Episode Transcript
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0:01
Bridgewater is a production of iHeartRadio
0:03
three D audio and Grimm and Mild from
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Aaron Mankey for a full exposure
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listen with headphones. Listener
0:10
discretion advised.
0:19
Who's there?
0:21
Who's there?
0:23
Celeste?
0:24
Where? Hello?
0:27
No?
0:28
I can't wait?
0:30
Is this really? Is this really?
0:33
My god? Am I really here? Is
0:36
that really you?
0:38
Yeah?
0:39
Jeremy Thomas
0:42
Thomas, And.
0:46
I knew it.
0:47
I knew it. I knew that
0:49
you were still out there.
0:50
I knew you would find me.
0:54
And how is this possible?
0:56
Jeremy song? Oh
1:00
my god, look at you. I
1:02
don't I don't understand.
1:04
I knew it.
1:05
I knew this can be all
1:08
right?
1:08
This is something, celest did You're
1:12
he's solid, he's he's How
1:15
are you here?
1:19
Dad?
1:20
It's me, It's
1:22
really me.
1:23
I never stopped looking, Thomas, and
1:26
these past few months, I thought
1:28
that I could hear you.
1:29
You know, I was really trying to
1:32
listen.
1:32
I know, I know you'd
1:34
never stop, never, never.
1:37
I'm just so sorry it took me this long.
1:40
What is all of this mean?
1:42
Where?
1:44
Where have you been? How? How are
1:46
you? How are you alive? Are
1:49
you alive?
1:49
I'll explain everything, I promise, and
1:52
has as much as I can anyway, I'd.
1:56
Have to get out of this lake first.
1:59
And five.
2:02
What is that we.
2:03
Have to get out of here?
2:05
But well, the last where
2:07
is she the last?
2:08
The last Celeste from.
2:09
Yes, from the old gathering case. Yeah,
2:11
it's the last.
2:13
She traded places with me? What
2:16
means she must have That's how I we
2:19
have to go?
2:20
Now what we we? What?
2:21
What?
2:21
What?
2:22
We all a blur? But I think I
2:26
think, I think I'm not the only one
2:28
that got out.
2:43
Okay,
3:11
that's another dead end.
3:14
One other incident of symbols relating to
3:16
a lost person in eighty years.
3:22
Why Ethan?
3:26
Yeah,
3:29
Olivia Nippin, Hey,
3:32
sorry can I yeah?
3:34
Yeah, yeah, come on in?
3:38
What are you doing?
3:42
You first?
3:43
How how are you doing? How's
3:45
Ethan? I heard about it.
3:47
Yeah, it was He's
3:50
okay, I mean no, he's not. He's
3:52
he's healthy though, he's safe.
3:55
They let him out this afternoon, and I don't
3:57
know. My parents are still in complete freak
3:59
out.
4:00
Yeah, they seemed a bit frazzled
4:03
when they opened the door.
4:05
My dad is taking Eathan to our grandparents
4:07
in Winchester. He needs
4:10
a break from this
4:12
whole place. I guess my dad
4:14
can work from wherever so they're just gonna stay there
4:16
for a little while until Ethan. Then
4:21
we still don't understand what happened. I've
4:23
been scraping through message board posts and
4:25
digital archives and can't find
4:28
anything recent that's close to what happened to Ethan.
4:30
So I just say, yay, I know, but
4:32
he's safe, and he's got his big
4:35
sister and his grandmother on the
4:37
case. I mean, if anyone can
4:39
figure it out, it is the Becker Hoskins.
4:43
Yeah,
4:45
anyway, what's
4:48
up? What are you doing here?
4:50
Oh?
4:51
Right, have you talked
4:53
to Anne recently?
4:55
Oh?
4:56
I haven't talked her since the hospital last night.
4:59
Why, well, something
5:01
kind of strange happened earlier.
5:04
Okay, so you
5:06
remember Katie Franks.
5:16
Wow, I
5:18
can't believe you still live here.
5:20
Once you learn about the modern housing market,
5:22
you'll.
5:22
Understand it looks different.
5:25
I mean all the furnitures. I
5:29
also don't remember you being such a slob.
5:33
Well, it has been a hectic few
5:35
decades. Yeah,
5:39
oh my god, it's really
5:41
cute. You're
5:43
really here. It's
5:52
been decades since we lasted that decades,
5:55
Thomas man.
5:58
Christ I'm an a woman now,
6:01
I mean look at me.
6:02
No, no, no, you're
6:05
still beautiful. You're always
6:07
beautiful.
6:08
But I'm not who I was.
6:10
I don't think either of us are.
6:16
Jeremy, my god,
6:19
there's so much I want to tell you things I've been waiting
6:21
decades to tell you.
6:23
Ann and I.
6:24
No, no, it's it's okay, I know
6:26
about that.
6:27
It's how
6:30
did you
6:32
you knew it was me?
6:34
How did you know?
6:34
I mean, it's you're my son.
6:37
Sure you're all grown up now, but I knew
6:40
i'd know you anywhere anytime.
6:43
You're Jeremy. But you
6:47
you look but what do I
6:49
look like?
6:50
You look almost
6:53
exactly the same, maybe
6:56
a little ragged around the hedges,
6:58
but.
6:59
You haven't aged.
7:01
Huh? I did wonder?
7:04
Should should that disturb
7:07
you just a little?
7:08
But I don't know if I can complain about not getting older?
7:11
How exactly is this possible time
7:14
worked differently over there?
7:16
Oh?
7:16
Oh well in that.
7:17
Case, okay, Jeremy man.
7:19
How do we even know?
7:21
How do we know that you are
7:23
the real Thomas Bradshaw?
7:25
What?
7:26
Yeah, you just come out of the fog.
7:28
You're still thirty five, and you're talking about celestrating
7:30
places with you like it makes any sense, And then
7:32
you expect us.
7:33
To believe that my father is not actually
7:35
dead.
7:36
Jeremy, My father is dead.
7:39
You are dead me, I'm not, I
7:43
never was. I'm
7:45
so sorry.
7:45
No, don't say you're
7:47
sorry.
7:50
Don't you say you're sorry because you can't
7:52
say you're sorry because you're not real.
7:54
Okay, Jeremy, Jeremy,
7:56
honey, after everything that we just witnessed, you're
7:58
still denying that there's something beyond
8:01
our understanding going on here. I mean, look
8:03
at him, Look at him. We are
8:05
not hallucinating.
8:06
Oh do I know this isn't just a dream or
8:09
that you're not.
8:11
Some trick that I'm
8:13
not going to wake up tomorrow and find
8:15
that you're still gone.
8:16
I'm not going anywhere. I'm
8:18
here.
8:19
I mean, I barely understand how or why
8:21
I was able to get out, but I'm not leaving.
8:24
I'm here, Son, I'm
8:26
here.
8:27
You were dead. I
8:33
lost you. You've
8:35
been You've been gone.
8:38
I know.
8:40
Fuck, I feel like I'm losing my mind.
8:43
I know the feeling.
8:47
It's really you, isn't
8:49
it.
8:50
Yeah, Jeremy, it
8:53
is so.
8:56
When you said time moved differently
8:58
over there.
9:00
You were inside that that thing
9:02
that opened up above the lake.
9:03
Yes, some kind of like a vortex or
9:05
portal.
9:06
Shit, did Celeste really open it? Or wait?
9:09
If she traded places with you, then she strapped
9:12
now like you were.
9:14
I don't know she was with you
9:16
when you found.
9:17
Me, Yeah, right before
9:19
and then she jumped. How
9:22
did you know that that's what
9:25
what she was trying to do right away? You
9:27
knew that she was trying to trade places.
9:29
That's the only thing that makes sense. I
9:31
guess something else could have gotten me out, but I don't know
9:33
how.
9:34
And I remember her from before. She was there that.
9:36
Night when you Yeah,
9:39
and recently things have been getting
9:44
thinner, but between
9:47
here and there, and I thought I heard her trying
9:49
to talk to me, trying to tell me what she was planning.
9:51
So Celeste was She
9:54
wasn't lying, she was she wasn't
9:56
making any of it up.
9:57
She really was trying to fix some kind of cosmic.
9:59
Tale more or less. Yeah,
10:02
And you you.
10:03
Think she jumped off a cliff and landed
10:05
in where wherever or whatever
10:08
you've been in.
10:10
Worked for me? Well,
10:12
to be fair, I was pushed Thomas,
10:15
Oh my god, that's probably
10:17
not the best joke.
10:18
No, no, no, I mean why not?
10:20
Right?
10:20
Like, why shouldn't my dad dad
10:22
joke about.
10:23
His own murder. I mean, if you can't joke about.
10:25
That, then what can you joke about Jeremy.
10:27
To be fair, I do think it
10:30
was an accident. It all
10:32
happened so fast. I thought they were going to hurt
10:34
someone. But knowing
10:37
what I know now, maybe
10:39
I should have played it differently. I've
10:42
had a lot of time to think about it.
10:44
How should you have played it?
10:45
I thought they were a crazy cult trying to sacrifice
10:48
someone. I didn't realize they were trying to go somewhere
10:50
of their own free will.
10:51
Oh, you had it right, Okay, they didn't
10:53
know what they were trying to do
10:56
either. I mean they were trying to sacrifice
10:58
somebody, some kind of blood rituals,
11:01
open up a gate to another dimension. You
11:04
did the right thing with the information that you had,
11:06
Thomas.
11:07
You did My god, that is such
11:09
bullshit.
11:10
What No, I'm
11:12
sorry.
11:13
You should not have intervened.
11:14
You You should have just let those nutjobs do whatever
11:16
it is that they wanted to do, and they should have dealt with the
11:18
consequences themselves.
11:20
That wasn't an option. I had a job
11:22
to do, and you're.
11:24
And did your job usually require confronting
11:27
dangerous people alone, going to a secret
11:29
cult meeting without any backup and without telling
11:31
anyone.
11:32
You try explaining to your captain that you need
11:34
resources to stop magical rituals in the woods
11:36
and.
11:37
See how that goes. Well, you should have tried.
11:39
You think I didn't, Okay, hey, fellas,
11:41
I was doing everything I could to get to the bottom
11:43
of what was going on to protect my people
11:46
before it was too late.
11:47
Well, great job.
11:48
I'm not the one who needed to be protected. As
11:51
an officer of the law, I don't
11:53
get that.
11:53
Unshow, don't don't give me that you were some lone
11:56
wolf with no responsibilities.
11:57
You're right, I did have responsibilities to the people of this
11:59
time.
12:00
You had a responsibility.
12:02
You had a responsibility to me and
12:05
to Anne.
12:06
You didn't even tell your partner.
12:07
I mean, I know you had the opportunity, given that
12:09
you two were already together at
12:11
that point.
12:12
All right, let's just all what I'm
12:14
not going to tell me. Calm down, you're not
12:17
pissed. I'm going to tell you that
12:19
I don't think that this is the time, and that
12:21
we can't exactly cast stones, considering
12:23
we've been doing the exact same withholding
12:26
information from the authorities.
12:28
Come on, fine,
12:31
well we should.
12:32
Go to the police. Even if Celeste really is in
12:34
that other place.
12:35
We need to file a
12:37
missing person's report.
12:39
No, no one can see Thomas.
12:41
Not yet what and you know I
12:43
am right, Jeremy, Not
12:46
until we can figure out how to explain
12:48
all this.
12:48
We don't know, right, We don't
12:51
know how people react.
12:52
Yeah, so call
12:55
what Well, I can't do it. The police
12:57
know my voice to Ellen Thomas obviously yet
13:00
so.
13:01
Right, yeah
13:09
I can't.
13:10
There's no service.
13:12
Landline in the kitchen.
13:14
Okay, be right
13:16
back. How
13:20
are you feeling fine? All things
13:22
considered? A little less fine after.
13:26
That?
13:27
Well, you
13:29
know he's processing emotions
13:31
are running high.
13:33
You really know him? Huh.
13:37
I mean, we haven't known each other for very long, but
13:39
the time that we have spent together has been.
13:43
Intense.
13:45
This isn't all what I was expecting.
13:47
I can only imagine, But
13:50
you seem
13:53
I don't know.
13:55
I would have thought. But
13:58
you're you, you know, putting
14:01
together the pieces and cracking the jokes.
14:04
It's really you
14:07
after all this time, it's really you.
14:09
Don't worry.
14:10
I had plenty of time to have the full mental breakdown,
14:12
Thomas, how long has that actually
14:14
been? Based on the fact that Jeremy is a fully Groman.
14:17
I'm guessing quite a while.
14:18
But forty
14:20
years forty, Oh,
14:26
of course it's forty.
14:27
I should have known.
14:29
What do you all right, anonymous?
14:31
To deliver it?
14:32
I just hope they get there and find nothing
14:34
that would mean that she's alive, right and wherever
14:37
you were, right?
14:38
I think?
14:39
So?
14:39
Yes, okay, good, that's good
14:41
because otherwise.
14:42
Well, people have survived that fall before, Jeremy.
14:44
I mean, even if she didn't
14:46
get through the portal, she could be
14:49
okay.
14:49
Yeah, right, Well, if for some
14:52
reason she didn't get through, we
14:54
have a much bigger problem.
15:17
She didn't say anything else, just
15:19
that she was worried about Celeste.
15:21
Yeah, that Celeste was trying some
15:24
kind of ritual to close the tear in
15:26
the veil. It didn't make a lot of sense,
15:28
and I'm not sure why that would be dangerous in the
15:30
first place, but Jeremy still thought it'd be a
15:32
good idea to check it out.
15:34
Damn it.
15:35
Nana still hasn't responded to any of my calls
15:37
or texts.
15:38
Oh, neither's Jeremy.
15:41
If Celeste really is in danger,
15:43
then they.
15:44
Hey, I'm sure they're totally fine.
15:47
If they're totally fine.
15:49
Then why are the police here?
15:51
Oh? God, come on?
15:55
Led to that sad of oaks?
15:59
Whoa? This is an have seen?
16:01
I'm gonna need you to step back.
16:02
What happened?
16:03
Who is that?
16:04
We're the paramedics.
16:05
They're grabbing a gurney.
16:06
What happened?
16:07
It seems there was some kind of accidents
16:10
or someone didn't get the help they needed.
16:12
We don't know much.
16:13
Someone jumped, that's unknown at this time.
16:15
Who is it?
16:16
Is it?
16:17
Look?
16:17
I know the two of you have been caught up in whatever's
16:19
been going on, and I'm really glad
16:21
that your brother's okay.
16:22
By the way, thanks, but
16:25
this just got very very serious.
16:27
Maria.
16:28
Whose body is that?
16:30
Celeste?
16:31
Corey? Celeste
16:33
is she?
16:35
She was already gone when we got here.
16:36
Oh god, wait, have
16:38
you seen anyone else?
16:39
No?
16:40
Have you seen anyone else?
16:42
No, it's been a quiet one. The storm earlier
16:44
cleared everything out.
16:47
Thank you, officer.
16:48
Well we'll get out of your hair.
16:51
Stay safe.
16:55
What are you doing? Why didn't you ask about
16:57
Anne and Jeremy. We don't even know if they're okay.
17:00
We were okay.
17:00
What we do know is that they came
17:02
to me Celeste, who was now dead
17:05
and they didn't stick around to talk.
17:07
To the police.
17:08
You think they what do you think they
17:10
did something?
17:11
They don't know?
17:12
No, of course not.
17:14
Nana doesn't like Celeste, but she helped Ethan,
17:16
and Nana wouldn't look.
17:19
I don't know what happened here,
17:22
but I know my grandmother and
17:25
if she saw something or knew something,
17:27
she would stick around to help the investigation.
17:29
Even if she could get in trouble for it.
17:32
So if she's not here, then she
17:34
must have a really good reason.
17:36
Or something happened to her and Jeremy
17:38
or.
17:38
Someone, But there'd be signs
17:40
of a struggle.
17:41
If look at all this
17:43
mud.
17:45
There's a bunch of footsteps, but no signs of
17:47
dragging or body falling on the ground. Oh
17:49
the hell, My Nana has taught me a
17:51
lot through the years, and
17:54
something about all of this doesn't
17:56
feel right. Like Jeremy
17:58
and Nana had to leave for reason. Maybe
18:01
they were being watched, or maybe
18:03
they saw something they could.
18:04
Put them in danger.
18:06
Maybe something chased them away.
18:09
We need to find them.
18:10
Where do you think they'd be and why wouldn't they be picking
18:13
up their phones?
18:13
Well, if they're at Nana's the service
18:16
there sucks and they could walk
18:18
there from here.
18:19
Okay, so that's where we go.
18:21
That's where we go.
18:27
What do you mean a bigger problem?
18:29
It has to do with the in between what
18:31
it needs. Every forty
18:33
years.
18:34
Something happens
18:36
here, and I think we're still in the middle
18:38
of it, right, a forty year curse?
18:40
Sure?
18:40
Why not?
18:41
That makes perfect sense.
18:42
I'm going to try to explain the best I can
18:44
do.
18:45
You do you remember
18:47
the last forty years?
18:48
Have you been awake
18:51
this whole time?
18:51
I don't even know if that's the right question to ask. Is
18:54
that even the right question to ask?
18:55
I have no idea what we're dealing with here,
18:58
because in all of my years
19:00
of research, I cannot think of anything that would create
19:02
some sort of time travel.
19:04
I don't think we're dealing with time.
19:05
Travel here research.
19:07
I'm a folklore professor, so weird shit
19:10
is sort of my life.
19:11
But this is okay,
19:14
So then what we're.
19:15
Dealing with here? God, what are
19:17
we dealing with here? If it's not time travel,
19:20
then how are you? How are you here
19:22
looking like that magic?
19:25
I think, or something close to it. Magic.
19:28
Look, we've always known this place is different,
19:30
right, special, and
19:33
all the stuff you and I investigated all
19:36
the strange cases. We knew
19:38
that we were just adding to the pile of unsolved mysteries
19:40
in the Bridgewater police files.
19:42
And I think there's a reason for that.
19:43
Yeah, the Bridgewater Triangle, it's a name that
19:46
was given to this region a few years before.
19:49
Well you probably wouldn't have heard of it at the
19:51
time, but there was this cryptozoologist.
19:54
A lot of
19:56
people now actually believe that
19:58
there is some kind of mystical in this region
20:01
that attracts monsters and paranormal
20:03
activity.
20:04
The Bridgewater Triangle, And
20:07
that sounds about right, But it's
20:09
not this region that's attracting things.
20:13
The region is an opening to something.
20:15
That's exactly what Celeste was talking about
20:17
too.
20:18
She was saying that the veil was thinner
20:21
here.
20:22
She's right, but a veil between
20:25
what between here and what
20:28
Thomas.
20:29
Where exactly were you inside
20:32
that veil? I guess. I
20:36
mean, I don't know how to describe it.
20:37
It didn't feel like I was gone for forty years, but
20:39
it did feel long enough.
20:40
To expect to be an old man by the time.
20:42
I got out.
20:43
If I ever got out, you
20:45
did I know? Celeste
20:47
was just trying to make things right, and
20:49
I hope it worked. But now she'll be trapped
20:52
in there and where there's things in there with you.
20:54
You said you don't know what else
20:56
got out and out
20:58
of where.
21:00
Out of whatever's on the other side of that in
21:02
between.
21:03
Spirit, right, that's what Celeste.
21:05
Thanks Spirit. I'm
21:08
not sure. I never got
21:10
to the other side.
21:11
I was just stuck.
21:13
Sometimes it looked like freetown forest. Other
21:16
times the fog was so thick I couldn't see my
21:18
own hands in front of me, and it was like it
21:21
was like being in suspended animation. I
21:25
never got hungry or thirsty, but I was always
21:27
tired, sapped of
21:30
something like it was
21:32
feeding off of me, feeding
21:34
off of you.
21:35
It feels alive the in between.
21:39
Every now and then I would see something out of the corner of
21:41
my eye, hear something breathing behind me, but I never.
21:45
But something changed a little
21:47
while ago.
21:48
I don't know if it was weeks or days or hell
21:50
even years ago, but the air was getting less oppressive,
21:52
the fog starting.
21:53
To lift, the veil was getting thinner.
21:56
Yes, And so I tried to call
21:58
out. I tried to talk to you.
22:00
I hurt you. I don't
22:02
know how, but.
22:03
I hurt you when you were in Freetown.
22:05
No, on my answering machine,
22:08
you were leaving me messages. I
22:10
could barely make out your voice on some of them,
22:12
but I know it was you.
22:15
How is that possible?
22:16
How could you be leaving messages from another dimension?
22:18
You don't even have a cell phone?
22:19
A what phone?
22:21
Right, it's
22:24
a it's a portable phone.
22:27
That's a phone.
22:29
Yeah, Tom, Jesus
22:32
Tom, you okay.
22:34
I mean, it's really been forty years. Forty
22:36
that's such. I
22:40
mean, I knew it might be that long until I could, but
22:43
I really, I really didn't think about
22:46
what that would mean. Dad.
22:50
I'm just gonna wait, where are
22:52
you going?
22:52
I assume the bathroom hasn't moved.
22:54
Nope, just still down
22:57
the hall.
22:58
I'll be right back right right of course.
23:00
Sorry.
23:03
Wow, oh wow.
23:05
And this is also I mean, he's
23:08
here, Yeah, he's really here,
23:10
and he's looking real enough to go pale
23:13
at the sight of a cell phone. And then, Jesus,
23:16
I yelled at him. I yelled at him for
23:18
being irresponsible. I was yelling, yelling
23:21
at my own.
23:22
Dad for being irresponsible.
23:24
It's okay, honey, he understands.
23:27
You know, it's been weird for all of us, and you
23:29
know, but there's like adrenaline crash coming
23:32
for us. Who knows what you know?
23:33
Yeah, yeah, yeah right, But
23:36
then I don't know, like I feel like I'm in some kind
23:38
of dream here.
23:39
No, No, he's really back, Jeremy.
23:43
We caught him back.
23:45
You know, everything in these past few weeks, even in.
23:47
My most desperate,
23:50
scared moments, I
23:53
just never let myself think that any of it could be real,
23:55
because if I
23:58
let myself think that, then I could have
24:00
hope, and I.
24:02
I could not.
24:04
I know, I know, I get it. You know, there
24:07
were times even when I thought having hope
24:09
would kill me.
24:10
But you knew, you
24:12
knew it was all real.
24:14
I knew that I seemed certain,
24:17
But hope really is
24:19
all it ever was? I feel like I
24:22
you.
24:22
Just walked out of the fog. We didn't
24:24
even have to like.
24:25
Fight a giant black dog or anything.
24:28
Yeah that's true. Oh
24:30
God, was that real?
24:32
I mean, I think it's safe to assume that all
24:34
of it is Jesus, you know, we
24:36
don't have to worry about any of that stuff now and
24:38
it's over.
24:40
Yeah, yeah, God,
24:42
what Celeste did for us? I know, does
24:45
she have a family.
24:46
I don't know, but we
24:48
can find out.
24:49
We could tell him, tell them what that
24:52
their loved one is in some inner
24:54
dimensional purgatory.
24:56
Maybe maybe, h
25:00
there's a way we can get her out,
25:02
you know, I mean, we know where she's trapped.
25:04
Maybe we can do it right this time.
25:05
No, yeah, no, I think no, no, no, no.
25:08
She finally finished what she started forty
25:10
years ago. She made her choice to sacrifice herself
25:12
to make things right. It's
25:14
not our problem anymore, and this
25:17
is over. We
25:20
we don't need to know how to get her out.
25:22
Yes we do, because
25:24
there was someone else in there with me.
25:31
Celeste. I can't believe she's I
25:34
mean, what happened?
25:35
I have no idea. Katie
25:38
said she thought she was in danger? Right, I
25:40
mean maybe she meant that that Celeste wasn't
25:43
doing well, that she was at risk of hurting
25:45
herself.
25:46
Yeah, or or what.
25:49
Okay, what if whatever she was trying to do
25:51
the ritual? What if it worked?
25:53
What if it what you
25:55
think she was trying to perform some kind
25:57
of human sacrifice.
25:59
I don't know.
26:01
I don't understand what is happening.
26:04
I feel stupid
26:06
for even suggesting it.
26:10
What was that?
26:11
Hello? Is someone there,
26:14
Olivia, we should hurry.
26:18
Oh holy shit, Oh my god,
26:21
what is that?
26:23
Olivia Roun.
26:38
This episode of Bridgewater was written by Lauren
26:40
Shippen and directed by Brendan Patrick
26:43
Hughes Assistant director Sarah
26:45
Kleine. Sound designed by Vincent de
26:47
Johnny rema El Kali, Josh
26:50
Thayin, and Trevor Young, with music
26:52
by Chad Lawson. Starring
26:54
Misha Collins as Jeremy Bradshaw,
26:56
Melissa Ponzio as Anne Becker,
26:59
Alan To Dick as Thomas Bradshaw,
27:02
Karen Sony as Vipen Kurana,
27:04
Sabra May as Olivia Hoskins,
27:07
Cheryl Umanya as Officer Bautista,
27:10
Will Wheaton as Captain Haddock, Tricia
27:13
Helfer as the Legend Tripper,
27:16
Stephen Guarino as Doctor Edwards,
27:19
Nanda Misudmbe as Peyton
27:21
Blake, Hillary Burton Morgan
27:23
as Shelley Hoskins, Nicky
27:25
McCauley as Celeste, Then, Victoria
27:28
Grace as Katie Franks, with
27:30
additional voice acting by Greta Gould,
27:33
Shelby Young, Adam o'byrn Monte,
27:35
Markham, Charlie Bergman, and
27:37
Tarren Westbrook Executive producers
27:40
Aaron Mankey, Misha Collins, Lauren
27:42
Shippen, Matt Frederick and Alexander
27:45
Williams. Supervising producers Josh
27:47
Thain and Trevor Young. Bridgewater
27:50
was created by me Aaron Mankey and
27:52
is a production of Grim and Mild and iHeart
27:54
three D Audio. Learn more about the show
27:57
over at Grimandmild dot com,
27:59
slash Bridge and find more podcasts
28:01
from iHeartRadio on the iHeartRadio
28:03
app, Apple Podcasts, or wherever
28:05
you listen to your favorite shows,
28:07
and as always, thanks
28:09
for listening.
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