Episode Transcript
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first. Bada-bab-ba-da-ba-ba-da-da-ba-da-a-a-a-a-a-a. Hey
0:45
guys, welcome back to curious matter presents.
0:48
I'm Jonathan your host as you guys
0:50
know Welcome to everybody out there in
0:52
the curious matter universe. We have an
0:54
awesome show I want to introduce you
0:56
guys to you today fear daily It
0:59
takes you into the shadows of the
1:01
past unearthing the 1990s most terrifying tales
1:03
of monsters madness and life after death
1:05
We explore the ghost stories
1:07
and supernatural encounters left on
1:09
an old online bulletin board
1:11
that continues to operate somewhere
1:13
in an unknown part of
1:15
the Pennsylvania Rust Belt. It's
1:17
a time capsule of society's
1:20
greatest fears. Normally we have
1:22
full-cast audio dramas that we present,
1:24
but today's show is a storyteller
1:26
show that I know you guys
1:28
will love with additive sound design
1:30
and scoring to enhance the narrated
1:32
tales that they bring to you
1:34
daily. I have the creators here with
1:36
me in studio today to chat a
1:39
little bit about the show. Brennan's
1:41
store and Brandon Shexnader, welcome.
1:43
Thanks for having us. Yeah, my pleasure.
1:46
This is a daily horror show. Tell
1:48
me a little bit about the inspiration for
1:50
creating the series. I mean Brandon, it
1:52
brought it to me. You know, we met
1:54
because I host another show, the show, I
1:56
sort of my day job as the ghost
1:59
story guys. a guest over there and
2:01
we got to know each other and
2:03
he came to me late 2023 I
2:05
guess and was talking about doing a
2:07
daily show and originally it started out
2:10
as as ghost stories just kind of
2:12
because I have such an archive of
2:14
them with having done ghostory guys for
2:16
I think we're in our ninth season
2:18
now. So that's kind of where it
2:21
started and then it grew and grew
2:23
and grew into what it is now.
2:25
What's your both of your guys's background
2:27
and what brought you to audio fiction
2:29
and podcasting initially? Yeah, well, you know,
2:32
both of us are podcasters full-time before
2:34
we started Fear Daily. So personally, I
2:36
have a show called Southern Gothic. It's
2:38
haunted history. I've been running for almost
2:40
eight years now. It's done fairly well
2:42
in the history space. I have a
2:45
blast doing it. I came from like
2:47
an audio-fig- or, excuse me, an audio-engineering
2:49
background. So it's an audio guy up
2:51
front and kind of from the storytelling
2:53
neck of the world. So I would
2:56
tell ghost stories and things like that.
2:58
is my background. And then of course,
3:00
you know, Brennan here, you know, kind
3:02
of hooking up with him and he
3:04
has a completely different trajectory. Yes. So
3:07
I started Ghost Story Guys in January
3:09
2017 with another author and basically that
3:11
began with me publishing a book. I
3:13
sold my first book. It came out
3:15
in October 2016. And that kind of
3:17
started this whole journey again, introduced me
3:20
to this other author. We started Ghost
3:22
Story Guys. And prior to that I
3:24
just kind of drifted around, man. I've
3:26
been, you know, a mover, a mover,
3:28
a check-in clerk, an accountant. I've done
3:31
a lot of different jobs. I was
3:33
a bud tender and a dispensary for
3:35
a while. I once moved, helped move
3:37
someone's, the remains of someone's mother from
3:39
one place to another, like, you know,
3:42
my very own, as I lay dying.
3:44
I've done a lot of different stuff.
3:46
And so podcasting just kind of happened
3:48
organically and I've been doing it full
3:50
time for about. Almost five years now.
3:52
So in this show specifically, where do
3:55
you find your stories or they're mostly
3:57
fictional, correct? So what sort of inspires
3:59
you to write these specific stories? So
4:01
originally I was using taking inspiration from
4:03
places like Reddit and Fark, you know,
4:06
places where people would submit the real
4:08
life go stories. I would kind of
4:10
use those for inspiration. But since then,
4:12
I've just really leaned into original fiction.
4:14
So I watch a lot of movies,
4:17
I read a lot, I listen to
4:19
a lot of podcasts, and I just
4:21
kind of try and find the extraordinary
4:23
in the ordinary. So if I'm in
4:25
a, there's a Chinese restaurant, you just
4:28
be next to my old apartment, I
4:30
would just stand there waiting for my,
4:32
may my combo number one, and just
4:34
try to imagine something happening. in there,
4:36
what would happen in here? What would
4:38
be a horrifying thing that would happen
4:41
here? You know, or we've got a
4:43
story called Dickey's from more recently. That's
4:45
just me imagining, I saw a guy
4:47
in a diner, he looked kind of
4:49
shifty, and it was actually a pop-ice
4:52
chicken. It was late at night, a
4:54
pop-ice chicken, this guy was acting kind
4:56
of shifty. and he was fine he
4:58
was just off his meds but I
5:00
thought what if that guy was some
5:03
kind of monster and really started to
5:05
to mess things up and so just
5:07
asking myself questions like that I try
5:09
not to use these stories for inspiration
5:11
anymore periodically you know you might have
5:13
to just for a little bit of
5:16
a push you know again writing ten
5:18
stories a week can be draining you
5:20
know especially original stories but yeah that's
5:22
pretty much it just trying to ask
5:24
myself how could all this go very
5:27
very very badly Well, then, what for
5:29
you is the key to a great
5:31
ghost or horror story? Like, what's the
5:33
heart of a good story? Oh, Brandon,
5:35
what do you think? We've been joking.
5:38
It's a thesaurus. It's actually the key.
5:40
For some reason, I don't know if
5:42
anyone else ever has noticed this, but
5:44
horror fiction seems to have really good
5:46
vocabulary. Because, you know, we're really trying
5:49
to make sure you're extra grossed out.
5:51
You know, but I'm kidding, Brian, you
5:53
should really answer this. For me, it's
5:55
part of it is relatability. You know,
5:57
I try to start with characters. And
5:59
so sometimes the stories are maybe a
6:02
little bit longer than they need to
6:04
be, whereas Brandon would like them to
6:06
be in certain cases. You know, we
6:08
have, just because I like to, I
6:10
think it's scarier if you're invested in
6:13
the characters. You know, so I'm just
6:15
finishing a story right now, which starts
6:17
with a guy driving home after a
6:19
supervised visitation visitation with his kids. and
6:21
kind of ruminating on how he got
6:24
to that point and then everything sort
6:26
of unfolds around him. So I think
6:28
you really have to start with something
6:30
that's relatable because I think once you
6:32
can get someone to relate to your
6:34
characters, then you can take him wherever
6:37
you need to. Like one of our
6:39
stories, it's about a guy who couldn't,
6:41
his grades weren't good enough to get
6:43
into nursing school, but he really likes
6:45
taking care of this old mafioso and
6:48
things. go very badly, as so often
6:50
happens in our stories. And I think
6:52
if you're invested in his journey, this
6:54
guy who, you know, he wanted to
6:56
do things the right way, he really
6:59
did. He just, his program got shut
7:01
down, and so he was kind of
7:03
adrift in this presented itself, and then
7:05
you can kind of go with him
7:07
as he enters this kind of shadowy
7:09
world, both literally and figuratively. And one
7:12
of the hooks is, some of these
7:14
stories are real. you know, like we
7:16
can't, some of them we can't actually
7:18
talk about which ones are real, but
7:20
you'd be surprised. Some of the things
7:23
we talk about in these stories have
7:25
happened. One actually I can, one honest
7:27
one I can give out is there's
7:29
a one called the ghost site, which
7:31
is about the Damascus nuclear disaster. And
7:34
I think it was Arkansas. And there
7:36
is a ghost story as part of
7:38
that, as part of that disaster that's
7:40
not as well known as a disaster
7:42
itself. And so that's, that's an obvious
7:45
example that just because My line of
7:47
work has put me in touch with
7:49
a lot of people who've had some
7:51
very strange experiences, I've had some of
7:53
my own, and they kind of weave
7:55
in and out of the story, so
7:58
you're never quite sure. You can, some
8:00
of them, you know, okay, this is
8:02
not real, but some of them, maybe.
8:04
No, I feel yeah, you know, actually.
8:06
I was a camera operator and producer
8:09
on the first season of ghost hunters.
8:11
Oh, very cool. So I was there
8:13
for Eastern State Penitentiary when all the
8:15
initial stuff went down. So I very
8:17
much, yeah, I very much understand. And
8:20
I'm a. I'm a huge proponent of
8:22
supernatural horror. I love it as a
8:24
genre. So we're going to be focusing
8:26
on that next season. So we definitely
8:28
love that we're going to be able
8:30
to present this show to everybody. So
8:33
I got to ask you though, what
8:35
are the challenges of making a daily
8:37
show? Because that just seems like an
8:39
insane sort of benchmark to hit. Yeah,
8:41
yeah, it is. We, Brandon, and I
8:44
have actually, we kind of had to
8:46
contend with this recently. I had to
8:48
take two weeks off because I just.
8:50
grants straight into a brick wall. I've
8:52
written about 1,200 pages of original horror
8:55
fiction since this thing started. And I'm
8:57
still not that fast, right? Because sometimes
8:59
some of these stories are 4,000 words.
9:01
Yeah. And so you're cranking out these,
9:03
you know, three, two, three, 4,000 words
9:06
stories. You're trying to do two every
9:08
day during the week. And on top
9:10
of, again, I do ghost story guides
9:12
full time. I narrate audio books. I
9:14
have ADHD, so focus is a constant
9:16
issue. And again, Brandon can speak to
9:19
the actual production of it, which I
9:21
can't even imagine. If I'd had to
9:23
narrate this with this, it never would
9:25
have gotten off the ground. If not
9:27
for Brandon's ability to narrate and produce
9:30
at the level he does, and at
9:32
the speed he does, we'd have been
9:34
hooked. We have a team, by the
9:36
way. We do have a team. So
9:38
it's not just us. We have an
9:41
editor who does a great job. You
9:43
know, I do still do the sound
9:45
design production. You know, Brent has somebody
9:47
who helps him edit stuff. So we
9:49
are in fact as crazy as it
9:51
sounds. However, we have put together a
9:54
system to scale it and make sure
9:56
that our, because we're creating, I mean,
9:58
we come from creative backgrounds, right? So
10:00
we'll go off. the handle. I mean
10:02
as anyone who's ever written before I
10:05
mean you you've got to put bumpers
10:07
on on the bowling alley, you know,
10:09
like you have to put something. And
10:11
so, you know, we've had to be
10:13
really strict with ourselves that like, hey,
10:16
this could get out of hand if
10:18
we don't stick to the goal. I
10:20
have to say, I really, like, I'm
10:22
lucky enough to be working with Brandon
10:24
on this because, you know, I sent
10:26
my message the other day, I said,
10:29
it helps, we're both psychopaths who'd like
10:31
to tell stories, because I can have
10:33
a big, you know, cranky artist moment,
10:35
on a phone call, run a text
10:37
message to him, and he gets it.
10:40
And I could just call him 10
10:42
minutes later, text him 10 minutes later,
10:44
going to say, man, I was out
10:46
of line, I'm sorry. And he's just,
10:48
he understands. He's like, yep, no, I
10:51
know, I'm crazy too. And you know,
10:53
and vice versa, I'm, you know, I
10:55
do that more than he does, but
10:57
still. When it happens, we've both kind
10:59
of like, yeah, this is not a
11:02
problem. Yeah, you know, it's, it's, but
11:04
look, the other thing too, we've been
11:06
podcasting for, you know, between the two
11:08
of us, we've been podcasting for a
11:10
while, right? I mean, we've been doing
11:12
this, we knew what we were getting
11:15
into. So, you know, most people, when
11:17
they start a show, even a weekly
11:19
show, they don't realize the amount of
11:21
work that goes into it. So, being
11:23
able to create this, you know, got
11:26
systematized and done to create a partnership
11:28
that works. So it's a different beast.
11:30
It's definitely a different beast all together.
11:32
Amazing. Well, everyone out there, in order
11:34
to follow and support the show, please
11:37
head over to Fear Daily.com where you
11:39
can listen and subscribe to the show
11:41
on your favorite podcast app. You guys
11:43
know what time it is. Grab those
11:45
headphones. Find a comfy nook. Grab that
11:47
bowl of popcorn and enjoy Fear Daily's
11:50
episode. Night Hunting. and the day it
11:52
didn't rain. When
12:00
the internet began, bulletin
12:02
board services or BBS
12:05
became the first online
12:07
communities of the so-called
12:09
Information Super Highway. Using
12:12
their phone lines, people
12:14
logged in from all
12:16
over America to talk
12:19
about sports, games, movies,
12:21
and on one BBS
12:23
in particular. Share their
12:26
ghost stories. Over time,
12:28
those communities all went
12:30
dark. except for one
12:33
lone server that continues
12:35
to operate somewhere in
12:37
an unknown part of
12:39
Pennsylvania's rust belt. A
12:42
relic of the 1990s
12:44
veiled in mystery, it
12:46
is a digital archive
12:49
of humanity's strangest encounters
12:51
with the unknown, as
12:53
told by the people
12:56
who experienced them. My
13:08
old man served in Vietnam
13:11
and when he came back.
13:13
My old man served in
13:15
Vietnam and when he came
13:18
back a lot about him
13:20
it changed. The thing I
13:23
noticed most was that he
13:25
didn't change. The thing I
13:27
noticed most was that he
13:30
didn't have any fear. Good
13:32
because he didn't take shit
13:34
from anybody bad because he
13:37
would sometimes get us into
13:39
sticky situations. The only bright
13:41
side to all of this
13:44
was that almost any situation
13:46
dad got us into, he
13:48
could get us out of.
13:51
The one time that wasn't
13:53
true was on the final
13:56
hunting trip we'd took with
13:58
my little brother Gary and
14:00
in dad's defense, I don't
14:03
know there was anything anyone
14:05
could have done. It was
14:07
in summer 1975. After getting
14:10
out of the service, dad
14:12
decided his new hobby was
14:14
night hunting, which was night
14:17
hunting. wasn't exactly legal in
14:19
our state but he never
14:22
let that stop him. He
14:24
said he could tell the
14:26
animals apart by how far
14:29
above the ground their eyeshine
14:31
was. Close to the ground
14:33
was a hair, knee height
14:36
was a boar, above that
14:38
was a deer. Mom wasn't
14:40
crazy about dad taking us
14:43
out into the woods at
14:45
night with a gun but
14:47
she knew better than to
14:50
complain. Post-war dad didn't take
14:52
criticism well and... Besides, there
14:55
was always meat in the
14:57
freezer. Nothing about this night
14:59
seemed any different than the
15:02
others would gone out together.
15:04
The sky was clear it
15:06
wasn't too cold and the
15:09
ground on the walkout was
15:11
firm instead of spongy. It
15:13
was something different about dad
15:16
though. He seemed agitated and
15:18
kept swinging the barrel of
15:21
his rifle around behind him
15:23
as if he was hearing
15:25
something. Gary
15:28
and I looked at each other
15:30
baffled. Neither of us had heard
15:32
anything. In fact, it was a
15:35
surprisingly quiet night with not much
15:37
in the way of game or
15:39
ambient noise. Looking back, it was
15:42
kind of like the forest was
15:44
holding its breath. Some time, around
15:47
two or three in the morning,
15:49
Dad raised his fist, which was
15:51
a sign for us to stop
15:54
walking. He pointed toward a dark
15:56
thicket maybe a hundred yards ahead
15:58
and sure enough we heard a
16:01
rust sound. Gary and I knew
16:03
what to do. Quietly, we set
16:05
out to establish a pencil position
16:08
on either side of the thicket,
16:10
where we'd wait for dad's signal
16:12
to charge the bush and chase
16:15
the animal out towards his rifle.
16:17
We'd done this a bunch before,
16:20
but there was an electricity in
16:22
the air. The hair on my
16:24
arms was standing up like... We
16:27
were walking into some kind of
16:29
static buildup. I couldn't make out
16:31
Gary's expression in the dark, but
16:34
his posture was tense. At that
16:36
signal, we did what he'd trained
16:38
us to do, but what came
16:41
out of that bush was no
16:43
bore or hair or anything like
16:45
that. It was huge, dark and
16:48
had wings big enough to brush
16:50
both mine and Gary's face as
16:53
it took off. We're talking a
16:55
span of maybe 15 to 20
16:57
feet. The air displaced as it
17:00
flapped was intense like an M80
17:02
going off on the 4th of
17:04
July before you got far enough
17:07
away. Its cry was abrasive and
17:09
painful to ear like nails on
17:11
a chalkboard and I clap my
17:14
hands over my hands over my
17:16
ears. The huge wings beat one
17:18
final time before the bird or
17:21
whatever it was just went. And
17:23
I don't mean it flew away.
17:26
I mean, it disappeared right in
17:28
front of us. That was the
17:30
end of our hunting trip. On
17:33
the drive home, we tried asking
17:35
dad what it was we had
17:37
seen, but he would only shake
17:40
his head. And it scared me.
17:42
And it scared me, obviously. in
17:44
the chaos, and it actually scratched
17:47
Gary. I didn't see it happen,
17:49
and he said it hadn't hurt
17:51
at the time, but either way,
17:54
when the truck's dome light came
17:56
on, you could see a long,
17:59
weeping red mark across his left
18:01
cheek. I used the sleeve of
18:03
my jacket to wipe the clear
18:06
fluid seeping out of the wound,
18:08
but it kept coming. The only
18:10
thing dad said to us as
18:13
we wound back down the mountain
18:15
towards Riley was to stop fussing
18:17
at it. I did as I
18:20
was told. Mom was still asleep
18:22
when we got home, so... trying
18:24
to account for Gary's face was
18:27
a tomorrow problem. Of course, I
18:29
had no way of knowing the
18:32
morning would have problems of its
18:34
own. Back then, we shared a
18:36
room. My bed was underneath the
18:39
window. Gary's was against the far
18:41
wall. On bright nights like that
18:43
one, the moonlight would fall across
18:46
him as he slept, and I
18:48
always found that comforting. I was
18:50
too young to understand why all
18:53
I knew was that looking at
18:55
my little brother's chest rising and
18:57
falling made me feel like everything
19:00
was okay. After that I would
19:02
always let out a big breath
19:05
close my eyes and slip away
19:07
into sleep. That was the last
19:09
night I was ever able to
19:12
do that. I
19:14
don't remember the dream that woke
19:16
me up, but I do remember
19:18
the sickly ache get produced in
19:21
my stomach. Opening my eyes didn't
19:23
make it any better because I
19:25
quickly realized I couldn't move a
19:28
muscle. It was like I was
19:30
paralyzed. Worse than that, there was
19:32
a man in our room standing
19:35
over Gary. The first rays of
19:37
mourning were beginning to stream through
19:39
the window, giving everything a golden
19:42
glow completely at odds with what
19:44
I was seeing. The man had
19:46
no features, he was all black,
19:48
and where his face should have
19:51
been, it was what looked like
19:53
a pile of rags. That's the
19:55
best way I can describe it
19:58
at least. Despite not having a
20:00
mouth, he had a voice. I
20:02
could hear it. It sounded male
20:05
and it was telling Gary to
20:07
come out to the forest. I
20:09
tried so hard to move, to
20:12
tell this person or whatever it
20:14
was, to stay away from my
20:16
little brother, but my body wouldn't
20:19
cooperate. Helplessly, I was forced to
20:21
watch as Gary sat up in
20:23
bed. The man blocked my view
20:26
of my brother's face, but... From
20:28
his movements, he was going willingly.
20:30
There was no tension, no fear.
20:33
Gary pushed back his blankets, swiveled
20:35
until I saw his pale legs
20:37
hanging over the edge of the
20:39
bed, then stood. That's the last
20:42
thing I remember. I must have
20:44
passed out or fell back asleep
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or something because next I remembers
20:49
waking up to chaos. Dad screaming,
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Gary's name, Gary's name, mom screaming,
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mom screaming, screaming, mom screaming, screaming,
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mom screaming, screaming, mom screaming, screaming,
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21:01
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21:05
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Ryan Reynolds here from Mint Mobile.
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select app requires Google Gemini account
23:00
results may vary based on input
23:02
check responses for accuracy. Subject, the
23:04
day it didn't rain. User, Illinois
23:07
Dad Guy. Posted May 23rd 1997.
23:36
Last Thursday Springfield got hit with
23:38
the biggest thunderstorm I've ever seen.
23:40
It had to have started sometime
23:42
around lunch because when the first
23:45
big peel of thunder brought my
23:47
head up from payroll there was
23:49
no one else in the office.
23:51
Your company occupies the third floor
23:53
of the Hampton building and my
23:56
desk is along the floor to
23:58
ceiling windows with an expansive view
24:00
of an industrial park and past
24:02
that all the cornfields a guy
24:04
could want. When I looked up
24:07
on Thursday, ugly black thunderheads were
24:09
moving towards us from the north.
24:11
There hadn't been anything about a
24:13
storm in the forecast, I thought,
24:15
but then that's the weatherman for
24:18
you. Our youngest son, Thad, had
24:20
been dealing with an ear infection
24:22
all night and Consequently, there hadn't
24:24
been time for either me or
24:26
Shelley to make my lunch before
24:29
I left for work. If I
24:31
was going to get something to
24:33
eat and beat the rain, I'd
24:35
have to run out to either
24:37
the Arby's or Noggles nearby and
24:40
do it fast. Quickly, I pushed
24:42
back from my desk and pulled
24:44
on my jacket. The elevators were
24:46
out again, so I double-timed it
24:48
down the stairs, not seeing a
24:51
single other person the entire way.
24:54
Outside on the sidewalk, the
24:56
air was heavy with ozone.
24:58
That storm was going to
25:00
be a big one. Noggles
25:02
was nominally closer than Arby,
25:04
so I turned left out
25:07
of the building lobby and
25:09
started speed walking. The glass
25:11
frontages of the office park
25:13
reflected heavy clouds bearing down.
25:15
The air was muggy and
25:17
still, like the whole town
25:19
was in a belljar. The
25:22
click of the traffic light
25:24
was dull and muted, but...
25:26
as I crossed the street
25:28
a block away from Noggles
25:30
that was all I heard.
25:32
No traffic, no pedestrians, nothing,
25:34
as if the world had
25:36
decided to go home for
25:39
the day. Creeping unease began
25:41
to warm its way into
25:43
my brain, a niggling feeling
25:45
like something wasn't right. When
25:47
I stepped into the restaurant,
25:49
that unease wriggled its way
25:51
down into my belly. Everything
25:53
looked normal, the same blindingly
25:56
white-tiled interior with its triple
25:58
stripes of yellow or... and
26:00
red, the same menus hanging
26:02
behind the counter, the same
26:04
smells of taco meat and
26:06
grease. Above me, the fluorescent
26:08
lights buzzed, and from the
26:11
back, I could dimly hear
26:13
the coolers humming, but there
26:15
wasn't a single person there.
26:17
I called out a greeting,
26:19
then a second later, the
26:21
sky went dark, and the
26:23
rain started to fall. Biblic.
26:25
tourists roaring like a river.
26:28
The next crack of thunder
26:30
was so loud I felt
26:32
it in my chest. Outside
26:34
the window of the restaurant
26:36
the light had taken on
26:38
a sickly yellow color and
26:40
huge drops were bouncing off
26:43
the asphalt forming deep pools
26:45
in the gutter. Something wasn't
26:47
right. That much was obvious
26:49
but I couldn't quite get
26:51
my head around the fact
26:53
that the restaurant was empty.
26:57
Had there been some kind of
26:59
evacuation notice? Did the entire office,
27:02
hell, the entire office park head
27:04
for higher ground without telling me?
27:06
Carefully, I approached the counter and
27:09
looked back into the kitchen. Whatever
27:11
had happened, it was fast because
27:14
everything had been left. It was
27:16
like the fast food equivalent of
27:18
the Mary Celeste. Tortillas, half filled
27:21
with beef and lettuce, a spoon
27:23
dug mid-scoop into the refried beans.
27:26
The unease was now full-blown panic,
27:28
and every thought in my mind
27:30
fell away, except for one. Shelley
27:33
and the kids. There had to
27:35
be a phone here, I thought.
27:38
I had to warn them, or
27:40
at least find out what was
27:42
going on. I walked down the
27:45
hallway toward the bathrooms until I
27:47
saw a door marked office and
27:50
it pushed open noiselessly and I
27:52
picked up the cheap plastic receiver
27:54
that sat on the edge of
27:57
a desk cluttered with paperwork. The
28:00
rain was battering down on the
28:02
roof so hard, I was sure
28:04
it was going to come through
28:07
the ceiling. Putting the phone to
28:09
my ear, I was about to
28:11
punch in our home number, and
28:13
I realized there was no dial
28:16
tone. The phone lines must be
28:18
down, I thought. I was so
28:20
concerned about getting in touch with
28:23
Shelley, the strangeness of all this,
28:25
the suddenness, the emptiness, the emptiness,
28:27
didn't even register. That
28:29
something was wrong was obvious,
28:31
but I thought it was
28:34
in the storm of the
28:36
century kind of way, not
28:38
whatever it was that was
28:40
happening. Back in the dining
28:42
room, the yellowness of the
28:45
air had deepened to the
28:47
point where it looked like
28:49
the rain was beating its
28:51
way through mucus and pooling
28:54
inches deep in the road.
28:56
My car was... three blocks
28:58
away. It was nothing to
29:00
do now, but get there.
29:02
Holy nope, in the restaurant's
29:05
door, I immediately felt an
29:07
intense wave of humid air
29:09
wash over me. My clothes
29:11
instantly wet. The rain was
29:13
actually painful. A thousand tiny
29:16
needles pelting me as I
29:18
stepped into the flooded street.
29:20
The clouds were a cancerous
29:22
mixture of black and yellow
29:25
spider-wept with near constant flashes
29:27
of lightening. I'd never seen
29:29
anything like it. The scale
29:31
of the storm was such
29:33
it made everything around me
29:36
seem insubstantial. The office park
29:38
reduced to the set of
29:40
a cheap disaster movie. In
29:42
the corridors between buildings, wind
29:45
blew the rain into great
29:47
solid walls like giants on
29:49
the march. My shoes were
29:51
water logs squelching with every
29:53
step. Even worse was my
29:56
jacket a soaked through albatross
29:58
I didn't. discarded halfway down
30:00
the block from knoggles. At
30:02
this point, I couldn't possibly
30:04
get more wet and without
30:07
it, I was at least
30:09
10 pounds lighter. Back at
30:11
the car, I slumped into
30:13
the driver's seat soaking it
30:16
with my ruined clothes. Somehow,
30:18
the rain had gotten even
30:20
heavier and turning the wipers
30:22
on to their maximum setting
30:24
barely made any difference at
30:27
all. Carefully, I
30:29
noses my Corsica out of
30:31
the lot, squinting to see
30:33
anything at all through the
30:36
deluge. The clouds were knit
30:38
together in a single squamous
30:40
mass, scales separated by strobing
30:43
flashes of multi-colored lightning. Out
30:45
on the state road, the
30:47
wind was worse and my
30:49
car bucked constantly. Tires fighting
30:52
for traction as it was
30:54
pushed relentlessly to one side.
30:56
I gripped the wheel as
30:58
tight as I could. trying
31:01
to stay between where I
31:03
imagined the yellow lines to
31:05
be. Not a single vehicle
31:07
passed the entire time, and
31:10
I knew something was deeply,
31:12
possibly permanently wrong. This wasn't
31:14
just a store. It was
31:17
an apocalypse. I wasn't sure
31:19
there was anywhere safe to
31:21
take my family. I just
31:23
knew I needed to get
31:26
to them. A
31:28
burst of static from the radio
31:30
startled me enough. I let go
31:32
of the wheel just for a
31:35
moment, but it was long enough.
31:37
The world spun, and I felt
31:40
the tires lose traction as the
31:42
car began to hydroplane. I retook
31:44
control of the wheel and pulled
31:47
my foot off the accelerator gently
31:49
tapping the brake. It didn't help,
31:51
and the car whipped out of
31:54
control. I closed
31:56
my eyes and tensed, waiting
31:58
for a collision with either
32:00
on coming from the guardrail,
32:03
but neither happened. Instead, I
32:05
opened my eyes to bright
32:07
sunshine and wide open cornfields.
32:09
The wipers were still beating
32:11
a frantic tattoo on the
32:14
windshield, but it was no
32:16
longer any rain. I could
32:18
still see drops on the
32:20
side windows, but it wasn't
32:22
coming from the sky anymore.
32:25
My ears rang and a
32:27
sudden quiet. The soft beep
32:29
of a horn startled me
32:31
and I looked out the
32:34
driver's side window to see
32:36
a black forerunner pulled up.
32:38
The driver was a woman
32:40
I vaguely recognized as a
32:42
cashier from one of the
32:45
local supermarkets and she was
32:47
saying something I couldn't make
32:49
out so I rolled down
32:51
my window. I'm sorry, what?
32:53
I asked. I said, are
32:56
you okay? She replied, do
32:58
you need help. Looked at
33:00
her completely dumbfounded. Do you?
33:02
She frowned, taking in my
33:04
soaked clothes before giving me
33:07
a look that suggested she
33:09
thought I was either drunk
33:11
or high. You're the one
33:13
facing the wrong way. You
33:15
need help getting home? My
33:18
brain was completely fogged. How
33:20
was she acting so normally?
33:22
Wasn't this the end of
33:24
the world? The storm,
33:27
I said. Where's the storm? She
33:29
pulled back a little. No one
33:31
wants to be partied, a drunk
33:33
driving, I guess. Look, it's none
33:35
of my business, but maybe you
33:37
should pull over and sleep it
33:39
off a little before you drive
33:42
on. Hey, at the end of
33:44
the month, the stateies are going
33:46
to be looking to write all
33:48
the tickets they can. I just
33:50
looked at her. You take care
33:52
now. With that, she rolled up
33:55
her window and drove off. I
33:57
sat there for a moment, listening
33:59
to the trip of rain. water
34:01
from my sleeves down onto the
34:03
console next to me. Fear
34:33
Daily is an independent podcast
34:35
hosted by Brandon Shexnider and
34:37
written by Brennan Store with
34:40
Joanna Smith serving as the
34:42
consulting editor audio production by
34:45
Rachel Boyd and sound design
34:47
by Southern Gothic media This
34:50
podcast is a work of
34:52
fiction Names characters places and
34:54
incidents are either products of
34:57
the authors imagination or are
34:59
used fictitiously Any resemblance to
35:02
actual persons, living or dead,
35:04
or to real events or
35:07
locations, is entirely coincidental. Add-free
35:09
versions of Fear Daily are
35:11
available now on your favorite
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podcast apps. For more information,
35:16
visit Fear Daily.com. But move
35:19
fast, before the server goes
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offline. The
35:30
Fable and Falling Network,
35:32
where fiction producers flourish.
35:35
Hello, hello, I'm Malique. I'm Jamie. And this is
35:37
World Gone Wrong, where we discussed the unprecedented times
35:40
we're living through. Can your manager still schedule you
35:42
for night shifts after that where we'll bet you?
35:44
My ex-boyfriend was replaced by an alien body snatcher,
35:46
but I think I like him better now. Who
35:49
is this dude? Showing up in everyone's old pictures.
35:51
My friend says the sewer alligators are reading maps
35:53
now. When did the cuts who start making that
35:55
humming sound? We are are just
35:57
your normal millennial roommates processing
36:00
our feelings about a
36:02
chaotic world in front of
36:04
some microphones world in
36:06
front of some new
36:08
fiction podcast from fiction podcast
36:10
from creators of Creative Creators of
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Unwell a Midwestern Gothic more Learn
36:15
audacious machine creative Creative.com Find
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gone wrong in all
36:19
the regular places. You
36:21
find you find podcasts I you so
36:24
much I mean you could like up the
36:26
energy a I up take
36:28
notes I actually don't take notes. That was
36:31
good. I'm just just kidding
36:33
you sounded great great. Sited you.
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