Marketing Art and Managing Success with Daniel Cohen

Marketing Art and Managing Success with Daniel Cohen

Released Tuesday, 23rd July 2024
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Marketing Art and Managing Success with Daniel Cohen

Marketing Art and Managing Success with Daniel Cohen

Marketing Art and Managing Success with Daniel Cohen

Marketing Art and Managing Success with Daniel Cohen

Tuesday, 23rd July 2024
Good episode? Give it some love!
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likes the nutritional fact label, but they see

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it and they're like, I recognize that. What

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is that? Why does it have a drug

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it say social media? And

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now Escaping the Drift, the show designed to get you

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So stop drifting along, escape the drift, and

1:02

it's time to start right now. Back again,

1:04

back again. Man, I got

1:06

to tell you, I was at dinner last night and

1:09

one of the guys at the table said, you

1:11

know, people that tell you to chase your passion,

1:14

they're all rich people. That's bullshit. You just got to go

1:16

work and do your job. And

1:18

it was just very serendipitous because this

1:20

is a cat in studio today that

1:22

I met. I don't know, man. Call it six

1:24

months ago through some friends. And this

1:27

guy has taken his passion and there's no

1:29

other way to describe it as a passion

1:31

because it's art. But he has

1:33

taken his passion into an

1:35

incredibly lucrative art

1:38

business. He his pieces are hung

1:41

all over the place in some amazing

1:43

places. They are incredibly sought after. Celebrities

1:46

are after him. I mean, he's like

1:48

the cool hipster guy's artist and

1:51

he's a super cool guy. But ladies and gentlemen,

1:53

we want to hear this story today about working

1:55

your passion into money. Welcome to the studio. This

1:58

is Daniel Cohen. Daniel, what's up, buddy? John,

2:00

thanks for having me. How are you, man? I'm good.

2:02

Just living the dream. Living the dream. Good to see

2:04

you back in Vegas. I'm glad you made the trip

2:07

in for this. I appreciate it. So

2:09

tell early Daniel, let's talk about early Daniel,

2:11

because I always like to start here because

2:13

you always wonder, is it nature? Is it

2:16

nurture? What caused, what caused you, man? Great,

2:19

great question. It started probably

2:21

at a young age and

2:23

just kept evolving. It was

2:26

definitely inspired by a lot of

2:28

great teachers that kind of grew

2:30

me to appreciate art, understand

2:33

it. And then Instagram came along

2:35

and realized I didn't want to just

2:37

sell fitness tea. I wanted to actually

2:39

follow my passion. So

2:43

kind of left my job. Never

2:45

really shared this part of the story before,

2:47

but I was addicted to a drug. The

2:50

drug was actually a salary. And

2:53

it was stealing me away from my

2:55

actual dreams of becoming something in

2:57

a creative field. Because what did you, what did you

2:59

go to school to do? What was your, what was

3:01

your initial thought process for a colon?

3:04

The, the goal was to

3:06

always try to do something in the creative

3:08

field, whether that was, uh, be

3:11

a graphic designer, photographer, do marketing, something

3:13

that I could use my creative skills

3:16

and assets and, and my, you

3:18

know, my left side of my brain or my right side

3:20

of my brain to, um, to allow

3:22

me to enjoy what I actually do and not just,

3:24

uh, you know, just miserable with

3:26

what I'm doing. So, um,

3:30

was, was fortunate enough to

3:33

leave a job working sales and

3:35

marketing, um, and moved

3:37

to Los Angeles, uh, for another

3:39

job. And then, um, out

3:42

of spite, I, I left that job

3:44

to become an artist and Instagram kind of blew up.

3:46

Well, hang on. Let's, let's slow down. I gotta get

3:48

that. So did you go to

3:50

college? I do. I have a degree, a

3:52

bachelor's of science degree in communications, Arizona state

3:54

university online, never went to the actual school.

3:57

So, so

3:59

no Sunday. double flag hanging in the

4:01

old house. I go, I go to

4:03

the graduation and everyone as they're walking

4:06

is throwing up the Trident and I'm

4:08

like, why is everyone throwing up the

4:10

shocker? Is this a joke? I

4:14

never knew about the shocker or the

4:16

Trident and I get there and I

4:18

had this great moment. I like,

4:20

okay, now I understand it's, it's the Trident, the

4:23

Sun Devil. So I am a Sun Devil. I

4:25

do have a degree. I paid probably $15,000

4:27

or more for a piece of paper. It

4:31

was an insurance policy. I

4:33

already knew I was going to be an artist, but yeah,

4:35

it was, it was just a backup plan in case, you

4:37

know, this is to make a living in this career. It's

4:40

like you got to be in the 1% of

4:42

the 1% to actually be doing it and

4:44

doing it well. Yeah. So I had to,

4:47

I wanted to like do that one for

4:49

my parents as well as you

4:51

know, um, for myself, just so you'd get that goal

4:53

accomplished. You did have a little bit of a safety

4:55

net dinner. So what you looked at it as? Yeah.

4:58

I mean, I

5:00

didn't want to be in my forties or fifties

5:02

and say I tried to be an artist and

5:04

then whatever doesn't happen. And then I end up

5:06

like, why didn't I just spend the two years

5:08

to get the degree? Well, see, I love that

5:10

because this weekend, this last weekend I was in

5:12

Seattle at a, at one of my mastermind groups

5:14

and I'm in and you know, the

5:16

kids were there. We always take the kids and we

5:19

traveled to cities and they'd never been to Seattle. So

5:21

we took the Seattle underground tour and our tour guide

5:23

was very boisterous and a very animated.

5:25

And she announced towards the end of the

5:27

tour guide that she had a, got

5:29

a theater degree in college. So this was just about

5:31

all she was qualified to do. And I was thinking,

5:34

not really a safety net, not a good

5:36

safety net for an artist that wants to

5:38

be something. So yes, less than one kids,

5:40

if you're chasing your passion set

5:42

yourself up for success because I, if

5:45

I'm correct, right, if you

5:47

get an art degree from college, no

5:49

gallery has ever asked you what

5:51

college did you attend to receive your art degree?

5:53

Has anybody ever asked you that Daniel? No. Okay.

5:55

No. Pretty sure to cat if you're, if

5:57

you're in theater, pretty sure no casting.

5:59

director has ever said, wait a second,

6:02

what theater school did you go to? What college

6:04

did you graduate from? Never, right? No. Hey,

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to demand a better version of you. Thanks

6:32

a lot, Escape the Drift and see you

6:34

in simsdistillery.com. The

6:37

creative fields, they really focus

6:39

on what are you doing? What

6:42

can you actually do? What are you actually

6:44

doing? Like how are you actually using your

6:46

creative skills and it doesn't matter,

6:48

I mean a piece of paper is just a

6:50

piece of paper. There's so

6:52

much more to actually

6:55

how are you using your creative arts to kind

6:58

of share those gifts with other people. To get to

7:00

where it was. Okay, so we got our piece of

7:02

paper, we got our communications. Great. The

7:04

whole time through college, you still, are you tinkering

7:06

with your own stuff? Are you doing your own

7:08

things? I mean, obviously because it's hard to jump

7:10

on the computer and throw out the shocker symbol.

7:13

Yeah. But you were still doing,

7:15

so you were already in the process of doing

7:17

art while you were doing these. So what percentage

7:19

of time were you focused on studying? So bartending

7:21

during the day, school during the day, stripping at

7:23

nights, no I'm just kidding. I

7:26

was stripping the paint off houses maybe. Yeah,

7:29

nobody's paying money to see me in new days to do

7:31

anything. So I was, yeah,

7:33

just grinding. And the

7:37

greatness of social media at the time as I started

7:40

with pieces at $250, so I was selling

7:42

10, 20 a month and making a

7:45

living as a bartender during the day. So

7:48

that was able to give me like this little

7:50

leap starting at great easy entry points. Was

7:52

it the same style you have today? Yeah, very

7:55

similar. I started with the nutritional fact label and

7:57

I stripped that and replaced all of the. total

8:01

fat, sugar, and descriptions

8:03

of what's in your food with describing

8:05

what is the experience of smoking

8:07

cannabis or of what mushrooms are

8:10

like. And in the same format,

8:12

taking something boring and turning into

8:14

something brilliant. And I would have loved

8:16

to have seen the DMT label if

8:18

you did more than I would have loved to have seen

8:21

that. So for those of you that don't know, and

8:24

a lot of you are probably meeting Daniel for the first time,

8:26

describe your art to the folks. Obviously this is an audio

8:28

media. You can watch it on YouTube. And if you

8:30

watch this on YouTube, I promise we'll put some clips

8:33

in that shows what he does. But

8:35

I would almost describe it as like nerd

8:38

art. Sure. Yeah.

8:40

Has it ever been described that way? Because I

8:42

love it. It's like science art. It's very cool.

8:44

I love, I love taking trash and turning into

8:47

treasure. Yeah. No, no one likes chemistry. No one

8:49

likes nutritional fact label, but they see it and

8:51

they're like, I recognize that. What is that? Why

8:53

does it have a drug or something? That's a

8:56

cell phone. Why does it say social media? And

8:58

they get drawn into it. The average amount of

9:00

time that someone spends in front of an art

9:02

piece at an art gallery and museum is less

9:05

than three seconds where with my work, they really

9:07

get captivated. They get sucked in. There's humor, there's

9:09

irony, there's playfulness. It's relatable. That's different than most

9:11

work. You go into a museum, you see a

9:13

bunch of paints splattered on something. You need to

9:16

read a description on the wall to tell you

9:18

what the artist was going through in that time

9:20

period to understand what the context

9:22

is of that art piece. With mine, you just

9:24

instantly get it. So my artwork, to answer your

9:27

question, is under

9:30

a collection called This is Addictive.

9:32

So I like to make commentary,

9:34

play with commentary on the

9:38

nature of humans and their vices, what

9:40

we're addicted to. It's very zeitgeist. So I

9:43

love capturing the spirit of the time, really

9:46

analyzing our culture through the lens

9:48

of art. And the way

9:51

that I've done that is the periodic

9:53

table. Love the periodic table. Because when

9:55

we wake up, what's

9:57

the first thing that some people do? They get their phone.

9:59

their addicted to their phone. What's the next thing they do?

10:02

They might have sex or they might get coffee or both.

10:05

These are the addictions. So I have an element for social media. It

10:07

sounds like they kicked out of Starbucks. I mean, that's a problem. Keep

10:12

going. It happened to me today. It's how

10:14

I ended up here. But

10:16

yeah, so by the third hour

10:18

of the day, you're

10:21

thinking about money. I need to work. I

10:23

need to get, you know, there's so many

10:25

driving forces, the hustle, the entrepreneur, the element,

10:28

um, a family, like all these

10:30

things are the elements of today. So I

10:33

like capturing the spirit of the time through

10:35

the, these, uh, elements that

10:37

I've created. And like I said,

10:39

they're just relatable. The, for me, art should

10:43

not need, it doesn't need to be so,

10:45

uh, doesn't need

10:48

to be so about like the times

10:50

of, of like, what's, what's

10:52

challenging? Like, I don't want to make art

10:54

about climate change. That's, that's

10:56

not for me. I don't want to make art about,

10:58

uh, how my ancestors were oppressed. That's not for me.

11:01

I want to make art that's relatable, that people are

11:03

going to love, that they're going to remember, that's going

11:05

to outlive me and, and stand the test of time

11:07

and always just be remembered. It's, it's iconic. No one's

11:09

done it. And that's, those are the things that I

11:11

always like chasing and grading. It's, it's, it's so when

11:14

you see it now that now, and if you watch

11:16

this video on YouTube, you'll see some of the pieces

11:18

and then when you see them in very famous places

11:20

that some of the stuff is hanging now or

11:23

on very famous people's Instagram says they've got them

11:25

and hung them on their walls, you'll see that.

11:28

And it really is,

11:30

man. It just, it's, it's just interesting to stop

11:32

and look at like, there's no little card required

11:34

to say what you were thinking and what it's

11:36

about. It's very, it's very self-explanatory, but it's just

11:38

so interesting the way that you do it. So

11:41

let's get back to the journey

11:44

of getting to that place. So you've always

11:46

kind of been doing this stuff. So you

11:48

started marketing it on Instagram is how you

11:50

first started marketing this stuff. The

11:53

way that it started was gifting

11:55

pieces. That's been my secret sauce.

11:58

Putting a piece on someone's wall, putting on a.

12:00

a piece on someone's, uh, you know, a wall

12:02

on social media, on their physical wall and

12:05

having those dominoes fall or having a breadcrumb show

12:07

that always leads back to me. So gave

12:10

a couple pieces to some influencers early on

12:12

2014, 15, 16, when the algorithm was

12:16

very, really, really good, excellent

12:18

reach, uh, ridiculous lifestyle was, was

12:21

a huge supporter of me early

12:23

on and, um,

12:25

set up a Shopify store, had a website.

12:28

Like I said, $250 pieces, 10, 20 a month. My

12:32

rent was covered. Yeah. And

12:34

money. Um, those went from two 50 to

12:36

500 to seven to 50 to a thousand

12:38

started getting representation by galleries. Uh,

12:40

the price point had to double at that

12:43

point cause galleries take a chunk percent to

12:45

half. So, um,

12:48

obviously the, there's different levels of art fairs.

12:50

You have your local art galleries that, uh,

12:52

are just working with local artists or sometimes

12:54

artists around the world. Uh, there

12:56

might be doing group shows. There's

12:58

also other galleries that take work on

13:00

the road to different markets and different

13:02

destinations with, with what are art fairs,

13:04

uh, some commercial art fairs that are

13:07

trying to sell work that, you know,

13:09

is, is from emerging mid-career artists, sometimes

13:11

artists that are dead. But,

13:13

uh, if you find a gallery like I

13:15

did that takes your work on the road

13:17

to the Hamptons, Aspen, New York, um, Miami,

13:20

obviously, and the end of the year, the fish are

13:22

man, go where the money is. Exactly. So

13:24

these galleries got smart. So if you get

13:27

that, then you're constantly being kept up with

13:29

business because the galleries are always, you know,

13:31

finding new markets to, uh, to bring business

13:33

to. So, um, was successful at getting into

13:36

a few galleries early on, um, that took

13:38

my work on the road. So

13:40

marketing, obviously that way, um, social media

13:43

kept growing, uh, found unique creative things

13:45

to do, uh, in

13:47

the artistic world that kept,

13:49

kept marketing, kept humping, kept investing

13:52

and, um, just have not stopped.

13:54

Like it's been all gas. Well, there's so much

13:57

to unpack from what you just said. There's so

13:59

much to unpack. So

14:01

the first thing I'm going to say is if you're trying

14:03

to start something, if you're trying to get

14:05

it going, right, getting it in the hands

14:08

of those that can make it cool and

14:10

get it exposed is clutch. So

14:12

however you get it in their hands, I think

14:14

is important. So you know,

14:17

very similar to like, you know, travel Binsky,

14:19

I don't know if you know, travel or

14:21

not. No, uh, Travis, the founder of flex

14:23

watches, he's been on the show and uh,

14:25

Trav stumbled across the filming of the real

14:27

world San Diego when they were filming in

14:29

a bar and he just inserted himself. Struck

14:32

up a conversation, talk about what the product

14:34

was and then ended up getting flex watches

14:36

just injected into the show. That's where the

14:38

kids worked. I mean, it was wild, but

14:40

he did. He goes, yeah, this was, this

14:42

was just, I just strong arm my way

14:44

into this production in real time. Like in real

14:46

time, we did it, but getting

14:49

yourself in front of people, I think is clutch.

14:51

The second part of that thing I would say

14:53

that is important is a lot of people can't

14:55

swallow the idea of giving up 50%

14:57

of their, their work. They

15:00

just can't like, why am I going to give you 50%

15:02

of profits? Well dude, here's the deal. You

15:04

have to look at it as a

15:06

symmetrical risk. You have to say, okay, if I,

15:08

if I give up 50% of my bottom line,

15:11

but they can grow my top line by 5,000% and

15:15

your net is 12 to six

15:17

times what it was, then you got to get

15:19

out of your own way. I've done

15:21

deals before with people where I'm like, look, we

15:24

can get you from A to Z, but it ain't free

15:26

and it's going to be here. And I just, they couldn't

15:28

get out of their own, their own way with their ego

15:30

to get out that much of a piece. Ego

15:33

always gets in the way. You got to find people that

15:35

want to build with you and 50% is a lot of

15:37

money, but a hundred percent of nothing is nothing. So you

15:40

got to find people that want to

15:42

grow with you long-term, the gallery within the galleries and

15:44

a lot of industries. You got to pick your poison

15:46

of who you're working with. Are they the people you're

15:48

going to work with pay on time? Are they going to

15:50

be honest? It can be loyal. Is there a long-term growth?

15:53

All of these are things that can be

15:55

challenges within any industry and within the art

15:57

world. It's historically has a lot of corrupt

16:00

characters. that are always gonna be around. So

16:03

you gotta do your diligence, really find people that are

16:05

trustworthy that you wanna work with. Well, tell me about

16:07

a time you'd been banged out. I'm

16:12

gonna sign you a guy buddy. Pick the worst one,

16:14

pick the worst one. Pick the best one that's gonna-

16:16

No, no, luckily. Leave the names aside. I don't need

16:18

the names of people, but tell me about the scenario.

16:20

Cause it does happen and how'd you deal with it

16:22

and how'd you move forward from it? Well,

16:25

there's times where I've elected to do

16:27

work on my own and there was

16:29

a guy, comes

16:32

from a very wealthy family. I won't say

16:34

his first name, but his last name is

16:36

DuPont. Okay. Just

16:39

a little, a little, a little wealthy.

16:41

I got it. Ironically,

16:43

he wanted a piece of art,

16:45

which was an oversized receipt that

16:48

was from a bank that had a

16:50

statement balance of a few million dollars.

16:52

It's a flex. It's the concept is

16:55

people have so much money. Sometimes they get these

16:58

ATM receipts that have million dollar balances. They just

17:00

crumb them up and throw it away. So the,

17:02

it's a giant oversized crumbled up receipt. So

17:04

he commissions one. I get the wire

17:08

after seeing the receipt a few days later, hits

17:11

the account, make him the piece,

17:14

get it framed, let him know it's ready to be

17:17

sent. He sends me a screenshot of

17:19

a wire receipt. It's a Friday. I go,

17:22

this guy is wealthy. Seemed like

17:24

I can trust him last time.

17:26

Got the screenshot, the wire is being sent.

17:28

I release it to FedEx all

17:30

of a sudden, no wire,

17:32

no wire. Send him, Hey, what's going

17:34

on? What's going on? Weeks go by,

17:36

he's playing the game. I, red flags

17:38

are popping off. So

17:42

long story short, I had hired

17:45

a collections attorney, amazing guy, David

17:47

Kahana, legend, legendary lawyer

17:50

who does collections. He was able to ruffle

17:52

some feathers, put some heat to this guy

17:54

and got me paid. So he was the

17:56

savior, but the chat, the story of this

17:59

is. sometimes the benefit of

18:01

the galleries is they have these protocols

18:03

of how to actually do business. So

18:05

I have been burned by collectors directly.

18:07

I have been burned by galleries. Uh,

18:10

but these lessons along the way have

18:12

taught me a lot. Yeah.

18:14

It's it's, it's fun. It's you know,

18:16

it's so funny cause it's been my

18:18

experience too, that sometimes occasionally ultra wealthy

18:20

people will do shit like that. Just

18:23

cause they think they can just

18:25

cause they think they can't like, ah, it's

18:28

too much, but I'm just not going to pay the guy. What's he going

18:30

to do? What's he going to do? What's

18:32

he going to do? And I think that it's

18:34

so funny cause and I

18:36

think as a person getting into business with people

18:38

that are ultra wealthy, if you've never done that,

18:40

you just assume because they're ultra wealthy, they would

18:42

never do something like that. What

18:45

about their reputation? It's you know, it's going to be

18:47

terrible if this happens. No, no, no, dude. You

18:49

gotta, you gotta cover the, uh, cross the T's and

18:52

dot the I's as they say. Yeah.

18:54

So shout out to my, uh, two-pond friend.

18:56

So the great thing that I did for

18:58

the collections attorney, David is made him one

19:01

of the same receipts and, uh, wrote on

19:03

it. Fuck you pay me. And

19:06

he's got that hanging in his office and he loves

19:08

it. It's, he's got a great story out of it.

19:10

So it tells the story. How many pieces

19:12

do you commission that you find commission pieces that are

19:14

designed to tell a story in a way that way

19:17

a lot of stuff, or they depend on, are

19:19

they coming to you with the creative idea? Are

19:21

they depending on you? I've had some interesting ones.

19:23

I had a collector ask me to make him

19:25

a Panda Express element. He was addicted to orange

19:27

chicken. Well,

19:30

it's pretty solid. It's the old Panda

19:32

Express. Yeah.

19:37

Yeah. I would never expect that. That is someone's

19:39

guilty. I mean, I can understand this comfort food.

19:41

It's guilty pleasure. That's what some people just love.

19:43

It might be McDonald's, uh, but for him, it

19:46

was, it was that, but I do get some

19:48

interesting requests. That one was a

19:50

strange one. Um, okay. Cause you

19:52

are dealing with addiction. Has anybody asked for

19:54

things something that you were just not comfortable

19:56

producing or not? I mean, I have put

19:58

some real substances and pieces. Have

20:00

you? By request, yeah. All right. Typically

20:03

it was, let me find some replica

20:05

stuff, but there has been requests for

20:07

authentic stuff to create the, um, it

20:09

just makes it so much more. My

20:11

mind just goes to like the worst

20:13

things you can be addicted to, right?

20:16

Like weird German pornography or something. All

20:18

of a sudden you're like, you know,

20:20

I'm just not comfortable with this. I'm

20:22

just not comfortable. Yeah. But nothing

20:25

so far has gone on. No, no, no, no, no,

20:27

no, no, no, no, no, no, no, no, no, no,

20:29

no, no, no, no, no, no, no, Look, we weren't

20:31

going that far, right? I'm going to assume that you're

20:33

able to get with morals. Yeah. I'm

20:35

going to go ahead and assume there's some sort of a

20:37

moral compass. Yeah, of course I'm not just an art horror.

20:40

So when it comes to your

20:42

pricing with these folks, do you take who they

20:44

are, and what they can pay into it? I

20:46

don't, I don't know. No, no, no, the market

20:48

price isn't. It's just market price. So your pieces

20:50

now. So for how much? Well

20:53

they range. I mean I, as an artist,

20:55

I like to create some diversity and allow

20:57

collectors to buy in at like a affordable

20:59

price point. You know, not

21:01

everyone has $5,000 to spend on a piece of art,

21:03

but they might have a couple hundred dollars. So

21:06

I have sometimes limited releases where it might be

21:08

something that's a hundred bucks to 500 bucks, 500

21:10

to a thousand. But right

21:12

now the elements started at $2,000 in 2017. That's

21:16

your periodic table. Periodic table. Um, now they're

21:18

selling for 5,000. So they have the

21:21

early investors that got in had, have seen

21:23

a good significant increase. They continue to sell

21:25

at that price point. I

21:27

have large periodic tables that are eight

21:29

feet wide by four feet high. Those

21:31

are selling for a great

21:35

price. I'm very grateful. The last one

21:37

just sold for, for close to six

21:39

figures. So we're, I'm grateful that, um,

21:41

people are continuing to invest. They see

21:44

the vision. Um, it's unique work

21:46

and that's what is one of the most rare

21:48

prices, things that you can buy today is, is

21:50

unique. You know, it's so

21:52

funny, man, that in your business, especially

21:54

it's, it is 100% unique.

21:57

And opinion driven, right? There's no.

22:00

I mean, I guess everything is the reason

22:02

gold is valuable is because they say it is right there's

22:04

in diamonds are valuable is because Debeers says they are I

22:06

mean, but at the same time art

22:08

is just so subjective that I

22:11

mean do you wake up every day? You

22:13

gotta wake up on two sides of the bed I'm

22:15

guessing you gotta wake up thanking God that the world

22:18

thinks that you this is the cool thing And

22:20

also part of you is part of you sort of terrified that

22:22

somebody might wake up one day and be like this is not

22:24

cool No, I can't

22:26

stop you can't stop you just don't think that I

22:29

got there's so many ideas up here It's I love

22:31

it's really just a matter of like who

22:33

wants to keep buying in to keep

22:35

funding this dream That's going is is

22:38

I could keep going. I'm gonna fill some

22:40

museums. I got great great concepts. It's Some

22:44

of them just come with a price tag.

22:46

My artwork is not paint on canvas It

22:48

can get expensive to make the work that

22:50

I create because you'd use real elements use

22:52

like the periodic table of luxury Was

22:55

my highest my most expensive piece. Well that cost

22:57

it that piece cost me $9,500 to make yeah,

22:59

so and that That's

23:03

you know that sometimes adds

23:05

up when you make two of them three of them. So Here's

23:09

a question. So all of your art is based

23:11

on addiction Is that something you struggle with in

23:13

your life or what makes you fascinated with addiction?

23:15

I think it's relatable everyone today is an

23:17

addict of something whether it's a fringe addiction

23:20

like they're addicted to tennis Or

23:22

they're addicted to their dog or

23:24

their family like or just straight-up

23:26

addicted to something literally and and

23:28

the people who have gone through

23:30

Those struggles there's relatableness everyone's first

23:33

Addiction. Hello. It is

23:35

Ryan and we could all use an extra bright

23:37

spot in our day Couldn't we just to make

23:39

up for things like sitting in traffic doing the

23:41

dishes counting your steps, you know All the mundane

23:43

stuff that is why I'm such a big fan

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24:04

a child is sugar. I

24:06

remember growing up Halloween was the

24:08

holiest holiday because I would, is not raised

24:11

in a household where there was a lot

24:13

of sugar or candy or soda. So

24:15

I would, I always loved the idea

24:17

of being able to get candy out of sweet tooth. So

24:20

maybe it started then, but today, no, I didn't

24:22

have like a history of addiction. Um, I mean,

24:27

like is, is the addiction of money

24:29

or the addiction of, of success fueling

24:31

me? Absolutely. Oh, I

24:33

think so. That's what I'm chasing. You

24:36

know, it's, it's one

24:38

of my favorite stats is life doesn't change that

24:40

much. After I think the numbers like

24:42

$85,000 a year, life doesn't

24:44

exponentially change that much. I mean, I think it changes from

24:46

85,000, I think after $500,000 a year, it

24:49

changes a lot. But after that, it

24:52

doesn't really change because you kind of get to a point when

24:54

you start making really great money that like, like

24:57

there's some things you've always wanted to go buy

24:59

and then you go buy them and you realize

25:01

very quickly, shit, it

25:03

was the idea of buying this that made it desirable,

25:05

not the thing itself. And now I've bought this thing

25:07

and I'm over it. I love David Spade tells that

25:09

story about buying a Ferrari and he just felt like

25:11

an asshole like the first day he'd never drove it

25:13

again. And I've had similar experiences

25:16

with that. So, but I tell people a

25:18

lot of time, you know, the thing now is

25:20

when you get to a certain point of success, you're

25:22

just chasing a scoreboard against yourself. It's really

25:24

what it is. It's just how much more I'm into

25:26

the next level. It doesn't really meet. It doesn't, you

25:28

don't need anything, but you just want to, you

25:31

just want to push, continue to push the goal post further

25:33

out. It is a

25:35

re there's relativity to the situation. It

25:37

just is a nonstop thing that you're

25:39

always trying to chase the next goal,

25:42

the next mountain top. So I get

25:44

it. You know, when I just

25:46

recently moved to Miami and I moved

25:49

there, obviously for three things, um,

25:52

the hurricanes, the humidity and

25:54

the BBLs. Um, but,

25:57

um, I moved there actually for the American dream. I,

25:59

I'm great. that I was able to buy a condo

26:01

there. And so

26:03

now, now that I'm there, I, what's,

26:06

what's next? Where are you? Are

26:08

you downtown? You're at the beach? Where are

26:10

you? I'm on the Miami side in an

26:12

area called Edgewater. Great view, but it's like

26:14

being on vacation every day. So I've had

26:16

this balance, work-life balance come from Los Angeles,

26:19

going to Miami, having to

26:22

really refocus and hustle on and find

26:24

some new goals to go after. So

26:27

it's, it's a, it's a great environment to be in.

26:29

I like Miami. It's, it's one of the best places

26:31

to live right now in the United States, in my

26:33

opinion. So as somebody that continually chases the

26:35

more and more and more, I got more ideas in my head. Do

26:37

you ever allow yourself to feel like you've made it? Did

26:39

you have a moment where you were like, fuck, right? I

26:42

made it. I think that's what

26:44

most people struggle with. Yeah. Is

26:46

that exact paradigm is you get

26:48

swept up and not celebrating the

26:50

little wins along the way. You

26:52

got to celebrate the dubs. Yeah.

26:56

If you don't, then you're, you're never going to be

26:58

satisfied. You're never going to have fulfillment. And

27:00

for me, I have had to

27:02

be more conscious of that because for

27:06

my first year, it was six figure sales. It

27:08

was like great, hungrier. Yeah.

27:11

War. Next goal, hungrier. And

27:14

now it's like, now my next goal is six

27:16

figures, one art piece. Yeah. It's,

27:19

that's the addiction. It's, it's not

27:21

the best addiction to have. The

27:24

best thing to have is fulfillment. Be

27:26

grateful, have gratitude. Those things are, keep

27:28

me grounded, keep me sane. So

27:31

the balance is everything. A lot of artists

27:33

and people in general can get swept up

27:35

in the lifestyle, especially in places like Miami,

27:37

like Vegas, like Los Angeles. So it's. Well,

27:40

I was going to say, like, if you look at how many people

27:43

get addicted to likes, shares comments

27:45

on Instagram posts, like their whole

27:47

life begins to rotate around what

27:50

people think of what they're putting out there. You

27:53

are that on a rocket ship,

27:56

because it's literally what

27:58

you do. I mean, like. What

28:00

people think of what I create is

28:02

what I do. I mean, that

28:05

has got to be, have you ever, have you

28:07

produced something that maybe you put up for sale and it didn't

28:10

sell as quick as you thought it should and it started to

28:12

fuck away your head a little bit. Absolutely. How do you deal

28:14

with that? I,

28:16

I realized it's not the

28:18

right timing. I gotta be patient. I

28:20

gotta be more, uh, effective with the

28:23

execution of how I'm releasing something. Um,

28:25

it's the, it's all in the storytelling. Uh,

28:28

there's, it's maybe

28:31

it's just, yeah, the, the not, not the right

28:34

timing, but I have, um, I

28:36

have been, um, I'm trying to continue to

28:38

grow in exactly that way. Um,

28:41

and yeah, sometimes things you gotta, you gotta throw shit

28:43

on the wall and see what six sometimes not everything

28:46

does. Um, but I'm grateful that

28:48

a lot of the stuff that I have has

28:50

stuck. One of my best selling releases was called

28:52

Benjamin's bread. It was the simplest idea. Slaying

28:55

for money is bread. I put a hundred

28:57

grand in a bread bag. I designed it.

28:59

I boxed it up, shipped it

29:01

out to a hundred people, gave them away.

29:03

People posted them. It led to some of

29:06

the most amazing relationships

29:08

today. Just paper

29:11

printed plastic concept.

29:14

That's it. It and people loved

29:16

it because everyone loves

29:18

this idea of you got to wake up and

29:20

get that bread people are chasing the bag. They

29:22

put it on top of the refrigerator. Maybe their

29:25

other bread is, or maybe they have it somewhere

29:27

significant or special like their office just as that

29:29

reminder, like go get it, go get the bag,

29:31

chase the bag. Um, but

29:33

just the simplest idea of taking, uh, an

29:36

old saying and turning into something

29:38

that's relatable that you've never seen

29:41

before bread, money together. Done. You

29:44

know, it's, I tell people all the time, I said,

29:46

one of the, one of the biggest mistakes you can

29:48

make as an entrepreneur is because we're

29:50

not creating art, but we are creating concepts,

29:53

products, sites, funnels, all of these things that

29:55

you have to create to be a good

29:57

entrepreneur in business. people

30:00

all the time don't fall too in love with your own

30:02

ideas. And the reason you can is because you can't think

30:04

objectively about them. How like

30:06

you, you have to fall in

30:08

love with what you do. So how do you,

30:10

is that that's gotta be very difficult to reconcile

30:12

sometimes. It's a love hate relationship,

30:15

just like social media, social

30:17

medias, love hate relationship, especially lately. But,

30:19

um, I do, you do have to kind of

30:22

fall in love with what you do. Um, and

30:24

once you lose that you start to question, what

30:26

am I doing? Um, and

30:29

sometimes when things flop, you're,

30:31

it hurts even more because you have that

30:33

strong love for something and other people don't

30:35

share that same love. So

30:38

it's, uh, you just

30:40

got to kind of double down, triple down sometimes

30:42

on, on like your vision focus, re sometimes pull

30:44

back. There's projects that I'm pulling back now on

30:47

that I released that I thought people were going

30:49

to get really excited about, see the vision, but

30:51

it's too early. It's AI generated

30:53

stuff that I know is going

30:55

to be a hit. It's just, I

30:58

need to be more effective and find a

31:00

better way to communicate that love and explain

31:02

it to people. So they fall in love

31:04

right now with social media, the challenges, everything

31:06

is storytelling. That's what we're doing. You're constantly

31:08

telling your story. You're having people like me come

31:10

in and tell their story. It's the

31:13

same thing with art. Art

31:15

is essentially a story for someone,

31:17

whether it's paint on a

31:19

canvas or something like a periodic

31:21

table of, of luxury or Las

31:23

Vegas or whatever. There's a story

31:26

that's behind every artist, every art

31:28

piece, every piece of real estate.

31:30

So, um, it's, it's

31:32

relative. Uh, I, as

31:34

long as you're chasing what you

31:37

love, that's the best thing. And I'm, I'm

31:39

grateful. That's what I get to do. You

31:41

know, it's so

31:43

funny that you say that in

31:46

loving yourself that way, because

31:48

there's gotta be haters that look at

31:50

your stuff online a lot and they just hate. So,

31:52

you know, my thing is I'll never forget this. So

31:56

millions of years ago when I was on, on

31:58

The Apprentice, there was a website called. television

32:00

without pity and it was a blog site

32:02

where people could interact. This is before Facebook,

32:04

right? Yeah, yeah, kids. There was a world

32:06

before Facebook. Get over it. Get over the

32:09

single blog. And it was just a chat

32:11

board, right? And on this television

32:13

without petty chat board, they would discuss like reality

32:15

shows. And there was a

32:17

whole blog with thousands of people

32:20

discussing nothing but me,

32:24

me just. And

32:27

dude, it was such a mind file.

32:30

Like it was so like when things

32:32

were going good. Oh, it was great,

32:34

man. My head was the size of

32:36

this room. But when things went bad,

32:38

it sent me spiraling. And I think

32:40

that when you do something as personal

32:43

is art, like, for example, right before I walked in this

32:45

room, right before I sat down with you, you

32:49

know, I just crashed it, crafted a new marketing message and sent

32:51

it out. And we, you know, I always AB test everything. We

32:53

sent a marketing message out and I sent it out to 5,000

32:56

homes, small, small, small send out on it. And

32:58

one of the things that it said within the

33:00

mailer was it talked about just putting

33:02

our last listing in escrow. And we had taken the

33:04

listing over from a less experienced agent that could not

33:06

sell it. And we got it sold in 30 days.

33:10

I walked in right before you and there was

33:12

a piece of hate mail on my desk from

33:14

something that took the time to mail it back

33:16

to me. A love letter. They sent me a

33:18

love letter. And they said that

33:21

they were basically saying that this

33:24

was so egotistical and I needed to

33:26

find some humility and they would never,

33:28

never hire me. And my assistants

33:31

were like, did you see that? I go, yeah.

33:33

Cause they knew I would think it was funny.

33:35

Cause for me now going through that experience before

33:37

where it was picking at me and you're so

33:39

personal yard, it's got to be similar to that

33:41

experience. But now I've kind of gotten to the

33:43

point where I want to be

33:45

polarizing. Like I don't want

33:48

you to ever run into anybody that is

33:50

50 50 on John Gafford. I

33:52

don't want people to be like, that dude's a

33:54

dick or I love that guy. And

33:57

I look at this like anything I can

33:59

do to make myself. polarizing where we're either

34:01

you and I are best friends or you're

34:03

gonna walk out like what a douche like

34:05

I don't want it anywhere in the middle.

34:07

Do you find yourself caring similar

34:09

about your your crowd that

34:11

follows art like either like I'm your guy or I'm

34:14

not go fuck yourself. Forget

34:16

who said this the quote but he said he's

34:18

a former president like if you don't have enemies

34:20

you're doing something wrong. Yeah. Which is so true

34:23

and there is the polarizing nature there's the

34:25

comments there's the haters there's the internet trolls

34:28

or there's just the people in in real life that

34:30

just want to talk crap and and you know try

34:32

to throw shade on you but

34:35

yeah if you're if you don't have that then you're you're

34:37

not doing something right. For me I

34:39

like being provocative I like putting the envelope

34:42

of course that's gonna come with some

34:44

some of those things. So

34:48

yeah it's uh you've got to

34:50

find a way to kind of like have

34:52

a little thick skin and and

34:54

it's not easy especially artists artists

34:56

can be sensitive. Yeah. And people

34:58

in general today are more sensitive

35:00

than they've ever been. So

35:03

for for yeah for

35:06

artists and people in

35:08

a lot of industries that's that's

35:11

relative. Well I think I

35:13

think that's one of the reasons that makes you so appealing

35:15

to people I think you do come off with

35:18

swag to that point you don't come off

35:20

I get the super sensitive emotional

35:22

starving artist you come off like this is

35:24

cool shit I make cool things for cool

35:26

people and that's who I am. Yeah I'm

35:29

here to have fun and make art and it's and if live

35:32

a good life like is that so much to

35:34

ask for like it's it

35:37

shouldn't be that hard like the the work

35:39

that I create I'm putting my energy and

35:41

love into it and that's what people get

35:43

and that's what I think a lot of

35:45

people don't focus on is is the intention

35:47

of why they're doing what they do and

35:50

when you actually have like a good heart a good

35:52

intention of what you do whether

35:54

that's real estate whether that's you know

35:56

trying to be an entrepreneur with a specific type of

35:58

product that you're trying to to share with other people,

36:02

people can get lost along the way. And

36:04

for me, I'm just grateful

36:06

that I got this opportunity. People

36:09

keep showing up, people collecting, the

36:11

emails keep coming in, people keep

36:13

calling. I mean,

36:15

opportunities are good. I have worked in the

36:18

Delta Lounge at LAX, New York Stock Exchange

36:20

for the next year, Resort World has

36:22

the periodic table of Las Vegas.

36:25

Where is that in Resort World? Just because our

36:28

local folks could go see it. Where is it?

36:30

I've seen it. Where is it exactly? Right now,

36:32

it's currently at the entrance where the valet pickup

36:34

and drop off is. So it's not the valet

36:37

entrance for the hotel, it's the Uber

36:39

and Lyft pickup entrance. So it's over

36:41

by where the sports betting area. Yeah,

36:43

that was a big deal. And that

36:45

was cool. There's

36:48

a stock exchange. Yeah. The New

36:50

York Stock Exchange, same Benjamin's bread.

36:52

Yeah. One gift, $25 investment to

36:54

a guy named Peter Tuchman.

36:57

He's the Einstein of Wall Street, led

36:59

to another gift to him. Then

37:02

brings me in one year

37:04

for periodic table of New York, six floor,

37:06

some of the biggest CEOs, executives, heads of

37:08

state, cultural ambassadors walk past my art every

37:10

single day. So I'm going to say, but

37:12

all that art is doing is sitting there

37:14

appreciating because the longer it's there, the more

37:17

value it becomes. Yes. Not

37:20

all art appreciates. Some artists, some

37:23

collectors do like a depreciating asset.

37:26

Then claim a little bit of

37:28

a deduction. But I'm saying, does appreciate it. But I'm

37:30

saying the fact that that's hanging in the stock exchange.

37:32

When your run there comes up, when

37:34

your commission gets over and it comes down, I believe,

37:37

I just want to believe that makes that particular

37:39

piece worth more for sure. Yeah. Because it's whoever

37:41

buys that piece gets, gets a great piece. And

37:43

there's, I'm a dyslexic artist

37:45

notorious for making spelling errors. So if you

37:47

like baseball cards, some of the most rarest

37:50

ones were the ones that had the mistakes

37:52

and errors on them. So there's some collectors

37:54

on there that have a nice little spelling

37:56

error that probably will be a rare piece

37:59

down the line. And I'm. fine with that.

38:01

I accept that I've made mistakes. I ironically,

38:05

yeah, exactly. I have a bachelor's

38:07

of science and communications and I'm

38:09

dyslexic and I chose artwork

38:11

with all words. Maybe that's why

38:14

maybe you thought you were signing up for art and it

38:16

was just happened to be communications and because you were doing

38:18

it online, you didn't figure it out. It was too late.

38:20

I don't know either. I'm autistic or artistic or a

38:22

little bit. Or

38:25

a little bit of both. So you

38:27

mentioned earlier that, you know, you

38:29

just moved to Miami and you're trying to find

38:32

work-life balance there. Is the new city because literally

38:34

it is like every night is go, go, go.

38:36

And every day is paradise. Right. What

38:39

do you do outside of the art to find work-life balance or

38:41

is work-life balance even a thing that's important to you? Yeah.

38:44

Socializing is, is absolutely

38:47

very important for me. Obviously for networking,

38:49

I love to be rich in relationships.

38:52

Um, I'm a farmer is what I

38:54

call my farmer of friendships. I'm always planting

38:56

seeds, meeting new people. That's what

38:58

you have to do in any, any field,

39:01

especially in artists. You can't just be stuck

39:03

in your studio. Can be very lonely. Um,

39:05

but yeah, in Miami, um, I mean

39:08

going out dinners, I'm Jewish, or I like to

39:10

do Shabbat dinners every Friday. Um, but

39:13

it's, there, there is a slippery

39:15

slope in Miami where a lot of people do

39:17

end up going out to dinner and then they

39:19

go to the club and then they go to

39:21

the after hours. And then it's five 30 to

39:23

11. You're like, what just happened? Yes, exactly. Why

39:25

is the sun coming up? Oh my God. Jesus.

39:28

Yeah. So, um, luckily I'm not,

39:31

I don't like that. I don't chase the clubs. I

39:33

don't like that. I will go out. I do like

39:35

to go to those things, but on occasion it's, it's

39:37

not for me all the time, every week. That's it.

39:40

My liver. No, I'm like 36 going on 65. Yeah, dude.

39:43

I like, I

39:45

like a nice dinner way more than I like a club ever,

39:48

ever probably did. You know,

39:50

it's, it's so interesting because

39:53

when you talk about that work life balance, like I've

39:55

had, I've had guys on here, like Ryan Suran, that

39:57

like, I was like, about

40:00

your work life balance is like, there is none. You

40:02

know, it's work. It's all I do. I told my wife,

40:05

we got married, I'm going to work. You can go vacation

40:07

in France with the kids and I'm going to work and

40:09

I'm going to do that. And

40:11

for me, like I do work

40:13

a lot. I do focus, I'm always thinking about

40:16

work. I'm even when I'm kind of home

40:18

and I've tried to get much better with that. Cause the whole concept

40:20

of like 18 summers with your kids really

40:22

hit me hard. Like the

40:24

time you spend with your kids, 90% of

40:26

it is over by the time they're 18 years old.

40:28

And I'm like, dude, I got two summers left with

40:30

my dude. Yep. And my daughter,

40:33

I got four left. So I'm like, I'm maximizing

40:35

all of that. So, you know, I think I

40:37

made that switch. Smart. Yeah.

40:39

So, I mean, is this, I

40:41

mean, obviously aspiring kids. Is this something you're

40:44

aspiring to or? Yeah, of course. Yeah.

40:47

Girl first travel, maybe dog, kids, absolutely. I'll

40:49

explain it. Make sure you don't kill it. Exactly.

40:51

I hope the olive tree at my house

40:53

is fine right now. Yeah. I'm

40:55

neglecting it while I've been traveling, but absolutely kids are

40:57

definitely in the cards. I

40:59

mean, some people today, they don't want kids. I do.

41:05

But yeah, that work-life balance is so

41:07

important. I was watching a podcast. It

41:11

was a short and the guy was talking and said, how

41:14

often do you see your parents? So one or two times a

41:16

year. I said, okay, hypothetically say

41:18

they got five times. Yeah.

41:23

That blew my mind. Jesse Itzler said

41:25

that. Same thing,

41:27

Jesse. Same thing, dude. Same thing. So you're

41:29

with your kids. You're like, I got a

41:31

couple more times where there's still kids before

41:33

the emptiness really starts to occur. When

41:35

it really sprint, spend value with them, you

41:39

can replace work. Yeah. You can't

41:41

replace family. I love that you're figuring this out at 36. Cause

41:43

dude, cause here's the thing. Something weird starts happening.

41:46

I don't know when you hit like 48. I'm

41:49

going to throw it out there. And this is what happens. Yet

41:52

you'll have some stupid Facebook group or whatever

41:54

social media is at the time you're

41:56

going to have some sort of a group that you're tagged to

41:59

all of the people you went to high school with. You don't

42:01

want to talk to them. You never talk to them. But for

42:03

some reason you're in this group It just it's what it is,

42:05

right? And then they

42:07

start dying and He

42:09

started going whoa And then you

42:12

know at first what doesn't what happens probably starts

42:14

happening on say about 42, right? They

42:16

start dying and you just a fentanyl you open it up

42:19

and you look at it You're like, oh dude, like hadn't

42:21

seen a gym in 10 years. Yeah, that's super size and

42:23

be hard core for 50 You're like, yeah, I can

42:25

see that happening But then you kind

42:27

of cross this age where you're like dude

42:30

if I die, there's no candlelight vigil We're

42:32

just gonna be like it's good, but whatever

42:34

blah blah and when that starts

42:36

happening, right as my Good

42:38

friend can't close the A says he goes. Here's a great exercise

42:41

for you. He goes Take your

42:43

age if you're a man Subtract it

42:45

from 78 then multiply it

42:47

by 365. That

42:49

is how many days you statistically have left on

42:51

this earth Yeah then take

42:53

that and divide it by Because

42:57

you're asleep one-third of the time That

43:00

is really how many days you have left walk in

43:02

the earth Then it kind of puts perspective in things

43:05

in those things and it's about chasing what's important So

43:08

when you can do what you've done and

43:10

turn your passion into money now,

43:12

that's great And I think sometimes

43:14

it's very obvious that what you're

43:16

doing art passion money very obvious

43:19

But I think people also can find passion in

43:21

whatever they do I think if

43:23

you look at like what I do somebody says what do you

43:25

do? It's not we sell homes.

43:28

It's not what I do. I teach

43:30

people a skill set on how

43:33

to make an incredible amount of money if

43:35

they're good at it and I have done that a

43:38

thousand times in my life So

43:40

if you take all of those people a thousand

43:42

people out there probably they're running around making

43:45

six figures or more. I Think

43:48

that's a pretty big impact. I've made on a lot of people

43:51

So I think it's just about perspective of finding

43:53

if you're not working your direct passion Like if

43:55

you're my passions to be a major league baseball

43:57

player, but you can't throw the ball five feet.

43:59

I'm sorry You're not going to make it. Yeah.

44:01

But you need to find something passionate about what

44:04

you do. I totally agree. And

44:06

right now, 20, 30, 50

44:09

years from now, people are going to watch this and

44:11

someone's going to get inspired. You're the

44:14

content that you've created will outlive

44:16

you. And that will make an

44:18

impact on other people when you were dead. And

44:21

that's what I love. Same with my art. My art's

44:23

going to outlive me. I got to make sure my

44:25

quality is there so that people, the

44:28

caretakers of my work, it's going to get passed down

44:30

to their children and their children, or it's going to

44:32

change hands and it's going to keep constantly growing in

44:34

value. The things that

44:36

you've done, the homes that you've

44:38

built, the lives that you've impacted,

44:40

there's that domino effect, that trickle

44:42

down effect that happens, which is

44:44

beautiful. And going back to passion,

44:47

I think that that's what people

44:49

need to find a passion that

44:51

they actually care about. And there

44:53

is limited time. Time is

44:55

money. And you have to

44:57

value your time, sometimes like a currency. And

44:59

if you make more money, that can sometimes

45:02

give you more time with your family, with

45:04

your friends. So it's four. Yeah. So

45:06

it's relative. That's why I made this

45:08

watch. It's got all the

45:10

currencies on the face because time is

45:13

money. And it's a reminder

45:15

for me when I look down every day, I

45:17

don't, I don't really, I mean, obviously I have

45:19

a clock on my phone, but this is more

45:21

of a symbolism reminder of exactly

45:23

what you're saying. You only

45:25

have a limited amount of time. Look at

45:27

it like money. Now,

45:31

dude, I couldn't agree more. And I can't

45:33

think of a better dude. If there's

45:35

no lesson we're going to tell it's better than that one. I

45:37

can't think of anything better way to wrap this up on, dude,

45:39

if they want to find you, how do they find you? How

45:41

do they find this is addictive? How do they find you? How

45:43

do they find you? Instagram,

45:46

this is addictive. Daniel,

45:48

Alan cohen.com. Personal

45:51

Instagram is Daniel Allen Cohen. You

45:54

can see my work at the Delta lounge at LAX.

45:57

That's a public space. If you're traveling through that lounge.

46:00

Yeah. Social media is the best place. And

46:05

yeah, it's grateful to be on here and great to

46:07

talk with you. Pleasure. No, dude, ever since the first

46:09

time I met you with that event, started talking about

46:11

this, I'm like, bro, I got to get you on.

46:13

This is just so fascinating to me and I love

46:15

it. So thanks for coming in and let that be

46:17

a lesson to you, dude. Everybody, the system to this,

46:19

let that be a lesson. You know, here's the deal.

46:22

Like the podcast says, you got to stop drifting along

46:24

with the currents of life, man. You've got to take

46:26

control of your own life because nobody is coming to

46:28

save you. Chase your dream,

46:31

chase your passion, but you got to

46:33

chase something. See you next week. What's

46:39

up, everybody? Thanks for joining us for another episode of

46:41

escaping the drift. Hope you got a bunch out of

46:43

it, or at least as much as I did out

46:45

of it. Anyway, if you want to learn

46:47

more about the show, you can always go over to escaping the

46:49

drift.com. You can join our mailing

46:52

list, but do me a favor. If you wouldn't

46:54

mind, throw up that five-star review. Give us a

46:56

share. Do something, man. We're here for you. Hopefully

46:58

you'll be here for us. But anyway, in the

47:00

meantime, we will see you at the next episode.

47:28

We'll call upon you to do a

47:30

service for me. Play the godfather now

47:32

at chumpacasino.com. Welcome to the family. No

47:34

purchase necessary. VGW group. We were prohibited

47:36

by law. 18 plus terms and conditions

47:38

apply.

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From The Podcast

Escaping the Drift with John Gafford

Escaping the Drift with John Gafford (formerly the Power Move)Do you want to level up? Are you feeling stuck in a never-ending drift, like you are aimlessly floating through life without a clear sense of direction? Do you yearn for a breakthrough that can propel you from mediocrity to remarkable success? If you're ready to escape the current and start swimming against the tide, join host John Gafford on the thought-provoking podcast, "Escaping the Drift."In each episode, John engages in intimate conversations with top performers across various fields who have successfully transcended the shackles of mediocrity. These extraordinary individuals share their secrets, stories, and strategies that enabled them to rise above the mundane and achieve exceptional levels of success."Escaping the Drift" is a treasure trove of insights for those who feel like they're merely drifting through life, searching for purpose and a higher calling. Whether you're an aspiring entrepreneur, a creative soul in pursuit of breakthroughs, an athlete striving for peak performance, or anyone who wants to tap into their untapped potential, this podcast offers a roadmap to transform your life.Through compelling and thought-provoking interviews, John Gafford unveils the mindset shifts, daily habits, and actionable techniques that have propelled these top performers to new heights. Learn how they harnessed their passions, overcame obstacles, and capitalized on opportunities to achieve extraordinary success.Each episode of "Escaping the Drift" is an immersive experience that leaves no stone unturned. Dive into the captivating stories of remarkable individuals who have mastered the art of swimming against the current. Discover how they turned adversity into advantage, setbacks into stepping stones, and dreams into reality.John Gafford's authentic and empathetic interviewing style creates a safe space for guests to share their triumphs and tribulations. By exploring their unique journeys, listeners gain invaluable lessons, practical strategies, and the inspiration needed to break free from the drift and embrace a life of purpose and fulfillment.If you're ready to break free from the monotony of mediocrity and unleash your true potential, "Escaping the Drift" is the podcast for you. Join John Gafford and his exceptional guests as they unravel the secrets of success and empower you to swim against the currents of life. It's time to leave behind the drift and embark on a transformative journey towards excellence.Learn More at www.EscapingtheDrift.com

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