Episode Transcript
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0:00
Set isn't necessarily the bad guy.
0:02
He's not even a guy. He
0:04
is a principle. When you get
0:06
up in the morning and you
0:08
get your podcast going and then
0:10
suddenly your computer's not opening up,
0:12
that is set in action. Anything
0:14
that is opposition is set. So
0:16
anything your goal in life, according
0:19
to ESoteri traditions, are to return
0:21
back to the source. Anything that
0:23
gets in the way of that.
0:25
Providing opposition is set in action.
0:27
But we need set. Hey
0:30
guys, if you're not following
0:32
me on Spotify, please
0:34
hit that follow button
0:36
and leave a five-star
0:39
review They're both a
0:41
huge huge help. Thank
0:43
you Imagine that a
0:45
lessee someone who's saying
0:47
the answer is somewhere
0:49
in the middle never
0:51
would have guessed it Dude, it's
0:53
music's my ears, because all the
0:55
time on this podcast, across whatever
0:57
topics we do, because we do
0:59
every different kind of topic here,
1:01
I'm always... bringing up the universal law
1:04
of physics which says for every action there's
1:06
an equal but opposite reaction which is supposed
1:08
to mean it creates equilibrium in the middle
1:10
and I wish we just lived in a
1:12
society yeah we'll be talking about that I
1:15
I wish we just lived in a society
1:17
where the pendulum swings weren't here like
1:19
even if they were here that would that
1:21
would be markedly better and so to hear
1:23
somebody like you who let's call it what
1:25
it is like if you really want to
1:27
monetize things to the max degree you take
1:29
a hard opinion in one way or the
1:31
other but if you're there's good things here
1:33
good things there don't don't agree with this
1:35
don't agree with that it can actually have
1:37
the opposite effect where people are like oh
1:39
fuck this guy because he doesn't he doesn't
1:42
appeal to my exact worldview but I
1:44
value that a ton and I like
1:46
having voices like that on my podcast
1:48
so this is gonna be good today
1:50
yeah well that's that's just the thing
1:52
you know Julian it's like everything is
1:55
so polarized right now it's the left
1:57
or the right it's this it's Republican
1:59
it's Republican it's Democrat it's I am
2:01
strictly independent. I have no allegiance to
2:03
either side. I'm only here for true
2:05
understanding and raising consciousness from my own
2:07
experience, from my own in-depth research, from
2:10
my own world travels, you know, and
2:12
being able to share that with others
2:14
so that ultimately if we can help
2:16
raise consciousness, the world would be a
2:18
better place. Excellent. Yeah, and you were
2:20
actually you were one of the OGs
2:23
getting lawsuits from Billy Carson back in
2:25
the day as I understand What happened
2:27
there because we just we accidentally just
2:29
got in the middle of this when we
2:31
had Wes Huffin here and then when the
2:33
episode was coming out West I come at
2:36
it from a very different worldview than West
2:38
does I don't agree with his With his
2:40
overall standing of like where history is but
2:42
like he knows how to back things up
2:45
Billy has no idea how to back things
2:47
up and you apparently ran into problems with
2:49
Billy years ago. I I for calling out
2:51
some of the bullshit yourself? Yeah, that's exactly
2:54
what happened. And I can really appreciate what
2:56
Wes has brought to the table, because it's
2:58
the same, right? I was born Christian, but
3:00
I wouldn't consider myself a Christian
3:03
today. I study the world's religions
3:05
and the ancient religions and the
3:07
mystery traditions. So,
3:10
you know,
3:13
but I
3:17
can respect
3:21
his... you
3:24
know, his
3:28
meticulous and
3:31
may not
3:35
understand the
3:39
distinctions, you know, it's easy to
3:41
kind of get over on people.
3:43
And so the issue started with
3:45
me and Billy, there was actually
3:48
never, he threatened to sue me,
3:50
he never did, he lied. He
3:52
told the general public, yes, Billy
3:54
Carson lied. He told the general,
3:57
imagine that. I would never guess
3:59
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ready for my life to
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change. ABC Sundays, American Idol
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is all new. Give it
5:41
your all good luck, come
5:44
on the golden ticket. Let's
5:46
hear it. This is a
5:48
man's word. I've never seen
5:51
anything like it. And a
5:53
new chapter begins. Central
5:56
on ABC
5:58
and stream on
6:00
Hulu. People
6:04
try to debate him over the years,
6:06
or often debate him. Recently, West, okay?
6:08
Before him, there's another researcher, Archaics, Billy
6:10
didn't want to take that debate. But
6:12
he didn't take the debate because Archaics
6:14
has a background. There's some legal issues
6:16
there. So Billy didn't want to give
6:18
him the time of day. And Archaics
6:21
is really well researched. He's hitting the
6:23
books. I'm not gonna say I agree
6:25
with all of his conclusions, but
6:28
when it comes to the stuff that he was
6:30
pointing out about Billy in most cases, he
6:32
makes a valid point. But before all of this,
6:35
years ago, I'm talking about almost half
6:37
a decade ago, when
6:39
Billy was even just starting out and
6:41
just got on and I had already been,
6:43
I've been aware of Billy for a
6:45
while because I used to run a relatively
6:47
large Facebook group. It was
6:49
the first, one of the first esoteric
6:51
groups on Facebook known as Adept
6:53
Initiates. We had a community of over
6:55
200 ,000 people at one time. It
6:57
was thriving. This is before esotericism
6:59
started becoming really trendy and cool and
7:01
popular. I've been into this stuff
7:03
for a long time. And Billy found his way
7:06
into the group. So I've been aware of Billy since
7:08
he was just starting out on Instagram. Fast
7:11
forward, long story short, he
7:13
had, and when he published his book, he
7:16
had an appearance on the
7:18
Jimmy Church radio show. And
7:21
he mentioned how Sir Isaac
7:23
Newton translated the
7:25
Emerald Tablets of Thoth, the Atlantean
7:27
priest game. Now he has
7:29
a book. It's a number
7:31
one seller on Amazon right now. And if
7:33
you go to a category of like
7:35
Egyptian history, his book is number one. And
7:37
it's not Egyptian history, it's comical. Anyway,
7:40
it's a best seller. And
7:42
his book is about the Emerald
7:44
Tablets of Thoth. And this is
7:46
based on the work of Maurice
7:48
Doriel, all right, who is an
7:50
author from the 20th century, early
7:52
1900s, early to mid 1900s. Okay,
7:54
so Billy has taken work from
7:56
this book in claiming that their
7:58
ancient texts, And he
8:00
claimed, the first thing that stuck out
8:02
for me is he claimed that Sir
8:04
Isaac Newton had translated the Emerald tablets,
8:07
plural tablets with Ness, multiple tablets.
8:09
And I know that's just not
8:11
the case because when this, when
8:13
this, when everything came out, maybe
8:15
2003 to 2005 somewhere, the Newton's,
8:17
those documents came out about Newton.
8:19
And I, very early on, I
8:21
was able to analyze and take
8:23
a look at it. And I
8:25
know that Newton had, what he
8:27
did is he didn't translate the
8:29
Emerald the Emeralds. of Though the
8:31
Atlantean priests king, he translated and
8:33
added commentaries to the singular emerald
8:35
tablet of hermetic tradition, which we brought
8:37
here a replica of here in the studio.
8:39
Yeah, this is so cool. I got to
8:41
hold this up. You can actually, and you
8:43
guys won't be able to appreciate this as
8:45
much on camera. I don't think, maybe you
8:48
can say to lessee on there, but like, it's
8:50
a, I was trying to get the, the light.
8:52
Can you see like the reflection on camera?
8:54
It is a translucent box relief. It's
8:56
translucent, but I'll hold it up to
8:58
the camera so people can see but pretty
9:00
cool I don't know what the fuck it
9:03
says, but you're going to tell me.
9:05
Well, it's actually, I know what it
9:07
says only from the translations. I'm not
9:10
going to pretend that I can read
9:12
text that I can't actually read. This
9:14
is an information dialogue. So Billy Carson
9:16
can do something you can? Well, according
9:19
to Billy Carson, he can read this.
9:21
Billy Carson can do something you can?
9:23
Well, according to Billy Carson, he can
9:26
read the Crystal Links. And alternative blog
9:28
authors. And he's been around, you know.
9:30
the way. Everyone's giving them the platform
9:33
and you know it is what
9:35
it is. But this is actually
9:37
this is an Emerald tablet replica
9:39
and this is written in Phoenician
9:41
dialect which reads right to left
9:43
unlike our language which reads left
9:45
which reads left, which reads left,
9:47
which reads left, which reads left
9:49
to right, it's like Egyptian hieroglyphs,
9:51
which reads left to right. It's
9:53
like Egyptian hieroglyphs, which I can
9:55
read by the way. I just
9:57
went straight to work and started
9:59
hustling. But I paid a PhD
10:01
degree to Egyptologist as part of her
10:03
program to teach me the Middle
10:05
Egyptian hieroglyphic language. In addition to
10:08
that, I've been leading esoteric tours to
10:10
Egypt for over 10 years. Yeah,
10:12
you do tours, like, all over
10:14
the world at point. All over the
10:16
world. We do Egypt. We do
10:18
the Yucatan in Mexico. We do South
10:20
America, so Peru, Bolivia, Easter Island.
10:23
I do Turkey. I do Jordan,
10:25
all through adeptinitiates.com. And if you think
10:27
this is a shameless plug for
10:29
my tours, it is. But
10:33
no, you know, it's
10:35
deeply rewarding for me because
10:38
we get to facilitate transformational experiences
10:40
for people. It's not uncommon to
10:42
have people come together. And I've
10:44
had people that have met on
10:46
our trips and got married, had
10:48
children, become friends. Because, you know,
10:50
you often feel like you don't
10:52
have a lot of people to talk about
10:54
these topics with, you know, the deeper esoteric
10:56
stuff or aspects of ancient history. So when
10:58
they come on tour together, you find a
11:00
lot of like -minded interests from people all over
11:03
the world. And, you know, a lot of
11:05
people come for the archeology. They want to
11:07
see the sites. They want to hear about
11:09
the history and the mysteries. And they want
11:11
to learn also about the alternative theories. But
11:13
what they don't realize is when they come
11:15
on my tours, they get so much more
11:17
in terms of the groups that you meet,
11:19
the people you meet. It's actually the interactions
11:21
in between everything. Everything's amazing. Don't get me
11:24
wrong. But it's the conversations on the
11:26
bus. It's being able to dine with like
11:28
-minded people, you know? So they're very powerful
11:30
experiences and it's deeply rewarding for me
11:32
beyond the money. It's much deeper than the
11:34
money because I get to, one, help
11:36
raise consciousness and educate people while on these
11:38
tours and you just have an experience
11:40
on like any other. And you get to
11:42
go to all these places and see
11:44
the stuff you study and be a part.
11:46
I mean, it's... I'm a history nut.
11:48
So like going to see like this, in
11:50
this case, like very ancient things and
11:52
like try to understand what these human
11:55
beings were doing at the time, or
11:57
maybe someone else from another planet, is
11:59
a wild, wild... thing and you get to teach
12:01
it at the same time it's so cool
12:03
it's like scratching the edge you know I
12:05
mean it's interesting you say that Julian because
12:07
that is what sort of in a way
12:10
led me into some of this stuff
12:12
extraterrestrials you know it could be hey
12:14
man I watched ancient aliens for 10
12:16
years and before that I read Zachariah
12:18
Sitchin and von Danikin back in the
12:20
90s in my teenage years coming in
12:22
Oji oh gee honestly it started for
12:24
me with hip-hopop It was listening to
12:27
MCs like KRS 1 talking about
12:29
metaphysics or a killer priest from
12:31
Wutang affiliate talking about astral projection
12:34
that made me want to understand
12:36
what is this or KRS 1
12:38
would talk about Egypt as Kemit,
12:40
Kemit, KMT, that is the original
12:43
name of Egypt, Egyptos, the original
12:45
word for the, well there are
12:47
actually many names for the land
12:49
of Egypt, but one of the
12:51
more prominent names was Kemit, KMT,
12:54
KMT. We say we today say
12:56
commit we use E like
12:58
K-E-M-E-T That's an Egyptological convention.
13:00
Okay, so the hieroglyphs for
13:02
a chemit of a hieroglyphs
13:04
for a K-M and T Right which
13:06
give us the word chemit which meant
13:08
like that's like the guy Landa Kem
13:10
has to channel. That's what it's
13:12
what's a reference to right? Gotcha. Yeah,
13:15
but please continue. Yeah, I don't think
13:17
the pyramids were Chemical power plants, but
13:19
yeah, exactly interesting opinion He's he's I
13:21
just I've already scrutinized that I pulled
13:24
in a metallurgist and a chemist to
13:26
look at his theory with me And
13:28
it just doesn't hold up. We find
13:30
that it's baseless when held up on
13:32
the scrutiny But anyway, yeah that word
13:35
that he uses chem comes from chemit
13:37
that was the name of the land
13:39
chemit which meant the it was the
13:41
dark rich alluvial soil against the shirt
13:44
which was the desert, the red desert.
13:46
So the red desert, the black alluvial
13:48
soil, Kemmett desert. They had other names
13:50
too, like Tarsetti, the land of the
13:53
bow, or Tamari, the beloved land. But
13:55
Kemmett was one big name, and we
13:57
spell it with an E today because.
13:59
In hieroglyphs, you don't use vowels. There's
14:02
no vowels in a written language.
14:04
So what Egyptologists have to do
14:06
is they'll often take an E
14:08
to make it easy to pronounce in
14:10
English. So if the word is
14:12
KMT, which is probably more pronounced
14:14
from the throat, like a chemit.
14:16
And we don't know exactly how ancient
14:18
Egyptian was pronounced either. We have
14:20
to go off of the Coptic
14:22
records and what we know about the
14:25
Rosetta Stone to try to assume
14:27
what it may have sounded like.
14:29
No one knows exactly what the
14:31
ancient Egyptian language sounded like. But the
14:33
hieroglyphs KMT is for the land
14:35
and yeah Egyptologists will add the
14:37
e in there. It's not that
14:39
vowels weren't spoken. Because vowels are sacred,
14:42
the priests would do incantations, magical
14:44
spells, and meditations using vowel sounds,
14:46
like, oh, you know, not saying
14:48
they used ome, but they would, the
14:50
vowel sounds, you know, they would
14:52
pronounce them, but they didn't write
14:54
it into the written language. But
14:56
yeah, Kemid is one of the ancient
14:58
names for Egypt, and yes, I've
15:00
studied the hieroglyphic language. I'm not
15:02
saying that I can read every
15:04
hieroglyph like newspaper, like newspaper, because it's
15:07
very complicated. hieroglyphs, it's a beautiful
15:09
language and it doesn't take that
15:11
long to like Within a few
15:13
months of intensive study you can get
15:15
a good grasp of it to
15:17
the point where you can walk
15:19
in most museums or come on
15:21
one of my tours to Egypt and
15:23
look at the walls of the
15:25
temples and the steler and the
15:27
tombs and start to piece everything
15:29
together. Because honestly, a lot of it
15:32
is recurring motifs and phrases and
15:34
most of it is offerings. Most
15:36
of the hieroglyphs you see in
15:38
Egypt is an offering formula. And when
15:40
you get to distinguish and know,
15:42
okay, this is a heptiptineesuit, which
15:44
is a specific offering formula. It
15:46
becomes easy to... What do you mean,
15:49
but a little more expansion on
15:51
offering for all of us out
15:53
there? Yeah, so you know, for
15:55
the ancient Egyptians, their worldview was different
15:57
than ours in a sense. They
15:59
had a different ontology, a different
16:01
understanding, right? What is it that
16:03
fascinates us about each? You know? What
16:05
is it that calls you to
16:07
Egypt? It's the big megalithic sites,
16:09
it's the pyramids, it's the architecture, everything,
16:12
right? I think it's deeper than
16:14
that. It's not so much about
16:16
the architecture, it's about the consciousness
16:18
of the people behind it that resonates
16:20
with us most. And this was
16:22
a spiritually oriented people. who seen
16:24
this whole, or had an understanding
16:26
of rather, this whole unseen realm around
16:28
us, of what we say gods.
16:30
For them, it wouldn't be God
16:32
or be Necher, or Necheru, many
16:34
gods. Necher is an ancient Egyptian God,
16:37
right? So the ancient Egyptians didn't
16:39
have gods. They had Nechers, which
16:41
were principles or aspect of nature
16:43
and cosmology. In other words, the wind
16:45
blows. Let's call that shoo. And
16:47
that is in a sense a
16:49
neture. And in Egypt, whenever you
16:51
have plural, three or more of something,
16:53
many, you have the sound oo.
16:55
So neturu means many. You have
16:57
the sound e, if there's two.
16:59
So like the word for land in
17:02
Egypt is ta. So if you
17:04
have the two lands, upper and
17:06
lower Egypt. You have Tawui, two
17:08
lands. So Taw, Tawui, Tawu, Naturi, if
17:10
there's two, Naturu, if there's three
17:12
or more. So they had this
17:14
concept of the netures, which were
17:16
like spiritual energies or, you know, really
17:19
principles or aspects of nature and
17:21
cosmology. Just like the Maya, Mesoamerica,
17:23
right? They had a veneration for
17:25
the rain. They had the rain god
17:27
Chak. It was a way of
17:29
taking the rain. and personifying it,
17:31
giving it a face, making it
17:33
an hour likeliness. You take the body
17:35
of a human, the ancient Egyptians
17:37
would have these anthropomorphic figures where,
17:39
you know, you have the body
17:41
of a man in the head of
17:44
a jackal or a dog, anubis.
17:46
Why? This is all esoteric symbolism.
17:48
It's the body of a man
17:50
to represent something in our likeness that
17:52
we can grab. The ancient struggle.
17:54
to understand physics and metaphysics and
17:56
explain it like we do today. So
17:58
they were taking images that's familiar
18:00
with us, the image of man,
18:02
and they would put the image
18:04
of a, you know, let's say the
18:07
head of a dog on it.
18:09
Why? Because they were observers of
18:11
nature. They weren't glued to their
18:13
iPhones and going through discord and running
18:15
out to Best Buy to buy
18:17
a new hard drive. You know,
18:19
they were focused on their surroundings
18:21
and they were observers of nature and
18:24
the cosmos. And so they would
18:26
see that the dog. had instincts.
18:28
You could let a dog go
18:30
at night and it would find its
18:32
way back home. It would eat
18:34
the dead carry-on, which had a
18:36
more deeper profound symbolic meaning for
18:38
them, where, you know, it would eat
18:40
the dead to have sustenance to
18:42
bring itself life. It represented a
18:44
cycle. And that is what is
18:46
expressed in the vast majority of ancient
18:49
Egyptian symbolism. It's cosmology. death and
18:51
life, it's destruction, creation, and understanding
18:53
that these things go on cycles.
18:55
So in order to sustain all of
18:57
this that is given to us
18:59
by the Creator and the gods,
19:01
we have to make offerings to
19:03
appease the gods. The Maya in Mexico
19:05
did this. You could go to
19:07
Ushmal and you can see the
19:09
freezes on the wall. They would,
19:11
you know, they would burn the parchment
19:14
and send the smoke. First they
19:16
would bloodlet. Yeah, they would take
19:18
the bone, the tail of the
19:20
stingray, and they would pur- the shaman.
19:22
This was a shaman that would
19:24
do this, and he would perforate
19:26
his penis, his phallic member. And
19:28
the blood would drip onto paper. They
19:30
would light the paper. Oh, wait,
19:32
the shaman was stabbing his own
19:34
dick? Oh yeah. What? What is
19:37
it, though? It's a symbol of fertility,
19:39
right? It's reproduction. This is the
19:41
part of the body that's gonna
19:43
produce and bring new life. And so...
19:45
The blood would drip onto the
19:47
paper. The pot tree. Is he
19:49
like hard when he's doing it?
19:51
I can't tell you I wasn't there
19:54
during. Like how do you even
19:56
get that to go? Yeah. And
19:58
I don't know what part of
20:00
the ritual. was a stingray? The
20:02
bone. Yeah they would use bone
20:04
basically. You can see it if
20:06
you When you come on my
20:08
trips to the ukitan, you can
20:10
see it at Hoosh Mall up
20:12
on the on the freeze, you
20:14
can actually see the perforated penis.
20:16
There was a bunch of them.
20:19
Actually, they removed a bunch of
20:21
them because, I forget, it was
20:23
one of the queens that had
20:25
come there decades ago and they
20:27
removed all the phallic symbols, but
20:29
some of them stayed behind. Anyway,
20:31
they did that in Rome too. There's
20:33
some weird, little ties here. Go ahead.
20:35
is the life that we're thriving on
20:38
the blood. So we're giving back. It's
20:40
a very beautiful poetic thing in a
20:42
sense. We think of it today with
20:44
our modern, oh my God, cringe-worthy, you
20:46
know, stabbing for them, this is what
20:48
produces life and this blood in me
20:51
is a vital essence and I'm giving
20:53
it back to Creator that created me
20:55
in the first place. So by lighting
20:57
the parchment it would turn into smoke.
20:59
And, you know, just like when you're sitting
21:01
there smoking a blunt, it's a ritual
21:03
in a sense, and the smoke is
21:05
going up into the air, and anything
21:07
that transcends the earth is, you know,
21:09
and simplest interpretation, it's spiritual, that which
21:12
can transcend the earth. And so it
21:14
was a way of reconnecting with the
21:16
divine cosmos. And so the Egyptians were
21:18
the same. They made offerings to the
21:20
gods. And they had to do it to
21:22
sustain things in the afterlife. The afterlife
21:24
was a very... you know, complex. Can
21:27
you explain the Egyptian afterlife as they
21:29
believed it? Please. to the best of
21:31
my knowledge, sure. And the whole,
21:33
well, for them, there was an
21:35
afterlife and they, I hate to
21:38
say they were obsessed with it,
21:40
but it seemed to take up
21:42
a lot of time during this
21:44
life, our temporal existence, right? This
21:46
is temporal, this isn't gonna last.
21:49
This is my material self, my
21:51
physical skin, but it's a meat
21:53
suit for the Egyptians, you know,
21:55
within us, a lot of us
21:57
today, we have different concepts. of
22:00
a soul, right? Do you believe in a
22:02
soul? Absolutely. Okay. What is the soul for
22:04
you? That's such a strange question I
22:07
have to answer, but I would
22:09
say it's the underlying meaning of
22:11
someone's purpose on earth. Okay. How
22:13
do you distinguish a soul from a spirit?
22:15
Do we have spirit? I kind of
22:17
don't. Like, so, and that's, this
22:20
is totally subjective. Like, when I
22:22
talk about someone's soul, I'm kind
22:24
of, like, in my head, talking
22:26
about their spirit, but I understand
22:29
there's different context to it. And
22:31
it depends who you ask. And
22:33
different humans are gonna
22:35
give different interpretations, and that's
22:38
okay. For the ancient Egyptians,
22:40
it wasn't just a soul. It wasn't
22:42
one thing. It was comprised of, there
22:45
were nine aspects of the soul. The
22:47
bah, it's like a bird with the
22:49
head of a man. It's the consciousness
22:51
of man on the body of a
22:54
bird because the bird has wings. Anything
22:56
that has wings can transcend the earth.
22:58
It's a spiritual creature. The kah, the
23:00
symbol for it is usually arms extended
23:02
to the side and, you know, your
23:05
hands raised up or it's, there's a
23:07
hieroglyphic symbol for the kah. You can
23:09
pull it up if, maybe if we
23:11
can pull up kah and bah. Now
23:13
these are two aspects. of the soul.
23:16
There's nine. There's also the och. And
23:18
in the afterlife, so the, the kah
23:20
is your vital essence. Vital essence. Yeah,
23:23
it's what you breathe the moment. You're
23:25
not, and the rosicrucians, which is Western
23:27
esoteric organizations, share this point of view,
23:30
this ontology, that you're not actually fully,
23:32
you're alive, when you're, you know, you're
23:34
not, when you're in the womb, it's
23:37
not until you come out of your
23:39
mother and gasped for your very
23:41
first breath. That's when the car
23:43
for the ancient Egyptians the car comes
23:46
into your body. So we take that
23:48
first breath in the life You're
23:50
infused with the car and it stays
23:52
with you throughout life and it is your
23:54
spiritual double. It's your It's C a
23:56
right. It's a a car because you got
23:59
a boss I got a book. I
24:01
don't know if it's K-O-R and
24:03
you're just leaving the R. I
24:06
got to make sure. I got
24:08
my cockies and my cockies and
24:10
Pock the car in the Harvard
24:12
yard. We don't pronounce our a's.
24:15
I'm originally from Boston. Are you
24:17
a fucking cop? Yeah, you know,
24:19
are you a fucking cop? Tell
24:21
me Jimmy, are you a cop?
24:24
Listen, so yeah, we don't we
24:26
don't pronounce our ours. I have
24:28
to struggle to The Rosicrucians have
24:30
a museum in San Jose, California,
24:33
the Rosecrusian Egyptian Museum. It displays
24:35
the largest, they have the largest
24:37
collection of authentic artifacts in American
24:39
Northwest from Egypt. They've been doing,
24:42
they were the pioneers of doing
24:44
these alternative or spiritual tours to
24:46
Egypt very early on before anybody
24:48
was doing, you know, general. Before
24:51
anybody was doing these unique specialty
24:53
tours, the Rosicrucians were leading spiritual
24:55
pilgrimages to Egypt. And they developed
24:57
connections and they brought back a
25:00
lot of artifacts. And that entire
25:02
block is amazing. If you ever
25:04
have the opportunity to go to
25:06
San Jose, it has its own
25:09
zip code. They have an alchemy
25:11
garden, they have the lodge where
25:13
the esoteric organization practices its rituals
25:15
and rights, they have a staff
25:18
research library which I've spent entire
25:20
weekends going through, like yeah, literally
25:22
I drive a few hours down
25:24
and spend the entire weekend from
25:27
open to close in their esoteric
25:29
library. You're allowed to do that
25:31
as a non? Yeah, well now
25:33
it's actually open to the general
25:36
public, so anyone can actually go
25:38
in. In fact, the, and I've
25:40
also been granted access to, you
25:42
know, some things that others haven't
25:45
had access to, because I worked
25:47
very close with the Rosicrucians. I
25:49
produced their series called The Sacred
25:51
History of the Rosicrucians, which is
25:54
available for free on YouTube. It
25:56
goes through all the mystery traditions,
25:58
Atlantis, Hermeticism, all the way up
26:00
to modern day the Rosicrucian order
26:03
and all of the various mystery
26:05
schools and their teachings that the
26:07
Rosicrucians have, that basically still perpetuate
26:09
today. Yeah, real quickly though, for
26:12
people out there who aren't familiar,
26:14
can you just explain the basic
26:16
teachings of Rosicruciism and what they
26:18
believe? The Rosicrucians are a group
26:21
of mystics that ultimately study natural
26:23
laws, universal laws, and principles that
26:25
are immutable principles, basically the ancient
26:27
wisdom. that was perpetuated throughout the
26:30
mystery schools. What is a, they're
26:32
a modern day mystery school in
26:34
a sense, well not even modern
26:36
because they've been around for a
26:39
while, but what is a mystery
26:41
school? A mystery school was a
26:43
center of study in the ancient
26:45
world where candidates would petition to
26:48
become initiates and then they would
26:50
go through ordeals, various degrees to
26:52
learn about universal principles. They would
26:54
observe silence and go within. go
26:57
inside to engender a feeling, a
26:59
connection to the divine, nosis, right?
27:01
Because that's ultimately what it's all
27:03
about, to connect with the divine.
27:06
It's mysticism in general. What distinguishes
27:08
mysticism between religion, where with religion,
27:10
you're going without for an answer.
27:12
You're looking up to the sky,
27:15
or you're going through a priest,
27:17
or a shak, or an intermediary,
27:19
or you're looking up to the
27:21
sky, praying to a god. Mysticism,
27:24
you're going within. You're looking inside
27:26
yourself. And when you go through
27:28
the various degrees and you develop
27:30
more of a hermetic understanding that
27:33
we are God, we are God
27:35
in the sense that we are
27:37
not the product of the universe,
27:39
we are an aspect of His
27:42
essence. We're an aspect of His
27:44
essence. Right. Take for example the
27:46
Pythagorean mystery schools. You're familiar with
27:48
Pythagorean. Pythagorean theorem, we all know.
27:51
Pythagorean triangle from school, but... We
27:53
can't even prove the Pythagoras ever
27:55
existed. We never found his bones.
27:57
We only know we haven't found
28:00
his bones. We only know about
28:02
his teacher. Well, you know, it's
28:04
not uncommon in the mystery school
28:06
traditions, Aristotle, a lot of these
28:09
figures. In some cases... They're meant
28:11
to, it's esoteric symbolism, they're meant
28:13
to represent archetypes. In other cases,
28:15
it's a group of people writing
28:18
under one pen name. Just like
28:20
Hollywood, where they take a bunch
28:22
of characters and make a composite?
28:24
Which is, which makes it really
28:27
easy for me to understand because
28:29
I have a background in Hollywood and
28:31
the music industry and there's so much smoke
28:33
and mirrors that goes on in the music
28:36
industry that when I got into this space,
28:38
I was quickly able to, you know, distinguish
28:40
through a lot of the BS. You gotta say
28:42
that now. No Diddy. It's interesting.
28:44
Actually, somebody just posted a photo
28:47
of me and Diddy together on
28:49
the internet. Yeah. Oh yeah. Yeah.
28:51
I don't want your algorithm to
28:53
tank now. No, it's okay. I've
28:55
never been friends. with Diddy or
28:57
affiliate with Diddy. I'm a hardcore
28:59
hip-hop head. Right from the beginning,
29:01
we weren't down with Diddy. We
29:03
thought that was all that jiggy
29:05
bullshit, mindless materialism and money and
29:07
flashy clothes. I was more into
29:09
the underground. Conscious lyricism, the real
29:12
hip-hop. I grew up with the hip-hop culture.
29:14
And
29:16
so
29:19
for
29:22
us,
29:24
Diddy
29:27
was
29:29
like.
29:32
a
29:35
cancer
29:37
cell
29:40
in
29:42
the
29:45
feud lately. Don't do that. Don't
29:47
do that. Come on. Gotta rise above
29:49
it. Well, I am trying to rise
29:52
above it, but what I'm saying
29:54
is in that process, he made
29:56
some statements and I challenged him
29:58
to bring evidence. for the statements
30:00
he was making, and he couldn't. And
30:03
in turn, he was just trying to
30:05
defame my reputation. So he found the
30:07
old picture of Diddy that he probably
30:09
pulled off, you know, my Twitter or
30:11
Facebook, and I had pointed out how,
30:13
look, if you could, and then he
30:16
tried to suggest that, you know, I
30:18
was at ditty parties and I was
30:20
involved with this whole racket, this whole
30:22
disgusting. Come on, man. You know. And
30:24
it's like what's discussing, you know, like
30:26
I have family and I have people
30:29
that know me know I would never
30:31
be involved with this nonsense. People have
30:33
known me my whole life, you know,
30:35
and throughout the hip-hop days and music
30:37
issue days, I was never down with
30:39
Diddy. Diddy has whacked to us. You
30:42
know what, and this has to be
30:44
said too, because people have this idea
30:46
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Burlington. I told you so. You know, like literally
31:42
in the same room together at all times and
31:44
that's not how it is. Is there some weird
31:47
shit that goes on? Obviously, there's some horrible people.
31:49
But like you look at this, you know, there
31:51
was a story, I believe it was... I still
31:53
got to go check this. I think Mike Tyson,
31:56
I'm pretty sure he told it himself on his
31:58
podcast, but I was told to me secondhand, but
32:00
Mike Tyson was explaining a scenario where this kind
32:02
of, what a picture can look like and how
32:05
it affects people, especially when they have a big
32:07
platform. And it's like, he said he was at
32:09
this party, like very public party, you know, with...
32:11
cameraman everywhere taking pictures of whoever celebrities non-celebrities the
32:14
whole bit and some guy comes up to him
32:16
like oh my god like I'm the biggest fan
32:18
bro I just I'm so happy to meet you
32:20
whatever he's like yeah man no problem thanks whatever
32:23
and then like the cameraman's right there he's like
32:25
oh can I get a picture you it's like
32:27
yeah do I will do it so they take
32:29
a picture and then a week later FBI shows
32:31
up to his house he goes mr. Tyson we
32:34
got to talk with you he's like about what
32:36
about what and about what and about what and
32:38
they're what and they're like about what and they're
32:40
like about what and they're like about what and
32:43
they're like about what and they're like about what
32:45
How do you know this man? And they hold
32:47
up the picture of them like gladhand and like
32:49
they've been friends forever. Turns out the guy marked
32:52
like four people that weekend before. He's like a
32:54
serial killer or something. And Tyson's like, listen man,
32:56
he was at the fan, I'm at a member
32:58
of the party, I have no fucking idea, I'm
33:01
at a man, I'm at a party, I have
33:03
no fucking idea who the through it is. And
33:05
they're like, I have no fucking idea who would,
33:07
who are, who are around all these people who
33:10
are around all these powerful places, all these powerful
33:12
places, all these powerful places. All these powerful places,
33:14
all these powerful places, all they had to do,
33:16
all they had to do, all they had to
33:18
do, all they had to do, all they had
33:21
to do. All they had to do. All they
33:23
had to do, was, was, was, was, was, was,
33:25
was, was, was, was, was, was, was, was, was,
33:27
was, was or say you were at the same
33:30
place. And now forever in this case it even
33:32
happened to you, like someone can be like, oh,
33:34
how do you know this guy? What were you
33:36
doing with him? And it sucks because there's always
33:39
going to be that 1% out there where people
33:41
are like, oh, maybe he did know him or
33:43
whatever. And I empathize with that because it's like,
33:45
I don't know who the fuck I've taken pictures
33:48
with in my life or what they're going to
33:50
be, what they're going to be accused of later?
33:52
Like, God, who's on your podcast right now? Exactly,
33:54
bro. Exactly. So it's like, you know, hindsight is
33:57
2020 on these things. context. This situation with Diddy,
33:59
you know, where the Duncan Dan is putting a
34:01
picture out and trying to mislead people into believing
34:03
that I was part of this. Disgusting stuff that
34:06
did he was doing which is not true. I
34:08
literally talked about the context in the picture It
34:10
was actually taken mid argument between me and did
34:12
he I was getting close to me. Yeah, he
34:14
was coming to steal my artist man.
34:16
I told him he can't get up
34:19
on that stage I and it wasn't
34:21
at a diddy party. It was at
34:23
South by Southwest in in in Texas
34:26
Austin, Texas. When was this? 15 years
34:28
ago 20 years ago? Maybe.
34:30
Did he was trying to? Yeah, I
34:32
was active in a music industry throughout
34:34
like the 90s into 2000s and But
34:36
yeah, so what happened was I had
34:38
an artist who was emerging. He was,
34:40
I had spent a couple of years working
34:43
with him, developing him, putting money into
34:45
him, working day and night. You know
34:47
what it's like, you wake up in
34:49
the morning, you go to the gym, you
34:51
go to the gym, you go for
34:53
a walk to clear your head and
34:55
then you're working all day till 11
34:57
at night sometimes. That's what it was
34:59
like for me in the music industry
35:01
to build this artist up, you know,
35:03
and others. And I worked hard at
35:05
this. headliner and he was making waves
35:07
from the work and money and effort
35:09
that we were putting in in addition
35:11
to his talent but we were helping
35:13
drive that and this wasn't uncommon I
35:15
have all the friends in the music
35:18
industry that were like oh just wait
35:20
till Diddy stopped showing up on the
35:22
tour bus try to steal your artists
35:24
you know and and so it happened
35:26
and so Diddy flew into Texas specifically
35:28
to get on to get on stage just thinking
35:30
I'm Diddy and I can do whatever I
35:32
want and do whatever I want and he did
35:34
to get past me. And then, you know, just to get
35:37
up on stage to align himself with my artists to hang
35:39
on to relevance, right? Did he's already getting old and trying
35:41
to remain relevant with the young cool kids? And that's what
35:43
happened. And so he was there and I explained to him
35:45
who I was and what my situation, my position was with
35:47
this artist and I was like, no, this is this performance,
35:49
you know, you can't get up on stage. We got into
35:52
an argument, did he got pissed and his body god started
35:54
coming around and right as we got into and right as
35:56
we got into and right as we got into and I
35:58
was getting heated and I was getting heated. Right there
36:00
in the argument, somebody from the press
36:02
came over. They knew who I was,
36:04
because I was a CEO of, I
36:07
started literally the first genre-specific digital retail
36:09
store in hip-hop. I had a big
36:11
emerging digital label. I pioneered a lot
36:13
of stuff. My company, my efforts, we
36:16
were in Rolling Stone, Billboard, double X
36:18
magazine said, any XT is the person
36:20
to speak to about the future of
36:22
the music industry. We put out the
36:24
first podcast in hip hop history. You
36:27
did? We did the first live web
36:29
stream in hip-hop history. We did the
36:31
first digital downloads, first digital albums. I
36:33
was like on the phone with ISRs.
36:35
You're like the godfather, the hip-hop digital
36:38
age. The untold story. Yeah, the untold
36:40
story. Yeah, and I go back way
36:42
before that, because before that I was
36:44
putting out vinyl records and CDs. I
36:46
was doing artists myself, you know, so
36:49
I've... I've won a lot of hats
36:51
in the music industry, but in this
36:53
particular role, you know, I told Diddy,
36:55
no, it's not happening, and we were
36:57
getting into an argument, and somebody from
37:00
the press came over, and they were
37:02
like, oh, CEO, and Diddy, I was
37:04
like, let's get a picture of you
37:06
two together. So we're like fighting with
37:08
each other, arguing, and then we're like
37:11
fighting with each other, arguing any XT.
37:13
Yeah, if you go to yeah, try
37:15
that How's this for this? This is
37:17
transparency. So you're doing your tone is
37:20
pulling up. I'm just trying to be
37:22
my true authentic self man I love
37:24
that well because I have no there's
37:26
no skeletons in my closet I'm I'm
37:28
happy to to elaborate and let people
37:31
know what really happened I think context
37:33
is important I agree and if we
37:35
just look at things on the surface
37:37
things are not always what they appear
37:39
to be this is why I'm an
37:42
esoteric researcher I like to go deeper
37:44
and look that's right Any
37:46
XT not tree sorry A-N-Y-E-X-T-E-E
37:48
all right go to media
37:50
and Let's see what we
37:52
got Down, down, down, see
37:54
it might have already gotten
37:56
wiped. Go, go, try, it'll
37:58
be on D dunking Dan
38:00
or go to Dunking Dan
38:02
and then you might just
38:04
have to scroll down. You
38:06
know, you gotta talk to
38:08
our mutual friend Luke, because
38:10
Luke Caverns is like, he's
38:12
the mister, no enemies, talks
38:14
with everyone, whatever, I know
38:16
he talks, everybody's friends. Right,
38:18
he talks with, he talks
38:20
with, he talks with Dan,
38:22
he talks with you, like
38:25
stuff like this should not.
38:27
Play out in public. It'll
38:29
be D-E-D-E-D-U-N-K-O-I think he calls
38:31
himself super sexy D now,
38:33
man. I don't even know.
38:35
Type in Dan Richards and
38:37
then go to people and
38:39
let's let's see what we
38:41
can do here. There he
38:43
is. No, yeah, there he
38:45
is. He has Dan Richards.
38:47
Go to maybe his media,
38:49
where would it go to
38:51
media? Media, and then you'd
38:53
have to scroll down a
38:55
bit. All right. No.
38:57
That was right there. There it
38:59
is to the right. Me and
39:01
Diddy. Before the dread law. That's
39:03
you? That's you! That's me before
39:05
the dreads. No, it's not. What
39:08
the fuck? And I had dreads
39:10
before that too. I had dreads
39:12
in the early 90s. I cut
39:14
them out. But yeah, this is
39:16
years ago, man. What a shirt,
39:18
by the way. Just says cocaine.
39:20
Yeah. He was different. Yeah. Wow.
39:22
Wow, that's you. Yeah. You got
39:24
Egyptideropide. Something happened. I had dreads
39:26
before this so this is this
39:28
is a this was a period
39:30
of my life where the music
39:33
industry was transforming me And that's
39:35
why I got out of the
39:37
music industry, but the whole point
39:39
look at our faces Nobody looks
39:41
happy not happy why we're in
39:43
the middle of an argument and
39:45
his event staff behind us his
39:47
bodyguards are behind him. I'm just
39:49
saying. Wait, what's the meaning of
39:51
that? What's the... Well, that means
39:53
he's got the leverage. Psych a
39:56
lot. Yeah, I'm also tall and
39:58
lengthy. You know, so I kind
40:00
of tend to lean off the
40:02
one side, but it's also some
40:04
bright up in his face like
40:06
you are not coming on stage
40:08
That's exactly what it looks like
40:10
and And he's like whatever man.
40:12
So anyways long story sure he
40:14
ended up on stage and you
40:16
know, I couldn't flex passes bodyguards.
40:19
I tried. But anyway, long story
40:21
short, never been a fan of
40:23
ditty. This picture's taken out of
40:25
context. What's he saying? How much
40:27
baby? See, ridiculous. You know, absolutely
40:29
disgusting. And to do this, to try to
40:31
hurt my reputation, I didn't even attack him in
40:33
a way where, you know, I was saying anything
40:36
negative. I was basically like, hey.
40:38
Here's what I'm trying to correct and set
40:40
the record straight bring the facts hit show
40:42
more on any XT's response Unless let's get
40:44
this on the record for people We'll also
40:47
reference in Jimmy bright insight here another one
40:49
of my number one fan right Jimmy Corsetti
40:51
and you made the claim that I'm lying
40:53
and accused me of fabricating my mentorship with
40:55
Jaya W John Anthony West Okay, these accusations
40:57
are untrue and worse they're being used to
41:00
distract from Jimmy misleading the public you also
41:02
falsely claimed I worked for a short period
41:04
for a short period and that this was
41:06
the extent of our relationship. a bold and
41:08
damaging lie revealing how low you're willing
41:10
to go. It's also an example of
41:13
debunking without proper research exactly what you
41:15
claim to oppose yet actively participate in.
41:17
Since you made the accusations, the burden
41:19
of proof is on you to back
41:21
them up. I've already agreed to present
41:23
my evidence once you provide my evidence
41:26
once you provide yours. I even offered
41:28
to wage your money on it, but
41:30
you won't accept because you know your
41:32
claims are baseless designed to tarnish my
41:34
reputation and frame me as a liar.
41:36
Not even one. We wouldn't go. Did he whack?
41:38
Why would we go to a Did he
41:40
party? Just make it sure. That picture was from
41:43
when Did he crash my event in Texas
41:45
to try to get on stage and poach the
41:47
artist. I spent time and money developing. I
41:49
told him no and it led to a heated
41:51
argument interrupted by the press who took that
41:53
photo neither of us is smiling because we don't
41:56
like each other. I've always seen Did he
41:58
as a culture vulture and a charlatan. in
42:00
this space, what do you do? You dig
42:02
up an old photo and distort the truth
42:04
trying to make it seem like I was
42:06
aligned with Diddy. That's a low and disgusting
42:09
tactic, but it speaks more about you than
42:11
it does about me. Wow. dropping the mic.
42:13
I respect it man. I understand exactly what
42:15
you mean. Context is everything and people will
42:18
just try to, they'll create a, what's it,
42:20
a red herring, has nothing to do with
42:22
the argument you're having right now, like, oh,
42:24
what were you doing with titty? And they
42:26
can attack you, but you're in the music
42:29
industry for a long time. And it's all,
42:31
that's why I get out, man. It's, it's
42:33
really, it's all smoking mirrors, right. And in
42:35
some ways, you know, you know, you know,
42:38
you know, like, like, like, like, like, like,
42:40
like, all right, all right, all, so for
42:42
me, I remember, I got into the, I
42:44
was always in hip-hop culture, but I got
42:46
into the more lyrical, you know, thoughtful hip-hop,
42:49
positive hip-hop, conscious hip-hop. But as I expanded
42:51
my business, I realized that's not what sells.
42:53
We had an incredible group from the Bronx
42:55
known as the Juggenots. They're African-Americans, they're school
42:58
teachers, they're very intelligent, the main MC Bree
43:00
Breeze Bruin, is an incredible lyricist. You ever
43:02
gonna hear them on a radio radio? maybe
43:04
college radio on the ground radio but no
43:06
because they're not it's not sex drugs rock
43:09
and roll that's what's mostly on the radio
43:11
right it's it's pushing a specific stereotype and
43:13
i remember when i was in the music
43:15
industry i was part of it in a
43:18
sense when i would produce music videos for
43:20
artists when the video is over the chain
43:22
comes off the rapper's neck and goes back
43:24
to the jeweler the fancy cars go back
43:26
to the dealership the clothes that they're wearing
43:29
goes back to the stylist who brings it
43:31
back to the shop the pretty girls that
43:33
are all over them in the video, they
43:35
all go home at the end of the
43:38
video. It's all smoke and mirrors and what
43:40
I realize is that I was part of
43:42
that machine that was facilitating these negative stereotypes.
43:44
And you know, I don't want young people
43:46
to see this and I'm seeing the young
43:49
people watch these videos and trying to imitate
43:51
the art at the wrappers and it's all
43:53
fake. And that's what cells in the industry
43:55
is driven to push that stereotype. You know
43:58
people get caught up in it and in
44:00
a sense like me. I feel like I
44:02
became sick, you know I I felt like
44:04
even in the industry side as an executive,
44:06
I had, the rappers have to do it,
44:09
we had to do it, it was like
44:11
keeping up with the Kardashians. I became very
44:13
successful in the music industry at one point,
44:15
and I don't come from money actually, like
44:18
I said, I never went to university, I
44:20
grew up cross street from a housing project,
44:22
you know, south of Boston. We're south of
44:24
Boston. Specifically, we want to get really into...
44:26
Not Charleston town. even further south. You're not
44:29
rubbing a bank out there. Even further than
44:31
Charlestown, okay? All the way down at Fall
44:33
River, Massachusetts, home of Lizzy Borden, the axe
44:35
murderer. Oh yeah, I know Fall River. Yeah,
44:38
Fall River. So I was born in Providence,
44:40
Rhode Island, raised in Fall River, and then
44:42
later in my life I moved, my early
44:44
adulthood, I moved to Boston, lived in Boston
44:46
for a decade, then moved to California. So,
44:49
you know, I come from an area where...
44:51
Specifically Fall River, 50 miles south of Boston,
44:53
there's not a lot of universities. Education isn't
44:55
that great. There's high high school dropout rates.
44:58
There was major problems with heroin back in
45:00
the day. Everyone's depressed. You know, I grew
45:02
up in the hood. I grew up cross
45:04
street from a housing project. You know, I've
45:06
seen a lot of stuff already in my
45:09
teenage years that most people won't see in
45:11
a lifetime. and experience these things. And most
45:13
of the people I grew up with never
45:15
leave the neighborhood. When I moved to Boston,
45:18
it was a big deal. He's going 50
45:20
miles south to the big city. And I
45:22
used that opportunity because I didn't go to
45:24
college to ear hustle. I would go sit
45:26
at the cafe outside of Harvard and listen
45:29
to what all the students and teachers were
45:31
saying. That's how I developed and like, I
45:33
self-taught myself. When I graduated high school. I
45:35
didn't know how to tell time on a
45:38
regular clock. I need a digital. I had
45:40
never read a full book all the way
45:42
through. And I didn't know my months in
45:44
the order. January, February, March, May, June, July
45:46
or... I didn't know any of that. I
45:49
didn't know at the end of high school.
45:51
Yeah, a lot of people dropped out in
45:53
high school. There was, you know, it was
45:55
a lot... How'd I get through it? I
45:58
don't know. Must have cheated my way. It's
46:00
it's I was a product of the environment
46:02
and I was a product of that school
46:04
system. What were your parents around? I had
46:06
two parents. They're great parents You know, it was
46:08
just the environment we lived in in fact they
46:11
moved us out I had an older brother and
46:13
he got into a lot of trouble and like
46:15
later in life They moved us out to the
46:17
suburb. You know working a lot your parents, too.
46:20
That's the thing. They were working 24 7 my
46:22
mom and my dad, you know put food on
46:24
the table putting food on the table. Yeah, yeah,
46:26
so I was actually like I was actually like
46:29
Back then, they would refer, with normal classism, they
46:31
would refer to it as like lower middle class.
46:33
And being that, I was like the wealthiest kid
46:35
on the block because I actually had toys.
46:37
My parents bought me Star Wars figures and
46:39
GI Joe figures and stuff. None of the
46:42
other kids in my neighborhood had that. So
46:44
they'd all flock to my house because I
46:46
was the rich kid. But we weren't really
46:48
rich. We were just getting by, you know,
46:50
I didn't need money to get into university.
46:52
I didn't even know how to get into
46:54
college and I didn't want to. Back then,
46:56
especially where I grew up where I grew
46:58
up. It wasn't cool to, where I grew
47:01
up. that I realized all of that was
47:03
backwards and that I had you know
47:05
this ignorant sense about things I want
47:07
to expand my consciousness and when I
47:09
got to Boston and I started meeting
47:11
educated people who are going to university
47:13
then when I started traveling to the
47:15
music industry and you get to California
47:17
and you're around all the you know
47:19
the hippies and higher consciousness then you
47:21
start traveling the world and you see
47:23
how different cultures are operate it just
47:25
expands your consciousness and that was what
47:27
the journey was like for me you
47:29
know moving from South you know south
47:31
of Boston into Boston proper and then
47:33
over to California But you said and
47:35
we're gonna come we're we're we even
47:37
around here. We're gonna come back to
47:39
Rosicrucianism at some point because we were
47:42
on it But you had also said
47:44
that you initially got interested in like
47:46
the esoteric or ancient history topics literally
47:48
through hip-hop and hearing that in high
47:50
school. Would you say it was KSR?
47:52
KRS one last master KRS one would
47:54
wrap about Metaphysics and that's why I
47:56
went on the tangent on the tangent
47:58
about KEMic about Kemit because he was
48:01
the first one to rap about, or use
48:03
the word chemit in a rap. What's Kemmett?
48:05
EJ? I knew, EJ, I know, you couldn't
48:07
Google back then. There was no Google, there
48:09
was no YouTube, you know, it was books.
48:12
Eventually it's books, you carry that with you,
48:14
and then later, later I became a book
48:16
geek, like I'm a ferocious reader, I've got
48:18
stacks of books on the side of the
48:20
toilet, I've got books by my bed, I've
48:23
got books by my bed, I've got books
48:25
by my bed, I've got books in every
48:27
room, four, four, four, four, four, four, four,
48:29
four, four, four, three, four, four, four, four,
48:32
four, four, three, four, four, four, four, four,
48:34
four, three, four, four, three, four, four, three,
48:36
four, four, four, three, four, three, four, four,
48:38
three, three, three, three, four, three, three, three,
48:40
three, three, four, four, four, three, three, Scott,
48:43
I like, I'm going to use that. Scholar
48:45
eyes. Okay. And then you just hide them
48:47
with the sunglasses. Yeah, that's right. So, um,
48:49
which is a trick from the music industry.
48:51
Oh, your eyes look like shit. Put these
48:54
sunglasses on and get in the video. Oh,
48:56
so much that goes on in the music
48:58
industry, like, you know, it was a pre
49:00
as a CEO of regularly, it was a
49:03
prerequisite to read the 48 laws of power.
49:05
Robert Green. You know what I accessing cues
49:07
are? I accessing cues. It's a part of
49:09
NLLP, neural linguistic programming. And it's been employed,
49:11
you know, experimented, CIA and FBI. Basically, and
49:14
I used to use it all time in
49:16
the music industry, you're doing interviews with artists
49:18
and you're in the boardroom, you have to
49:20
know how to read people, not just their
49:22
words, so I accessing cues, your eyes move.
49:25
you know they access different parts it's somewhat
49:27
speculative side right so so the upper part
49:29
is you know either creative one side is
49:31
for creative so our the right side is
49:34
for creative yep the left side is from
49:36
remembered so this is how you can tell
49:38
if somebody's lying usually it's not a hundred
49:40
percent accurate science yeah but in most cases
49:42
I can watch the pattern of your eyes
49:45
and I can ask you a story I
49:47
can say you know Julian what does a
49:49
purple elephant with pink Thoughts look like Now
49:51
you're aware of it and and you know,
49:53
so your eyes may not move now, but
49:56
you're actually asking me right now. We'll see
49:58
You're not even aware of it. But if
50:00
I ask you a question that requires you
50:02
to think, you're going to access a part
50:05
of your brain to either pull it from
50:07
memory or you're going to create it. If
50:09
you're lying, you're creating. Not always, but if
50:11
you're lying, you have to create something. So
50:13
if your eyes don't go to the left
50:16
side, which shows me you're remembering. Now I
50:18
know you're creating. So it's possible you may
50:20
be fabricating a story and you can access
50:22
a story. You have to understand color theory.
50:24
You as a podcaster, you use red and
50:27
white in your thumbnails. I'm sure it's intentional.
50:29
It's a classic marketing. If anybody studies marketing,
50:31
color theory, red is an impulse color. You've
50:33
got the red curtain. It's symbolic and it
50:36
actually affects us physiologically, which then affects us
50:38
physiologically. Because it's why, it's why. I can't
50:40
take credit for those. My mom got those,
50:42
but yeah. You're right. I thought you were
50:44
just trying to emulate Joe Rogan with the
50:47
red curtain. No, don't even get me fucking
50:49
started, bro. So she actually, she, when I
50:51
was in the old studio, my parents' house,
50:53
if you look like pre-ep episode 50, I
50:55
had like, you know, just a set up
50:58
like false background or whatever. And my mom,
51:00
like, couldn't keep looking at it. And she's
51:02
like, I am going to get you curtain.
51:04
So I'm like, no, no, no, I can't
51:07
afford him, I can't afford him, I'm getting
51:09
them, I'm getting them, I'm getting them, I'm
51:11
getting them, I'm getting them. If you insist.
51:13
So she goes and gets curtains before episode
51:15
50 with Riley Horvath and I remember the
51:18
day they got there and we were putting
51:20
him in, he opened up the new studio
51:22
with red curtains and I was like, oh
51:24
no. And I'm like, fuck, and my mom's
51:26
like, no one's going to care. I'm like,
51:29
oh, you don't know the internet. Jesus Christ.
51:31
But I'm like, well, we'll see. No one
51:33
bothered me about it for like two and
51:35
a half years there. There are three years
51:38
more at the studio. Then we come here,
51:40
Danny Jones flies up here with me to
51:42
design the studio. And he's like, yeah, just
51:44
put the curtains on this side, whatever, you'll
51:46
be on that side. And then, and then
51:49
the first day, oh, oh, oh, oh, you
51:51
know, are, you know, are, you know, you,
51:53
you know, you, you know, you, you know,
51:55
you, you know, you, you know, you, you
51:58
know, you know, you know, you know, you
52:00
know, you, you know, you know, you, you
52:02
know, you know, you know, you know, you
52:04
know, you know, you know, you know, you
52:06
know, you know, and invented red curtains. Like,
52:09
oh, dude, that is such a pain point
52:11
for me. I'm like, Jesus Christ. Like, we
52:13
got to get home with life here, but
52:15
I don't know. I seen Rogan do it.
52:17
I seen Julian Dory do it. I'm like,
52:20
if all the great podcasters are doing it,
52:22
I'm going to need to get a red
52:24
curtain for my content now. But you know,
52:26
what I was saying about the color red,
52:29
you know, and, and, um. You know this
52:31
whole idea of like we have to it's
52:33
not just music you have to study people
52:35
at psychology You're studying psychology and human behavioral
52:37
patterns when you're in the music industry if
52:40
you want to be successful and red, you
52:42
know Target stores stop and shop markets Any
52:44
it's an shop markets any it's an impulse
52:46
color when you go to check out in
52:48
any store and you've got all your candy
52:51
bars how many of them have a red
52:53
wrapper with white? It triggers something. We're already
52:55
conditioned to stop at a red stop sign,
52:57
a red stop light, without even reading the
53:00
word stop. We see the color red. What
53:02
it does, it triggers our fight-of-flight response. and
53:04
then we get this impulse and that's why
53:06
red is the color of passion and love
53:08
and you know and but it's also a
53:11
color that you know has a physiological effect
53:13
on yes and so why is it at
53:15
the impulse items why the candy like right
53:17
before you're checking out remember you might want
53:19
to buy a candy bar which I don't
53:22
recommend because it's going to cause cancer it's
53:24
all poison but you know it's it's to
53:26
get you to stop Red is to get
53:28
you just like your thumbnails is to get
53:31
you to stop and click. So we had
53:33
to we had to go through, you know,
53:35
color theory, human behavioral patterns, all of this
53:37
stuff, neuralinguistic programming, you know, read the 48
53:39
laws of power. And I don't agree with
53:42
everything Robert Green, but they're all founded on,
53:44
on like universal laws and principles of, and
53:46
you know, he makes good cases for sure.
53:48
He certainly does. So, but all of that
53:50
goes into this whole dynamic of the music
53:53
industry and you know there's a lot of
53:55
fake stuff in the music industry images. We,
53:57
back then you want... to, you know, the
53:59
saying, fake it till you make it, or
54:02
to be successful, one must project the image
54:04
of success. Yes. That's what we were doing.
54:06
So even if you didn't have the money,
54:08
and that's what the rapper's doing, even if
54:10
you don't have the success, you act like
54:13
you do it. Act like you do it.
54:15
And in some cases, when you be it,
54:17
you'll eventually, like, be gets like, you'll eventually
54:19
become it. So there is something to that.
54:21
But, but at the same time, Man, I found
54:24
myself trying to keep up with
54:26
the Kardashians. Literally when I was
54:28
making serious money in the music
54:30
industry, every Saturday morning, I was
54:33
going to Newberry Street in Boston
54:35
to Ricardi, one of the most
54:37
expensive stores, buying $2,000 letter belts
54:39
imported from Italy, $3,000 sneakers, $3,000
54:42
sneakers, $10,000 jeans. Five to, not
54:44
maybe 10. I'm not, I take
54:46
that back. It'd be like two
54:48
to $3,000 to $3,000 to $3,000
54:51
to 3,000 to 3,000 to 3,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,
54:53
like every Saturday. When I was at the
54:55
peak in the music industry when I had money, I would
54:57
go... Because you felt like you had to. Well, because one,
54:59
I had the money and I don't come from money, so
55:01
when you don't have money and you get money, you spend
55:04
it foolishly. In hindsight, I wouldn't do these things now. I
55:06
was much younger and more immature. You know, I don't even
55:08
have a house now. I don't have the money I have
55:10
anymore. That's all gone. You know, I'm just getting by now.
55:12
I'm just getting by now. I'm just getting by now. Back
55:14
then, you know, how to keep up, oh man, Kaniy's got
55:17
the freshest shit, I gotta get on top of the game,
55:19
I gotta, I'm gonna go to this event, they're all gonna
55:21
be there, I need to have the freshest shit, you know,
55:23
so I gotta spend them, and that costs money. Oh, we've
55:25
got to make them, and that costs money. Oh, we've
55:27
got to make them look successful, like, we've got an
55:30
artist, we gotta make them look successful, successful, like, like,
55:32
like, we've got to make them look successful, we've got
55:34
to make them, we've got to make them, we've got
55:36
to make them look successful, we've, we've got to make
55:38
them, I've got to make them, I've got to make
55:41
them, I've got to make them, I've got to make
55:43
them, I've got to make them, I've got to make
55:45
them, I've got to make them, I've got to make
55:47
them, I've got to like traveling the world and pursuing
55:49
my pension for exploring ancient civilizations and indigenous traditions and
55:52
the Western esoteric tradition get into the core of all
55:54
the things that drive me because I was self-made I
55:56
had to read on my own I had to educate
55:58
myself on oh how do you a company, how
56:00
do you, you know, how do you
56:02
build some, how do you do all
56:04
of this stuff? And then you realize
56:07
that as an entrepreneur, I'm sure you
56:09
can relate, your brand is only as
56:11
good as you are. That's 100%. If
56:13
you're sick, there's no, the show's got
56:15
to go on, right? So, enact sickness.
56:17
can manifest not only physically, mentally, spiritually,
56:19
emotionally. You're going to make sure all
56:21
these things are in check so that
56:23
your company is a reflection of you.
56:26
So I would read all the books.
56:28
I would go now now I've transitioned
56:30
from not reading thinking reading is not
56:32
cool to go into a... you know,
56:34
barns and nobles and buying every book
56:36
on the shelf in the spiritual section
56:38
or the self-help section of the business
56:40
section going through them all until they
56:42
get to the point where the books
56:45
on the shelf at barns and nobles
56:47
no longer serve you. And the worlds,
56:49
you know, I've always had questions about
56:51
religion that, you know, my parents can
56:53
answer, the priests, Sunday school, catechism couldn't
56:55
answer, you know, and then I grew
56:57
up in a diverse multicultural area. So,
56:59
you know, there are other people, they're
57:01
Jewish, they're Jewish, they're Jewish, they're Jewish,
57:04
they're Jewish, they're Jewish, they're kids from
57:06
India. different understandings of the afterlife or
57:08
different traditions, you know, you start to
57:10
question your own. But it gets to
57:12
a point where now I want to
57:14
go to the root of the source.
57:16
You see these guys behind me? What
57:18
are they? They're gangsters. Most of them.
57:20
Frank halfway, Don Draper, context, I guess.
57:23
The other ones, pretty much, yeah. Gangsters
57:25
in the sense that they go to
57:27
the source. Not necessarily at their body
57:29
and people and leaving them in the
57:31
ocean. A gangster is one who doesn't
57:33
allow society or the government to govern
57:35
him. A gangster is one who knows
57:37
how to govern himself and go directly
57:39
to the source. That's what makes them
57:42
so powerful. They went to the source.
57:44
They had the good stuff. You have
57:46
to go to the gangster and you
57:48
know to get it or whatever. So
57:50
my point is like I'm not a
57:52
gangster in terms of body and people
57:54
and you know burying someone dropping them
57:56
off with the fishes fishes and all
57:59
good because I'll put you in the
58:01
matterlands. Shout out Tony Soprano. No, but
58:03
you know, a gangster is someone's gonna
58:05
go to the source. And spirituality, it's
58:07
going to the source. It's, where did
58:09
all this come from? What were the
58:11
earliest texts that inspired Christianity? The Gnostic
58:13
texts, the Hermetic texts, where they come
58:15
from? Oh, the news, I realize, oh,
58:18
a lot of it seems to come
58:20
out of Egypt. The principles are already
58:22
in Egypt. So you're, this sounds like
58:24
to me, correct me if I'm wrong
58:26
here, but I'm just trying to follow
58:28
along with the timeline of what you're
58:30
describing. As you're from the 90s, graduating
58:32
high school, going through the rest of
58:34
the 90s, throughout the 2000s, in the
58:37
music industry, being really successful in that,
58:39
getting really successful in that, getting caught
58:41
up in the music industry, keeping up
58:43
with the Kardashians and shit, I'm sick
58:45
of it. I want to go do
58:47
this full-time. Was there, like, I'm sensing
58:49
something, but I don't know if I'm,
58:51
if I'm onto it, like, was there
58:53
also, like, some sort of, I don't
58:56
want to, like, over-dromatize us, but like,
58:58
some sort of, like, personal spiritual crisis
59:00
about, like, like, your search for meaning
59:02
in the world, because of the industry
59:04
you were in, that you started to
59:06
not like the things you saw, and
59:08
then you started to love the research
59:10
and wonder what that all meant? It
59:12
gets to a point where it's like,
59:15
who am I? What am I? Why
59:17
am I here and why am I
59:19
doing this? Why are we here? What's
59:21
the meaning of life? I've always questioned
59:23
these things. I've always had a, in
59:25
sat, you know, I've always been very
59:27
curious since I was young. I didn't
59:29
always, you know, early on, I accept
59:31
what the authority my mom says it,
59:34
it must be true. But then you
59:36
go to high school, you go to
59:38
elementary school and you start getting beat
59:40
up and you're like, wait a minute,
59:42
my mom said if I'm a good
59:44
kid, everybody would like me. Well, I
59:46
was a good kid, now I'm the
59:48
geek that everybody's picking on. You know,
59:50
and then you develop a little more,
59:53
then you stop fighting back and you
59:55
become a gangster. But no, then, but
59:57
you go through this process and it's
59:59
like, oh. You know, I acquiesced
1:00:01
to authority to my parents, to schools,
1:00:03
religion early on, and when that didn't
1:00:05
work for me, and then
1:00:07
when I had, you know, religion, I started
1:00:09
questioning religion early on, but then by a time
1:00:11
later in my like early 20s, now I'm
1:00:13
reading more, so now I can go back and
1:00:15
look into the stuff, but I'm also trying
1:00:17
to educate myself on being a better person, and
1:00:19
I'm devouring it, and then I'm trying to
1:00:21
go deeper, and I'm trying to go to the
1:00:24
source. I'm trying to see,
1:00:26
you know, if I
1:00:28
read a book, the way I read a book now
1:00:30
is I go to the back of the book,
1:00:32
and I look at all the references, and I look
1:00:34
at where they're getting their material from, and I
1:00:36
go to the reference, and then I go to their
1:00:38
references, references, until I can get as close to
1:00:40
the source as possible, because
1:00:42
ultimately that's what it's all
1:00:44
about, developing true understanding and
1:00:46
getting closer to the objective
1:00:48
reality, because there's my reality, there's
1:00:50
my story, there's your story, and
1:00:52
then there's this objective reality
1:00:54
that comes from the source, and
1:00:56
if the mystery traditions are
1:00:58
correct, we're an emanation of that
1:01:00
source, and our purpose
1:01:03
in life is to return to the
1:01:05
source, and that is what Horus
1:01:07
is symbolizing, what Jesus is symbolizing, what
1:01:09
Kukul Khan of Mexico is symbolizing,
1:01:11
the principle of return to source, spiritually
1:01:13
speaking, cosmologically speaking. All right, well,
1:01:15
bringing this weave back to go on
1:01:17
to the Rosicrucianism thing we were
1:01:19
on like 20 minutes in, because you
1:01:21
said you had access to like, I
1:01:23
don't know what it was called, but like their libraries or whatever. This
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1:02:19
And all that? Yeah. So you had
1:02:21
explained the mystic... idea of what Rosicruciism is,
1:02:24
but like when, when were you, when
1:02:26
did you have access these places again
1:02:28
and what were you specifically trying to
1:02:30
research in there? Well my earliest exposure
1:02:32
to the Rosicrucians would be earlier on,
1:02:34
I remember in like comic books and
1:02:36
books, there would be ads, thoughts have
1:02:38
wings, you know, learn about the
1:02:40
Rosicruci, right to the Rosicrucians to
1:02:42
receive monographs. They had advertisements, right
1:02:44
advertisements, right? So they're always in
1:02:46
the back in the back of
1:02:48
my head, and I've always been
1:02:51
interested with secret societies with secret
1:02:53
societies. the Freemasons, the Rosicrucians, the
1:02:55
Golden Dawn, the OTO. What are
1:02:57
these secrets in these secret societies?
1:02:59
I got into the whole, you
1:03:01
know, before the internet, conspiracy theories,
1:03:04
you know, secret societies, the
1:03:06
Illuminati, long before 2012, you
1:03:08
know, and late night, or
1:03:10
mid 90s, these were conversations
1:03:12
that we used to wrap
1:03:14
about this stuff. Did any
1:03:16
of that emanate from your
1:03:18
exposure to the music industry
1:03:20
itself? Being in the music industry enhanced
1:03:22
it because as you're in the music
1:03:25
industry you realize a lot of these
1:03:27
themes tie in Oh Jayz's down with
1:03:29
the Illuminati is this true, you know,
1:03:31
and and then I remember having a
1:03:33
conversation with one of the artists I
1:03:35
signed He's from Jersey. Are you familiar
1:03:37
with Joe Button? Of course Joe button. Yeah,
1:03:40
I put out all his albums and all
1:03:42
his mixtape really his very first album
1:03:44
on deaf jam Everything right over here
1:03:46
in Jersey City. Yeah, yeah, yeah Joe
1:03:48
knows me That's hilarious. I relaunched Joe's
1:03:50
career. And Joe got all this credit.
1:03:52
Remember I said we did the first
1:03:54
podcast in hip-hop? Yes. Yeah. The Joe
1:03:57
Button TV, as well, my idea to
1:03:59
grab a camera. and I was on
1:04:01
the cutting edge with all of that before
1:04:03
it became an industry staple. And we
1:04:05
positioned Joe Button to be like this tech
1:04:07
savvy. I still have the video footage of
1:04:09
me explaining to Joe what a podcast is
1:04:12
in the studio. Joe, you got to do
1:04:14
this podcast. So Joe, he didn't want to
1:04:16
do it at first. So I took it
1:04:18
to my other artist. Are you familiar Max
1:04:20
B? Remember the song? I know
1:04:23
Max of Cream. You follow sports. So
1:04:25
you follow sports. So you pride member.
1:04:27
Ballin. Remember NBA always used to play
1:04:29
ball? It's a Jim Jones song. Anyway,
1:04:31
it was ghostwritten by Max B. He
1:04:33
was another artist of mine. Kanye West
1:04:35
has paid homage to him. Max B
1:04:38
inspired Drake, Wiz Califa, the many of
1:04:40
the singing songs. They'll all acknowledge influence
1:04:42
with Max B. He's in prison now.
1:04:44
So am I because I lost a quarter
1:04:46
million dollars? Anyway, it was like fraud?
1:04:48
No, no, no. Well, he went to
1:04:50
prison for conspiracy and murder linked to
1:04:52
him. He didn't commit the murder. He
1:04:55
was linked to it. Allegedly. Allegedly. The
1:04:57
charges were excessive. They're making an example
1:04:59
out of him because he was a
1:05:01
rapper, I think, I believe. And anyway,
1:05:03
you know, and this was... I had
1:05:05
come from the conscious space, but then
1:05:07
I started when I was working with
1:05:09
the buttons and the Max B's I
1:05:12
was trying to do more of the
1:05:14
street hip-hop because that's what sells and that's
1:05:16
what I could sell. Yeah, long story short,
1:05:18
I brought the idea to Max B and
1:05:20
I said, look, we're gonna do Max B
1:05:22
TV. We'll follow you around the camera and
1:05:25
we put up and it blew up. And
1:05:27
then everybody started emulating that formula. And Joe
1:05:29
Button went back and seeing how these videos
1:05:31
were blown up on World Star hip-hop. And
1:05:33
I was like, oh, Joe Button TV thing.
1:05:36
I want to do it. And that's what
1:05:38
brought a lot of new life into his
1:05:40
career. Because after Deaf Jam, after his one
1:05:42
single, pump-pump, he fell off. Yeah, that's really
1:05:44
what he had. I got his mixtape.
1:05:46
He started making official mixtape that
1:05:49
we got into stores, his mood
1:05:51
music series. been one of the
1:05:53
guys to patent a new way
1:05:55
of like the second act to
1:05:58
your career where it's different. you
1:06:00
know because like you said his music
1:06:02
he pumped it up obviously went crazy
1:06:04
I think I was number one on
1:06:06
on billboard and and Grammy nominee right
1:06:08
and so he's a successful artist but
1:06:10
then his popularity in music falls off
1:06:13
and instead of like going the actor
1:06:15
route or something some other guys had
1:06:17
done before that like Tupac and Ice
1:06:19
Cube and stuff he goes like the
1:06:21
content independent media route and like Credit
1:06:23
to them it's it's worked out a
1:06:25
lot but you were there day one
1:06:28
we were an independent label and we
1:06:30
were emerging as the first digital only
1:06:32
label digital store added I launched a
1:06:34
digital retail store before Amazon digital was
1:06:36
even a thing and so You know,
1:06:38
and the label was emerging at that.
1:06:40
Again, we were all over the press.
1:06:42
It was like the new hot thing
1:06:45
and we're signing all these wrappers, you
1:06:47
know, Joe, Bud and Max, Pete, Petey,
1:06:49
Crack, from Philly, Saigon, you know, are
1:06:51
you meant Saigon? Saigon from fucking at
1:06:53
the rush? Yeah, I'm the real life
1:06:55
turtle. No. Is he Jersey, too? Is
1:06:57
he Jersey? No, he's New York. He's
1:07:00
New York. Anyway, yeah, so Saigon we
1:07:02
signed Saigon and they were beefing at
1:07:04
the time Joe Button and Saigon had
1:07:06
like beef when we signed Saigon to
1:07:08
the label Yeah But uh, it's just
1:07:10
funny a little good old days, but
1:07:12
yeah, so Saigon popular from the HBO
1:07:14
series entourage He was signed to the
1:07:17
rapper turtles label a turtle was his
1:07:19
manager or whatever in the show in
1:07:21
real life Sorry, I can only sign
1:07:23
on my label. Yeah, real life turtle.
1:07:25
You're like, I have, I have people
1:07:27
come through this studio, maybe one out
1:07:29
every 10-15 guest where they're like the
1:07:32
forest gump of something. You're, you're one
1:07:34
of them. You got a forest gump
1:07:36
thing to you where you've got a
1:07:38
forest gump thing to you, where you've
1:07:40
got a forest gump thing to you,
1:07:42
where you've got a forest gump thing
1:07:44
to you, the music industry. So like
1:07:46
I had all these people reach my
1:07:49
company was emerging. It was ahead of
1:07:51
its time as pioneering in the digital
1:07:53
space. I had for years I had
1:07:55
distributed vinyl records, cets, cassettes all over
1:07:57
the world. I signed many artists. I
1:07:59
had my own multiple record labels. We
1:08:01
did tours. We did everything. I was
1:08:04
on the cutting edge of the digital
1:08:06
stuff because I started going from Boston
1:08:08
to another mentor. Dan had mentioned one
1:08:10
of my mentors, John Anthony West, who
1:08:12
he's claiming that I'm faking my relationship.
1:08:14
We should get into that at some
1:08:16
point too, because my mentor John Anthony
1:08:19
West. We're going to make friends out
1:08:21
everyone too. Dan? We're all going to
1:08:23
make friends. We're all going to make
1:08:25
friends. We're all going to make friends.
1:08:27
We're all going to make friends. We're
1:08:29
all going to make friends. We should.
1:08:31
It's all about unity. We're all going
1:08:33
to make friends. We should. It's all
1:08:36
about John Anthony West. And I didn't
1:08:38
know what I was doing. And I
1:08:40
was building my company is early on.
1:08:42
And so I found this guy through
1:08:44
marketing stuff. And it turns out that
1:08:46
he was with Berkeley School of Music.
1:08:48
And I hired him to consult me.
1:08:51
He became a great mentor of mine
1:08:53
before John Anthony West. I needed everybody.
1:08:55
He said, you need a business plan.
1:08:57
If you want to expand, you need
1:08:59
a business plan. I didn't want to
1:09:01
write a business plan. I never went
1:09:03
to school. You know. So I went
1:09:05
to him to get help to get
1:09:08
help to formulate my help to formulate
1:09:10
my business plan to formulate my business
1:09:12
plan to formulate my business plan to
1:09:14
formulate my business plan. You know they
1:09:16
call you any XT or next because
1:09:18
I'm always forward thinking I'm always thinking
1:09:20
I'm always thinking I had I was
1:09:23
just in the shower last night and
1:09:25
I was thinking any XT and Oh
1:09:27
my god, because like you spell it
1:09:29
differently and I never put two and
1:09:31
two together. I'm like, that's what it
1:09:33
is. It's it's the word fucking next,
1:09:35
written out like whatever the term is,
1:09:37
anagram or whatever. That's pretty cool. But
1:09:40
go ahead. This whole story behind that
1:09:42
too, but we don't want to get
1:09:44
off another day. Yeah, keep going. So
1:09:46
yeah, so he was like, this mental,
1:09:48
I was always kind of forward thinking
1:09:50
in a sense, thinking ahead, but he
1:09:52
really, it hit me in my early
1:09:55
20th me in my early 20s when
1:09:57
he said, See yourself two years from
1:09:59
now. yourself five years from now? What
1:10:01
does it look like? What does the
1:10:03
landscape look like? What does everything look
1:10:05
like around you? Where's music going? How
1:10:07
are you going to see that if you
1:10:09
don't know what the future looks like? Start
1:10:12
looking at trends and see what direction things
1:10:14
are moving in. Look back at the past
1:10:16
to determine the trajectory of your future. And
1:10:18
then put yourself there so that it's
1:10:20
so crystal clear in your mind, it's
1:10:22
like you're already living in that space.
1:10:25
And that's what I started to do.
1:10:27
And I could see that physical music
1:10:29
was starting to slow down and nobody's
1:10:32
buying vinyl records anymore except the purest
1:10:34
hip-hop heads, DJs and turntabless and CDs,
1:10:36
you know, downloading is starting to become
1:10:38
a thing. I could see that things
1:10:41
were going to transition. I was way
1:10:43
ahead of my time. literally like
1:10:45
10 years with the music industry and
1:10:47
the digital convergence it took place. So
1:10:49
I would start traveling. He was like, you
1:10:51
know, there's a lot of tech conferences in
1:10:54
California. So I'd start going to these tech
1:10:56
conferences. I would fly from Boston, take the
1:10:58
money I was making for my business, fly
1:11:01
out to California, never been to California, went
1:11:03
out there, started going to these conferences, and
1:11:05
it's in a tech space, and everybody's talking
1:11:07
about the future of tech. Then I started seeing
1:11:10
a void that I could fill. I
1:11:12
can merge music with tech what these
1:11:14
guys are saying in the directions going
1:11:16
in you know I started building relationships
1:11:18
and so forth and Yeah, long story
1:11:21
short I adopted that mentality inside seeing
1:11:23
myself as doing something ahead of its
1:11:25
time and I started this company and
1:11:27
the company started catching on in the
1:11:30
music industry The press releases started going
1:11:32
on in the name of the company
1:11:34
amalgam digital. I also had amalgam and
1:11:36
entertainment which was the parenting company distribution
1:11:39
company Yeah, amalgam, it's loosely connected to
1:11:41
alchemy. I've always had an interest in
1:11:43
alchemy and I chose A. It's always
1:11:45
A. A-N-X-T. A-depth initiative. A depth expedition.
1:11:47
Why A, Julian? Because A is always,
1:11:49
there's another one. First letter at the
1:11:52
top of any directory. You know, and
1:11:54
so all of this stuff in my
1:11:56
mentor was like, that's great, always picking
1:11:58
A, so you know. be at the
1:12:00
beginning. So I had this emerging company
1:12:03
and then we started signing all these
1:12:05
artists you know either up-and-coming artists or
1:12:07
getting artists that were struggling with major
1:12:09
labels had fallen off major label and
1:12:12
weren't really doing much and then making
1:12:14
them all the rage on the internet.
1:12:16
The media started calling us a powerhouse.
1:12:19
Meanwhile, I was just one guy, a
1:12:21
couple of friends working out in my
1:12:23
basement, then an attic in my house.
1:12:25
It got really crazy. I had like,
1:12:28
because my house was also my warehouse,
1:12:30
so I'd have... Pallets skids boxes of
1:12:32
records and CDs dropped off in my
1:12:34
residential neighborhood all my neighbors were like
1:12:37
what is going on with this guy
1:12:39
these big trucks would come in 16
1:12:41
wheeler trucks and drop off entire pallets
1:12:44
at a point where the girlfriend I
1:12:46
was with at the time left me
1:12:48
because she's like I can't take this
1:12:50
anymore my whole house was just filled
1:12:53
with boxes And then eventually we moved
1:12:55
out and I had a stay-of-the-art studio,
1:12:57
I had an office in Boston, in
1:12:59
fact right where the Boston bombing took
1:13:02
place, my office was right there. I
1:13:04
had another office in East Boston, and
1:13:06
then I grew out of the house,
1:13:09
I had multiple employees and interns and
1:13:11
stuff, and the companies growing, and the
1:13:13
presses all over it, and we were
1:13:15
really hot in independent hip-hop, and we
1:13:18
started catching waves to the point where
1:13:20
all four major labels have brought four
1:13:22
major labels have brought me in as
1:13:25
a and how to deal with bureaucracy
1:13:27
and all, where I had a lot
1:13:29
of flexibility as independent to do things
1:13:31
that others weren't necessarily hip to yet
1:13:34
on the internet. And so all my
1:13:36
digital strategies early on, you know, again,
1:13:38
they were noted in Billboard, Rolling Stone.
1:13:40
Everyone could see that we were the
1:13:43
future music. And so I said, again,
1:13:45
phone calls and hooking up with people.
1:13:47
I had Wycliffe Jean from the Fuji's
1:13:50
interested in my company, maybe buying out
1:13:52
the company at one point. Floyd Mayweather.
1:13:54
We get the call out of nowhere.
1:13:56
Money Floyd. Yeah, money. Money. Mayweather. In
1:13:59
fact, I say that in the video
1:14:01
with them. Actually, you probably pull it
1:14:03
up if you want. There's a video
1:14:05
you in Floyd. Go to? It's me
1:14:08
behind the camera. You hear my Boston
1:14:10
accent. Go to you. and if you
1:14:12
can, Elisie and Elisie Elisie. Elisie. Elisie.
1:14:15
Elisie. Elisie is kind of bad-ass though,
1:14:17
not gonna lie. That's like close to
1:14:19
that Calisie guy. We might need to
1:14:21
make a name change there, Elisie. Elisie
1:14:24
sounds like you're about the Merck motherfuckers.
1:14:26
Yeah, I don't know, we'll talk about
1:14:28
that afterwards. But there's a YouTube, where
1:14:31
can we find it? It's mine. I
1:14:33
own it. Oh, so I'm not gonna
1:14:35
I'm not and I'm not big on
1:14:37
ownership mentality So I don't care. I
1:14:40
take my content. Yeah, you know I've
1:14:42
never copyright striked anything. Maybe I should
1:14:44
do that. Oh, that's when I crashed
1:14:46
a Sundance Film Festival on Camelback. Okay
1:14:49
go down to and oh at the
1:14:51
end of that type in Mayweather type
1:14:53
in Mayweather. Yeah Also something's happening over
1:14:56
there Yeah, you probably take out any
1:14:58
XT because I'm not in the title
1:15:00
of any XT on this. Just amalgam
1:15:02
digital Floyd Mayweather. Also, Leslie Side Point
1:15:05
did one of those thumbnails when? Yes,
1:15:07
I put in Floyd. There you go.
1:15:09
There you go. Go to the second
1:15:11
one. No, second one down. Second one.
1:15:14
He's wearing my, the t-shirt he's wearing
1:15:16
is my company. He's gonna put the
1:15:18
mic up. All right, can you turn
1:15:21
that volume up on YouTube? Unless? He's
1:15:23
wearing the shirt. That's my record label
1:15:25
logo. This is me holding a record
1:15:27
logo. This is me having the best
1:15:30
for last, which is my man, Frank
1:15:32
Billiaire. We got products. Hold on you
1:15:34
guys. Wait right there. I'll be right
1:15:37
back. I'm sure your product we got.
1:15:39
You can go to our website. W.W.
1:15:41
Amalgam digital.com. Wait right that. Right. That's
1:15:43
cute. He's wearing the shirt. He's wearing
1:15:46
the record label. You keep your rap
1:15:48
music in these photos. We've got everything,
1:15:50
wherever you want to buy. We've got
1:15:52
t-shirts, we've got products, we've got products,
1:15:55
we sell it, you can model it,
1:15:57
whatever you want to do, hold on,
1:15:59
I'll be right now, we've got more
1:16:02
products. him a script for this? No,
1:16:04
this is what he just got off
1:16:06
the cuff on his own. Joe Biden.
1:16:08
He's holding the Joe Bucket
1:16:10
TV. Oh, he can read.
1:16:13
There it is. Oh, he
1:16:15
can read. There it is.
1:16:17
50's lion. All right,
1:16:19
that's good. That's good.
1:16:21
Joe, he can read. Remember
1:16:24
50 was like... I love it. He's
1:16:26
like... I'll challenge you to read one page
1:16:28
of hair. I can't say the full thing
1:16:30
because there's a racial context in there, but
1:16:32
I'll challenge you to read one page of
1:16:35
Harry Potter. You know what? And they'll like
1:16:37
go Floyd can't read. We just watched them
1:16:39
read on camera people. He can read. But
1:16:41
anyway, this is him pumping all your shit.
1:16:44
It's interesting. Say 50. Little known fact is
1:16:46
50's first independent CD that was in store
1:16:48
as it was you. Let me tell you
1:16:50
a quick story, right? A side story. I
1:16:52
remember sitting is just a few of my
1:16:55
friends were all sales force and we're all
1:16:57
selling music. You know, I was doing sales
1:16:59
at the time, so we'd call up stores,
1:17:01
independent stores, mom and pops, you know, Amiba
1:17:03
in California, we had stores here in Jersey.
1:17:05
And you literally, you do back then, it
1:17:07
was all done on a fax, you have
1:17:10
a fax machine back then, and you would
1:17:12
have the item, it's a subscription, the price,
1:17:14
and a catalog of items, and you fax
1:17:16
all these stores, and they put in order
1:17:18
together for your product. And we were selling
1:17:20
a lot of independent stuff, so it's stuff you
1:17:22
probably haven't heard of. You know, that was, we
1:17:24
were focused on the independent space. And I remember
1:17:27
calling stores, trying to sell this rapper from New
1:17:29
York, that was an incredible, you know, he's appearing
1:17:31
on mixtape, and I'm like, you have to get
1:17:33
this CD into your store, you know, it's the
1:17:35
new album by this, right, he's about to blow
1:17:37
up, blah, blah, blah, blah, blah, literally getting put
1:17:39
on hold, put on hold, put on hold, put
1:17:41
on hold, put on hold, put on hold, put
1:17:44
on hold, put on hold, and then you know
1:17:46
trying to talk to each store would have a
1:17:48
buyer of music and they'd be like yeah yeah
1:17:50
sure hold on you put you on hold and
1:17:52
you're sitting there you're losing time you're
1:17:54
trying to make sales nobody was taking
1:17:56
it serious I'm getting hung up on by
1:17:58
you know so we end up getting the CD
1:18:00
to Eminem's lawyer, Theo Suttermeyer, who, and
1:18:02
we knew Eminem because I used to
1:18:04
distribute vinyl records for mock Kemp, the
1:18:06
guy that put Eminem out originally in
1:18:09
like 1996-97 before Eminem blew up. We
1:18:11
distribute his vinyl records. So we get
1:18:13
the CD to Eminem's lawyer, he gives
1:18:15
it to Eminem, he's writing the Slim
1:18:17
Shady show, he doesn't have time to
1:18:19
look at it, he's like, oh look
1:18:21
at it when I get a chance,
1:18:23
ends up listening to it, and, loves
1:18:25
50 cent, the size he's going to
1:18:27
put him in his forthcoming film, 8
1:18:29
Mile, and 50 is going to have
1:18:31
several songs on the soundtrack. We take
1:18:33
that. We put that in the description
1:18:35
of the facts. Soon to be, you
1:18:37
know, in 8 Mile, about to be
1:18:39
signed by Eminem for a major label,
1:18:41
you know, they, boom, the thing starts
1:18:43
selling like crazy. It was 50 cent.
1:18:45
I was selling a 50 cents first
1:18:47
independent CD in stores. When Eminem announced
1:18:49
signing 50 cent, the only CD, a
1:18:51
50 cent, mixtape album that you could
1:18:53
find in Best-in, in Best Buy, was
1:18:55
guess who's back on full clip records
1:18:57
which was the CD that it was
1:18:59
me and like five of my friends
1:19:01
selling that CD. There was there was
1:19:03
one time that this this guy I
1:19:05
definitely am not going to name drop
1:19:07
here but there's one very random guy
1:19:09
I met through my uncle years and
1:19:11
years and years ago kept in touch
1:19:13
with him awesome dude really high up
1:19:15
dude in the music industry, but he's
1:19:17
one of the greatest all-time at town
1:19:19
evaluation and finding guys. Like if I
1:19:21
gave you the list of people who
1:19:23
discovered your fucking head would spin. But
1:19:25
I asked him one time if he
1:19:27
had a day where, you know, because
1:19:29
the way they obviously used to do
1:19:31
it and it's similar now but just
1:19:33
different medium is you know you'd have
1:19:35
all these cassette tapes and you'd go
1:19:37
through a whole library of them and
1:19:39
listen and maybe you know one you
1:19:41
listen to that we got a fucking
1:19:43
twelve hundred is someone who could be
1:19:45
something but i said do you remember
1:19:47
if there was like a day where
1:19:49
you realize you had the ear where
1:19:51
you could know in ten seconds turn
1:19:53
ten fifteen seconds turn someone you knew
1:19:55
yes or no and he said it
1:19:57
was very powerful moment. So with someone
1:19:59
like you who's been around so much
1:20:01
talent and live and I've was like
1:20:03
a real student in the game with
1:20:05
music and has seen some of the
1:20:07
greats come up where you know you
1:20:09
just talked about 50 cent you're putting
1:20:11
out like his first album before anyone
1:20:13
knows who Curtis Jackson is like did
1:20:15
you did you have the ear where
1:20:17
you knew like doesn't mean every time
1:20:19
they made it because there's a lot
1:20:21
of bullshit in the music industry as
1:20:23
we well know but like you knew
1:20:25
like yes or no can or can't
1:20:27
yes Julian how was a prodigy no
1:20:29
I'm lying the truth is I would
1:20:31
love to say yes But I would
1:20:33
be remiss if I didn't give credit
1:20:35
to all the talented people around me.
1:20:37
One of my partners, Joe, discovered one
1:20:39
of our biggest wrappers. And often, by
1:20:41
this point, I was already becoming somewhat,
1:20:43
I'm getting older, I'm becoming somewhat, I
1:20:46
grew up in the 80s and 90s.
1:20:48
That was the hip-hop I loved. The
1:20:50
street stuff wasn't so much. you know
1:20:52
what I was into and so a
1:20:54
lot of times I relied on the
1:20:56
people I was working with my employees
1:20:58
and my interns and my friends to
1:21:00
let me know you know what they
1:21:02
think was hot what they think was
1:21:04
and then I'd analyze it I would
1:21:06
say this though I can see star
1:21:08
quality star potential what do you look
1:21:10
for in star potential you just know
1:21:12
so for example what Max B he
1:21:14
would have been a star He was
1:21:16
here I would be I'd probably be
1:21:18
retired sitting on an island somewhere drinking
1:21:20
little pink drinks with an umbrella if
1:21:22
Max B didn't go to prison We
1:21:24
would have I would have got a
1:21:26
multi million dollar deal from a record
1:21:28
label because I had him in the
1:21:30
contract for management He was signed to
1:21:32
the label we would upstreamed into a
1:21:34
major So many major icons, you know
1:21:36
are influenced by him when he walked
1:21:38
into a room. I didn't even have
1:21:40
to hear his music When he walked
1:21:42
into a room, he lit up the
1:21:44
room. And he gave equal attention to
1:21:46
everyone in the room. So it doesn't
1:21:48
matter if you're the shy, you know,
1:21:50
socially awkward person. He went around and
1:21:52
made everyone feel spectacular. Everyone just loved
1:21:54
this guy. He was funny, he was
1:21:56
enthusiastic, his personality. He had star quality.
1:21:58
Everything gravitation rotated around the star. So
1:22:00
how do you know when everything is
1:22:02
rotating around something, when something is
1:22:04
that magnetic, it can pull you in?
1:22:06
You know, and so I can see star
1:22:08
quality, but then when you hear his
1:22:11
music, you're just like, whoa, this is
1:22:13
something different, this is incredible. And so
1:22:15
yeah, in a sense, you know, I
1:22:17
was basically putting out stuff that I
1:22:19
liked. I was finding older wrappers and
1:22:21
reissuing them. You know, another one from
1:22:23
Jersey, sure, you know, Norty by Nature
1:22:25
is, right? Of course. Tretch, OPP. Yeah.
1:22:27
So I used to distribute the Norty
1:22:29
by Nature out, the CD, putting in
1:22:32
the stores, and I was gonna sign
1:22:34
Tretch. to his debut solo album Ogeology. I
1:22:36
drove all the way from Boston to Jersey.
1:22:38
Tretch had me in his living room sitting
1:22:40
there. I was, before I signed Joe Budden,
1:22:42
I was explaining the future of music and
1:22:44
how everything was going to be digital and
1:22:46
how my company Amalgam Digital was going to
1:22:49
change the landscape of music. Tretch was blown
1:22:51
away right then and he was down. The
1:22:53
problem is when his lawyer got involved it
1:22:55
never came into fruition and the deal myself.
1:22:57
But the whole point is like I've always
1:22:59
been a like I've liked putting out what
1:23:01
I liked. I love Tretch. I thought he
1:23:04
was an incredible lyricist. You know, you're not
1:23:06
with OPP and hip hop or all that stuff.
1:23:08
And so it was exciting for me to put
1:23:10
out or try to put out albums of artists
1:23:12
that I grew up on. And then also to
1:23:15
try to develop new ones, but yeah,
1:23:17
I'm not going to say that I
1:23:19
was the guru who could instantly recognize
1:23:21
talent I will say that I'm like a hip-hop
1:23:23
scholar in a sense And I know music
1:23:26
and I know what I like and I
1:23:28
just go off You know what I like
1:23:30
naturally and also when I'm being informed and
1:23:32
I make conscious decisions I use discernment and
1:23:35
then you when you know There's a knowing
1:23:37
when you know you know it's not always
1:23:39
an exact science You know because you try
1:23:41
to replicate it We've brought up new artists
1:23:43
and we try to replicate it and you
1:23:45
can't some people just have it They have
1:23:47
that it factor. There's something about them that
1:23:49
distinguishes them from all of their contemporaries and
1:23:51
so it's the way they make you feel
1:23:53
like you describe Max B going around and
1:23:55
being magnetic and everyone's kind of gravitating some
1:23:57
people are like that other people there's just
1:24:00
There's just the thing you know, there's there's
1:24:02
the thing about them where you're like, you
1:24:04
know And it exists across gender for whatever
1:24:06
reason you're like I can't take my eyes
1:24:09
and in the case of music also ears
1:24:11
Off of what this person is doing and
1:24:13
saying or performing or whatever like there's just
1:24:15
something there You know the way that they
1:24:18
work or room, however they do it. And
1:24:20
sometimes it's like, that's a crazy thing. It
1:24:22
can be the opposite. It can be someone
1:24:24
who is not magnetic. They're actually like very
1:24:26
insulated and not, you know, not extroverted or
1:24:29
whatever, but there's just something about them where
1:24:31
you like they're mysterious. You want to know
1:24:33
more. And there's something magnetic about that too,
1:24:35
for sure. And there's a whole science with
1:24:38
that that goes in the marketing, right? Mystery
1:24:40
creates attraction. Simple simple formula. We as humans
1:24:42
want to know what we don't know. We
1:24:44
want what we don't have. You want the
1:24:46
girl. You get in a relationship with the
1:24:49
girl. And you don't want that anymore. Or
1:24:51
vice versa. Or we think we never had
1:24:53
money. We think we want money. We think
1:24:55
we want money. We think we want money.
1:24:58
And then when we have all the money
1:25:00
in the world, and we use it in
1:25:02
the wrong way, and then we realize money
1:25:04
isn't everything. And then we realize money isn't
1:25:07
everything. Yeah, and when we talk about star
1:25:09
quality, Floyd Mayweather is a classic example. He
1:25:11
is a star before the boxing in the
1:25:13
incredible physique and skill level. his personality the
1:25:15
guy lights up a room like what you
1:25:18
seen in that video no that was Floyd
1:25:20
in the moment I was like Floyd I
1:25:22
got to do something for amalgam digit so
1:25:24
throw the camera on baby let's go he's
1:25:27
grabbing it he puts the shirt on right
1:25:29
away he's wearing it he puts the shirt
1:25:31
on right away he's wearing my company shirt
1:25:33
you hear me to begin a video I'm
1:25:35
like money weather you can hear the Boston
1:25:38
accent he throws everything on and he just
1:25:40
starts doing everything I didn't pay him for
1:25:42
it I didn't ask for it I didn't
1:25:44
ask for it we did ever relationship we
1:25:47
did ever relationship we did a relationship we
1:25:49
did have a relationship he was Floyd I
1:25:51
He was interested. We got the phone call.
1:25:53
Hey, Floyd wants to work with you guys.
1:25:55
Floyd was interested. We're told. that Floyd was
1:25:58
in the beginning is that Floyd was interested
1:26:00
in buying out amalgam digital, buying the company
1:26:02
because he had an artist freck billionaire and
1:26:04
we were blowing up and we were doing
1:26:07
the digital stuff and it was new, it
1:26:09
was innovative at the time. So Floyd had
1:26:11
an interest in the brand and then I
1:26:13
think what he wanted to do is have
1:26:16
me go work for his filthy rich, he
1:26:18
had a vanity record label, but he didn't
1:26:20
really have music industry people running it. So
1:26:22
he wanted somebody who was up and coming
1:26:24
and had vision a pioneer to come in
1:26:27
and do that So we went to work
1:26:29
with him for a while I was in
1:26:31
my office in Boston and they're like Floyd's
1:26:33
on the phone And he wanted us to
1:26:36
help with his artists. That was his main
1:26:38
thing Freck billionaire was his artist. He's from
1:26:40
Philly And his Vandy record label is filthy
1:26:42
rich records. And I remember going with them,
1:26:44
traveling, there'd be nights we'd go in the
1:26:47
club with Floyd, he'd bring a brick of
1:26:49
cash. I'm talking $100,000, $10,000, and just throw,
1:26:51
he'd drop 10K like nothing in the club
1:26:53
and everybody scrambles and make it rain. You
1:26:56
know, everybody would run and pick up the
1:26:58
money and it was all a promotional effort
1:27:00
for his artists and then he did that
1:27:02
big tour the one he was someone in
1:27:04
the video with Keisha Coles It was Drake's
1:27:07
first big US tour. Nobody really knew who
1:27:09
Drake was yet aside from his acting career
1:27:11
and I was there I was front row
1:27:13
center, the grassy. Yeah, phenomenal. I remember the
1:27:16
old old the grassy before Drake. I never
1:27:18
watched it. He did get shot on the
1:27:20
grassy, so you can't say he's a studio
1:27:22
gang. He can't say he's a studio gang.
1:27:25
He got a. He got a. Yeah, I
1:27:27
remember seeing that episode. I never watched that
1:27:29
because it was like after my time. I
1:27:31
just remember hearing about it. Yeah, not my
1:27:33
thing. Not my thing, Julian. But yeah, you
1:27:36
know, and so I literally went to Vegas
1:27:38
and we stayed with Floyd for a while
1:27:40
and I did the whole tour. We also
1:27:42
toured the US with Floyd and... Floyd is
1:27:45
an incredible individual. I got to the point
1:27:47
though where I realized my company was emerging
1:27:49
and I saw a big potential and I
1:27:51
didn't want to just sell out cheap and
1:27:53
I didn't entirely trust Floyd. I felt like
1:27:56
I'd be killing my baby if we did
1:27:58
do something with Floyd like that. Why? Floyd
1:28:00
is... is unpredictable. I remember just
1:28:02
some instances, you know, like I had
1:28:04
my intern with me one time and
1:28:07
we were behind stage in the arena
1:28:09
and we were going with Floyd in
1:28:11
his entourage and Floyd in his entourage
1:28:13
and Floyd said, yeah, turn the cameras
1:28:15
on run. So I'm telling the intern,
1:28:18
put the camera on, film, everything. You
1:28:20
know, Floyd tells me and I tell
1:28:22
them. And then when we get the
1:28:24
security at the arena, it's like, absolutely
1:28:27
no camera, it's scared my intern. And
1:28:29
that was the first thing. I mean,
1:28:31
one time he turned around so quick,
1:28:33
the kid thought that Floyd was gonna
1:28:36
hit him. And so he's just so
1:28:38
fast and like very impulsive. Yeah. It
1:28:40
made me feel uneasy about, you know,
1:28:43
any like doing something like that with
1:28:45
him. But what I did gain, on
1:28:47
a positive side, what I took away
1:28:49
from Floyd is the mindset of a champion.
1:28:52
What I've come to learn with
1:28:54
Floyd is that he is so
1:28:56
strongly convinced, convicted. that he's unbeatable.
1:28:59
Floyd believes he is untouchedable at
1:29:01
that time at least. And for
1:29:03
me I realize there's such a
1:29:05
power in that conviction that if
1:29:07
you can believe in yourself that much, if
1:29:10
you know in your heart of hearts, if
1:29:12
you visualize it and see it, you can
1:29:14
be it. And also, and this has to
1:29:16
be said, and it needs to be said
1:29:18
about Floyd is, and we're talking about him
1:29:21
as a boxer right now, dude worked his
1:29:23
ass off. He did. That motherfucker. put
1:29:25
the time in and he's the greatest
1:29:27
defensive fighter I've ever seen. I've never
1:29:29
ever seen a guy in a ring
1:29:31
who is more untouchable than him. Getting
1:29:33
to him is, I mean you have a
1:29:35
better chance of fucking breaking into the
1:29:37
palace in North Korea. then get into
1:29:40
that fucking guy and that's from hours
1:29:42
and hours and days and days and weeks
1:29:44
and weeks and months and months and years
1:29:46
and years and years of fucking grinding like
1:29:48
a dog and working you know like people
1:29:50
get upset at him for some of the
1:29:52
fights because they're boring and I'm like as
1:29:54
someone who loves boxing I watch it I'm
1:29:57
not bored at all because I'm like this
1:29:59
guy is fucking footwork. Oh yeah.
1:30:01
Is hand movement on defensive
1:30:04
position? It's like, whoo! You know and I
1:30:06
just I got a lot of respect for that, but
1:30:08
you're absolutely right He there is something to be said
1:30:10
for the mentality like I've listened to videos before where
1:30:12
he's talking to himself while he's training He's like I'm
1:30:14
a king. I'm God. No one can stop me. I'm
1:30:16
the king. I'm the man on top of it. You'll
1:30:18
just say over it for hours and hours and hours
1:30:20
and hours training Affirmations and it means something it means
1:30:22
something absolutely so you're like living with Floyd you've been
1:30:24
it you've been it you've been around the block doing
1:30:26
all the block doing all the block doing all the
1:30:28
block doing all this stuff doing all this stuff doing
1:30:30
all this stuff and what like doing all this stuff and
1:30:32
what like doing all this stuff and what like No, all
1:30:34
that's gone. I far removed
1:30:36
myself from the music industry.
1:30:38
But you're still on the YouTube
1:30:40
channel. No, I don't, we don't have
1:30:43
access to, so there was a whole,
1:30:45
no, actually I do still have access
1:30:47
to, nothing's, it's defunct. It's part of
1:30:50
record label, it's defunct. So, yeah,
1:30:52
oh, so actually, yeah, how's the YouTube
1:30:54
thing right? I don't know, anyway,
1:30:56
I'm so disconnected from all the
1:30:58
music stuff around 2012. I left all
1:31:01
of that behind, right? Is there a
1:31:03
moment that caused that? There were a
1:31:05
lot of moments to cause that. There
1:31:07
were a lot of big financial issues like
1:31:09
I said we invested a quarter of a
1:31:11
million dollars into Max B and then he
1:31:14
went to prison There was the big fallout
1:31:16
with Joe Budden Joe Budden in the game
1:31:18
basically ripped me off for $80,000 and Joe
1:31:20
Budden admits this on his podcast in the
1:31:22
last couple of years He admits they ripped
1:31:24
you on the last couple of years. He
1:31:27
admits they ripped you off. Oh yeah, he
1:31:29
talked about on his podcast. He talks on
1:31:31
go over there and pay him a visit
1:31:33
Let's a visit I would get back and
1:31:35
train if me and Joe could finally screw.
1:31:37
Now, ultimately, honestly, I'll, you know, in
1:31:40
full-disclosed, Julian, I don't think violence is
1:31:42
a good resolve for anything. I agree
1:31:44
with you. I think I have appreciation
1:31:46
for the sport, gentlemen, squaring off. I
1:31:49
have appreciation for that. I have appreciation
1:31:51
for the sport. Gentlemen squaring off. I
1:31:53
have appreciation for that. I have appreciation
1:31:55
for that. I feel like Joe might
1:31:58
give you your 80K, though today. You can
1:32:00
go talk with him. You know what I
1:32:02
mean? Let's go talk to him. Let's go
1:32:04
talk to him. Again, the ring if Joe
1:32:06
wants it. And it doesn't even be in
1:32:08
a ring. We go down, have a drink.
1:32:10
Seems like a nice guy. We can wrap
1:32:12
battle too if he wants, whatever he wants.
1:32:15
Oh, you wrap out with him.
1:32:17
That's funny. Yeah, so I moved
1:32:19
away from the music industry. Ultimately,
1:32:21
I got so disenfranchised it,
1:32:23
I felt like I was becoming someone
1:32:25
that I wasn't, chasing money. I
1:32:27
was always interested in this other
1:32:29
stuff, ancient civilizations and understanding who
1:32:31
we are as a people, you know, the deeper
1:32:33
aspects. So then I started, used the last
1:32:35
of my money to start traveling the world.
1:32:37
I did a lot of philanthropy in the
1:32:40
end. I started giving back. I realized, man,
1:32:42
I made all this money, but I want
1:32:44
to give back. I started investing in like...
1:32:46
Not investing, but giving money to small businesses,
1:32:48
people like young entrepreneurs, I want to help
1:32:50
them out. And then I used my last
1:32:52
pennies literally to travel the world. I went
1:32:54
on this soldier. And so you're talking about
1:32:56
what's your defining point. It was at this
1:32:58
time where I want to pursue my pension
1:33:00
for exploring ancient civilizations in the world's mystery
1:33:02
tradition. So I started traveling around the
1:33:04
world and that's when I started taking
1:33:07
this stuff more serious. I'd always been
1:33:09
into it. But that's when I started
1:33:11
like documenting, reading, reading, reading, researching, researching
1:33:13
and so forth. a relationship with
1:33:15
John Anthony West? Like how did
1:33:17
that come about? Yeah, that's a
1:33:19
good question. And that speaks to
1:33:22
what DeDunking Dan was trying to
1:33:24
call me out on Twitter, suggesting
1:33:26
that it's staged, that I didn't
1:33:28
stop calling John Anthony West my
1:33:30
mentor until after he passed, until
1:33:32
after he transitioned. However, the evidence
1:33:35
is there. He says, nowhere did I
1:33:37
do that. You could go on my
1:33:39
YouTube channel and see my old podcast
1:33:41
with John two years before he passed,
1:33:43
where I'm literally, I used to have
1:33:45
a podcast. And my first guest was
1:33:47
John Anthony West, and I'm literally talking
1:33:49
to him, calling him my mentor. So
1:33:51
how did start? So when I transitioned
1:33:53
out of the music industry. You gotta
1:33:55
be careful with that word transition these
1:33:57
days. Why? Could mean a few different things.
1:33:59
in your gender you never know.
1:34:02
Well for transition for me death
1:34:04
right in the esoteric tradition. Death
1:34:06
isn't an ending it's a transition.
1:34:08
To where? To the next cycle to
1:34:11
the next. The afterlife. Yeah but what
1:34:13
is it? Beats the fuck out of
1:34:15
me I haven't been there yet. That's a
1:34:17
great answer. But what I can tell you
1:34:19
is that we have all these texts.
1:34:21
You know all these ancient traditions and I
1:34:24
think it's important to look at them
1:34:26
and try to understand the ontology and
1:34:28
the view that you know the perspective
1:34:30
that these people have taken on because
1:34:32
Especially when you know me as an
1:34:34
esoteric researcher. I like to look at
1:34:37
things through an esoteric lens Right
1:34:39
that is the lens of the
1:34:41
Western esoteric the word esoteric by
1:34:44
the way the etymology of the
1:34:46
word goes back to the Greek
1:34:48
iso which means inner, the inner
1:34:50
aspect of things. And Terricos, or
1:34:53
Terria, which meant festival. It was
1:34:55
at the festivals where secrets were
1:34:57
communicated. What secrets? These are secrets
1:34:59
preserved in so-called secret societies.
1:35:02
Societies were secrets. These are
1:35:04
universal principles. And so they
1:35:06
were communicated through esoteric symbolism,
1:35:08
through gestures, through positioning, through
1:35:10
colors, through archetypes. and they
1:35:12
were intended to teach lessons,
1:35:14
right? And if we can
1:35:16
start looking at things in
1:35:18
that way, trying to understand
1:35:20
more about the ancient world,
1:35:23
you know, I look at
1:35:25
indigenous traditions and it radically
1:35:27
defers from, you know, how we view things
1:35:29
today in the Western world, right?
1:35:31
This whole allure to the ancient
1:35:33
mindset. We're attracted to Egypt like
1:35:35
we're saying earlier. I think it's
1:35:37
the consciousness of the people who
1:35:39
built these structures that attract us
1:35:41
to Egypt because it exposes attention.
1:35:43
in our modern society
1:35:45
where attention, attention between
1:35:47
scientific method, rational thought,
1:35:49
the vis of thinking,
1:35:52
scientific method, and something
1:35:54
that can bring us
1:35:56
closer to spiritual realities,
1:35:58
science, spirituality, material. spiritual
1:36:00
world. A lot of cases of
1:36:03
spiritual world gets dismissed as pseudoscience
1:36:05
because we can't see it. Just
1:36:07
because science can't see it to
1:36:09
measure it and perform scientific approach
1:36:11
doesn't mean it doesn't exist. You
1:36:14
yourself acknowledge that you believe there's
1:36:16
a soul and a spirit. Prove it. Measure
1:36:18
it. Show me. How can science prove it?
1:36:21
But yet you're so convinced. And Wes is
1:36:23
a feeling. Wes is incredible at
1:36:25
his historical researcher, you know, and
1:36:27
he believes in his religion. But
1:36:29
you know, so clearly he has some
1:36:32
sense of spiritual, you know, some sense
1:36:34
of spirituality. Oh, West huff. West huff.
1:36:36
We've had recently, we're talking before. So,
1:36:39
but you can't necessarily prove a soul
1:36:41
or a spirit, you know, and you can't
1:36:43
prove what you can't see. You can't
1:36:45
necessarily prove the unseen immaterial world, which
1:36:47
the ancient seemed to have an affinity
1:36:49
for, as well as the afterlife. And
1:36:52
so what I'm saying is that a
1:36:54
lot of people look at death is
1:36:56
the end. It motivates many of many
1:36:58
of us. It motivates many of us.
1:37:00
Most of us unconsciously are motivated by
1:37:03
one thing, fear, and specifically our
1:37:05
fear of death. And that is taking
1:37:07
care of the five basic human needs,
1:37:09
food clothing, medicine, shelter. Every morning, you
1:37:12
have a clothes on, you don't want
1:37:14
to be embarrassed, you want to go
1:37:16
out there and fit in society. You
1:37:19
know, you're doing all of this, you're
1:37:21
manipulating in a sense, you're doing all
1:37:23
of this stuff, you're doing all of
1:37:26
this stuff, you're trying to survive, you're
1:37:28
trying to make money, you're manipulating in
1:37:30
a sense, you're doing all of this
1:37:32
stuff, you're trying to survive, you're doing
1:37:35
all of this stuff, shaman of the tribe
1:37:37
out to go out and you know all
1:37:39
the warriors went out and you know hunted
1:37:41
animals and so forth you had to be
1:37:44
cautious but we've developed a lot we don't
1:37:46
need a lot of the same fear especially
1:37:48
worry a lot of people waste so much
1:37:51
time worrying but it's almost a useless
1:37:53
emotion because what's going to be is
1:37:55
going to be case or a sera
1:37:57
you can't prepare for everything so war
1:38:00
fear, when we can overcome and
1:38:02
master our fear of death, it's
1:38:04
a very powerful thing. Have you
1:38:06
done that? In a sense, I would
1:38:08
say, maybe I'm not entirely there because I still
1:38:10
appreciate life and all it has to offer. I
1:38:12
love my family and friends and the experience in
1:38:15
life, but I'm also equally excited for the afterlife.
1:38:17
I want to see what's there. I want to
1:38:19
experience what's there, and I could go now. I
1:38:21
grew up in a hood, Julian, so I've had
1:38:24
a loaded gun pointed to all four corners of
1:38:26
my head. I know what it's like to feel
1:38:28
like, fuck, I'm about to lose my life in
1:38:30
an instant. I've jumped out of, I've
1:38:32
jumped out of, you know, planes, I've
1:38:35
traveled the world, I've been to many
1:38:37
places that most people don't get to
1:38:39
go, and I've been in situations that
1:38:41
have conditioned me, and more so I've
1:38:43
done the work, the deep esoteric work,
1:38:45
trying to overcome, you know, your lower
1:38:48
animal instincts, work with your shadow self,
1:38:50
go within yourself, to understand what's motivating
1:38:52
you, to rework the things that don't
1:38:54
serve you. And so, I've also practice,
1:38:57
you know, deprivation tanks, going in in
1:38:59
float tanks like float lab at Venice
1:39:01
Beach in California, you go in the
1:39:04
float tank, you close it in, it's
1:39:06
complete darkness. Also spending long periods of
1:39:08
time in the, I practice meditation. So
1:39:11
spending long periods of time in the,
1:39:13
I practice meditation. So spending long periods
1:39:15
of time in the dark, cutting off
1:39:17
your senses, sound, sight, smell, trying to
1:39:20
reduce all your physical senses. When you're
1:39:22
in, when you're in a float tank,
1:39:24
it's almost like, it gives you a
1:39:26
sense of death. They were trying to
1:39:28
prepare you for a metaphysical or using
1:39:31
a symbolic or metaphysical death to prepare
1:39:33
you for the transition, you know,
1:39:35
and it depends what tradition you
1:39:37
subscribe to. Some people believe, like
1:39:39
Grazif in the esoteric fourth way
1:39:41
teachings, that you can leave an
1:39:43
impression on your consciousness in this
1:39:45
lifetime that will carry over into
1:39:47
the next. But if you don't
1:39:49
do the work... your food for the moon.
1:39:51
You had said earlier and correct me if I'm
1:39:53
wrong here if I missed the detail but you
1:39:55
grew up in like kind of traditional Catholic? Is
1:39:57
that what it was? My parents were Catholic. I
1:40:00
went to church every Sunday and Sunday school
1:40:02
until you get to high school and you're
1:40:04
like, fuck this, I'm not doing this anymore.
1:40:06
Right, so was there like a point where
1:40:09
you felt like it was just a Neil
1:40:11
stand, you know, just listen to this and
1:40:13
not question stuff where you're like, no, I
1:40:15
want to question that because I don't know
1:40:18
that this is the only way that... you
1:40:20
know, definitions work on this stuff. That happened
1:40:22
early on, you know, being around multicultural neighborhoods
1:40:24
and different people, different ideas, and then growing
1:40:27
through the process, meeting different people in different
1:40:29
places, to have different perspectives, you know, I
1:40:31
was already questioning certain aspects of the
1:40:33
world's major, our religion early on, and
1:40:35
then, you know, and that's what led
1:40:37
to getting the books on religion, then
1:40:39
you start studying their religions, and then
1:40:41
you go to the source, well, where
1:40:43
did this come from? You know a
1:40:45
lot of stuff we look at in
1:40:47
Egypt the principles are all there and
1:40:49
it seems like they've You know use
1:40:51
the principles of Egypt and reto You
1:40:53
go to the Luxor temple, which is
1:40:55
a subject of my new book. It's
1:40:58
the annunciation 1500 years before the Bible
1:41:00
Okay, you have on the wall
1:41:02
depicted is the story the you
1:41:04
could use the word angel or
1:41:06
spiritual being or neture comes down
1:41:08
this divine God or a spiritual
1:41:10
angi comes down tells the virgin
1:41:12
that she's going to have a
1:41:14
virgin, I'm sorry, tells the woman
1:41:16
that she's going to have a virgin
1:41:19
birth, a divine birth, a spiritual
1:41:21
birth, and has a physical child,
1:41:23
which was Mutawija, mother of Ammon-hotep,
1:41:26
the third builder of the Luxor
1:41:28
temple. It's all there. It's the
1:41:31
annunciation of when the angel comes
1:41:33
down and informs Mary she's going
1:41:35
to have a divine birth. It
1:41:38
wasn't Joseph who dropped the seed
1:41:40
and Mary. is told on the wall
1:41:42
at the Luxor temple 1500 years before
1:41:45
the annunciation. But not as Jesus, it's
1:41:47
a different... As this, instead of it's
1:41:49
being married, it's Mutawija, it's his mother,
1:41:51
and instead of Jesus, it's Ammon-hotep III.
1:41:54
And that story is told again at
1:41:56
another point in Egypt, where a hatch-up
1:41:58
suit, the female... who transgressed from
1:42:00
the typical male pharaoh role had
1:42:03
to assert her legitimacy. So she
1:42:05
has a scene where she's talking
1:42:07
about being a divine pharaoh who's
1:42:09
born of divine birth. And this
1:42:11
is a tradition that goes all
1:42:13
the way back. So these principles
1:42:15
were already in Egypt. You find
1:42:18
that many of the stories in
1:42:20
Christianity, the allegories and the symbolism
1:42:22
are representing principles and archetypes that
1:42:24
are already inherent in the ancient
1:42:26
Egyptian civilization. Does that necessarily like
1:42:28
is? correlation causation there or like
1:42:30
to be clear I think that there
1:42:33
are a lot of teachings in the
1:42:35
Bible that are symbolic in nature versus
1:42:37
actual truth and then there's other things
1:42:39
that historically look like okay we have
1:42:42
good evidence for that but even if
1:42:44
there were you know previous allegories
1:42:46
so to speak let's not even say
1:42:48
they were real in Egypt or
1:42:51
stuff like that 1500 years before where
1:42:53
they're giving a similar story model Is
1:42:55
that in and of itself necessarily
1:42:57
proof that therefore the Jesus story is
1:43:00
just copied from that or does it
1:43:02
happen to just be, if true, the
1:43:04
same thing or a similar thing? Yeah,
1:43:06
that's a great question, Julian. To
1:43:08
be fair, we can't say there's
1:43:10
an actual direct connection. Oh, they
1:43:12
definitely lifted this from this. That'd
1:43:15
be very difficult to prove.
1:43:17
What we can do is
1:43:19
look at the preponderance of
1:43:21
evidence, and when we understand,
1:43:23
you know, the esoteric symbolism,
1:43:25
the nature of the reliefs,
1:43:27
and we know what principles
1:43:30
that they're perpetuating, and then
1:43:32
we see it appear again
1:43:34
in Christianity, the same themes,
1:43:36
not only Christianity, but other
1:43:38
traditions and cultures, the same
1:43:40
recurring themes, you know, and for the
1:43:42
fact that you know, you know, They
1:43:44
left, you know, Moses comes out of
1:43:47
Egypt, they come out, they're connected to
1:43:49
the Pharaoh, right, comes out of Egypt,
1:43:51
so those teachings come out of Egypt,
1:43:53
which eventually becomes Christianity, because Jesus, they
1:43:55
were Jewish, right? So there is a
1:43:57
connection, there's just not a hard connection.
1:44:00
And I would be remiss if I
1:44:02
said, you know, you can't, you can't
1:44:04
establish an act, or it would be
1:44:06
very difficult. I don't know any scholar
1:44:09
has. There's tombs written about this. Many
1:44:11
scholars have written books trying to establish
1:44:13
a connection between the two. I will
1:44:15
say that the principles are there. The
1:44:18
principles are there, but you know, it's
1:44:20
very likely that these stories are just
1:44:22
being retold in this way to then
1:44:24
look at all the other. be it
1:44:27
as a terroric, mystic, or ancient traditions
1:44:29
just to see where the story is
1:44:31
all tied together. But we got off
1:44:34
this weave going with John Anthony West
1:44:36
and how he was your mentor. And
1:44:38
you were on, you did a podcast
1:44:40
with him in 2016, a couple years
1:44:43
before he died and everything, but you
1:44:45
had been talking with him for some
1:44:47
years before that. So for people out
1:44:49
there who aren't familiar with John Anthony
1:44:52
West, can you just give his bias
1:44:54
of the people understand the significance against
1:44:56
him? So John Anthony West is really...
1:44:59
the great-granddaddy of the entire alternative history
1:45:01
seen right now, if you will, the
1:45:03
space, because he opened the door and
1:45:05
influenced people like Graham Hancock, Robert B.
1:45:08
All the way down the line to
1:45:10
the Randall Colsons, all the way down
1:45:12
to the Brian Forsters and the YouTopers,
1:45:14
uncharted X and so forth. They all
1:45:17
in a sense owe a debt. And
1:45:19
many of Graham Hancock, every lecture he
1:45:21
does, he acknowledges John Anthony West. They
1:45:23
all owe a debt to John Anthony
1:45:26
West. Why? Because of the water erosion
1:45:28
theory, his redating of the Sphinx. In
1:45:30
the early 1990s, he had the big
1:45:33
series on TV on NBC. Charles Heston
1:45:35
was the host. Yeah, Charlton Heston was
1:45:37
the host of Moses. Yeah, exactly. The
1:45:39
voice of Moses as the host of
1:45:42
this documentary called Mystery of the Sphinx,
1:45:44
which aired on back in the day
1:45:46
on TV on NBC. And so, yeah,
1:45:48
and so John Anthony West is known
1:45:51
for the water erosion theory. What's this
1:45:53
all about? So John Anthony West was
1:45:55
a playwriter, a lot of people don't
1:45:58
realize he was a writer, a new
1:46:00
copywriting, he worked with marketing agencies, he
1:46:02
knew how to write, every, every, his
1:46:04
hook, if you will, to pull people
1:46:07
into his Egypt trips, he would say,
1:46:09
Egypt is like sex. You can read
1:46:11
about it, you can talk about it,
1:46:13
you can watch videos, but there's nothing
1:46:16
like experiencing it. You have to actually
1:46:18
go there to experience it. Yeah, and
1:46:20
so, you know. John knew how to
1:46:23
write. He knew that everybody is interested
1:46:25
in sex. That's going to catch your
1:46:27
attention. It's the EIDA formula, AIDA, Attention,
1:46:29
Interest, Desire, Attraction. It's a common marketing
1:46:32
formula, which John would be familiar with
1:46:34
as a copywriter, playwriter. He wrote several
1:46:36
books, but some of his early work
1:46:38
into like the more esoteric ancient civilization
1:46:41
stuff started with, he wrote a book
1:46:43
on, called a case for astrology. Astrology
1:46:45
is considered a pseudoscience. Do you believe
1:46:47
in astrology at all at all? I
1:46:50
don't believe or disbelieve, you know.
1:46:52
The girls talk about the horoscopes
1:46:54
and I say, which one is
1:46:56
that again? Yeah. Right, the horoscopes,
1:46:59
which is such a, a, you
1:47:01
know, it's so much deeper, right?
1:47:03
Because the horoscopes, you're gonna look
1:47:05
at the month you're born. If
1:47:07
you're may, you're a Taurus, a
1:47:09
Taurus may. Real astrology is so
1:47:11
much more depth to it. You
1:47:13
got to know your ascending sign.
1:47:15
It has to do with the
1:47:17
time you, it's a snapshot of
1:47:19
the sky at the time you
1:47:21
were born. So like, you might
1:47:23
know the month you were born
1:47:25
in, but do you know your
1:47:27
ascending sign? It has to do
1:47:29
with the time you were born
1:47:31
and where location and all of
1:47:33
these things will be able to
1:47:35
determine certain behavioral patterns, which it's
1:47:37
really powerful stuff. I finished a
1:47:39
graduate level course. I paid Pacifica
1:47:42
University to take this course in
1:47:44
applied archetypal astrology. This episode is
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brought to you by Progressive Insurance.
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1:48:08
Applying archetypal astrology. You're borrowing from
1:48:10
the work of Calhoun on archetypes
1:48:13
and applying it to astrology. And
1:48:15
it was with a lot of
1:48:17
psychologists and like, you know, these
1:48:19
are graduates, PhDs and stuff in
1:48:22
here. and you're using archetypes with
1:48:24
astrology to develop a better deeper
1:48:26
understanding. Anyway, long story short, John
1:48:28
is writing a book to make
1:48:30
a case for astrology. He explores
1:48:33
the origins and the roots and,
1:48:35
you know, and gets into its
1:48:37
impact on humanity and that he
1:48:39
believes there's something to it. I
1:48:42
think it's one of those few
1:48:44
things that I think there is
1:48:46
something more to it. And it
1:48:48
may not necessarily entirely be a
1:48:51
pseudoscience. When you get into it
1:48:53
and you practice it. It can
1:48:55
reveal some pretty powerful stuff about
1:48:57
yourself and conditions. Anyway, in that
1:49:00
process, he was also, he's always
1:49:02
been interested in esoteric traditions, so
1:49:04
he was interested in the work
1:49:06
of Georgia Bonnevic, Gergia, for Russian
1:49:09
mystic, or Manian, not I mean,
1:49:11
that's a Russian mystic, who started
1:49:13
the fourth-way teachings. John was a
1:49:15
student, he was in a fourth-way
1:49:18
group, and in that group he
1:49:20
was introduced to the work of
1:49:22
R. A. Schwala Dualler delubich. A
1:49:24
French hermeticist? Yeah. A French hermeticist,
1:49:26
alchemist, esotericist, and in a sense,
1:49:29
an independent Egyptologist. Not an academically
1:49:31
trained PhD, but he studied Egyptology.
1:49:33
Schwaller had moved to Egypt, lived
1:49:35
in Egypt, lived in Egypt, for
1:49:38
over 12 years with his wife
1:49:40
and his stepdaughter. Same situation as
1:49:42
me in a sense, moving to
1:49:44
Egypt and living there with the
1:49:47
family, and he studied specifically the
1:49:49
Luxor Temple. And he developed this
1:49:51
body of work known as the
1:49:53
simplest interpretation of Luxor temple. So
1:49:56
in his view, the temple is
1:49:58
not merely an architectural structure, but
1:50:00
it's... It's more than that. It's
1:50:02
didactic architecture. It is intended to
1:50:05
teach a lesson. It's through mystic
1:50:07
initiation. You're learning about universal principles,
1:50:09
cosmological principles, and the nature of
1:50:11
man. And so John was studying
1:50:14
all of that stuff. And in
1:50:16
that process, reading Shwaller's work, Shwaller
1:50:18
wrote this extensive work, making a
1:50:20
case for this stuff. And Shwaller
1:50:23
believed, and that's the other thing.
1:50:25
We all owe a debt to John
1:50:27
Anthony West. But before John Anthony West
1:50:29
really, Shwaller is the great-great-grandaddy of them
1:50:32
all. Because he was the one at
1:50:34
after the end of a long chapter,
1:50:36
which in this body of work, he's
1:50:38
looking at Greco-Roman accounts, Greeks and Romans,
1:50:41
because they left the best accounts of
1:50:43
the ancient world. And so he was
1:50:45
looking at all of this stuff to try
1:50:47
to piece back dates to determine that...
1:50:50
The ancient Egyptian civilization is older than
1:50:52
the Egyptologists are telling us it is. And
1:50:54
these are the documents that John works from,
1:50:56
the Palermo Stone and the term Papyrus. But
1:50:58
at the end of, and he did an
1:51:00
incredible detail, you know, John believed it was
1:51:03
one of the best works of scholarship in
1:51:05
our century. Shwiler had all the information in
1:51:07
there, but none of its science. In a courtroom,
1:51:09
it's all hearsay. Why? Why? Because
1:51:11
there's no scientific method. It's just
1:51:13
people saying stuff. It's the Greeks
1:51:16
saying that this had happened and
1:51:18
the Romans saying they viewed this.
1:51:20
Oral history. Oral history and textual
1:51:22
history. You know, but at the
1:51:24
end of the day, John realized
1:51:26
it wasn't science, but there was
1:51:28
something Schwaller said that led to
1:51:30
an epiphany for John. At the end
1:51:32
of the chapter, Schwaller recognizes that the
1:51:35
Sphinx has aquatic water erosion on
1:51:37
a body of the spinks. That's
1:51:39
an excellent question Julian. Thank
1:51:41
you. One that most people
1:51:43
in this space don't ask.
1:51:45
And that's going to lead
1:51:47
to an excellent answer. One
1:51:49
that nobody in this space has
1:51:52
referenced before. St. Yves, Delvedra.
1:51:54
Or it's actually, let's see,
1:51:57
it's Alexander, Marquis, St. Eve's,
1:51:59
Delvedra. Let's just stick to
1:52:01
St. Eve's because it's easy.
1:52:03
He's an esotericist. He was
1:52:05
known for a synarchy which
1:52:07
was a philosophy on using
1:52:10
esoteric principles for society and
1:52:12
he had the archiometers, this
1:52:14
esoteric instrument. And he was
1:52:16
at the, he really inspired
1:52:18
a lot of the Western
1:52:20
esoteric tradition. Madam Blavatski and
1:52:22
a theosophical society and everything
1:52:24
that came out of that.
1:52:26
Rudolph Steiner and also the
1:52:28
traditional martinist order, Unkus Pappus, and
1:52:31
all of these people, right down the
1:52:33
line to the Rosicrucians,
1:52:35
Freemasons, St. Yves, before Schwaller,
1:52:37
believed that the Sphinx was
1:52:39
much older than Egyptologists. Problem with
1:52:42
him is he thinks it goes
1:52:44
back to like 1,200 BC. He
1:52:46
believes it was the product of
1:52:48
Atlantean refugees after Atlantis that they
1:52:51
that they that they built the
1:52:53
pyramids, right? Yeah, so the thing
1:52:55
is when we say Atlantis an
1:52:57
esoteric tradition. There's different
1:52:59
interpretations depending on your degree
1:53:02
of understanding and consciousness depending
1:53:04
on the degree of understanding
1:53:07
and consciousness. Yeah, all right
1:53:09
in English Okay, let's let's
1:53:11
break out from it and
1:53:14
talk about esoteric symbolism to
1:53:16
best understand this So good. I need
1:53:18
a joint we can smoke one happens.
1:53:21
I'm trying to quit joint break, please
1:53:23
Yeah, so you have Let's take images
1:53:25
for example imagery you have
1:53:27
an elephant And you have a man with
1:53:30
a beard and a pinstripe suit and a
1:53:32
top hat. What does it mean? Circus?
1:53:34
That's that, I mean, that's what my
1:53:36
visual would go to. Yeah. And if
1:53:38
I were to go down the street to
1:53:40
the McDonald's and ask the guy behind the
1:53:43
counter flipping burgers, what is this and what
1:53:45
is this? He might look at the image
1:53:47
and say, oh, it's an elephant and it's
1:53:49
a guy with a top hat and a
1:53:51
pinstripe suit. But if you take those
1:53:54
same images and the whole scene,
1:53:56
the context, to a political science
1:53:58
major at Harvard, You're going to
1:54:00
get a different answer. Oh, right, because
1:54:03
the elephant is. The elephant, or the
1:54:05
bear, say the bear, the Russian bear,
1:54:07
right, or the Russian bear, right? You
1:54:10
have the bear, which is a symbol
1:54:12
of Russia. You have the pinstripe, suit
1:54:14
man, Uncle Sam, symbol of America. Interpretation
1:54:16
of symbols, I got you. Interpretation of
1:54:19
symbols. Yes. There's the surface interpretation of
1:54:21
symbols. and then there's often multiple or
1:54:23
deeper meanings. And you may not arrive
1:54:26
at those meanings unless you've gone through
1:54:28
the degrees of consciousness, not conscious, unless
1:54:30
you've gone through the various degrees to
1:54:32
acquire the appropriate context for what it
1:54:35
may mean. Lawyers. Speak with legalese. It's
1:54:37
like a secret language. This is why
1:54:39
you hire a lawyer so that they
1:54:42
can write your cease and desist letters
1:54:44
or they write whatever letter using specific
1:54:46
language that the commoners the uninitiated like
1:54:48
you and I may read and wouldn't
1:54:51
understand the implications of this specific word
1:54:53
and I learned this in the music
1:54:55
industry because if that one I was
1:54:57
surrounded by lawyers and if this one
1:55:00
word is off. You don't dot all
1:55:02
your eyes and cross all your T's,
1:55:04
your contract is blown. You know, because
1:55:07
it's almost like a secret, but they
1:55:09
go through, you know, degrees in the
1:55:11
educational system to earn a PhD, to
1:55:13
learn, to learn. So at the front
1:55:16
end, you might not understand it. At
1:55:18
the back end, you have a whole
1:55:20
new meaning of what the word, you
1:55:23
know, a word in that language would
1:55:25
mean. Same thing with doctors, you're going
1:55:27
to read medical journals, you're going to
1:55:29
get lost in it. Same thing with
1:55:32
Egyptologists, you might not get all the
1:55:34
technical jargon in the Egyptological journals. That's
1:55:36
why you go to school to become
1:55:39
an Egyptologist, to learn language, to learn
1:55:41
the technique, to get a quick, and
1:55:43
it takes years to do this. A
1:55:45
lot of these alternative YouTubeers pop up
1:55:48
and all, why aren't the Egyptologists doing
1:55:50
this or saying this? It's because they
1:55:52
have to follow a certain protocol, they've
1:55:55
gone to a process to acquire their
1:55:57
understanding. Same thing applies with esoteric traditions
1:55:59
where the initiated is going to go
1:56:01
through degrees. You know, we're talking about
1:56:04
death, you know, some initiations, there's a
1:56:06
living resurrection ritual where you go inside
1:56:08
of a sarcophagus for three days and
1:56:10
the priests are doing incantations and stuff
1:56:13
and then you come out and it
1:56:15
was like you had a death, you're
1:56:17
twice born, you had a metaphorical. or
1:56:20
it's not a physical death, but it
1:56:22
was a transition. In the esoteric tradition,
1:56:24
we don't say death, we say transition
1:56:26
because death is not an ending, it's
1:56:29
a transition. And the ancient Egyptians understood
1:56:31
this transition well as it was expressed
1:56:33
by the sun. The sun would go
1:56:36
to set in the west. It rises
1:56:38
in the east, comes up along the
1:56:40
horizon, the Horace horizon, sets in the
1:56:42
west. where it goes to die every
1:56:45
day, they would observe it. Oh, the
1:56:47
birth of the sun, there's raw, and
1:56:49
then it goes to die. It gets
1:56:52
swallowed into the underworld. This ties into
1:56:54
the afterlife. Karma and, er, not karma,
1:56:56
what's the, resurrection, reincarnation, that's it, yeah,
1:56:58
yeah. Yeah. So, and these doctrines were,
1:57:01
you know, in ancient Egypt, so you
1:57:03
would have the sun swallowed by the
1:57:05
underworld, and it goes into this unseen
1:57:07
immaterial material world, and every day it
1:57:10
would be born again. every single day
1:57:12
they died. You live to die and
1:57:14
die to live again 360 degrees. That's
1:57:17
how you comprehend the sun rises. It
1:57:19
dies. There's a cycle, a daily cycle.
1:57:21
So and they realize that everything goes
1:57:23
in cycles. There's cosmological cycles. There's internal
1:57:26
cycles. Cosmos being the macrocosm, us being
1:57:28
the microcosm of that macrocosm. So we
1:57:30
can establish it, you know, that which
1:57:33
is above is what's above. Or... taking
1:57:35
an esoteric lens, you know, that which
1:57:37
is without is within, and that which
1:57:39
is within is without, because esoteric is
1:57:42
about going within. So if you understand,
1:57:44
if man know thy self, if you
1:57:46
go inside and understand yourself, or if
1:57:49
you understand that you're a microcosm of
1:57:51
the macrocosm of the universe, and you
1:57:53
understand how the universe works with the
1:57:55
music of the spheres, which was a
1:57:58
concept by Pythagoras, you know, and you
1:58:00
learn how to embody these things. This
1:58:02
is what all the esoteric traditions are
1:58:05
teaching, right? And to overcome death, because
1:58:07
death isn't the ending, which is powerful
1:58:09
stuff, because when you do, I do
1:58:11
feel like I've overcome the majority of
1:58:14
my fear of death. You might jump
1:58:16
scare me at some point, and I
1:58:18
might, you know, get startled. But if
1:58:20
you were like, look, you're going to
1:58:23
die, it's going to suck, but I'm
1:58:25
ready, I'm ready for the next life.
1:58:27
Well, I didn't want to stop you
1:58:30
back when you were talking about that maybe
1:58:32
10, 15 months ago, but it was interesting
1:58:34
how you put it. You're left over fear
1:58:36
of it and putting that in quotes there
1:58:38
has to do with the things that the
1:58:40
people that you'd leave behind here. And there's
1:58:42
a fear of not having them and what
1:58:44
does that mean in the afterlife do you
1:58:46
get with them again? Do you get with
1:58:48
them again? Do you get with them again? I'm
1:58:50
cool not knowing what I don't know about
1:58:52
what happens after and I'm looking forward to
1:58:54
going there. So it's like you've kind of
1:58:57
tamed that dragon maybe 75% of the way
1:58:59
but that last 25% is what makes you
1:59:01
human. Yeah and not only am I looking
1:59:03
forward to it I'm preparing for it. I'm
1:59:06
an esotericist so like I consider myself a
1:59:08
mystic and skeptics clothing like my
1:59:10
mentor before me. We can throw you
1:59:12
out the fist story window and you
1:59:14
know. get you there. I'm not saying
1:59:16
I can fly. I'm not either. But
1:59:18
as a as a mystic in skeptics
1:59:20
clothing, right, I'm going to approach everything
1:59:22
with a healthy dose of skepticism. You know,
1:59:25
I'm going to look at everything. I'm
1:59:27
going to use science. I think
1:59:29
science is very valuable. But I'm
1:59:31
also operating with the understanding
1:59:33
that I'm operating with a
1:59:35
limited understanding. Science can't see everything yet.
1:59:38
We don't know everything yet. There is more.
1:59:40
So there's a case to be made for
1:59:42
some stuff. And so as a I'm going
1:59:44
within for answers. I'm not going without,
1:59:47
I'm not running to YouTube, I'm not going
1:59:49
to the Bright Insight YouTube channel for my
1:59:51
answers. You're not? No, I'll go to academia first,
1:59:54
but ultimately I'll go within. And
1:59:56
if it's not right within, it's not going to
1:59:58
be right without. How do you know? if he's
2:00:00
the way, if he's a salvation
2:00:02
back to the Creator, he's the
2:00:05
principle of return to source. And
2:00:07
ultimately, it's not about what's right
2:00:09
or what's wrong, what's good and
2:00:11
what's bad. Religions, they tell us,
2:00:13
oh, Jesus is good, the devil's
2:00:16
bad. Well, Jesus is good, the
2:00:18
devil's bad. Well, Jesus, if he
2:00:20
is the way, if he's the
2:00:22
salvation, back to the Creator, he's
2:00:24
the principle of return to source.
2:00:27
Horace represents the return of the
2:00:29
source. Horace's opposition in that story
2:00:31
is set, set the enforces which
2:00:33
become saintly, which become the devil.
2:00:35
Set is the principle of opposition.
2:00:38
So our goal in humanity is
2:00:40
to have this experience according to
2:00:42
the ancient mystery schools, the Pythagorean
2:00:44
mystery schools, they viewed it as
2:00:46
it's like where mirrors of the
2:00:49
divine. We are extensions of the
2:00:51
divine, experiencing itself through us in
2:00:53
this universe, and we are going
2:00:55
to return back the source. But
2:00:57
some people believe that in order
2:01:00
to do that, you have to
2:01:02
prepare, there's a process. The ancient
2:01:04
Egyptians had this whole, you know,
2:01:06
afterlife carved out for them. They
2:01:08
had to go through processes. And
2:01:11
like I said, like the fourth
2:01:13
way, Gourjiff teachings, you've got to
2:01:15
stop preparing now to leave an
2:01:17
impression on your consciousness. with your
2:01:20
car and with your bar, which
2:01:22
are terms we don't use anymore,
2:01:24
we just we just have a
2:01:26
soul. For the ancient Egyptians, they
2:01:28
had nine different aspects and the
2:01:31
car and the bar would reunite
2:01:33
in the afterlife and come together
2:01:35
the form, what's known as an
2:01:37
ach, an ach is the light,
2:01:39
it's the fully realized illuminated individual.
2:01:42
I understand what you mean when
2:01:44
you talk about religions telling us
2:01:46
good and bad or this or
2:01:48
that and defining things for us
2:01:50
in some cases, it's strictly just
2:01:53
based on a belief system or
2:01:55
something like that, meaning it's not
2:01:57
inherent. Let me explain that. To
2:02:00
me When you when you start to
2:02:02
say there's how do we determine what's
2:02:04
good in bed? We we don't like
2:02:07
there's things that can't define that for
2:02:09
us To me, when you get it
2:02:11
down to brass tax and just look
2:02:13
at the world, remove religion, remove governments,
2:02:15
remove spiritual teachings, whatever. There are, there's
2:02:18
a lot of gray area for sure,
2:02:20
but there's certain things that I think
2:02:22
are common sense with what we got
2:02:24
to, you know, what we got to
2:02:26
face in the world. For an example,
2:02:29
if you go out, if you leave
2:02:31
here right now and you go find
2:02:33
a woman on the street and against
2:02:35
her consent, have your way with her.
2:02:37
That's wrong. I'm willing to sit here
2:02:40
and say on the record on this
2:02:42
podcast, inherently if you're looking good and
2:02:44
bad, that's bad. If you went and
2:02:46
some dude on the street, you shot
2:02:48
him to death for no reason. Perfectly
2:02:51
good guy, you didn't know him, you
2:02:53
just shot him to death. That's wrong.
2:02:55
So don't you think it gets a
2:02:57
little weird when we start saying, well
2:02:59
to go within, we can't really know
2:03:01
what's right and wrong. It doesn't take
2:03:04
it like a step too far. One,
2:03:06
each situation, each situation is going to
2:03:08
be nuanced. Right, there's who gets to
2:03:10
determine what that's why you have courts
2:03:12
of law and all of this and
2:03:15
it doesn't always end up serving justice.
2:03:17
But what I'm saying is in terms
2:03:19
of right and wrong, yes, there's a
2:03:21
moral compass. You know, you figure out
2:03:23
what your moral compass is to determine
2:03:26
for yourself. But what I'm talking about
2:03:28
is, you know, if you attack that
2:03:30
woman on the street improperly or you
2:03:32
kill someone, both of those instances are
2:03:34
destructive are destructive. You're either going to
2:03:37
have positive or negative energy. And negative,
2:03:39
that's all negative because it's destructive. It's
2:03:41
going to destroy. But destruction is not
2:03:43
always evil. Destruction is not always bad.
2:03:45
People look at fire. Oh my God,
2:03:48
the fire is a horrible thing. In
2:03:50
esoteric traditions, fire is the initiating principle.
2:03:52
As you're going to burn everything down
2:03:54
to start anew. The Mesoamerican, the Maya,
2:03:56
they would do a slash and burn
2:03:58
technique in the fields. and renew. It
2:04:01
was about fire is the initiating principle.
2:04:03
If you get in a taro, the
2:04:05
first taro card, you know, has the
2:04:07
fire elements and all of that. Fire
2:04:09
is in the beginning because it's it's
2:04:12
going to initiate the way for something
2:04:14
new. So my point is that everything
2:04:16
is energy. It's either positive or negative
2:04:19
or it could be neutral, right? And
2:04:21
so when we start determining, well, this
2:04:23
is the good guy and this is
2:04:25
the bad guy, I feel, it's like,
2:04:27
and I won't say Jesus and Satan.
2:04:29
Christians that might be listening. Let's say
2:04:32
Horace and Set from the ancient
2:04:34
Egyptian tradition. Set is the hero. Horace
2:04:36
is the hero and Set is
2:04:38
the bad guy. Why set the bad
2:04:40
guy? Because he killed, he destroyed. Horace's
2:04:43
father, Ocyris. He dismembered him. Cut him
2:04:45
up into pieces and then the mother
2:04:47
Ocyris goes and resurrects him. It's all
2:04:49
part of the Egyptian mythology. Set
2:04:52
isn't necessarily the bad guy. He's
2:04:54
not even a guy. He is
2:04:56
a principle is representing
2:04:58
representing opposition. When you get
2:05:00
up in the morning and you
2:05:02
get your podcast going and then
2:05:04
suddenly, you know, you're not getting
2:05:06
the right levels or your computer's
2:05:09
not opening up, that is
2:05:11
set in action. You know, anything
2:05:13
that is opposition is set. So
2:05:15
anything, your goal in life, according
2:05:17
to esoteric traditions, are to return
2:05:19
back to the source. Anything that
2:05:22
gets in the way of that,
2:05:24
providing opposition is set in action.
2:05:26
But we need set. People are afraid of
2:05:28
the devil. I say sit down and have
2:05:30
breakfast and meditate with the devil. Hmm. You
2:05:32
need to go through the fire to rise
2:05:34
up as the phoenix from the ash. Oh,
2:05:36
so is this and correct me from wrong
2:05:38
here? Maybe I'm misinterpreting, but I always talk
2:05:40
about like if the world were a perfect
2:05:42
place and there were nothing evil, nothing would,
2:05:44
there wouldn't be a point to it because
2:05:47
there would be no feeling of up and
2:05:49
down like accomplishment or whatever. Are you saying
2:05:51
something similar here? In a sense, it's like,
2:05:53
yeah, how can you truly appreciate love if
2:05:55
you haven't gone through the hot light and
2:05:57
dark? How can you appreciate the light if
2:05:59
you've... had light, if your whole life
2:06:01
has been good and you've been handed everything
2:06:03
and everything's good for you, how are you
2:06:06
ever going to appreciate that? Versus someone who
2:06:08
hasn't had everything, someone who's had to go
2:06:10
through struggles and overcome obstacles and work their
2:06:12
way through and sustain to get where they're
2:06:15
at, they're going to have a different appreciation
2:06:17
when that reward comes. And when Julian Dory
2:06:19
calls them up and invites them to that
2:06:21
podcast, they're going to appreciate it. because they've
2:06:24
gone through the struggle. You know what I
2:06:26
mean? To get there. So the point that
2:06:28
I'm trying to make with all of
2:06:31
this is that we need
2:06:33
opposition, esoteric tradition, you know,
2:06:35
recognizes the importance of two
2:06:38
complementary aspects, and it's often
2:06:40
encoded in architecture. What I mean
2:06:42
by that is, in simple terms,
2:06:44
you need a male, positive,
2:06:46
female, negative, receptive. Male
2:06:48
and female must come together
2:06:51
to form electricity. It is through
2:06:53
opposition of complementary opposites
2:06:56
that the creative principle
2:06:58
is manifested. Nothing will
2:07:00
be created without some
2:07:02
sort of opposition. You need
2:07:04
to, you know, in a sense, all
2:07:06
of this is your adversary. You need
2:07:09
to overcome, you know, you're going to
2:07:11
make sure the levels are right in
2:07:13
order to produce this podcast.
2:07:15
Two complementary opposites. Male and
2:07:17
female needs to come together
2:07:20
to form new life. If you have
2:07:22
an adversary, and you know, like conflict
2:07:24
is okay, it's good. It doesn't have to
2:07:26
end in violence. We're all adults. We can have
2:07:28
differing opinions as long as we're respectful with
2:07:30
one another. We don't need to do the
2:07:32
name calling and the trying to tear somebody down
2:07:35
with false information. We can have a discussion and
2:07:37
arrive at new conclusions. But in order to
2:07:39
do this, you know, you have to go
2:07:41
through your opposition. John Anthony West, we're talking about
2:07:43
the weave. I didn't have to do a
2:07:45
good job. Yeah, I brought the weave for
2:07:47
you. John, one of the most powerful. You brought
2:07:50
him up with, I just want to make sure,
2:07:52
you brought him up with like some European
2:07:54
guys who were talking about his aquatic, whatever,
2:07:56
on the stinks. But yeah, yeah, keep going. All
2:07:58
right, in short, John Anthony West. One of
2:08:00
the most powerful lessons I learned
2:08:02
from John, something that he would
2:08:04
teach, is to give your opposition
2:08:07
its due. You know, we're sitting
2:08:09
here, right? And I can
2:08:11
step outside of myself psychologically
2:08:13
and create this observing spectator.
2:08:15
I can take myself out of myself and analyze
2:08:17
a situation. Oh, am I too loud? Am
2:08:20
I too excited? You know, you probably do
2:08:22
a lot of this on your own, you
2:08:24
know, when you're doing a podcast, you have
2:08:26
to check your tonality, you're pacing, you have
2:08:28
to think of questions. Sometimes you have to
2:08:31
step out of the environment. This is good
2:08:33
when you're in an argument with someone, because
2:08:35
if you feel yourself, fight a flight response
2:08:37
going off, you're getting angry, you have the
2:08:39
power. to move, you know, I think in terms
2:08:41
of a DJ, I used to DJ, so I'd
2:08:44
move the cross fader on a mixing board to
2:08:46
get more of what I need. And if you
2:08:48
can take self- inventory of yourself in the moment,
2:08:50
you can see what you need. So by doing
2:08:53
that, you gain mastery over the situations,
2:08:55
the top of the pyramid. You're
2:08:57
the bottom of the pyramid, on the other
2:08:59
side of the bottom of the pyramid triangle,
2:09:01
but over here is this objective truth. There's
2:09:03
your truth, there's my truth, then there's the
2:09:06
objective truth. That's what I'm trying to get
2:09:08
closest to. And the more that I can
2:09:10
pull myself out of myself, because I have
2:09:12
my own preconceived notions, my own limited understanding,
2:09:14
as do you, our own conditioning, my
2:09:16
own backgrounds, our own thought product. But
2:09:19
if we can pull out of that and put
2:09:21
ourselves in a position of our opposition. and
2:09:23
get a little bit empathy and try
2:09:25
to understand that's how you work things
2:09:27
out and by and you know
2:09:29
people are afraid they're afraid of challenges
2:09:32
people are lazy these days they
2:09:34
don't want to put the work in
2:09:36
they don't want to go through
2:09:38
something that bothers them you know oh
2:09:41
this is gonna be too much
2:09:43
work right the esoteric tradition is about
2:09:45
doing the work putting yourself in
2:09:47
convenient objective truth smacks you
2:09:49
in the face you're prepared
2:09:52
And that's what initiation is about.
2:09:54
Yeah, and being, you know, what you're talking
2:09:56
about too, and I think this is
2:09:58
so relatable to every... today being able
2:10:00
to put yourself in a position where
2:10:03
you can change your opinion when
2:10:05
faced with better evidence that's a
2:10:07
lesson I don't give a fuck what it
2:10:09
is whether it was as a terrorism that
2:10:11
did it or you know some fucking guy
2:10:13
on a YouTube channel said you should you
2:10:15
should go do this but like we need
2:10:17
more of that in our society like I
2:10:19
appreciate the guys and this is what I
2:10:21
was saying earlier about Billy Carson if Billy
2:10:24
Carson had come out after the West debate
2:10:26
and said, you know what, yeah, he made a
2:10:28
few good points, I hadn't thought of it that
2:10:30
way, I would have respected him so much, because
2:10:32
I would have said, all right, there's so much
2:10:34
information here, you know, maybe there are some things
2:10:37
you're wrong about. Every fucking person out there is
2:10:39
wrong. But when you come out and you go,
2:10:41
no, how dare him, he's trying to stop our
2:10:43
movement, like, and you sue him, and all this
2:10:45
stupid shit, you make yourself look like an assholek
2:10:47
like an ass-like-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a- backed in your corner of this
2:10:50
is my worldview and this is what it is
2:10:52
and in his case I think it's for financial
2:10:54
reasons more than anything. He's got to protect his
2:10:56
investment in this brand. And it's just so disappointing because this
2:10:58
is how we get like we get somewhere based on the
2:11:00
types of conversations you seem to want to have which is
2:11:03
like all right let's put it all together and you know
2:11:05
figure out what's what I do with my tours in Egypt.
2:11:07
We put all the pieces on the table. We're going to
2:11:09
give you the academic academic, the traditional, the traditional narrative, the
2:11:11
traditional narrative, and I know, and I know it very traditional
2:11:14
narrative, and I know it very well.
2:11:16
because I studied ancient Egyptian history, the mythology,
2:11:18
the language, you know, I know it really
2:11:20
well. But in addition to that, I also
2:11:22
know the alternative theories really well. And then
2:11:24
I have my esoteric perspective. So I try
2:11:27
to put all the pieces on the table.
2:11:29
When I do my tours, a lot of
2:11:31
my competitors do tours with one narrative. Lost
2:11:33
technology, we're gonna go look for no, this
2:11:35
is what it must be. I throw all
2:11:37
the pieces out there. in a sense, unbiasedly,
2:11:40
and let the audience, the
2:11:42
crowd, the group, the side
2:11:44
for themselves. Love that. And
2:11:46
I've toured with both sides.
2:11:48
I've toured on the alternative
2:11:50
side. Engineer, Christopher Dunn, you know,
2:11:52
the chemist school, you know, John Anthony
2:11:54
West, who taught me, and then others
2:11:56
that are more on the academic side,
2:11:59
Dr. David. a historian. David Miano.
2:12:01
Dr. David Miano. Dr. David
2:12:03
Miano. Is he alive? Yeah,
2:12:05
he's lied. I just let him through
2:12:07
Egypt for an Egypt tour. So I
2:12:09
was asking. He's famous for debunking online.
2:12:11
He does a lot of debunk. He's
2:12:14
a historian. He's a general historian and
2:12:16
a teacher. Yeah, he's a great guy.
2:12:18
I got to check him out, but
2:12:20
go ahead. Yeah. And so. You know, and
2:12:22
then I've done, I've done tours,
2:12:24
collaborated tours with other like YouTubeers
2:12:27
that kind of walk this middle
2:12:29
line, like, they rely on evidence,
2:12:31
you know, ancient architects, history for
2:12:33
granted, history with Kaley. And so, you
2:12:36
know, the whole point is I like to look
2:12:38
at the big picture, put all the pieces
2:12:40
on the table, where I see a
2:12:42
lot of the alternatives, we'll often cherry
2:12:44
pick certain aspects to fit their narrative.
2:12:47
I try to put everything out there,
2:12:49
and try to put everything out. And a
2:12:51
lot of them are often disappointed, because
2:12:53
people come on my tour as expecting
2:12:55
John Anthony West's narrative. My mentor. We
2:12:57
didn't get into it, but John Anthony
2:12:59
West is known for his redating the
2:13:01
Sphinx. Yes, and you were talking about
2:13:03
it based on aquatic. Water erosion right
2:13:05
right right which I don't agree with
2:13:07
his final conclusion while I respect my
2:13:10
mentor and I've learned a tremendous amount
2:13:12
from him I do not share all
2:13:14
of his conclusions I do not think
2:13:16
the Sphinx is much much older than
2:13:18
the Egyptologist tell us I don't think
2:13:20
it can be older than 3,500 B,
2:13:22
C E. Let's start with this let's
2:13:25
break down his theory and then let's
2:13:27
break down yours. Okay so his theory
2:13:29
is that the Sphinx is much older
2:13:31
than traditional Egyptologist tell us why when
2:13:33
he was reading Schwaller De Lubitch, who
2:13:35
was an esotericist who had
2:13:37
moved to Egypt, studied the
2:13:39
Luxor Temple. Schwaller was a
2:13:42
prodigy. At age 16, he
2:13:44
was lecturing before the Theosophical
2:13:46
Society doing a treatise on
2:13:48
Pythagorean number mysticism, how numbers
2:13:50
correspond to cosmology. And he
2:13:52
was an esoteric background. So
2:13:54
he approached Egyptology with this
2:13:56
unique esoteric perspective, where all
2:13:58
the traditional Egyptists You know, most
2:14:00
of them, they're either Christian or they're,
2:14:02
you know, they're strictly into the science.
2:14:05
They're not going to pay any attention
2:14:07
to the esoteric stuff. It's all woo-woo-w
2:14:09
to them, which is unfortunate. There is
2:14:11
a lot of woo-woo. There is a
2:14:14
lot of shawlatanism. but there's also people
2:14:16
that are very serious and I believe
2:14:18
that Shwaller was a serious scholar and
2:14:20
had a different understanding that he brought
2:14:22
to Egypt and he interpreted things in
2:14:25
a different way. But in that process
2:14:27
at the end of his book he
2:14:29
writes this observation about aquatic water erosion.
2:14:31
What I was saying before that you
2:14:33
won't hear anywhere else It goes before
2:14:36
him, he was influenced, in a sense,
2:14:38
I wouldn't say his mentor, but he
2:14:40
was influenced by St. Eve's, we talked
2:14:42
about earlier. St. Eve's believed the Sphinx
2:14:44
goes back to maybe 12,000 years before
2:14:47
the actual date, and it was the
2:14:49
product of refugees from Atlantis. However, there
2:14:51
was no science to back that up.
2:14:53
He was speaking strictly philosophically in a
2:14:55
sense. Shwallers started making a case for
2:14:58
that. And so Schwaller acknowledges that there's
2:15:00
water erosion, but doesn't pay much attention
2:15:02
to it. For West, a light bulb
2:15:04
went off. Well, if it's water erosion,
2:15:07
that's geology. Geology is science. So even
2:15:09
though we have all these historical documents
2:15:11
and text that Schwaller is trying to
2:15:13
make a case for a much older
2:15:15
Egypt, this is science. And if we
2:15:18
can put science to it, it can
2:15:20
be proven. John was writing his books.
2:15:22
And then eventually he was introduced to
2:15:24
Dr. Robert Schock, who is a geologist.
2:15:26
John didn't have the credentials. John didn't
2:15:29
have the ability to go and present
2:15:31
this in the academic space, you know,
2:15:33
he'd be ridiculed and he was ridiculed.
2:15:35
But then when he got with shock,
2:15:37
shock has a certified credentials. You know,
2:15:40
he's a geologist, paleontologist, Yale, he teaches
2:15:42
a Boston University. And when he went
2:15:44
with John Anthony West to the Sphinx
2:15:46
in the early 90s, and a lot
2:15:48
of people credit him today because Wes
2:15:51
has passed, shock is still alive, shock
2:15:53
does a lot of conferences, and people
2:15:55
often attribute the whole water erosion theory
2:15:57
and hypothesis to shock, but it originates
2:15:59
with West, and even before West. Yeah,
2:16:02
but they both played a role. brings
2:16:04
in shock and when they go there
2:16:06
they look at the water erosion and
2:16:08
then shock ends up coming back with
2:16:11
Thomas Dobeki in the early 90s Thomas
2:16:13
Dobeki brings in he was a geophysicist
2:16:15
brings in state-of-the-art equipment they do a
2:16:17
seismic refraction survey like tomography where they
2:16:19
study the ground basically it's based on
2:16:22
the exponential kinetics of the stone. In
2:16:24
other words if you cut stone it's
2:16:26
exposed to the light and then it
2:16:28
starts to deteriorate over time. and that
2:16:30
deterioration is exponential, but it slows down,
2:16:33
it's kinetic. So they use this whole
2:16:35
process from that, they're able to establish
2:16:37
different... you know interpretations which they did
2:16:39
for dating the Sphinx so there's two
2:16:41
key observations so so John's original observation
2:16:44
is that well if there's water erosion
2:16:46
on the Sphinx he went and he
2:16:48
checked it out and he's like sure
2:16:50
enough that this Sphinx looks heavily eroded
2:16:52
this limestone sculpture some 70 feet tall
2:16:55
270 feet wide arguably the most spectacular
2:16:57
sculpture on earth looks heavily eroded and
2:16:59
to Understand what's going on here, it'd
2:17:01
be important to give a brief lesson
2:17:03
on the geology of the Sphinx. Sphinx
2:17:06
Geology 101. The Sphinx is composed of
2:17:08
three separate levels of rock strata. starting
2:17:10
with the head and above is the
2:17:12
hardest, and then the majority of the
2:17:15
body, which has alternating soft and hard
2:17:17
levels of limestone, and then another layer
2:17:19
below, which kind of dips through the
2:17:21
plateau. And it kind of dips from
2:17:23
two angles, and it comes from like
2:17:26
southwest to the northeast, and it kind
2:17:28
of rolls. So it makes it very
2:17:30
complex. The simplest way of explaining it,
2:17:32
you can think of the sphinx and
2:17:34
the geology at the sphinx as a
2:17:37
layer cake. This becomes important later, of
2:17:39
stone. This becomes very important later. So
2:17:41
when John looked at it, you can
2:17:43
see the body, which is what they
2:17:45
refer to as member two, or the
2:17:48
second layer of limestone in the mokotum
2:17:50
rock formation at Giza. The mokotum rock
2:17:52
formation. The mokotum rock formation. That's what
2:17:54
it is. People call it a plateau.
2:17:56
It's technically, it's not really a... So
2:17:59
John observed this erosion. In fact, John,
2:18:01
this story gets retold different ways. I've
2:18:03
heard people say others have done. It
2:18:05
was John who brought this to a
2:18:07
curator at a museum, and he showed
2:18:10
them an image. of eroded stone, and
2:18:12
he put duct tape across the bottom
2:18:14
and the top of the image. So
2:18:16
you just see the main body of
2:18:19
stone. It's heavily eroded. And they're like,
2:18:21
oh, it looks like erosion, heavy erosion,
2:18:23
water erosion. John rips the duct tape
2:18:25
off and reveals the face of the
2:18:27
sphinx. And they're like, oh, this is
2:18:30
the sphinx. John knew that he was
2:18:32
on to something, but he didn't have
2:18:34
the credentials. So he needed to have
2:18:36
shock, a geologist come in and verify
2:18:38
it, and verify it, which he did,
2:18:41
which he did. And this is what
2:18:43
I love about John Anthony West, because
2:18:45
if he's the last, was the last
2:18:47
of a dying breed who has transitioned
2:18:49
already, because if he was wrong and
2:18:52
it could be demonstrated that he was
2:18:54
wrong, he would stand correct. And he
2:18:56
did, because he originally wrote, he thought
2:18:58
it was Nile flooding, because Egypt doesn't
2:19:00
see that much rain. The Sphinx is
2:19:03
supposed to have been carved from the
2:19:05
living bedrock during the period of Kofra.
2:19:07
which is the second pyramid in the
2:19:09
chain at Giza. You have Kufu, his
2:19:11
son Kofra, and Enman Kare. And during
2:19:14
the time of Kofre, is when the
2:19:16
Egyptologists say that they believe the face
2:19:18
of the Sphinx is likely Kofre. And
2:19:20
so this is around 2,400 BCE. And
2:19:23
so the problem is that if there's
2:19:25
this water erosion... It doesn't really rain
2:19:27
like that in Egypt. It hasn't been
2:19:29
that wet throughout Egypt. And before that,
2:19:31
you have like the nap-tien pluvials, you
2:19:34
have the African humid period where there
2:19:36
was rain in Egypt. Egypt used to
2:19:38
be a savanna. In fact, dozens, dozens
2:19:40
of times Egypt has gone from desert
2:19:42
to savant, you know, it's transitioned over
2:19:45
the years. And when we look at
2:19:47
the geology, one thing that's important to
2:19:49
keep in mind, some of the erosion
2:19:51
we're looking at is millions of years
2:19:53
old. In the stone it's it's been
2:19:56
desert tree vegetation desert vegetation throughout. We
2:19:58
know what causes that I'm not a
2:20:00
geologist. I'm uncertain. Actually, you know, I'd
2:20:02
have to dig into more the geology.
2:20:04
Yeah, I don't have an answer and
2:20:07
I don't want to steer you wrong
2:20:09
and pretend I do. A geologist could
2:20:11
better explain it than me. I might
2:20:13
just know of a long periods and
2:20:16
cycles of time the way the planet's
2:20:18
affected is going to affect the landscape,
2:20:20
you know. Like the Nile is shifted.
2:20:22
The Nile used to be closer, the
2:20:24
Nile shifted. Anyway, so... If there's if
2:20:27
they if you have this water erosion
2:20:29
how could that be possible if Egypt
2:20:31
didn't have that was the whole thing
2:20:33
right in a mystery of Sphinx how
2:20:35
could it be possible there's no rain
2:20:38
so John thought this might have went
2:20:40
back to survive the great flood when
2:20:42
shock came he said no it's not
2:20:44
Nile flooding it's precipitation induced water erosion
2:20:46
he made two observations one of them
2:20:49
was the erosion on the body of
2:20:51
the Sphinx the core body which is
2:20:53
what Shwala referred to, the body, not
2:20:55
necessarily the head, which is the hardest
2:20:57
and not below, which is covered up
2:21:00
with stone masonry today, but the core
2:21:02
body, the middle part, is heavily eroded,
2:21:04
and you can see where water runoff
2:21:06
may have impacted the sphinx, but more
2:21:08
so, the real evidence is in what's
2:21:11
known as the sphinx enclosure. The Sphinx
2:21:13
was dug out from a ditch. It's
2:21:15
not a statue. It wasn't built. It
2:21:17
was stone was removed to form a
2:21:20
ditch and then they believe those stones
2:21:22
are what made the temples in the
2:21:24
front, although there's some, there's controversy around
2:21:26
that, maybe, not. Anyway, and then they
2:21:28
fashion this sculpture, the statue. So if
2:21:31
you want to envision the Sphinx, you
2:21:33
know, it's going through several stages. Originally
2:21:35
what's known as like a yarding, basically
2:21:37
an outcropping. People would be walking the
2:21:39
surface level and it was just a
2:21:42
giant piece of stone, outcropping stone. At
2:21:44
some point, somebody started to dig down
2:21:46
and fashion a trench around it. And
2:21:48
then they fashioned the body. And this
2:21:50
is another thing. A lot of people
2:21:53
talk about, oh, the head of the
2:21:55
spinks had to be carved down and
2:21:57
had to be a lion previously. Why?
2:21:59
Because if you look at the Sphinx,
2:22:01
if you actually, if you want to
2:22:04
pull it up on the screen, try
2:22:06
to find an aerial view of the
2:22:08
Sphinx. So like Giza or Egypt Sphinx
2:22:10
aerial view. When you look at the
2:22:12
Sphinx, you'll notice that the head appears
2:22:15
to be disproportionate to the very long
2:22:17
body. Small head, big long body with
2:22:19
a rump in the back. Okay, so...
2:22:21
The second one right there? Second one,
2:22:24
maybe... Well, yeah, it's fine. We'll go
2:22:26
with that. We'll go with that. Well,
2:22:28
the one right in the middle. Yeah,
2:22:30
so actually it's hard to tell from
2:22:32
here the fourth one you want that
2:22:35
one Right there that might be better.
2:22:37
How about this? Put in maybe put
2:22:39
in a Sphinx head disproportionate and maybe
2:22:41
somebody's because there's better images where you
2:22:43
can see so it's type in Sphinx
2:22:46
head disproportionate Let's see what we get
2:22:48
there Never gets old looking at this
2:22:50
I don't care. You look at this
2:22:52
I don't care. All right, what we
2:22:54
want, all right, well, all right, the
2:22:57
one far right second row, far right,
2:22:59
no, go back. Well, that's showing, right,
2:23:01
right below that to the right, right
2:23:03
there. That. So we can see, this
2:23:05
isn't the best example, but we can
2:23:08
see the head in the front looks
2:23:10
really small compared to this long body
2:23:12
with a tail that wraps around. So
2:23:14
people are like, oh, it couldn't be
2:23:16
the real head. It had to be
2:23:19
the head of a lion. You can
2:23:21
see an example in the middle there.
2:23:23
Maybe it was originally a lion that
2:23:25
existed before foronic times or early foronic
2:23:28
times and then they carved it down
2:23:30
into the face of a pharaoh. We're
2:23:32
going to set a list and set
2:23:34
the record straight right now here on
2:23:36
the Julian Dory podcast. Let's do it.
2:23:39
The reason why the head of the
2:23:41
Sphinx appears to be disproportionate is because
2:23:43
if you look at the back of
2:23:45
the Sphinx, it's actually not disproportionate to
2:23:47
the original concept of the Sphinx. What
2:23:50
I mean by that is the Sphinx
2:23:52
we see today isn't even your great-great-grandaddy
2:23:54
Sphinx. There's been so many restorations over
2:23:56
time. and then eventually they form the
2:23:58
body. And then there's been many restorations
2:24:01
from the Old Kingdom, the New Kingdom,
2:24:03
all the way up in the Greek
2:24:05
and Roman times into modern restorations, you
2:24:07
know, where they're adding stone masonry around
2:24:09
the Sphinx. Originally, well in the back
2:24:12
of the Sphinx, right before the hunch,
2:24:14
right before... the hump, right for the
2:24:16
butt, is a big crack that goes
2:24:18
through the sphinx. Originally, that would have
2:24:21
been part of the bedrock and everything
2:24:23
forward would have been your original body
2:24:25
of the sphinx. So the reason why
2:24:27
people say the head looks too small
2:24:29
for the body is because the body
2:24:32
we see today has been expanded to
2:24:34
accommodate the great fisher. And if people
2:24:36
actually looked into the Egyptological... It's been
2:24:38
expanded. And if people took the time
2:24:40
to actually look into the, you know,
2:24:43
the body of Egyptological work... You go
2:24:45
to the sources. Mark Lainer, who's an
2:24:47
eminent Egyptologist, he's probably the foremost authority
2:24:49
besides Zahi-ahuas, who's really more of a
2:24:51
face for tourism and stuff. Mark Lainer,
2:24:54
his office was in between the paws
2:24:56
of the Sphinx. He studied it every
2:24:58
day, stone by stone, few of those
2:25:00
who know the Sphinx better than Mark
2:25:02
Lainer. And he did a whole survey,
2:25:05
literally, stone by stone, of the Sphinx.
2:25:07
And in his dissertation, which is hundreds
2:25:09
of... 410 or 408 of his dissertation.
2:25:11
Somewhere in there, don't quote me, in
2:25:13
between 410 and 408, it's either the
2:25:16
first or the second paragraph. He references
2:25:18
this and talks about how the fisher
2:25:20
is expanded in the back. So in
2:25:22
other words, you have, it might be
2:25:25
hard for the viewers to see here,
2:25:27
but let's say this is the bedrock.
2:25:29
Here's the sphinx. And they carve out
2:25:31
the body of the sphinx. And it
2:25:33
would have originally looked like, can you
2:25:36
pull up Nomer's palate? N-A-R-M-E-R-R-PALET Namar's Pallet
2:25:38
is what defines the adjacent civilizations. Is
2:25:40
that Namers or are you saying Namas
2:25:42
because you're from Boston? I'm saying Namar
2:25:44
from Boston. It's N-A-R-M-E-R-N-S-P-T-E-Pock the card in
2:25:47
the hobby yard with N-A-R-N-A-R-N-A-R-E-P-T-E-P-T-E-Pock-T-E-P-T-E-E-T-E-E-Pock-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E-E This is
2:25:49
the front and back of the Namur
2:25:51
palate, and if you look to the
2:25:53
left, you'll see an image of Namur.
2:25:55
Catfish chisel, that's what Namur. Catfish chisel.
2:25:58
Yeah, yeah, that's what Namur means the
2:26:00
ancient Egyptian language. The hieroglyphs are right
2:26:02
up above that's a catfish, symbol for
2:26:04
catfish and chisel. That's his name, catfish
2:26:06
chisel. Namur. is what begins Egyptian civilization
2:26:09
as we know it for scholarship. We
2:26:11
define ancient Egyptian civilization by a chronological
2:26:13
timeline when starts when Namer unified the
2:26:15
two lands, upper and lower Egypt, the
2:26:17
north and the west, brought the two
2:26:20
lands together. That's the beginning of ancient
2:26:22
Egyptian dynastic civilization, which we then we
2:26:24
have dynasty one, two, three, all the
2:26:26
way up. There is some controversy and
2:26:29
is still disputed about dynasty zero, and
2:26:31
then there's some controversy. It's a very
2:26:33
gray area, we don't have a lot
2:26:35
of information. In fact, I just came
2:26:37
back from Neckin. which is a site
2:26:40
that we were the one of the
2:26:42
first public groups to actually bring a
2:26:44
tour group to this site. We had
2:26:46
to get special permissions. It took me
2:26:48
a long time to set it up
2:26:51
and thankfully because I have good relationships
2:26:53
from Alexandria to Aswan and with the
2:26:55
ministry of antiquities, we were the ministry
2:26:57
of antiquities in Egypt. We were able
2:26:59
to get access for Dr. David Miano's
2:27:02
tour and I was able to lead
2:27:04
them to Neken. tourists to go to
2:27:06
Egypt never see this. In fact, most
2:27:08
Egyptians don't even know about it. I
2:27:10
asked the local Egyptians, like, what, where
2:27:13
is Neckin? So you're the plug. I'm
2:27:15
the plug. So we took the group
2:27:17
there and it's a significant site and
2:27:19
this is where they pull Namar's palate
2:27:21
out from and it has... And it's
2:27:24
not very well excavated. There's still much
2:27:26
more work to be done. And I've
2:27:28
had discussions with Egyptologists about this. If
2:27:30
we were to do more excavations at
2:27:33
Necken, we're probably going to be able
2:27:35
to learn more about early and predynastic
2:27:37
history. We already know a little bit
2:27:39
about predynastic history from the area, like
2:27:41
early prototypes, we could say of Egyptian
2:27:44
hieroglyphs, where they would use different clific
2:27:46
symbols on ivory, bone tags, which the
2:27:48
language seems to slowly develop or quickly
2:27:50
develop from that. Yeah, so Nomer's palette.
2:27:52
We want to take a look at
2:27:55
Nomer's palette. It looks like a shield,
2:27:57
but it wasn't used as a shield.
2:27:59
It was actually used for the col,
2:28:01
for the, you know, the makeup for
2:28:03
the eyes. There's a circle and they
2:28:06
would put their, their stuff in there,
2:28:08
their paint. All right, so look on
2:28:10
the left. We have Nomer. Namur in
2:28:12
his right hand is holding the war
2:28:14
maze. He's grabbing the enemies by the
2:28:17
here. They're on their knees just above
2:28:19
the enemy's head. We notice the Falcon
2:28:21
and it's on top of what has
2:28:23
like this elongated horizontal body in the
2:28:26
head. I don't know if you can
2:28:28
zoom in. Are you able to zoom
2:28:30
in on that image? Yeah. Oh, yeah.
2:28:32
Beautiful. And I get to give a
2:28:34
shout out to Matt Sipsin, an ancient
2:28:37
architect YouTube channel. He was the first
2:28:39
to really conceptualize a theory conceptualize a
2:28:41
theory around a theory around. this but
2:28:43
in any event this is a good
2:28:45
this is a good demonstration of what
2:28:48
the Sphinx may have originally looked like
2:28:50
so it's a good tool to use
2:28:52
so if imagine the head was just
2:28:54
an outcrop a stone and then you
2:28:56
fashion this body and that looks you
2:28:59
know proportionately that's fine that that would
2:29:01
have been in early rendition of what
2:29:03
the Sphinx would have looked like and
2:29:05
then right at the end was this
2:29:07
big fisher oh shit yes the light
2:29:10
bulb has gone off with Julian So
2:29:12
right at it where you see a
2:29:14
truncate in the back to the far
2:29:16
right, what it looks like is but,
2:29:18
they wanted to extend that to make
2:29:21
hunches to make, turn it into an
2:29:23
actual sphinx. To make it have the
2:29:25
hunches of the rump of the sphinx.
2:29:27
So they had to carve over the
2:29:30
fissure. They had to expand the sphinx.
2:29:32
And then from there they added a
2:29:34
tail and they added bricks to the
2:29:36
front of that to make the pause
2:29:38
of the sphinx. And then over time,
2:29:41
there's been different restorations and so forth.
2:29:43
So what I'm saying, and I'm saying,
2:29:45
look at your original Sphinx. This is,
2:29:47
this is, aside from the outcropping of
2:29:49
the rock, then they fashion the face,
2:29:52
then they make the body, and everything
2:29:54
would have been proportionate. Everything from the
2:29:56
great fissure forward is proportionate. The reason
2:29:58
why people think it's disproportionate and use
2:30:00
that as evidence to say, oh, it
2:30:03
was carved down from an older head.
2:30:05
Put in side profile of Egyptian Sphinx.
2:30:07
Side profile Egyptian Sphinx. Did I miss
2:30:09
hear this 10 minutes ago? I want
2:30:11
to make sure I'm following all this
2:30:14
because it's kind of blowing my mind.
2:30:16
But you were saying that they elongated
2:30:18
it over time? Yeah, correct. But how
2:30:20
long is that time? That's another million
2:30:22
dollar question, Julian, and that's one I'm
2:30:25
still trying to research, and I don't
2:30:27
know how we could figure that out.
2:30:29
Because, again, Mark Lainer accounts for it,
2:30:31
but he doesn't say how long it
2:30:34
took. So we don't know exactly. Again,
2:30:36
Shock and Dobeki did seismic refraction survey.
2:30:38
We can kind of determine dating from
2:30:40
their interpretations with some things in the
2:30:42
back because the levels in the back
2:30:45
are like, was that one to three
2:30:47
meters? And then it dips down. Anyway,
2:30:49
so here's a side profile. So. Look
2:30:51
at the big picture we're looking at
2:30:53
here on the right. You see where
2:30:56
it's like light in the back? It
2:30:58
looks like light's reflecting. From where the
2:31:00
light reflects back is where the great
2:31:02
fissure is. Actually, can you put in,
2:31:04
before we move off of this? So
2:31:07
from that light source, forward, kind of
2:31:09
matches. Now imagine if the pause aren't
2:31:11
there, it kind of matters. matches that
2:31:13
image you've seen of a horizontal body
2:31:15
with a head. Yeah. And keep in
2:31:18
mind that Namur Palak goes back to
2:31:20
the earliest parts of Egyptian civilization, right?
2:31:22
And so... But it doesn't have the
2:31:24
things sticking up. It doesn't have the
2:31:26
things sticking out. But the Sphinx is
2:31:29
missing something sticking out of its head.
2:31:31
Because so Google things were still and
2:31:33
and then and then numerous palate No,
2:31:35
back to Namers palate on Namers palate.
2:31:38
Let's go back to Namers palate Namers.
2:31:40
Yeah, okay. So you see well. It's
2:31:42
sticking out of the back right now
2:31:44
go back to the image of the
2:31:46
Sphinx and Look at the image in
2:31:49
the middle the white background how it
2:31:51
has a crown The Sphinx has a
2:31:53
crown. Do you see a second row,
2:31:55
third image in? Oh yeah. Has a
2:31:57
crown. It likely would have had one.
2:32:00
The Sphinx today has a giant hole
2:32:02
in its head. It goes down about
2:32:04
six feet. However, it was filled with
2:32:06
cement in the early 20th century by
2:32:08
a meal, but race, an Egyptologist. So
2:32:11
there's still images of it where you
2:32:13
could see a man before they filled
2:32:15
it with cement. You can see a
2:32:17
man standing inside of the hole in
2:32:19
the hole in the so-called hall of
2:32:22
records, if you want to cover that
2:32:24
too. If you want to cover that
2:32:26
too. Yeah, let's do that. Yeah, I
2:32:28
did a whole expose on this on
2:32:31
my YouTube channel, any XT on YouTube,
2:32:33
where I go into the hidden entrances,
2:32:35
origins, and mysteries of the Great Sphinx.
2:32:37
Link in description, by the way, it's
2:32:39
an excellent channel. So everyone, make sure
2:32:42
you go subscribe to that. But go
2:32:44
ahead. Thank you kindly. And so, and
2:32:46
I will confirm it is an excellent
2:32:48
channel, just doesn't happen. Don't let the
2:32:50
low subscribers fool you. I think I
2:32:53
have like, I never get fooled by
2:32:55
that. If it's quality, it's quality. I
2:32:57
don't give a foot. Well, people tell
2:32:59
it all the time. They're like, me,
2:33:01
you have all this amazing content, all
2:33:04
this knowledge. And nobody's talking on. Here
2:33:06
you just need your spark. Here you
2:33:08
go. Thank you, Julian. All right. So
2:33:10
if you go. I lived in Luxor.
2:33:12
We have the Luxor. I lived in
2:33:15
Egypt for a. I lived in Egypt
2:33:17
for a. I lived in Egypt for
2:33:19
a. I lived in Egypt for a.
2:33:21
I lived in Egypt for a while
2:33:23
I lived in Egypt for a while
2:33:26
I lived in Egypt for a while
2:33:28
I lived in Egypt for a while.
2:33:30
I lived in Egypt for a while.
2:33:32
I lived in Egypt for a while.
2:33:35
When you go to Luxor Museum, there's
2:33:37
a small spink statue of King Tut
2:33:39
as the Sphinx. He takes another form.
2:33:41
And you can see the crown on
2:33:43
the head of the statue. It's like
2:33:46
a Lego piece. It goes into the
2:33:48
hole and snaps together. So it's likely
2:33:50
that the Sphinx, the great Sphinx, once
2:33:52
had a crown now missing. Also, it
2:33:54
had a beard, and we know it
2:33:57
had the beard, the royal beard of
2:33:59
the pharaoh, it broke off because the
2:34:01
pieces are in the Cairo Museum and
2:34:03
the British Museum. Multiple people, and it
2:34:05
likely had a statue of Osiris that
2:34:08
was added beneath the beard. Those pieces
2:34:10
are missing today. My point is, though,
2:34:12
if you were to extend, so if
2:34:14
we go back to the other image
2:34:16
where the light is on the side
2:34:19
profile of the Sphinx, and everything forward
2:34:21
would be proportionate. The head is proportionate,
2:34:23
forget the pause, pretend there's no pause,
2:34:25
the head is proportionate to this horizontal
2:34:27
mound, which looks similar to the motif
2:34:30
that we find on the Nama palate.
2:34:32
And what I'm proposing is that... And
2:34:34
what it says in the Egyptological record
2:34:36
is that in order to, you know,
2:34:39
in order to form a rump in
2:34:41
the back, they had to go past
2:34:43
the fisher, and that's what gives it
2:34:45
that look. And now that they've created
2:34:47
this big rump, the sphinx looks appear
2:34:50
as disproportionate. But then they go and
2:34:52
add the tail and the paws. And
2:34:54
so people take that and they're like,
2:34:56
the head is too small, it doesn't
2:34:58
fit the body. Because the original body.
2:35:01
Isn't the body we see today and
2:35:03
it probably developed over time from an
2:35:05
outcropping? Maybe they carved the face and
2:35:07
then they decided they carve out the
2:35:09
the horizontal platform and then they decided
2:35:12
to turn it into a sphinx and
2:35:14
they added the the You know, it
2:35:16
might not have been one concept from
2:35:18
the beginning and it wouldn't be unusual
2:35:20
for it to come out a living
2:35:23
bedrock. It has a A deeper esoteric,
2:35:25
there's a cosmological concept to it, the
2:35:27
one coming out of creation, like a
2:35:29
lot of these block statues where the,
2:35:31
you know, people are coming out of
2:35:34
the block, you know, it's spirit trapped
2:35:36
in matter. It's another way of expressing
2:35:38
it. Yeah, so that's it. So it's
2:35:40
not that the head is disproportionate to
2:35:43
the body we see today, and that
2:35:45
body is an expansion of what was
2:35:47
likely the original concept for the Sphinx.
2:35:49
And what were your findings in all
2:35:51
the different... holes and crevices of this
2:35:54
things that you did the full video
2:35:56
on because I watch this one this
2:35:58
this was pretty nuts Yeah, so, and
2:36:00
I've changed, well, I want to say I
2:36:02
changed my views, but in the video,
2:36:04
I champion John, well, I do change
2:36:06
my views. In the video, I champion
2:36:08
John Anthony West theory, the water erosion
2:36:11
theory, and I explain it. I talk
2:36:13
about all the entrances, but I also
2:36:15
talk about the water erosion hypothesis and
2:36:17
make a strong case for it. But
2:36:19
today, this video is, I don't know,
2:36:21
I'm a years old, but, and I
2:36:23
don't mind telling somebody's story or
2:36:25
somebody's story or somebody's
2:36:27
narrative or somebody's narrative.
2:36:29
Back to the water erosion theory with
2:36:31
John Anthony West, because Egypt didn't see
2:36:34
that kind of water, it must mean
2:36:36
that it's older. And so shock made
2:36:38
two observations, the water erosion on the
2:36:41
body of the sphinx, and then, you
2:36:43
know, the erosion on the sphinx enclosure
2:36:45
itself, which suggested that
2:36:47
it was precipitation-induced water
2:36:49
erosion. In other words, rainfall,
2:36:51
had eroded the sphinx over time.
2:36:54
And then the other observation was
2:36:56
from the geophysical survey physical survey.
2:36:58
He said he did a seismic
2:37:00
refraction survey where they set lines
2:37:02
up around the Sphinx to determine.
2:37:04
And from that, this is interesting
2:37:07
too because a lot of people
2:37:09
will argue Sphinx is 10,000 years
2:37:11
old, 20,000 years old, 30,000 years
2:37:13
old. According to Dr. Robert Shock's work
2:37:15
with that seismic refraction survey with Thomas
2:37:18
Dubeki in early 90s, the Sphinx cannot
2:37:20
be more than 10,000 years old. And
2:37:22
when Shock first started with West... He
2:37:24
was still, you know, with university, he
2:37:27
was up for tenor, so he had
2:37:29
to be very cautious and he took
2:37:31
a conservative approach and he said, okay,
2:37:33
the Sphinx is likely, it could go
2:37:36
back five, six thousand years. He was
2:37:38
taking a conservative approach even though the
2:37:40
data shows it could go back further.
2:37:42
But he was trying to find a
2:37:45
conservative approach because he was trying
2:37:47
to find a conservative approach because
2:37:50
Egyptology suggests the Sphinx is around
2:37:52
24, 2, 2,500 years earlier,
2:37:54
after performing at Contact in
2:37:56
the Desert and ancient alien
2:37:58
conferences and being on ancient aliens
2:38:01
and getting all these speaking gigs, he
2:38:03
changes his interpretation and now he pushes
2:38:05
it back and says, no, actually I
2:38:07
think it's closer to 10,000 BC. Could
2:38:09
be as old as 10,000 BC. But
2:38:11
according to his data, which is behind
2:38:13
a paywall and difficult to get to,
2:38:15
if you go look at that data,
2:38:18
according to the data, it can't be
2:38:20
older than 10,000 BC, based on the
2:38:22
results, his own data sets. So this
2:38:24
makes the case for Sphinx not being
2:38:26
old in 10, 10,000 BC, me personally.
2:38:28
I think it's right around where
2:38:31
the Egyptologists say it is.
2:38:33
Maybe a few hundred years older. I
2:38:35
will say like, I don't believe the
2:38:38
Sphinx was carved before 3,500
2:38:40
BCE. Based on what? Well,
2:38:42
there's brand new evidence, there's
2:38:44
a new study that came out
2:38:46
in 2022. John Anthony West
2:38:48
passed away in 2018, and
2:38:50
I often ask myself. What would
2:38:53
he say in the face of
2:38:55
this evidence? There's also a
2:38:57
new proponent for the other
2:38:59
side, Robert Schneiker, a geo physicist,
2:39:01
who's making a case for
2:39:03
this as well. The study
2:39:05
was about the Kufu branch and
2:39:08
Nile. They discovered this branch that
2:39:10
came off the Nile, there are these
2:39:12
canals that would go right up to
2:39:15
the pyramids. during the African
2:39:17
human period and before, before that there
2:39:19
was so much rainfall that the position
2:39:21
of the Sphinx, it's low on the
2:39:23
Makatam rock formation, it's low on the
2:39:25
platform, on the plateau, and it's right
2:39:27
next to where the water is, that
2:39:29
at this time, the Sphinx would have
2:39:31
been covered in water, that the water
2:39:33
flow would have been much higher and
2:39:35
much more forceful. So Robert Schneiker contends
2:39:37
that, you know, with this, with this,
2:39:39
with this knowledge, and with this being
2:39:41
the case, as well as he's got
2:39:43
a lot more to, to, to, to,
2:39:45
I want to articulate his narrative as
2:39:47
well. In fact, he's somebody you may
2:39:49
want to have on the show. In
2:39:51
fact, if you really want to have
2:39:53
an event, what needs to happen right
2:39:56
now in this space is for Robert
2:39:58
Schneider and Dr. Robert Shock. to
2:40:00
have a debate. Let's do it right
2:40:02
here on the Julian Dewey podcast. You
2:40:05
can come close to it with me.
2:40:07
I personally, I can't speak for someone
2:40:09
else. I don't think shock will do
2:40:11
it, but I'm pretty fairly certain. Come
2:40:14
on, Bobby. Come on, baby. Sniker would
2:40:16
love to do it because... I don't
2:40:18
bite. This is the newest information, and
2:40:20
shock is still repeating all the old
2:40:23
information, his old narrative, and he has
2:40:25
not, and he said himself in the
2:40:27
past, in the past, if it, if
2:40:29
it can be demonstrated, the issues that
2:40:32
are being raised by Robert Schneider. And
2:40:34
a lot of people get this wrong.
2:40:36
I just watched... Well, I remember the
2:40:38
Graham Hancock and Flint Dibble debate on
2:40:41
Joe Logan. That was a tough one.
2:40:43
They talk about how, Drogen has it
2:40:45
in his mind, that all the geologists
2:40:47
agree with Dr. Robert Shock, that there's
2:40:50
a consensus. That is inaccurate. That's because
2:40:52
that's what he was told. That's a
2:40:54
consensus. That's because that's what he was
2:40:56
told, because that's what he was told.
2:40:59
That's because that's what he was told.
2:41:01
They weren't on the conference panels. They
2:41:03
had a poster board in the hallway
2:41:05
to present this theory. They collected a
2:41:08
lot of emails. And that's the extent
2:41:10
of it. That doesn't mean that emails
2:41:12
they collected from other geologists is a
2:41:14
strong cosine in their theory. It's not.
2:41:17
In fact, several independent geologists don't care
2:41:19
about the Sphinx. But several independent geologists
2:41:21
have studied it. And there's this idea
2:41:23
that needs to be dismantled today on
2:41:26
the Julian Dory podcast that all the
2:41:28
geologists are against Egyptologists. And they all,
2:41:30
in fact, I don't know. Any geologists
2:41:32
did entirely agree with Dr. Robert Schock's
2:41:35
conclusion. You have Lao Gary, you have
2:41:37
the geologist originally said it was wind
2:41:39
and sand erosion, and Schock says no,
2:41:42
it's precipitation-duce water erosion. Therefore, the Sphinx
2:41:44
must be older because Egypt didn't see
2:41:46
this amount of water during the time
2:41:48
that the Egyptologists are saying. You also
2:41:51
have Colin Reader, who aligns with some
2:41:53
of Schock's ideas, and I like readers.
2:41:55
This is why I think the Sphinx
2:41:57
could be. a few hundred years earlier
2:42:00
than the Egyptologist's thing. Reader puts together
2:42:02
a great presentation. He's also a geologist
2:42:04
and he's independently studied at the Sphinx.
2:42:06
He says he wrote a paper that
2:42:09
Kufu knew the Sphinx. Kufu is the
2:42:11
father of Kofra. Since the Sphinx is
2:42:13
supposed to have been fashioned during a
2:42:15
time of Kofra, Kufu shouldn't know about
2:42:18
the Sphinx. Why does he say this?
2:42:20
Because of the inventory steala. The inventory
2:42:22
stealer the inventory stealer it was discovered
2:42:24
a Giza it was Behind well. It
2:42:27
was at the ISIS temple which is
2:42:29
oh That's unfortunately named, but I know.
2:42:31
You're absolutely right, because that's the Greek
2:42:33
word for Iset. Exactly. It was such
2:42:36
a beautiful name. It's all the terrorists.
2:42:38
Well, the thing is, you know, I
2:42:40
know it's often associated with the terrorists,
2:42:42
but that's actually the Greek term for
2:42:45
Osset. Right. Right. You know, it's Ossian
2:42:47
Osset, Ossiris, and even Horis, is actually
2:42:49
Hehru. It means the house of Hathor.
2:42:51
So anyway, Iset, ISISis, strong character, and
2:42:54
you know, you know, figure, an Egyptian,
2:42:56
an Egyptian, Egyptian, It was a temple
2:42:58
that was consecrated to her, the remains,
2:43:00
and there they found the inventory stela,
2:43:03
and on this stela it references Kufu,
2:43:05
and it references the Sphinx. How is
2:43:07
this possible? Kufu predates the Sphinx. How
2:43:09
could it be referencing Kufu in the
2:43:12
Sphinx? Well, let's turn to Egyptology, where
2:43:14
the Egyptologists say. Because we can just
2:43:16
take the alternative historians and YouTubeers who
2:43:18
want to sell books and tours at
2:43:21
their word and think the Egyptologists are
2:43:23
covering stuff up, or we can actually
2:43:25
go to the Egyptologists. And this is
2:43:27
what I'm trying to do by bringing
2:43:30
more balance. Yeah. Yeah, because, you know,
2:43:32
I lived in Egypt. I used to
2:43:34
sit down and drink coffee. I'd go
2:43:36
into their homes. I met their families.
2:43:39
These are real people with children and
2:43:41
families. It's not some evil cabal conspiracy
2:43:43
theories that are trying to cover everything
2:43:45
up. I don't like the idea of
2:43:48
defining everything as one. What has pissed
2:43:50
me off in the past is when
2:43:52
the Ivory Tower causes that hardcore reaction
2:43:54
on the other side. And I've called
2:43:57
that out before. But the idea that
2:43:59
like, therefore, everyone has saw he who
2:44:01
was or whatever, that's not fair. I
2:44:03
want to judge facts on their individual
2:44:06
basis or whatever. Yeah, so I agree.
2:44:08
And that's why I think it's important
2:44:10
to bring balance to the conversation and
2:44:13
actually look at the archaeological record. Because
2:44:15
you can go to the alternative side
2:44:17
and have them go, oh, the Egyptologist.
2:44:19
They're just covering everything up. What do
2:44:22
they know? Here's the real evidence. to
2:44:24
go into the record and see what
2:44:26
they actually say. Don't wait for the
2:44:28
alternative historian to cherry-pick one phrase and
2:44:31
attack. Go and study it. Learn the
2:44:33
Egyptian hieroglyphs. The hieroglyphs will tell you
2:44:35
what's in the relief. Let's finish up
2:44:37
this point on the sphinx and some
2:44:40
of the holes and crevices within it
2:44:42
that we've been beating around the bush
2:44:44
on right here. And then we're going
2:44:46
to take a quick break, go to
2:44:49
the bathroom and come back and it's
2:44:51
going to be a second episode. Like
2:44:53
we're flowing right here. So anyway, let's
2:44:55
finish this point then and then we'll
2:44:58
do that. There's a long point because
2:45:00
there's a lot of entrances to the
2:45:02
Sphinx. Let's run through them quickly. This
2:45:04
will be, if you want more detailed,
2:45:07
you can go back to my YouTube
2:45:09
channel. Any extend that? To check it
2:45:11
out. So anyway, okay, hidden entrances into
2:45:13
the Sphinx and why is this important?
2:45:16
Because of the Hall of Records. You're
2:45:18
familiar with the Hall of records. I'll,
2:45:20
I'll, so basically. What you have is
2:45:22
something known as the Hall of Records.
2:45:25
And it was popularized by Edgar Casey,
2:45:27
the Sleeping American Prophet. Edgar Casey would
2:45:29
lay down, go to sleep, and then
2:45:31
come back and give readings that would
2:45:34
be recorded. And he would make predictions.
2:45:36
He has all sort of prophecies. A
2:45:38
lot of them didn't line up. But
2:45:40
one of the things he said is
2:45:43
that there's a Hall of Records beneath
2:45:45
the Paws of the Sphinx. And
2:45:47
I used to believe it was
2:45:50
a possibility. Back in 1996, my
2:45:52
friends and I, we were making
2:45:54
rap songs about the Hall of
2:45:56
Records under the Pours of the
2:45:59
Sphinx, you know. But is there
2:46:01
actually a Hall of Records under
2:46:03
the... And this whole idea that
2:46:05
was popular, it was popularized by
2:46:07
Edgar Casey, right? Wrong. It actually
2:46:10
predates Edgar Casey. Okay, before Edgar
2:46:12
Casey. You have the first imperative
2:46:14
of the Rosicrucian order Amork. That
2:46:16
is the ancient mystical order of
2:46:18
Rosay Kruchis. The Rosicrucian order Amork,
2:46:21
which is still active today. Their
2:46:23
first imperative, Harvey Spencer Lewis, published
2:46:25
a book, proprietary information at first.
2:46:27
Now you can find it publicly.
2:46:29
It was produced by and for
2:46:32
the Rosicrucians, symbolic prophecy of the
2:46:34
Sphinx. And within that book, he
2:46:36
includes a diagram of what appears
2:46:38
to be a temple beneath the
2:46:40
Sphinx. Keep in mind the Rosicrucians
2:46:43
were in Egypt very early on.
2:46:45
They were there during the time
2:46:47
of eminent Egyptologist Salim Hussain who
2:46:49
was doing excavations at the Sphinx.
2:46:51
Did they get information where this
2:46:54
come from? There's a lot of
2:46:56
controversy around this Julian because there's
2:46:58
another esoteric author who goes by
2:47:00
the pen name Eliros. Eliros. Yeah,
2:47:02
and he had his own Knights
2:47:05
Templar organization that he created. And
2:47:07
a lot of these nights Templar
2:47:09
organizations when you actually, I have
2:47:11
a film on the, anyway, whatever.
2:47:14
Next episode. Next, another episode. So,
2:47:16
yeah, so the Hall of Records
2:47:18
originally. the Hall of Mysteries according
2:47:20
to Ellie Rose years before the
2:47:22
Edgar Casey prophecy and this this
2:47:25
hall and hidden temple under the
2:47:27
Sphinx was published in Harvey Spencer
2:47:29
Lewis's book the Rosa how would
2:47:31
how would Edgar Casey know this
2:47:33
well we know because it's on
2:47:36
record that he has this organization
2:47:38
A-R-E and West Virginia, I believe.
2:47:40
Anyway, there in the archives, it's
2:47:42
in the three, marked in the
2:47:44
300 somewhere, we have evidence, proof
2:47:47
that he had clients who were
2:47:49
Rosicrucians. Anne Edgar Casey was well
2:47:51
aware of esoteric literature. So he
2:47:53
most likely read Harvey Spencer Lewis's
2:47:55
account or had access to the
2:47:58
other account, which is Ellie Rose
2:48:00
talked about a hall of mysteries.
2:48:02
under the sphinx. He talked about
2:48:04
a whole Masonic plan for Egypt.
2:48:06
How did he know? He said
2:48:09
it was channeled. He channeled. Channeled.
2:48:11
Oh, yeah. Very trustworthy. Yeah. So
2:48:13
whenever this channeling involved, I would
2:48:15
take it with a grain of
2:48:18
salt. Not to say, I don't
2:48:20
believe that humans have the ability
2:48:22
to go within and connect with
2:48:24
the divine. I'm channeling an 18-inch
2:48:26
cock right now. What does it
2:48:29
look like? I don't have it.
2:48:31
I'm sorry. Well, it takes years
2:48:33
of initiation through esoteric traditions. Meditations
2:48:35
and I mean, there's been some
2:48:37
people that have done amazing things.
2:48:40
Parmhansa, Yogananda would be one who
2:48:42
meditation, you know, Yogananda? Oh, man.
2:48:44
You know who Steve, you have
2:48:46
an iPhone? You know Steve, you
2:48:48
have an iPhone? You know Steve,
2:48:51
you have an iPhone? You know
2:48:53
Steve, you have an iPhone? You
2:48:55
know, you know, Steve, you have
2:48:57
an iPhone. in the digital e-book
2:48:59
section. That book was autobiography of
2:49:02
a yogi by Para Mahanza Yogananda.
2:49:04
I don't remember this, wow. I
2:49:06
studied Steve Jobs life like crazy,
2:49:08
but I don't remember. Yeah, Steve
2:49:10
Jobs developed the iPhone for meditation.
2:49:13
He conceptualized a lot for meditation
2:49:15
and he was a big fan
2:49:17
of yoga In short, it's the
2:49:19
science of Kriya yoga. It's a
2:49:22
tradition that goes back, you know,
2:49:24
Hindu tradition that goes back, and
2:49:26
he learned from his mentor, Sri
2:49:28
Yuktas far, and before him, Babaji,
2:49:30
there's a whole lineage. Anyway, Yogananda
2:49:33
came to the east, it was
2:49:35
my hometown of Boston, and he
2:49:37
traveled in Mexico, he settled in
2:49:39
California where they have today, his
2:49:41
organization, the self-SR, which I'm a
2:49:44
member of, self-realization fellowship. If you
2:49:46
want to learn the science of
2:49:48
Kriapranayama yoga, which is effectively how
2:49:50
you channel the inner currents, subtle
2:49:52
currents in your body, and work
2:49:55
them up through the... glands through
2:49:57
different breathing exercises and breathing, you
2:49:59
change your breath, you change your
2:50:01
consciousness. And use that to interact
2:50:03
with the glands which correspond in
2:50:06
Eastern tradition to the chakras or
2:50:08
chakras or what those accruitions refer
2:50:10
to as psychic centers, which science
2:50:12
can't measure. But if there's a
2:50:14
whole process, the process is to
2:50:17
ultimately channel that energy up to
2:50:19
your back through your spine to
2:50:21
have what's known as a cundalini
2:50:23
experience. The serpent goes up the
2:50:25
spine. You're shaking, you're bringing the
2:50:28
energy up to your panial gland,
2:50:30
your third eye. Yeah. But it's not, everybody
2:50:32
talks about the third eye, this is your
2:50:34
mystical eye. This is, you close your eyes,
2:50:36
you can still see, you can still remember
2:50:38
and create, right? You have an inner vision. That's
2:50:40
right. Right? So not limited to your sight
2:50:42
in your senses. You also have your
2:50:44
hyperthalmus and your pituitary gland. And
2:50:46
they don't really teach us a
2:50:48
lot about these things in school.
2:50:50
The glands are so, even in
2:50:52
modern science today, like we know
2:50:55
a bit, but we don't know
2:50:57
everything about the glands. Esoteric traditions,
2:50:59
like the Rosicrucians, focus on teaching
2:51:01
about the glands because, you know,
2:51:03
it was important for the mystical
2:51:05
process. Your hyperthalmus is what's going
2:51:07
to effectively help you to achieve.
2:51:10
you could say altered states of
2:51:12
consciousness. Also, we have what's known
2:51:14
as von econamel neurons. There's a
2:51:16
heavy concentration, dense concentration of von
2:51:19
econamel neurons named after von econamo
2:51:21
in the front of our head.
2:51:23
The whole idea is to suppress those
2:51:25
neurons, to open up a connection. This
2:51:27
is noces, to channel, to receive a
2:51:29
divine connection. It's like your brain is
2:51:31
a projector. You go into the light
2:51:33
of the projector to receive. It's not
2:51:35
to your brain. People will be like,
2:51:37
oh, when you meditate, the monkey mind
2:51:39
chatter. You know, you have to stop what's going
2:51:41
on. You can never stop thinking, but
2:51:44
you can move things around in a way,
2:51:46
according to these traditions, to access to... This
2:51:48
is what Indian Rishisis and yogis have been
2:51:50
doing for years. So you got into this
2:51:53
because you were saying this dude was channeling
2:51:55
by the fucking Pauls. Well, I got in
2:51:57
the Yogananda because of Steve Jobs channel live.
2:52:00
wanted everyone to know about Yogananda in his work. Yogananda
2:52:02
is in my top three must read books. Okay. Okay.
2:52:04
Autobography, Yogi, changed my life. You might need to suspend
2:52:06
some of your imagination in the beginning, but go through
2:52:08
the book. The thing that really does it for me
2:52:10
is Yogananda died consciously. When you look into the eyes
2:52:12
of Parmahansa Yogananda, when you look into the eyes of
2:52:14
George Ivanovich Gourjiff, you're gonna know. You're gonna know, you're
2:52:16
gonna see something, you're gonna see something, you're gonna see
2:52:18
something, and you're gonna see something, and you're gonna see
2:52:20
something, and you're gonna see something, and you're gonna see
2:52:22
something, and you're gonna realize, and you're
2:52:24
gonna realize, and you're gonna realize,
2:52:26
and you're gonna realize, and you're
2:52:28
gonna realize, There's something different about
2:52:31
them. Yogananda would teach Kriapranayama yoga
2:52:33
and he died conscious. He chose the
2:52:35
moment of his death. He said, I
2:52:37
am, before an audience, I am going
2:52:39
to die now. Dropped, died, and his
2:52:41
body didn't decompose. Whoa. Look
2:52:44
up Parmhanza Yogananda. I'm not going to check
2:52:46
this out afterwards, but who was the guy channeling?
2:52:48
Oh, so back to the channeling. I'm glad you
2:52:50
keep me on track here, Julian. Yeah, I
2:52:52
got to. I'm trying to help you. I
2:52:54
know he got to go to the bathroom. My
2:52:56
whole point is, yeah, my whole point is,
2:52:59
there's meditative practices, which I
2:53:01
find very interesting, that I practice meditation. I
2:53:03
saw you doing it right before. Before
2:53:05
I did the interview right so I
2:53:07
try to make time to meditate every
2:53:09
day if I had it my way
2:53:11
and life didn't get in the way
2:53:13
the two things I love most reading
2:53:15
and meditation But if I had to
2:53:18
choose one it would be meditation. I
2:53:20
love to be in a constant state
2:53:22
of meditation cosmic bliss connecting with gotcha.
2:53:24
Yeah, so anyway And when I say
2:53:26
meditation and yoga, I'm not talking about
2:53:28
these poses those poses are like their
2:53:30
first specific currents in your body.
2:53:33
There's all science to it anyway So I
2:53:35
was just trying to make a disclaimer that
2:53:37
like, I don't want to turn people off and
2:53:39
think like, you know, all channeling is fake.
2:53:41
I will say that I think a vast
2:53:43
majority of people that claim to be channeling
2:53:45
are faking the funk to sell books, get
2:53:47
attention. Maybe they believe it themselves. You know,
2:53:49
you can never tell another person's personal experience.
2:53:51
So I don't want to judge anyone. But
2:53:53
I will say that there are a lot
2:53:55
of authors who tend to use channeling who
2:53:57
tend to use channeling as evidence for channeling.
2:53:59
is they're presenting, like the Emerald Tablets
2:54:02
of Thoth, and Doriel channeled. Anyway, so channeling isn't
2:54:04
really verifiable, you know, it's hard to. So this
2:54:06
guy's channeling isn't, you know, we can't take that.
2:54:08
Who are we even talking about? Who is channeling?
2:54:10
It was the guy. Oh, Eliros, Eliros channeled, this
2:54:12
Masonic plan. And there's some controversy, who came first. How
2:54:14
have you spent Sir Lewis's book or Eli Spencerel, or
2:54:16
Eli, Eli Spencer Lewis's, or Elle Lewis, or Eli, or
2:54:19
Eli, or Eli, or Eli, or Eli, or Elle, or
2:54:21
Elle, or Elle, or Elle, or Elle, or Elle, or
2:54:23
Elle, or Elle, or Elle, or Elle, or, or Elle,
2:54:25
or, or, or, or, or, or, or, or, or, or,
2:54:27
or, or, or, or, or you know, one influence the
2:54:29
other. We don't know what certainty. But anyway, long story
2:54:32
short, then you get, you know, fast forward, almost a
2:54:34
decade, you have... What everyone knows is Edgar
2:54:36
Casey. He's the one that we, the
2:54:38
Hall of Records, they think, originates with
2:54:40
him. It doesn't. It originates with the
2:54:43
Rosicruitions and with LEDOS. But Edgar Casey
2:54:45
said there's a Hall of Records under
2:54:47
the Sphinx. So I set this big
2:54:49
craze off where everyone wanted to go
2:54:51
and check beneath the Sphinx. There's been
2:54:54
multiple studies where they found cavities around
2:54:56
the, natural cavities beneath the Sphinx. When
2:54:58
Dr. Robert Shock and Thomas Dobeki did
2:55:00
the seismic refraction survey around the Sphinx,
2:55:02
they detected a big anomaly north of
2:55:05
the Sphinx, and they believe that there's
2:55:07
something that appears to look like a
2:55:09
chamber. And this is Shock's interpretation. He
2:55:11
says because it appears to be right
2:55:13
angles, and there are... supposed to be,
2:55:15
or it's believed that there's not any
2:55:18
exact right angles in nature. Although you
2:55:20
can find some instances, you know, but
2:55:22
there's not supposed to be angles in
2:55:24
nature, so the high idea is, well,
2:55:26
look, if this looks like a right
2:55:28
angle, it must be a subterranean structure,
2:55:30
which gives credit to Edgar Casey's Hall
2:55:32
of Records. I mentioned Mark Lainer earlier.
2:55:35
He's the foremost Egyptologist when it comes
2:55:37
to the Sphinx. He did this big
2:55:39
study, the official one on the Sphinx.
2:55:41
He got into this, like me, came
2:55:44
into this through the alternative side. His
2:55:46
parents were a part of the Edgar
2:55:48
Casey organization. In fact, that organization funded
2:55:50
his education to become an actual Egyptologist,
2:55:53
archaeologist, so that he could go find
2:55:55
this Hall of Records. And he did
2:55:57
that. And after he looked at everything
2:55:59
in the... Sphinx. He came to the
2:56:01
realization that, you know, it's not what
2:56:03
they say it is. And now he's
2:56:06
all the way on the other side
2:56:08
of the field. And he's one of
2:56:10
the main proponents with Zahi that, you
2:56:12
know, and that's what often happens. That's
2:56:14
like me. I came in through the
2:56:16
fascination and the sensationalism. But then I
2:56:18
wanted to study and dig deeper. And
2:56:20
when you look at the stuff, you
2:56:22
realize that it's not all, you know,
2:56:24
it's cracked. This is where it opens
2:56:26
up. You know, the entrances. How would
2:56:29
we get into the Hall of Records
2:56:31
beneath the Sphinx? Let's talk about entrances
2:56:33
into the Sphinx. Please. There's an entrance
2:56:35
between the Paws that few people know
2:56:37
about. Between the Paws of the Sphinx
2:56:39
is what's known as the Dreamstealer, which
2:56:41
is the work of Thupmosis IV. It
2:56:43
commemorates him clearing. He went to the
2:56:45
Sphinx. He went to the Sphinx. He
2:56:47
went to the Sphinx. The Sphinx came
2:56:50
to him in a dream, and you
2:56:52
have to be careful whenever they put
2:56:54
dream in literal text, because we're not
2:56:56
entirely certain what that means, because that
2:56:58
could, we could be interpreting his dream,
2:57:00
but it could be an altered state
2:57:02
of consciousness, it could be a meditative
2:57:04
state. And the Sphinx came to him,
2:57:06
Hora Mokit, one of the names of
2:57:08
the Sphinx, right? Sphinx has been known
2:57:11
by many names throughout history, Hora M.
2:57:13
Akit, Horus on the Horizon, Ses on
2:57:15
the Horizonum, living image of Atum, living
2:57:17
image of Atum, Abul-Hole, the terrifying one,
2:57:19
Tefnut, Spidinu, and recent textual evidence in
2:57:21
the alternative circles suggested it may have
2:57:23
been Mahit. Anyway, we know that Tutmosis
2:57:25
4 was referring to him as Hora
2:57:27
Market, Horace on the horizon, because it's
2:57:29
in this stila. Stila is a stone
2:57:31
that commemorates an experience that has all
2:57:34
hieroglyphs, and it references the Sphinx as
2:57:36
Hora Market. And so at this time,
2:57:38
this is a new kingdom of Egypt.
2:57:40
The Sphinx is already ancient. The Sphinx
2:57:42
is supposed to have come into fashion
2:57:44
in the Old Kingdom. This is the
2:57:46
new kingdom. And the Sphinx tells Tutmosis,
2:57:48
clear away the sand from my paws,
2:57:50
because it was up to its neck
2:57:52
and sand, clear away the... and you'll
2:57:55
have the right to rule over Egypt.
2:57:57
So he did that to legitimize himself.
2:57:59
He built a wall, a terminus wall
2:58:01
to prevent more wind and sand from
2:58:03
blowing on it. So, how do we
2:58:05
know how to get into the Sphinx?
2:58:07
Behind that, behind this dream steel, it's
2:58:09
covered up now because the Egyptologists have
2:58:11
done a cover-up, but not intentionally. They're
2:58:13
trying to preserve it. In most cases,
2:58:16
when they're covering something up, it's because
2:58:18
they don't want people to go in
2:58:20
and fall down, get hurt and have
2:58:22
a liability, or they just haven't finished
2:58:24
publishing academic papers on it. So it's
2:58:26
not ready. It's not that they're trying
2:58:28
to hide lost technology from the public.
2:58:30
Believe me, I know the Egyptologists, they
2:58:32
wish there was lost technology, their jobs
2:58:34
would be easier. And so Egypt would
2:58:37
be further along, it wouldn't be struggling,
2:58:39
and a developing country in a sense.
2:58:41
There's this passage beneath the Sphinx and
2:58:43
I had long thought that if there
2:58:45
is an entrance to the Hall of
2:58:47
Records It must be between the pause
2:58:49
of the Sphinx you have two pause
2:58:51
to this is the you know rule
2:58:53
of thirds You're too flanking Either there's
2:58:55
two obelisks or two pylons which from
2:58:57
a two pause where would they be
2:59:00
at it be in the center? And
2:59:02
so as a but you can't see
2:59:04
because the dream steel is there and
2:59:06
they've built up this little Structure that
2:59:08
has a trap door, an iron trap
2:59:10
door that you can go down into.
2:59:12
Well, we can't see what's in there.
2:59:14
So, if you were to come to
2:59:16
Egypt on your own accord, and you
2:59:18
were to go to the Giza Plateau,
2:59:21
have you ever been to Egypt? I
2:59:23
was, yeah. Probably younger, but your family
2:59:25
was there. Probably younger, but your family
2:59:27
was there when I was 16 for
2:59:29
a couple days, and when I was
2:59:31
18 for a couple days. So you
2:59:33
couldn't really appreciate, it, awesome. All right,
2:59:35
let's go like there was a picture
2:59:37
and I love history But at that
2:59:39
point in my life. I wasn't yet
2:59:42
like crazy deep on like ancient history
2:59:44
at the time So it's just really
2:59:46
cool like wow they built this But
2:59:48
I wasn't thinking about all the little
2:59:50
details and intricate things of like wait
2:59:52
a minute How the fuck did this
2:59:54
even happen? And now if I went
2:59:56
there I'd be like oh, you know,
2:59:58
and you'd know more
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