Episode Transcript
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0:00
Bert and I come down to
0:02
the dock about six o'clock in
0:05
the early morning. Bert
0:07
went into the boardhouse to
0:09
fetch the pots and the
0:11
slickers, and I went out
0:13
on the dock to stat
0:16
up the bluebird. I stepped
0:18
into the cockpit to loosen
0:20
her up with a few turns.
0:29
You could
0:31
hear it
0:34
were cold
0:37
so I
0:39
advanced the
0:42
spag and
0:44
gave it
0:46
more choke
0:49
and Cranked her
0:51
up in earnest Bert
0:54
come out on the
0:56
dock with the pots
0:58
and the slickers. Throw
1:01
him aboard, Bert, throw
1:03
him aboard. Cast off
1:05
the bow, Bert. Bert
1:08
cast off the bow,
1:10
he cast off the
1:13
stern, loosed the springer,
1:15
hopped aboard, gave the
1:17
dock a shove with
1:20
the bought hook, and
1:22
the blue bird
1:24
slithered out into
1:26
habit. We
1:28
hit no number two
1:31
about on schedule, when
1:33
I sniffed a cold
1:36
breeze coming in off
1:38
the ocean, laden with
1:41
humdity. That were me
1:43
sniffing. That
1:57
was a breeze. It
1:59
wasn't. long before old
2:01
Greasy frog light
2:04
statted in a
2:06
fomphin. Whoa! Whoa! That
2:08
were old Greasy frog.
2:10
Presently, we were
2:12
locked in a dungeon of
2:15
fog. I couldn't see
2:17
Bert, and he couldn't
2:19
see me. I told
2:22
Bert to cut engine,
2:24
so as we could
2:26
listen for the
2:28
Bangor packet. about
2:31
do through
2:33
at that
2:36
time. Cut
2:39
engine, Burt.
2:43
Burt. Burt.
2:46
Burt. Burt.
2:49
Cut engine.
2:53
Burt. Cut
2:56
engine.
3:04
Give it another one,
3:06
Bert. That were a
3:09
gooden. But it weren't
3:11
good enough. For out
3:13
of the fog, about
3:15
a hundred yards
3:18
to port, come the
3:20
Bangor packet, bearing
3:22
down at a fold
3:25
ten knots. The
3:41
Bangor packet smuck the bluebird
3:43
about midship, and drove on
3:45
through her like green corn
3:47
goes through the new maid.
3:49
The water rose up to
3:51
our necks before we decided
3:53
to swim for it. I dove
3:55
down about a fathom or so, so
3:58
as to avoid the two wherein... of
4:00
the Bangor packet
4:02
as she went
4:05
on top. I come
4:07
up to the side
4:09
and cried. I come
4:11
up to the side
4:13
and cried out,
4:15
Bert. Bert, are you
4:18
there? There weren't
4:20
no answer. So I
4:23
thrashed about in
4:25
the water. till I
4:27
hit upon a hard object about
4:30
a foot or so beneath the
4:32
surface. I grabbed hold of
4:34
it, pulled it up, and it
4:36
were burnt. Only he were full
4:39
of water. I just held his
4:41
nose above the waves as
4:43
best I could, till by
4:45
some stroke a luck we fetched
4:47
on to a buoy. I clumber
4:49
top it, pulled burnt up
4:52
beside me, emptied him. And
4:54
we were near dried
4:56
out by the time
4:58
of fishing smack. Come
5:00
along, picked us up,
5:03
and brought us back
5:05
into Kenny Bunkport,
5:08
Maine. Now, if you're
5:10
ever down east and
5:12
want to go efficient,
5:15
you have a standing
5:17
invitation to
5:19
ride on the Blue Bird,
5:21
too, with Bert and I.
5:27
Jesus
5:32
speak
5:38
to
5:44
me.
6:00
I'm
6:07
rolling.
6:27
And rolling, sea, and sea, and sea, and sea,
6:29
and sea, and sea, and sea, and sea, and
6:31
sea, and sea, and sea, and sea, and sea,
6:33
and sea, and sea, and sea, and sea, and
6:35
sea, and sea, sea, and sea, and sea, and
6:38
sea, and sea, and sea, and sea, and sea,
6:40
and sea, and sea, and sea, and sea, and
6:42
sea, and sea, and sea, and sea, sea, and sea,
6:44
and sea, sea, and sea, sea, sea, sea, sea, sea,
6:46
sea, sea, sea, sea, sea, sea, sea, sea, sea, sea,
6:48
sea, sea, sea, sea, sea, sea, sea, sea, sea, sea,
6:50
sea, sea, sea, sea, sea, sea, sea, sea, sea, sea,
6:52
sea, sea, sea, sea, sea, sea, sea, sea, sea, sea,
6:54
sea, sea, sea, sea, sea, sea, sea, sea Tell
7:00
the point you and I'm I got
7:02
the name club and I mess it
7:04
up one and a minute and even
7:07
one for when the probably bad photos
7:09
had sales and now tone the ocean
7:11
for what terrible guilt it seemed to
7:13
me hell out of the face the
7:15
way they was not ready to leave.
7:17
A rolling sea when these are speak
7:19
to me and rolling sea. And
7:30
the rolling sea, and the end
7:33
is a fake to me. See,
7:35
we have all this, there's no
7:38
widen, you can tell a bit
7:40
of wonderful size, and we hold
7:42
a great deal on the crease
7:45
of the wave, and this one
7:47
is a problem, I'm cause they,
7:49
but they're a... I'm
8:00
rolling, see when
8:02
Jesus speak to
8:04
me. I'm rolling,
8:06
see, and Jesus
8:09
speak to me.
8:11
The tendency keeps
8:13
rolling, rolling, rolling.
8:15
It's really loud.
8:17
I'm rolling, rolling.
8:19
It's really loud.
8:21
But I'm rolling,
8:23
rolling. He's leaving.
8:42
I wrote it, and I wrote
8:44
it, and wrote it, and wrote
8:46
it, and wrote it, and wrote
8:49
it, and see it, and now
8:51
told it, you should, but, I
8:53
wrote it, I wrote it to
8:55
the, hey, I wrote it, see,
8:57
I wrote it, see, I wrote
9:00
it, see when it wrote it,
9:02
see when it wrote. and
9:34
it rolled. And rolling, see,
9:37
did I mean, did I
9:39
mean, did I, did I,
9:41
did I, did I? A
9:43
rolling, see, did I, did
9:46
I, roll and see, did
9:48
I, did I, roll and
9:50
see, did I, but just
9:52
on the fish he gave
9:55
in the command, he was
9:57
not, I don't need. But
10:01
I was on the roll and seeing
10:03
these are big to me. I
10:37
don't know. But
12:02
she could travel and every step and lay
12:04
The picture would look where her knees and
12:06
grove And if you've heard the study, she's
12:09
okay, if you've heard the sunny brown fog,
12:11
You're gonna get more and cover. The
12:59
ship's alerts, but the data's
13:01
straight will burn. The kids
13:03
is all garnish shared with
13:06
body lasses round. Captain Thompson
13:08
gives the order to sail
13:10
the ocean wind. Where the
13:12
sun that never sets, my
13:15
eyes, the darkness turns the
13:17
sky. The bodies cheer up,
13:19
my lads. Major hearts never
13:22
fail. For the burning ship,
13:24
the diamond goes hunting for
13:26
the way. The
13:33
last is stand room, For
13:35
the boomer, the bottom, and the
13:37
saltier run and earn. Don't
13:39
you eat my honey, we last,
13:42
though you be left behind, For
13:44
the rose will grow on
13:46
green on his eyes, Before we
13:49
change your mind. For it's
13:51
cheer up, my lats, Let
13:53
your hanks never fail, For
13:55
the bunny's sheep, the diamond
13:57
goes a hunting for the
14:00
way. There's a health to
14:02
the resolution, like wise
14:04
here is a smon,
14:06
three chews, but the
14:08
butter omen chose, a
14:10
diamond shim of game,
14:13
will well The Jews
14:15
have saw the white,
14:17
the jackets saw the
14:19
bloom, When we get
14:21
back to Peter, he
14:23
will hay sweet hats
14:25
in you, For as
14:27
cheer up my lance,
14:29
let your hearts never fail,
14:32
For the body ship the
14:34
diamond goes a hunt and
14:37
fall away. Your ship flew
14:39
up with oil, my lands,
14:41
and money to your name,
14:44
Will mark the cradle's putter
14:46
rock, and the blanket's sporty-tear.
14:49
And of an illness in
14:51
Peter heat, Sing hush Obama
14:53
deal, For its cheer up
14:56
my lights, Let your hearts
14:58
never fail, For the bony
15:01
sheep the diamond goes hunt
15:03
and fall away, Why its
15:05
jeer up all that's, Let
15:07
your hearts never fail, For
15:10
the bony sheep the diamond
15:12
goes hunt and fall away.
15:40
He was an ice young sailor
15:42
lad as green as green could
15:44
be. When he first chose to
15:46
join our group for a life
15:48
of piracy, when a storm nearly
15:50
capsized as he was thrown from
15:52
the ship, stranded on his maniola
15:54
right there on the western tip,
15:56
when the crew next saw him
15:58
they could not. believe their eyes.
16:01
There was little left of
16:03
the young man that one
16:05
could recognize. His hair was
16:07
long and braided and he
16:09
looked ready for war. But
16:11
he smiled and said, hello
16:13
mates, I'm your newborn. Now
16:15
he wears four tattoos and
16:17
clothes with a ring on
16:19
every finger and a pole
16:22
in his nose. When he
16:24
starts his chanting, we don't
16:26
always understand, but we always
16:28
listen to him, because he's
16:30
a blue-doo man. The captain
16:32
said, now listen boys, I
16:34
think we should turn back.
16:36
There's a storm of ruin
16:38
and that beast is building
16:40
fast. The boat corps said
16:42
just wait a bit and
16:44
captain, keep your course. And
16:47
he went back to his
16:49
cabin, but the storm it
16:51
just got worse. We heard
16:53
howls and moans and a
16:55
pang and a crash. We
16:57
saw thick black smoke and
16:59
a fiery flash. We could
17:01
smell the like then and
17:03
we'd just dead at his
17:05
door. And when we started
17:07
to relax, it started up
17:09
once more. He
17:12
rushed out and said we'll need every
17:14
inch of sail and a swap of
17:16
clear blue sky Split the monster scale
17:18
the wind filled every sail and tightened
17:20
every line As we passed we saw
17:22
that storm crash back in behind Now
17:25
we wears more tattoos and clothes with
17:27
a ring on every finger and a
17:29
bone in his nose. When he starts
17:31
his chanting we don't always understand, but
17:33
we always listen to him because he's
17:35
a Buddha man. While hunting down a
17:38
merchant ship around the rocky shore, we
17:40
came around the island to a massive
17:42
man of war. The captain said, now
17:44
listen boys, we're about to meet our...
17:46
And the Boko
17:48
shouted, never fear, and
17:51
he ran down
17:53
to his room. We
17:55
heard howls and
17:57
moans, and a bang
17:59
and a crash.
18:01
We saw thick black
18:04
smoke, and a
18:06
fiery flash. We could
18:08
smell the light
18:10
in it, and we
18:12
just stared at
18:14
his door. And when
18:17
we started to
18:19
relax, it started up
18:21
once more. Fire
18:26
two shots, he shouted, and
18:28
they went off right on cue.
18:30
Bull shots found their target,
18:32
and their powder hold it blue.
18:34
The man of war burst
18:36
into flames, and it began to
18:38
pitch. And we stole enough
18:41
from her to make sure we
18:43
were rich. He still wears
18:45
more tattoos than clothes. With a
18:47
ring on every finger and
18:49
a bone in his nose. When
18:51
he starts his chanting, we
18:53
don't try to understand. But we
18:55
always listen to him, cause
18:58
he's a voodoo man. When
19:28
the Alabama's kill
19:30
was laid, roll Alabama
19:33
roll. It was
19:35
in the city of
19:37
Birkenhead, roll Alabama
19:39
roll. They called her
19:41
number 292, roll
19:43
Alabama roll. In honor
19:46
of the merchants
19:48
of Liverpool, roll Alabama
19:50
roll. Roll Alabama
19:52
roll Alabama roll, roll
19:54
Alabama roll Alabama
19:56
roll. To
20:00
the western is she
20:02
made her run, Roll
20:04
Alabama, roll, Alabama, roll,
20:07
to the fitted house
20:09
with shot and gun,
20:11
roll, Alabama, row, from
20:13
60 to 64, roll,
20:15
Alabama, rolls, 60, achy,
20:17
ship, some more, roll,
20:20
Alabama, row, roll, Alabama,
20:22
roll. was
20:44
there she met
20:46
the little curstards.
20:48
Roll, Alabama, roll,
20:50
Alabama, roll, with
20:52
captain, flow, intercharge,
20:54
roll, Alabama, roll,
20:56
Alabama, roll, roll,
20:58
Alabama, roll, roll,
21:01
Alabama, roll, Alabama,
21:03
roll, Alabama, roll,
21:05
By limit they
21:07
fought. Roll Alabama's
21:09
roll. Great Navy
21:11
steel and British
21:13
shot. Roll Alabama
21:15
roll. Till a
21:17
shot from the
21:19
poor word pivot
21:22
they say. Roll
21:24
Alabama roll. To
21:26
Alabama's gear away.
21:28
Roll Alabama roll.
21:30
Then the British
21:32
did the crewman
21:34
say. From
21:41
sharing their vessels, watery
21:43
gray. Yes,
22:38
1912.
22:54
Jack Johnson woke Jim Jefferson,
22:56
wanting to ride over the
22:58
England and fight some people.
23:00
In the same year, they
23:02
built up the Titanic for
23:04
Mama, playing Goodwood, and said
23:06
it wouldn't never go down. Jack
23:09
Johnson said that's a ship for
23:11
me and wanted to get on
23:13
board. down
23:25
the Zaponado steamship line and
23:28
got a ticket. He was
23:30
punched out for the Titanic
23:33
when he got up the
23:35
curbside and wanted to get
23:37
on bone. The cap wouldn't let
23:40
him walk the plank. See, you
23:42
have to sit on the dock
23:44
and watch it flow the way.
23:46
Jasper Johnson said you go on
23:49
ahead then. I'll wait for you
23:51
to go on down. I want
23:53
to get on board, but the
23:56
camera's there, we don't want to
23:58
home, barely titany, fairly. well.
24:00
Jack Johnson tried to
24:02
get on board. Captain
24:04
said we don't want
24:07
to fall. Well, these
24:09
are tennis fairly well.
24:11
Jack Johnson was left
24:13
standing upside the pier
24:15
when the Titanic floated
24:17
past the statue of
24:20
Liberty and onto the
24:22
North Sea. On that
24:24
fateful day around the
24:26
North Sea. in the
24:28
mass burden, straight on,
24:30
straight on down. Titanic going
24:33
around the curb, running
24:35
through the big ice bird,
24:37
fairly tight, ain't fairly
24:39
well. Yeah, steaming all around
24:42
the curb, running through the
24:44
big ice bird, fairly
24:46
tight tiny, fairly well. The
24:59
last boats all around, say the
25:02
women in the city let the
25:04
males go down. They're the titanics
25:06
fairly well. Said the last boats
25:09
all around, say the women in
25:11
the children let the males go
25:13
down. They're the titanics fairly well.
25:26
Now Jack Johnson was back in
25:28
New York City when they heard
25:30
the news. He was so happy
25:32
he wasn't on 40 stars doing
25:34
the Eagle Rock and all kinds
25:36
of things to show how glad
25:39
he was. Jack Johnson when he
25:41
heard the news, should have seen
25:43
him just shaking his blue. Fairly
25:45
tiny, ain't fairly well. Yeah, Johnson
25:47
when he got the shock. I'd
25:49
seen him just a during the
25:51
evil rock. Fairly, tiny tiny, fairly
25:54
well. Yes midnight on
25:56
the sea, the band playing them
25:58
are going to be. Fairly
26:00
tiny, tiny, fairly
26:03
well. Fairly, tiny,
26:05
fairly well. We
26:16
were drinking down to Reese's house
26:18
when first we heard the blow.
26:20
It seemed to come from the
26:22
Baroque so boldly forth to go.
26:25
And sure enough, the rusty cup
26:27
could just be barely seen. As
26:29
her son was high up in
26:31
the air, we made out Athens
26:34
Queen. Oh, the lovely Athens Queen!
26:36
Me boys, I must remind you there's
26:39
a bubble left in sight. So let
26:41
us go and have a few
26:43
and wait until low time. And
26:45
if the sea's not rinder when
26:47
the glasses are licked clean, we
26:49
will then set forth some dories,
26:51
lads, and see what may be
26:53
seen. On the love they affines
26:55
me. Some songs in old tall
26:57
stories then came out to pass
26:59
the time. Nor could a single
27:01
bottle keep us all until low
27:04
time. And so it wasn't before
27:06
we left the house we were
27:08
at sea. So as case we
27:10
can remember how we made the
27:12
Ephalan's Green. Oh, the lovely
27:14
Athens Green. Oh, the waves
27:16
inside me belly were as
27:18
high as those outside. And
27:20
though I'm never seasick, I
27:22
lost dinner oversight, Roswell, there
27:24
was no crew to save,
27:26
for we'd have scared and
27:28
green. We could scarcely keep
27:30
ourselves from falling off the
27:32
Athens queen. Oh, the luck
27:34
they have been's green. Well,
27:37
Reedy, go straight down below and
27:39
comes up with a cow. Hello,
27:42
I said, now, what would you
27:44
be wantin' with that now? You'll
27:46
never take the cow home in
27:48
a dory, on such sea. Well,
27:51
me say, I've always fancied fresh
27:53
cream in me, T. Or the
27:55
lovely Athens queen. I headed for
27:57
the galley then, because I was...
28:00
And glad I was to
28:02
get there quick for what
28:04
should I spy? Oh what
28:06
a shame it would have
28:08
been for to lose it
28:10
all at sea, Forty cases
28:12
of the best Napoleon brandy
28:14
ever seen, On the lovely
28:16
Athens mean. I loaded 20
28:18
cases boys and headed for
28:20
the shore. Unloaded them as
28:22
quick as that and then
28:24
pulled back for more. Smith
28:26
was pulling for the shore,
28:29
but he could scarce be
28:31
seen. Under near 200 chickens
28:33
and a leather couch of
28:36
green. From the lovely Athens
28:38
Green. To all good
28:40
salvageers, likewise to Ripper Rock.
28:43
And to Napoleon Brandy of which
28:45
now we have much stock. We
28:47
eat a lot of chicken and
28:50
sit on a couch of green.
28:52
And we wait for Ripper Rock
28:55
to claim another Athens Green. Oh,
28:57
the lovely Athens Green. When
29:36
they say you can't go on,
29:38
well, that is when we bust.
29:40
Steal, you know, have hard, me
29:42
proof, sir, host iron calls,
29:45
Your carriage shall be rewarded
29:47
with fuel and sausage rolls.
29:49
Hold steady, hold fast, we're
29:52
running out of gas, hold
29:54
steady, hold fast, have courage,
29:57
we will last. As
30:27
we march beyond the light, I
30:29
feel no greater thrill. This I
30:31
vow to you, my sweet, your
30:33
heart will get it spilled.
30:36
Hold steady, hold fast, we're
30:38
running out of gas, hold
30:40
steady, hold fast, have courage,
30:43
we will last, hold steady,
30:45
hold steady, hold fast, we're
30:47
running out of gas, hold
30:50
steady. of
31:26
you, but you asked nothing of
31:28
me. We can go the
31:30
distance with your first-ass fuel
31:32
economy. The lady of the
31:34
map, she tells of a
31:36
station up the head. In
31:38
20 clicks, you can be
31:41
sure I'll get you washed
31:43
and fed. With hope and
31:45
valour grill to boot, we
31:47
execute the plan. It's only
31:49
when we're told we can't
31:51
we truly prove we can.
31:53
Hold steady, hold fast. We're
31:56
running out of gas. Hold
31:58
steady. Hold fast. Have
32:01
courage we
32:03
will last!
32:06
Holds day!
32:09
Oh fast!
32:11
We're running
32:14
out of
32:16
gas! Holds day!
32:19
Oh fast! Have
32:22
courage we will
32:24
last! I could
32:27
be a dream.
36:11
Yeah. Yeah.
38:02
Yeah. Blondie
41:29
Chapin always reminded me of
41:31
Carl Wilson. I don't know
41:33
why, but there you go. Just
41:35
letting you see what goes on
41:37
inside my head sometimes. I'm KBC.
41:39
This is a bit slap. And this
41:42
week we are out to see. We're
41:44
out on a whaling ship or something,
41:46
some kind of thing. I'm not feeling
41:49
so good, but I think I'll manage
41:51
to read the playlist. Started up with
41:53
Bert and I. Remember Bert and I
41:55
from Kenibunk, Maine. you know, which by
41:58
the way is not really Maine. It's
42:00
more like North Boston, okay? Yeah, I
42:02
live up in Bangor. You really gotta
42:05
want to come up to Maine to
42:07
go to Bangor. Just telling you now.
42:09
That was Marshall Dodge on the Sound
42:12
Effects and Bob Bryan vocals of narration
42:14
I guess. And that's close to the
42:16
book on that. They had a long
42:19
run together and that's good. Kind of
42:21
like Bob and Ray. Joseph Spence out
42:23
on the Rolling Sea to get us
42:26
rolling and that's maybe why I don't
42:28
feel so good. Ryan's fancy gave
42:30
us eyes to buy, eyes to
42:32
buy the bills about, eyes to
42:34
buy that sell zer, etc. etc.
42:37
etc. A lot of words in
42:39
that song. Corey's, the Bonnie's Ship,
42:41
The Diamond, the Jolly Rogers, and
42:43
Voodoo Man. That was a fun
42:46
story, eh? Roll, Alabama, Roll. Was
42:48
the Cumberland Three. We heard from...
42:50
Kerner Ray and Glover, Spider John
42:52
Kerner, Dave Ray and Tony Glover.
42:55
That was their version of the
42:57
Titanic. Rec of the Athens Queen
42:59
was Stan Rogers. That had a
43:01
twist, didn't it? The longest Johns.
43:04
Beyond the Light. For all you
43:06
weekend brave guys and stuff, okay?
43:08
The Chanters. Ro, ro, roe, roe
43:11
your boat. There's a punk version
43:13
of that too that I really
43:15
don't like. Anyway, enough about me.
43:18
Let's see, the Star Fires. Fires
43:20
with a while, okay? Star Fires
43:23
that was Captain Dusseldorf. And of
43:25
course the beach boys sail on
43:27
Sailor with Blondie Chapin out front.
43:30
Okay, does that bring it up
43:32
to now? Okay. All right, so
43:34
lunch break is over, so drop
43:36
your cocks and grab your socks
43:38
and let's go back out of
43:40
the water, okay? I saw some of
43:42
the jambi sales. I know many
43:45
folks, many of you all folks, may
43:47
be in the Nastau, and I know
43:49
you all hear some of these songs.
43:51
I'm playing some of my home songs.
44:02
I thought
44:04
you'd jumping
44:07
deep. Maybe
44:10
go home. Let
44:13
me go home.
44:16
Let me go
44:19
home. Let me
44:22
go home. There
44:36
we go home, there we
44:38
go home, there we go
44:40
home, there we go home,
44:42
there's jump east, after me
44:44
as I said, Santa Captain
44:46
Joe, let me go home,
44:48
let me go home, there
44:50
we go home, there we
44:52
go home, there we go
44:54
home, there we go home,
44:56
there we go home, there
44:58
we go home. There
45:08
we go home, life is
45:11
a broker, there we go,
45:13
there we go, there we
45:15
go home, and there we
45:18
go home, there we go
45:20
home, and there we go
45:22
home, and there we go
45:24
home, and there we go
45:27
home, and there we go
45:29
home, and there we go
45:31
home, and there we go
45:34
home, there we go, baby,
45:36
baby, baby, baby, And the
45:38
captain's sure, let me go
45:40
home. Let me go home.
45:43
And let me go home.
45:45
I've been so broke up.
45:47
Let me go home. I've
46:00
either broke up, so
46:03
there we got home,
46:06
and there we go,
46:08
hmm, it's a baby,
46:11
right? I've either broke
46:14
up, and there we
46:16
got home, and there
46:19
we got home,
46:21
and the jumbies say
46:24
it. Let
46:32
me go
46:34
home. Let
46:37
me go.
46:40
My feet
46:43
are broke
46:46
up. Let
46:49
me go
46:52
home. What
47:14
shall we do with a
47:17
drunken sailor? What shall we
47:19
do with a drunken sailor?
47:21
Her lie in the morning. Yo,
47:23
oh, and love, she rises, yo,
47:26
and love, she rises, yo, oh,
47:28
and love, she rises, yo, oh,
47:30
and love, she rises, here, lie
47:33
in the morning. Go home in
47:35
a long boat till he's over,
47:37
put him in a long boat
47:40
till he's over, put him in
47:42
a long boat and he's
47:44
over, her by in the
47:46
morning. Go home, she rises,
47:48
you know, and up she
47:50
rises, you know, she rises,
47:52
you know, and up she
47:54
rises, you know, when up
47:57
she rises, thereby in the
47:59
morning. and put him in
48:01
a scubber's with a host,
48:03
by bon him, her lie
48:05
in the morning. No, oh,
48:08
she rises, no, oh, and
48:10
she rises, no, and up,
48:12
she rises, there lie in
48:14
the morning. Home, oh, she
48:16
rises, there lie in the
48:18
morning. Home, oh, she, come,
48:20
she, pull out the plugging,
48:22
wed him all over, put
48:24
out the plugging, wed him
48:26
all over, her lie in
48:28
the morning. And
48:39
keep it by the
48:41
lake in a run
48:43
in bowling, leave it
48:46
by the lake in
48:48
a run in bowling,
48:51
where I in the
48:53
morning. Yo, ho, and
48:56
if she rises, yo,
48:58
and if she rises,
49:01
yo, oh, and if
49:03
she rises, her
49:05
lie in the
49:07
morning. with the
49:10
drunken sailor. What
49:12
shall we do
49:15
with the drunken
49:17
sailor? What shall
49:20
we do with
49:22
the drunken sailor?
49:24
I lie in
49:26
the morley. I'll
49:43
tell you about my night
49:46
on shore if you will
49:48
in the near. I stepped
49:51
into a cabaret to get
49:53
myself a beer. A pretty
49:56
girl set all along and
49:58
needed company. When I got
50:01
close, this girl arose, this
50:03
is what she said to
50:05
me. Now she said, Whoa,
50:07
sailor, be careful what you
50:09
do. In your eye there's
50:12
a gleam, and to me
50:14
it seems you're just like
50:16
all the rest. With a
50:18
wolfish eye and a lance
50:20
so sly, then a sailor's
50:22
at his best. Now
50:48
look here, babe, you've got me
50:51
wrong. I'm not that kind of
50:53
guy. I just got back from
50:55
across the seas where there are
50:58
no girls to shy. Now let
51:00
me talk to you a while.
51:03
I'm sure you'll see my way.
51:05
When I went to spout, she
51:07
turned about. This is what she
51:10
had to say. Now she said,
51:12
Woe sailor. I've heard that line
51:14
before. You'll look into my eyes
51:17
and tell me lies and tales
51:19
of the seven seas. But a
51:22
sailor is full of that kind
51:24
of bull, so don't hand it
51:26
to me. Oh
51:43
pretty girl, you've let
51:45
me down, you've broken my
51:47
poor heart. I know how it
51:50
hurt when you had to spurt
51:52
that last sad remark. She said,
51:54
I think I'll have a drink,
51:57
as you saw my six months
51:59
pay. White open eyes, she breathed
52:01
aside, This is what she had
52:04
to say, Now she said, O
52:06
sailor, I think you've won my
52:08
heart. Well, she walked bright neat,
52:11
And she sure was sweet, But
52:13
I knew she was that sort.
52:15
She's not all to blame, It's
52:18
just a sailor's aim to have
52:20
a girl in every port. So
54:00
You should have seen that
54:02
she did get much about
54:04
it. She
54:45
joked with a little bit like
54:47
the Queen. She should have seen.
54:49
Jenny asked the joke, lifting her
54:51
both her bones above. She was
54:53
in love. Jenny asked the joke,
54:55
lit by the C. Jenny asked
54:57
the joke, said she loved me.
55:14
Sips on the side just fishing
55:16
in the wall months
57:44
two years ago I was
57:46
in New Zealand at the
57:49
time and two submarines
57:51
crashed in the
57:54
North Atlantic it
57:56
wasn't serious it was
57:59
just A French
58:01
one and a British
58:03
one. Both nuclear submarines.
58:05
And it's easy to
58:07
crash. It's so crowded in
58:09
North Atlantic. How much do
58:12
you think the detection
58:14
equipment costs us to
58:16
stop that fucking happening?
58:19
How many billion did
58:21
they vote to get that
58:23
fucking fitted on them submarines?
58:50
What the fuck was that? Some
58:54
day bump dent yet! to
59:13
reinvent the whole,
59:15
apparently, because we're
59:18
both part of the
59:20
fucking European common
59:22
market, Commonwealth fucking
59:25
club. We're both
59:27
going to save
59:29
equipment, rendering us
59:31
both fucking invisible! They've
59:34
never done done them!
59:36
A phone call would
59:39
have done it! If
59:47
the wanker's from my
59:49
hotel haven't been there
59:52
first... How many billion
59:54
you there can all
59:56
take to put it right?
59:58
I could show... for under
1:00:01
a thousand. Under
1:00:03
a fucking thousand.
1:00:05
A window! Put a
1:00:07
window in the fucking
1:00:09
thing. And set a we
1:00:11
sell it, who's not
1:00:14
doing anything at the
1:00:16
window. Yeah, you said
1:00:19
in the window. You
1:00:21
see anything coming, you
1:00:23
tell me. Okay. And
1:00:25
coming. There's
1:00:29
something in the
1:00:31
home, yeah. Hey,
1:00:33
I ain't, it's
1:00:35
French. The smell
1:00:37
of garlic.
1:00:40
Where's it
1:00:42
coming from? Is
1:00:44
coming to you?
1:00:46
Okay, we'll turn
1:00:48
this way, then.
1:00:50
Problem solved!
1:00:53
Where's the
1:00:55
fucking problem?
1:01:00
lived the man who
1:01:03
sailed to sea and
1:01:05
he told us of
1:01:08
his life in the
1:01:10
land of submarines so
1:01:13
we sailed on to
1:01:15
the sun till we
1:01:18
found a sea of
1:01:20
green and we lived
1:01:23
beneath the waves
1:01:25
in our yellow
1:01:27
submarine yellow
1:01:41
submarine yellow submarine
1:01:43
and our friends
1:01:45
are all aboard
1:01:47
many more of
1:01:50
them live next
1:01:52
door We
1:02:02
all live in
1:02:04
a yellow submarine.
1:02:07
Yellow submarine. Yellow
1:02:09
submarine. Yellow submarine.
1:02:11
Yellow submarine. Yellow
1:02:13
submarine. Yellow submarine.
1:02:15
Yellow submarine. Yellow
1:02:17
submarine. Yellow
1:03:04
submarine. Yellow submarine.
1:03:07
We all live
1:03:10
in a yellow
1:03:13
submarine. Yellow submarine.
1:03:16
Yellow submarine. We
1:03:19
all live in
1:03:22
a yellow submarine.
1:03:25
Yellow submarine.
1:03:27
Yellow submarine.
1:03:30
Yellow submarine. I'm really sorry I'm late.
1:03:32
I just got caught up watching the
1:03:34
Pirates of the Caribbean marathon. Have you
1:03:36
seen those things? Oh yeah, yeah, those
1:03:38
are great. Well, I listened to your
1:03:41
track and I loved it. And I
1:03:43
wrote you this big sexy hook. I
1:03:45
think you're gonna really dig. Oh, wow.
1:03:47
You want to just lay it down? Boys,
1:03:49
let's get to it, to it. Okay,
1:06:01
I'm real good. I'm
1:06:03
real good. I'm telling
1:06:06
my teller. Just a
1:06:09
day. Who's out of
1:06:11
blame? With my opinion
1:06:14
on the face and
1:06:17
white. A woman is
1:06:19
belittated. This whole town's
1:06:22
a person. This whole
1:06:24
town's a person. Just
1:06:27
when you get there.
1:06:50
I brows for a trade in
1:06:52
which I could excel, an ad
1:06:54
for a ship, in need of
1:06:56
some manning, men's sales on purpose,
1:06:58
but lacking a captain. What luck
1:07:00
says I, to find such good
1:07:02
fortune, a few white lies later,
1:07:04
I ran down the pier, bought
1:07:06
me a coat, and a cutlass
1:07:09
or two, jumped on the deck,
1:07:11
and I yelled at the crew,
1:07:13
host up the thing, and now
1:07:15
the what's it, what's that thing
1:07:18
spinning, spinning, somebody, should stop it,
1:07:20
turn us. That's not cool. Now
1:07:22
I've got it. Trust me, I'm
1:07:25
in control. I can't sing the
1:07:27
shanties, it has to be said,
1:07:29
and all of that grudge just
1:07:31
goes right to my head. We'll
1:07:34
meet his broasts and I miss
1:07:36
a girl's laugh. Five weeks
1:07:38
at sea, even Dave seems
1:07:40
to catch. I'll stop a
1:07:42
thing, and I'll know what's
1:07:44
it, what's that thing spinning
1:07:46
somebody. There's
1:07:57
no land to be seen, the food's
1:07:59
getting... And the beer has gone
1:08:01
green, The smurmers of discontent under
1:08:03
the deck, If I don't act
1:08:06
fast, it could be my neck!
1:08:08
So pull up the charts and
1:08:10
those wiggle machines, I see what
1:08:12
it says, But no clue what
1:08:14
it means, Just pull on some
1:08:16
levers and yank on some chains.
1:08:28
Somebody should stop it.
1:08:30
Turn our support. Now I've
1:08:32
got it. Trust me, I'm
1:08:34
in control. I stopped the
1:08:36
thing. Banned down the what's
1:08:39
it. What's that thing? Somebody
1:08:41
should stop it. Turn our
1:08:43
support. Now I've got it.
1:08:45
Trust me, I'm in control.
1:09:24
I'm sailing out on
1:09:26
the ocean, out on
1:09:29
the deep blue sea.
1:09:32
I get shot or
1:09:34
grounded, no one to
1:09:37
grieve for me. So
1:09:39
I got a letter
1:09:42
from Mama. It's I
1:09:45
got a letter from
1:09:47
Spain. I got a
1:09:50
letter from Mama, she
1:09:52
told me to come
1:09:55
home again. I'm sailing
1:09:57
out on the ocean.
1:10:00
Out on a
1:10:02
deep blue sea.
1:10:04
If I get
1:10:06
shot or drowned
1:10:09
in no one
1:10:11
to grieve for
1:10:13
me, It's once
1:10:16
I had a
1:10:18
fortune. I laid
1:10:21
it in my
1:10:23
trunk. I lost
1:10:25
it all again,
1:10:28
Oh son, don't
1:10:30
gamble! Oh darling,
1:10:32
don't gamble no
1:10:34
more! For the
1:10:36
time your mama's
1:10:38
told you, she's
1:10:40
taught you like
1:10:42
a son. That
1:10:44
drinking and gambling
1:10:46
would finally be
1:10:48
your dream. I'm
1:10:50
sailing out on
1:10:52
the ocean. Out
1:10:55
on a deep
1:10:57
blue sea. If
1:10:59
I get shot
1:11:01
or drowned, It's
1:11:03
no one to
1:11:05
grieve for me.
1:11:08
I've played cards
1:11:10
in England, God
1:11:12
drunk in Spain.
1:11:15
I'm going back
1:11:17
to England to
1:11:19
play them cards
1:11:22
again. Oh, sun
1:11:24
don't gamble. Oh
1:11:27
darling don't gamble
1:11:30
no more. For the
1:11:32
time your mom has
1:11:34
told you she's taught
1:11:37
you like a son.
1:11:39
That drinking and gambling
1:11:42
would finally be your
1:11:44
run. Sailing out on
1:11:47
the ocean, out on
1:11:49
the deep blue sea.
1:11:52
If I get shot
1:11:54
or drowned in no
1:11:56
one two three for
1:11:59
me Some folks
1:12:01
say coding is
1:12:03
pleasure. What pleasure
1:12:05
do I see?
1:12:07
The only girl
1:12:09
I ever love,
1:12:11
she's turned her
1:12:14
back on me.
1:12:16
I'm sailing out
1:12:18
on the ocean.
1:12:20
I'm feeling very
1:12:22
high. If I
1:12:24
get shot or
1:12:26
drowned, no one.
1:12:28
on to breathe
1:12:30
or cry. the
1:13:05
sea. Once a sailor,
1:13:07
born to be free,
1:13:09
Once a sailor, but
1:13:12
now I've become a
1:13:14
pirate for the rum.
1:13:16
Once a farmer, plough
1:13:18
in my field. Once
1:13:21
a farmer, pitch for
1:13:23
Guy wheeled. Once a
1:13:25
farmer, but now I've
1:13:28
become a pirate for
1:13:30
the rum. once
1:13:51
a blacksmith fixing your
1:13:53
will. Once a blacksmith
1:13:56
but now I become
1:13:58
a pie. Once
1:14:12
a banger, then now I
1:14:14
become a pirate for... ever
1:14:41
shines. Once a minor,
1:14:43
but now I've become
1:14:45
a buyer. Once
1:15:40
a soldier we take in
1:15:42
my beads. Once a soldier,
1:15:45
but now I become a
1:15:47
pirate. Once
1:16:11
a
1:16:13
gilder,
1:16:15
make
1:16:17
a
1:16:20
beautiful
1:16:22
unbound,
1:16:24
once
1:16:26
a
1:16:29
gilder.
1:16:54
Bringing folks a pie.
1:16:56
Once a hangman, an
1:16:58
unpleasant way to die.
1:17:00
Once a hangman, but now
1:17:03
I become a pirate for
1:17:05
the run. Once a pirate,
1:17:07
hedging the sea. Once
1:17:09
a pirate, no taste for
1:17:12
me. Once a pirate, no
1:17:14
taste for me. Once a
1:17:16
pirate. Sally
1:17:41
Brown, she's a nice young
1:17:43
lady. Way, hey, we roll
1:17:46
and go. And we roll
1:17:48
all night. And we roll
1:17:50
all day. Spend our money
1:17:52
of Sally Brown. A Sally
1:17:55
Brown, she's a bright mulatto.
1:17:57
Way, hey, we roll and
1:17:59
go. Well, she drinks dog
1:18:01
rum and she chews tobacco.
1:18:04
Way, hey, we roll and
1:18:06
go. And we roll all
1:18:09
night. And we roll all
1:18:11
day. Spend our money on
1:18:14
Sally Brown. Well, her father
1:18:16
likes a Terry Sailor. Way,
1:18:18
hey, we roll and go.
1:18:21
And we roll all night.
1:18:23
And we roll all day.
1:18:26
Spend our money on Sally
1:18:28
Brown. and go. She likes
1:18:31
a bit of a rumpy-pumpy-pumpy
1:18:33
way. We roll, hey, we
1:18:35
roll and go. And we
1:18:38
roll all night, and we
1:18:40
roll all day. Spend our
1:18:43
money on Sally Brown. Well,
1:18:45
Sally Brown, she's an nice
1:18:48
young lady. Way, hey, we
1:18:50
roll and go. Yes, Sally
1:18:52
Brown, she's a foreign young
1:18:55
lady. Way, hey, we're all
1:18:57
and cool. And we roll
1:19:00
all day, spend
1:19:03
our money
1:19:05
on Sally
1:19:07
Brown. And
1:19:09
we roll
1:19:12
all night, and
1:19:14
we roll
1:19:16
all day,
1:19:18
spend our
1:19:21
money on
1:19:23
Sally Brown.
1:19:25
Who's
1:19:28
that
1:19:30
knocking
1:19:32
at
1:19:34
my
1:19:36
door?
1:19:39
Who's
1:19:41
that
1:19:44
knocking
1:19:47
at my
1:19:50
door?
1:19:52
It's only me from over the seas
1:19:55
that Barnacle will the sailor. I've just
1:19:57
come back from Portuguese aboard a British
1:19:59
whainer. I thought I'd give
1:20:01
you another trial, so open
1:20:03
your face and give us
1:20:06
a smile on our seat,
1:20:08
if I did put up
1:20:10
with your tiles, then larkle
1:20:12
will the sailor. Then I'll
1:20:14
come down and let you
1:20:17
in, oh yes. Well, make
1:20:19
it slippery. Oh, you are
1:20:21
awful. Oh, your whiskers hurt
1:20:23
my chin. Oh, you make
1:20:25
my chin all red. Why
1:20:27
don't you go and get
1:20:29
a shave? Why I ain't
1:20:31
shipped for twenty years, said
1:20:34
Barnacle Bill the Sailor. It
1:20:36
saves me washing me neck
1:20:38
and ears, said Barnacle Bill
1:20:40
the Sailor. The whiskers gross
1:20:42
a blooming path. They cover
1:20:44
the ship from Ultima. While
1:20:46
the sea ought to eat
1:20:48
them instead of grass, said
1:20:51
Barnacle Bill the Sailor. Oh,
1:20:53
did you bring me a kangaroo?
1:20:55
Oh, I wish I had a kangaroo. Oh,
1:20:57
I just love a kangl! Cried,
1:20:59
a fair young maiden. I had
1:21:01
one, you fool, but I gave
1:21:04
it away, said Barnacle Bill the
1:21:06
Sailor. To a yellow gallant man
1:21:08
delay, said Barnacle Bill the Sailor.
1:21:10
Said Barnacle Bill the Sailor. She
1:21:12
danced in France, and she bit
1:21:14
and shook. She wiggled with every
1:21:17
step she took. But I left
1:21:19
her there, because she couldn't took.
1:21:21
Said Barnacle Bill the Sailor. Tell
1:21:23
me that you'll stare. Tell me
1:21:25
that we'll part no more. Because
1:21:28
you turned me down before.
1:21:30
Oh, you're not a boy.
1:21:32
Cried, the fair young maiden.
1:21:34
You're a winding woman, you're
1:21:36
driving me mad, said Barnacle,
1:21:38
Bill the sailor. You've an
1:21:40
uglier face, and I thought
1:21:42
your head. Said Barnacle, Bill,
1:21:44
the sailor. But there's just
1:21:46
one thing I'm going to
1:21:48
off. I don't want to
1:21:50
give you too great a
1:21:52
task. Well I'm off again,
1:21:54
good boy and some! Oh
1:21:56
good, I do. I'm supposed
1:21:58
to kiss me. Getcha! Oh,
1:22:00
I'll get you! Maybe? Aye, Captain!
1:22:03
When I yell, I want you
1:22:05
to come right up here. Well, I
1:22:07
came on deck as soon as
1:22:09
I could, Captain. Why you? No,
1:22:11
no, no, taking it easy, Captain.
1:22:14
Get up off the deck, Madie.
1:22:16
Yeah. You're traveling with me now,
1:22:18
you know, you know, you're traveling
1:22:21
with me now, you know, you
1:22:23
know, you're traveling with me now,
1:22:25
you know, you know, you know.
1:22:27
I know that sir. You want
1:22:30
a little respect? How does the
1:22:32
sky look? I'll thank you to
1:22:34
tell me right away, Mady. It
1:22:37
looks stormy, sir. Why you? I
1:22:39
don't want no stormy skies on
1:22:41
a night like this, Mady.
1:22:43
Well, I don't have nothing
1:22:45
to do with the weather,
1:22:47
Captain. Why? Oh no, no,
1:22:49
won't none of that funny
1:22:51
talk to me? This is
1:22:53
the captain you're talking to,
1:22:55
Mady. Oh no, that captain,
1:22:57
I was only time to
1:22:59
explain why I wasn't been
1:23:01
able to do nothing about
1:23:04
the weather. Why, you know?
1:23:06
No, what'll a good chef
1:23:08
have for us down in
1:23:10
the galley tonight, Mady? I
1:23:12
think it's bean, sir. Why?
1:23:27
No!
1:23:38
Oh! He
1:23:40
wasn't fit
1:23:43
to shovel
1:23:45
ship from
1:23:47
one ship
1:23:49
to another.
1:24:01
And the second mate
1:24:03
was in, By Christ
1:24:05
he had a dandy,
1:24:08
Till they crushed this
1:24:10
cock on a jagged
1:24:12
rock, From coming in
1:24:14
the brand-aid. The third
1:24:17
mate's name was Morgan.
1:24:19
By God he was
1:24:21
a Gorgin. From half
1:24:23
past eight he played
1:24:26
Till late upon the
1:24:28
captain's organ. The
1:24:54
cabin boy was kipper,
1:24:56
like Christ he was
1:24:58
a nipper. He stuffed
1:25:01
his ass with broken
1:25:03
glass and circumcised the
1:25:05
skipper. The captain's lovely
1:25:07
daughter, like swimming in
1:25:09
the water, delighted squeals,
1:25:11
came whence a meals,
1:25:13
found her sexual corner.
1:25:33
The ship's dog
1:25:35
was called over
1:25:37
and we turned
1:25:39
the porting over
1:25:41
and ground that
1:25:44
faithful hound from
1:25:46
Tenerife to Dover.
1:25:48
When we reached
1:25:50
our station through
1:25:52
skillful navigation, the
1:25:54
ship got sunk
1:25:56
in a way
1:25:58
of spawn. From
1:26:00
too much fornication, On
1:26:02
the good ship Venus,
1:26:05
Like Christ, you should
1:26:07
have seen us, The
1:26:09
figurehead was a whore
1:26:11
in bed, So, king
1:26:13
and man's pain is.
1:26:30
And if anyone has any
1:26:32
complaints about the accommodations on
1:26:34
board, please take them up
1:26:36
to somebody who cares. Okay,
1:26:39
I don't. All right. No,
1:26:41
I do, I do, I
1:26:43
do. Anyway, up top. Joseph
1:26:45
Spence, the Sloop John B.
1:26:47
Leonard Warren. He had a
1:26:50
whole album of sailor songs.
1:26:52
This was the best, the
1:26:54
drunken sailor from 1948. Milton
1:26:56
Estes. And his musical millers,
1:26:59
that was Whoa Sailor, Jenny
1:27:01
Artichoke, was the kaleidoscope, the
1:27:03
UK kaleidoscope. Let's see, we
1:27:05
also heard from The Gods,
1:27:07
all right, this is a
1:27:09
British band, come on down
1:27:11
to my boat maybe, this
1:27:13
is the first recording of
1:27:15
that song, featured Michaeler, the
1:27:17
Meck Taylor, and also Ken
1:27:19
Hensley, who went on to...
1:27:21
form, what was it, your
1:27:23
a heap or something? Anyway,
1:27:25
all right, what else? We
1:27:27
heard Billy Connolly talking about
1:27:29
a submarine crash. Imagine that, let's
1:27:31
see, yellow submarine, you heard that,
1:27:33
you know who that was, that
1:27:36
was take four before they put
1:27:38
all the sound effects on top
1:27:40
of it, right? Okay, we heard
1:27:42
lonely island featuring yes, Michael Bolton,
1:27:44
and that was the story of
1:27:46
Jack Sparrow. Hoist up the thing.
1:27:49
was the longest Johns back again.
1:27:51
Let's see, sailing out on the
1:27:53
ocean was Haskell Wolfenberger, Wolfenbarger, okay?
1:27:55
Haskell Wolfenbarger is not to be
1:27:57
trifled with. He was sailing out.
1:28:00
on the ocean. Okay. Once a
1:28:02
sailor that was Storm Fruen. Not
1:28:04
sure what that means. Storm F-R-U-N.
1:28:06
Okay. Sally Brown was the Dreadnoughts.
1:28:08
Return of Barnacle Bill to Sail
1:28:10
there because hey he's got to
1:28:13
go somewhere right? Okay that was
1:28:15
Bobby Comber that was a you
1:28:17
know an answer song to the
1:28:19
other Barnacle Bill the sailor which
1:28:21
was not the return of it
1:28:24
was the... All right, we heard
1:28:26
a few things from Bob and
1:28:28
Ray and then Loudon Waringwright the
1:28:30
third, The Good Ship Venus, which is
1:28:32
an old, old song. Also called Frigate
1:28:34
in the Regan by the Sex Pistols
1:28:37
and all kinds of people have done
1:28:39
it. Let's see, Oscar Brand comes to
1:28:41
mind, etc. What comes to mind now
1:28:43
is whaling. We have been avoiding the
1:28:45
whaling issue here so we got a
1:28:47
few more things about whaling stuff which
1:28:50
is where most people were on the
1:28:52
water for at that time. So tell
1:28:54
you what I'm going to do, I'm
1:28:56
going to be back next week with
1:28:58
hopefully a non-injangered species and we will
1:29:00
see what we can make out
1:29:03
of it out of it that.
1:29:05
In the meantime, you'd be good
1:29:07
to yourselves and good to your
1:29:09
fish buddies, okay? I
1:29:11
appreciate it. When the
1:29:13
whale gets strike and
1:29:15
the line pays out
1:29:17
and the whale makes
1:29:19
a flunder with her
1:29:21
tail, and the boat
1:29:23
capsized and I lost
1:29:25
my darling man, no
1:29:27
more. Brave
1:29:34
Boys, no more,
1:29:36
no more Greenland
1:29:39
for you. It
1:29:42
was 1853, up
1:29:45
June the thirteenth
1:29:48
day, that our
1:29:51
gallants ship her
1:29:54
and her weight
1:29:57
for green land.
1:30:00
Green Land sailed
1:30:02
away, brave boys.
1:30:04
Green land sailed
1:30:06
away. The look
1:30:08
out on the
1:30:10
across street stood
1:30:12
with the spy
1:30:14
glass sitting in
1:30:16
his hand. There's
1:30:18
a whale, there's
1:30:20
a whale, fish
1:30:22
he cries. She
1:30:24
blows out at
1:30:26
every span, brave
1:30:28
boys. the captain
1:30:30
stood on the quarter
1:30:32
deck and the fine
1:30:34
little man was he
1:30:37
over hall over hall
1:30:39
let your dabbattackles fall
1:30:41
put your boats in
1:30:43
the water cried he
1:30:45
brained boys boats in
1:30:47
the water cried he
1:30:49
brained boys in the
1:30:51
water cried he we
1:30:53
struck that whale and
1:30:55
the line paid out
1:30:57
but she made A
1:30:59
little under with her
1:31:01
tail, And the boat
1:31:04
caps I is still
1:31:06
in half a dozen
1:31:09
men, And we never
1:31:11
caught that whale-rayed boys,
1:31:14
Never caught that whale.
1:31:16
To lose those men,
1:31:19
the captain cried, It
1:31:21
grieves my heart full
1:31:23
sore. But we knew
1:31:26
that the losing of
1:31:28
a hundred barrel whale,
1:31:31
It grieved him ten
1:31:33
times more brave boys,
1:31:36
Grieved him ten times
1:31:38
more. A Greenland is
1:31:41
a dreadful place, A
1:31:44
land that's never green.
1:31:46
Where there's ice and
1:31:49
snow and the whale
1:31:51
fishes blow, And daylight's
1:31:54
settled up, seen rain
1:31:56
for it, Daylight's settled
1:31:59
up. And
1:32:03
the whale gets
1:32:05
strike, And the
1:32:07
line pays out,
1:32:09
And the whale
1:32:11
makes a blunder
1:32:14
with her tail.
1:32:16
And the boat
1:32:18
capsized, And I
1:32:20
lost my darling
1:32:23
man. No more,
1:32:25
no more Greenland
1:32:28
for you. Brave.
1:32:43
There's a noble fleet of whalers
1:32:45
to sailing from Dundee, Men by
1:32:47
British sailors to take them or
1:32:50
to sea. On a Western Ocean
1:32:52
passage, we started on the trip,
1:32:54
we flew along just like a
1:32:57
song on a gallant whaling ship,
1:32:59
Was the second Sunday morning just
1:33:01
after leaving port. We met a
1:33:03
heavy sower scale and washed away
1:33:06
our boat, Edo washed away our
1:33:08
quarter-deck, our stanchions just as well.
1:33:10
So we set the whole she-bang,
1:33:13
a-flutton and the tail. For the
1:33:15
wind was on her quarter, the
1:33:17
engines working free, there's not another
1:33:20
whaler that sails the Arctic Sea,
1:33:22
can beat the old Helena, getting
1:33:24
out-trivey suns, we challenged all of
1:33:27
Great and small, from the lead
1:33:29
to St. John's, had Jackman set
1:33:32
his canvas, her weather got off
1:33:34
steam, and Captain Guy, the daring
1:33:36
boy, the daring boy came punching.
1:33:39
What a big deal, a plain
1:33:41
advice for something he could not
1:33:43
for the wind was Terrenova,
1:34:01
a model without doubt, the
1:34:03
Arctic and Aurora, they talk
1:34:05
so much about. Very
1:34:37
cheap. We'll drink a healthy captain
1:34:39
guy who brought us all to
1:34:41
deep. A health to all our
1:34:43
sweethearts and to our wives so
1:34:46
fair. That another ship could make
1:34:48
the trip. The Palina! Haida! Claire!
1:34:50
For the wind was on her
1:34:52
quarter. The engines working free. There's
1:34:54
not another waiter that sails the
1:34:56
Arctic Sea. Can beat the old
1:34:58
Palina. You needn't even that try my
1:35:00
sons. We challenged all the prey and
1:35:02
small from the need to St. John.
1:35:30
We'll gather out, each sailor's bold.
1:35:32
I'll sing ye all the tale
1:35:34
Of wailing ships and dangers deep
1:35:36
out on the mighty gale. We
1:35:38
sail the seas for many a
1:35:40
day, Our spirits high and
1:35:42
true. But one small spark
1:35:44
from careless hands Turn skies
1:35:47
from braids a blue. He
1:35:49
pulled me hearties, he this
1:35:51
solemn tune, And open flame
1:35:53
on a wailing ship will
1:35:55
bring a fiery doom. He
1:35:57
purme hearties, he this solemn
1:35:59
tune. The
1:36:02
ship will bring a
1:36:04
fiery doom. With barrels
1:36:06
full of precious oil
1:36:08
we plied the ocean
1:36:10
wide. The blubber burned
1:36:12
the lamps to glow
1:36:14
our fortunes by our
1:36:16
side. But one dark
1:36:18
night beneath the stars,
1:36:20
a latter left its
1:36:22
mark. The fire roared,
1:36:24
the crudish shout, and
1:36:26
soon we lost the
1:36:28
spark. And
1:36:34
often flame on a
1:36:37
whaling ship will bring
1:36:39
a fiery doom. He
1:36:41
could only hearties. He's
1:36:44
a southern tune. And
1:36:46
often flame on a
1:36:48
whaling ship will bring
1:36:51
a fiery doom. The
1:36:53
captain cry, doubts every
1:36:55
lice or will be lost
1:36:57
for sure. But flames they
1:37:00
spread like devil's breath and
1:37:02
claimed the ocean's floor. We
1:37:04
laugh to boats, we pray for
1:37:06
dawn, A ship and hope did
1:37:09
burn. So mark my words, you
1:37:11
savor lads, And from this lesson
1:37:13
learn. He'd throw me hearties, he'd
1:37:15
this solemn tune, And open flame
1:37:18
on a wailing ship will bring
1:37:20
a fiery doom. He's her me
1:37:22
hearties, he'd be solemn tune, And
1:37:24
open flame on a wailing ship,
1:37:26
will bring a fiery doom. We
1:37:47
set to see we check and
1:37:49
check again For one small spark
1:37:51
and light the dark and bring
1:37:53
about our end So stove your
1:37:55
matches mind the lamps and keep
1:37:57
your wits about for safety is
1:37:59
a Saylor's friend, when storms
1:38:02
and flames are out. Ephoeybodies,
1:38:04
he this solemn tune, An
1:38:06
open flame on a whaling
1:38:08
ship will bring a fiery
1:38:10
doom. Ephoey motties, he'd be
1:38:12
solemn tune. An open flame
1:38:15
on a whaling ship will
1:38:17
bring a fiery doom. So
1:38:19
sing you loud, ye sailor
1:38:21
lads, and pass the wisdom
1:38:23
on. No open flames on
1:38:25
a whaling ship's, or else
1:38:27
we all be gone. He've
1:38:29
hung me hearties, he's the
1:38:31
solemn tune, An open flame
1:38:33
on a wailing shit will
1:38:35
bring a fiery doom.
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