

56:39

Were sister and brother

56:41

in a former life Me

56:44

and my, it'll open

56:46

up a brand new relation

56:50

And they'll say why they didn't fight

56:52

at all this time And

56:56

when I look around I

57:01

see David Letterman When he's

57:03

got more jars off of

57:05

the tall buildings again I

57:07

think it's peanut butter jars

57:14

I see him making quite some

57:16

changes in our city A

57:19

little one coming in his life

57:21

While I think he's excited to get

57:23

married And

57:30

when I look around I

57:33

see Elizabeth Taylor Making

57:40

a brand new TV show

57:43

Why is that George Hamilton? I

57:45

believe he's helping her She

57:48

better walk that back Or she'll

57:51

have to step away from it Why,

58:01

when I sit over

58:03

there, I see Mr. Joe

58:05

Franklin, you know that

58:08

funny guy? That

58:12

was in the Guineas Book of One

58:14

Rapper, while he's had a show ever since

58:16

he was 17. I've

58:18

seen him do another movie. See

58:26

some big changes

58:28

in Mr. Richard

58:30

Rossman. If

58:37

he starts a

58:39

newspaper within five

58:41

years, he goes

58:43

worldwide. Why

58:49

I've seen the Rattlin'

58:51

bein' horny. You

58:58

know that lady with the

59:01

great big heart? That's

59:04

good too, whoever

59:06

she Make so. the way.

59:18

There's some changes goin' on.

59:50

recover. Thank

59:57

you watching.

59:59

Be courteous, kind and

1:00:01

forgiving. Be gentle and

1:00:04

peaceful each day. Be

1:00:06

warm and human and

1:00:08

grateful. And have a

1:00:10

good thing to say.

1:00:12

Be thoughtful and trustful

1:00:15

and childlike. Be witty

1:00:17

and happy and wide.

1:00:19

Be honest and love

1:00:21

all your neighbors. Be

1:00:24

it sequious, purple and

1:00:26

clairvoyant. Be

1:00:28

pompous obe, be sineet

1:00:30

cactus, be dull and

1:00:32

boring and omnipresent, criticize

1:00:34

things you don't know

1:00:36

about, be oblong and

1:00:38

have your knees removed,

1:00:41

be tasteless, rude and

1:00:43

offensive, live in a

1:00:45

swamp and be three-dimensional,

1:00:47

put alive chicken in

1:00:49

your underwear, get all

1:00:51

excited and go to

1:00:53

a yawning festival. Okay,

1:00:56

everybody. Be courteous, kind, and forgiving. Be

1:00:58

courteous, kind, and forgiving. Good, be gentle

1:01:00

and peaceful each day. Be gentle and

1:01:02

peaceful each day. Be warm and human

1:01:04

and grateful. Be warm and human and

1:01:06

grateful. Be warm and human and grateful.

1:01:08

And have a good thing to say.

1:01:11

Be thoughtful and trustful and child like

1:01:13

everybody on this. Be thoughtful and trustful

1:01:15

and trial much. Be witty and happy

1:01:17

and wise. Be witty and wise. Be

1:01:19

witty and wise and wise. Be witty

1:01:21

and wise. Be witty and wise. Be

1:01:23

witty and wise. Be witty and wise.

1:01:25

Be witty and wise. Be witty and

1:01:27

wise. Be witty and wise. Be witty

1:01:29

and wise. Be witty and wise. Be

1:01:31

witty and wise. Be dull and boring

1:01:34

and love all your neighbors. Be obsequious,

1:01:36

purple and clairvoyant, let them hear you

1:01:38

outside. Be obvious, purple and clairvoyant. Be

1:01:40

pompous obese, any tactous, everybody saying be.

1:01:42

Be dull and boring and omnipresent. Be

1:01:44

dull and boring and omnipresent. Criticize things

1:01:46

you don't know about. Criticize things you

1:01:48

don't know about. Criticize things you don't

1:01:50

know about. Be oblong and have your

1:01:52

knees removed. Be oblong. Be oblong. Ladies

1:01:57

only be tasteless, rude, and offensive.

1:02:01

Now the live in

1:02:03

a swamp and be

1:02:06

a swamp and be three-dimensional. put

1:02:08

a live chicken in your underwear. Put

1:02:10

a live chicken in your

1:02:12

underwear. Go into a closet and

1:02:15

suck eggs. Go into a

1:02:17

and suck eggs. suck

1:02:19

eggs! They

1:02:38

call me, The

1:02:43

Exterminator. Because I

1:02:45

am. The Exterminator.

1:02:48

What bugs

1:02:51

about you

1:02:53

I'll take

1:02:56

take care

1:02:59

of

1:03:01

later. First,

1:03:08

rats on the road,

1:03:10

things that swim

1:03:13

in your tub. I'll

1:03:16

send out

1:03:18

my investigator. They

1:03:23

call me, exterminator

1:03:28

I can't even

1:03:30

get rid

1:03:32

get rid

1:03:35

of

1:03:37

alligator. I'll clean

1:03:39

out your clean out

1:03:41

your house, church

1:03:44

your church and

1:03:46

your theater. And,

1:03:53

snake in your pants,

1:03:55

spiders, elephants.

1:04:00

Do they play

1:04:02

and dance behind

1:04:04

the radiator? Santa

1:04:08

Pete with

1:04:10

lots of feet

1:04:13

of feet. Do

1:04:16

Do you

1:04:18

got mice?

1:04:20

Do you

1:04:23

got life?

1:04:25

play? mice? The exterminator's

1:04:28

very nice

1:04:33

very They

1:04:35

call me call

1:04:38

me. Because

1:04:44

I

1:04:46

am The

1:04:48

exterminator Are

1:04:52

there fungus

1:04:54

there In

1:04:56

your refrigerator? or

1:05:01

are there be With

1:05:04

little needles, Rotate

1:05:07

animals, Beetles?

1:05:13

I'm in the

1:05:15

elevator On

1:05:19

my way

1:05:22

Oh Don't

1:05:56

go away

1:05:59

and stay

1:06:01

too long

1:06:03

now Listen to

1:06:05

what I say. Don't

1:06:07

go away and stay

1:06:10

too long now. Listen

1:06:12

to what I say.

1:06:14

When you think everything's

1:06:16

okay. The mice will

1:06:18

play when the cats

1:06:21

away. Ooh! But squeeze

1:06:23

on the Eloese. When

1:06:25

I was far away.

1:06:27

Ooh! But squeeze on

1:06:29

the Eloese. But I

1:06:32

was far away. Well

1:06:34

now she won't pet.

1:06:36

And it's my best

1:06:38

I lose my gal

1:06:40

over that trip again.

1:06:43

I got back, I

1:06:45

died, her home, and

1:06:47

I got the busy

1:06:49

tone. I jumped in

1:06:51

my car and rushed

1:06:54

over a bar. The

1:06:56

things I saw really

1:06:58

gave me ajar. What

1:07:00

would squeeze on illowies

1:07:02

when I was far

1:07:05

away? Squeeze on illowies

1:07:07

when I was far

1:07:09

away. Well, now she

1:07:11

won't pet, and it's

1:07:14

my bet. I lose

1:07:16

my gal over that

1:07:18

trip, guess. Before I

1:07:20

live she whispered lo

1:07:22

sweet nothing in my

1:07:25

ear. Hey before I

1:07:27

left she whispered lo

1:07:29

sweet nothens in my

1:07:31

ear. Hey before I

1:07:33

live she whispered lo

1:07:36

sweet nothens in my

1:07:38

ear. Hey before I

1:07:40

live she whispered lo

1:07:42

sweet nothing's in my

1:07:44

ear. Bill my shoes

1:07:47

and one sweet gal

1:07:49

I'm about to lose.

1:07:51

when I was

1:07:53

was far

1:07:55

away ohhhh, but

1:07:58

Put a

1:08:00

squeeze on ill

1:08:02

of When

1:08:04

I was

1:08:06

far away says

1:08:09

she won't pet, it's

1:08:11

my pet, I lose

1:08:13

my gal that that trip,

1:08:15

yeah. Huddly,

1:08:40

huddly, huddly, huddly, huddly, huddly,

1:08:42

huddly, huddly, huddly, huddly, huddly,

1:08:44

huddly, huddly, huddly, huddly, huddly,

1:08:47

huddly, huddly, huddly, huddly, huddly,

1:08:49

huddly, huddly, huddly, huddly, huddly,

1:08:51

huddly, huddly, huddly, huddly, huddly,

1:08:53

huddly, huddly, huddly, huddly, huddly,

1:08:55

huddly, huddly, huddly, huddly, huddly,

1:08:58

huddly, huddly, huddly, huddly do,

1:09:01

do, do, do,

1:09:04

do, do, do,

1:09:07

do, do, do,

1:09:10

do, do, do,

1:09:13

do, do, do,

1:09:16

do, do, do,

1:09:18

do, do, Nowadays

1:10:24

abbreviations are the things to

1:10:26

use, to waste your breath

1:10:29

with lengthy words when with may

1:10:31

choose. words example there's a

1:10:33

waiter in a small cafe. When

1:10:36

I order he will

1:10:38

answer small what we'll

1:10:40

say. I order, he -N -E -M this

1:10:43

-S -E -F -M. If you -U -N

1:10:45

-E -X If you -S -E -F -X.

1:10:47

F -U -F -D -M if you

1:10:49

-U -F -X M, okay M -F -M,

1:10:51

can you? That's the way to order, no

1:10:54

the way to order

1:10:56

no matter what you

1:10:58

crave. Of course you'll

1:11:00

only get a and eggs,

1:11:03

think of the time

1:11:05

of the time -U -N if you win

1:11:07

F -U -N -E -X, the

1:11:09

F -U -F -D -X -N -M -O

1:11:11

-K okay -X. X. F

1:11:45

-U -N -E -M -O -S

1:11:47

-D -F -M. F -U

1:11:49

-N -E -X -O -S -D

1:11:52

-F -X. F -U -F

1:11:54

-D -M -F -U -F -X

1:11:56

-2. I -L

1:11:58

-F -M, I

1:12:01

-L -F -X -M.

1:12:03

and X, can you?

1:12:06

Kindly so important, it

1:12:09

lies on wings, they

1:12:11

say. But you'll be

1:12:14

true with breakfast fast,

1:12:17

if you will talk

1:12:19

this way. If you

1:12:22

end the M, if

1:12:24

you end the X,

1:12:27

if you if the

1:12:30

X and M, OKM,

1:12:32

and X. Oh SDF,

1:12:35

F-U-N-E, O-S-F-U-N-E, F-U-N-E, O-N-E,

1:12:37

O-N-E, O-S-F-U-N-E, O-N-E, O-S-F-U-N-E,

1:12:40

F-U-N-E-E, F-U-N-E-E, F-U-N-E-E-E-E-F-F-F-F-F-F-F-F-F-F-F-F-F-F-E-F-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E- There's

1:12:43

a tiny house, there's

1:12:45

a tiny house, by

1:12:47

a tiny stream, by

1:12:49

a tiny stream, where

1:12:51

a lovely lass, where

1:12:53

a lovely lass, had

1:12:56

a lovely dream, had

1:12:58

a lovely dream, and

1:13:00

her dream came true,

1:13:02

and her dream came

1:13:04

true, and her dream

1:13:06

came true, and her

1:13:08

dream came true, quite

1:13:10

unexpectedly, in, hilly gilly

1:13:12

gilly ice and pet,

1:13:14

and old and by

1:13:17

the sea. She was

1:13:19

out one day. She

1:13:21

was out one day.

1:13:23

Where the tulips grow.

1:13:25

Where the tulips grow.

1:13:27

When a handsome lad.

1:13:29

When a handsome lad.

1:13:31

Stop to say hello.

1:13:33

Stop to say hello.

1:13:35

And before she knew.

1:13:38

And before she knew.

1:13:40

He kissed her tenderly.

1:13:43

The happy pair were

1:13:45

married once Sunday afternoon

1:13:48

They left the church

1:13:50

and ran away to

1:13:53

spend their honeymoon in

1:13:55

a tiny house By

1:13:58

a tiny stream, by

1:14:01

a tiny stream, by

1:14:03

a tiny stream, where

1:14:06

the lovely less, where

1:14:08

the lovely dream, had

1:14:11

a lovely dream, and

1:14:13

the last I heard,

1:14:16

and the last I

1:14:18

heard, and the last

1:14:21

I heard. They still

1:14:23

live happily in. Gilly,

1:14:26

gilly, awesome pet, the

1:14:29

cats and Ellen Burger

1:14:31

by the sea. So

1:14:34

now you've heard the

1:14:36

story of how it

1:14:39

all begun. I think

1:14:41

I'd like to go

1:14:44

there. That's a good

1:14:46

idea. I think I'd

1:14:49

like to go there.

1:14:52

That's a good idea.

1:14:54

Sing it every soft.

1:14:57

like a little bird walking

1:15:00

in the snow that was

1:15:02

very nice now sing it

1:15:04

merrily it's In Game, Game,

1:15:06

Game, we are so paired

1:15:09

with cats and animal by

1:15:11

the sea. I'll let's do

1:15:13

it. I'll set rolls and

1:15:15

not. A little rock, add

1:15:18

a little brawler to it.

1:15:20

What's it, Rawlinson, on the

1:15:22

realer rock, add a little

1:15:24

brawler to it. What's it,

1:15:26

Rawlinson, on the realer rock,

1:15:29

add a little brawler to

1:15:31

it. What's it, Rawlinson, on

1:15:33

the realer rock, add a

1:15:35

little brawler to it. Now,

1:15:38

the Rawlson is the sweetestown.

1:15:40

The realer rock is the

1:15:42

stream. The Rolla is a

1:15:44

boy and girl. The Hudson

1:15:47

is their dream. Hudson is

1:15:49

their dream. Hudson, Rollson, North,

1:15:51

Rollin' the Rollin' to it.

1:15:53

Hudson, Rollin, North, Rolla, Soo,

1:15:56

it. In the town in

1:15:58

Sweden, By a stream so

1:16:00

clear and cool. There's that

1:16:02

a boy just a-fishing and

1:16:04

a-dreaming when he should have

1:16:07

been in school. Now he

1:16:09

couldn't read or write a

1:16:11

single Swedish word, but happiness

1:16:13

he found In a little

1:16:16

Swedish song he heard. Here's

1:16:18

the way he made it

1:16:20

sound. Hudson Rawlissin' on the

1:16:22

real rock, add a little

1:16:25

brawl up to it. Hudson-rollsin'

1:16:27

on the real rock, add

1:16:29

a little brawl-less to it.

1:16:31

Hudson Rawlson, on the real

1:16:33

rock, had a little brawl

1:16:36

up to it. Hudson-rollson, on

1:16:38

the real rock, had a

1:16:40

little brawl, let's sue it.

1:16:42

Now the girl played hookie

1:16:45

from school that day and

1:16:47

came down to the stream.

1:16:49

She sat down beside the

1:16:51

little sweetie boy and they

1:16:54

began to dream. Hudson, Rallson,

1:16:56

Marilla, and the Prolla, Prolla,

1:16:58

Sowit. Hudson, Marilla, and the

1:17:00

Prolla, Sowit. Hudson, Prols, and

1:17:03

the Prolla, Sowit. Hudson, Prols,

1:17:05

and the Prolls, Prolls, Marilla,

1:17:07

and the Prolls, Rilla, and

1:17:09

the Prola, and the Prola,

1:17:11

Prola, and the, Prola, Prola,

1:17:14

and the, Prola, Prola, Prola,

1:17:16

Prola, Prola, Prola, Prola, Prola,

1:17:18

Prola, Prola, Prola, Prola, and

1:17:20

the, Prola, Prola, Prola, Prola,

1:17:23

Prola, Prola, Prola, Prola, Prola,

1:17:25

and the, Prola, and the,

1:17:27

along the stream. It's a

1:17:29

crazy kind of a song

1:17:32

to belong. There's a rainbow

1:17:34

in Toronto, where the Maritimers

1:17:36

are bold. But they love

1:17:38

to sing, swing, all the

1:17:41

live long day. Chute-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-toot-t-t-t-t-toot-toot-t-toot-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t-t- They

1:17:43

always get a pot full,

1:17:45

but they never get a

1:17:47

pot of gold. But they're

1:17:49

to it and add it,

1:17:52

and add it to it,

1:17:54

you gotta tune your attitude

1:17:56

in. If you don't get

1:17:58

at it, when you get

1:18:01

to it, you won't get

1:18:03

to it, to get to

1:18:05

it, to get at it

1:18:07

again. You won't get to

1:18:10

it, to get to it,

1:18:12

to get at it again.

1:18:14

A guy from old New

1:18:16

Brunswick, he couldn't even pay

1:18:19

his rent. We don't know

1:18:21

how he traveled, but we

1:18:23

all know where he went.

1:18:25

He was to it and

1:18:27

at it, and at it

1:18:30

and to it, you gotta

1:18:32

tune your attitude in. If

1:18:34

you don't get at it,

1:18:36

when you get to it,

1:18:39

you won't get to it,

1:18:41

they get at it again.

1:18:43

You won't get to it,

1:18:45

they get at it again.

1:18:48

A girl from Old Sput

1:18:50

Island, old for date old

1:18:52

Pate Old Lips, she married

1:18:54

and Newfoundlander, and they lived

1:18:57

on fishing ships. But they

1:18:59

were to it and at

1:19:01

it, and at it, and

1:19:03

at it, and at it

1:19:05

it, you got to it,

1:19:08

and at it, you won't

1:19:10

get... to it to get

1:19:12

at it again. You won't

1:19:14

get to it to get

1:19:17

at it again. A guy

1:19:19

from Nova Scotia, he can't

1:19:21

afford the train. He's sitting

1:19:23

on a streetcar, but his

1:19:26

east phone is the same.

1:19:28

He's to it and at

1:19:30

it, and at it, and

1:19:32

at it, you gotta tune

1:19:34

your attitude in. If you

1:19:37

don't get at it, when

1:19:39

you get to it, you

1:19:41

won't get to it to

1:19:43

get at it again. You

1:19:46

won't get to it to

1:19:48

get at it again. A

1:19:52

Frenchman from the gas bay said frogs

1:19:54

don't like smog, so he hopped in

1:19:56

a swamp of lilies, very little from

1:19:59

a hollow log. But he's

1:20:01

too it and added to

1:20:03

to it. You gotta tune

1:20:05

your attitude in. If you

1:20:08

don't get at it, when

1:20:10

you get to it, you

1:20:12

won't get to it to

1:20:14

get at it again. You

1:20:16

won't get to it to

1:20:19

get at it again. A

1:20:21

guy from old Keith Breton.

1:20:23

So lonesome, he got to

1:20:25

it to get at it

1:20:27

again. A guy from old

1:20:30

Cape Breton. He's all lonesome.

1:20:32

He got a stone. He

1:20:34

crawled into it to get

1:20:36

at it again. to it

1:20:38

and let it, and add

1:20:40

it to it, you gotta

1:20:43

tune your attitude in. If

1:20:45

you don't get at it,

1:20:47

when you get to it,

1:20:49

you won't get to it

1:20:51

to get at it again.

1:20:54

You won't get to it

1:20:56

to get at it again.

1:21:00

Check, check, check,

1:21:02

check, check, check,

1:21:04

check, check, check,

1:21:07

check, check, check,

1:21:09

check, check, check,

1:21:11

check, check, check,

1:21:13

check, check, check,

1:21:16

check, check, check,

1:21:18

check, check, check,

1:21:20

check, check, check,

1:21:23

check, check, check,

1:21:25

check, check, check,

1:21:27

check, check, check,

1:21:30

check, check, check,

1:21:32

check, check, check,

1:21:34

check, check, check,

1:21:36

check, check, You

1:21:39

know, you know,

1:21:41

you know, you

1:21:43

know, you know,

1:21:46

you know, Farewell

1:22:21

you olden days. Days

1:22:23

are for the curiosity.

1:22:26

Farewell you golden days.

1:22:28

For now it's eating

1:22:30

meat with great ferocity.

1:22:32

That it would turn

1:22:35

a limit who would

1:22:37

wash. Oh, it's a

1:22:39

run-sum I, to catch.

1:22:41

Ah, fish! Once it

1:22:44

was, a give I

1:22:46

was, All am fast,

1:22:48

you need to fall,

1:22:50

Just went round and

1:22:53

round and round, Didn't

1:22:55

have to worry, cause

1:22:57

I never touched around,

1:22:59

All am fast, done

1:23:02

in the sea, They

1:23:04

used to feel so

1:23:06

safe, I'm free, All

1:23:08

need to pass, she

1:23:11

used to sing a

1:23:13

job, But now which

1:23:15

she did begin a

1:23:17

better watch out! I'll

1:23:35

come down to the butcher

1:23:37

store, take a little walk

1:23:39

on the sawdust floor. There's

1:23:41

a need to be found

1:23:44

inside. The empty stores, the

1:23:46

butcher's, pride, all steaks and

1:23:48

traps, hanging around the door.

1:23:50

They ain't hanging there anymore.

1:23:53

The butcher couldn't sell him,

1:23:55

so he used to. But

1:24:00

now it's anemic and his

1:24:03

prophet's eye. All right, pretty

1:24:05

weird so far, huh? Yeah,

1:24:07

too bad we gotta stop

1:24:10

in a few minutes, but

1:24:12

that's all right, we got

1:24:14

more. I got more for

1:24:17

you here, but anyway, you

1:24:19

need to know what you've

1:24:21

been listening to. You knew

1:24:24

this thing up at top

1:24:26

that was Neil Ennis from

1:24:28

How Sweet to be an

1:24:31

Idiot, I believe. And that

1:24:33

was called Slush. You can

1:24:35

guess why, right? Okay. Jack

1:24:38

Ross. The story of Cinderella.

1:24:40

That was actually a hit

1:24:42

single. I never understood. comedy

1:24:45

singles. I don't know. The

1:24:47

disc jockey's nightmare was Homer

1:24:49

and Jestro. You figured that

1:24:52

out. We heard from mailbox

1:24:54

the San Antonio West Virginia

1:24:56

energy malaprop incident. I don't

1:24:59

know what that was. We

1:25:01

heard from Francis Cannon and

1:25:03

the extraterrestrials again singing psychic.

1:25:06

That was called Stars. Her

1:25:08

prediction of certain people. Steve

1:25:10

Martin, the grandmother's song, the

1:25:13

exterminator. was rock salt from

1:25:15

1970. That's pretty ominous and

1:25:17

it doesn't really tell us

1:25:19

who he is because he

1:25:22

is the exterminator. That's it.

1:25:24

You know, don't leave witnesses.

1:25:26

Macy's skip, skipper, skip, skipper.

1:25:29

Who put the squeeze on

1:25:31

Eloise? Shag Connor's carpet crunchers.

1:25:33

That was the Irish washerwoman.

1:25:36

Okay, I'm an ex, was

1:25:38

Mel Blanc, of course, another

1:25:40

campground song. And yet another

1:25:43

one after that, Gilly, Gilly,

1:25:45

Austin, Pepper, Katzenelli Bogan by

1:25:47

the sea. From 1954, that

1:25:50

was Max Bygraves. The Hudson

1:25:52

song was The King's Men,

1:25:54

Stompa Tom Connors, the Pride

1:25:57

of Canada, to and at

1:25:59

it. And then let's see,

1:26:01

Van Morrison off of his

1:26:04

contractual obligation record, that was

1:26:06

of course Shickey Koo, that

1:26:08

actually made the top 20.

1:26:10

And then Alan Sidler, once

1:26:13

it was herbivorous, but now

1:26:15

it's in the McRag, okay? And

1:26:17

that'll do it for now. We're going

1:26:19

to have to buckle down and

1:26:21

get some serious... Stuff

1:26:24

done starting next

1:26:26

week, but right

1:26:29

now, let's just

1:26:32

fool around a

1:26:34

little bit more.

1:26:36

All right, I

1:26:38

got this coming

1:26:40

for you, and

1:26:42

I will see

1:26:44

you next week.

1:26:46

Please stay close

1:26:48

to each other.

1:26:57

The short

1:26:59

is who

1:27:02

zipped, pick

1:27:04

up, pick

1:27:07

up, drip,

1:27:10

sting, dong,

1:27:13

crunch, crack,

1:27:16

bark, meow,

1:27:19

witty, crack.

1:27:38

Buzz, ring, lips, warm,

1:27:40

red, twang, food, tingle,

1:27:43

thud, hop, plop, plunk,

1:27:45

how, stark, stuck, tip,

1:27:48

smack, screech, slash, twish,

1:27:50

squeak, dweek, dim, rattle,

1:27:53

tweal, flying. This

1:28:03

year's

1:28:05

song

1:28:08

is

1:28:10

about

1:28:12

John W. Smoke Jr. It's

1:28:14

about... It's love that revolves

1:28:16

around the loveless hate that's

1:28:18

a hate, it's love and

1:28:20

love, it's love and love

1:28:23

and the hate, it's hate

1:28:25

and love and the hate,

1:28:27

it's love and the hate

1:28:29

and the hate. It's about

1:28:31

love is his mom and

1:28:34

be without his mom and

1:28:36

be without his mom and

1:28:38

love and the hate is

1:28:40

hate and love and his mom

1:28:42

and all the time. It's hate and love and

1:28:44

hate and love, it's loveless hate. And it goes

1:28:47

something about like this. Johnny smoke. a

1:29:39

little nidget lesbian boy but he stood 10 foot

1:29:41

tall with a knife. on

1:30:04

John's left leg and roe black

1:30:06

and extended out 469 different

1:30:08

miles and barely barely well 69

1:30:10

different nuns speaking simultaneously to John and 69

1:30:13

different languages. And it evolved itself and it

1:30:15

was the legless dog to become a cyclone

1:30:17

in a John's father's forehead. And there it

1:30:19

was, like a twinky with a halo storm

1:30:22

in it, and it would fall down into

1:30:24

the sky and then talk to John like

1:30:26

he was a little puppy himself. And John

1:30:29

said that I am not the magma. I

1:30:31

am not the crust and I shall evolve.

1:30:33

And the rain had come down and it

1:30:35

washed on John. You said that I will

1:30:38

be a cigarette but before it's all

1:30:40

done with, and they said no.

1:30:42

who are the flame itself and

1:30:44

you shall burn pure in the

1:30:46

South American sky

1:30:48

with the blood dogs

1:30:51

worship the still. know

1:32:14

Oh... Johnny, Johnny,

1:32:17

Johnny Johnny

1:32:19

Johnny Johnny Johnny

1:32:21

Johnny Johnny

1:32:23

Johnnydem... And

1:32:29

so, brainlessly, leglessly, hairlessly, the foil pit and

1:32:31

condom itself, and and revealed to

1:32:33

the luxury liner had expended out out

1:32:35

of John's left side, it had

1:32:38

and so to him, Mark, to the

1:32:40

slam scram backwards upperly they did involve.

1:32:42

Downward like a fin a of

1:32:44

sheet of waste, that had to

1:32:46

John's body. His His body

1:32:48

was no the drive vehicle express himself,

1:32:51

and he not be the the

1:32:53

dog the the dog's eyes which had run.

1:32:55

coming out like they

1:32:57

were looking around John's leg

1:32:59

and pulled him up

1:33:01

like he was a canoe,

1:33:03

and he old on the the

1:33:06

last essence himself, South America Division. The

1:33:50

America. I

1:34:43

love you.

1:34:47

I love

1:34:50

you. I

1:34:54

love you.

1:34:58

I love

1:35:02

you. I

1:35:06

love you.

1:35:10

Oh, dear friend, this is

1:35:13

called the Davay, when we

1:35:15

call it. Oh, love, brother.

1:35:18

Oh, brother. Sweet on the

1:35:20

sweet. Well, here comes the

1:35:23

sweet and sweet. Hmm, good.

1:35:25

Hmm, good. Mm, good. Mm,

1:35:28

good. Homotator soup is, mmm,

1:35:30

good. Mmm, good. Mmm, good.

1:35:33

Mmm, good. Mmm, good. Mmm.

1:35:35

Mmm. Mmm. Mmm. Mmm. Why

1:35:43

doesn't Jimmy like me? Maybe

1:35:45

it's not. No, I brush.

1:35:48

I give myself a breath

1:35:50

check every five minutes. Maybe

1:35:52

it's your deodorant. Oh, come

1:35:54

on. I spray wool on

1:35:56

powder rubbing. Maybe it's just

1:35:58

you. No. Look

1:36:01

in the sky. It's

1:36:03

a plane. It's super

1:36:05

pimple. And then they

1:36:07

turned on the lights

1:36:09

and there I was

1:36:11

embracing Ralph. I love

1:36:13

him. And then they

1:36:15

turned on the lights

1:36:17

and there I was

1:36:19

embracing Ralph. We're

1:36:21

in the bottom of

1:36:24

the night. Thank you,

1:36:26

thank you. All eyes

1:36:28

are glued on. He

1:36:31

looks very silly with

1:36:33

all those eyes glued

1:36:36

on. A bitch thing.

1:36:38

It is a singer

1:36:40

away on the night.

1:36:43

And that wicky, dink,

1:36:45

sinker, just tinky, pinky,

1:36:47

pinky, picky, fater. But

1:36:50

I love you, too.

1:36:52

But tell me more

1:36:55

about Harry Winnaker. Hey.

1:36:57

Okay, that's your bragging

1:36:59

style. How about your

1:37:02

crooked smile? Look, Sir

1:37:04

Lance, a little. It's

1:37:06

fire-breathed and dragon. Yes,

1:37:09

I know. Wow. In

1:37:11

the morning when that

1:37:14

dragon breathes fire, phew.

1:37:16

Today's the day I

1:37:18

tell him, Dragon, you

1:37:21

got bad fire. Bad

1:37:23

fire. I love you

1:37:25

so madly. This was

1:37:28

a hobby. I love

1:37:30

you, see, I'll...