Episode Transcript
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1:00
Hello everybody and
1:02
welcome back to
1:05
what we've got mail.
1:07
We've got mail. Hello.
1:09
How are you? What you have
1:11
to say today? Well that's what we're
1:14
here to answer aren't we? Yes I
1:16
suppose so. This is where listeners write
1:18
in. Introduce yourself. Yeah yeah this is
1:21
where you control the conversation right here
1:23
at the critically acclaimed network. My name
1:25
is William Bibiani. I am a film
1:27
critic I write for the rap and
1:30
everybody calls me bibbs. My name is
1:32
Whitney Seibel. I too I'm a
1:34
film critic. I contribute to slash
1:36
film from time time for so
1:38
many words. When Shakespeare said words
1:40
words words he was talking about
1:42
winning yeah we calculated it out
1:45
recently and I think it was like
1:47
like a million words a year
1:49
like not exacting yeah that's multiple
1:51
novels yeah worth of writing mmm
1:54
for the purposes of this
1:56
particular podcast you may call
1:58
me Rockmeister McCool You don't
2:00
have to do that, but if you
2:02
want to. This is your only opportunity.
2:05
So you get it out of your
2:07
system. Yeah. Here's how this works. You
2:09
send us correspondence. And then we read
2:11
it on the air. You can either
2:14
send us an email or email address
2:16
is letters at critically acclaimed dot net.
2:18
Or if you would prefer, you can
2:21
send us a piece of actual, tangible.
2:23
pressed woodpope. Physical corporeal mail. Yeah. And
2:25
Whitney, how could they do that? You
2:27
can send it to our PO Box.
2:30
Send it to the critically acclaimed network.
2:32
PO Box 641565, Los Angeles, California, at
2:34
90064. It's good for you. Yeah, it's
2:37
good for us too. We like getting
2:39
physical mail. In fact, we even have
2:41
a few letters. We do. And we
2:43
always start with the snail mail. You
2:46
put in the extra effort and we
2:48
respect that. And some of these are
2:50
very snail because we're recording this in
2:52
mid-February and we just got some Christmas
2:55
cards. Oh, wow. So some things are
2:57
taking a while to reach us. Oh
2:59
man, our government is not good. a
3:02
male and this one is a Christmas
3:04
letter. It's a little card. On the
3:06
front of the card it's a line
3:08
of little elves holding Christmas presents and
3:11
the caption is, it's who you know.
3:13
Okay. The caption on the inside is
3:15
hoping you get all you wish for
3:18
this holiday. Oh, that's nice. And it
3:20
comes from Cody. Hello, Cody. And the
3:22
cards reads, Dear Bibs and Mark Meister,
3:24
McCool. Thank you for the many hours
3:27
of entertainment over the years. I've been
3:29
a listener since 2018. Wow, I can
3:31
stand that much of us. That's two-thirds
3:34
of a decade right there. Indeed it
3:36
is. No questions or reviews of bizarre
3:38
corporate fluff piece commentaries from the Walt
3:40
Disney Company this year. Asterisk. For context,
3:43
I once sent you a card one
3:45
year where I described how much the
3:47
Mickey Mouse documentary on Disney Plus sucked.
3:49
I wish the two of you my
3:52
favorite podcasters a great holiday season. So
3:54
Merry Christmas and happy holidays. James and
3:56
Mason from the Weekly Planet and Mr.
3:59
Sunday movies. I could of course, happy
4:01
winter solstice bibs and Whitney. Sincerely, yours
4:03
Cody. That's really nice. So that's why
4:05
I had a nice holiday season. Yeah,
4:08
because that's the reason. Cody was reaching
4:10
out to us. Thank you. That's all.
4:12
The times are always appreciated. And thank
4:15
you so much. We didn't get that.
4:17
So yeah, sorry about that, but thank
4:19
you for writing and we have not
4:21
forgotten about you. And we just didn't
4:24
know this one I'm giving you the
4:26
Yes, I'll experience the full experience the
4:28
full with me if you will a
4:31
litany of Whitney. There you go Littany
4:33
Seibold. Anyway, this one comes from Paul
4:35
Knosian. A long, long time listening to
4:37
Paul. Dear Bibbs and Rockmeister McCool, I
4:40
really liked your David Lynch retrospective. Oh,
4:42
thank you. Yeah, David Lynch passed recently
4:44
and we did a special episode because
4:46
we were such big fans. Yeah. My
4:49
first introduction to his films was Pauline
4:51
Cale's review of the Elephant Man and
4:53
The New Yorker. In that article she
4:56
referred to and described scenes from Eresc
4:58
from Eraserhead. in rural, in rural form,
5:00
in a rural town in 1980, excuse
5:02
me. But my mom drove us 30
5:05
miles on a night of pouring rain
5:07
through twisting mountain roads to see the
5:09
elephant man at the nearest movie theater.
5:12
Later we saw the play at the
5:14
Kennedy Center. The story was of interest
5:16
to my mom because she is a
5:18
neurologist and Joseph Merrick suffered from neurofibromytosis
5:21
and she had actually tended patients with
5:23
this disease. Unfortunately, excuse me, fortunately, medical
5:25
science had made great strides since the
5:28
1800s, she hadn't seen anybody in which
5:30
the disease had progressed as far as
5:32
it had for Joseph Merrick's case. When
5:34
I was about 16 or 17, it
5:37
was 1984 or 1985, I had some
5:39
money in the bank and managed to
5:41
order a VHS of eraser hat. for
5:43
about $80 COD. This is cash on
5:46
delivery for all you kids. Yeah, that
5:48
was a thing we had to do
5:50
once. It was like, we'll send you
5:53
something, but you got to pay. You
5:55
got to pay as soon, like when
5:57
it arrives at the door. Yeah, here
5:59
it is. But now you got to
6:02
pay for it. It was pizza rules.
6:04
Yeah, it's pizza rules for everything. Yeah.
6:06
I had ordered over the phone instead
6:09
of Paul Kenosian the name UPS had
6:11
was. Cole Kinosian, which was extremely funny
6:13
when Mackey, the UPS driver, stopped at
6:15
a shop where a buddy working said,
6:18
tell Cole Kinosian to cough up his
6:20
80 bobs. I guess he had to
6:22
be there. It sounds like a mafios.
6:25
You tell Cole Kinosian. There was a-
6:27
They got a pony up. There was
6:29
a time when there was a difference
6:31
between consumer grade VHS cassettes and rental
6:34
grade VHS cassettes. They were physically heavier.
6:36
They were like these, they're bricks. Yeah,
6:38
the rental grades were made of like
6:40
really heavy because they were supposed to
6:43
be given to rental stores. They're supposed
6:45
to be played dozens and dozens of
6:47
times. Yeah, they could take the abuse.
6:50
Yeah, the idea was if you're buying
6:52
it. Probably not going to play it
6:54
as much. So they made it out
6:56
of cheaper materials so they could charge
6:59
you $15 to $20 for a single
7:01
cassette. And also it wouldn't hurt them
7:03
much if you overplayed it and needed
7:06
to get a new one as well.
7:08
Exactly. Yeah. No, like you would, to
7:10
get the original. VHS copy from a
7:12
rental store was, God, I wonder how
7:15
much those go for nowadays, but those
7:17
are actually not cheap. I found one
7:19
at a thrift store. Well, I mean,
7:21
it was a VHS copy of Return
7:24
to Oz. And it still had the,
7:26
take this home tonight, 7995 sticker on
7:28
it. It was clearly like rental grade.
7:31
Yeah. And but it was in the
7:33
VHS section of thrift store. It cost
7:35
me a buck. Yeah. So I brought
7:37
it home, it's like, I can turn
7:40
this around and sell it. and this
7:42
is like a four hundred five hundred
7:44
dollar cassette so I put on eBay
7:47
no takers well that's the thing yeah
7:49
like you can say it costs how
7:51
much it depends on who was actually
7:53
willing to pay it yeah the the
7:56
value of something is however much somebody
7:58
is willing to pay. If nobody's going
8:00
to pay $500, it's not worth $500.
8:03
So that ended up going back out
8:05
to a thrift store. So it's still
8:07
floating out out there. Well, hopefully someone
8:09
will find a good help. Anyway, the
8:12
letter continues. But Eraserhead will always be
8:14
David Lynch's best film for me. I
8:16
grew up in the Rust Belt surrounded
8:18
by Industrial Bleakness and even bought the
8:21
soundtrack LP, which included a coveted five
8:23
by seven photo of the baby. That
8:25
sounds kind of bad-ass to me. You
8:28
remember the car if you get... Can
8:30
you imagine? Can you imagine if you
8:32
got into an Uber? And it's like
8:34
a photo. It was an actual photograph.
8:37
And it was just like, oh, is
8:39
that yours? I'd just like kiss it
8:41
occasionally. All right, I'm running out of
8:44
steam, it's getting late. On Critically acclaimed
8:46
number 319, you mentioned the 1975 Invisible
8:48
Man series with David McCallum. I sent
8:50
you the DVD box a few years
8:53
ago. There weren't that many episodes and
8:55
I know it's hard to carve out
8:57
the time for a whole season of
9:00
TV, but it's delicious. Yeah, no, that's
9:02
been on our list for a long
9:04
time and we're sorry about that. Also,
9:06
my journey to watch every movie in
9:09
a psychotronic encyclopedia of film. You have
9:11
that just on the shelf behind you.
9:13
Michael Weldon is the author. He's sort
9:15
of coined the phrase psychotronic to refer
9:18
to a very specific type of cult
9:20
movie. But not just cult movies, there's
9:22
some mainstream movies that just had odd
9:25
genre types of elements. And he put
9:27
together these two big compendiums. One was
9:29
the home video guide and one's the
9:31
encyclopedia. I have the encyclopedia. I haven't
9:34
been able to find the home video
9:36
guide. You have the home video guide.
9:38
I guess it is a one. Yeah,
9:41
yeah, yeah. You have the gray one
9:43
with the pink lettering, right? I think.
9:45
Yeah. Then there's the garish one with
9:47
like yellows. There was a time when
9:50
like weird cult movies were hard to
9:52
find out about. Mm-hmm. And the psychotronic
9:54
film guide was an indispensable. Oh God,
9:57
yes. If you cared about such things.
9:59
All right, but that is a noble
10:01
goal, trying to watch all of the
10:03
films in the Psychotronic Encyclopedia. I stumbled
10:06
across a pretty amazing Edgar Wallace adaptation,
10:08
The Door with Seven Locks, 1962, which
10:10
may contain the precursor to Gomez and
10:12
Morticia, except they are truly evil, question
10:15
mark. Cheers. Thanks for all the great
10:17
recommendations. Paul. Thank you very much. Very
10:19
nice letter. We'll get to the Invisible
10:22
Man. We are sorry. We are sorry.
10:24
Sorry we haven't gone to the... There
10:26
are so many shows that we wish
10:28
we'd have gone to. Yeah. There was
10:31
a time when we just had the
10:33
time. Oh, remember that year. Just to
10:35
watch an entire, like, 24 hours of
10:38
TV in a week. Like, we can
10:40
just do that. There was a time
10:42
when... Okay, sweetie. He just keeps tapping
10:44
me on the shoulder. It's like, hey,
10:47
the cat wants attention. Like a devil
10:49
on my shoulder. Like, hey, you should
10:51
give the cat's treats. I will give
10:54
the cat's treats. Excuse me. Tell me
10:56
what you're saying. What was I saying?
10:58
Treats? Treats? It was a time when
11:00
we had fewer responsibilities and a lot
11:03
more different jobs. I didn't have my
11:05
child yet. Things change when you have
11:07
a child when you have a nine
11:09
to five job. There was a time
11:12
when my job actually let me, I
11:14
could clock in, do my work, and
11:16
also watch TV at the same time.
11:19
Yeah, that was pretty nice. So I
11:21
could get a lot done. I was
11:23
able to watch all of blood drive
11:25
in like two days. That kind of
11:28
stuff. Yeah. No longer. No longer. So
11:30
it's that's why episodes of Council Too
11:32
Soon are a little bit sparser these
11:35
days. Yeah. But we do try to
11:37
give you letters. We try to use
11:39
other things as well. We do other
11:41
things as well. And we are working
11:44
on a few episodes of Council Too
11:46
Soon right now. Yes. I'm very excited
11:48
to bring them to you. but again
11:51
this this year really sucked so far
11:53
so we're still trying to find an
11:55
equilibrium hopefully we can get back to
11:57
something resembling normal but at the very
12:00
least a new equilibrium like a standard
12:02
Schedule where we can accomplish more of
12:04
what we really want to accomplish because
12:06
we love doing this It pains us
12:09
so much Right now, but in any
12:11
case. Thank you for writing and appreciate
12:13
it But we have plenty of emails.
12:16
Those were the only physical letters we
12:18
got so yeah, go ahead and send
12:20
us a letter postcard. What if you
12:22
like we'd be happy to get it.
12:25
We're not getting so many letters that
12:27
we have to parse them out So
12:29
if you want to hear something read
12:32
on we've got mail, definitely send us
12:34
a letter. Yeah, and again, we make
12:36
episodes when we have enough letters right
12:38
now. They used to be weekly and
12:41
then people got busy. So we do
12:43
it more once or twice a month
12:45
right now. But yeah. Yeah. Anyway, here's
12:48
an email and this one comes from
12:50
Cameron. It says, hello again, gentlemen. I
12:52
was a big listener a few years
12:54
back when I was very in tune
12:57
with the film scene, but after a
12:59
few years of not doing super well
13:01
mentally, I kind of fell out of
13:03
fell out of it. But never fear.
13:06
I'm feeling and doing a lot better
13:08
now, and I've been able to get
13:10
back into some of my hobbies lately,
13:13
and that includes catching up with some
13:15
of your shows. I know I'm back
13:17
into movies because there's already a very
13:19
popular film out there that I do
13:22
not like. Yay! Sorry, Nosfera, too! Oh,
13:24
snap. My point is, happy to be
13:26
back. I guess I should include a
13:29
question, what are some of your favorite
13:31
child actor performances? I just finished Mario
13:33
Heller's Night Bitch and thought the young
13:35
performers, I believe there were twins playing
13:38
the same role, carried a lot of
13:40
the film on their shoulders and did
13:42
a great job. Thanks Cameron. That's a
13:45
great question. Thanks for coming back. I
13:47
know what that's like to sort of,
13:49
when you're not doing well mentally, you
13:51
fall away from the things that like...
13:54
Defined you and gave you pleasure because
13:56
they're not they're not doing it for
13:58
you. We were just talking about this
14:00
actually Yeah, we're both you know, it's
14:03
been really hard lately for a variety
14:05
of reasons of both of our lives
14:07
and not always same ones and I
14:10
had a therapist once who I was
14:12
really depressed and obviously you're in therapy
14:14
to try to work that out but
14:16
you know he gave me some good
14:19
advice and he said what when was
14:21
the last time you were happy and
14:23
I really had to think back ah
14:26
and then he said what were some
14:28
of the things you were doing then
14:30
that you don't do now and it
14:32
was like uh I would by comic
14:35
books regularly or I would play video
14:37
games and things I just don't have
14:39
time for and he was like, try
14:41
doing that again. Yeah, and just do
14:44
that. Yeah. Just it made you happy,
14:46
go for it and you know, it
14:48
doesn't cure my depression, but it's not,
14:51
it gives me pleasure. It's interesting when
14:53
you like, you get older and like,
14:55
you run into some hard times and
14:57
you realize that the things that you
15:00
sacrifice are the things that make you
15:02
happy. It's not a great system. If
15:04
you think about it, like it certainly
15:07
does it. It's certainly not if you
15:09
eliminate all of them. Well, you know,
15:11
that's how it works. There's there's a
15:13
two two-edge sword to this because sometimes
15:16
the Jesus refrigerator what the shit? It
15:18
wants to get a little bit of
15:20
a contribution. Okay, well everyone's buzzing about
15:23
the refrigerator and the refrigerator's buzzing right
15:25
back. Trying to keep things cold for
15:27
yeah. On the one hand, I don't
15:29
like to delve into sort of my
15:32
favorite things when I'm depressed because my
15:34
depression will color that thing. It doesn't
15:36
work the other way for me for
15:38
whatever reason. If I see something I
15:41
really really love and I'm depressed, I
15:43
start hating that thing. That's another futile
15:45
thing in life that will just make
15:48
me sad. Are you the kind of
15:50
person who when you're sad, you listen
15:52
to sad music? Because I'm the kind
15:54
of person when I'm sad, I try
15:57
to listen to listen to happy music
15:59
to happy music. When I'm happy I
16:01
listen to sad music and when I'm
16:04
sad I listen to no music. That's
16:06
interesting. So there's no happy music in
16:08
your life. If you're either, it's either
16:10
sad music or not. No, I also
16:13
listen to having music. Actually, a lot
16:15
of the music I listen to is
16:17
rather assertively obnoxiously whimsical. Listen to a
16:20
lot of Dr. Demento, that kind of
16:22
stuff. But yeah, at the same time,
16:24
you sometimes do find your way back.
16:26
Just like, oh, I used to love
16:29
this thing for my childhood. I'm going
16:31
to pick it up and start reading
16:33
it again. It does, for a brief
16:35
moment, give you like, like, not just
16:38
a nostalgic, a nostalgic, a sort of
16:40
who you know, And I appreciate those
16:42
moments. You know, I feel like we
16:45
all are all everyone we've ever been.
16:47
People evolve over time. They say people
16:49
don't change. We do. It's not always
16:51
the way we want to, but we
16:54
do. But I feel like, you know,
16:56
even if you change into someone who,
16:58
like, you like better, you're still everyone
17:01
you've ever been. That person's still in
17:03
there somewhere, you know? So, like, if
17:05
there's a person in you who enjoyed
17:07
something, Yeah, feed the beast, especially if
17:10
the beast just likes, I don't know,
17:12
comics and jujubies. You know? I sat
17:14
down and played an any S game,
17:17
because that's the, a big chunk of
17:19
my youth was eaten out by my
17:21
Nintendo. It's like, okay, let me feed
17:23
a little bit more into that machine.
17:26
And it worked, made me feel better.
17:28
As for child performances. Oh, yes, that's
17:30
right. There was an actual question. Yeah,
17:32
for me. I mean, listen, there have
17:35
been a lot of great child actors
17:37
in cinema, some go on to future
17:39
film careers, some don't. I'm of the
17:42
opinion that child actors may have peaked
17:44
early because I don't know if we've
17:46
ever had a better child actor than
17:48
Jackie Cooper. I was going to mention
17:51
the champ. The champ, it be, like,
17:53
that kid. Was uncanny yeah, just watch
17:55
watch what multitudes of emotional complexity His
17:58
his final scene in the champ if
18:00
you're not crying. I don't I don't
18:02
know what's up with you if you
18:04
if you want to Okay, let's say
18:07
you have a very taciturn father and
18:09
you want to watch that taciturn father
18:11
weep? Yeah. Watch the champ from 1931.
18:14
Or in my dad's case, for some
18:16
reason the movie Armageddon. He cried during
18:18
Armageddon. He cried during Armageddon. He cried,
18:20
he never cried in movies, but he
18:23
cried when like there was like slowmo
18:25
walk into like the space shuttle and
18:27
I was like, I will never forget
18:29
it because he was a wonderful man
18:32
and he was very very sweet, but
18:34
he never really cried very often. So
18:36
weird. Very strange, but in any case,
18:39
it's one of the reasons why I
18:41
can't hate that movie. Have a good
18:43
memory of my dad with it. But
18:45
no, Jackie Cooper was really just an
18:48
incredible performer. Especially, and he stayed a
18:50
performer. He was the, he was a,
18:52
uh, Perry White in the live action
18:55
Christopher of Superman movies. Oh, that's right.
18:57
Yeah, yeah. So he was, you know,
18:59
he had a good long career, but
19:01
boy, he was amazing. Definitely, he was
19:04
amazing. comic book and up for Best
19:06
Picture. It was the first movie based
19:08
on a comic. I think it was
19:11
1930 that one came out. The first
19:13
movie based on a comic to win
19:15
Best Picture. Also the peanut butter Skippy
19:17
was named after Skippy and they did
19:20
not have the rights to it and
19:22
they have been trying to settle that.
19:24
And nowadays the peanut butter is better
19:26
known than the character just because the
19:29
comic fell into obscurity but... You still
19:31
owe money, fuckers. So that's a start.
19:33
Let's think of some others. There's some
19:36
young actors who as kids just sort
19:38
of get it. They understand what it
19:40
is to like, immote and sort of
19:42
internalize complex characters. Yeah. I feel like...
19:45
Dakota Fanning? Dakota Fanning is amazing as
19:47
a young actor. It's still great. Understood
19:49
like immediately what it like what acting
19:52
was and what it meant to sort
19:54
of yeah, all of these different people
19:56
when she was a kid. Yeah, I've
19:58
heard directors talk about how like there's
20:01
some kids who are like able to
20:03
do that when they're young and like
20:05
kind of emotionally free. But as you
20:08
get older, some lot of people sort
20:10
of crawl inward and they're not necessarily
20:12
great actors anymore. Like there is just
20:14
this period when they're young and they're
20:17
just so unguarded. Yeah, it's a great
20:19
way of putting it. It's a great
20:21
thing for an actor to be is
20:23
unguarded. Yeah. She's up, I mean, Sir
20:26
Sharcherronan. Yeah, sure, and has continued to
20:28
improve. And others as well. You know
20:30
what? Something I admire about, and I
20:33
know that not a lot of young
20:35
actors can sort of make the leap
20:37
just because of the way specifically the
20:39
American fame system has been set up.
20:42
Yeah. You look at a lot of
20:44
the kids who grew up in sort
20:46
of like... kids shows that were run
20:49
by big corporations like Disney or Nickelodeon
20:51
and all these horror stories about how
20:53
they were mistreated or they were you
20:55
know worked too hard or they're even
20:58
if they were to work too hard
21:00
they were still under a lot of
21:02
pressure from their bosses or even from
21:05
their parents. Well it's like when you're
21:07
it's not just they're not just acting
21:09
they're in a grind and they're like
21:11
moneymaker like people's not just their family
21:14
but like a whole industry side of
21:16
this industry everyone who works on their
21:18
show depends on them and that's a
21:20
lot of pressure to put on it
21:23
so it's too much pressure to put
21:25
on it yeah and a lot of
21:27
a lot of younger actors when they
21:30
start to age out of the cute
21:32
kid roles yeah and you know are
21:34
finally like facing emancipation for the first
21:36
time or they're becoming adults or they're
21:39
you'll finally have access to things like
21:41
alcohol and sex and you'll see them
21:43
acting out in public because they want
21:46
to express that side of themselves and
21:48
uh... but nobody's it's a coping and
21:50
you see a lot of burnout as
21:52
a result i i think immediately Lindsay
21:55
Lohan who brilliant young actress but she
21:57
burned out because she was being controlled
21:59
by of these different pressures. And she
22:01
was wrestling with addiction. So it took
22:04
her a long time to sort of, she had
22:06
to flee the public eye and kind of figure
22:08
out who she was and what she wanted
22:10
out of life before she could go back
22:12
to movies. It's a big period where she's
22:14
just not acting, which is a pity because
22:17
she is a talented actress. And I would
22:19
love to have seen her in more. But.
22:21
Over in the British Isles, there
22:23
seems to be a little bit
22:25
more of a pragmatic view of
22:27
acting. It's not so much about
22:29
the fame system. It still happens,
22:31
of course. But I'm thinking of
22:34
the Harry Potter kids. Most of
22:36
them seem to have turned out,
22:38
most. Most of them had some
22:40
rough goes a bit, but most
22:42
of them seem to have come
22:44
out pretty healthy. Emma Watson doesn't
22:47
act very often, but every time
22:49
she does, she's amazing. Yeah, uh,
22:51
River Grintz, he was on that in-night Shinalon
22:53
show on like Apple. Yeah, and he was, he was
22:55
good in the movie as well. He was in, uh,
22:57
Knock at the Cabin. You're right, I forgot he was
23:00
in there, you're right, yeah, yeah, yeah, yeah, yeah.
23:02
So he has, again, not, he's really
23:04
impressed me was, uh, uh, uh, the
23:06
actor Tom Felton Felton Felton, he played,
23:09
he played, he played, he played, he
23:11
played, uh, uh, uh, uh, uh, uh,
23:13
uh, uh... I forgot the Dursley actor
23:15
he's he's really good. Oh, he's a
23:18
he's a he's a really fantastic actor
23:20
who is the kid who played Harry
23:22
Potter's abusive adopted brother. Oh, I don't
23:24
I don't know Dursley. Yeah, yeah, yeah,
23:27
something I forgot the Dursley the Dursley
23:29
actor. He's he's really good. Oh, he's
23:31
a hold on a second Harry Melling
23:33
There we go. Harry Melling is a
23:36
great actor. Yeah, um, I'm trying to
23:38
think like what so he was in
23:40
that Oh, yeah, yeah, he was in
23:42
the Queen's Gambit. He was in the
23:45
Queen's Gambit. He was he was wonderful.
23:47
And did you see did you see
23:49
the pale blue eye? Yeah, it came out
23:51
in 2022. It started Christian Bale. It's
23:53
like a detective in like 1800. He's
23:55
solving a murder with a young egg
23:58
girl and po and her and Harry.
24:00
plays like Galen Poe. It's really good.
24:02
He was in the tragedy of Macbeth.
24:04
You played Malcolm in that movie. He's
24:06
incredibly talented. But that's one where I
24:09
didn't see him as much as a
24:11
child showing that much talent. I mean
24:13
granted the world had masked much of
24:15
him but he certainly grew into an
24:17
excellent actor. I've noticed just sort of
24:20
in the way British actors and American
24:22
actors kind of approached the craft a
24:24
lot differently. How American acting, and again
24:26
this is a very generally speaking of
24:29
course. It is a little bit more
24:31
about sort of the big moments in
24:33
the fame of it. There's a little
24:35
bit more an element of glamour that
24:38
I think American actors kind of attached
24:40
themselves to, whereas British actors put the
24:42
job in front of themselves and do
24:44
it. Like they're honing their craft and
24:47
just trying to be as good as
24:49
they can. I feel like it's a
24:51
little bit more of a almost like
24:53
a working stiff profession. And I admire
24:55
that. And I think that a lot
24:58
healthier, especially for a young actor trying
25:00
to continue acting. to act into their
25:02
adulthood. So it's interesting when like, because
25:04
there's a lot of actors out there
25:07
who got their start as kids, but
25:09
they weren't really famous as kids, maybe
25:11
at least not everywhere. Someone who I've
25:13
really only seen one movie they made
25:16
as a child, but I'm a huge
25:18
fan of adults, Nicole Kidman. Nicole Kidman
25:20
started off as a child actor in
25:22
Australia, and she was pretty, pretty... Big
25:24
over there as I understand it, but
25:27
she didn't really cross over here until
25:29
she got older. But she was in
25:31
BMX Bandits. She was at like 15
25:33
at that point. But she was a
25:36
little child actor at some point. And
25:38
like she was still young. She wasn't
25:40
like an adult. But you watch her
25:42
in BM Expandets and you're like, oh
25:45
she's good. Like it's a movie called
25:47
BMX Bandits. You only expect so much
25:49
from it. But like no, she's she's
25:51
bringing it. Yeah, actually, she's quite excellent.
25:54
Brian, Brian Trenchard Smith, who we got,
25:56
we had to interview him once. He
25:58
was nice, yeah, that was cool. Plenty
26:00
of others, Sean Aston. I thought it
26:02
was a really great young actor, and
26:05
still a really good older actor as
26:07
well, he doesn't get enough big roles,
26:09
if you ask me. I really liked
26:11
him in that. new movie Love Hurts,
26:14
the movie isn't particularly good, but he's
26:16
really good in it. He only has
26:18
two scenes, but he's good in those
26:20
scenes. Those are great scenes. Anyway, we
26:23
should move on. Let us know if
26:25
there's any great child actors we missed.
26:27
Here's a letter from Canadian Keith. Hi
26:29
Keith. Hello Canadian Keith. Dear William and
26:32
Rockmeister McCool. As we begin 2025, this
26:34
letter came in on January 1st. Oh
26:36
my God. So going back a little
26:38
bit. Sorry. Dear William Ross, as we
26:40
begin 2025, I was looking at the
26:43
year 1993 in Star Trek, which you
26:45
just began covering in your all yesterday's
26:47
podcast. We do a... Star Trek podcast
26:49
for subscribers. Reviewing every Star Trek ever?
26:52
And yeah, we just pretty recently started
26:54
doing Deep Space Nine and the last
26:56
two seasons of Next Generation. We're jumping
26:58
back and forth. In that year, there
27:01
were 26 episodes of Star Trek Next
27:03
Generation released along with 30 episodes of
27:05
Deep Space Nine. That trend will continue
27:07
through Deep Space Nine with some 52
27:10
episodes of Star Trek being released each
27:12
year. What that means for the next
27:14
seven years or so, your weekly Star
27:16
Trek podcast will not get any closer
27:18
to the present. That is unless you
27:21
make it roughly a semi-weekly podcast with
27:23
one episode of Deep Space Nine or
27:25
one episode of Next Generation or Voyager
27:27
significant wink. You know? It's not a
27:30
terrible idea. I want to. That's one
27:32
of my favorite projects that we do.
27:34
It's doing all the Star Trek. Yeah,
27:36
yeah, yeah. You fucker. Like listen. I
27:39
mean that from the bottom of my
27:41
heart by the way. But it's one
27:43
of those things where it's just like
27:45
if you fucker brackets affectionately. No, no,
27:47
totally affectionate because if you give me
27:50
something like interesting to do I will
27:52
drop everything in my fucking life and
27:54
do that. I will be like. Well,
27:56
we're doing this forever now. One other
27:59
comment about your podcast output in 2020
28:01
for your monthly podcast only the best
28:03
at a total of three episodes. Yeah,
28:05
we've. a year and a half of
28:08
each of the Oscars, 55 in March,
28:10
56 in July, October. At that pace,
28:12
there's no way you'll be able to
28:14
catch up on the Oscars in your
28:17
lifetimes, even though I expect each of
28:19
you to live at 117, just like
28:21
Iowa. Oh, at least. Yeah. Minimum. Everyone
28:23
says, I don't want to live forever.
28:25
I will not take the immortality potion.
28:28
Fine. More for me. I don't know
28:30
how much more you need. Pardon? I
28:32
think if you just take it once
28:34
you should be fine if it's an
28:37
immortality potion. Well, you have to drink
28:39
a lot for it to work. What
28:41
if it tastes really good? It's still
28:43
kind of rude. Okay, well listen, listen,
28:46
I will say this. What if it's
28:48
like the finest whiskey you've ever had?
28:50
I was speaking of, one of our
28:52
favorite things that we do. It's a
28:55
podcast we review every single movie ever
28:57
nominated for Best Pictureure. I've seen all
28:59
the films for the next episode. I
29:01
saw them over two months ago. I
29:03
don't know what you're talking about. I'm
29:06
just saying. I've one left. I've seen
29:08
four of them. It's hard to find
29:10
the time. It's another ambitious thing that
29:12
we do and I hate that we
29:15
can't keep that up as much as
29:17
we'd like. We're... I really want to.
29:19
Please please please please see. Please see
29:21
Sionara. We just got one film. One
29:24
file. I have to see Sionara And
29:26
then we can record that ASAP. I've
29:28
been begging you. I hope these figures
29:30
don't discourage you. I want to take
29:33
the opportunity to thank you both for
29:35
all of your podcast output output to
29:37
both public and on the Patreon. But
29:39
those are my two those two shows
29:41
are my favorites. You'll never know just
29:44
how much your podcast have meant to
29:46
me I'm sure Yes, I plan to
29:48
write you a letter soon just to
29:50
explain how much your podcast mean to
29:53
me over the past nine years as
29:55
a regular listener So in a way
29:57
you probably won't expect and I'll be
29:59
using the Disney movie wish to illustrate
30:02
it Okay, that you you're right. I
30:04
did not expect that color me intrigued
30:06
all right fair enough and listen these
30:08
are all fair fair fair points The
30:10
idea of doing two Star Trek episodes
30:13
a week is very tempting especially and
30:15
we have a justification for it right
30:17
now and it's it's it's easier to
30:19
turn that turn that out because that's
30:22
only 45 minutes of research yeah before
30:24
we have to sit down it's not
30:26
you know five days I could we
30:28
we could try that for a while
30:31
we could try for let's not well
30:33
maybe not this week you know what
30:35
If we do to a week, it
30:37
would be just like approximating what it
30:40
was like to watch Star Trek at
30:42
times. Because they were running simultaneously. It
30:44
fits. It's a good idea. And if
30:46
we start to feel a little burned
30:48
out, that will just illustrate how Trekkies
30:51
felt at the time. How do I
30:53
catch up with all these shows? I'm
30:55
feeling like they're burned out. Why am
30:57
I so bored by Voyager? Because you've
31:00
had two Star Trekks a week for
31:02
the last four years. Yeah. It's a
31:04
lot to catch up to catch up.
31:06
A lot to catch up on. But
31:09
I don't a lot to catch up
31:11
on. But I want people to catch
31:13
up on. But I want people to
31:15
be bored with our people to be
31:18
bored with our people to be bored
31:20
with our podcast. Well, the people will
31:22
consume the podcast at their own pace.
31:24
Because there are some people who are
31:26
going back and listening. That's true. That's
31:29
true. And I'm very grateful for you.
31:31
Boy, do you have a lot to
31:33
catch up on, because there's a lot
31:35
of it. Anyway, next, next email. Yes,
31:38
this is an email from Justin. Hello,
31:40
Justin. Howdy. Whibs, Bipley, R.M, McKay. Love
31:42
it. I have that's us. I'm about
31:44
your age, which we can just call
31:47
GenX. I wasn't really aware of David
31:49
Lynch, but do remember asking my dad
31:51
to try and explain parts of Twin
31:53
Peaks and him saying that... Some dialogue
31:55
was either a joke or maybe a
31:58
key clue. I guess my first real
32:00
exposure to him was actually Blue Velvet,
32:02
or my first real girlfriend and I
32:04
rented it from the local video store
32:07
Sover Janax, and decided somewhere around the
32:09
nitrous oxide scene that we would really
32:11
rather just make out, and this wasn't
32:13
setting the mood we wanted. The movie
32:16
you didn't realize was a bad date
32:18
movie story I think most people get
32:20
at some point. In college, I tried
32:22
to show my girlfriend at the time.
32:25
Elias marriage is begotten. Which was this,
32:27
and this was a date. It wasn't
32:29
a date. She was just, you know,
32:31
we were just going to college together.
32:33
and she's in my dorm room. And
32:36
we get distracted and we start making
32:38
out and then we look up and
32:40
we see like God disemboweling himself with
32:42
a razor. It's like, let's turn this
32:45
off. This is, yeah. During the pandemic
32:47
on Facebook, I made a post in
32:49
the Two Truths in a Life format
32:51
about David Lynch that got kind of
32:54
wild with truths about him. Someone hanging
32:56
out with a cow to promote an
32:58
actress had quite a range of possibilities.
33:00
That's true. That's true. 100% true. One
33:03
final thing to share about David Lynch
33:05
from my friends who did a talking
33:07
heads tribute show. He wrote a note
33:09
on his sheet music David burn equals
33:11
big suit slash normal size head David
33:14
Lynch equals big head slash normal size.
33:16
That's great. That's good. I love that's
33:18
amazing. Oh God did they ever meet?
33:20
That's a conversation. I would love to
33:23
just be a fly on the wall
33:25
and hear David Byrne and David Lynch
33:27
Talk because you know you'd like to
33:29
think they talk about art or music
33:32
But you know David Byrne would just
33:34
be like Hello, I'd like to talk
33:36
about bicycling for three hours and David
33:38
Lynch would be like yes, and I
33:41
like burgers Oh, I mean amazing. I
33:43
I drink I drank three milkshakes and
33:45
I feel very happy As someone who's
33:47
directed a few small video projects, rock
33:49
operas and other theater, I've tried to
33:52
follow David Lynch's path of supporting my
33:54
casting crew, making it a safe and
33:56
comfortable place for everyone, and using that
33:58
as a platform for building challenging art.
34:01
As always, thank you for being who
34:03
you are and wishing you and your
34:05
loved ones, safety, comfort, and joy. Oh,
34:07
thank you. As I said on our
34:10
tribute podcast, it's so odd how sentimental
34:12
we get about David Lynch, terrifying his
34:14
movies are. Most of them are not
34:16
sentimental films. His movies looked out at
34:18
the insanity of the world and said
34:21
that the most logical reaction to that
34:23
is utter terror. Right. And that's the,
34:25
that's kind of the thesis of most
34:27
of his movies. Yeah. He did make
34:30
a few just sort of gentler emotional
34:32
movies, but it was not the bulk
34:34
of his output. No, and even straight
34:36
story, which is, you know, is his
34:39
G-rated drama about brotherly love. It's a
34:41
sad film. I mean, it's a smooth
34:43
film, but it's about the things you
34:45
have lost. Yeah. Strangement. There's this really
34:48
just... beautiful but really harrowing just bit
34:50
where like two old men reminisce about
34:52
World War II yeah and just how
34:54
you know awful it was and you
34:56
know it's it's not sacrin ever he
34:59
doesn't do sacrin he did sweet sometimes
35:01
but he never did sacrin well I
35:03
think there's there's something about there are
35:05
artists who can make dark bleak aggressive
35:08
even tasteless pieces of art yeah and
35:10
we can get behind them if we
35:12
also know that the person who made
35:14
them are sort of approachable or affable
35:17
or understandable in some way. And David
35:19
Lynch, even though he made these really
35:21
dark and aggressive movies, was a very
35:23
gentle human being and kind of a
35:26
strange quirky guy and interview. Well, there's
35:28
a sensitivity. Yeah. To the darkness in
35:30
his movie. He's not, he's not, this
35:32
is a term I would normally not
35:34
use, but he's the antithesis of it.
35:37
He's not an edge lord. He's not
35:39
putting on airs of darkness so that
35:41
he can seem mature. And listen, that's
35:43
part of a lot of people's lives,
35:46
artistic journeys or whatever, you know, you
35:48
try things out, you feel like when
35:50
you're young, that like cynicism or bleakness
35:52
is equals maturity. You're testing your emotional
35:55
limits. Yeah, that's but there's but there's
35:57
a certain fakeness to a lot of
35:59
filmmakers were trying really hard to be
36:01
dark Whereas David Lynch came at darkness
36:04
from a place of emotional tenderness You
36:06
know like it's it's sad what's happening.
36:08
It's tragic what's happening. Tenderness, but honesty.
36:10
I feel like there's a lot more
36:12
honesty. I kind of mean tenderism, like
36:15
you're touching a nerve. Oh, you know,
36:17
like, oh, it's tender there, don't, you
36:19
know, sorry, yeah, a little, wrong word,
36:21
probably. I've always felt some. I've seen
36:24
plenty of violent movies and this might
36:26
be a weird statement, but I do
36:28
love a good violent movie. I like
36:30
a good gory movie. A good one.
36:33
Yeah, good gory. Sometimes if a movie
36:35
is so unbelievably gory, it can actually
36:37
like... accelerate me in a way that
36:39
will cover up some of the film's
36:41
failings. Burning Moon. Burning Moon is one
36:44
of those movies. Watch, watch Isn't Box
36:46
the Burning Moon at some point. It's
36:48
a German movie and it's really rough.
36:50
It's, it's, it's, it's, it's, it's, it
36:53
doesn't want to make it easy to
36:55
watch that movie. It's arguably great and
36:57
it's arguably one of the worst things
36:59
ever and it's like, that pushes Gore
37:02
to such an extreme it like. almost
37:04
approaches philosophy. But I feel like the
37:06
attitude toward horror is when they present
37:08
you gore and violence that we are
37:11
supposed to be repelled by it. We're
37:13
supposed to recoil. Even if we're kind
37:15
of enjoying just the visceral extremity of
37:17
it, we understand both us and the
37:19
filmmakers that this is horrifying. Good. No.
37:22
It's bad that this is happening. It
37:24
might be interesting or exciting to watch,
37:26
but it's not good that it's happening.
37:28
Or if it's being presented as good,
37:31
it's being like carried along on this
37:33
kind of nihilistic handshake. It's like life
37:35
is meaningless. This is the result of
37:37
that. Yeah. Meanwhile, there are plenty of
37:40
violent movies in the action mold where
37:42
people get murdered by the score. But
37:44
that violence is presented as something very
37:46
cathartic, actually something very, very good. And
37:49
something that everyone can enjoy. It's like
37:51
a PG-30. Like James Bond. There are
37:53
things about movies where he kills dozens,
37:55
if not hundreds of people. Yeah, more
37:57
than Jason Vorgies. And great! Everyone's like,
38:00
wee! And then Jason Vorgies kills five
38:02
teenagers and all of a sudden it's
38:04
bad. And people get all up in
38:06
a huff over the horror movies, like
38:09
the censors. but they're okay with James
38:11
Bond murdering that guy and i think
38:13
it's because action movies tend to take
38:15
place in this moral space where morally
38:18
simplistic space where all of the world's
38:20
problems can be concentrated in one evil
38:22
person well and if you kill that
38:24
one person the problem is solved there's
38:27
a there's a line in a movie
38:29
that i liked when i was younger
38:31
and i revisited as an adult It
38:33
is not aged well. It is such
38:35
a guy going through a divorce right
38:38
now. It's very, it's a lot of
38:40
sexism and it's really deeply unpleasant, but
38:42
true lies. Oh yeah, true lies. Cool
38:44
action sequences in it, a couple of
38:47
funny bits. I liked it in the
38:49
90s. Yeah, it is, it is a
38:51
mean film, it's mean to women, it
38:53
is pretty damn racist, like it's not
38:56
great. But there are some good bits
38:58
in it, but there's one line that
39:00
I think about a lot, and I
39:02
think it's sort of... the attitude we
39:04
have towards action movies when we're making
39:07
them or watching them when Jamie Lee
39:09
Curtis finds out her husband is like
39:11
a secret agent and he's got it
39:13
he's got a truth serum in him
39:16
so he has to answer all of
39:18
her questions and it it's in a
39:20
very efficient way to get out that
39:22
sequence so that she actually believes him
39:25
because he's been lying to her so
39:27
that's it's good storytelling silly movie She
39:29
says, have you ever killed anybody? And
39:31
he says, yeah, but they were all
39:34
bad. That's it. That's the moral life.
39:36
They're bad. They're bad. They're not human.
39:38
They're so okay to kill in that
39:40
case. Is your bad? It's okay to
39:42
murder you. I've always felt that action
39:45
movies are a lot more morally irresponsible
39:47
with their violence than horror movies. And
39:49
I can't. And I bring this all
39:51
up because I think David Lynch understood
39:54
that. looking at the world, seeing the
39:56
violence, seeing the heart. seeing the abuse
39:58
and feeling utterly no exhilaration about that.
40:00
He didn't find that like evil is
40:03
fascinating. He sees like he wants to
40:05
look at it because he's he is
40:07
fascinated by it but he's not having
40:09
fun with it and he doesn't want
40:12
us to have fun with it. He
40:14
wants us to kind of look at
40:16
look at that violence and kind of
40:18
see something really dark and I think
40:20
that's something like he struggled with that
40:23
in Dune because Dune has sci-fi action
40:25
thrills. And that's not his bag, man.
40:27
He did not approach that from the
40:29
same angle that Denis Villenev did. All
40:32
right, we should move on. Thank you
40:34
for the letter. There are some things
40:36
you wouldn't mind being stuck with, like
40:38
a large unexpected inheritance. An always on
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to be plugged in just right, so
40:45
it charges is not one of those
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40:54
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40:58
unlimited plan. With new line on my
41:01
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41:03
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41:05
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41:07
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41:10
with W. With courses available online 24-7
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and monthly start dates, WGU offers maximum
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41:16
future. Learn more at WGU.E.D.U. owning a
41:19
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41:21
like being able to fling your favorite
41:23
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41:25
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it covered through boat insurance. Get more
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with GEICO. Here is another letter. This
41:48
one comes from a mirror universe scary
41:50
mud. Oh God, so he's awesome. I
41:53
want to see that. Oh my God,
41:55
he'd be like the greatest. hero of
41:57
the mirror universe. He'd be so cool.
41:59
We've already had it. He'd already had
42:02
it. They already brought back Harry Mud.
42:04
No, but they're brought back actual Harry
42:06
Mud, the shit Harry Mud. I'm talking
42:08
about the mirror universe. Mirror universe Harry
42:11
Mud would be so nice. It would
42:13
be like he'd be like Santa Claus,
42:15
just like fly and throw out the
42:17
galaxy. Everyone's like, oh, Harry Mud is
42:20
here. Yay! I'm selling, I'm selling these
42:22
robots, but they're your friends now. Anyway,
42:24
it says gentle beings. Ordinarily I would
42:26
think twice about taking Whitney to task
42:29
about the classic TV he knows the
42:31
most about. I'm of course of referring
42:33
to Gilligan's Islands. Oh shit, we're about
42:35
to open a can of worms and
42:38
or what best? In a recent episode
42:40
of the podcast, Mr. Seibold states that
42:42
1982 Gilligan's planet is the finest chapter
42:45
of the castaway saga. The final chapter
42:47
of the castaway saga that cut and
42:49
it was canonically the last time we
42:51
saw Gilligan Skipper at Al is an
42:54
alien planet with a pet alien named
42:56
Bumper after traveling to said planet fail
42:58
wouldn't rocket ship Cypled cannot be more
43:00
wrong. Ooh. The final appearance of the
43:03
prime timeline castaways is in 1981's The
43:05
Harlem Globe Trotters on Gilegan's Island. Gilegan's
43:07
Island was 82 then. Well, hold on.
43:09
Where after being rescued from the island
43:12
once got stranded again on the same
43:14
island, then got rescued again, or because...
43:16
Yeah, Harlem Globet was the third Gilegan's
43:18
Island TV movie. Yeah. There was one
43:21
where they got rescued, and at the
43:23
end of that TV movie, they got
43:25
stranded on the same island again. What
43:28
are the odds? Yeah, like 100% apparently.
43:30
Yeah, they made their way back to
43:32
the mainland. They weren't happy on the
43:34
mainland. Marianne was going to have an
43:37
unhappy marriage. He ended up getting the
43:39
insurance payment. They celebrated their return by
43:41
getting on the mid-02 and they hit
43:43
bad weather and landed on the same
43:46
island. I'm going to quote Enrico, Antoni,
43:48
and Galaxy Quest. Those poor people. They
43:50
went back on purpose. Well, the millet,
43:52
like they, they knew there was like
43:55
a tidal wave was coming and they
43:57
decided to just sail away in like
43:59
their houses. Like they built a raft.
44:01
It's like, it's not gonna save us,
44:04
but it's safer than the island. Okay.
44:06
And in, so, and then they, but
44:08
then they washed back and they got
44:10
in a plane? Like there was something,
44:13
there's something with a plane. And the
44:15
important house built a resort and the
44:17
Harlem Globet rotters were there and they
44:20
were there and they played basketball against
44:22
robots. That's right. Well, the second one,
44:24
that's when they built the resort on
44:26
the island. I think in the third
44:29
one, the resort is there, and the
44:31
resort is there, yeah. It's really a
44:33
Harlem Globe Charter, so more than a
44:35
Gilligan's Island, and all. Let's see, after
44:38
being rescued from the island once, got
44:40
stranded again, out of the same island,
44:42
then got rescued again, Mr. Howell bought
44:44
the island, opened the resort, and the
44:47
employees, quote, the rest, of the rest
44:49
of the island crew, of the island
44:51
crew, and then of the island crew,
44:53
crew, crew, crew, crew, and then, and
44:56
then, crew, crew, and the mad, crew,
44:58
crew, crew, and the mad, crew, crew,
45:00
crew, and the mad, crew, crew, crew,
45:02
crew, show, show, show, show, show, show,
45:05
show, show, and then, show, show, show,
45:07
show, show, and then, and then, and
45:09
then, and then, and then, and then
45:12
who has a team of robots. That
45:14
was Martin Landau? Yeah, so Martin Landau.
45:16
Fuck! I did not remember that at
45:18
all. And the robots play basketball against
45:21
the Globetrawners, that's the plot of the
45:23
movie. Like you do. Just because there
45:25
is a cartoon series that shares aspects
45:27
of the characters of the live series,
45:30
it's not automatically considered canon. I cite
45:32
the precedent of 1976's Roddenberry versus Filmatian
45:34
where it was allowed for the live
45:36
series to pick and choose what in
45:39
the animated series of Star Trek was
45:41
canonical. Okay. All right. Furthermore in the
45:43
animated series the character of Ginger Grant
45:45
has Platinum Blonde hair unassailable proof that
45:48
she is a Ginger Grant variant. Okay.
45:50
I rest my case. Oh, I will
45:52
say this right now. Do you think
45:55
that no one in Hollywood dies their
45:57
hair? She's been without hair dyed for
45:59
how long? You know what the sunlight.
46:01
does to hairdi on that distant planet
46:04
and could have bleached it? Technically, they
46:06
changed her hair color for the Gilegan's
46:08
Island TV series, the animated TV series,
46:10
before Gilegan's planet, because the original actor
46:13
who played Jim, George, was a name
46:15
again? Teen Louise. Teen Louise. I almost
46:17
said Don Wells and he was wrong.
46:19
Don Wells was Marian. Exactly. Tina Louise
46:22
couldn't do the show or wasn't available.
46:24
She didn't want to do it. I
46:26
didn't want to. And in order to
46:28
make sure that they didn't like use
46:31
her likeness and get into lawsuit territory,
46:33
they changed her hair. And again, through
46:35
on a deserted island, I realized they
46:37
brought a lot of stuff for a
46:40
three hour tour. I bet she only
46:42
brought so much hair dyed. And that,
46:44
so I think that one, I think
46:47
that one I can get a no
46:49
prize on. All right. Okay, now for
46:51
fun. recast Gilling Island with Star Trek
46:53
characters, but they can't be the main
46:56
cast members, recurring characters and guest stars.
46:58
Oh my God! For expert players, stick
47:00
to only one series. If you get
47:02
stuck, you can pull from the cast
47:05
movie characters. Can't wait to hear your
47:07
lists and rationale for each, as always,
47:09
your faithful servant, Murray Universary Mud. Okay,
47:11
I love that prompt. We're going to
47:14
get to that in a second. I
47:16
will say this. Regarding, regarding whether or
47:18
not, Gilegan's planet is canon, this is
47:20
our job. By the way, this is
47:23
what we do. We're very lucky. This
47:25
we get to talk about Gilligan's Planet.
47:27
I am of the opinion, and there
47:30
are different schools of thought on this,
47:32
that when it comes to a franchise
47:34
or a series or or it spin-offs
47:36
or whatever, whether or not it is
47:39
currently considered canon is irrelevant if it
47:41
is official accounts. It may not, because
47:43
again, you know, not all the James
47:45
Bond films were canon while Daniel Craig
47:48
was James Bond, right? They rebooted it.
47:50
Are you going to tell me the
47:52
Spy Who Loved Me isn't a real
47:54
bond film anymore? Because I'm not, that's
47:57
not canon? No, it's part of the
47:59
history. And I think that's what, I
48:01
think that matters. A big part of
48:03
what counts as canon has a lot
48:06
to do with corporate ownership. Yeah, especially
48:08
in the case of James Bond. Yeah,
48:10
I was just writing about, like, what's
48:12
the, what is the longest running film
48:15
series in cinema history? Ever are still
48:17
going today. Um, ever. Okay. Um, and
48:19
I found that there are 123 films
48:22
to feature the character, uh, Wang Faye
48:24
Hong, Wang Faye Hong, yeah, but, but
48:26
yeah, that one's tricky though. Wongfang was
48:28
a real guy. Wongfai Hung was a
48:31
real guy, kind of a, but also
48:33
kind of like turned into this folk
48:35
hero. So there's all these fictional versions
48:37
of this guy. Yeah. They're all played
48:40
by different actors. Jet Lee played him
48:42
in the 90s. Jackie Chan played him
48:44
in the 70s. Yeah. Donnie Ann played
48:46
his father and Iron monkey. Yeah. He
48:49
showed up, Sam Oh Hong played him.
48:51
in that horrible American version of around
48:53
the world in 80 days. Oh, did
48:55
he really? Like it showed up in
48:58
like one scene. But but but that
49:00
but here's the things, you said he's
49:02
up, Wong Vai Hong is a real
49:05
guy. No one had the rights to
49:07
Wong. Yeah, so whether or not that
49:09
counts as a single series, can't say
49:11
because that's not one studio, it's not
49:14
one corporate overlord. It's the same thing
49:16
with the the Django movies where the
49:18
original film Django starring Frank O'ero. credit
49:20
sequences, a cowboy walking into town in
49:23
the pouring rain while lugging a coffin
49:25
behind his back. Great, fucking image. Awesome
49:27
song. Jango! Will you never? Like, oh,
49:29
it's so good. But I don't know
49:32
if they never copyrighted it or what,
49:34
but anyone in Italy could just make
49:36
a film and call it Jango. So
49:38
that movie made was so popular printed
49:41
money that there was just there's like
49:43
dozens of movies that just happened to
49:45
be called Jango. That's why we have
49:47
Jango unchained. So yeah, a lot of
49:50
this stuff is kind of fudgy. But
49:52
when it comes... Oh, I'll say this.
49:54
For Wang Fay Hong, the actor, the
49:57
Hong Kong actor, Kuan Tukhing, yeah, played
49:59
the same character in the same continuity.
50:01
77 times. Right. Wasn't this in like
50:03
the 30s or 40s? It started in
50:06
the 40s and lasted through the 80s.
50:08
Actually overlapped with other versions of Wong
50:10
Fehang. So I think those 70s. 7
50:12
still counts as a big canonical chunk
50:15
with each other because it's all the
50:17
same actor. I would argue that definitely
50:19
yes, but we ran into this thing
50:21
though where it's like, is it a
50:24
cinematic universe if all the characters interconnected?
50:26
Every movie based on a true story
50:28
takes place in the same universe as
50:30
every other movie based on a true
50:33
story. Amadeus is in the same cinematic
50:35
universe as Gandhi. But I found that
50:37
the longest series of, like, cononically connected,
50:40
even if they're rebooting within the series
50:42
like James Bond or Godzilla, is actually
50:44
common writer, the Tokusatsu, because if you
50:46
take all of the episodes they released
50:49
theatrically, all of the shorts they even
50:51
released theatrically, and some of the newer
50:53
movies, again, they don't all share continuity
50:55
necessarily, but they're all based on time,
50:58
right, very specifically. I think it's toe.
51:00
I'm not sure. I'm not sure. I'm
51:02
not actually sure. But they're all one
51:04
company. They're all one company. Yeah, 90
51:07
films. Yeah, it's quite a few. That's
51:09
a fair number. I think that's the
51:11
biggest canonical series of movies in history.
51:13
Whitney, are you telling us we have
51:16
to make that podcast? No. I don't
51:18
want to do the common writer podcast.
51:20
I'm not interested enough in common writer.
51:22
I love Tokusatsu stuff. I love Godzilla,
51:25
but I'm common writer has never really
51:27
helped my end. It's fine. It's fine.
51:29
Where are we going with this? So
51:32
yeah, so my point is this, we
51:34
can have different opinions on canon. Corporations
51:36
get to have their opinion on canon
51:38
because they have a financial stink in
51:41
it. Yeah. But when it comes to
51:43
the rest of us, as far as
51:45
I'm concerned, it's all real. People will
51:47
say like, when the people say like,
51:50
hey, what are your favorite James Bond
51:52
movies? Yeah. But when it comes to
51:54
the rest of us, as far as
51:56
I'm concerned, it's all, it's not a
51:59
real, All the Sean Connery ones? No,
52:01
not explicitly, but I don't care. that's
52:03
not relevant. I'm talking about the history
52:05
of the thing I think it all
52:08
matters. So regardless of whether that animated
52:10
series is canon, it is an official
52:12
Gilegan's Island and it did have most
52:15
of the cast. Yeah. And it was
52:17
the last time most of the cast
52:19
was there I played this parts. Now
52:21
what I thought the argument they were
52:24
going to make was was that If
52:26
you look at the timeline, the only
52:28
way Gilligan's planet makes sense is if
52:30
it takes place before the live-action movies.
52:33
Because they have to get back to
52:35
Earth, land on the island again. So
52:37
chronologically within the narrative, Harlem Globetrotters would
52:39
be the last one. I would give
52:42
you that. I think that would be
52:44
a better... I think that's an argument
52:46
they would convince anybody, at least within
52:48
the context, provided. And we did mention
52:51
in our Gilligan planet episode that... some
52:53
of the characters showed up as their
52:55
Gilegan's Island characters in other shows just
52:57
sort of as guest spots. I think
53:00
the latest one I saw was an
53:02
episode of Alf, but they were like
53:04
part of a dream sequence. Alf became,
53:07
the Althe alien became obsessed with Gilegan's
53:09
Island, had a dream where he was
53:11
on Gilegan's Island, and uh... Bob Denver
53:13
Allen Hale and Russell Johnson were there
53:16
and nobody else showed up. Well, there
53:18
was the there was and I mentioned
53:20
this when we did the the show
53:22
There was a an episode of Baywatch
53:25
that was a small Gilegan's Island Yeah,
53:27
and that was just Bob Denver and
53:29
Don Wells for that long. Was it
53:31
just those two? It's just those two.
53:34
Yeah, it was Gilegan and Marianne so
53:36
but still it was it was Baywatch
53:38
finds this island off the coast of
53:40
California and they meet Gilligan and Marianne
53:43
there and they're in their outfits. It's
53:45
like, wait, you're Gilligan and Marianne from
53:47
the TV show? Yeah, I don't know
53:50
how you got the TV show, but
53:52
that's us. Yeah, and they made a
53:54
TV show about us? Yeah, how did
53:56
they make a TV show about us?
53:59
Yeah, how did they make a TV
54:01
show about us and get actors? from
54:03
Society. Yeah. It was the guy from
54:05
Society. And Erica Lenny Act. Dick Whirlock?
54:08
No, something Whirlock. Johnny Whirlock. Billy Whirlock.
54:10
Billy Whorlock. Billy Whorlock. Anyway, we need
54:12
to get to this prompt. This is
54:14
an awesome prompt. Okay. We are recasting
54:17
Gilligan's Island using Star Trek, but not,
54:19
this is the part that gets me,
54:21
not using the main cast, because for
54:23
me the most obvious casting for the
54:26
Skipper and Gilligan and Gilligan. That one
54:28
writes itself. We can't use quirk. You
54:30
can use wrong though. We can use
54:32
wrong. But let's say you fit so
54:35
well with quirk. Well, okay. So let's
54:37
let's break these characters a part a
54:39
little. First of all, I think a
54:42
professor would be easiest because we need
54:44
kind of a logical character who's a
54:46
supporting Vulcan we could have. Oh, I
54:48
was, you know, friendly enough, my first
54:51
thought was Professor Daystrom. Oh, there you
54:53
go. Professor Daystrom. Yeah, that be kind
54:55
of nice. For Marianne, we need sort
54:57
of, Marianne's function on the show was,
55:00
she was like kind of a gauge
55:02
for happiness on the island. I feel
55:04
like if Marianne was unhappy, things were
55:06
going bad. If Marianne was happy, life
55:09
on the island was okay. Also, functionally,
55:11
she was like an expert in agriculture.
55:13
Are you going to say Keko or
55:15
Brian? The botanist? Yeah, sure. That would
55:18
make sense. I mean, she was never
55:20
regular. Keko O'Brien was a little bit
55:22
more, like she had a little bit
55:25
more character, more depth, she was like
55:27
a feistier character. Well, I wouldn't complain
55:29
if Marian had more depth either. Yeah,
55:31
I guess so. Keko O'Brien. Okay, Keko
55:34
O'Brien can be Marian. Okay, now I
55:36
have, I don't know if I have
55:38
a Mr. Mr. Hal, but Mrs. Well,
55:40
who else has that kind of like,
55:43
distinguished flustery, a little bit cluelessness character
55:45
in Star Trek? To be Mr. Hal.
55:47
To be Mr. Hal. Because I first
55:49
thought is the Grand Negus. Like the,
55:52
the, uh... Oh, well, I guess, yeah,
55:54
well. Sure, yeah, yeah, yeah, yeah. But,
55:56
um, I'm trying to think who else
55:58
would be... No, Grand Agis is good,
56:01
and I could... Okay. Although, Grand Agis
56:03
and Locks on Detroit wouldn't get along.
56:05
No, they were... No, that'd be a
56:07
marriage of convenience at best, although I
56:10
honestly don't know how much the Hells
56:12
actually love each other. I think they're
56:14
just the only people who can tolerate
56:17
each other. Sort of like this this
56:19
dark riff on Gilligan's Island. I think
56:21
that's what you're telling me about. Okay.
56:23
Yeah, that makes that's not actually part
56:26
of the show. Okay. No, the Grand
56:28
Negis is a good choice. Okay. Maybe
56:30
we can do better. But that's not
56:32
bad. Oh my god. Goldukat. Goldukat. Goldukat.
56:35
No, no, no, no, no, no, no.
56:37
That's not that's not correct. The Goldukat
56:39
would make no he would make. He's
56:41
not he's not he's not he's not
56:44
he's not he's not he's not he
56:46
doesn't he doesn't he doesn't he doesn't.
56:48
He doesn't. He doesn't. He doesn't Now
56:50
technically this person's in the main cache,
56:53
but I'm going to go at it
56:55
sideways. Mirror Universe Kira. Is Ginger? Yeah.
56:57
No, no. Garrick. Is Ginger. because she's
57:00
she's the actress right yes so he's
57:02
kind of kind of like he'd bring
57:04
like a lot of sinister qualities to
57:06
the Hillings Island but oh but we
57:09
can't have Bashir be the professor though
57:11
that would be so good yeah well
57:13
because ginger was so into the professor
57:15
the Marianne was with the professor thought
57:18
ginger was too no no no remember
57:20
they wrote okay I could have sworn
57:22
all right yeah Marianne and the professor
57:24
in fact um don't years later you
57:27
could hear Don Wells and Russell Johnson
57:29
in separate interviews talk about each other
57:31
They clearly had a crush on each
57:33
other. Like they were like so into
57:36
each other. It's like, but we were
57:38
both like even Don Wells, even in
57:40
her 90s, like it's like, oh yeah,
57:42
no, I totally had a crush on
57:45
Russell Johnson, but we were both married
57:47
at the time and just we didn't
57:49
want to do anything about it. Like
57:52
Dorothy Parker and Robert Benchley. It's like
57:54
we meant to be together, but it
57:56
didn't work. Yeah, we just we missed
57:58
each other. but yeah she said we
58:01
had a regard yeah they think they
58:03
big dog each other so hard.
58:05
All right. So we've got Professor
58:07
Days from the original series and
58:09
for the professor, we've got, uh,
58:11
Gerrick from Deep Space Nine for
58:14
Ginger, got Keko O'Brien from Marianne,
58:16
we have Luxana Troy for Mrs.
58:18
Howl, still not entirely sold on
58:20
Grand Negus for Mr. Howl, and
58:22
we've got, are we going with
58:24
Rom for, this is all very
58:26
Deep Space Nine so far, right
58:28
now. Rom is, Rom is the
58:30
obvious. Gelligan though. Oh, um, not
58:33
Harry Mud. Who is, uh, no, no. I was thinking
58:35
like the guy who's actually
58:37
sold the Tribles and the trouble
58:39
with Tribles. Oh, as the skipper?
58:41
No, as Mr. Howl. Oh, no.
58:43
No. He doesn't have enough personalities.
58:46
A little bit too much of
58:48
a scound roll. Yeah. Oh, you know
58:50
who? Okay, this is obscure. Hmm. Remember
58:52
the episode of Next Generation.
58:54
We reviewed a couple of
58:57
Next Generation. A bunch of people
58:59
unfrows from like the 21st century.
59:01
Oh, yeah, yeah. And there was
59:03
that one rich guy who didn't
59:05
understand why money wasn't a thing
59:07
anymore. That guy. That guy. That
59:09
guy. That's a good. That's obscure
59:11
and weird, but by God. Hmm. So
59:13
all we're missing now is... Skip her. Go
59:16
again and Skip her. Well or do Iran
59:18
is the obvious choice but again I'm
59:20
open I'm open to other ideas now
59:22
the problem is the skipper is a
59:24
captain but we're not allowed to choose
59:26
captains yeah or at least main captains
59:29
we can use main captains and most
59:31
captains are seen and granted the skipper
59:33
wasn't like a bad seamen or anything
59:35
like that but he's also not a
59:37
great guy in a lot of
59:39
ways like Captain Jelico is clearly
59:42
where you go with the skipper
59:44
Ooh, I like that. Ronnie Cox
59:46
is Captain Jelica. Oh my god,
59:48
can you imagine Captain Jelica and
59:50
Rahm forced to share an apartment?
59:52
That is comedy gold! Where is
59:55
that comic strip? They're the original
59:57
odd couple! Jelico and Rahm! Oh
59:59
my god! There's this weird phenomenon
1:00:01
I've ever heard of my life.
1:00:03
There's this weird phenomenon I've discovered
1:00:05
online on like the social media.
1:00:07
People have just started taking like
1:00:09
dad jokes. Like really corny jokes.
1:00:12
And yeah, like cutting, like laying
1:00:14
them over stills of Captain Jelico.
1:00:16
And also finding like reaction shots
1:00:18
from the crew of them like
1:00:20
rolling their eyes. And it sells
1:00:22
like a dad joke. And then
1:00:24
somebody rolls their eyes. And then
1:00:26
there's the scene of the enterprise
1:00:28
flying away. Executive producer Rick Berman.
1:00:30
It's the weirdest fucking thing. That's
1:00:32
a weird thing, man. All right,
1:00:34
I feel bad that we didn't
1:00:37
use anyone from Voyager or Enterprise
1:00:39
or Discovery or Strange New World.
1:00:41
But that's what we got. We
1:00:43
said supporting characters and once you
1:00:45
got into like Enterprise, I don't
1:00:47
have like... Why it is deep-cut
1:00:49
knowledge of enterprise? I really don't
1:00:51
enterprise. Hardly at all, but I
1:00:53
could have done like the more
1:00:55
modern show. I mean, lower decks
1:00:57
has probably, oh God, um... I'm
1:01:00
trying to, oh, there's got to
1:01:02
be someone on lower decks who'd
1:01:04
be perfect for something. I mean
1:01:06
Boimler is clearly Gilligan anyway, but
1:01:08
he's one of the main characters.
1:01:10
He can't do it. He's one
1:01:12
of the main characters. It doesn't.
1:01:14
It doesn't. Anyway, okay, if anyone
1:01:16
else has better ideas, please email
1:01:18
us or email addresses letters at
1:01:20
Critically Claim.net. We would love to
1:01:22
hear from it. Remember, the rule
1:01:25
is, it's got to be a
1:01:27
pre-existing Star Trek character, but it
1:01:29
can't be a member of the
1:01:31
regular cast. I will give you
1:01:33
if you want to use a
1:01:35
mirror universe version of somebody, like
1:01:37
that character isn't in the maincast,
1:01:39
I'll let you have that, but
1:01:41
you can't just say Spock. It's
1:01:43
got to be someone who was
1:01:45
in like a few episodes or
1:01:48
maybe recurring a little bit or
1:01:50
even had one episode. But that's
1:01:52
where you got, that's where we're
1:01:54
at, that's where we live. We
1:01:56
got a time for a couple
1:01:58
more, let's do more. All right.
1:02:00
Here is a letter from... I
1:02:02
had one up and closed it
1:02:04
down. Here is, here's a letter
1:02:06
from Blair. Hello, Blair the Bear
1:02:08
Gibson writes in, Good Morning Fine
1:02:10
Gentleman from the Frozen Tunder of
1:02:13
Saskatchewan, where it is currently negative
1:02:15
44 degrees. Wow. No. No. Is
1:02:17
that actually true? Stick your coffee
1:02:19
outside. You got some cold coffee
1:02:21
right here. Jesus. I've recently started
1:02:23
collecting movies soundtracks on vinyl, such
1:02:25
as Against All Odds, The Rocky
1:02:27
Horror Picture Show, hiding out, etc.
1:02:29
Mostly films from the 80s. Right.
1:02:31
My question to you, Cinephiles, is
1:02:33
what are your top five soundtrack
1:02:36
albums of all time that I
1:02:38
should look for on vinyl? And
1:02:40
why are they on your list?
1:02:42
Thank you in advance for your
1:02:44
answers. Blair the Bear Gibson. Okay,
1:02:46
first off, if you go back,
1:02:48
actually not too far for a
1:02:50
couple of years, we did do
1:02:52
an iron list where we picked
1:02:54
the best movie soundtracks of all
1:02:56
time. However, we did focus on
1:02:59
soundtracks that were compilations of songs
1:03:01
as opposed to musicals with all
1:03:03
original music and scores, so we
1:03:05
could do that another time, was
1:03:07
the idea, and we still might
1:03:09
do that. So we did some
1:03:11
of them there. Shock treatment. That's
1:03:13
the first thing that comes to
1:03:15
mind. It would be great to
1:03:17
have on vinyl. Shock treatment is
1:03:19
the sequel to the Rocky Horror
1:03:21
Picture Show that nobody talks about
1:03:24
much. And I... Rocky Horror fans
1:03:26
do, but yeah. Yeah, but like...
1:03:28
Non-Rockey horror fans know of Rocky
1:03:30
horror. A lot of them don't
1:03:32
know shock treatment exists or they
1:03:34
vaguely heard of it. Shock treatment
1:03:36
is, it's not a great movie.
1:03:38
They had a lot of production
1:03:40
woes. There was like a huge
1:03:42
strike and they had to change
1:03:44
a lot of the premise of
1:03:47
the movie in order to get
1:03:49
it made when they got it
1:03:51
made. It was a whole thing.
1:03:53
But I would argue that if
1:03:55
you put the two soundtracks, Rocky
1:03:57
horror and shock treatment side by
1:03:59
side, shock treatment is a better
1:04:01
soundtrack. At least in terms of
1:04:03
consistency. All right? Because yeah, the
1:04:05
time war, it's overplayed, but it's
1:04:07
still that good. Like no one's
1:04:09
pretending that it's not that good.
1:04:12
Every Shock Treatment song is a
1:04:14
banger. Even the one that's like
1:04:16
an evil shitty conservative dad song.
1:04:18
It's a memorable song. Like they're
1:04:20
all fucking good. I would kill
1:04:22
the good when Oscar drill on
1:04:24
the Bitz concert. There are a
1:04:26
lot of really great rock musicals
1:04:28
that are just fantastic. Just to
1:04:30
listen to, like at home on
1:04:32
vinyl, outside of the context of
1:04:35
a movie, Streets of Fire is
1:04:37
fantastic. I'm fond of the music
1:04:39
from the Apple. It's a weird
1:04:41
movie, but I like the music.
1:04:43
I think I made this my
1:04:45
number one, but I think it's
1:04:47
the best movie soundtrack ever. And
1:04:49
I also know that if you
1:04:51
put this soundtrack on, you will
1:04:53
have sex. Like it's just so
1:04:55
it just somehow happens. The soundtrack
1:04:58
is super fly. The original super
1:05:00
fly, not the remaining. Yeah. Is.
1:05:02
fucking brilliant wall-to-wall just absolutely incredible
1:05:04
from being 10 I'm gonna I
1:05:06
don't know how old older movies
1:05:08
are though like on that iron
1:05:10
list I think I think I
1:05:12
think I listed Lost Highway I
1:05:14
think I listed natural-born killers I
1:05:16
think I listed hard days night
1:05:18
that's kind of these these are
1:05:20
kind of easy ones yeah more
1:05:23
recently I've been fascinated by a
1:05:25
couple companies like Mondo rec Mondo
1:05:27
vinyl vinyl yeah better inferno No.
1:05:29
Everyone's has a spirit. You can't
1:05:31
throw out a spirit, right? But
1:05:33
yeah, Inferno is fucking amazing. And
1:05:35
Deep Red is, I would argue
1:05:37
better than Suspiria, at least as
1:05:39
a score. I don't actually, maybe
1:05:41
even as a movie. Jason, somebody
1:05:43
out there. You plant those in
1:05:46
soil, you kind of get those
1:05:48
things to germinate throughout a generation,
1:05:50
and then you take them out
1:05:52
of the context of the movie.
1:05:54
All of a sudden you have
1:05:56
this really interesting window into musical
1:05:58
trends. and you start to appreciate
1:06:00
that sound again, just the way
1:06:02
that kind of music worked and
1:06:04
function. And of course I get
1:06:06
these traumatic flashbacks to actually watching
1:06:08
the movie Things. I also recently
1:06:11
got the soundtrack album for House,
1:06:13
the Nobuiko Obayashi movie. That's a
1:06:15
1977. That's got great music. Any
1:06:17
Goblin soundtrack, soundtrack, but I think
1:06:19
especially Deep Red or Inferno. Everyone's
1:06:21
has a spirit. You can't throw
1:06:23
out a spirit. But like yeah,
1:06:25
Inferno is fucking amazing. And Deep
1:06:27
Red is, I would argue better
1:06:29
than Suspiria, at least as a
1:06:31
score. Actually, maybe even as a
1:06:34
movie. But it's really fucking good.
1:06:36
And this one's nostalgic for me.
1:06:38
When I was growing up, I
1:06:40
didn't watch a lot of movies
1:06:42
as a young kid, but the
1:06:44
ones I did, I kind of
1:06:46
watched repeatedly, just because you had
1:06:48
the cassette in the house. And
1:06:50
I was very fond of The
1:06:52
Hobbit the 1977 version of the
1:06:54
Hobbit the animated Rankin Bass No,
1:06:56
no, you're 77 was uh Was
1:06:59
that Rankin Bass? Oh, I'm sorry.
1:07:01
Rankin Bass did the 77 I'm
1:07:03
sorry Rankin Bass did the 77
1:07:05
I got mixed up by the
1:07:07
year I was thinking about Bach's
1:07:09
but you said the Hobbit so
1:07:11
there's no Bassi did Lord of
1:07:13
the Rings but Rankin Bass did
1:07:15
the Hobbes that just me being
1:07:17
a goof. But that had a
1:07:19
soundtrack album I had a soundtrack
1:07:22
album I had a soundtrack album
1:07:24
I had it on vinyl we
1:07:26
had it on vinyl we had
1:07:28
it on vinyl we had records
1:07:30
when I had records when I
1:07:32
was growing up I was growing
1:07:34
up I'm that old and I'm
1:07:36
that old and recently found that
1:07:38
old record that I listened to
1:07:40
as a kid. And it was,
1:07:42
there's a theme song performed by,
1:07:45
oh, it's not America. I have
1:07:47
no idea. But there's this like
1:07:49
really lovely folk song that they
1:07:51
play on the soundtrack to The
1:07:53
Hobbit. The greatest adventure is what
1:07:55
lies ahead. Yeah. Oh, it was
1:07:57
Rankin Bastic. But so it has
1:07:59
like clips of that also has
1:08:01
like just musical samples from the
1:08:03
film, but mostly it's So I'm
1:08:05
hearing Orson Bean and John Houston
1:08:07
reading these lines. Yeah, because this
1:08:10
is before you could readily, there
1:08:12
might have been some home video
1:08:14
at that point in the 1970s,
1:08:16
but generally speaking, records were the
1:08:18
way people were able to take
1:08:20
the movie home with them. Glenn
1:08:22
Yarborough is the. So a lot
1:08:24
of records would have the songs,
1:08:26
but also a lot of clips
1:08:28
from the movie. We had an
1:08:30
old vinyl like Monty Python on
1:08:33
the Holy Grail. There's a lot
1:08:35
of the movie. It's just a
1:08:37
lot of the movies. That'd be
1:08:39
a fun thing to have as
1:08:41
well. There are certain, my parents
1:08:43
had a big vinyl collection, and
1:08:45
sadly, I don't know what happened
1:08:47
to a lot of it, but
1:08:49
there's certain movie soundtracks that I
1:08:51
think, you know, in Wayne's world,
1:08:53
where it's like you have random,
1:08:55
comes alive, like if you're living
1:08:58
suburbia, this is issued to you.
1:09:00
Yeah. Yeah, that's required. Like they'll
1:09:02
find you if that's not in
1:09:04
your house and you have a
1:09:06
record player. Like that's not okay.
1:09:08
So we definitely listen to that
1:09:10
thing over and over and over
1:09:12
again. The soundtrack to staying alive
1:09:14
would be cool. Staying alive. Yeah,
1:09:16
the sequel to starting a fever,
1:09:18
which everyone said sucks, but was
1:09:21
a blockbuster by the way. Made
1:09:23
a ton of money. And I
1:09:25
would actually argue it was not
1:09:27
bad. It's not a bad film.
1:09:29
The soundtrack I always wanted and
1:09:31
was never able to find. You're
1:09:33
going to laugh at me. I
1:09:35
will. It's for Joe's apartment. No,
1:09:37
actually I get that entirely. Joe's
1:09:39
apartment was the first feature film
1:09:41
put up by MTV Studios. It
1:09:43
had a pretty interesting pop soundtrack,
1:09:46
but more than anything, it was
1:09:48
a musical. It had singing cockroaches.
1:09:50
Yeah. And the singing cockroaches were,
1:09:52
at least some of them, were
1:09:54
played by Rockefeller. And I think
1:09:56
Rockefeller even arranged some of the
1:09:58
acopella numbers that the roaches sang.
1:10:00
The voices distorted distorted distorted. But
1:10:02
it's... Fun silly a cappella music
1:10:04
never put those songs out. I
1:10:06
was never able to get it.
1:10:09
I was able to pluck the
1:10:11
audio from like a video files
1:10:13
at some point. My thing is
1:10:15
this, I feel like there's a
1:10:17
lot of great older like older
1:10:19
movie soundtracks that we don't really
1:10:21
think about because in my experience
1:10:23
they weren't readily available on final
1:10:25
and not necessarily available on anything
1:10:27
else, something like the Avengers Robinhood
1:10:29
or the third man. The third
1:10:32
man you can I think you
1:10:34
can get at least the theme
1:10:36
song, which even had lyrics. Oh,
1:10:38
that Zither piece? Yeah, they wrote
1:10:40
lyrics to that, I think, so
1:10:42
they can eke some more money
1:10:44
out of it, because it was
1:10:46
really, really popular. A movie, which
1:10:48
I haven't revisited in decades, and
1:10:50
it seems like probably a kid
1:10:52
of worms, but the score to
1:10:54
Exodus was another one of the
1:10:57
premedry album. Yeah. Bum, bum, bum,
1:10:59
bum, bum, bum, bum, bum, bum,
1:11:01
yeah. That's a hell of a
1:11:03
score. That one definitely that definitely
1:11:05
comes to mind. Um, pretty much.
1:11:07
Oh, oh, oh, oh, oh, wait,
1:11:09
wait, wait, hold on. I got,
1:11:11
I got, I'm trying to remember
1:11:13
what it's called. Hang on. Um,
1:11:15
yeah, again, this is not a
1:11:17
top five. We're just no, we're
1:11:20
just thinking of that. But you
1:11:22
can't go on with any of
1:11:24
these. Hold on. Okay. This is,
1:11:26
this is not specifically a soundtrack,
1:11:28
but it is. a whole bunch
1:11:30
of covers of Ennio Mora Cone.
1:11:32
It's all by the great John
1:11:34
Zorn, The Big Gun Down. Huh.
1:11:36
That is an album of clips
1:11:38
of other soundtracks. And they are,
1:11:40
they fucking kill. Like he does
1:11:42
a great great job that, which
1:11:45
reminds me, also speaking of that
1:11:47
era, Danger Diabolic. That's a good
1:11:49
one too. That is a... Fuckin'
1:11:51
fresh soundtrack now. That's another one
1:11:53
where he just all of a
1:11:55
sudden, huh? I didn't know I
1:11:57
was having sex. I am somehow,
1:11:59
I just turned it out, like
1:12:01
it's really sexy sound nice. So
1:12:03
you're talking about like... these like
1:12:05
really sexy kind of hip soundtracks
1:12:08
talking about a cappella cockroaches. I
1:12:10
think we have very different taste
1:12:12
in music. Mine being the shittier
1:12:14
of the two. When I think
1:12:16
about playing final records, I think
1:12:18
of my dad playing final records
1:12:20
in his garage while he worked
1:12:22
on motorcycles or I think about
1:12:24
like madmen where we hell have
1:12:26
like a sunken bed in our
1:12:28
house and everything's covered and shagged
1:12:30
for some reason and we just
1:12:33
put on a record and then
1:12:35
everyone's wearing groovey, you know, hair
1:12:37
dews and everyone's got a dry
1:12:39
martini in each hand they're double-fist
1:12:41
in it and it's just like
1:12:43
and sex is on right oh
1:12:45
you don't be a great one
1:12:47
to own on vinyl because it's
1:12:49
it's a bunch of great a
1:12:51
bunch of great songs but they're
1:12:53
not the ones everyone always listens
1:12:56
to would be not the musical
1:12:58
the original soundtrack to hair spray
1:13:00
oh the that'd be adorable that'd
1:13:02
be a great one to own
1:13:04
yeah the the John Waters hell
1:13:06
yeah yeah yeah yeah I think
1:13:08
that's... I think that's good. Okay,
1:13:10
I... Did you want to do
1:13:12
one more? Or one more? One
1:13:14
more? Why not? It's been a
1:13:16
while since we've done one, so
1:13:19
let's do one more. All right,
1:13:21
let's see here. This one comes
1:13:23
from Brad. Hi, Brad. Hello, Brad.
1:13:25
Greetings, Bives and Whitney. I wasn't
1:13:27
planning on writing another letter so
1:13:29
soon since my last letter. Thank
1:13:31
you for recommendations for Japanese films.
1:13:33
When talking about the new release
1:13:35
Heart Eyes, William talked about Jordana
1:13:37
Brewster and our character's name is
1:13:39
a reference to the Fast and
1:13:41
the Furious movies, and they take
1:13:44
the time to point out the
1:13:46
joke. He postulated that under Last
1:13:48
Action Hero Rules, the universe of
1:13:50
the film series, for the universe
1:13:52
of a film, must have a
1:13:54
different actress that must have played
1:13:56
Jordana Brewster role in the Fast
1:13:58
and Furious movie. within the universe
1:14:00
of hard eyes. That was my
1:14:02
argument. And he claimed that he
1:14:04
believed it would be Emmy Rossum.
1:14:07
Unfortunately, William, there's simply no way
1:14:09
she would have been cast due
1:14:11
to her age. Jordana Brewster is
1:14:13
20 years old at the time.
1:14:15
Emmy Rosson was born in 1986,
1:14:17
which would have made her 14
1:14:19
in the years 2000 when they
1:14:21
would have been casting in felony.
1:14:23
Fair enough. Fair enough. Fair enough.
1:14:25
Fair enough. Fair enough. Fair enough.
1:14:27
Fair enough. Fair enough. That would
1:14:29
have been wrong. Yeah. However, I've
1:14:32
come up with a short list
1:14:34
of possible. be cast including Zoe
1:14:36
Deshenel. Have a double picturing her
1:14:38
as Vindeasil's sister, but okay. Christine
1:14:40
O'Rici. Delastration, Michelle Williams. Okay, also
1:14:42
strange. This one might work, Eliza
1:14:44
DeShkoo. Maybe. I feel like she
1:14:46
has the right attitude for the
1:14:48
Fast & Furious movies. Yeah. That's
1:14:50
for sure. Like Zoe Deshenel, I
1:14:52
don't see her as like somebody.
1:14:55
Boosting TVD players. No, it's really
1:14:57
hard to that's not her vibe.
1:14:59
And here's an actress I don't
1:15:01
know Sarah Shahi do you know
1:15:03
Sarah Shahi Oh Yeah, that's a
1:15:05
maybe actress is born in 79
1:15:07
that could have fit the role
1:15:09
Jennifer love Hewitt More in a
1:15:11
baccarin I could see her in
1:15:13
a back Rosamund pike Again, she
1:15:15
has the right vibe. She has
1:15:18
the right vibe. So you have
1:15:20
to kind of believe that she's
1:15:22
Vin Diesel's actual sister and I
1:15:24
think that one's straight. And Roseburn.
1:15:26
Roseburn's pretty pliable, but I don't
1:15:28
know. Katie Holmes and DeMell and
1:15:30
Ackerman were born in 1978. Live
1:15:32
Tyler, Jamie Presley, Daniel Harris, and
1:15:34
Maggie Jillenhall were born in 77.
1:15:36
I just want to see Jamie
1:15:38
Presley in the Fast and Furious
1:15:40
universe because she was already in
1:15:43
torque. Yeah, she already kind of
1:15:45
is, sort of, concerned. Yeah. Personally,
1:15:47
my vote goes to Morena Baccarin.
1:15:49
I think that's the one that
1:15:51
makes most sense. But who do
1:15:53
you think if it's the bill
1:15:55
in this alternate universe? Also, since
1:15:57
Devin Sawa is also a character...
1:15:59
in this universe, it stands to
1:16:01
reason that a different actor was
1:16:03
cast in final destination. Of course.
1:16:06
My pick for that, Paul Walker.
1:16:08
That works. Yeah. Thanks for indulging
1:16:10
me, Brad. Yeah, the real question
1:16:12
is. Who played those
1:16:14
characters in heart eyes in the heart
1:16:16
eyes universe? Are you saying heart eyes
1:16:18
is a movie in the heart eyes?
1:16:20
Well, what else did Josh Ruben direct
1:16:22
that year in the heart eyes? You
1:16:24
had to do something. He's in the
1:16:26
movie. He's got like a cameo in
1:16:28
the movie theater scene. It's like getting
1:16:30
out of his car saying something like,
1:16:32
oh, fuck or whatever. Yeah, we'll never
1:16:34
get around it. Yeah, I don't know.
1:16:36
You're absolutely right. Emmy Ross would be
1:16:38
the wrong age for it. I just
1:16:40
I think I just leaned into it
1:16:42
because I knew she became pretty famous
1:16:44
shortly afterwards just a few years later
1:16:46
with the phantom of the opera I
1:16:48
think she'd been in a couple things
1:16:50
before that, but that was like a
1:16:52
big lead role break But they were
1:16:54
both on as what I literally did
1:16:56
was I looked at a list and
1:16:58
I knew some of them But I
1:17:00
would want to make sure I got
1:17:02
the age range right I looked at
1:17:04
a list of every like famous actor
1:17:06
who came out as the world turns
1:17:08
That's I started there. I just I
1:17:10
wanted that to work. I wanted that
1:17:12
to be the connection I still remember
1:17:14
when Jordan and Brewster left as the
1:17:16
world turns they decided that Her
1:17:19
character was going to go off to
1:17:21
college and I think She went to
1:17:23
whatever college Natalie Portman went to I
1:17:26
think was like Yale or one of
1:17:28
the one of the Ivy leagues, okay,
1:17:30
and She her character was talking about
1:17:32
yes, I just want to go and
1:17:34
get in a study group with Natalie
1:17:37
Portman Okay, like Natalie Portman specifically, yeah,
1:17:39
she was a famous young actor. All
1:17:41
right, speaking to great young actors. Oh,
1:17:43
yeah, yeah, she's amazing off of that
1:17:45
All right, well, that's we've got male
1:17:47
Thank you everybody for listening. Thank you
1:17:50
for joining us. Thank you for writing
1:17:52
in. If we didn't get to your
1:17:54
email yet, give us a nudge if
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it's like important or timely. Like we
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can do that. or keep writing in,
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please do. We love hearing from you,
1:18:03
we love reading your emails, we love
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answering your questions. Our email address is
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letter to the Critically Acclimed Network. PO
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Box 641, 565, Los Angeles, California, at
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1:18:18
go to all the trouble of writing
1:18:20
on a physical piece of mail, we
1:18:22
will read it on the air. Yeah.
1:18:25
evil well if I make an exception
1:18:27
if it's evil well just don't send
1:18:29
us anything evil yeah please don't yeah
1:18:31
don't just send us like the Annabelle
1:18:33
doll you know like just shoved in
1:18:36
there I guess we got to read
1:18:38
this Annabelle doll well we'll probably we'll
1:18:40
probably open the crate from the film
1:18:42
audity and that like wooden guy will
1:18:44
be inside with the holes in his
1:18:46
skull and you have to pull like
1:18:49
the scrolls out and read it and
1:18:51
then we're cursed did you finally see
1:18:53
odd I liked it. I didn't like
1:18:55
it as much as caveat. I can
1:18:57
appreciate that. I liked it. That director's
1:19:00
next film, Adam Scott, plays a guy
1:19:02
who's burying his parents in a remote
1:19:04
Irish house somewhere and he's stocked by
1:19:06
a witch. I'm sold sold sold sold
1:19:08
I'd buy a hundred tickets now if
1:19:11
I could. Anyway, I think it's called
1:19:13
Hocham like it has a good classical
1:19:15
word. Well in any case, seriously, thank
1:19:17
you everybody listening once again if you
1:19:19
want to access all of our various
1:19:21
patron offerings our patron is patron.com/critically acclaimed
1:19:24
network. We might since the gauntlet has
1:19:26
been thrown move our Star Trek podcast
1:19:28
to twice a week at least to
1:19:30
see if can do it. It might
1:19:32
not be feasible, but we can try.
1:19:35
We should definitely wait to make sure
1:19:37
that we do it like in a,
1:19:39
because I don't want to like start
1:19:41
doing it when, okay, so a next-gen
1:19:43
and a D-space nine episode came out
1:19:45
the same week. But I don't want
1:19:48
to start it with like a D-S-9
1:19:50
episode from one week and a next-generation
1:19:52
episode from the next week. to
1:19:54
them them together if we
1:19:56
can. But we'll figure it out.
1:19:59
figure it out. thank
1:20:01
thank you, thank you,
1:20:03
thank you. You're
1:20:05
all super great. We're
1:20:07
on social media,
1:20:10
at all super great. We're on social
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I'm at at Critic Acclaim,
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on Blue Sky, I'm at that
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it? That's it. And...
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Sincerely yours, it? Sincerely,
1:20:21
yours bibs and winning.
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