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Hey everyone, you're you're listening
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to Code the show about race
0:41
and identity from NPR from .A.
0:43
Parker. and B.A. Parker. And I'm Jean
0:45
Dunby. Jean. Do you think it's
0:47
possible for us to ever live in the live
0:49
in a utopia? You people are skipping
0:51
around with tie where you know
0:53
I mean? it around with I don't
0:55
know, know what I various I don't know, various nut
0:57
milks people. In this current
1:00
climate, no. climate? No, absolutely mean, all you
1:02
need is a blender is a time,
1:04
but when you put it when that, it
1:06
it that, it sounds you trying to live
1:08
in trying something? live in a utopia or something? I
1:10
don't know. I I just need the
1:12
possibility of a place where I
1:14
feel safe. I feel safe. Or it's
1:17
rather where black people feel
1:19
safe. safe. Have you had that
1:21
that before? Well, from from
1:23
Baltimore, which already like
1:25
a black a black utopia.
1:27
What? Really? I mean, I mean.
1:30
it's a predominantly black city
1:32
it was a was a space
1:34
where growing up I
1:36
was surrounded by black people
1:38
who felt proud proud and were
1:40
allowed to be who be who they
1:42
were unencumbered. And honestly, it it wasn't
1:44
until I was surrounded by white
1:46
people. white people in in middle school
1:48
I I started, know, don't know, feeling
1:50
bad about myself. And then then I went
1:52
to like a a Black High I went
1:55
to an HBCU for college, and
1:57
then then felt I felt great again, I felt
1:59
good again. Okay, yeah, okay, but
2:01
I'm wondering if there's a
2:03
difference between a space that
2:05
felt safe for you and
2:07
like a utopia. You wouldn't
2:09
say your HPCU was a
2:11
utopia, would you? And also
2:13
like, black folks are not
2:15
going to agree on what
2:17
safety even looks like, you
2:19
know what I mean? Yeah,
2:21
I mean, not to say
2:23
that black folk don't have
2:25
our own problems, but I
2:28
am a black woman in
2:30
the world today, and especially
2:32
in this political time, hostility
2:34
towards people like me becomes
2:36
more brazen when people in
2:38
power seem cool with it.
2:40
And I think about safety
2:42
and security, and I find
2:44
myself yearning again for a
2:46
space where I feel safe
2:48
and free. And it has
2:50
me wondering, does that have
2:52
to be a black space?
2:54
Right, because if you're trying
2:56
to make an intentional utopian
2:58
community somewhere, doesn't some shared
3:00
ethos, you know what I
3:02
mean? Some common cause matter
3:04
more than a common identity.
3:06
These are all questions that
3:08
Aaron Robertson was puzzling through
3:10
in his new book, The
3:12
Black Utopians. In it, Aaron
3:14
explores the black enclaves that
3:17
came about post-reconstruction all the
3:19
way up to today. And
3:21
he asks this big question,
3:23
what does a black Utopia
3:25
look like? It can be
3:27
a lot of different things.
3:30
And one of the places that
3:32
fits the bill for Aaron might
3:34
surprise you. Detroit, the city that
3:36
tends to be thought of, I
3:39
think, as a kind of American
3:41
dystopia. All right, Parker. Let's hear
3:43
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was like, everyday life. I just
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died and came back. the
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first thing you came back. And the Do
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life stories, life really good ones,
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really your podcast feed, your This
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American feed, this American life. I
5:16
I started out talking with Aaron
5:18
Robertson about what makes a makes
5:20
a black utopia, he told me that
5:22
some of the places he
5:24
thinks of as utopias are pretty
5:26
surprising to the people who
5:29
haven't experienced them them firsthand. as soon
5:31
as you leave Detroit and tell
5:33
people where you're from. from,
5:35
will ask, ask, so it like being there? being
5:37
I think when I was a kid,
5:39
I I would internalize a lot of
5:41
that. a lot of that. And
5:43
would be so focused on
5:46
images of dilapidated homes
5:48
and abandoned factories factories, and less
5:50
concentrated on the stories
5:52
of the people who were
5:54
there who were were always
5:56
making their home into a
5:58
much better place. place. I
6:00
was curious about what it
6:02
would be like to tell
6:05
a story about Detroit and
6:07
about other places where black
6:09
people have thrived that was
6:11
a counter-narrative of sorts. And
6:13
also, I grew up going
6:15
to this small town in
6:17
Tennessee west of Nashville called
6:20
Promise Land, where my dad's
6:22
dad was born. We would
6:24
go down there every summer
6:26
for family reunions and gatherings.
6:28
And when I was a
6:30
kid, I didn't have a
6:33
great appreciation, I think, for
6:35
the historic weight of a
6:37
place like this. But as
6:39
I got older, I realized
6:41
that, okay, not all black
6:43
people come from towns like
6:46
this, which is a very
6:48
simple thing, but there were
6:50
so many other stories of
6:52
black towns throughout the country.
6:54
like in the South, in
6:56
the West, and I wanted
6:59
to write about these spaces
7:01
that black people have created
7:03
throughout time, these safe havens,
7:05
that in some ways were
7:07
outside of mainstream narratives, and
7:09
I wanted to trace a
7:12
broad history of these black
7:14
utopian spaces and ways of
7:16
thinking about these spaces, too.
7:19
Okay, so in your mind,
7:21
what is considered a black
7:23
utopia? Like, is it just
7:26
simply a safe space or
7:28
a safe haven for the
7:30
Black Collective? I think Black
7:32
utopia can have so many
7:34
meanings, like, which is the
7:36
great and frustrating thing about
7:38
it, right? I think there
7:40
are these real physical spaces
7:43
that African Americans have carved
7:45
out in order to experience
7:47
a sense of community, sure,
7:49
but also These are spaces
7:51
where black people have been
7:53
able to imagine alternatives to
7:55
the social, economic, and political
7:58
restrictions that historically have been
8:00
on black people. So, you
8:02
know, Utopia is a way
8:05
of relating to other people.
8:07
It is ways of reinforcing
8:09
the dignity of yourself and
8:11
of your neighbor. And I
8:13
think when you live in
8:15
a world that has been
8:17
trying to tell you as
8:19
a black person, that maybe
8:22
you aren't worth much, finding
8:24
spaces where you can push
8:26
back against that, I think
8:28
is fundamental. I'm going to
8:30
do something terrible. I'm going
8:32
to read you to you.
8:34
Oh my gosh. And I
8:37
just, I want to apologize
8:39
immediately. You ask this question
8:41
only on in the book.
8:43
You say, quote, How have
8:45
black people, together and alone,
8:47
created good places from the
8:49
various nowheres to which they
8:51
have been consigned for centuries?
8:54
The dark town, the ghetto,
8:56
the reform school, the internment
8:58
camps, the segregated church, the
9:00
former plantation site, the riot-scarred
9:02
street, and is in my
9:04
father's case, the prison? Did
9:06
you answer that question for
9:08
yourself? In part, yeah. So
9:11
a part of the book
9:13
is about my own relationship
9:15
with my father, for example.
9:17
From the time I was
9:19
eight, until I was 18,
9:21
we were separated because he
9:23
was incarcerated. And we exchanged
9:26
letters during that time, and
9:28
I would sometimes, you know,
9:30
like visit him as a
9:32
child, but there was always
9:34
some kind of distance between
9:36
us. And I know that
9:38
he was grappling with his
9:40
life in prison, he was
9:43
grappling with the life that
9:45
he had, but also the
9:47
lives that he had. envisioned
9:49
for himself, but life was
9:51
not going to play out
9:53
exactly how he had envisioned
9:55
it. And to be fair,
9:57
for my father and for
10:00
other people in the book
10:02
who I'm writing about who
10:04
experienced life in prison, it
10:06
was a place repression and
10:08
suffering and often abuse at
10:10
the hands of prison guards.
10:12
And yet, for some people,
10:15
it became a site of
10:17
resistance too. So one of
10:19
the people I write about
10:21
is this black nationalist artists
10:23
named Glanton Dowdell. He was
10:25
born in Detroit right before
10:27
the Great Depression started. And
10:29
when he was a young
10:32
man, he went to prison
10:34
on a murder charge. And
10:36
he was there for... about
10:38
10 years, and he was
10:40
also a brilliant visual artist,
10:42
and it was during his
10:44
time in prison where he
10:46
began to really refine his
10:49
skills as an artist. He
10:51
also led movements among the
10:53
prisoners to resist abuse by
10:55
the guards. But one of
10:57
Glanton's jobs in prison was
10:59
to teach other inmates how
11:01
to paint, how to create
11:04
art. And one of the
11:06
lessons that he taught the
11:08
people he was around, they
11:10
would be outside walking the
11:12
yard. And Glanton once picked
11:14
up a stone and said
11:16
to some of the inmates,
11:18
you don't need a canvas,
11:21
really, to create a work
11:23
of art. You can paint
11:25
something on. this stone that's
11:27
right in front of you.
11:29
And that I think is
11:31
kind of a lesson that
11:33
is so representative of what
11:36
it means to take this
11:38
space of duress and find
11:40
some small way to make
11:42
it more livable, but also
11:44
to find ways to make
11:46
your life better. Imagine what
11:48
life could be otherwise. What
11:50
distinguishes a black utopia from
11:53
a general utopia in your
11:55
mind? When you think within
11:57
the context of American history,
11:59
so many of the white
12:01
utopian narratives that we grow
12:03
up with are about westward
12:05
expansion and the development of
12:07
the front. these visions are
12:10
so often predicated on the
12:12
dispossession of indigenous Americans and
12:14
also the disenfranchisement of black
12:16
people within the US. And
12:18
so I wanted to draw
12:20
attention to the ways that
12:22
black Americans in particular, despite
12:25
these kind of historical realities,
12:27
have attempted to create a
12:29
better life. And so. really
12:32
like what it often comes
12:34
down to is what are
12:37
the counterstructures and counter institutions
12:39
that black people have created
12:41
throughout time whether it's political
12:44
parties or creating credit unions
12:46
and mutual aid societies whether
12:48
it's imagining in some cases
12:51
the creation like of an
12:53
all-black state as in the
12:56
case of you know a
12:58
group like the Republic of
13:00
New Africa in the 1960s
13:03
in 1970s, this organization that
13:05
was such a part of
13:07
the counterculture of that time,
13:10
and they had envisioned taking
13:12
five contiguous states in the
13:15
U.S. South and essentially creating
13:17
an independent country within the
13:19
borders of the United States.
13:22
And it was meant to
13:24
be a refuge from the
13:26
punishing American legal apparatus that
13:29
had been so awful for
13:31
so many black Americans. It
13:33
was also meant to be
13:36
a space where black people
13:38
who were against the Vietnam
13:41
War could go for refuge.
13:43
So there are creative ways
13:45
to attempt to escape oppressive
13:48
structures. And that I think
13:50
is the thing that really
13:52
sets black utopianism apart. Yeah.
13:55
You mentioned already your family's
13:57
homestead a promised land. Where
14:00
was the historical context behind
14:03
the place? Yeah, so Promise
14:05
Land was this town that
14:07
was established in the years
14:09
after the Civil War. You
14:11
know, black families largely started
14:14
to move there beginning in
14:16
the 1870s. A lot of
14:18
the founding families of Promise
14:20
Land had worked on one
14:22
of the iron plantations that
14:24
were in Dixon County, Tennessee,
14:27
where Promise Land, is located
14:29
about in our west of
14:31
Nashville. When the Civil War
14:33
happened, so many of the
14:35
kind of factories in the
14:38
region had been destroyed as
14:40
a result of the war.
14:42
And so you had a
14:44
set of families in the
14:46
region who still needed a
14:49
home. And so black. family
14:51
started to come together to
14:53
pool their resources to then
14:55
buy land that eventually became
14:57
Promise Land. And Promise Land
15:00
as a town really existed
15:02
for about 100 years or
15:04
so. I mean, you know,
15:06
its height in terms of
15:08
population was probably in the
15:10
19 tens and 20s. And
15:13
over the course of the
15:15
20th century, you know black
15:17
families there started to move
15:19
away many move north for
15:21
better like job opportunities or
15:24
because they had relatives there
15:26
and in the 1970s like
15:28
there were still some families
15:30
there but it really was
15:32
kind of becoming a ghost
15:35
town of the swords but
15:37
even then like even when
15:39
people moved away from this
15:41
town It was still the
15:43
site of family gatherings, like
15:45
it was still the site
15:48
of, you know, these annual
15:50
festivals that were meant to
15:52
appreciate what a town like
15:54
this meant for so many
15:56
black people. was a refuge
15:59
from white terrorist violence during
16:01
the era of Jim Crow.
16:03
And unlike so many other
16:05
spaces like this, Promising was
16:07
largely untouched by racial violence.
16:10
It kind of was one
16:12
of those lucky spaces that
16:14
seemed to have been passed
16:16
over in a sense. And
16:18
it was also the place
16:21
where many African-Americans owned. their
16:23
own land. They built homes
16:25
and shops and churches and
16:27
a one-room schoolhouse. And even
16:29
now, the only buildings that
16:31
remain are the one-room schoolhouse
16:34
and a Methodist church. But
16:36
now, you know, these are
16:38
used as community centers and
16:40
spaces to bring people together
16:42
in a very new way.
16:45
And I think even the
16:47
reuse of these spaces is...
16:49
the kind of a sign
16:51
of the ways that these
16:53
spaces can persist, like even
16:56
if the historical conditions that
16:58
birth them have completely changed.
17:00
There's a moment in the
17:02
book, in that town, there's
17:04
a talk about, this is
17:07
like this utopia, like the
17:09
violence was passed over, but
17:11
was it more so like
17:13
our grandparents, great-grandparents, just like
17:15
this just glossed over it.
17:17
Yeah, I mean, it's a
17:20
bit of both of that,
17:22
I think, right? Like, I
17:24
think a lot of the
17:26
people who grew up in
17:28
Promise Land, so I'm thinking
17:31
people of my grandfather's generation,
17:33
many of them did not
17:35
witness the kind of racial
17:37
violence that so many other
17:39
black. families at that
17:42
time were experiencing. But also
17:44
I do think that even
17:46
like their parents were very
17:48
intentional about kind of concealing
17:51
or trying to protect their
17:53
children from some of the
17:55
worst like that was out
17:57
So for example,
17:59
my grandfather's
18:02
cousin, a woman named
18:04
woman she she in her late
18:06
70s now and she is sort of
18:08
the sort of the great historian
18:10
of this town, has been
18:12
a real big advocate for Promised
18:14
Land. And she told me
18:17
the story about her dad. dad,
18:19
When she and her siblings were
18:21
growing up, her dad would
18:23
not allow them for a time
18:25
to walk into the nearby
18:27
town of Charlotte of get what
18:29
they needed. So, you know, groceries
18:31
and clothes, you know, cetera. and That
18:34
was his job. That would take
18:36
their feet feet place them them on
18:38
on pieces of cardboard, and
18:40
he would trace the of their
18:42
feet, feet. and then he would
18:44
take that piece of cardboard of
18:47
cardboard and go into town, go
18:49
into the go into the stores bring
18:51
and bring them back shoes. And sometimes
18:53
Kay would sometimes dad, ask her was it
18:55
like? what was it like? Like,
18:57
what did you experience on
18:59
the way there there and on
19:01
the way back? back? And Kay's
19:03
dad essentially told them them, like, Don't
19:05
worry about it, like mind your business,
19:08
like mind your right and the
19:10
that he very well may
19:12
have experienced some kind
19:14
of racist aggression there, but
19:16
he wanted his kids
19:18
to feel safe. to feel safe so
19:21
it's a It's a little bit
19:23
of you know storytelling in order to
19:25
make your life life more more
19:28
bearable. You always
19:30
sense that on the
19:32
edge of promised land were
19:34
these these more of of
19:36
and complicated stories about
19:39
what life actually was, life
19:41
but I think it
19:43
was I think it least
19:45
for my grandfather my grandfather
19:47
siblings his siblings and other relatives
19:50
to feel, even if even
19:52
if life was not going to
19:54
be a paradise for them, them, that
19:56
they had these moments in their life
19:58
where they didn't have to worry. worry.
20:00
about what was going to
20:03
come down the line.
20:05
Coming up, we're talking
20:07
more about the pursuit
20:10
of a black utopia.
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21:48
Parker, just Parker. Code switch.
21:50
We're back with Aaron Robertson,
21:52
talking about what makes a
21:55
black utopia. One of the
21:57
examples that stood out most
22:00
to me in his book
22:02
a church called The Shrine
22:05
of the Black Madonna, which
22:07
was created by a man
22:09
named Albert Clegg Jr. So
22:12
I asked Aaron, what made
22:14
this church so special? So
22:17
uniquely utopian. The Shrine of
22:19
the Black Madonna was best
22:21
known in the late 1960s
22:24
and early 70s for being
22:26
a black nationalist church that
22:29
was also at the forefront
22:31
of what is sometimes called
22:34
black liberation theology. And this
22:36
is the idea that essentially
22:38
that Christ is a Christ
22:41
of the oppressed and that
22:43
Christianity is really a narrative
22:46
about protecting those who have
22:48
been disinherited and dispossessed. Kleg
22:51
was known as a sort
22:53
of the great practitioner of
22:55
black theology. That was the
22:58
mantra of his church and
23:00
of the movement that he
23:03
started there, which he called
23:05
black Christian nationalism, was that
23:08
nothing is more sacred than
23:10
the liberation of black people.
23:12
And that phrase shaped not
23:15
only Kleg's theology, his religious
23:17
beliefs. but also his belief
23:20
in the importance of political
23:22
involvement of economic self-determination and
23:24
of spiritual change. You said,
23:27
in describing his belief that
23:29
like African communalism was an
23:32
appropriate response to white egocentrism.
23:34
Yeah. And I think I
23:37
started to like that felt
23:39
very apropos even in maybe
23:41
2024. Yeah, it's right. I
23:44
mean, Albert Clay called himself
23:46
either a black realist or
23:49
a pragmatic realist. And one
23:51
of the things that he
23:54
stood against was sense of
23:56
kind of selfish individualism. He
23:58
grew up in this kind
24:01
of affluent black family in
24:03
Detroit, was the first black
24:06
doctor to be hired by
24:08
the city of Detroit. And
24:11
so really the Clagues were
24:13
known as socialites. They were
24:15
covered widely in the black
24:18
press. And so Clague had
24:20
a privilege upbringing. And he
24:23
was also, at one point,
24:25
as a young man, he
24:27
worked as a social worker
24:30
on the east side of
24:32
Detroit, where a lot of
24:35
poor black people and immigrants
24:37
from different parts of Europe
24:40
were often crowded in really
24:42
horrible living conditions. He saw
24:44
that and he saw the
24:47
kind of the circumstances of
24:49
his own life and was
24:52
really kind of appalled by
24:56
by those contradictions and
24:58
opposition to greed and
25:00
accumulation like for its
25:02
own sake became an
25:05
important part of his
25:07
work. Instead of focusing
25:09
on the fate of
25:11
individual people and acquiring
25:14
for your own sake.
25:16
He was interested in,
25:18
okay, how can we
25:20
actually create communities? How
25:23
can we bring people
25:25
together to focus on
25:27
communalism as opposed to,
25:29
you know, individualism? I,
25:32
okay, a question that
25:34
I kept asking myself
25:36
while reading the book
25:40
And it felt it felt
25:42
dangerous to think because it's
25:45
such a slippery slope question.
25:47
Yeah. Is segregation necessary to
25:50
create a utophie? That's a
25:52
great question. Is it? It
25:54
is. And it stressed me
25:57
out. I mean, it is
25:59
a. I think,
26:01
like what is the import
26:04
or what is the use
26:06
of like a black utopian
26:08
space? I guess the question
26:11
that people have nowadays is
26:13
what does a sustainable social
26:15
movement look like? Is it
26:18
something that is multicultural and
26:20
inclusive? I think the answer
26:23
is yes. And I also
26:25
think it is important to
26:27
pay attention to the very
26:30
particular struggles that certain groups
26:32
have experienced. But what I
26:34
wanted to write about were
26:37
movements that were focused on
26:39
black people, not because the
26:42
point of these movements was
26:44
to exclude other people. But
26:46
it was really about reinforcing.
26:49
the dignity of those who
26:51
were within these spaces. I
26:53
started to write the book
26:56
in 2020, and this was
26:58
before the January 6th insurrection,
27:01
where the term white Christian
27:03
nationalism really became popularized, I
27:05
think. And I knew, oh
27:08
man, like I'm writing this
27:10
book about a group called
27:12
the Black Christian Nationalists, and
27:15
you know, I'm going to
27:17
have to explain that it's
27:20
not just like white Christian
27:22
nationalism, like with a black
27:24
face, but I do think
27:27
it's important to say that
27:29
white Christian nationalism and black
27:31
Christian nationalism both used the
27:34
kind of terminology and symbolism
27:36
of Christianity to mobilize different
27:39
groups of people. But white
27:41
Christian nationalists, their mission, their
27:43
purpose is to impose a
27:46
very strict sense of what
27:48
it means to be an
27:50
American on everybody else, right?
27:53
If you are not a
27:55
white Christian, heteronormative, etc. You
27:58
pose a I think, to
28:00
the sort of ideological coherence
28:02
of white Christian nationalism. Black
28:05
Christian nationalism was not interested
28:07
in imposing a sense of
28:09
what life should be on
28:12
other people. It was really
28:14
about carving out spaces for
28:16
black people to experience self-empowerment
28:19
and collective liberation. they had
28:21
a vision of a kind
28:24
of beloved community that was
28:26
very different from the more
28:28
hate filled, like I think,
28:31
orientation of tried and true
28:33
white Christian nationalists. Yeah, one's
28:35
about dignity and the others
28:38
about encroachment. Yeah, encroachment and
28:40
disenfranchisement and ideological rigidity. Why
28:43
are so many of the
28:45
black utopias that you've written
28:47
about not better known? I
28:50
think that... so many of
28:52
these black movements begin in
28:54
the shadows a bit because
28:57
there is something about like
28:59
I think the privacy of
29:02
creating these spaces that is
29:04
important. It's kind of like
29:06
a place like Promise Land
29:09
for example. It was this
29:11
unincorporated town and there are
29:13
so many spaces like it
29:16
that have not been formally
29:18
mapped out. Most of these
29:21
places are not well known
29:23
or their histories are not
29:25
well documented. We might see
29:28
that as a tragedy in
29:30
part, but I actually think
29:32
that there's a usefulness to
29:35
being a bit hidden to
29:37
working underground, especially when you
29:40
aren't certain whether your work
29:42
and whether what you stand
29:44
for will actually be embraced
29:47
by other people. Yeah, I
29:49
wanted to talk to you
29:51
after the election instead of
29:54
before. I also, I don't
29:56
know, I want to know
29:59
what the results are going
30:01
to be. But I wondered
30:03
if the election shifted your
30:06
perspective of your book or
30:08
what that Black Utopia idea
30:10
could look like now. Yeah,
30:13
you know, the essay that
30:15
the book grew out of,
30:18
I had the idea for
30:20
that in 2019. So in
30:22
2020, when the pandemic happens
30:25
and when the spate of
30:27
police violence against black people
30:29
is the focus of national
30:32
attention, I'm already attuned at
30:34
that moment to what black
30:37
utopian initiatives and projects look
30:39
like. And so when all
30:41
of the chaos is happening,
30:44
the things that I'm really
30:46
looking for in the news
30:48
are stories about For example,
30:51
the proliferation of mutual aid
30:53
groups that start to pop
30:55
up in communities of color
30:58
throughout the country. I'm paying
31:00
attention to the importance of
31:03
food security networks in cities
31:05
across the country, which are
31:07
so necessary at times of
31:10
economic and political turmoil. when
31:12
it's hard to really envision
31:14
what the future looks like,
31:17
that tends to be when
31:19
these kinds of utopian movements
31:22
really pick up. And so,
31:24
you know, now, Trump is
31:26
reelected. And although for me
31:29
personally, it's tiring and sad
31:31
and scary, I just know
31:33
that there are so many
31:36
groups out there whose work
31:38
is going to continue and
31:41
is going to pick up
31:43
even. I think of the
31:45
importance of what was called
31:48
the solidarity economy, right, which
31:50
is essentially in acknowledgement that
31:52
the world that so many
31:55
people are striving the kind
31:57
of world that I personally
32:00
want to see is one
32:02
that is about sustainability, that
32:04
is about kind of slowing
32:07
down and reorienting what we
32:09
care about, right? I guess
32:11
I try to find some
32:14
encouragement in what tends to
32:16
happen when things go really
32:19
bad. Oh, Aaron. Yeah. It's
32:21
just, it's just me out.
32:23
I mean, yeah, it's also
32:26
important in writing about utopian
32:28
traditions and histories to be
32:30
real about it, right? The
32:33
need for creative responses, I
32:35
think, to systemic oppression is
32:38
exhausting. And the fact that
32:40
we keep experiencing these moments
32:42
of shock at what we
32:45
are, like as a nation,
32:47
Right, I mean it feels
32:49
in some ways that we
32:52
are regressing and it's like
32:54
the alternative is what you
32:57
sort of stop and stare
32:59
at the wall and you
33:01
know and don't don't do
33:04
anything I just I I
33:06
think in part I wanted
33:08
to write the book because
33:11
I was tired too by
33:13
a lot of what I
33:15
was seeing in 2016 on.
33:18
I eventually got to a
33:20
point where I was thinking
33:23
the people who have the
33:25
maybe the most right to
33:27
to give up are the
33:30
people who have done everything
33:32
within their power to make
33:34
the world different and better.
33:37
And so I wanted to,
33:39
like when I learned about
33:42
the Shrine of the Black
33:44
Madonna, a lot of the
33:46
black Christian nationalists who I
33:49
spoke to for the book,
33:51
they were my age in
33:53
the 1960s and 70s when
33:56
the Vietnam War. was raging.
33:58
It was it
34:01
was not clear
34:03
like black liberation liberation
34:05
movements would endure of of
34:07
the effects of counter -surveillance
34:09
operations, right, the suppression of
34:11
these kinds of groups.
34:14
There were a lot of
34:16
forces that were marshaled
34:18
against these young people too.
34:20
too. But I but I wanted to talk to
34:22
people who. who lived through that
34:24
period and then also saw what
34:26
was going on like with our
34:28
country now. Many of them
34:30
I think I think, to. on to a a
34:33
sense of hope. They They were kind of
34:35
inspired by what was happening. in
34:38
2020. And so it
34:40
felt important for me to It
34:42
felt important for me to connect with people
34:44
who had lived through terrible. periods
34:46
of their own, their own. and I think
34:48
took some encouragement from that. from
34:51
that. All right. I don't All
34:53
right, be a I don't mean
34:55
to be a immediately, I apologize. No, no, it's,
34:57
it's, I think it's, I it's I
34:59
think it's normal and natural
35:01
I mean I'll speak from a
35:04
very personal place. So Cousin Kaye, who is
35:06
my my grandfather's
35:08
cousin, know, in Land, she's getting
35:10
older, you know, and you
35:12
wants to ensure that the
35:14
memory of a place like
35:16
Promised Land is preserved. is preserved. by
35:18
younger people, so she has
35:20
looked has looked to, you to her
35:22
daughter. daughter, to think
35:24
of ways that we might use
35:27
a space like this for
35:29
good. for good. And I find myself now
35:31
at a point a point where
35:33
really concerned about the
35:36
attacks on freedom of
35:38
expression. There are real are
35:40
real dangers that the the next
35:42
Trump administration will
35:44
pose to the attempt to
35:47
educate people about history as it
35:49
is, right? as it is, right? all
35:51
extremely scary and
35:53
threatening. And I
35:55
wonder, can a place like
35:57
like be used as as like?
36:00
artist retreat or some kind
36:02
of co-op where people can
36:04
come together to tell the
36:06
very kinds of stories that
36:08
the Trump administration is going
36:10
to be trying to suppress,
36:12
especially throughout the American South.
36:14
And so I guess the
36:16
answer to that question is,
36:19
It's sort of about thinking,
36:21
like, what do we have
36:23
in front of us that
36:25
we can recycle in a
36:27
way to use for good?
36:29
It's not that we necessarily
36:31
need to create entirely new
36:33
ways of thinking or new
36:35
political structures. Like maybe we
36:37
do, who knows? But it
36:39
may be a little more
36:41
manageable to think about, okay,
36:44
what is it right in
36:46
front of me that I
36:48
can do? What are the
36:50
things that my own interest?
36:52
tap into that can motivate
36:54
me to try to resist
36:56
all of the horrible things
36:58
that might be coming our
37:00
way. So it's not blind
37:02
hope, but it's kind of
37:04
about holding the frustration and
37:06
the fear and disappointment alongside
37:09
like our creative impulses. And
37:11
I don't know exactly what
37:13
that will look like for
37:15
me, but we'll see. All
37:23
right, Aaron Robertson's The Black
37:25
Utopians, searching for Paradise and
37:27
the Promise Land in America.
37:32
And that's our show. Just a
37:34
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