Episode Transcript
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this episode. Welcome
0:57
to the
1:00
one-on-one podcast
1:03
with your
1:06
host Juan
1:08
Ayala. So
1:39
another episode of the one on one
1:41
podcast, I'm your host. As always, make
1:43
sure to check out the show on
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social media or at W.W.W.T.J.OJ.com. Make sure
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to get a copy of their Cultus Monday,
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make sure. to check out the
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good stuff. Make sure to check out
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the mailing list, the email
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list. Sign up for that to stay
2:18
up today with the show. And today
2:20
we have returning guest at
2:22
least more than five times
2:24
now. Emily. Welcome back to the show.
2:27
Hi Juan, always a pleasure to spend a
2:29
few hours with you my friend. Yes, yes.
2:31
And before we get into it, Emily, where
2:33
can people find you and your work, your
2:35
channel? You're so good about all this
2:38
stuff. You say all your things before you
2:40
get started. Like I always forget to do
2:42
all of mine. My YouTube channel is my
2:44
name, Emily Moyer. I put some stuff there
2:47
like I do my live streams with Danny
2:49
and with Robert Phoenix there and I post
2:51
occasional episodes if I feel like they're
2:53
sort of suited suited for that.
2:56
of strange mosaic and some other
2:58
things there. But I'm also
3:00
on patron.com forward slash off-planet
3:03
media. Emilymoyer. locals.com and Rockfin.com/Emily
3:05
moyer. In 2025 I will
3:07
be embarking on a new
3:09
project and as part of
3:12
that I will also probably
3:14
be on odyssey as well.
3:16
And I think hopefully if
3:18
this goes in any way
3:21
that I'm hoping this will
3:23
be my great work. And then
3:25
we'll see where we are. My website
3:27
is also Emily Seymourier.com. If
3:30
you are interested in the
3:32
weird shit I talk about or the
3:34
weird stories I tell, I offer
3:36
storytelling sessions and I have also
3:38
a nutrition consultant. And if you
3:41
need help getting that shit in
3:43
order, I can help you with that too.
3:45
All right. Now we've got all the
3:47
bullshit out of the way. We're ready to
3:49
go. Now we have all the business out of
3:52
the way. What'd you think you you
3:54
want to start with cattle like I made you
3:56
watch a movie now? Now I know you one.
3:58
I know that we got a comment on
4:00
one of the last videos that
4:03
I posted from an episode we
4:05
did a while back where you mentioned
4:07
the I-O or A-O whatever that the
4:09
the name of that show is and they're
4:11
like Emily's brought it up for the
4:14
fifth time or something like that Juan
4:16
still hasn't watched the show so I
4:18
got to do you a solid because
4:20
you did watch the movie and that movie
4:23
I did do a patron episode
4:25
where we broke down the movie
4:27
I was with writer Lee We broke down
4:29
the entire movie and talked about it,
4:31
the lure behind the lake. And I think
4:33
that it really fit into a lot of
4:35
the crevices and things that we talk about.
4:37
And it answered a bunch of questions for
4:40
me. So what did you think about it,
4:42
Emily? So I watched it that night. So
4:44
I did you that hard solid it.
4:46
And not only did I watch it,
4:48
I like took away any concerns that
4:50
I would say I did, but didn't
4:52
really or anything like that. We watched
4:54
it that night and we really liked
4:56
it. Like Laura sometimes, I think when
4:58
you hear M Knight, Shamalya or whatever,
5:00
you kind of think it's going to
5:02
be like, yeah, it might be
5:04
horror, it might be like disturbing weird
5:07
and whatever. But this was definitely
5:09
not. So. Sure, this is perfect for
5:11
you and I to talk about. And
5:13
like in some weird way, we'll
5:15
see if by the end of this
5:18
episode, I can thread this needle.
5:20
It's also connected to the Imagineal Theater
5:22
on some level. And I'll see if
5:24
I could, it just just dawned
5:26
on me today on some level when
5:29
I was listening to you with
5:31
your wine rant on the Imagineal
5:33
Theater. Next time? Was it bad?
5:36
No it was great like but like that's
5:38
it's fun to do it like that
5:40
sometimes next time you're like drinking
5:42
and driving call me and let me
5:45
know I'll come on and you can
5:47
drink wine and wander and I'll drink
5:49
bourbon and or mescal and we can
5:51
I'm not gonna do a driving but
5:53
I'm just joking the one on one bus
5:56
right it was yeah I felt like that
5:58
was actually a that I did that video
6:00
and two takes so at one point
6:02
in the middle of the video it's
6:05
a whole another day of the week because
6:07
I was like I had to stop there
6:09
because I had so many I
6:11
this is what happens the problem
6:13
for me when I talk to
6:15
someone like you someone like Thomas
6:18
or whatever is every sentence you
6:20
say leads to an hour worth
6:22
of contemplation for me about something
6:24
So, like, if I watch too
6:26
much, then I get confused and
6:28
I can't keep my thoughts straight,
6:30
right? So, but I think I
6:33
see some level of through line
6:35
that we can, maybe, that we
6:37
can sort of get to. So,
6:39
okay, so Caddo Lake, until, like,
6:41
a few weeks ago, I've never heard
6:43
of it, right? You heard, you, you
6:45
mentioned it to me when you were
6:47
on my show. By the way, we'll
6:50
discuss all of that after the, the,
6:52
the, public portion is going to go
6:54
public tonight. My patrons have already had
6:56
it. But we talked about cattle lake.
6:58
I never heard of cattle lake before,
7:00
even though I live in Texas and
7:03
I've been living here on and off
7:05
for more than 20 years. I never
7:07
heard of it, which I think is
7:09
pretty interesting. And we already, just from
7:11
what you were telling me and from
7:13
me looking at it on the map
7:16
and watching the little trailer, we were
7:18
already starting to pluck it some pretty
7:20
relevant topics and ideas. I found the
7:23
most, you know, sort of
7:25
interesting or useful or
7:27
whatever it is, is that
7:29
what that movie displayed
7:31
in terms of like the
7:33
process that seemed to be
7:36
happening, that's actually
7:38
exactly what I think
7:40
is going on here
7:42
in Austin on Lady Bird
7:44
Lake. Right? And so this is
7:46
something now. Is it possible? that
7:48
you hear about the murder, the
7:51
serial killer, the lady Bird Lake
7:53
serial killer, or you hear people
7:55
wondering if it's a smiley face
7:57
killer, there's a variety of different
7:59
fears. and documentaries and things about
8:01
this on YouTube. But I will
8:03
tell you this, that one's pretty
8:05
popular that you just passed, I've
8:07
watched that one, I've watched a
8:09
lot of these. All of them,
8:12
and there's some, like people
8:14
from the alternative media who's proposed
8:16
ideas, all of them are only
8:18
considering things from one perspective. And
8:21
I'd say most of them are
8:23
not, their perspective is not wrong,
8:25
it's just one of many
8:27
things that are going on.
8:30
Right and this show would
8:32
would basically the Cotto Lake
8:34
sort of set up a
8:36
framework for how Something like
8:38
this would work in which
8:41
all kinds of All kinds
8:43
of theories could be simultaneously
8:45
true without offending each other
8:47
other than the egos of
8:49
the person who thinks that
8:52
their narrative is the only
8:54
right one When I saw
8:56
this poster, I said, hmm, Lady
8:58
Bird, this looks like an A24
9:00
film as soon as I scroll
9:02
down, boom, A24. Ah, I've not seen
9:04
this. What is this about? So
9:06
is a solo director of view,
9:08
Greta, Gerowig, and on various
9:11
mumble core films. What
9:13
is mumble core? What is that?
9:15
I don't know, but it's set
9:17
in Sacramento, which is where my
9:19
mom is from, and I was
9:22
just in Sacramento a few weeks
9:24
ago. theoretically or so the plot
9:26
is senior Immaculate
9:28
Heart of Mary Catholic High
9:31
School despite her famous finish
9:33
she long said 10 prestige blah
9:36
blah blah right during a ride
9:38
okay all right all right I don't
9:40
I don't know it doesn't seem
9:42
that interesting doesn't
9:44
seem that interesting
9:47
I'll look at it closely later
9:49
when we're not on sporting.
9:51
But so you have a scenario
9:54
where you have like a
9:56
very small town that is on
9:58
one part of a lake. you
10:00
have some very
10:02
interesting trees that are
10:04
sort of in the water,
10:07
you have a dam, and
10:09
then you have this sort
10:11
of mystery that sort of
10:13
creates a strange
10:16
loop regarding a certain
10:18
family in this town,
10:20
right? And the resolution
10:23
to the story basically
10:25
comes at the exact
10:27
moment. that sort of
10:29
one of the central
10:31
characters sort of dies
10:34
in his attempt to close
10:36
the loop. Right. And so you
10:38
have people having experiences
10:40
with time and
10:42
on some level there was
10:45
some dimension aspect to
10:47
it or some different version
10:50
aspect to it but it
10:52
mostly sort of revolved around
10:54
time and this condition. with
10:57
epilepsy and ear bleeding and
10:59
you know tones and things
11:02
like that. And then you've
11:04
got this strange these strange
11:07
trees which seem to be
11:09
the area or the zone
11:12
of the lake where
11:14
the rift or the
11:16
anomaly seems most like
11:18
most prevalent or most
11:21
prevalent or whatever it
11:23
is. The situation here in
11:26
Austin is this Austin, Lady
11:28
Bird Lake is one of
11:30
seven lakes that are dammed
11:32
up around the city of
11:35
Austin. It is the
11:37
Colorado River in Texas,
11:39
dammed into lakes. So
11:41
they're man-made lakes,
11:43
right? Reservoirs, yeah. Okay.
11:46
And since for, for, at
11:48
this point, 60, 75
11:50
years, people have been
11:52
going missing or dying
11:55
in somewhat mysterious ways
11:57
with clusters happening at
11:59
certain times and then nothing
12:02
for quite a bit, quite a
12:04
long time, right? And you have
12:06
a scenario where the Austin
12:08
Police Department is insisting
12:11
that most of these
12:13
are accidents and that
12:15
they're unrelated. They're all
12:17
accidents or suicides and
12:19
are unrelated. And you have
12:22
the people of Austin after all
12:24
of these years. Finally. becoming
12:26
somewhat insistent that
12:28
there's something else
12:30
going on here.
12:33
And there's a lot of
12:35
narratives around it. There's
12:38
ideas about like a
12:40
sort of a drugging
12:42
and theft ring. There's
12:44
ideas of the Smiley
12:46
Face killer. There's ideas
12:48
of, right, but the, the. You
12:50
know, the other thing is that, so
12:53
Lady Bird Lake used to be called
12:55
Town Lake. It's about 10 years ago,
12:57
they officially changed the name. But one
13:00
of the, the lore in Texas is
13:02
always, you can't go swimming in Lady
13:04
Bird Lake. And there's like a few
13:06
layers of reasons. So the first
13:09
layer is, is that there's some
13:11
sort of bacteria or algae in
13:13
the water that's not good for
13:15
humans, right? And that's why you
13:17
can't go swimming in the lake. But
13:20
as soon as you dig
13:22
through and realize that that's
13:24
not actually true, the next
13:26
layer of the cover-up is that
13:28
there's a strong undertow
13:30
in the water and it's not
13:32
safe, right? And then you kind
13:34
of dig past that. An undertow,
13:36
right? Right, you get to this point
13:39
where you start to recognize
13:41
that when people go missing
13:43
in the lake, they don't
13:45
really put much effort into
13:47
looking for them. which is
13:49
weird, and that there are
13:51
anomalous things that seem to
13:54
happen on the lake where people
13:56
seem to lose their orientation,
13:59
right? I literally watched with
14:01
my eyes, Austin Parks and Rec
14:03
helicopter, go down into the water,
14:06
like the way we hear that
14:08
like things disappear into the
14:10
Bermuda triangle, and the pilot
14:12
of it was really confused about
14:15
what happened. He did survive, but
14:17
he had like virtually no memory
14:19
of it. And I also had
14:22
this really strange interaction with the
14:24
gentleman one day. We were, Laura
14:26
and I were out exercising.
14:29
And we're running this way and
14:31
he's running towards us and passes
14:33
us. And then a few minutes
14:35
later, we feel someone coming up
14:38
behind us and we look and
14:40
it's this guy who passed us
14:42
about five minutes earlier. And he's
14:44
getting really close to us and
14:46
we could tell that he was
14:49
wanting to be near us or
14:51
wanting to talk to us. And he tells
14:53
us that he's confused, that he
14:55
had a seizure and fell in
14:57
the water. he got out of
14:59
the water and he's disoriented and
15:02
he is soaking wet so like he
15:04
seems like he's been in the water
15:06
and he walks with us for about
15:08
half an hour right and in the beginning
15:10
we were a little nervous because
15:12
we got to this one area right
15:14
near the power plant where he's
15:17
walking with us and there's a
15:19
car blocking the path and I've never
15:21
seen that before and almost like that
15:23
car pulled into that spot to like
15:26
it felt like it was there to
15:28
sort of meet us or intercept us and
15:30
so we both got pretty anxious but
15:32
we passed it and nothing seemed to
15:34
happen and he started talking to us
15:37
and he started telling me about some
15:39
specific kind of epilepsy that he has
15:41
and that he goes to this doctor
15:43
and I remembered the doctor's name and
15:45
later I did look her up and that
15:47
is a real brain doctor in Austin. but
15:50
he seemed confused what he was telling
15:52
me was that the street that he
15:54
was looking for didn't look right. So
15:56
he was saying I'm looking for like
15:59
Navasota or whatever. episode is a street
16:01
in that area of Austin. But he was
16:03
saying that the thing that's supposed to
16:05
be, it looked different. Like what he
16:07
was looking for on that street wasn't
16:10
there, right? And he just seemed confused.
16:12
Like he seemed to like, he didn't
16:14
seem crazy. He didn't seem to be
16:16
on drugs. He didn't seem stupid. You
16:18
know, it seemed like he was
16:20
perplexed about the version of Austin.
16:22
He found himself in, which was
16:25
mostly familiar, but missing. marker points for
16:27
him to know like where he would
16:29
normally turn on the trail and whatnot.
16:31
He walked with us for about half
16:33
an hour and then we parted ways and
16:36
since then, so it's like two years ago,
16:38
I talked about it on a show of
16:40
Michael before, since then I have seen him
16:42
a couple of times around town and
16:44
always time, actually not around town, have
16:47
always seen him in Whole Foods, I've
16:49
seen him like three times in the
16:51
same Whole Foods, and every time he
16:53
looks at me, but he can't quite
16:55
place it. Right? And he's always like
16:57
talking to the cashier or talking
16:59
to the security guard that stands
17:02
out front of the market or
17:04
whatever it is. But he always looks
17:07
at me in this way, like, that's
17:09
more, that's meaningful, right? That is
17:11
kind of interesting. I've never
17:13
approached him and talked to
17:15
him. I'm not, I'm almost
17:17
certain he wouldn't remember,
17:19
right? And so over the time that I've
17:22
been back here, like I knew that
17:24
when I used to live here
17:26
back in the late 90s or
17:28
early 2000s, that there were stories
17:31
of people going missing in the
17:33
lake, but I was still buying
17:35
the stories about the algae or
17:38
the undertow or whatever. But
17:40
with all of the things that
17:42
I have come to understand
17:44
about what's really going on
17:46
in Austin here with technology and
17:48
lots of other stuff, I
17:51
think it's impossible that
17:53
this, portal between
17:56
dimensions or some
17:58
sort of timeline. I
18:00
don't know, something is happening with
18:02
the water where people are being
18:05
attracted to it or people are
18:07
recognizing that there's
18:09
something going on there. I see
18:11
a lot of homeless people and
18:13
like graffiti taggers and stuff doing
18:16
things that we seem to need
18:18
to be like leaving breadcrumbs or
18:20
hints for themselves about like
18:22
how to find their way
18:25
back to something. I see like
18:27
people. pick a spot where they're going
18:29
to sit. There was a gentleman who
18:32
was sitting under the bridge on 1st
18:34
Street. He didn't move from the same
18:36
spot for two years. That fool didn't
18:38
go to the bathroom. He peed in
18:40
his fucking pants. He wasn't on drugs.
18:43
He wasn't on drugs. He wasn't crazy.
18:45
He was nice. I brought him food
18:47
one time. But he always sat there
18:49
staring in the same direction. There was
18:51
another older gentleman on the other side
18:54
of the lake who had a tent
18:56
that he was just gone. The guy that
18:58
I was talking about that's under
19:00
the bridge, like finally after two
19:02
years, the police put up notices
19:04
that he didn't move, that, you know,
19:06
if people didn't move from their spots,
19:08
they were going to get, you know,
19:10
be arrested. He was gone. I don't know
19:12
if he was arrested. But what it
19:15
always felt like to me, based on
19:17
the position he was sitting in, what
19:19
it faced and what was around it,
19:21
that he was staring at what he
19:23
knew to be some kind of portal,
19:26
or like waiting for someone who like
19:28
he was supposed to be meeting up
19:30
with but got lost in the dimension,
19:32
whatever the fuck it is, right? Like
19:35
he didn't take his eyes off of
19:37
this area, right? And some of
19:39
the people who there's there's some
19:41
through lines with some of the
19:44
people who have either gone missing
19:46
or turned up dead. There's even
19:48
people who like have survived and
19:50
have some memory of what happened
19:53
to them or. whatnot. And I've talked
19:55
about some of this on shows before. It's been
19:57
a while, so I don't remember all of the
19:59
details. But all of these, all of the
20:01
places where the people go missing or
20:04
are found are locations that I have
20:06
identified as anomalous that I have had
20:08
weird things happen to me there, that
20:10
I have seen weird stuff that are
20:12
at the center of like what I
20:15
call the portion of the lake that
20:17
I where I see like the reflective
20:19
reality. I don't know if I've ever
20:21
shown you any of the pictures that
20:23
I take of the lake where literally
20:26
there's like a perfectly upside down Austin.
20:28
that you can see in the water
20:30
that has such an eerie sense of
20:32
definition to it that I asked myself
20:34
the question, are we in the real
20:37
world or is that the real world?
20:39
Are there two Austin's? Are they connected?
20:41
Do some of these buildings go much
20:43
farther down into the ground? So they're
20:45
literally like... you know, not just top
20:47
up that there's like a full
20:50
other building underneath the ground down
20:52
there going the other way. Like the
20:54
anomalies on this lake have made
20:56
so much content for me over
20:58
the last couple of years. And it
21:01
seems to be some kind of
21:03
like way station or junction between
21:05
timelines or between moving back
21:07
and forth in time or wrapping
21:09
around. or dimension, like maybe there's
21:11
other versions of Austin and the
21:13
lake is like somehow you go
21:15
in the lake. I've played with
21:17
the idea that it's bottomless that
21:19
right, like that it's like an
21:21
inland ocean and it's very very
21:23
deep. You go in the water
21:25
and you don't necessarily come out
21:27
in the same version. There's topography
21:29
and geology around the lake that.
21:32
makes there's some areas where it's
21:34
like tropical there's palm trees other
21:36
areas where it's like you're in
21:39
the woods cedar trees like oak
21:41
tree right like there's all these
21:44
different geographies like
21:46
compressed here right so maybe
21:48
it's kind of a you know
21:50
an access point to many different
21:52
times or versions or versions of
21:55
the location and then of course
21:57
there's the movie the Congress
21:59
right which is, you know, have you
22:01
ever seen the movie The Congress? No.
22:03
So it's an Alamo, it's an Alamo
22:05
Draft House film, which Alamo
22:07
Draft House is an Austin
22:10
film company and movie theater.
22:12
Congress is the main street
22:14
that leads up to the
22:16
capital here in Austin. And
22:18
in the movie The Congress,
22:20
there's like this weird. underground
22:22
sort of grotto that these
22:24
people who have sold their
22:26
image and likeness sort of
22:28
to the Hollywood machine go
22:31
to interact with each other
22:33
in posts having sold their
22:35
their their their their likeness
22:37
and it's like this
22:39
underground underwater grotto and
22:41
it's very bizarre. They also
22:44
go like are in this place
22:46
where you can take a drug to
22:48
become another person. right? You can
22:50
like experience what it's like to
22:53
be someone else and whatnot. And
22:55
when I look at all of
22:57
these sewer entrances that I see
22:59
all around the lake here, like
23:02
inside and I haven't built up
23:04
the courage to go in yet,
23:06
I feel like there's something under
23:08
there. Like I don't know what
23:11
it is, but I feel like, since
23:13
I've been here, I feel like
23:15
something is trying to And I
23:18
don't know if it's
23:20
malevolent or benevolent or
23:22
whatever it is sort of
23:24
entice me into going in there
23:26
and checking it out. Right? And
23:29
yeah. So I found this this
23:31
painting. I don't know if it's
23:33
the Lady Bird Lake trailside
23:35
retaining upon Earth's Porto at
23:38
Lady Bird Lake. It's from
23:40
an artist. I found this
23:42
one. Okay. And it's 15 grand
23:45
she didn't 50 in 2020
23:47
again. I don't I don't
23:49
know anything else more but
23:51
it's interesting that we're filming
23:53
this the day before Linden
23:55
B. Johnson which Linden B.
23:57
Johnson is who wives was late
23:59
bird who the the the lake is named
24:02
after right lady bird first
24:04
lady what's her name lady
24:06
bird Johnson yep and you know
24:08
we're doing this November 21st
24:10
always happens and I have
24:12
some dates for you for
24:15
another next segment that you're
24:17
gonna blow your mind to so
24:19
I wondered like I was like
24:21
Lyndon B John what does that
24:24
sound so familiar what is he
24:26
famous for of course he's famous
24:28
because of JFK right
24:30
he would have never
24:32
been president if it weren't
24:35
for JFK being gun
24:37
down right yeah and so I
24:39
found this I don't know if
24:41
it's got anything to do
24:43
with it but you know
24:46
you're mentioning portals and there's
24:48
also the conspiracy
24:50
that there are tunnels near
24:52
the Lady Bird Lake so I've
24:54
been in some of the tunnels,
24:56
but I haven't been into these
24:59
like sewers that go right in
25:01
towards the water. So Lady Bird
25:03
Lake, Texas Secret Tunnels.
25:06
See what comes out misty that there
25:09
are secret tunnels for people and
25:11
horses that extend from the capital
25:13
all the way to Lady Bird
25:15
Lake although tunnels did exist They
25:17
were not secret or meant for
25:19
escape, but rather installed for utility.
25:21
So of course, it's just utilities
25:24
You can't swim in the water
25:26
because there's a deadly, you know,
25:28
bacteria in it, right? So that
25:30
was in 1960s that they ruled that
25:32
So it makes you wonder how for
25:34
example skin walker ranch, right, where you
25:37
have the skin walker kind of sort
25:39
of calling, they call them the water
25:41
babies that call people towards bodies of
25:43
water. And then they also, I believe
25:45
they also drown. And you're talking
25:47
about this attraction that people have when
25:50
it comes to this. And that's why
25:52
that movie was so important to me
25:54
because I'm like, oh, could this be right?
25:57
Shamalaba ding ding dong, which I'm sure is
25:59
in the no. did the movie The
26:01
Watchers, his daughter did the movie
26:03
The Watchers, which was kind of
26:06
sort of about Neflem, interdimensional portals
26:08
type of thing. Then you had this movie
26:10
that he produced, right? He wasn't
26:13
a director, he was, I think,
26:15
executive producer. And I'm like, is
26:17
this another piece of the puzzle of
26:19
people who have? neurological
26:21
disorders. And why do they have? Why
26:23
do people get MS? Are they in
26:25
the wrong timeline? Did they slip through
26:27
at some point in time? Or something
26:29
where we don't know why they have certain
26:32
things wrong with them, but they just
26:34
do. And there's no cure for it.
26:36
Well, what if it's temporal? Like what
26:39
if it's like time? time diseases is
26:41
what I call that I think is
26:43
a yeah dimensional diseases or something or
26:45
other I call that where it's like
26:48
you're in the wrong place that's why
26:50
that's happening to you yep right and forget
26:52
what's one it is but there's
26:54
a woman named Alicia Black and
26:57
she talks about how like one
26:59
of the neurological disorders because you're
27:01
processing time too quickly and so
27:03
right then what you're talking about
27:05
like that would be that like
27:08
if you're you know that seemed
27:10
to be when they were when
27:12
the time periods would come based
27:14
on weather and like what was
27:16
the deciding factor about if the
27:19
portal was going to open again
27:21
right it was the water height
27:23
it was a drought or not
27:25
there's a on the the bridge
27:27
here like there's a stairway that
27:29
shows the last time, this lake
27:31
has flooded many times and the
27:33
last time was in June 2001
27:35
and you see where that mark
27:38
is, right? Like it's super interesting,
27:40
I think it's super high, right?
27:42
And this has happened multiple times,
27:44
so I also wonder if the
27:46
water rising and or the water
27:48
receding, depending on which dimension you're
27:50
in or how the story is
27:53
going, that correlates on some
27:55
level with these clusters of...
27:57
of people either disappearing or...
27:59
you know, dying, you know, be
28:01
found dead or whatever it is.
28:03
The other part that's weird about
28:05
this is there does seem to
28:07
be some connection to a similar
28:09
thing that's happening in Chicago, right?
28:11
And almost like during some time
28:13
periods where there's not, like, whether it
28:16
be a few weeks or a few
28:18
months or a few years, where it's
28:20
not happening here, it seems to be
28:22
happening in Chicago. And what I know,
28:24
I went to Chicago for the first
28:26
time. this past year of the architecture
28:28
there. Do you like it? I did like it.
28:30
I like Chicago too. If it wasn't, if
28:32
they didn't have winter there, then it's
28:35
a place I'd consider living. If it
28:37
wasn't a shithole, I lived there. Right. So,
28:39
but not only is the architecture super
28:41
fantastic in a similar way that I
28:43
find a lot of the architecture here
28:45
to be really interesting. Literally
28:47
they have some of the exact
28:50
same buildings built by the same
28:52
architect and the difference between the
28:54
buildings. They're just bigger versions
28:56
of the one here. But they're
28:58
farther back from the water. So in
29:00
order to reflect upside down in the
29:03
way it does here, they have to
29:05
be bigger. Now, Chicago is a bigger
29:07
city. They have a higher skyline, you
29:09
know, like you can go higher than
29:12
whatever. But they're also further back. I
29:14
identified three or four buildings that
29:16
are exactly the same proportionally
29:19
as the ones in Austin.
29:21
They're just bigger there. Some of
29:23
them have the exact same name,
29:25
right? And I'm wondering if, you
29:27
know, if you know how to do
29:30
all this shit, if it's possible to
29:32
move around, right, through the water
29:34
or through the buildings, right?
29:36
And so we've got somebody
29:38
who's discovered the
29:41
multidimensional, omnidirectional.
29:43
space time reality that we live
29:46
in and they're using it to
29:48
move around and do things in
29:50
an undetected fashion and maybe there's
29:53
a serial killer or maybe there's
29:55
other people who are experimenting with
29:57
the same set of knowledge but they're
29:59
not Doing it right. They're not
30:01
making it back in time before the
30:03
window closes or they're going back in
30:06
time and fucking some shit up and
30:08
getting themselves in trouble with somebody or
30:10
it right? It's suddenly somebody like more
30:12
than fly Right the wrong timeline and he
30:15
was trying to save you to you. I'm
30:17
your brother or I'm your husband or I'm
30:19
your sister or whatever the fucking is and
30:21
they won't stop bugging you might keep your
30:23
head dashed in Yeah, and oh you're crazy
30:25
get away from me. What are you talking
30:28
about? the automatic you know a reaction
30:30
that you would give somebody like that and the
30:32
first thing that you see when you see
30:34
a homeless person go they don't they don't
30:36
have their whole thing together and all that
30:38
and an interesting part here you're
30:40
talking about skylines And I put here
30:42
the the significance of skylines and
30:45
it says this is the AI
30:47
by the way Skylans are important
30:49
for a number of reasons including
30:51
economic development a city skyline can
30:54
indicate economic development with more compact
30:56
cities having lower emissions blah blah.
30:58
Socidal values skylines reflect the society's
31:01
values as tall buildings convey sense
31:03
of importance and prestige cultural inheritance
31:05
of city skylines can indicate its
31:07
cultural inheritance. such as the division
31:10
into residential commercial and business districts
31:12
symbol of power historically skylings
31:15
have been a symbol for
31:17
power wealth and prosperity. That's
31:19
always something that you see
31:21
right like every single huge
31:23
city usually is in front of a
31:25
body of water which that says a
31:27
lot because I believe Mark had told
31:30
me one time there was this book
31:32
about rivers and how a majority
31:34
of the population always settle
31:36
near rivers. And I think Michael
31:38
Wan has talked about this as
31:40
well, where it's something about the
31:43
rivers now. You can interpret that.
31:45
Time rivers by Goro Adachi that
31:47
has some interesting ideas, right? And
31:50
Michael, you know, has spoken a
31:52
lot about sort of the
31:54
connection between rivers and sort
31:56
of time and the sort
31:59
of social engineer. culture with
32:01
technology or new
32:03
ideas or whatnot.
32:05
By whom you
32:07
said? Time Rivers
32:10
by Goro Adachi.
32:12
It's rivers, it's
32:14
multiple. A catchy?
32:17
A-D-A-C-H-I, that's it,
32:19
the Time Rivers,
32:21
yeah. Goro, okay, Goro
32:24
Adachi, ooh. I
32:26
have intelligently designed to function
32:28
as literal rivers of time.
32:30
Wow, this is though. I see this
32:33
is what I like. This is the type
32:35
of stuff. And I don't
32:37
think he got it necessarily
32:39
exactly right, but he's opening
32:41
up some interesting paths
32:44
for people to traverse with
32:46
trying to understand some of this
32:48
stuff. Something you said once,
32:50
can I screen share on here?
32:52
Yeah. I actually was out
32:55
exercising today and I took some
32:57
pictures and I want to show
32:59
you a few of them and
33:02
you can see how a portal
33:04
like so many places on
33:06
the water are. How do I
33:08
do it? Let's see. It's just
33:10
like Stream Yard. You just
33:12
click the little screen. Okay.
33:15
As I find Stream Yard
33:17
to be difficult. Let
33:19
me see if I can pull it
33:22
up. And then try it. There's
33:24
that. It closes it. Goreo Dachia.
33:26
Have you tried to get in
33:28
this guy on? Is he still around?
33:30
He's still around, but I don't
33:32
think he does. I know Michael
33:34
and Masaki have told me that
33:36
like he doesn't really. He doesn't
33:38
really do it anymore. I'm able
33:41
to share. Make sure the browser
33:43
has a permission to record
33:45
the screen. Of course. So this guy's
33:47
got an interesting website. Check
33:50
this out. Yeah, his website is
33:52
really interesting. The Super
33:54
Torch Ritual Underground. Yep.
34:00
He made most of his material
34:02
private a number of years ago
34:04
and he does very little public
34:06
publicly anymore at all. Of
34:08
course. Yeah. Seems like an interesting
34:10
kind of guy. He's super interesting, right?
34:13
I know Randy, my old podcast
34:15
partner, tried to reach out to
34:17
him for shows a couple times,
34:19
but yeah, I think that like he he
34:21
was doing it in the early 2000s, but
34:23
other than that, he's not
34:25
really interested. Let me, let me grab,
34:27
since I can't share the screen, let me
34:30
grab my phone, it's in the other room.
34:32
I'm just showing you a couple of
34:34
things. Is it not letting you show
34:36
the screen, really? It says that I,
34:38
yeah, it's like, this always happens on
34:40
everything that's in them, I can never
34:43
share anything on any other. Of
34:45
course, it's the lizard people. Select
34:47
a window or screen, I selected
34:49
messages, because that's where I have
34:51
my pictures, and I have my
34:53
phone, and I have. Okay, so
34:55
let me just grab my phone
34:57
and I'll just show you that
34:59
way. Of course, it's
35:01
the Illuminati trying to stop
35:04
us from sharing anything.
35:06
Right? You can also send, is
35:08
it a lot of them? Because
35:11
you can send them to me
35:13
and I can pull them up.
35:15
Let me just see. It's like,
35:17
it's so slow and like,
35:19
like laborious to do it
35:22
that way. Yeah, what's up? I don't
35:24
have telegram. Let me just use
35:26
them. You know what the times,
35:28
Emily? You got a... I just, at
35:31
a certain point, I decided I wasn't
35:33
signing up for things anymore. Okay,
35:35
here we go. It'll make you
35:37
bigger. Okay. Oh, yeah. See how it's a...
35:40
Okay, hold on. Look at the
35:42
seat. This is a bridge and
35:44
see how, when it reflects in
35:46
the water, it ends up looking
35:48
like eyes or a portal. Stargate
35:50
you can go through. But you can't
35:52
swim in there. Correct. Look
35:54
at the way the buildings are
35:56
in the water, look at the
35:58
way you can see. different sort
36:00
of, look at that. Yeah, it's pretty
36:03
wild. That first picture you
36:05
showed was pretty crazy looking.
36:07
The first one that you got there? I'll
36:09
go back. Everything is completely
36:11
still there. That one right
36:13
there. And what's that building?
36:15
Isn't that the Rockfin building
36:17
or something they told me about?
36:19
That's the Google building. Google.
36:22
Right, this building right here is called
36:24
the North Shore. It's one of the
36:26
buildings that's also in Chicago and the
36:28
owner, the guy from Rockfin, the French
36:30
guy or whatever, he lives there. Right,
36:32
like one of the addresses for Rockfin is
36:34
in that building and I watched him
36:36
on a podcast one time and I
36:38
could tell he was on the patio
36:40
of that building. Right, and then you
36:43
have the independent, which is like
36:45
a, actually can't see the independent. And
36:47
isn't it called the Finnin or something
36:49
like that the building? I don't know
36:52
exactly what the building is called.
36:54
It's owned by Google, right? But
36:56
there's a, let's see, there's
36:58
this interesting building right here
37:01
that's being built that has
37:03
this really interesting seam in the
37:05
middle that almost like it's trying
37:07
to show you where the direct
37:09
center of Austin is and it's
37:11
like split in half. And then
37:13
this building right here, this sort
37:15
of lower building right here, this
37:17
sort of lower building right here,
37:19
right here. Right? Michael and I, when
37:22
he was here a few weeks ago,
37:24
we were doing some research on it
37:26
and it's, the company is
37:28
called Silicon Labs. And let
37:30
me, we found something really
37:32
interesting, the description of what this
37:35
company is. Let me tell you
37:37
what it is. You're gonna be
37:39
like, wow, that's kind of crazy.
37:41
Sounds like some West World,
37:43
Silicon Labs here, I got them
37:46
pulled up. The IOT development
37:48
platform, those people? Yeah, right.
37:50
So Silicon Labs, commonly
37:52
referred, is a fabulous
37:55
global technology company that
37:57
designs and manufactures semiconductors.
37:59
other silicon devices, and
38:02
software, which it sells
38:04
to electronic design engineers
38:06
and manufacturers in Internet
38:09
of Things infrastructure worldwide.
38:11
Internet of things. We
38:13
found some really interesting description
38:16
of it that's not in
38:18
this one where it talks about
38:20
like the bridge between being a
38:23
bridge between analog and. And
38:25
sort of like digital or
38:27
internet of things type of,
38:30
where's that one description?
38:32
If I find it, I'll send it
38:34
to you later. But where's
38:36
that one that had the thing
38:39
about the analog stuff? Let me
38:41
see if we just search the
38:43
term analog. So are you ready
38:45
for another movie that... I
38:47
don't want to say it's not
38:49
as good as... As cattle
38:52
lake, but there's a there's a
38:54
movie right where of course
38:56
Nick Cage It's called pay the
38:58
ghost and in this movie spoiler
39:01
he literally walks On a
39:03
bridge that connects the living
39:05
world with the world of the
39:07
dead like a physical bridge that
39:10
he crosses over to go find
39:12
his missing son that was taken by
39:14
like a demon or something or other and
39:16
goes in there to rescue him and then
39:19
he ends up like rescuing all these missing
39:21
children That had been taken by the the
39:23
spirit in that area Because it was a
39:26
spirit that was angry at one point because
39:28
of something that happened and he literally crosses
39:30
the bridge To the other dimension
39:32
and pulls everybody back out and
39:34
then they're all reunited with their
39:36
parents Some days it feels like
39:39
that in Austin. Some days when
39:41
you cross, there's many bridges that
39:43
cross the lake all in downtown
39:45
Austin. There's the Pleasant Valley Bridge,
39:48
there's I-35 Bridge, Congress Bridge, First
39:50
Street Bridge, Lamar Bridge, Mopat Bridge,
39:52
and all these segments of the lake
39:55
have a uniquely different feel to
39:57
them. But sometimes when you walk
39:59
over, you... literally feel like
40:01
you're crossing over some
40:03
sort of domain into
40:05
a different domain, right?
40:07
I found that the
40:09
explanation that says Silicon
40:11
Laboratories is an industry
40:14
leader in the innovation
40:16
of high performance analog
40:18
intensive mixed signal
40:20
ICs, right? So that's right there
40:22
in that sort of dish, right?
40:24
Like I'm right there between those
40:27
buildings. It's very weird,
40:29
right? Like the way that the lake
40:32
feels, like when I'm on the trail,
40:34
it's kind of like a different flavor
40:36
every day. Like some days that,
40:39
you know, you see, some
40:41
days everybody's acting weird. Some
40:43
days everybody's walking with a
40:45
funny date. Some days everyone's
40:47
really attractive. Other days people
40:49
are all fucking ugly. Sometimes
40:51
like every child was crying,
40:53
right? Like it almost seems
40:55
like a slightly different place
40:57
every day. been living here again
41:00
in 2021, right? One of
41:02
the things that interested
41:04
me, and when was
41:06
that episode you sent me,
41:08
when did you record that?
41:10
The one that I sent you
41:12
the other day? Yeah. That
41:15
was probably recorded either
41:17
early in 2024 or late in
41:19
2023. Okay, now because you
41:22
mentioned me in that episode
41:24
and you talk about the
41:26
Pythagorean... Palace idea and
41:29
one of the interesting things
41:31
right because we mentioned Westworld
41:33
and this idea of When
41:36
the main character I forgot
41:38
his name when he doesn't
41:40
see the door and that
41:43
when when she said that that
41:45
really like clicked in me where
41:47
right that's a that shows you
41:49
how The system works is
41:51
only the initiated. So only
41:54
those that are able to
41:56
see The ones that are initiated in
41:58
the mysteries, yeah there you go. That's
42:00
the book that said all this, and he's
42:02
got other great books too by the way,
42:04
I have all of them, he's probably one
42:07
of my favorite authors, and he wrote
42:09
a lot about, even, he wrote about
42:11
the homunculus too, and some of the,
42:13
in his book, Falling in Love with
42:15
Statues, he writes about Pygmyne and the
42:18
concept of animating statues and
42:20
all this other stuff, Frankenstein.
42:22
And one of the interesting
42:24
things that she said that really clicked
42:26
for me was, he, he, the character in
42:29
that. in that show, right, where I
42:31
forgot at the end of what season,
42:33
when you start to realize that he's
42:35
actually one of them, one of the
42:37
robots, and they're like, hey, do you
42:40
see the door? He's like, what door?
42:42
So I think that a lot of
42:44
these places are like that. Like, what
42:46
if you're not tuned to whatever frequency
42:49
or whatever it is, or the lake
42:51
is not at the right level? And it's
42:53
like, hey, you can't see the doors.
42:55
Yeah. there yet or you're not
42:58
one of them whoever them are
43:00
or you don't have the correct
43:02
wiring in your brain right maybe
43:05
the people who have like today
43:07
I am working on a well
43:09
I have an idea for a
43:11
documentary and I pulled the
43:14
police reports of one of
43:16
the main stories that cited for
43:18
the thing that I want to talk
43:20
about and They
43:23
painted it as it was a DUI and
43:25
That the guy was screaming about right
43:27
that the boogie man made him crash
43:29
But he was arrested for being under
43:31
the influence and the police report
43:34
and everything This kind of says
43:36
like the police officer smelled like alcohol
43:38
in his breath, but they never did
43:40
a breathalyzer on him It's just going
43:43
strictly based off of what the police
43:45
report says and I mean, let's be
43:47
real you can make it Say whatever
43:49
you want like if you want to get
43:52
conspiratorial you can make anything say whatever you
43:54
want And let's let's call it the powers
43:56
that be are holding the truth back and
43:58
they're making this guy seem crazy and it
44:00
could have actually been the boogie man
44:02
that made him crash or he could
44:04
have just been drunk right and that could
44:06
have made him crash but it goes back
44:08
to this concept of these people in
44:11
society that we look down on who
44:13
maybe have a key to the answer
44:15
but they're disregarded because they're too
44:17
crazy or their their appearance puts
44:19
you off or their smell or
44:21
whatever it is right because they've
44:23
been put in that position because
44:25
I've always said that reality is
44:28
we're all hallucinating we're hallucinating Together
44:30
but we all agree on it and until one
44:32
person steps out of that disagree, you
44:34
know, disagrees with no No, no my
44:36
reality isn't that it's this this and
44:38
this or I can't remember the city.
44:40
Well, why is this city different
44:43
this time around? What if they're telling
44:45
the truth? Why? What if they're
44:47
saying something, right? I mean Or let's take
44:49
it a step above. What if? Any
44:52
three-letter agency could be hitting them
44:54
with a sort of technology voice to skull
44:56
or something or other to test it out
44:58
You don't think that they're every now and
45:01
again? Testing some sort of beam out. I
45:03
mean they've talked about having the tech to
45:05
make when they were at war You know
45:07
make them feel all warm and fuzzy or make
45:10
them feel like a law is talking to
45:12
them or whatever and tell them to do
45:14
something I mean, what a better way and
45:16
I think that religion itself I
45:18
was talking about hypnotism a little
45:20
bit ago with Longo and how I think
45:22
religion is a form of hypnotism
45:25
to put people it sedates people and
45:27
it makes them believe crazy it makes
45:29
them believe crazy you can talk
45:32
about the homunculus and all that
45:34
but then you'll believe but if
45:36
your religion says that dragons are
45:38
real you'll believe that one book
45:40
from that one religion because you're
45:42
part of that religion. What's the
45:44
difference? So a couple of things. When
45:47
we were talking about the doors and not
45:49
seeing the doors, there's a really, it's like,
45:51
sounds silly because it's like a kids movie,
45:53
but it's actually really good. It's called The
45:56
Portable Door. That is interesting. And then there's
45:58
a very famous book that I think. that
46:00
own, but I've never read called
46:02
The Doors of Perception, right? And
46:04
when you were talking, for some
46:07
reason, that was coming to my
46:09
mind. And then as far as
46:11
what you were just saying about
46:13
whether there really was some
46:15
kind of entity or whether
46:17
someone's fucked up or whether
46:19
the CIA is doing weapons,
46:21
one of the things that I am
46:23
very certain about that is
46:25
going on in downtown Austin. is
46:28
that it's become a like a
46:30
mixed reality area in downtown Austin
46:32
in a certain corridor in the
46:35
city like it's becoming gamified
46:37
really quickly Emily think about
46:39
what you just said right that
46:41
these large cities are becoming these
46:44
perhaps testing areas and is
46:46
this perhaps why all these
46:48
cities they've approved recreational
46:50
drugs such as Portland
46:53
Portland and they're testing
46:55
out yes yes So this is okay.
46:57
So there are certain areas of
46:59
downtown Austin where I
47:02
have completely different experiences
47:04
there when I am
47:06
on drugs like mushrooms or
47:08
something than I have in other
47:10
areas when I'm on them or
47:13
in a different city or whatever
47:15
it is. And it's like the
47:17
same every time in this area
47:19
of downtown Austin, right? Some of
47:21
the people don't look real to
47:24
me. Like they look like they're
47:26
like, okay, so imagine, remember like
47:28
when we were in COVID, people
47:30
were wearing masks and we were
47:32
talking about whether like facial recognition
47:34
software could still tell. I will
47:36
see people in a nightclub where
47:38
I can only see the top part
47:41
of their face and the lower part
47:43
of their face is like green screen
47:45
or black and it's not all the
47:47
people. It's just some of the people.
47:49
It's almost like some of the people
47:51
are really there and some are not,
47:53
and they're like not rendering completely. I've
47:55
talked about this several times on shows.
47:57
There's like one club in particular that
47:59
like... That's like the main theme of
48:02
every sort of experience that I've had
48:04
there is this sort of weird experience
48:06
with either missing features on people or
48:08
extra features. Like you could see someone's
48:11
like weird fucking troll ears or some
48:13
shit like that seems, and I don't
48:15
have that experience in Los Angeles or
48:17
if I go to a different area
48:20
of Austin and listen to the same
48:22
kind of music and do the same
48:24
kind of drugs or whatever it
48:26
is, right? Yes, microdosing is
48:28
being encouraged. Recreational drugs
48:31
are being legalized. And also in
48:33
some of these areas, downtowns, there's
48:35
some weird fucking towers that aren't
48:37
exactly 5G towers, like we don't
48:40
know what these things are broadcasting. Also,
48:42
some areas of Austin, and especially
48:44
in an area where a lot
48:46
of these people have gone missing,
48:48
there's those weird purple lights in
48:50
that corridor of downtown. There are
48:52
videos of some of the people
48:55
who eventually ended up going missing
48:57
and either not being found or
48:59
being found dead, where you see them
49:01
walking away from rainy street. One of
49:04
the names that they give the serial
49:06
killer is the rainy street ripper,
49:08
right? You see them leaving a
49:10
bar and walking and seeming like
49:12
they're talking to someone, but there's
49:14
no one there. Well, what if
49:17
they're seeing someone and that
49:19
someone is luring them. towards the
49:21
lake either with nefarious intent or
49:23
they're like just walking with that
49:26
person but that person is like
49:28
either literally not real or sort
49:31
of like there's a blending of
49:33
dimension or something like that
49:35
right and you know if
49:37
you go like looking into
49:39
some of the corporations and
49:41
you know Austin is a
49:43
place where technology and like
49:45
militarized operations come together pretty
49:47
efficiently right And you know, there's
49:49
theories out there that whoever's doing
49:51
these killings is like part of
49:53
some like weird, you know, military
49:55
cult or there's all these different
49:57
theories. But to me, it keeps.
50:00
coming back to the
50:02
fact that this area
50:04
of Austin has a
50:06
natural phenomenon being either
50:08
some sort of interdimensional
50:10
or temporal gate or
50:12
portal or something, right?
50:14
And that there is
50:16
technology at play in
50:18
downtown Austin that has
50:20
turned it into on
50:22
some level a
50:24
gamified environment. I
50:27
was driving on the turnpike the other
50:29
day with my wife and we have
50:31
a lot of those purple lights
50:33
here in Florida and the explanation
50:36
that they gave for it is that it
50:38
was a defect from the
50:40
supplier allegedly but it's interesting
50:42
because the color purple is
50:44
a non-spectral color and I've
50:46
done the alchemy of the color
50:49
purple. You have Hans Blue, Hans
50:51
Purple where I contemplated the concept
50:53
of perhaps some sort of... consciousness,
50:56
transference, technology and some sort of
50:58
way. And what you were saying
51:00
about the color purple real quick
51:02
about seeing things that aren't there,
51:04
right? We think about imaginary friends,
51:06
we think about kids who see
51:08
things that aren't there, because perhaps,
51:10
right, the concept of their, their
51:12
skull hasn't united together, you have
51:14
the trepination and the idea of
51:17
having more oxygen to your brain.
51:19
Well, this one we just recently came
51:21
out, and I've been meaning to see
51:23
because I believe it's on. Weird out by
51:25
it and she was like, oh, why are you
51:27
going to watch that with them? So I never
51:29
did but it's a Herald in the
51:32
purple crayon everything he draws is
51:34
about to get real and it's
51:36
literally about this guy who has a
51:38
Magic he a young boy named her
51:40
lives inside a book his magic Purple
51:42
crayon can make anything come to
51:44
life including his most moose
51:47
and porky pine who he
51:49
spends time with now on
51:51
adult hill it continues to
51:53
take adventures to take adventures
51:55
to Patreon patron.com/the one on one
51:57
podcast like constantly good
51:59
emails. Oh, only one episode a
52:01
week. Yeah, one episode a week
52:03
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52:05
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52:08
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52:12
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52:17
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52:19
there's also on the Patreon
52:21
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52:23
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52:26
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52:28
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52:30
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52:32
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52:35
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52:37
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52:39
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52:42
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52:44
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52:46
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52:48
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52:50
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52:52
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52:54
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52:57
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52:59
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53:01
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stuff. You know where to find it and
53:05
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your first month. A narrator
53:38
whom he refers to as
53:40
old man, right? Almost like
53:43
this sky daddy type of
53:45
thing mysteriously disappears determined to
53:47
find him. Harold draws a
53:49
door to the real world
53:51
followed by moose in the real world.
53:53
Harold and a now human moose look
53:56
for the old man whom Harold
53:58
believes is his father. So
54:00
what an interesting concept. Right. So
54:02
I think the things that we
54:04
think people are seeing that aren't really
54:06
there, I think they're really there, we
54:09
just can't see them. Right. And I
54:11
think that some, this is where we
54:13
search across paths with the way
54:16
that they've pathologized this skill
54:18
and called it schizophrenia or
54:20
a neurological disorder that I
54:22
see it now at this
54:24
point as like the entirety
54:26
of our environment. Whatever if
54:28
you think we live in. for
54:30
under affirmment if you think space
54:32
exists, if you think space is
54:35
fake and gay, whatever it is.
54:37
The whole area, everything is packed
54:39
with information and some of
54:41
us have. different ways of decoding
54:43
light, like sort of processing light
54:45
that allow us to see different
54:47
bands of it. Some of this
54:49
has to do with our eyes
54:51
and some of it has to
54:53
do with our metabolism and our
54:55
genetics, all different kinds of things,
54:57
but the environment is literally packed
54:59
with information and we are tuned
55:01
into very thin bands of it.
55:04
Some people have a more flexible
55:06
range. Some people can keep track
55:08
of all of that and others
55:11
don't or aren't able to and
55:13
the ones that don't seem to
55:15
be able to prioritize the sort
55:18
of things into the proper dimensional
55:20
order, get called schizophrenic or bipolar
55:22
or whatever it is, right? But
55:24
you said Hans Blue and
55:27
Hans Purple, right? So literally
55:29
these pigments, Tyrian Blue, right?
55:31
Amman Hillman calls the drug
55:33
that people were taking in
55:35
the Ellisonian mystery, the burning
55:37
purple, right? So this is
55:39
something that's like being applied
55:42
to their eyes so that
55:44
they can see and be
55:46
generated or whatever it is.
55:48
Some people have this inside
55:50
their eyes. It's part of
55:52
the pigmentation. They have something
55:54
that equals that band. So
55:56
they're able to see it
55:58
naturally and it's called. Cryptochromes,
56:01
it's in bird's eyes as well. Don't
56:03
look, just look up
56:05
cryptochromes in the eye. Like, Allison McDowell
56:08
sent me an article about
56:10
birds that use these cryptochromes
56:13
to locate things, right? Whoa.
56:15
A little by absorbing proteins
56:18
in the eye that play a
56:20
role in circadian rhythm and magnetic
56:22
field sensing. that have a correlation
56:25
with schizophrenia and they're unsure whether
56:27
schizophrenia causes the lipid deposits or
56:29
whether the lipid deposits quote cause
56:32
schizophrenia. I think it's probably neither.
56:34
I think they're just related in
56:37
that the people who have these
56:39
lipid deposits and these cryptochromes can
56:41
see the other shit and the
56:44
other people can't but it doesn't mean
56:46
it's not there. Right? And instead of,
56:48
you know, helping people to be able
56:50
to differentiate between what... everyone else can
56:52
see and not see versus what all
56:55
the things you see. They just give
56:57
them drugs and send them to a
56:59
mental institution and whatever it is. But
57:01
the things they're seeing are consistent and
57:03
they're talking about the same shit all
57:05
the time. They're talking about the same shit
57:08
all the time. They're not like telling
57:10
one story one day and a different
57:12
story another day. Like you have these
57:14
people that like, I mean, have you
57:16
ever listened to like some of the
57:19
people that we call crazy and what
57:21
they're talking about? top of their lungs
57:23
and we're doing it on fucking Patreon
57:25
for $5 a month. It's
57:28
true. We're the same. Yeah. So,
57:30
okay, but these, like, we process
57:32
light differently based on what
57:35
is inside of our eyes
57:37
or maybe this gets into
57:39
pineal gland and there being
57:41
like a crystal in there.
57:43
or some sort of optical
57:46
device type of thing in
57:48
there. This also gets into
57:50
like weirdly like metabolism and
57:52
the way your organs process
57:55
information and nutrients and minerals
57:57
and all kinds of weird
57:59
stuff. But what layers of
58:01
the code you're able to see
58:03
or to make sense of
58:05
seem to be correlated to
58:08
these ideas right here? There
58:10
is one place in Austin
58:12
that has those purple lights
58:14
and it's right in the
58:16
corridor where the most amount
58:19
of the people have gone
58:21
missing. So if we go back
58:24
and look at the
58:26
etymology of schizophrenia. It's
58:28
literally a splitting
58:30
of the mind
58:32
from German schizophrenia,
58:35
or coined by Swiss
58:37
psychiatrist Eugene Buehler,
58:40
Buehler, right Buehler,
58:42
yeah, from Latinized
58:44
form of Greek schicean
58:46
to split. So it's
58:48
literally heart in my
58:51
friend heart mind. So
58:53
literally schitzoid resembling schizophrenia
58:56
but less severe
58:58
from 1925 and And then it
59:00
comes here. So you're literally right.
59:02
So you're speaking about the eye
59:04
which I never heard about this
59:06
before So I mean use your
59:08
imagination when it comes to any of
59:10
this sometimes Seeing is not always
59:13
believing but sometimes it is right.
59:15
I mean that's that's the thing
59:17
because When you speak about any conspiracy
59:19
or anything, it's like, oh, what will
59:22
it take for you to believe? It's
59:24
like, I got to see it myself.
59:26
Well, but then when you get it
59:28
on video or something nowadays, they'll be
59:30
like, oh, that's a deep fake or
59:33
something or other. You can't, that can't
59:35
be trusted, right? So maybe this is
59:37
a good place to pivot into what
59:39
else we're going to talk about, which
59:41
is, you know, some of your idea
59:43
about the imaginal theater, and
59:45
what, brought up something
59:48
called a perspective glass,
59:50
right, that you had these
59:52
guys who were trying to
59:54
use this perspective glass or
59:56
a perspective lens, right, in
59:59
order. to more accurately
1:00:01
reconstruct or read
1:00:03
diagram the globe theater,
1:00:06
right? Yeah, the most famous
1:00:08
theater in, and right, and
1:00:10
speaking of William Shakespeare, because
1:00:13
this kind of ties into,
1:00:15
this phrase kind of takes
1:00:17
on a different meaning when
1:00:20
you're, when we're talking about
1:00:22
all this stuff, right, to be
1:00:24
or not to be. right Hamlet contemplates
1:00:26
death and suicide but think right how
1:00:28
that links into all the stuff that
1:00:31
we've been talking about yeah right where
1:00:33
and I'm not saying do any of
1:00:35
this stuff just for the sake of
1:00:37
conversation right some people feel out of
1:00:39
place blah blah I could you know I'm just
1:00:41
thinking outside the box when it comes to this
1:00:44
sort of thing but to be or not to
1:00:46
be takes on a whole different meaning for me
1:00:48
and it has to do with right William
1:00:50
Shakespeare and the globe theater one of
1:00:52
the most famous theaters but hey
1:00:54
There's one caveat. We
1:00:57
don't have any of
1:00:59
the drawings. We don't
1:01:01
have any of the
1:01:03
records and we've guessed
1:01:05
as to what it looked like
1:01:07
based on two drawings
1:01:09
of Skylines. Okay Based
1:01:12
on two different
1:01:14
drawings of Skylines
1:01:16
they have reconstructed
1:01:18
the Globe theater
1:01:20
which We don't know if
1:01:22
it ever existed and I did
1:01:24
contemplate. I said, hey, you know, I actually
1:01:27
got a comment about this recently.
1:01:29
I think it was today, I'm
1:01:31
gonna look at it now, where
1:01:33
I was like, you know, and
1:01:35
that's when I presented the aspect
1:01:37
of it being imaginable and not
1:01:39
ever really being real. And what
1:01:41
if it was, because it's just
1:01:43
so bizarre what they were doing,
1:01:45
they were having like these battles,
1:01:47
because they were doing private. plays
1:01:49
behind closed doors? Who are they
1:01:52
doing the plays for? Why were
1:01:54
they battling each other as to
1:01:56
who could build the biggest theater,
1:01:58
the badest theater? the x
1:02:00
y z and in Pythagorean
1:02:02
palaces right it's a war of
1:02:04
the homunculi because the the bad
1:02:07
of your building the more doors
1:02:09
or the more windows or the
1:02:11
more rooms or the more whatever
1:02:13
showed your power right that the buildings
1:02:15
were their homunculi I
1:02:18
mean that that's history they called
1:02:20
it their homunculi so they have
1:02:22
these in my opinion in these
1:02:25
supernatural and if you think of
1:02:27
The what are they calling thespians,
1:02:29
you know, and all the
1:02:31
this this community so let me
1:02:33
read that that I got because
1:02:35
it plays directly into this
1:02:37
here of what we're talking about.
1:02:39
Let me see if I can find
1:02:42
it anyways continue and
1:02:44
I'll find it here Okay, so
1:02:46
around the time you were talking
1:02:48
about that in your video, though,
1:02:50
you also brought up these prospective
1:02:53
glasses, right?
1:02:55
Like, what
1:02:58
if they
1:03:00
were using
1:03:02
these glasses
1:03:05
to sort
1:03:07
of either
1:03:10
peer into...
1:03:12
another version
1:03:14
of the
1:03:17
same wear
1:03:19
those red
1:03:22
goggles to look for
1:03:24
UFOs or whatever it is, right?
1:03:26
You can see things with certain
1:03:28
lenses that you can't see with
1:03:30
other lenses. It's true about
1:03:32
cameras, right? So when they
1:03:34
were talking about this device,
1:03:36
this perspective glass that they were
1:03:38
using to do this, like, you know,
1:03:41
A, it would be really interesting if
1:03:43
some people's eyes do that naturally, or
1:03:45
if you can train your eyes to
1:03:47
do that. Of course, there's always devices.
1:03:49
I'm going to offer you a little
1:03:52
tease here of where I'm going to
1:03:54
be going with the great work I
1:03:56
told you about, but I'm going to
1:03:58
be taking a look. at the sub
1:04:01
projects of MK Ultra, the 149
1:04:03
known ones with documents from a
1:04:05
completely different perspective, like just completely
1:04:08
back away from the all the
1:04:10
stories we already know about it
1:04:13
and go into it with like
1:04:15
what else could be true about
1:04:17
the same sets of information, right?
1:04:20
And one of the things that
1:04:22
I discovered one day, as I've
1:04:24
been prepping myself for this and
1:04:27
whatnot, and I was actually just
1:04:29
looking at it again yesterday, so
1:04:32
I remembered the exact same
1:04:34
term here. One project, one of
1:04:36
the projects, listen to this,
1:04:38
tell me what this sounds like.
1:04:40
By the way, the common
1:04:43
is gone, so. Okay, services
1:04:45
related to certain physical studies,
1:04:47
which are required to develop
1:04:50
effective materials. which will influence
1:04:52
the central nervous system. The
1:04:55
project also supported studies
1:04:57
on the optical rotary
1:04:59
power of solid and
1:05:01
liquid crystals. What? Sounds like
1:05:04
they were trying to build some
1:05:06
sort of perspective glass.
1:05:08
Like the dark crystal movie
1:05:11
ever seen that movie? But a
1:05:13
lot of people bring it up
1:05:15
all the time. I think it was
1:05:17
purple too, and when I'm
1:05:19
mistaken. Right. You know, I don't
1:05:22
know, like, I spent a lot
1:05:24
of time looking into Sonics and
1:05:26
optics and sound and light and
1:05:29
all this kind of stuff. And
1:05:31
there's all kinds of weird lenses
1:05:33
and crystals and optical devices and
1:05:36
things like that. There you go.
1:05:38
Because I think Netflix just did
1:05:40
revamp of this one recently.
1:05:42
Interesting. Yeah, interesting movie,
1:05:45
right? To, and it's got
1:05:47
that purple-ish glow. It's got
1:05:49
like the weird looking. Just
1:05:51
like the burning purple. Exactly.
1:05:53
So I think that the purple is a,
1:05:55
it's a key to, right, the purple
1:05:57
portal. So yeah, the dark crystal age
1:05:59
of. resistance. Look at
1:06:02
that. Like it's all purple
1:06:04
looking. Yep. Here. Yep. And
1:06:06
you got the architecture too,
1:06:08
which plays a role into
1:06:10
that. And I think right that
1:06:13
the so was by Netflix.
1:06:15
Yeah. The concept of
1:06:17
like whenever you'd hear
1:06:19
H.P. Lovecraft talk about
1:06:21
non Euclidean architecture.
1:06:24
Right. And whenever I think of
1:06:26
like non-ukiladian architecture, I think of
1:06:29
like these alien worlds of some
1:06:31
sort, right? Because he, you know,
1:06:33
he's speaking up like, oh, I
1:06:35
see this angle that's obtuse, but
1:06:37
not quite in an acute angle,
1:06:40
that's not quite there. And it
1:06:42
feels like it's like, like
1:06:44
inception, it's all moving together.
1:06:46
And I recently had a dream, had
1:06:49
a dream, where in the dream, I was
1:06:51
told that when you read something,
1:06:53
it changes. And in this dream I
1:06:55
read so I was on it was weird
1:06:58
I was on you know like fun
1:07:00
spot where you have like those The
1:07:02
kids go carts that are on
1:07:04
a track they can't get off
1:07:06
the track and they're just like
1:07:08
kind of slam so it was
1:07:10
like kind of like that but
1:07:12
we were on like these little
1:07:14
four wheelers and I was on
1:07:17
the four wheeler And on the
1:07:19
forward, like any ATV, there's
1:07:21
usually a sticker on there
1:07:23
that says like no off-road
1:07:26
or anything, like you can't
1:07:28
operate this on a public way.
1:07:30
And in this dream, I remember
1:07:33
looking up, looking down at the side
1:07:35
of it, and I saw the sticker
1:07:37
where it said limited to 15
1:07:40
miles per hour. One second. And then
1:07:42
when I read it again, because I'm, I
1:07:44
found myself like, oh, I'm reading in my
1:07:46
dream. Like I could, I was like, I
1:07:49
got to read it again. When I went
1:07:51
to go read it again, it looked
1:07:53
like mandolorian, like kind of anokian
1:07:55
type of way. Like it shifted in
1:07:58
front. It was like liquid. in
1:08:00
front of me and it changed and I
1:08:02
couldn't read it again and it reminds
1:08:04
me of like that one time that I
1:08:06
was on mushrooms and my keyboard
1:08:08
when I looked down on my keyboard my
1:08:11
keyboard number one I had I had six
1:08:13
fingers in each hand so every time I
1:08:15
would look at my hand I'd see a
1:08:17
six finger and I'd be like what you
1:08:19
know what's going I was freaking out and
1:08:21
I looked at I would look at my
1:08:23
keyboard and my keyboard was endless like my
1:08:26
keyboard every time I looked at it's like I
1:08:28
had it was like I was zooming in and I
1:08:30
can look all the way this way and it was
1:08:32
all keys and then I could I would freak out
1:08:34
go back and then as soon as I would look
1:08:36
at it again I'd kind of zoom in and look
1:08:39
all the way that way and my keyboard was endless
1:08:41
and all the keys. Were like
1:08:43
alien like they were like, you know,
1:08:45
promethian where you the Prometheus alien movie
1:08:47
where it's like all this weird Symbols
1:08:49
it was like that for me and
1:08:52
I was I was freaking. I was
1:08:54
like, what is all this? You know,
1:08:56
like I couldn't figure it out All
1:08:58
right, a couple of things that this
1:09:00
is making me think about so first
1:09:02
of all you said you saw like a sixth
1:09:04
finger this is when you were on
1:09:06
mushrooms, right? Yeah, okay. So I was
1:09:09
telling you about that club where I was
1:09:11
like Right? So that sounds kind
1:09:13
of like that. And then
1:09:15
your extra sort of keyboard
1:09:18
and the fact that it's
1:09:20
like endlessly long, I think is,
1:09:22
you know, sort of some kind
1:09:24
of idea that like that. And
1:09:26
you said that something about it being a
1:09:29
noke and well a noke in chess is
1:09:31
when you take the game off the board.
1:09:33
So when the music continues past the normal
1:09:35
keys or when the characters are past
1:09:37
the normal keys, right? It's like taking everything
1:09:40
out of the confined space you normally
1:09:42
do that in and move it over. The
1:09:44
other thing I'm thinking about is when you,
1:09:46
there's a book called The Keys of Enoch.
1:09:48
I don't know if you've ever read
1:09:51
it. Probably. It proposes some interesting
1:09:53
ideas. But my friend Danny Goller, who we
1:09:55
talked about when you were on my show
1:09:57
a few weeks ago, the guy with the
1:09:59
DMT and the... laser, right? He, the
1:10:01
way he describes the code is
1:10:03
not completely unlike that, right? And
1:10:06
I think that, you know, he's
1:10:08
basically saying, you put a small
1:10:10
dose of DMT and you shine
1:10:12
this red diffracted laser at a
1:10:14
surface and you will see this
1:10:17
code. Well, what would happen if
1:10:19
you did a different dose or
1:10:21
a different drug or you used
1:10:23
a different kind of light or
1:10:25
a different kind of optical device?
1:10:27
Would you see like another version,
1:10:30
like whatever that code says, whatever
1:10:32
those codes mean, would you see
1:10:34
the thing that it means? Like
1:10:36
if the code says the dog
1:10:38
is brown, would you see a
1:10:40
brown dog? there on a different
1:10:43
drug or with a different light
1:10:45
or whatever it is, right? You
1:10:47
know, and this, back to what
1:10:49
I was telling you about everything
1:10:51
being full of information and it's
1:10:54
just, are we able to see
1:10:56
it? And if we see it,
1:10:58
what are we perceiving it as?
1:11:00
Right? Did you watch that movie,
1:11:02
the chess movie, the Queen Scambit?
1:11:04
Yeah, where she could, the series,
1:11:07
where she could see on the
1:11:09
ceiling. She was taking, what was
1:11:11
it, Adderall or something, she was
1:11:13
taking something. She was taking her
1:11:15
game off of the board and
1:11:18
into her real life, which is
1:11:20
what Enochian chess actually is, right?
1:11:22
And she was using this ability
1:11:24
for her to externalize this sort
1:11:26
of mental game of chess to
1:11:28
help her figure out ways to
1:11:31
like. strategize with extra space and
1:11:33
room and then bring that back
1:11:35
into her game. That's the imaginary
1:11:37
theater. That's the that's the memory
1:11:39
theater where you use it to
1:11:41
train. You use it as a
1:11:44
form of mental. It's a mental
1:11:46
gym essentially is what it is.
1:11:48
And I think that that has
1:11:50
a lot to do with the
1:11:52
mysteries and that kind of sort
1:11:55
of hints at the mysteries, right?
1:11:57
Because chess is the black and
1:11:59
white. It's the, you know, the
1:12:01
game of Thrones, if you will,
1:12:03
where you're going back and forth.
1:12:05
and I think that right when
1:12:08
you when you enter a noke
1:12:10
and chess it's been described as
1:12:12
that when you play a noke
1:12:14
and chess if you stare at
1:12:16
the board for too long that
1:12:19
you will start to hallucinate you
1:12:21
will start to see things that
1:12:23
aren't there and I think it
1:12:25
was matters the ones that that
1:12:27
played it where he would play
1:12:29
with a specter or a ghost
1:12:32
that was his partner Have you
1:12:34
ever it works you can do
1:12:36
it not in the water, but
1:12:38
it works better like in the
1:12:40
hot bath or the hot shower
1:12:43
or the jacuzzi I don't I
1:12:45
don't believe rubbed your eyes hard
1:12:47
and then watch visuals on the
1:12:49
back of your eyes My wife
1:12:51
hates it because I always rub
1:12:53
my eyes really hard and it
1:12:56
makes like this squishing sound right
1:12:58
hates that I do that but
1:13:00
yeah you can rub your eyes
1:13:02
and and see another dimension right
1:13:04
okay so for me it always
1:13:06
is a checkerboard floor and then
1:13:09
it goes into the most saturated
1:13:11
psychedelic color visions of like other
1:13:13
stuff right there's actually a some
1:13:15
people I go here at parties
1:13:17
like a group they're called like
1:13:20
it's like a group of DJ's
1:13:22
they call themselves desert hearts but
1:13:24
all of their flyers look exactly
1:13:26
like the shit I see when
1:13:28
I rub the back of my
1:13:30
eyes if I'm in hot water
1:13:33
especially. Right, so they know about
1:13:35
it too, right? And they're just
1:13:37
good at creating the graphic designs
1:13:39
for that kind of thing. But
1:13:41
there's something about, you know, there's
1:13:44
the dark, like there's the color
1:13:46
spectrum from the like dark mode,
1:13:48
and there's the color spectrum from
1:13:50
the light mode, and it sort
1:13:52
of renders the colors slightly differently.
1:13:54
Right, sometimes when I eat mushrooms
1:13:57
and I close my eyes, I'm
1:13:59
getting like light mode, which is
1:14:01
like white with saturated colors on
1:14:03
it and other times I get
1:14:05
dark modes of black with saturated
1:14:08
colors on it. And the trips
1:14:10
have distinctly different sort of feelings
1:14:12
and vibes to them based upon.
1:14:14
whether it's in black mode or
1:14:16
light mode, right? So I have
1:14:18
something for you, and it's relevant
1:14:21
because you mentioned the matrix, and
1:14:23
the numbers never lie, Emily, and
1:14:25
the matrix equals 31 in Jamatria,
1:14:27
and listen, listen, listen, so the
1:14:29
matrix, the matrix equals 31, and
1:14:31
the numbers never lie, because you
1:14:34
know what also equals 31, Faking,
1:14:36
also equals 31, therefore, snap, The
1:14:38
Matrix is faking gay. So again,
1:14:40
that's just what the numbers say.
1:14:42
I'm not making this up. This
1:14:45
is, you gotta listen to the
1:14:47
numbers. The numbers never lie. But
1:14:49
yeah, I think that there is
1:14:51
something to even rubbing your own
1:14:53
eyes to see this other realm.
1:14:55
I mean, that could have been
1:14:58
a rich, and doctors always tell
1:15:00
you not to do that, right?
1:15:02
They tell you like, oh, that's
1:15:04
bad for your eyes. You know,
1:15:06
you could. permanently damage your eyes.
1:15:09
I'm maybe you can't like who
1:15:11
knows maybe you can damage the
1:15:13
ducks and all over but usually
1:15:15
the stuff they tell you not
1:15:17
to do it's for a reason
1:15:19
I'm not saying keep you know
1:15:22
rub your eyes violently to enter
1:15:24
another dimension I'm not saying that
1:15:26
but I'm just saying like similar
1:15:28
to how they're talking about Lady
1:15:30
Bird Lake hey you can go
1:15:33
swimming in there you know since
1:15:35
the 1960s because there's a daily
1:15:37
bacteria but you can go paddle
1:15:39
boarding on Lady Bird Lake. Right
1:15:41
What? What difference is it making?
1:15:43
Well, also, like, you fall in
1:15:46
and you get back up on
1:15:48
your padleboards and you don't go
1:15:50
home with the deadly bacteria, right?
1:15:52
So, the whole thing is crazy.
1:15:54
The, let's because I know you
1:15:56
have a tight timing, I want
1:15:59
to talk a little bit about
1:16:01
this imaginary theater and the memory
1:16:03
palace act of it and all
1:16:05
this kind of stuff. Okay, so,
1:16:07
first of all. My birth is
1:16:10
the same day that the original
1:16:12
Globe Theater burned, right? And it
1:16:14
was weird to... I was having
1:16:16
a Zoom chat with Allison McDowell.
1:16:18
I don't know if you know
1:16:20
who she is. I've heard that
1:16:23
before. Yeah, she is a researcher
1:16:25
and whatnot. We were just having
1:16:27
a friends chat. We weren't doing
1:16:29
a show. And I was telling
1:16:31
her about what you and I
1:16:34
were going to talk about a
1:16:36
little bit tonight. And within the
1:16:38
same conversation, she brings up someone
1:16:40
who is sort of tangentially related
1:16:42
to what... you and I are
1:16:44
talking about but from a completely
1:16:47
different perspective which is hers and
1:16:49
his birthday is also June 29th
1:16:51
right so I'm coming on here
1:16:53
with you I discover we discover
1:16:55
that the original Globe Theater burned
1:16:57
on June 29th someone she's bringing
1:17:00
up is central to the story
1:17:02
she was trying to tell me
1:17:04
their birthdays also June 29th and
1:17:06
it was a similar kind of
1:17:08
thing we she and I were
1:17:11
getting in but I don't think
1:17:13
let me add one more in
1:17:15
there because William Shakespeare died on
1:17:17
April 23rd which is also my
1:17:19
birthday and the cattle lake episode
1:17:21
one of the dates of the
1:17:24
that I pulled up on it
1:17:26
was one of the dates I
1:17:28
think was like my birthday and
1:17:30
then the other date I think
1:17:32
that the person died was the
1:17:35
birthday of my co-host on that
1:17:37
episode so it's like we had
1:17:39
like a double boom boom he's
1:17:41
like that's my birthday and I'm
1:17:43
like you know this is my
1:17:45
birthday so I thought this is
1:17:48
weird the other day is my
1:17:50
birthday so we had like a
1:17:52
weird like synchronacy there but yeah
1:17:54
Okay, so I don't think the
1:17:56
globe theater ever existed in the
1:17:59
way people think of theaters existing.
1:18:01
I think the globe theater is
1:18:03
a congregation that meets outside of
1:18:05
the normal rules of space and
1:18:07
time as the average person understands
1:18:09
them. And it is, has to
1:18:12
do... with geometry. It has to
1:18:14
do with sound. It has to
1:18:16
do with perspective. It has to
1:18:18
do with the elements. and it
1:18:20
has to do with the archetyical
1:18:22
nature of the characters of the
1:18:25
play. And this still happens, right?
1:18:27
And there's other ways to achieve
1:18:29
this. And I think some of
1:18:31
the experiences that I've been having
1:18:33
at parties since about the mid-2000s,
1:18:36
maybe before that, but I didn't
1:18:38
notice it before, I didn't have
1:18:40
the eyes to see, right? Is
1:18:42
something like this, like this doesn't
1:18:44
happen at every party. Right. But
1:18:46
it's happened enough times that like
1:18:49
I will be at the party.
1:18:51
It has to be a really
1:18:53
good sound system. Right. It has
1:18:55
to be a fairly specific kind
1:18:57
of music and environment. I have
1:19:00
to be in a specific sort
1:19:02
of state in mind and condition.
1:19:04
And something will happen where like
1:19:06
I end up in this same
1:19:08
place that I've been I've been
1:19:10
in this place. dating back to
1:19:13
2008 about where it seems like
1:19:15
I am kind of, it's not
1:19:17
like I travel, like I feel
1:19:19
like I go somewhere. It's like
1:19:21
suddenly the room becomes something else.
1:19:24
And you know, it's maybe like
1:19:26
either a different set of people
1:19:28
are kind of there or I
1:19:30
can see the people that are
1:19:32
there in a different light. Like
1:19:34
they look like someone else and
1:19:37
all the people they look like
1:19:39
are what we would consider archeotypes.
1:19:41
And I've been seeing some of
1:19:43
these same people in this place
1:19:45
for more than 10, 12, 14
1:19:47
years now when I go to
1:19:50
parties. But there's this feeling to
1:19:52
it that never changes, right? Like
1:19:54
it feels exactly the same, like
1:19:56
it happened to me at the
1:19:58
party where I saw the glowing
1:20:01
thing that I told you for
1:20:03
a little bit, and it hadn't
1:20:05
really happened to me in that
1:20:07
way in a long enough time
1:20:09
that I thought like whatever that
1:20:11
was was was over, but like...
1:20:14
the way that it happened, it
1:20:16
was like I was right back
1:20:18
to that thing that I thought
1:20:20
was never going to happen again.
1:20:22
And all the same things that
1:20:25
ever happened there were happening again,
1:20:27
right? And when I'm in that
1:20:29
space, I see people who are
1:20:31
like, I'm trying to make sure
1:20:33
I describe it in a way
1:20:35
that I actually mean, that are
1:20:38
like, they look like famous people.
1:20:40
And part of the reason we
1:20:42
have that famous people are famous
1:20:44
is because they're archetypical in their
1:20:46
nature. Like they bring up certain
1:20:49
like feelings and people, they look
1:20:51
like someone in people, they look
1:20:53
like whether it was a real
1:20:55
or fabled God or character from
1:20:57
sort of ancient history or antiquity
1:20:59
or whatever it is. And sometimes
1:21:02
I really think I'm looking at
1:21:04
the famous person or I'm recognizing
1:21:06
that somebody looks like a famous
1:21:08
person and I had never noticed
1:21:10
that about them before. But once
1:21:12
I see it in that space,
1:21:15
then when I see them in
1:21:17
the regular world, if I like,
1:21:19
oh yeah, I can see now,
1:21:21
there's something archeotypical in them that
1:21:23
I had not noticed. And when
1:21:26
I saw them sort of in
1:21:28
that space, that part of their
1:21:30
character sort of came out. I
1:21:32
think it has to do with
1:21:34
somatics, right? This never happens to
1:21:36
me at parties that have a
1:21:39
less than adequate sound system, right?
1:21:41
Obviously, most of the buildings that
1:21:43
I'm going to parties in really
1:21:45
interesting buildings. They're just like warehouses.
1:21:47
They're just plain boxes. But if
1:21:50
I look at the ceiling sometimes,
1:21:52
Or if I look at the
1:21:54
scaffolding that the rings for the
1:21:56
lighting and the lasers and the
1:21:58
optical shows and stuff, the scaffolding
1:22:00
is in the kind of geometric
1:22:03
design and proportions that would be
1:22:05
equal to some of the architecture.
1:22:07
And this is just about sort
1:22:09
of marking out proportion, right? Some
1:22:11
of these lighting shows. are pretty
1:22:14
interesting in the technology that's being
1:22:16
displayed and and the ways it
1:22:18
can make certain things look, right?
1:22:20
I'm sure that there are other,
1:22:22
I'm sure this happens. with music,
1:22:24
with acting, probably with comedy. I'm
1:22:27
sure there's technological ways of doing
1:22:29
it, but I feel like there
1:22:31
is this ability to create, just
1:22:33
like I was talking about, that
1:22:35
show that I sent you, right?
1:22:37
You can create a space to
1:22:40
meet up outside of time, opening
1:22:42
up space outside of linear time,
1:22:44
but you can go and go
1:22:46
and you can be there and
1:22:48
you can sort of. contribute to
1:22:51
that ongoing project, whatever that is,
1:22:53
whether it's a play, whether it's
1:22:55
an art gallery, whether it's a
1:22:57
symphony, whether it's a building, right?
1:22:59
And this is sort of the
1:23:01
nature of all of these complexities
1:23:04
or really interesting things that we
1:23:06
don't quite seem to understand how
1:23:08
it makes sense in the way
1:23:10
we perceive space and time now.
1:23:12
Right, and I think it has
1:23:15
to do with vibration and elements,
1:23:17
right? And like what you are,
1:23:19
what elements, what, like, and I'm
1:23:21
talking about elements from the periodic
1:23:23
table, I'm not really talking about
1:23:25
earth wind, fire, water, whatever it
1:23:28
is, right? And what shapes these
1:23:30
things make, what archetypes they're associated
1:23:32
with? how they adhere when they're
1:23:34
being vibrated into place and what
1:23:36
causes them to sort of then,
1:23:38
like what makes them materialize and
1:23:41
dematerialize. I think there are temporary
1:23:43
vibrational realities that materialize and dematerialize
1:23:45
and more people are figuring out
1:23:47
how to do this, right? Everyone,
1:23:49
people are using different techniques, some
1:23:52
of them spiritual, some of them
1:23:54
metaphysical, some of them technological, some
1:23:56
of them technological, some of them
1:23:58
scientifics, some of them scientifics. All
1:24:00
this kind of stuff. And this
1:24:02
is, you know, part of why
1:24:05
we're experiencing some of the chaos
1:24:07
we are, and also what really
1:24:09
what all of the secrecy is
1:24:11
about. The secrecy and the weird
1:24:13
stuff that... you know, the circus
1:24:16
show that they give us is
1:24:18
to keep us focused on the
1:24:20
sort of linear 3D reality and
1:24:22
not paying attention to the Swiss
1:24:24
cheese that's all around us. And
1:24:26
speaking of Atlas Shrugged, I guess
1:24:29
I haven't been able to confirm
1:24:31
this, but Elon Musk said very
1:24:33
appealing over your sophomore in college.
1:24:35
It's a counterpoint to communism and
1:24:37
useful as such, but should. be
1:24:40
tempered with kindness and 20 books
1:24:42
Tesla CEO almost wants you to
1:24:44
read and of course this was
1:24:46
November 19 2022 but yeah you're
1:24:48
absolutely right I think that there
1:24:50
is something to like the white
1:24:53
brotherhood type of thing yeah yeah
1:24:55
where it's like these people again
1:24:57
the initiated that know how to
1:24:59
get there will meet up and
1:25:01
it's almost like the the build
1:25:03
a bird or whatever they call
1:25:06
it where but but it's like
1:25:08
a more esoteric version of that
1:25:10
where they're not meeting on this
1:25:12
plane of existence multi-dimensional and omnidirectional
1:25:14
how you can access it I
1:25:17
also think that there's like a
1:25:19
secret society that's called something like
1:25:21
the secret spectral order or something
1:25:23
like that that I'm pretty sure
1:25:25
I've heard of something like that
1:25:27
Um, brothers, brotherhood of the spectral
1:25:30
order or something. I've heard of
1:25:32
it a couple of times in
1:25:34
the last year. I haven't had
1:25:36
a chance to dig into it.
1:25:38
I could be combining two separate
1:25:41
ideas if I'm doing that. I'm
1:25:43
not doing it intentionally. The spectral
1:25:45
order organization in Luxembourg, is that?
1:25:47
No, I think that's from a
1:25:49
book. Yeah, that's from a book.
1:25:51
Yeah, that's from a book. Yeah,
1:25:54
that's from a book. Yeah, that's
1:25:56
from a book. Special order is
1:25:58
the white X in the family
1:26:00
of deviated rays that emerge after
1:26:02
defraction at the grading exhibit pronounced
1:26:05
Maxima along well-defined and innumerable directions
1:26:07
on each side of an undebiated
1:26:09
beam. The integers that distinguish these
1:26:11
directions mark the so-called spectral order.
1:26:13
That sounds a lot like what
1:26:15
we've been talking about here tonight.
1:26:18
I'm about to say something crazy.
1:26:20
Say something crazy. So, because this
1:26:22
came up on my timeline today
1:26:24
and for a second, even though
1:26:26
atomic bomb equals 31 as well.
1:26:30
Check this out because this is
1:26:32
really interesting because you're talking about
1:26:34
stepping into other realms how how
1:26:36
to step into other realms technology
1:26:38
to step into other realms Three
1:26:40
letter agencies or governmental entities using
1:26:42
experimental technologies on unwilling participants to
1:26:44
achieve an end goal of some
1:26:47
sort right? What if for one
1:26:49
second? All right check this out
1:26:51
because I found this really interesting
1:26:53
It's gonna be crazy. I know
1:26:55
it's gonna it's gonna sound ridiculous
1:26:57
like it's it's I specialize in
1:26:59
ridiculous This is gonna be kind
1:27:01
of retarded. I'm just gonna say
1:27:03
this right now. Okay, but check
1:27:05
this out because one of the
1:27:07
interesting things that I saw Were
1:27:09
paintings that the atomic bombs? Survivors
1:27:11
had painted. Okay. Yeah, and some
1:27:13
of the drawings are otherworldly so
1:27:15
I speculated that what if okay
1:27:17
for one second right what if
1:27:19
the right the atomic bomb isn't
1:27:22
what they've told us we've gone
1:27:24
down that rabbit hole or the
1:27:26
nuclear bomb or whatever it is
1:27:28
but what if these people were
1:27:30
susceptible to some sort of interdimensional
1:27:32
technology that The right so flash
1:27:34
at the incident I saw a
1:27:36
light like a rainbow. This is
1:27:38
August 6th 1945 age 20 at
1:27:40
the time of bombing for not
1:27:42
the age of drawing. And again,
1:27:44
it's very dark. Some of these
1:27:46
drawings, right, they're talking about a
1:27:48
mother finding, as there are maggots
1:27:50
on her face, finding a place
1:27:52
to bury her. her dead baby
1:27:55
on her back, right? She had
1:27:57
to go somewhere, she was trying
1:27:59
to cremate it and she had
1:28:01
to go very far to find
1:28:03
wood, but I thought for myself
1:28:05
for one second, these people were
1:28:07
seeing things out of this world.
1:28:09
Yep. What if, again, this is
1:28:11
something that happened. Exactly right, one.
1:28:13
And if you think about it
1:28:15
really quickly, if you think about
1:28:17
it, how Japan is kind of...
1:28:19
you know, grown men liking hell
1:28:21
kitty, very, Merakami, yeah. And I'm
1:28:23
not saying this in a bad
1:28:25
way, but very feminine in some
1:28:28
sort of way, right? Like, you
1:28:30
don't really think, Japanese people, and
1:28:32
I know this because my wife
1:28:34
is half Japanese, you know, because
1:28:36
my wife is half Japanese, a
1:28:38
Japanese people are very people pleasers,
1:28:40
right? They kind of, and I
1:28:42
don't want to say this in
1:28:44
any sort of bad, they don't
1:28:46
stand up for themselves, right? They
1:28:48
don't stand up for themselves, they
1:28:50
don't stand up for themselves, they
1:28:52
don't stand up for themselves, they
1:28:54
don't stand up for themselves, they
1:28:56
don't, they don't, they don't, they
1:28:58
don't, they don't, they don't, they
1:29:00
don't, they don't, they don't, they
1:29:03
don't, they don't, they don't, they
1:29:05
don't, they don't, they don't, they
1:29:07
don't, they don't, they don't, they
1:29:09
don't, they don't, they My wife
1:29:11
is half Japanese and her family
1:29:13
is full-blown Japanese like her uncle's
1:29:15
like mr. Meaghi like full-blown You
1:29:17
know wax on wax off? Wax
1:29:19
on wax off, but I thought
1:29:21
for that for one second right
1:29:23
here the three days later the
1:29:25
burn bodies in the fire Sister
1:29:27
and had turned red like demons
1:29:29
I instantly turned away and I'm
1:29:31
like what if this is like
1:29:33
like doom right where they open
1:29:36
up a pored all the demons
1:29:38
come pouring in yeah I'm pouring
1:29:40
in. Yep. I mean I think
1:29:42
that is definitely to the Like
1:29:44
we're not making any claims about
1:29:46
the existence or danger or whatever
1:29:48
of any of these things, right?
1:29:50
But I think that everything around
1:29:52
the concept of sort of atomic
1:29:54
or nuclear power has a lot
1:29:56
to do with the different worlds,
1:29:58
the different realities and blending. them
1:30:00
or blowing them apart when I
1:30:02
say blowing them apart I don't
1:30:04
necessarily mean literally with the bomb
1:30:06
but like you have a world
1:30:09
and if you separate it into
1:30:11
like fractals right or if you
1:30:13
have many worlds and you join
1:30:15
them into one right I think
1:30:17
it's really about something you know
1:30:19
like that and this okay so
1:30:21
what you were talking in your
1:30:23
video about the battles between we're
1:30:25
going to build the biggest building,
1:30:27
the badest building, we're going to
1:30:29
do a better play, our place
1:30:31
is going to be better than
1:30:33
yours, our players, our actors, or
1:30:35
whatever it is, right? And they
1:30:37
each have, it's like the different
1:30:39
theater groups are kind of like
1:30:41
the different cults that existed in
1:30:44
antiquity or in my case, like
1:30:46
the different groups that throw parties.
1:30:48
There's all of these different collectives
1:30:50
that throw parties and each one
1:30:52
have their own sort of style,
1:30:54
their own sound, their own aesthetic,
1:30:56
right? They're all operating, mostly I
1:30:58
go to parties in Los Angeles
1:31:00
at this point, right? But sometimes
1:31:02
they come together and they do
1:31:04
like a project together and there's
1:31:06
like a blending of this, right?
1:31:08
And it's like a celebration and
1:31:10
one of these parties in Los
1:31:12
Angeles that brings a bunch of
1:31:14
groups together is literally called reform.
1:31:17
Like we are reforming the theater
1:31:19
or reforming the culture, we are
1:31:21
reforming the group or we are
1:31:23
reforming the religion or the right,
1:31:25
the ceremony, the ceremony, the ritual,
1:31:27
the ritual, the ritual, or whatever
1:31:29
it is. Let me see if
1:31:31
this works to show you a
1:31:33
regular screen on my computer, because
1:31:35
I want to show you the...
1:31:37
They don't want us to know
1:31:39
the truth, so it's probably not
1:31:41
going to work. I know, all
1:31:43
right, let's see. But yeah, I
1:31:45
mean, again, this is like way
1:31:47
out of the box, like, but
1:31:50
when I was looking at that
1:31:52
today and reading the descriptions, I'm
1:31:54
like, this is like Dante's Inferno,
1:31:56
the way that these people are
1:31:58
describing this, the rivers of, of,
1:32:00
and all this other stuff, and
1:32:02
it's like... I wasn't there to
1:32:04
experience that and a lot of
1:32:06
the people did perish from the
1:32:08
thing that happened so can you
1:32:10
know how would we really know
1:32:12
what happened truly right and it
1:32:14
could have been some sort of
1:32:16
they said it was one thing
1:32:18
and it could have been something
1:32:20
completely different so weird I'm able
1:32:22
to see that, see there's nothing
1:32:25
to, is showing it to me,
1:32:27
and then it's saying that, saying
1:32:29
something to me, try it one
1:32:31
more time, select the window or
1:32:33
screen, I'm selecting the one I
1:32:35
want, clicking on it, oh, mute
1:32:37
website, no, not, I want, I'm
1:32:39
hitting a wow, it's your fucking
1:32:41
dumb platform. Okay, the, the, the,
1:32:43
the symbol, the event, called reform,
1:32:45
which they have, which they have,
1:32:47
something that hangs from behind the
1:32:49
stage during the show that is
1:32:51
this, it's like a sculpture of
1:32:53
this shape, right? It's the idol
1:32:55
or the icon or the the
1:32:58
sigil or whatever. No type in
1:33:00
reform parties lost. Oh, there it
1:33:02
is, right? Hold on, drop down,
1:33:04
go to the one, right? It's
1:33:06
like red and black and there's
1:33:08
like a white circle. It's in
1:33:10
the left-hand side, right there. Okay,
1:33:12
see this weird red red thing
1:33:14
with the geometry in it. Yeah.
1:33:16
That's there and you can see
1:33:18
there's another one that's green and
1:33:20
white they do different parties They
1:33:22
have something hanging behind the stage
1:33:24
that is that right there you
1:33:26
go the reform you can just
1:33:28
see this not that one But
1:33:31
that looks like scaffolding in a
1:33:33
building go to just that black
1:33:35
and white one. It says reform.
1:33:37
It's just literally the symbol in
1:33:39
the world the word No, no
1:33:41
go down from where that thing
1:33:43
is that you were on the
1:33:45
picture the picture you're on that
1:33:47
says nectar roll down. There's white
1:33:49
that there you that there you
1:33:51
go. Okay. Okay They have something
1:33:53
that hangs behind the stage that
1:33:55
is that. That's alchemy right there.
1:33:57
Lost events and that hangs behind
1:33:59
the DJ and when the different
1:34:01
lasers and stuff hit it, it
1:34:03
starts to look like a crystal
1:34:06
or a prism. or whatever it
1:34:08
is, right? But look how it's
1:34:10
a circle that also looks kind
1:34:12
of like an eye. If you
1:34:14
did retinal mapping of the eye,
1:34:16
it's gonna sort of look like
1:34:18
that. But that also looks like
1:34:20
when you do theater in the
1:34:22
round and backstage or the audience
1:34:24
is all around the circle that's
1:34:26
in the middle. Right? So these
1:34:28
are all the different groups that
1:34:30
are usually in their own, let's
1:34:32
just pretend they're like churches or
1:34:34
whatever it is or their own
1:34:36
temples. When they come together, they
1:34:39
put them all together into this
1:34:41
kind of thing and create like
1:34:43
this, like this was a party
1:34:45
that I was at the last
1:34:47
time I was in Los Angeles
1:34:49
where I had this kind of
1:34:51
experience that I had had quite
1:34:53
a while when I think about
1:34:55
it. from the early days of
1:34:57
techno in Los Angeles, a lot
1:34:59
of those people had broken into
1:35:01
separate groups and I saw a
1:35:03
lot of those people on that
1:35:05
night. They had come back together,
1:35:07
they had reformed the church or
1:35:09
the theater group or the collective
1:35:12
or whatever it is, right? And,
1:35:14
you know, there was a lot
1:35:16
of very, there's stuff that if
1:35:18
I look at it at through
1:35:20
like the lens of some things
1:35:22
I've been learning about. antiquity from
1:35:24
Ammon-Hilman and Gnostic informant and things
1:35:26
like that, it looks like a
1:35:28
modern day version of some of
1:35:30
these celebrations and rituals that they
1:35:32
used to do. I can see
1:35:34
things that they're talking about. I
1:35:36
thought they were kind of something
1:35:38
else because I was coming from
1:35:40
the perception of the reality that
1:35:42
I live in, but why do
1:35:44
they look exactly like the things
1:35:47
that they're describing from antiquity? Like
1:35:49
even... the equipment, the scaffolding, the
1:35:51
lighting, the sound equipment, the speakers,
1:35:53
have like parts of them that
1:35:55
literally look like the symbols of
1:35:57
some of these cults and the
1:35:59
religious icons and idols and whatever
1:36:01
it is. I'm like, this is
1:36:03
the shit right here, right? All
1:36:05
of these, um, these sort of
1:36:07
temporal or dimensional vibrationally adherent realities
1:36:09
that form and reform and come
1:36:11
apart and whatever, they're being held
1:36:13
together through sound and light. It's
1:36:15
on some level like a combination
1:36:17
between altering your consciousness and an
1:36:20
optical and audio illusion. And
1:36:22
how do we know for a
1:36:24
fact that these things aren't real
1:36:26
the things that they're showing up
1:36:28
on the screen? Correct. Yeah, if
1:36:30
you look that that's so that
1:36:32
those are those parties are called
1:36:34
afterlife that use those that kind
1:36:37
of, you know, visual show, right?
1:36:39
There's all kinds of interesting visual
1:36:41
shows that different styles of music
1:36:43
and different groups that parties are
1:36:45
doing. Some of them I find
1:36:47
to be really disturbing and others
1:36:49
I find to be really cool
1:36:51
and a lot of them are
1:36:53
somewhere in between. Yeah, well if
1:36:55
you look up like afterlife afterlife
1:36:57
afterlife party visuals like you'll get
1:36:59
like the most amounts of Yeah,
1:37:01
like one group that really is
1:37:03
into like moatic techno and it
1:37:06
makes me think of Really the
1:37:08
tech light, but yeah the blade
1:37:10
a movie that really like as
1:37:12
a kid messed me up and
1:37:14
I couldn't sleep for like a
1:37:16
week was blade And right the
1:37:18
the scene the nightclub scene where
1:37:20
everyone how you're saying like they
1:37:22
they look different they look off
1:37:24
and then boom it turns out
1:37:26
that they're actually the vampires in
1:37:28
there. I have been to parties
1:37:30
like the parties that I most
1:37:32
prefer have like the when I
1:37:35
get into that space it's like
1:37:37
a very cool sort of futuristic
1:37:39
geometric look at this what at
1:37:41
least saturated color reality. But I
1:37:43
have heard people who say that
1:37:45
they have the same experience and
1:37:47
they end up with people in
1:37:49
blood baths and vampire. I've never,
1:37:51
I don't, that's, I don't have,
1:37:53
that's not really the conscience of
1:37:55
my sort of mind or whatever.
1:37:57
I've had a few scary experiences
1:37:59
during my like really bad meth
1:38:01
addicted days where I ended up
1:38:04
in some situations a party. in
1:38:06
an interdimensional way that wasn't what
1:38:08
I would prefer, but it felt
1:38:10
much more related to like Matthews
1:38:12
than it did to anything else.
1:38:14
It felt like that's the level
1:38:16
that I was vibrating it. That
1:38:18
was the dimension that I was
1:38:20
vibrating with. And so that's where
1:38:22
I ended up, right? There's all
1:38:24
kinds of interesting visual shows that
1:38:26
are created through different kinds of.
1:38:28
effects. And some of them are
1:38:30
really something to look at at
1:38:33
the front of the room and
1:38:35
others are distortion throughout the room
1:38:37
and are intended to create almost
1:38:39
like a double slit experience or
1:38:41
a hypercube type of experience where
1:38:43
like you feel like you are
1:38:45
inside of something. I've shown you
1:38:47
that hypercube box before. I think
1:38:49
I've been in parties where you
1:38:51
feel like you're inside of that,
1:38:53
right? inside the cube,
1:38:56
which is part of Charles Hinton,
1:38:58
where he talked about meditating upon
1:39:00
the cubes and you could enter
1:39:02
another dimension, essentially. So think about
1:39:04
this, I think that some of
1:39:06
these things might be real, right?
1:39:08
Everyone likes to talk about Project
1:39:11
Bluebeam and everything, and I think
1:39:13
they've already been testing this stuff
1:39:15
out. If they weren't real to
1:39:17
start, they're real now because they've
1:39:19
done this enough and they've had
1:39:21
enough attention focused on them, right?
1:39:24
that they come to life. I'm
1:39:26
sure some people at this party
1:39:28
have had that shit followed them
1:39:30
home and their dreams and their
1:39:32
nightmares and shit like that, I'm
1:39:34
sure. You have to be very
1:39:37
conscientious. Like I encourage people to
1:39:39
have these anomalous edge experiences, but
1:39:41
I also encourage people to be
1:39:43
very conscious and conscientious about. how
1:39:45
they have them, who they have
1:39:47
them with, where they have them,
1:39:50
why they have them, when they
1:39:52
have them, and what they do
1:39:54
with the information after they have
1:39:56
them. And it's something I've had
1:39:58
to develop a level of discernment
1:40:00
and get better at over time,
1:40:03
right? And, you know. I'm not
1:40:05
immune to having, you know, a
1:40:07
weird experience that I don't like,
1:40:09
right? Like, you know, but I
1:40:11
figure, for me, I figure I
1:40:13
usually have whatever experience I need
1:40:15
to have and then it's just
1:40:18
learning to work with it and
1:40:20
manage it and whatnot. But it's
1:40:22
because of the sound in the
1:40:24
light and the state that you
1:40:26
are in when your consciousness meets
1:40:28
that stimulation. that sort of determines
1:40:31
where you go how you get
1:40:33
there and what you find and
1:40:35
then what you do with it
1:40:37
afterwards as the famous Nikola Tesla
1:40:39
said if you want to find
1:40:41
the secrets of the university in
1:40:44
terms of energy frequency and vibration
1:40:46
and I think that all the
1:40:48
stuff that we've talked about today
1:40:50
kind of sort of hints at
1:40:52
that right that we are all
1:40:54
vibrating at a different frequency we're
1:40:57
all water essentially we're all molecules
1:40:59
that can be reconfigured we know
1:41:01
all of that what if you
1:41:03
know this atomic technology kind of
1:41:05
sort of does that and and
1:41:07
and and how in any famous
1:41:10
movie I think I mean I'm
1:41:12
sure that there's been movies where
1:41:14
when the person teleports they they
1:41:16
become a splatter on the wall
1:41:18
or something like that like again
1:41:20
just thinking about that and all
1:41:22
the things that we've covered today
1:41:25
Yeah, I'm left with more, with
1:41:27
more questions than answers, but yeah,
1:41:29
I mean, yeah, you have any
1:41:31
final thoughts, Emily, you want to
1:41:33
add before you get out of
1:41:35
here? No, that's good. Did, like,
1:41:38
take your pick, like, of the
1:41:40
shows that I might like to
1:41:42
talk about with you, like, OA
1:41:44
is the one that people are
1:41:46
bringing up from before, but I
1:41:48
also really love any excuse to
1:41:51
talk about the series dark. It's
1:41:53
a German. And I also really
1:41:55
like the Apple series Dark Matter,
1:41:57
and it displays a lot of
1:41:59
technologies that are sort of a...
1:42:01
similar or reverse engineering of some
1:42:04
of the experiences I've had with
1:42:06
Sound Light parties. So if you
1:42:08
would like to watch any one
1:42:10
of those series, I would love
1:42:12
to engage those topics with you
1:42:14
next time. Have you ever heard,
1:42:17
I was put on this one
1:42:19
recently, have you ever heard of
1:42:21
the show? Here let me find
1:42:23
it here, show. The guy
1:42:25
from loss, he's doing a show called
1:42:27
From. Have you ever heard of that
1:42:29
show? Somebody just sent me that trailer
1:42:31
the other day. We should do that,
1:42:33
but we have to include Rider League
1:42:36
because he's the one that showed me
1:42:38
that. All right, good. I've never met
1:42:40
him. We can do a free sum.
1:42:42
Okay, cool. We'll do that next. We'll
1:42:44
watch that because he said it's crazy.
1:42:46
He's past the first season and he's
1:42:48
still trying to figure out what's going
1:42:50
on, but it's awesome. So, from, I'll
1:42:52
send you, I'll send you a link
1:42:54
for that. And, yeah, Emily, where can
1:42:56
people find you? We're going to find
1:42:58
your show. Emily Moyer on YouTube, and
1:43:00
then I'm on Patreon, Rauphin, Locals, you
1:43:02
search my name, you'll find it. Thank
1:43:04
you for having me, as always one.
1:43:06
And I got one thing to save
1:43:08
you when we're off recording, and then
1:43:10
we'll see you guys next time. Yeah,
1:43:12
and for $5 a month, you can
1:43:14
listen to you can listen to me,
1:43:17
you can listen to me, you can
1:43:19
listen to me, W-W-W-W-D-J-O-J-P.com make sure to
1:43:21
sign up for the emailing list Homunculus
1:43:23
owners manual all that good stuff YouTube
1:43:25
membership Listen to this on the if
1:43:27
you're listening to this on the if
1:43:29
you're listening to this on the RSS
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1:43:33
the YouTube Make sure to go follow
1:43:35
me on X. I did go live
1:43:37
there with Mark a couple weeks ago
1:43:39
was too hot for YouTube so you're
1:43:41
gonna have to check it out on
1:43:43
there And as always to check it
1:43:45
on there Yeah.
1:44:00
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