Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:03
Hello and welcome to Cooking
0:05
Issues. This is Dave Arnold,
0:07
your host of Cooking Issues
0:10
coming to you. Live on
0:12
the heart of Manhattan Rockefeller
0:14
Center. New York City News.
0:16
New York City. New Stairm
0:18
Studios. Joined as usual with John
0:20
across me. How you doing?
0:22
Do great. Thanks. Yeah? Yeah.
0:24
Nice. Here. Got Joe Hazen
0:26
Rock in the panels. What's up?
0:29
Hey, how you doing? Welcome back.
0:31
Back from the doctor's visit
0:33
to Coachella. By the way,
0:35
Nastasi was talking about you
0:37
like a dog last week. Jackie
0:40
molecules, how you doing? Oh, why? What
0:42
did I do now? She was basically
0:44
saying that the doctor you're going to
0:46
is Coachella. That's what she was saying.
0:48
What was she thinking of? She think
0:50
I'm lying? Is that what she
0:52
thinking? I'm not going to say
0:55
yes, because I'm not going to
0:57
put words in her words, because
0:59
I'm not going to put words,
1:01
because I'm out of her heart.
1:03
But that was in her mouth.
1:05
Right. I'll send the appointment. That's
1:07
okay. I don't need it. I
1:09
don't need it. This is not,
1:11
you know, junior high. Hello. Hey,
1:13
we got Nastasi, Hannah, Lopez. How
1:15
you doing? Everything good? I,
1:18
yeah. It's not Coachella.
1:20
Oh, Costino's sake. I'm
1:22
never gonna go in my whole
1:24
life. I could call it,
1:26
like, pig poop. It doesn't
1:28
matter. You know what I
1:30
mean? Anyway, what is the
1:33
type of music
1:35
that you play on a
1:37
thing that's a
1:40
disc? Wait, vinyl?
1:42
No, what's the other
1:44
word? That starts
1:47
with an A.
1:49
Accordian music? No,
1:52
what is another
1:54
word for vinyl?
1:56
Record? Disc?
1:59
Platter? Album.
2:02
Album. Album. Album.
2:04
Yeah, what about
2:07
album? How do
2:09
you say it? You
2:11
always say album.
2:13
Album. And I'm
2:16
like. Okay. They they
2:18
put out a good
2:20
album. No. No. Heartbreak
2:24
City was a
2:26
great album. It's not
2:28
album. And in the
2:30
upper left, we got
2:33
some, we got ourselves
2:35
some Quinn, how you doing? All
2:37
right, I'm good. Yeah, nice. So did
2:39
you not go to, did you not
2:42
go to Coachella? I
2:44
did, but I went on Thursday,
2:46
so I don't know why anybody
2:48
thought I was there on Tuesday.
2:51
And how bad was the festival
2:53
food on a scale of, to,
2:55
how bad was it? Yeah, yeah, didn't
2:58
they once hire someone who tried
3:00
to make it really really good?
3:02
Well do they do this like outstanding in
3:04
the field dinner which I've covered
3:06
I used to I covered the
3:08
old network I did sort of
3:10
interviews about that. The Baltimore
3:12
network? It's fine. It's like, you know,
3:15
it's like a four or five course
3:17
seated meal, but it's just I found
3:19
it silly because you're like right next
3:22
to these enormous EDM tents and it's
3:24
just like the table shaking from base
3:26
and sometimes the festival sold out so
3:29
the people you're sitting with at the
3:31
table are just kids like on drugs
3:33
that needed to get a ticket and
3:36
this was the only one available. So
3:38
they're just fighting through this expensive meal.
3:40
So you're saying that people there aren't
3:43
necessarily appreciating what they and they put
3:45
it in the wrong place. Is there
3:47
a mellow part where they could have put
3:49
this tent? You know that
3:51
was many years ago I had that meal
3:53
so I don't know if they've improved it
3:55
but that was my experience back then. I'm
3:57
trying to imagine a young Jack Inslee hating
3:59
on EDM? Um, I mean, yeah, imagine it.
4:01
I mean, well, EDM could mean
4:03
a lot of things, I guess,
4:06
right? Yeah. So there's a lot
4:08
of different flavors of that thing,
4:10
like I said. Electric discharge machining.
4:12
You're talking about electric discharge machining,
4:15
right? Oh, you did? Were they
4:17
good? Were they good? Yeah, fantastic.
4:19
Are they alive or are they
4:21
mannequins? No. It's one remaining original
4:24
member, but then they've sort of
4:26
rotated people out over this. Is
4:28
it one 95 year old person
4:30
and then two teenagers? That would
4:33
be amazing. No, they're all
4:35
very old. But do they
4:37
have like actual supports holding
4:39
them up on stage or now?
4:41
No, no, they're standing at their
4:43
whole, you know. The oldest, the
4:46
oldest famous person I ever
4:48
saw was John Lee Hooker like
4:50
a couple years before he died.
4:52
And the only time he stood
4:54
up was when he went on the stage.
4:57
He got off the stage. He was on
4:59
chair and chair the rest of the time.
5:01
And I was like, okay, fine. You know what
5:03
I mean? Good. Got to see. Yeah. It's not
5:05
also like he could have been playing. I
5:07
guess maybe he always kind of played
5:09
sitting down maybe. It wasn't a standing
5:12
kind of a guitar, kind of a
5:14
fellow. I saw Ray Charles when he was
5:16
soup, soup, doobold too, but he was
5:18
out of piana. So that's why, you
5:20
know what I mean? Like, if you're
5:22
sitting seated at a piano, you're not
5:24
expecting someone to get up and do
5:26
like Jerry Lee Lewis shenanigans at a
5:28
piano. Hey, piano player, you know who
5:30
lived for, here's someone who lived a
5:32
lot longer than I bet you thought
5:34
he did. If you had to guess how
5:36
old Fat's Domino was when he died pretty
5:39
young, with a name like Fat's Domino and
5:41
being alive all back in the day and
5:43
being a rock and roll and roll and
5:45
roll and roll musician. Yeah, he lived like for
5:47
a long time. He was like there was a
5:49
weird thing where he was found on his roof
5:51
Yeah, well he during Katrina. Oh
5:53
Katrina right during could he didn't die
5:56
during Katrina, but they thought he was
5:58
dead people were like posting you know,
6:00
rip fats. And he's like, still
6:02
here, still walking through New Orleans.
6:04
On the roof? Yeah, yeah. And
6:06
like, you know, and he was
6:08
much more influential than people kind
6:10
of gave him credit for because
6:12
we only know the, you know,
6:15
most people only know the Blueberry
6:17
Hill song, which is good, but
6:19
that whole rolling piano sound, that
6:21
was kind of his sound. You
6:23
know what I mean? So how
6:25
old was he? I don't know,
6:27
but he, look, his first hit
6:29
was first hit was in COVID.
6:31
So, dude had to be, you
6:33
know, as we say, on Francais,
6:35
old. You know what I mean?
6:37
Mm-hmm. Mm-hmm. Francais old? Yeah, yeah.
6:39
Vier. Vier. Vier. Vier. Vier. Vier.
6:41
Révieu. We're gonna get into some
6:43
francophile crud later on. But did
6:46
you guys see any good, you
6:48
saw craft work there? I know
6:50
they were playing in New York.
6:52
I know they were playing in
6:54
New York. one of that was
6:56
my highlight so how much does
6:58
it take it into the how
7:00
much does it take it into
7:02
their cost because it cost the
7:04
cheapest seats in New York were
7:06
over a hundred bucks right well
7:08
it's like five hundred six hundred
7:10
bucks for the weekend it's a
7:12
three-day thing but you're seeing you
7:14
know I saw probably seven shows
7:17
that I really liked so the
7:19
cost works for me but we
7:21
go every year so it's kind
7:23
of just like I like checking
7:25
out stuff that I don't even
7:27
necessarily love. Like Lady Gaga was
7:29
fantastic. I was about to say,
7:31
are you saying you don't love
7:33
Lady Gaga? Because that would be
7:35
an inappropriate thing to say. She's
7:37
great. I was, I went to
7:39
school with her weirdly. Come on.
7:41
Really? My freshman orientation buddy was
7:43
dating her. She was Stephanie German.
7:45
What was she like in high
7:48
school? Just like
7:50
a singer-songwriter that you know had posters
7:52
all over school that the show she's
7:54
she played like the bitter end and
7:56
all that but it was not what
7:58
she became It was very like, you
8:00
know, was it like a piano? Weepy
8:02
high school stuff? Sort of, a little
8:04
bit, maybe a little musical theatery, but
8:06
I mean, yeah, so it's weird. And
8:08
she's on stage and she's like, you
8:11
know, I want to thank you all
8:13
for being here and this journey with
8:15
me for the last 20 years. And
8:17
I was like, geez, you've done a
8:19
lot more than 20 years than I
8:21
have since we. word school. Yeah, but
8:23
you know, it's a different, different thing.
8:25
I mean, she wasn't famous back then.
8:27
It wasn't like in high, imagine in
8:29
high school she was like, mam, mam,
8:32
mah, don't even, everyone be like, what
8:34
the hell? You know what I mean?
8:36
Like, her dance anthems are fantastic. You
8:38
know what I'm saying? Like, say what
8:40
you like about her, right? Fantastic dance
8:42
anthems. I mean, like, like, you could
8:44
just sweat yourself, sweat yourself to death
8:46
on some of death on some of
8:48
those tunes, on some of those tunes.
8:50
You know what I mean, you know
8:52
what I mean, you know what I
8:55
mean, you know what I mean, Yeah.
8:57
Regardless of what you think about her
8:59
as a musician or a person. I
9:01
don't know anything about her as a
9:03
person. He's really talented and apparently very
9:05
nice. I mean, how nice can you
9:07
be at that point? Yeah. You know?
9:09
I mean, you're not really connected to
9:11
the earth anymore, right? Like, you're like,
9:13
like, someone's holding you down with a
9:15
thread and you're like floating around that.
9:18
I mean, what does niceness even mean
9:20
at that point in your life? You
9:22
know what I mean? How many ultra
9:24
ultra ultra ultra yeah well that right
9:26
I guess you could not be terrible
9:28
but like when you're completely disconnected from
9:30
anything normal like it's gotta be hard
9:32
to not just be like really you
9:34
know what I mean? Yeah the more
9:36
people you know that have no checks
9:39
on them at all aren't they in
9:41
general just like in their own kind
9:43
of la la land you know what
9:45
I mean? You know what I mean?
9:48
I mean, does it happen to
9:50
chefs? Oh yeah. Oh yeah. Oh
9:52
yeah. Oh yeah. Oh yeah. Yeah,
9:55
they're surrounded by people who tell
9:57
them yes chef all the time?
9:59
Yeah, they go bonk-a-locks. John, back
10:01
me up on this. Yeah, I
10:04
know 100%. I think it's always,
10:06
well, again, it's like, it's a
10:08
low bar innocence, you know, but
10:10
I always enjoy hearing of celebrities
10:12
like being good people when they're
10:15
at restaurants and not being total
10:17
dicks. Yeah. And treating staff like
10:19
human beings and not entitled pieces
10:21
of crap. But it's like that's
10:24
how everyone should be. Who's the
10:26
favorite person you've ever served celebrity
10:28
person? I haven't served
10:30
a celebrity in a while. But
10:32
I don't know, it's like going
10:34
to, this restaurant I enjoy going
10:37
to, uh, Denver Temperance, Mineta Tavern,
10:39
and they get a lot of
10:41
celebrities, and you can see some
10:43
that are real, self-centered, not nice
10:45
people, and some who are actually
10:48
really nice and kind on the
10:50
way out. And I always appreciate
10:52
seeing that. Nastasi deals with that
10:54
all the time, but she can't
10:56
talk about it. Oh, Steve, super
10:59
cool. Super cool. Super cool. And
11:01
he came up, Staz, you were
11:03
there, he came up to get
11:05
a drink from us at that,
11:07
at that, what's it called, that
11:09
the Thanksgiving Farm thing that we
11:12
were doing, and I had let
11:14
Jen, my wife, serve him, because
11:16
I forced her into duty that
11:18
night. Super cool, super cool dude.
11:20
Yeah, yeah, yeah. Yeah. Like, yep.
11:23
You know? Yeah. Please. So when
11:25
Roger Waters is in, do you
11:27
play music specifically to troll him?
11:29
No, we should have. That'll be
11:31
amazing. For those of you who
11:34
don't know what we're talking about,
11:36
Pink Floyd, the wall. Yeah. All
11:38
right. What do we got? What
11:40
do we guys? What do we
11:42
got? What do we got? What
11:45
do we got? What do you
11:47
got this week? What's going on?
11:49
Oh, by the way. If you
11:51
have some questions. Call in your
11:53
questions two and nine one seven
11:55
four one oh fifteen a seven
11:58
that's nine one seven 4-1-0-1-1-1, and
12:00
if you're not on Patreon, John,
12:02
why don't you tell them why
12:04
they might want to be? Go
12:06
to patron.com/cooking issues, and you can
12:09
see all the different benefits to
12:11
the different membership levels. You get
12:13
access to our patron's, no, sorry,
12:15
through the patron, you get access
12:17
to our discord. You get discounts
12:20
with great people that we work
12:22
with, like, mad over at Kitchen
12:24
Arts and Letters and Letters. Who's
12:26
finally coming with? You can invite
12:28
him back on the show to
12:30
do the classics in the field?
12:33
Yeah, we should. We should. You
12:35
know what we should do. We
12:37
should have him do roundups of
12:39
books that are coming out and
12:41
then have those people on after
12:44
he does the roundup. That would
12:46
be great. That is a good
12:48
idea. Yeah. Yeah. But yeah, all
12:50
these great things and more just
12:52
go to patron.com/cooking issues. Nice. All
12:55
right. So, what are you... Okay.
12:57
Nastasi, you got anything? Are you
12:59
going to tell me no again?
13:01
You're going to tell me no?
13:03
You're going to give me something.
13:05
I have to think. All right.
13:08
While you're thinking, Jack, I know
13:10
that you were sick for a
13:12
long, did you finally get your
13:14
teeth ripped out or what? Yeah,
13:16
two more weeks, three more weeks?
13:19
I don't know. Your dentist can't
13:21
be that good. I don't have
13:23
dental insurance. So I am, you
13:25
know. I have to play a
13:27
little bit of a shell game
13:30
here to get the right, like
13:32
get a good oral surgeon that's
13:34
not going to kill me with
13:36
money and it's... How much cheaper
13:38
would it be just to like
13:41
go across the border? Either border?
13:43
You know, I can send her
13:45
that, but then who's driving me
13:47
home from Tijuana? Like, you know,
13:49
I already brought the cars once,
13:51
but you just brought up who's
13:54
going to drive you home, not
13:56
me. So... But you could stay
13:58
over. You don't need to drive
14:00
home the same day. I mean,
14:02
I have work to do. I
14:05
can't just go to Tijuana. Okay,
14:07
all right. I mean, I wonder
14:09
how much cheaper and better would
14:11
be down there though. Probably a
14:13
lot. Apparently, yeah, a lot, I
14:16
think. Yeah, my mom's visiting this
14:18
week, so I can't do anything.
14:20
Does she drive? All right. What
14:22
about you Quinn? I know you,
14:24
I know Quinn, I know Quinn,
14:26
I know Quinn, I know Quinn's
14:29
got something for us. Anything more
14:31
on the Butter Roundup? On the
14:33
Spins All Antibutter Roundup? Yeah, I'm,
14:35
well we had, I did ask
14:37
people on Instagram what we should
14:40
call it. Do you want to
14:42
hear some highlights of their suggestions?
14:44
I like that you're only going
14:46
to give me the highlights, which
14:48
leads me to wonder what are
14:51
the low lights? I kind of
14:53
want to hear the worst suggestions.
14:55
first. Well, I mean, I don't
14:57
want to, I don't want to
14:59
call anyone out. Do it. And
15:01
by the way, whoever's about to
15:04
get called out, this is Quinn's
15:06
opinion that you're the worst. Not
15:08
ours. I'm kidding quick. I'm not
15:10
going to name name. All right.
15:12
Because no one can look it
15:15
up on Instagram. Okay, go ahead.
15:17
Yeah. But future. But future. Future,
15:20
F-U-G-E-R. Oh. Oh, I was
15:22
thinking, no, yeah, that doesn't
15:24
work, but future. I like,
15:26
I like anything with but
15:29
in it, but, but, but,
15:31
but, but, but, but, but,
15:33
but, but, but, but, but,
15:35
but, not, no, okay. All
15:38
right, all right, because of
15:40
the high G forces. Yeah,
15:42
all right. Yeah. Although now
15:44
I'm thinking is there some
15:46
sort of could we get
15:49
cocoa powder into the cream
15:51
and somehow makes? some sort
15:53
of like fudge, solid fudge
15:55
cream. I'm thinking about it.
15:58
I tried something like that
16:00
a while ago, the cocoa
16:02
powder goes to the edge
16:04
of the rotor and the
16:06
butter still goes in. Right.
16:09
We need to, we need
16:11
to somehow, I wonder what
16:13
you could do. Yeah. Astro
16:15
butter. That was interesting. Why
16:18
Astro though? Because everyone likes
16:20
Astro World, the Travis Scott
16:22
album. Spludge? Not feeling that
16:24
one. Spludge? I can't even
16:26
say that on the radio
16:29
more than once. If there
16:31
was an FCC, we would
16:33
be knocked out right now.
16:35
What else? Butterville. I like
16:38
the spirit of that one.
16:40
Yeah, yeah. Doesn't trip off
16:42
the tongue though. Butterfuge. Like,
16:44
that's, you know, similar to
16:46
the first one. Right, but
16:49
you gotta remember, but without,
16:51
without sounding like but, but,
16:53
but, but remember the issue
16:55
I had with all these
16:58
before is that if you
17:00
say that it's butter, you're
17:02
going to carry with it
17:04
the idea, unless it specifically
17:06
is making a distinction with
17:09
butter, because the, the, the
17:11
emulsion is not inverted. So
17:13
for those of you that
17:15
have no idea what we're
17:18
talking about, if you, if
17:20
you, if you put cream.
17:22
heavy cream, you know, high,
17:24
high fat cream into a
17:26
centrifuge and you spin it,
17:29
you get a butter-like solid
17:31
that is delicious. Even Nastasi
17:33
will agree it's delicious. It's
17:35
delicious. And something that resembles
17:38
kind of skimmy milk stuff
17:40
or milk, right out of
17:42
it. But it's not, we
17:44
don't think, inverted. So like
17:46
cream is... The continuous phase
17:49
is water-based and in butter
17:51
the continuous phase is oil-based,
17:53
you know, butterfat. So... It
17:55
is a solid but liquid
17:58
continuous phase things, what we
18:00
think is happening. Anyway, so,
18:02
all right, so what else
18:04
you got? Oh, this is
18:06
a good one. I don't
18:09
think we can't just stick,
18:11
but just the gloss. The
18:13
gloss? As though it's like,
18:15
is it gonna open for
18:18
the weekend? The gloss. I
18:20
don't know. Like lip gloss?
18:22
The gloss. I don't know.
18:24
Here's my issue, whoever put
18:26
that out. It's relatively mat
18:29
in appearance. It is
18:31
not like as shiny as
18:33
butter. It is relatively met.
18:35
So if you've ever painted
18:37
with K scene as a
18:39
pigment, it's got that kind
18:41
of like, or if you've
18:43
seen those like whitewashed buildings,
18:45
it's got a mat kind
18:47
of appearance to it. You
18:49
know what I mean? It's
18:51
not shiny. Doesn't have the
18:53
shine. Hyper churn. You like
18:55
hyper, I know you're pushing,
18:57
you're a hyper guy, but
18:59
to me... Why, I like
19:01
hypergreen or something? I don't
19:03
understand how the word hyperlink
19:05
ever happened, to be honest.
19:07
I mean, hyper, like hypersonic
19:09
means many times more than,
19:11
right? Like hyper, like hyper,
19:13
like more than, much more
19:15
than. So like, why is
19:18
a hyperlink, why is that
19:20
become an acceptable thing to
19:22
call it? And then everything
19:24
became hyper, it's not more
19:26
than butter, it's different than
19:28
butter. Right? So like, I
19:30
don't know, I can't, I
19:32
can't, I can't, I can't
19:34
co-sign on hyper because it's
19:36
just... Sputter. Yeah, I don't
19:38
think we can call it
19:40
sputter. Yeah, all right. Yeah,
19:42
can't call it sputter. First
19:44
of all, it just sounds
19:46
like someone spitting in your
19:48
food. And sputtering is a
19:50
thing. And this is not
19:52
made with a sputtering technology.
19:54
You know what I mean?
19:56
Yeah. Oh, roto butter. That's
19:58
kind of cool. Yeah,
20:00
I don't, I don't hate roto
20:02
butter, but except the fact that
20:05
it's not butter people. Well, water,
20:07
water, cream. Well, if you call
20:09
it cream, people don't think it's
20:12
horrible. It's called solid cream. It
20:14
doesn't sound delicious. No, it doesn't.
20:16
Sounds like something happened to it.
20:18
Bad. Solid cream sounds like I
20:21
had an issue when I was
20:23
going to the bathroom solid cream.
20:25
Sounds bad. I think it's back
20:28
to the drawing board. So far,
20:30
the only ones that I'm, that
20:32
you came up with was Antibutter
20:34
that I'm okay with. What do
20:37
you folks think? I'm the only
20:39
one weighing in here. You guys
20:41
are like silent. I'm not sure.
20:44
I haven't heard anything. Yeah. So
20:46
none of you. We're catching. By
20:48
the way. I just keep thinking
20:50
of that word they said in
20:53
Star Trek. Was it veager? Good
20:55
luck. Yeah, you know what I
20:57
mean? And then like, you know,
21:00
it's got like three chips in
21:02
it. It's got like two transistors.
21:04
Suddenly it's like, I'm here, I'm
21:06
bejure. Four minutes? Yeah, yeah. Tell
21:09
me who, coming back. But the,
21:11
that movie was bad. The first
21:13
Star Trek movie was bad. It
21:16
was some boring, I was a
21:18
little young kid, so maybe that
21:20
had something to do with it.
21:22
But I was like so excited
21:25
to go see Star Trek. We
21:27
go to the theater. The Viedrpuge.
21:29
Yeah, the Viedruge. Oh my God,
21:32
that movie was such a disappointment
21:34
growing up. Now, Star Trek II,
21:36
Rath-of-Kom, with Ricardo Montalban, sick. That
21:38
movie was great. When I saw
21:41
that movie in the theater, I
21:43
was like, oh yeah. Oh yeah.
21:45
Oh yeah. That's a movie. First
21:47
of all, Ricardo Montalban. Not a
21:50
young man at the time. So
21:52
sexy. Have you seen that movie?
21:54
Amazing, Ricardo. Montelban amazing, you know
21:57
what I mean? Such a gentleman
21:59
too when he spoke. Oh, I
22:01
know. Oh, I know. Oh, I
22:03
know it. Oh my God, he
22:06
always looks so sharp. You know
22:08
what I mean? Like my first
22:10
mentor in the food business, Michael
22:13
Batterbury, in the business business side
22:15
of it, Michael Batterbury. He was
22:17
also that kind of sharp dress,
22:19
man, always sharp. Always smooth, great
22:22
voice. You know what I mean?
22:24
I appreciate that. I don't think
22:26
I know anyone now who's like
22:29
that. Do any of you know
22:31
anyone who's just always sharp and
22:33
smooth? Garrett Oliver. Yeah, he's pretty
22:35
sharp. Different kind of sharp and
22:38
smooth, but sharp and smooth. Yeah,
22:40
yeah. Always fast. That's true. Always
22:42
looks good. Yeah. Yeah. All right.
22:45
All right. We have one more
22:47
name suggestion from Rock Baker, but
22:49
it's already taken. By by whom?
22:51
Cream. Creamy. Oh yeah. We're just
22:54
being trolled. Rock baker's just trolling
22:56
us. Creamy. Also, I did actually
22:58
do some actual cooking with it
23:01
this weekend as well. I did
23:03
confirm that cultured cream. Well, I
23:05
need more time or it separates
23:07
less readily than. a sweet cream.
23:10
Well also did you did you
23:12
read chill it before you spun
23:14
it? Yes yeah. All right I
23:17
was about to I was about
23:19
to lay into you you saw
23:21
that ahead of time and you
23:23
had to fully chill cream because
23:26
when you're doing it make sure
23:28
it's obviously cold but you know
23:30
I've also had some issues how
23:33
did it taste though? It's really
23:35
good. I mean a San Francisco
23:37
garlic and noodle Where? Wait, what?
23:39
A stir-fried garlic- Wait, wait, wait,
23:42
wait, wait, wait, wait, sorry, sorry,
23:44
you lost me. We went from
23:46
cultured butter to San Francisco garlic
23:49
and noodle. What's the connection between
23:51
those two items? Well, San Francisco
23:53
garlic noodles is like a stir-fried
23:55
noodle with butter, garlic. various like
23:58
soy sauce fish sauce. How do
24:00
we come to be talking about
24:02
that? You use this product for
24:04
that? Is that what you're saying?
24:07
Yes. Let me ask you this.
24:09
Why? Like what what made you
24:11
think that this is the killer
24:14
app for this product? Well I
24:16
did basically my normal recipe has
24:18
a certain amount of butter. So
24:20
I stir fried with the clarified
24:23
butter. and then the rest of
24:25
the butter was the actual, you
24:27
know, spindle cultured cream and I
24:30
mixed that with the dark soy
24:32
and some cheese as far as
24:34
the recipe and then I tossed
24:36
that at the end to make
24:39
it very creamy. Right, but what
24:41
was your hope as opposed to
24:43
the normal recipe that it would
24:46
be more emulsified, it wouldn't oil
24:48
out, it wouldn't break a well.
24:50
stir-fry, oily. And was it? Yeah,
24:52
it was really good. All right,
24:55
so is this, so, Quinn, you
24:57
got to start so people know
24:59
why you did a particular thing,
25:02
like why this recipe? So you're
25:04
saying in normal, I mean, get
25:06
to it first, I make this
25:08
mistake when I'm writing all the
25:11
time and this is why my
25:13
wife walks up to me and
25:15
slaps me in the back of
25:18
the head. You got to tell
25:20
people right away why? Then how?
25:22
You know what I mean? So,
25:24
but you're saying, you said, you
25:27
said, yes. You said again, therefore,
25:29
you were going to tell me
25:31
something. What? Yeah, I will be
25:34
doing more testing where I separate.
25:36
We'll spin the cream a little
25:38
more because in this cultured cream
25:40
was like, I estimate only like
25:43
50% of 60% fat. There was
25:45
definitely more. more toward the cream
25:47
than less a butter-like product. to
25:50
Lloyd, listen, how, have you run
25:52
the, you said you ran the
25:54
test, so we were talking before
25:56
last week, but he hadn't had
25:59
time to run the test yet,
26:01
but I know he said he
26:03
was running the test. So we're
26:06
trying to figure out kind of
26:08
what the yield is, like, it's
26:10
difficult to directly measure fat content
26:12
with the equipment that Quinn has
26:15
at his house, or that I
26:17
have in my house, that anyone
26:19
has at their house, right? So
26:21
what I told him to do.
26:24
is take the product, whatever we're
26:26
going to call it, anti-butter or
26:28
whatever, like, you know, heavy G
26:31
or whatever we're going to do,
26:33
and weigh it very accurately, then
26:35
put it in a low oven
26:37
and do, you know, almost like
26:40
you were clarifying it and evaporate
26:42
all the liquids off. then when
26:44
you know exactly how much has
26:47
evaporated off you can assume that
26:49
that's the vast majority of the
26:51
water and presumably if you haven't
26:53
put the heat too high the
26:56
milk solids that are in it
26:58
will not have scorched out too
27:00
much so you assume that they
27:03
have the same way they did
27:05
before and you just estimate that
27:07
the milk solids proportion that's left
27:09
will be the same proportion to
27:12
the water as it would be
27:14
in skim milk. understand make clear
27:16
and so by doing that you
27:19
can then determine how much fat
27:21
is in the sample that you
27:23
have and because you know how
27:25
much fat went in in the
27:28
cream how much fat is left
27:30
in the you know leftover liquids
27:32
the milkalloid part of it so
27:35
did you do those calculations or
27:37
no? Yeah I did I did
27:39
run one test like that with
27:41
an older batch of the sweet
27:44
cream based product product and I
27:46
only got 13% water. That's possible.
27:48
It's possible, but even after it
27:51
stopped gently bubbling, you know, I
27:53
kept it going for, you know,
27:55
a few more cycles in the
27:57
oven. Well, it's about the, it's
28:00
about the... wait changing. Did the
28:02
wait keep changing or no? Yes.
28:04
Then you can't stop the test
28:07
until the wait stops changing. So
28:09
the way that drying test work
28:11
is you know you're done when
28:13
successive measurements are the same. That's
28:16
how you know you're done. I'm
28:18
wondering if the pot or a
28:20
stove where you weigh them like
28:22
a stirring implement as part of
28:25
the system would be better because
28:27
it feels like a way everything.
28:30
Yeah, everything. I think stirring
28:32
might be helpful because it
28:34
looked like almost the milk
28:36
solids layer were sort of
28:38
like trapping some moisture under
28:40
the clarified butter. Yeah, but
28:42
that's not how that works
28:44
because you can trap it
28:46
in the solids because they
28:48
can be bound, but the
28:50
milk solids aren't strong enough
28:52
to hold down water vapor.
28:55
You know what I'm saying?
28:57
Just it's not how, that's
28:59
just not, that's not possible.
29:01
I had the best DJ
29:03
name for Harold McGee. Better
29:05
than MCG? MCG? MCG, but...
29:07
Wait, wait, what was it,
29:09
does? MCG, but GHTE, like
29:11
the Indian butter. Yeah, he's
29:13
Indian. No, well, half, yeah,
29:15
fits, yeah, yeah, yeah. He
29:17
wraps it out. I mean,
29:19
like, we have called him
29:21
that to his face, have
29:23
we not? I don't know.
29:25
I'm pretty sure I've called
29:27
him MCG to his face.
29:30
I mean, he would be
29:32
fine with it. Remember the
29:34
guy dressed as Zoltan for
29:36
a party. So he... Zoltar.
29:38
Zoltar. He would definitely, he
29:40
would definitely go to a
29:42
party as MCG. In fact,
29:44
we could probably get him
29:46
to do a gig with
29:48
Dan the automator. where Dan
29:50
the automator, I'm sure we
29:52
could get Dan to do
29:54
a gig with MCG. Maybe
29:56
he would even... as the
29:58
Hansen Boy Modeling School character.
30:00
That would be amazing. Are
30:02
you down with Danny Automator?
30:05
Yeah. Yeah, he's a bar
30:07
and restaurant lover. Oh, I
30:09
don't know. Yeah. Cool. I
30:11
love his work when he
30:13
did with the gorillas. Yeah,
30:15
I mean, he's done a
30:17
lot of great stuff. You
30:19
know, Dr. Octagon, good stuff.
30:21
Oh, Dr. Octagon. That's right,
30:23
he's from Jupiter, right? I
30:25
think he's from Jupiter. Yeah,
30:27
yeah. Well, he says he's
30:29
from Jupiter, there's a whole
30:31
theory behind it. Yeah, Jupiter,
30:33
Jupiter, the Bronx. But he's
30:35
like, he's a weird, weird
30:37
dude, you know what I
30:40
mean? But, good music. MCG.
30:42
So, Quinn, you gotta keep
30:44
weighing it until it stops
30:46
giving up weight. Why did
30:48
you stop? All
30:51
right, here's a secret. You can
30:53
just lay it aside and start
30:55
again the next morning. Yeah. All
30:57
right, so we don't know yet.
30:59
The answer is we don't know.
31:01
Not yet. Okay. But you definitely
31:03
didn't like lose a lot because
31:05
otherwise you would have number would
31:07
have been much higher. If you
31:09
had lost product, your number would
31:12
be much higher and it was
31:14
relatively low number. It didn't get
31:16
spheeled. Yeah, okay. Well, run the
31:18
test, run the test. We're trying
31:20
to tell people about a new
31:22
technique. We got to give them
31:24
some numbers, Quinn. We got to
31:26
give them some numbers. And Quinn
31:28
was supposed to run the same
31:30
test on the liquid that was
31:32
left over so that you would
31:34
know... the fact content from the
31:36
same kind of analysis that way
31:38
because it's impossible when you're trying
31:41
to get the solids and the
31:43
liquids out of the rotor to
31:45
not lose them. And then how
31:47
are you going to guess with
31:49
any sense of accuracy like whether
31:51
you lost more solid or lost
31:53
more liquid or beep or beep
31:55
or beep. The one thing I
31:57
will say is I'm going to
31:59
assume that there is very little
32:01
evaporation, but it is much, much
32:03
better to just do an evaporation
32:05
number in an oven with the
32:07
solid part and the liquid part.
32:09
So maybe next week, we'll have
32:12
that information. By the way, Chris
32:14
Young is going to be, so
32:16
Nestosia Hammer Lopez is going to
32:18
be in studio next week. Is
32:20
that correct? No. Oh, two weeks.
32:22
One week, two week, all the
32:24
same. So next week is just
32:26
the same as the same as
32:28
the same as normal. Yeah,
32:31
for a living. All right, two
32:34
weeks, we have Dostocia, Hammer, Lopez,
32:36
and then also, I may be
32:38
calling it or life? Chris, uh,
32:40
Chris would be calling. One of
32:42
you, by the way, is clicking
32:44
like a mother. One of you
32:46
is a click monster. I'm gonna
32:48
kill you, it's annoying. All right,
32:51
uh, got some questions in, uh,
32:53
uh, Hi Dave and crew and
32:55
some older punch recipes, i.e. the
32:57
Grub Street, Punch Royal, and Wanderersha's
32:59
punch book, where was Grubbs, I
33:01
didn't realize Grub Street was an
33:03
old thing, I only think of
33:06
the website, what was Grub Street
33:08
originally? Like where is Grub Street?
33:10
Well, doesn't some of it get
33:12
published in New York Meg? No.
33:14
If it was in, David Wanderers'
33:16
punch book, it was before Grub
33:18
Street, the website, the website, right,
33:20
because punch came out, or is
33:23
it. a recipe that he wrote
33:25
for Grub Street, the website. In
33:27
the same way that like Cannery
33:29
Row is a particular place and
33:31
like a lot of places have
33:33
it, you know, no idea. Is
33:35
Grub Street a place? It's a
33:37
website. Yeah, sorry. You know what
33:40
I mean? I don't know. I
33:42
realize that it's a website. Yeah,
33:44
I don't know. I know, but
33:46
it's just I can't think of
33:48
anything else. Yeah. There's, did they
33:50
name their website after an historic
33:52
place that, for instance, had a
33:54
punch? Grub Street. It's got, it's
33:57
catchy. First of all, grub, using
33:59
the word grub for food sounds
34:01
like I'm eating. I hate that
34:03
word. It's nasty. It's a terrible
34:05
word. Yeah, you know what I
34:07
mean? I agree. Grub. Although, I
34:09
will say, you know, to each
34:11
their own, ervetis, the whatever, the
34:14
clown prince of food science, he.
34:16
He hates the English word food
34:18
because it sounds bad to him
34:20
as a French person, the English
34:22
word food. I'm like, I'm sorry,
34:24
it just doesn't sound bad. I
34:26
mean, like, I speak English, I
34:28
say the word food all the
34:31
time, and I'm okay with it.
34:33
You know, I'm okay with it.
34:35
You know, I'm okay with it.
34:37
You know, I'm okay with it.
34:39
You know, like, I'm okay with
34:41
it. He loves his French. He
34:43
loves his French. It's the most
34:45
romantic language in the world, you
34:48
know, that's what they say. All
34:50
the days. Pepe le Pew says
34:52
it. Who else says it? Like,
34:54
by the way, Pepe le Pew
34:56
should totally be canceled. Oh yeah.
34:58
Oh yeah. Has he been canceled?
35:00
Did he still? What? He's so
35:02
handy. He forces himself on all
35:05
the cats. Oh, man. Oh, it
35:07
starts. Oh, geez, Louise. I, so
35:09
wait. Stars, like, I do that.
35:11
Peppolipu, I do that. Yeah. Yeah.
35:13
Yeah. Yeah. Oh, gracious, gracious. All
35:15
right. How the heck do we
35:17
get on that? Grub Street. That's
35:19
how we got on it. All
35:22
right. Grub Street Punch Royale in
35:24
Wanderers, his punch book. They call
35:26
for Amber Gris, by the way.
35:28
for those of you who don't
35:30
know, is a is a fatty
35:32
deposit that is pooped out of
35:34
sperm whales and And according to
35:36
accounts, there's a book you can
35:39
read on it. I've not read
35:41
the book, but for those of
35:43
you that are interested, you can
35:45
read floating gold, a natural and
35:47
unnatural history of ambergris by Christopher
35:49
Kemp. But apparently, when it's eject,
35:51
so you can get it from
35:53
killing the sperm whales, which is
35:56
why, and just because you're not
35:58
allowed to trade in. Ambragris at
36:00
all because it comes from an
36:02
endangered animal. So even though it's
36:04
poop from an endangered animal in
36:06
the same way that you're not,
36:08
did you know you're not allowed
36:10
to own, uh, ball these feathers?
36:13
Did you know that? Did I
36:15
tell you about this? No. So
36:17
I went to a place called
36:19
Eagle Beach in Alaska and there's
36:21
eagle feathers littering the beach, just
36:23
littering the beach. So I'm picking
36:25
up eagle feathers, I'm like, eagle
36:27
feathers, and then I get back
36:30
to a hotel. And it's like,
36:32
no, you're not allowed to, so
36:34
I had to get rid of
36:36
them all, because you're not allowed
36:38
to have eagle feathers, because they
36:40
can't tell whether it was molded
36:42
or whether you shot the eagle
36:44
and ripped the feathers off. So,
36:47
anyways, so I didn't know I
36:49
was being, you know, an international,
36:51
or not international, a national, you
36:53
know, criminal endangered animal smuggler, but
36:55
in fact I was. So, for
36:57
the same reason, you're not allowed
36:59
to have amberagriss, because it comes
37:01
from a sperm from a sperm
37:04
whale. I don't want to blow
37:06
up any one spot, so I'm
37:08
going to change. You have to
37:10
age it, by the way, do
37:12
you know that? You have to
37:14
age it. When it first comes
37:16
out, it is quote-unquote, freshly produced
37:18
ambergris has a marine fecal odor.
37:21
And then finally, after all of
37:23
that stuff is washed away, because
37:25
it floats in the sea for
37:27
like years. right? Flotes and the
37:29
seas washed up on shore and
37:31
then picked up by that time
37:33
it's got the sweet kind of
37:35
ambergris which I don't even really
37:38
know what it smells like because
37:40
I couldn't tell you but supposedly
37:42
it's musky sweet anyway by the
37:44
time it gets there it's washed
37:46
out it's like that and so
37:48
I'm not going to blow up
37:50
her spot because I didn't realize
37:52
it was illegal but I know
37:55
someone will just call her bandy
37:57
mafia tell. Right who has like
37:59
hundreds of years old aged Ambergris
38:01
and she says it's just kind
38:03
of crazy phenomenally cool in her
38:05
Maybe not legal collection. You know
38:07
what I mean? Anyways, so the
38:09
quet that's what we're talking about
38:12
Ambergris and I will tell you
38:14
this one other fact in 1988
38:16
I did a summer program at
38:18
Cornell University called the Tellurite Association
38:20
summer something, tasks, right? And there
38:22
was in Ithaca, New York, a
38:24
graffiti, a graffiti line of dog
38:26
rule, which I remember to this
38:29
day, and it goes like this,
38:31
and it didn't make any sense,
38:33
it's Amber Griss, that's whale fat,
38:35
Popper Cherry Jumper Rat. And I
38:37
was like, what does this mean?
38:39
I was like in high school,
38:41
I was like, what does any
38:44
of it, I've decoded some of
38:46
it since. But like it made
38:48
no sense. I'm like, it's not
38:50
really whale fat. I mean, it's
38:52
fatty, but it's more like poop.
38:54
And being the concrete young gentleman,
38:56
I was at the time, I
38:58
was like, that poem is incorrect.
39:01
Anyway, so on to the actual
39:03
question. It looks like nowadays, Ambroxide
39:05
is used as a synthetic analog
39:07
in food flavoring and perfumes. Have
39:09
you ever played with it any
39:11
tips? Maybe this is a question
39:13
for Ariel. Well, we will ask
39:15
Ariel when we see her next.
39:18
I have not. it used it,
39:20
but I have gone on eBay
39:22
and the trade name for that
39:24
is Ambroxan, AMB-R-O-X-A-N, and I bought
39:26
some on Instagram, I bought, I
39:28
mean, on eBay, I bought 10
39:30
grams and it costs 14 bucks,
39:32
so I bought 10 grams for
39:35
14 bucks plus another like $13
39:37
in shipping, I should get it
39:39
in a week or two, it's
39:41
getting shipped out of India, I
39:43
will let you know how it
39:45
works. But, so... 10 grand. So
39:47
for those of you that remember
39:49
the geosmen fiasco, geosmen is a
39:52
chemical that smells like dirt, it's
39:54
in beets, I don't like it,
39:56
nostalgia, doesn't like it. And so
39:58
I bought some to make a
40:00
dirty martini just to be a
40:02
jerk, but the amount that I
40:04
put into my dirty martini was
40:06
enough, Ariel told me, was enough
40:09
to flavor an entire swimming pool.
40:11
Olympic size sample, yeah, not like
40:13
a kitty pool, not like an
40:15
above ground pool, an Olympic swimming
40:17
pool. So I looked up the
40:19
numbers already before this arrived and
40:21
you're looking in the like parts
40:23
per million range for this product,
40:26
right? So, and I think less
40:28
than one part per million, but
40:30
I gotta go look it up
40:32
because I looked it up this
40:34
morning. So let's say it was
40:36
one part per million, and I
40:38
think it might be less. That
40:40
means that that each gram, each
40:43
gram... makes a thousand liters of
40:45
product. That means that this amount
40:47
is at least 10,000 liters worth
40:49
of Ambroxan. So I have enough.
40:51
So if you get to spend
40:53
this $14 if I like it
40:55
and you guys want to go
40:57
get it, it's enough forever, forever.
41:00
You know what I mean? 10,000
41:02
liters is a lot. Yeah. That's
41:04
like more than a little. Yeah.
41:06
Like for just for reference, a
41:08
20 pound CO2 tank, if you're
41:10
in conservation mode in a carbonator,
41:12
probably does 40 gallons. So let's
41:14
just multiply that by a 4
41:17
by 80. So it's like 320
41:19
liters, right? So think about that.
41:21
Think about the level of stank
41:23
that's going to come out of
41:25
this, this bottle. All right. So,
41:27
uh, uh, Malcith, we will let
41:29
you know when we get it.
41:31
Elliot writes in, I have now
41:34
read various people in books, describe
41:36
things about how fine, sorry stars,
41:38
it's going to be a milling
41:40
question, about how fine to mill
41:42
hard-read winter wheat for normal lean
41:44
sourdough, bubble. 100% sifted for now.
41:46
Elliot, when you say 100% sifted,
41:48
does that mean that you're sifting
41:51
100% of your flower or that
41:53
you're just sifting it but 100%
41:55
is going through your sifter? If
41:57
that's the case, I highly recommend
41:59
that you get like a 60
42:01
mesh and do like, you know,
42:03
87 to 90% extraction. Anyway, and
42:05
run some tests. And I'm mostly
42:08
just confused. Well, aren't we all,
42:10
Elliot? Aren't we all? Specifically, I
42:12
don't understand how fine to mill
42:14
relative to the point at which
42:16
the burr starts to make a
42:18
noise each other against each other
42:20
when the mill is out. Okay,
42:22
listen, listen, listen, listen, before I
42:25
go into this so that, see.
42:27
Before I go into this, let
42:29
me explain to everyone who doesn't
42:31
know what the heck I'm talking
42:33
about, what I'm talking about. A
42:35
home, 99% of home flour mills.
42:37
just have a little grinding stone,
42:39
like smaller than the span of
42:42
my fingers, like maybe four inches
42:44
or four and a half inches
42:46
across, that looks like you took
42:48
it off of the side of
42:50
a bench grinder in a metal
42:52
shop. Okay? It's literally that kind
42:54
of a grinding wheel. And it's
42:56
got two of them. And the
42:59
one on the bottom. spins because
43:01
it's attached to a motor and
43:03
it's got a hole in it.
43:05
And the one on top is
43:07
held still and you pour the
43:09
grain through it and what you
43:11
do is you adjust the topstone
43:13
down with some mechanism. There's various
43:16
mechanisms, but the one we use,
43:18
you screw the entire top down
43:20
and you push the stones down
43:22
against a spring and the weed
43:24
itself floats the top wheel up
43:26
and keeps it relatively, you know,
43:28
in tram, so flat relative to
43:30
the bottom stone, right? So you're
43:33
not mechanically holding it. you know,
43:35
even with the bottom stone, the
43:37
wheat itself or the grain. itself
43:39
is doing that. So that's how
43:41
these things are operating. And so
43:43
obviously, you know, if your stones
43:45
are not true, if they're not
43:47
flat, or if they're incorrectly made
43:50
or whatever, you're not going to
43:52
be able to get a very
43:54
fine grind because the stones can't
43:56
get close enough together to get
43:58
a fine grind. So we're talking
44:00
about how to adjust the fineness.
44:02
And so one of the techniques
44:04
is to take the... Spin the
44:07
thing down, and by the way
44:09
Elliot, you're in luck, you said
44:11
you have a como meal, I
44:13
have the exact same, I have
44:15
the exact same mill. So I'm
44:17
gonna give you experience that I've
44:19
had with your mill, like the
44:21
one that you use. Although I've
44:24
done them with many others and
44:26
they all have the same kind
44:28
of idea. So what you do
44:30
is, is you turn the thing
44:32
finer, finer, finer and finer, and
44:34
finer, until you start hearing this.
44:36
Don't run it that way a
44:39
long time, but when a stone
44:41
starts touching, then you dump your
44:43
wheat in, right? And then, depending
44:45
on how hard the wheat is,
44:47
you either back it up one,
44:49
so it's a little bit coarser,
44:51
so that would be your soft
44:53
weeds. Any soft wheat that you
44:56
mill has a tendency to smear
44:58
and glaze your stones, right? So
45:00
you take it to the shit-tt-tttttttt-tttttttttt-ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt
45:02
or you're in for a world
45:04
to hurt. And remember, when you
45:06
do glaze your stones, clean it
45:08
with white rice, not brown rice,
45:10
because you're trying to have something
45:13
that's fundamentally fat-free and hard as
45:15
hell. So you want like very
45:17
vitreous white rice. Doesn't take much,
45:19
half a cup. And then you'll
45:21
clean it out. So, but when
45:23
you're milling a hard wheat that's
45:25
not gonna glaze over your stones,
45:27
you can put it one half
45:30
of a, like... finer when you
45:32
drop it in. And you can
45:34
tell because the speed of wheat
45:36
coming out is going to be
45:38
directly related to how the flower
45:40
coming out is going to be
45:42
directly related to how fine your
45:44
grind. and you can put your
45:47
hand in front of the shoot
45:49
and feel how warm it is.
45:51
And a higher, finer grind is
45:53
going to be slower, hotter, and
45:55
have more, these are all related
45:57
and you can read the papers
45:59
on it, right? Slower, hotter, and
46:01
have more starch damage. Okay. Now,
46:04
some places say you should turn
46:06
the middle on, without making noise,
46:08
blah, blah, blah. Other places say
46:10
you should grind to the point
46:12
before they chirp and then not
46:14
do that dance, which presumably produce
46:16
as much less finely ground flour.
46:18
Still other places say you should
46:21
grind as fine as possible and
46:23
don't mention the chirp at all.
46:25
And so basically, your question I'm
46:27
gathering is, what's the difference, right?
46:29
I prefer it to be ground
46:31
as fine as I can for
46:33
the style of bread that I
46:35
like to make. I like, remember
46:38
though I'm sifting, you have all
46:40
of your, you're not going to
46:42
need as much damaged starch as
46:44
I will for a given hydration
46:46
level because you're not sifting out
46:48
the brand the way I am.
46:50
Everything depends. There's no one answer,
46:52
right? And that's, I guess, the
46:55
issue. That's why. you probably get
46:57
confused reading stuff all over the
46:59
net is because if you're not
47:01
sifting your brand which absorbs a
47:03
lot of water is going to
47:05
take some of the water handling
47:07
capability that I would get out
47:09
of my damaged starch but it's
47:12
going to reduce low volume because
47:14
all the extra brand is going
47:16
to reduce the low volume and
47:18
also make it taste more brandy.
47:20
Once you have it in like
47:22
my situation where I'm at like
47:24
87% yield off of a very
47:26
fine grind. damage so that I
47:29
can get a higher water content
47:31
in it to get the kind
47:33
of bread that I want. So
47:35
it's confusing just because you're working
47:37
with multiple variables at once. Is
47:39
this okay? Was that all right?
47:41
Yeah. Okay. All right. Andrew L.
47:43
Wright's in. I'm spending some time
47:46
in Paris later this year and
47:48
Dave mentioned a few weeks ago
47:50
that is a remarkable food city
47:52
in Europe. I mean, obviously, right?
47:54
Does, do we have, and you
47:56
know, John's gonna have more conditions
47:58
than I have, but do I
48:00
have any bar restaurant recommendations I
48:03
might check out? Well, Andrew, in
48:05
fact, the last couple of times
48:07
I've been to Paris, I've been
48:09
there with small kids and I'm
48:11
not that guy going to fancy
48:13
restaurants with small kids. It's just
48:15
not, I'm not doing that. You
48:17
know what I mean? Just because
48:20
I just I'm not doing that. It's just
48:22
too much, it's just too much, too much, too
48:24
much money. Too much money. Money.
48:26
But like with large groups, right?
48:28
Or with people that don't necessarily
48:30
care about food. But I'll give
48:33
you some shopping recommendations. I think
48:35
I've already mentioned them
48:37
on the air before, but if you
48:39
like cheese, and I hope you do,
48:41
Bartala May on near Roudebak stop on
48:44
the Rouda Grinnell is like one
48:46
of the great cheese shops on
48:48
earth. They have a reputation for
48:50
being surly, but they've only ever
48:53
been nice to me. even though
48:55
I don't speak French, but they
48:57
during, it's too late, but they,
48:59
you know, during Vasharan season, like
49:01
their Vasharan is amazing. Their, uh,
49:04
their Can and Bear game is
49:06
great. They, they just, they, this.
49:08
Fantastic Cheese Shop. Another cheese shop, if
49:10
you're going to be there on a
49:12
weekend when stuff is closed, right? If
49:14
you're going to be there on a
49:16
Sunday, a shop that's open every day
49:19
of the week where you can get
49:21
some fun stuff, is if you're going
49:23
to be near the Luxembourg Gardens,
49:25
down near the Plasto Odian, is the...
49:27
I'm not going to pronounce this one.
49:30
I'm not going to butcher that.
49:32
It's called a la or la
49:34
co-op, maybe it's la co-op. Maybe
49:36
it's le co-op. Maybe it's le
49:38
co-op. La co-op? La co-op? La.
49:41
Co-op? La. Co-op. Yeah. So it's
49:43
a la co-op and you go
49:45
there and it's all sevois food,
49:47
but the kind of star of
49:49
the show is Bofor. And Bofor
49:52
has said this on the year
49:54
before, it's not underrated because
49:56
people love it, I think
49:58
about it very much. in the
50:00
US and when you go there
50:02
they have the coolest cheese slicer
50:04
because if if you were going
50:07
to do an action movie and
50:09
there's going to be a chase
50:11
through a cheese shop you would
50:13
definitely murder somebody with this cheese
50:15
slicer because it's just a giant
50:17
hydraulic cleaver so it's a huge
50:19
bow four-wheel which is you know
50:21
big you know what I mean big
50:23
and then this thing and they just step
50:25
on a pedal and The cleaver comes down
50:28
and cuts you your perfect piece and then
50:30
they can spin the thing underneath it and
50:32
cut, they're usually cutting like two or three
50:34
different wheels at once at any given time
50:36
depending on like how old you want, you
50:38
want the old good one, just get the
50:41
old good one, the other ones just skip
50:43
them. But they have a bunch of other
50:45
cheeses there as well, but go there just because
50:47
Beaufort's a delicious cheese. Now where else
50:49
should they go, John? John, if you
50:51
want to do fancy. Have you done
50:54
that? I haven't. I'd love to, but...
50:56
We're just saying that because you want
50:58
to go, I want to go, I
51:00
couldn't go. Well, yeah, I haven't tried
51:03
going, but if I go, I'd like
51:05
to go. I'm just saying it's a
51:07
good place to go. Are they ever
51:10
going to close? They've been open since
51:12
when? Like 1780 something? They're
51:14
one of the early
51:16
90s, maybe. They're one
51:19
of the early post-revolution
51:21
restaurants, right? Silver? Silver.
51:23
Silver Tower. Yeah. So you go
51:25
to the Silver Tower and tell them
51:27
what they're famous for. Can I run
51:30
a press? Yeah, get a don't pressy.
51:32
So it's like, and you know I've
51:34
made that several times, it's not, so
51:36
the press duck, we talked about this
51:39
on air recently. I don't think so.
51:41
So the way press duck works,
51:43
it's horrible. Like, like, like, please
51:45
don't get mad at me. This
51:47
is how it's made. You, you
51:50
get a, a young duck, right?
51:52
Young duck? Yep. From a roulette,
51:54
right? And, uh, while you're there,
51:56
you know, get, get, get some,
51:58
get some sparkle. And then they
52:01
break its neck because the
52:03
idea is that you want
52:06
to keep all the blood
52:08
inside the duck. So unlike
52:10
any sort of normal slaughter
52:13
process where people are trying
52:15
to remove as much, they're
52:17
trying to exanguinate the animal
52:20
as much as possible, when
52:22
you're making press duck, you
52:24
do not. They then like very,
52:26
very quickly roast the duck.
52:29
you know, they gut it I think,
52:31
right? And then they, and then they,
52:33
but they roast it whole. And then
52:36
they cut off the, the legs, say
52:38
them for a separate prep, then put
52:40
the entire and the breast and they
52:43
put the entire rest of the stuff
52:45
in a press and they squeeze it.
52:47
Now I've used both a real duck
52:49
press and by the way, if
52:52
you should ever buy an ornamental
52:54
actual French duck press, they are
52:56
not as strong as they look. Do
52:58
not guerrilla force a French duck press
53:00
because I guerrilla forced one and I
53:02
snapped it in half. And then we
53:04
had to like, the rest of it,
53:06
we had to like all fix it.
53:08
It was a gift also, it was sad,
53:11
it was a gift from, I believe,
53:13
either Andre Sultner, Rest in Peace,
53:15
or Siac to the, to Jacques
53:17
Papan who gave it to the
53:19
French culinary institute. So it was
53:22
like, you know, it had some
53:24
provinels. They were not happy that
53:26
I broke it. I took it
53:28
out of their library to take
53:30
it into the amphitheater to make
53:32
the press duck with. They're like,
53:35
they're like, it's in the library.
53:37
You can't use it. I'm like,
53:39
it was put on earth to
53:41
press ducks. And so I took
53:43
it out of the library, brought
53:45
it in, broke it, and then
53:48
had to pretend that I hadn't
53:50
broken it, and I took it
53:52
back. Anyway, so then you squeeze out all
53:54
the juices and then I forget what liquor do
53:56
you put in a in the pan with it?
53:58
Do you remember? Don't. you do like
54:00
a quick, like a, like a livery, it
54:03
almost like a, like a, it's like a
54:05
bloody livery sauce that you put over
54:07
the breast and you eat it, that's
54:09
canton pro se. And when you get
54:11
it at Tour d'Arjean, you, they give
54:14
you a signed, like, they give you
54:16
like a certificate with the number
54:18
of your duck, so that
54:20
forever there's a record that
54:22
you have participated in this
54:25
monstrosity strangling this monstrosity. I
54:27
don't think I'm ever going
54:29
to do it. And I'm
54:31
never going to do it.
54:33
Because it's fantastically expensive. Yeah. And
54:35
I don't think they now, I think,
54:38
they keep changing the name of it,
54:40
right? So it might just be
54:42
called now, like, Kenetoteur d'Ojean, or
54:44
something like that. Like if you
54:47
look on the menu, you can't
54:49
always find it, but they always
54:51
have it. Okay. Let me bang
54:54
out a couple other things here.
54:56
between the Louvre and Notre Dame.
54:58
Around Notre Dame you've got Luituri
55:01
Regis, so just like a really
55:03
great old school oyster shop.
55:05
Oh my god, don't poison
55:07
yourself. Listen, when you go
55:09
to Paris, you're gonna go
55:11
to like, what's it, Mario
55:13
and what's it called, what's
55:15
it, Mario Cart, what's the
55:17
famous bistro? Balber? No, Mario
55:19
and... What the hell, it's
55:21
super famous. It's super famous.
55:23
Anyway, and you're going to
55:26
get some freaking, like, Fuitamare
55:28
platter. And the Parisians, for
55:30
some reason, give you raw
55:32
muscles. And in most of these
55:35
Fuitamare platters, most of these
55:37
Fuitamare platters are made like an
55:39
hour before, two hours before you
55:41
show up. And it's these desiccated
55:43
raw muscles on these Fuitamare platters.
55:46
And if you look at a
55:48
map of Paris, it is in
55:50
the center of the country. It
55:52
has no business selling you seafood,
55:54
but like how they got famous
55:56
for these kind of like going
55:58
to a bistro. and getting a
56:01
Fuitamare platter twice. Members of
56:03
my party have been horribly
56:05
food poisoned, going to those
56:08
things. Two times. Now, maybe we,
56:10
you know, maybe not everyone I'm
56:12
traveling with has the belly of
56:14
steel, but even I felt not
56:16
okay after one of the Fuitamare
56:18
platters. So beware, I guess. Then,
56:20
uh... You know what I'm saying?
56:22
Yeah, yeah, no. I mean, it's,
56:24
it's weird, but yeah. I've had
56:26
good experiences. No muscles, yeah, you
56:28
know what I mean? I love
56:30
muscles too, by the way. Yeah,
56:33
when you do it like Allah
56:35
Beljik. Yeah. Well, they also do
56:37
them around there too. But Nistropalber
56:39
is another one to go to. We
56:41
got like two minutes. I'm going to
56:43
get some of these out. You got
56:45
three minutes and seven seconds. Three
56:47
minutes and seven seconds. If you
56:50
go to Chejouge, which you definitely
56:52
should, go nearby to Ede Déillarin.
56:54
If you go in there, like
56:56
they have all sorts of like
56:58
really old stock stuff. So it's
57:00
kind of the way bridge kitchenware
57:03
used to be. If you lived
57:05
in New York in the 70s
57:07
and 80s and 90s like I
57:09
did. Shela Mijon is another classic.
57:11
And then one that I really
57:13
love and not many people know
57:16
about it. It's like off the
57:18
tourist beaten path. Near the envelope
57:20
is called Opie de Fue. at
57:22
the foot of the whip is
57:25
what that translates to and that
57:27
is one of my all-time favorite
57:29
bistros. So, I definitely go check
57:31
that out. What's the name of the,
57:34
uh, what's the name of the, uh, shark
57:36
eatery shop you sent me to?
57:38
There's like a couple of branches. Gilevero?
57:40
Yeah, yeah, yeah, yeah. That's a great
57:42
place too. Yeah, yeah, yeah, yeah. Really
57:45
good terrines and patés and things like
57:47
that I go to. Yeah, it's plenty
57:49
of great. What do you think about
57:51
when you go, where is it? Don't
57:54
go anywhere with the menus in English.
57:56
What about, do you like their mustard?
57:58
There's a, there's a. shop there. Yeah,
58:00
there is. And do you go there
58:03
and laugh at their mustards? I mean,
58:05
I've never been. You've never been? No,
58:07
yeah, I've never been. I know, I
58:09
know the story and I can picture
58:11
it and I know where it is.
58:13
If you're an American traveling in Paris
58:16
and you have a kitchen and you're
58:18
going to cook some meals for yourself,
58:20
go to a jibier and make sure
58:22
that because like you can get some
58:24
interesting like birds and foul on like
58:26
with feathers on them in markets in
58:29
markets in at least you could years
58:31
ago, last time I had a kitchen in
58:33
Paris. And so I highly recommend if you
58:35
can cook at least one meal on your
58:37
own, find like some good produce that you
58:40
might not be able to mess with back
58:42
here in the States and you know get
58:44
a whole old of that's always kind of
58:47
a good call if you want to do
58:49
that. Right when you say? Yes, definitely. Although
58:51
the last time I tried that was
58:53
many years ago and I had to
58:56
pluck a pheasant. and it is not
58:58
easy to pluck a pheasant after it's
59:00
been dead for a long time. You
59:03
know what I'm saying? It's like... I
59:05
ripped the hell out of that skin.
59:07
I obliterated the skin and also I
59:10
was cooking at someone's house that wasn't
59:12
done yet. So I had to rip,
59:14
they had extra floor boards, so I
59:17
broke up a bunch of oak floor
59:19
boards and used those to cook the
59:21
pheasant over. It was a good pheasant,
59:23
but I'm not going to say it
59:26
was a pleasant experience. I do not
59:28
like plucking birds. I do not like
59:30
plucking birds. I'm good. I'm good. There's
59:32
things like that that I don't need
59:35
to do anymore. I don't need to
59:37
catch on fire again. I don't need
59:39
to pluck more birds. You know what
59:41
I mean? Agreed. Yeah, I don't need...
59:44
Wait. Wasn't it you that told me
59:46
there's a leak trick so I don't have
59:48
to hate leaks anymore? No, I don't think
59:50
so. I'd love to know about it though,
59:52
but I do like leaks. Cooking.
59:54
Cooking.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More