Classical Breakdown

Classical Breakdown

Classical Breakdown

A Music podcast

Good podcast? Give it some love!
Classical Breakdown

Classical Breakdown

Classical Breakdown

Episodes
Classical Breakdown

Classical Breakdown

Classical Breakdown

A Music podcast
Good podcast? Give it some love!
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Episodes of Classical Breakdown

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You knew this composer before you knew his name, and he has shaped the sound of movies and childhoods for generations. Join us to learn about aspects of his life you didn't know, like his early career and first film scores, influences, nonfilm
Few other works in the canon occupy a place like this symphony by Dmitri Shostakovich. John Banther and Evan Keely dive into history as they show you what to listen for, Shostakovich's perilous circumstances, and what clues he could have left f
I have a special update for you on Florence Price because of the hard work of a particular listener and a previous guest. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
Ravel wrote something so difficult he couldn't even play it, and he even dared to criticize others' performances! Linda Carducci and John Banther dive into a work that challenges the most virtuosic of soloists, its frightening accompanying poet
Discover contemporary works by living Brazillian composer Clarice Assad that cover chamber music, solo piano, and orchestra. Then Co-Founder Laura Colgate tells us everything we need to know about and how you can benefit from the Boulanger Init
Conductor Steven Fox joins John Banther to talk about this Mass that was overlooked after its premiere in 1893. Fox tells us everything we need to know about a mass, what to listen for, and how Ethel Smyth's mass stands apart. We also touch on
This American composer was a pioneer in electronic music, commissioned works with major orchestras, and did groundbreaking work in musicology connecting music traditions from West Africa to the United States. John Banther and Evan Keely explore
Explore the different emotional aspects of loss, grief, and separation in this orchestral song cycle by Kenedy Center composer-in-residence Carlos Simon. John Banther and Evan Keely explore the text by Rumi, how Simon pairs this directly in the
Music was used in World War 2 like never before, from propaganda to national pride. John Banther and Evan Keely explore Copland's musical effort to rally a defense for democracy using Abraham Lincoln's timeless words and examine why it was bann
We take a glimpse into the massive world and history of the trumpet! From its use in military battles and physical dangers to beautifully soft moments on the stage, world-renowned trumpeter and teacher Chris Gekker joins John Banther for a wide
WETA resident cello player James Jacobs joins John Banther for a deep dive into the 6 iconic cello suites by JS Bach. With cello in hand, James demonstrates different aspects of the suites and shows us what to listen for, plus we enjoy a full r
One of the most iconic American composers was at one point even considered by some to be "un-American." John Banther and Evan Keely explore Copland's life, works you probably don't know, what influenced him, how he created an "American" sound,
We get a rare opportunity to look at a country's first symphony, and it wasn't written until 1917! John and Evan explore Pejačević's symphony and show you what to listen for, what sets her symphony apart from others of the time, and how WWI dir
Few composers were an overnight sensation like Gioachino Rossini! We have 3 musical characteristics of his to show you as we explore his life, travels, his love of food, and why he might have quit at the height of his fame at age 37. Plus, stay
Why was the premiere a failure, and how did it get back into the repertoire? John Banther and Evan Keely uncover unique characteristics in this concerto, what to listen for, and its beguiling opening!Support Classical Breakdown: https://weta.or
One of the oldest instruments and one of the most beloved has to be the horn! Chandra Cervantes, one of the most in-demand horn players in the DC area, tells all about its development and use in music, plus, she plays for us some iconic music o
We explore two influential composers in this episode that you need to know; Silvestre Revueltas and Gabriela Lena Frank. John Banther and Evan Keely highlight works from both composers, aspects of their lives, and what to listen for in their mu
From government intrigue, untimely death, or even distraction, there are many reasons why a composer might leave a work unfinished. John Banther and Linda Carducci dive into 5 unfinished works, how they are performed today, look at the surround
We hear a full performance of this iconic symphony at the end of the episode. John and Evan break down everything you need to know, the "Bruckner problem," and show you what to listen for!Support Classical Breakdown: https://weta.org/donatefmSe
Can you believe it that summer is already here? This is the final episode of Season 5 and I have 4 recently released albums you need to listen to wherever the summer takes you!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio
Who doesn't love the cello? But, where and when was it invented, and how did it evolve over the centuries? Amit Peled, cello soloist and professor at Peabody, tells us everything and performs music by Bach and Bloch!Support Classical Breakdown:
We enjoy a full performance of the Enigma Variations at the end of the episode, but first, we get into the people and places depicted in colorful detail in Elgar's masterpiece. John Banther and Evan Keely uncover hidden clues in the music, the
Real and fictional characters come to life in this incredibly challenging work for piano that also includes musical puzzles. John Banther and Linda Carducci explore all the characters and how Schumann depicts them in music, the ciphers, discard
She might have been the most influential person in music of the 20th century, and few would argue with you. John Banther and Evan Keely explore her life, music, and incalculable influence, but also some of the criticism her legacy has faced in
We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Ba
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