Episode Transcript
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0:04
I remember the first girl
0:08
I courted, I guess, when I was 12
0:10
maybe. It
0:12
was at a lake that my family used
0:14
to spend a week at. We used to rent a
0:16
cabin for a week and the girl
0:18
who was staying in the cabin next door, I
0:21
had a really big crush on. And 11-year-old
0:23
me didn't know how to make a move to the point where
0:26
when I was saying goodbye to her, my family started
0:28
teasing me about, oh, you should go over and say,
0:31
you know, goodbye. She's like expecting you to say goodbye.
0:33
And I remember knowing that I
0:35
should, but not wanting to do it in front
0:37
of my family. And so... You walked
0:39
up to her car as they were
0:41
pulling out, knocked on the window and gave her
0:44
a, here's looking
0:46
at you kid, Bogart move. Well,
0:49
it was kind of like a little salute
0:51
with my two fingers by my eyebrow, just
0:53
kind of like... Bringing around from her car
0:55
and seeing you guys and you were all
0:57
trying to contain yourselves and none of you
0:59
were doing a good job. You didn't talk
1:01
to a girl for about 10 years after
1:04
that. So mean. It worked
1:06
out. Sort of. Not really.
1:08
I'm single. Anyway,
1:10
here's the show. Life
1:13
could be a dream. Life
1:15
could be a dream. Do,
1:17
do, do, do, shaboom. You're
1:20
listening to Life is Short. I'm your host, Justin
1:23
Long. Life could be
1:25
a dream, sweetheart. Do, do,
1:27
do, do, shaboom. And
1:29
with me as always is my... Supportive.
1:32
Yeah, usually supportive. Not then. Not
1:35
then. Christian Long. Yeah. You,
1:38
I think we're just following my, not to blame it all
1:40
on my parents, but you were following their lead. Yeah. And
1:43
at that age, you're the youngest one. You're looking for reasons
1:45
to get some power and tease
1:47
me and... Sure. And it was a perfect
1:49
opportunity. And in all of your
1:51
defense, it must have
1:53
looked hilarious. Yeah. Like embarrassment
1:55
to the point of like it's almost crippling.
1:57
I remember that. It
2:00
almost prevented me from making moves. And every
2:02
move I made toward her car, I remember
2:05
feeling like it was an accomplishment. You
2:08
know when you can hear your heartbeat, and it's
2:10
the only thing you can hear, it's a-dun, a-dun,
2:12
a-dun, going up to that car and not having
2:15
a fucking clue what to do, what to say,
2:17
what to do. To do it
2:19
in front of her family, in front of
2:21
my, oh. It was so embarrassing. Speaking of
2:23
first crushes, is it fair to say that
2:25
your first movie crush
2:27
was Leah Thompson, our guest today?
2:30
Well, I think Leah Thompson was
2:32
my first real meaningful movie crush.
2:34
Like, I do remember being
2:37
physically attracted to Carrie Fisher in Return of
2:39
the Jedi. So I know that's such a
2:41
common thing. I never had a crush on
2:43
adults when I was a kid. And to
2:45
me, Leah Thompson
2:48
and Carrie Fisher, they were grownups. I
2:50
liked girls who were my
2:52
age. Did you have a crush on Annie,
2:54
as I seem to recall, or the girl
2:56
who played? Yeah, but she was my age.
2:58
She was a kid. And
3:00
third grade was the first time I liked
3:02
a girl in school. But I never, I
3:04
mean, I thought she was pretty, I'm sure.
3:07
You mean Annie? Leah Thompson. But
3:09
I never had a thing for her when I was a
3:11
kid. Because she was a
3:13
grownup. I don't wanna, this is not gonna sound creepy if I
3:16
really get into the nuts and bolts of it. Please don't really get
3:18
into it. Well, I just remember it
3:20
was such an important moment in my life.
3:23
Like, in so many ways, discovering Back to
3:25
the Future was like, I can't overstate how
3:27
important it was in my
3:29
development. That movie, like wanting to
3:31
emulate Michael J. I thought
3:33
Michael J. Fox, I still think that character,
3:36
Marnie McFly, is the coolest. He is
3:38
the coolest. That really had a huge
3:40
impact on you more than a lot
3:43
of people. To the point where-
3:45
You kinda sound like him. I still kind
3:47
of, yeah, even that, Doc, Doc, are you
3:49
telling me my mom? Yeah,
3:51
but you're so, I mean, I'm
3:53
doing it right now with my hand. I still gesture
3:57
like he does. It
4:01
was profoundly important to me, that movie. And
4:04
of course, Leah Thompson was, to me, she
4:07
was the most beautiful and it
4:09
didn't get any better. And so
4:11
it was very difficult. The challenge
4:13
I faced was in this interview
4:15
was somehow trying to separate, because
4:17
in a lot of ways, we've talked about this
4:19
a lot on the show, like we're still our
4:22
childhood selves in a lot of ways. Yeah, but
4:24
you met her for the first time a couple
4:26
of years ago, right? Or longer. No, longer. Leah,
4:29
I met when I was doing a
4:31
show called Ed. This is about 20 years ago now. I
4:34
was 20, early 20s. And the
4:37
guys who created the show also
4:39
really loved Back to the Future, fetishized
4:41
it in a way that I did. So they had as
4:44
many people from that show on as possible. They had
4:46
Thomas F. Wilson, who played Biff. They had Christopher Lloyd.
4:50
I can't wait to tell this Christopher Lloyd story when
4:52
we hopefully have Christopher Lloyd on. But,
4:55
and they had Leah. Leah was,
4:57
did several episodes and I
5:00
remember at one of the rap parties
5:03
dancing with her, we had a
5:05
really fun dance. Like an
5:07
enchantment under the sea dance. It was enchantment under
5:09
the sea adjacent, I would say. Yeah,
5:11
but it was, she
5:13
is so fun and such an easy
5:15
person to be around. And
5:18
despite my kind of inability
5:20
to hold back from like nerding out around
5:22
her. And then years after that, we worked
5:24
together on a movie that
5:27
we talked about a couple of weeks ago called Literally Right
5:29
Before Aaron. Leah played my mother in
5:31
that, which was. And I know
5:33
I said this a couple of weeks ago
5:36
in the Fran Drescher episode, but I think
5:38
it bears repeating weird casting.
5:40
Yeah, I get it. For Leah
5:42
Thompson to play your mother. The
5:44
age thing is just, I couldn't get past it. She's
5:46
just so much younger
5:48
than my mother. So,
5:51
sorry, mom. So if anyone
5:53
has not seen any of
5:55
the three back to the future movies, you
5:57
definitely need to turn this off right now and
5:59
watch. them. But she was also,
6:01
she's been in some other
6:04
iconic movies like Some Kind of Wonderful and Howard
6:06
the Duck, which I loved as a kid. Oh
6:08
my God. Yeah. She married the director of Some
6:10
Kind of Wonderful, Howard the Doitch. I've
6:13
been dying to make that joke. And
6:15
she was on the show Caroline in the City. It was the 90s, mid
6:17
90s. All the right for like
6:19
100 episodes. Iconic
6:21
movies, Red Dawn. She was
6:23
Space Camp. The list goes on.
6:26
I even loved Jaws 3 when I was a kid. I
6:28
was obsessed with those Jaws movies. We get into Jaws 3
6:30
a lot more than we should probably. To
6:33
me, she's an icon. She
6:36
will forever be somebody that
6:38
there's a part of me that will always kind of like
6:40
love. I know it sounds weird,
6:43
but she was like, yeah. She was
6:45
beyond a childhood crush. She was like
6:47
a childhood love. It's like you had
6:49
a relationship with her. To say
6:51
crush is too fickle. It's too fleeting.
6:54
Yeah. Yeah. Because I never got over
6:56
it. And every time I watch that
6:58
movie, it still holds up
7:02
more than holds up. It still has that deep
7:05
of an impact on me. I think it's
7:07
the best movie ever made. And
7:09
I think Leah is just the most lovely,
7:12
wonderful woman God
7:15
ever made. And
7:17
if you think that's gushy, just wait till
7:20
the interview. Coming up next, The
7:22
Sublime. Leah Thompson. Life
7:25
could be a dream, sweetheart.
7:27
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all states and situations. Hello,
9:03
hello again. Shaboom and the bubble meet
9:05
again. I
9:07
don't know if it's more flattering to me or
9:09
insulting to you that you played my mother. I
9:13
was thrilled
9:16
because as I'm going to talk about, I'll
9:18
try to limit myself here.
9:21
I'm just a huge fan
9:23
and an enormous fan to
9:25
the point where it's I've
9:27
been pretty, you know, I've been getting more comfortable with these
9:29
things and like talking to people and I'm
9:33
very nervous right now. But
9:36
playing your son was surreal for many reasons.
9:39
But I think the thing that I was
9:41
struck most by was how wrong the casting
9:43
was. And I was
9:45
I told you this, I know, but I
9:47
didn't want to be too creepy about it.
9:49
But first of all, I am a huge
9:52
fan of yours. You are amazing. You are
9:54
an amazing actor. We're cutting all this out.
9:56
Funny, funny, funny. No, don't cut that. You're
9:58
awesome. I was
10:00
honored to be able to be
10:03
your scene partner. You grew up
10:05
in Minnesota, in Rochester, Minnesota. What
10:09
did your parents do? What was your family, your
10:11
upbringing like? When I was growing up in Rochester,
10:13
my dad was having a hard time selling life insurance.
10:16
He wasn't very good at it because he was super
10:18
uber honest. That's
10:21
a no-no. And my mom
10:23
was an artist, like a painter
10:25
and an actress. And
10:28
she was unfulfilled. And
10:31
so it was an interesting. Their
10:33
marriage was kind of falling apart. My mom was
10:35
drinking too much and my dad was
10:37
drinking too much. And it was kind of
10:39
a disaster. But I had four
10:42
younger, older brothers and sisters that
10:44
kind of co-parented me. My
10:47
oldest sister is still my assistant, Colleen. No
10:49
kidding. Did they shelter you somewhat from
10:51
the dysfunction of your parents? I don't think
10:54
there was much sheltering. I
10:56
just went to visit the house in Rochester that I
10:58
grew up in. Two
11:00
bedrooms. What? And the rest of us
11:02
slept in the basement. And my. You
11:05
have bunk beds? Yeah, we had army
11:07
bunk beds. Oh my god. Those
11:09
metal army bunk beds. And
11:12
sheets. But
11:14
my brother's scores for
11:16
Scrabble were still etched.
11:18
Get out of here. That's so
11:20
cool. In the wall. It was really cool.
11:23
So your parents, one of them lived there, continued to live
11:25
there? No, we moved to Minneapolis. It
11:28
was easier to be poor back then. We
11:31
were very poor, but we had a beautiful
11:33
house, a block away from a
11:35
lake in Minneapolis that they bought for $13,000. So
11:39
that was kind of lovely and idyllic
11:41
and living by that lake. So
11:43
they stayed together? No, they divorced when
11:45
I was about eight. My
11:47
mom sobered up. And she died
11:49
with 50 years and AA. Oh
11:52
my god. Just kind of impressive. Wow. Wait,
11:54
Leah, I'm sorry. How were you then able to get into the two
11:56
bedroom house that you grew up in? It was just a new family
11:58
lived there and you asked if you could check. And
12:00
I was a little bit perturbed that they didn't know
12:02
that Leah Thompson lived there. Yeah, right? I went to
12:04
visit the other house in Minneapolis and they knew. There
12:07
should have been a plaque. There should have been a
12:09
plaque. Truly, I'm not exaggerating. Something, a bust. She had
12:11
no idea. At least one bust. I was like, come
12:13
on. Did she have a thick minisauro accent? Was that
12:15
an accent? Oh yeah, she had that. So,
12:18
you know, that's why they let us in. Oh,
12:20
come on. What was it like? Did it bring
12:22
up memories that, you know, that had laid dormant
12:24
for a long time? You know, really powerful. Yeah.
12:27
This recently, I went to give an
12:30
award in Minneapolis and
12:32
to raise money for this theater. That was the
12:34
first theater that I ever performed in. And
12:37
then I went, this was the first time
12:39
I went into the next house that I lived in.
12:41
From the time I was eight to the time I
12:44
was 12, which was really an amazing house. And that
12:46
lady did know that Leah Thompson lived there. Okay. All
12:49
right. She had been told. So she gave us a very...
12:51
She was like, where have you been? I know. I
12:53
know. I know. Yeah.
12:57
That was very, that was very powerful.
12:59
I really cried a lot. I bet.
13:02
Everyone's gone. You know, my mom and dad
13:04
are gone. So I'm like, oh my God. I think that's why
13:07
certain things are so... Like this is us
13:09
is so powerful. The idea of seeing a
13:11
room and different times. Oh my God.
13:14
Of course. I'm so struck by it. And
13:17
that's why Back to the Future is
13:19
such a powerful story. And that's why
13:21
it connects with people because it's about
13:23
our, you know, it's about our mortality
13:25
and facing the
13:28
cruel hands of time, right? And
13:31
what happened to you in that movie, it's interesting
13:33
that you'd say that about your mom. Was
13:36
that in any way triggering playing Lorraine at an
13:38
older age? Because in the beginning of the movie,
13:40
she does clear she's drinking and
13:42
playing it. Did you think, oh God, this is kind of
13:44
my mom? No, my mom wasn't
13:47
like that at all. She was a
13:49
really much more fun drunk. Okay. My
13:52
mom was very, you know, she'd ride
13:54
around the lake and jump in.
13:56
She was a fun... She was a good
13:58
time Charlie. She was really fun. She wasn't
14:01
like... She wasn't like, your uncle's a... I
14:03
know. ... didn't make her all again. No.
14:06
Okay. She wasn't dowdy, but I
14:08
did understand that character, but I based her on other
14:10
people that I knew, the older
14:12
Lorraine. Oh, really? And you've obviously never
14:14
told them. No. It's not a matter
14:16
of flattering portrayal. No. And so then you're...
14:18
So eight to 12, you're in this new house, and then at
14:20
what point do you start doing ballet? I
14:23
started ballet when I was like 11. Okay.
14:25
Did you have ambitions to act at that time,
14:27
or was it just ballet? No. I
14:29
was in the first play when I was 12 at
14:31
the Children's Theater, which is kind of... Of Minneapolis, which
14:34
is like a world-renowned. It won the Tony a few
14:36
years... Like 10 years ago, eight years ago. It
14:38
was a really amazing theater. So
14:41
I did Madeline the Gypsies when I
14:43
was 12. So that was my first play. So
14:46
you loved it. You were... This was what
14:48
I wanted to do. No. No. Really?
14:51
I still just wanted to be a dancer. I was actually loaned
14:53
out. I was actually given by my ballet company to the
14:56
theater company because they owed money. Oh,
14:58
my God. They
15:00
would borrow Leah Thompson to play the lead.
15:02
You were like collateral? I was like, okay.
15:05
So, and then it was... Were you at
15:07
ABT? Because you joined ABT, which is a
15:09
very prestigious company. Were you
15:11
there at this point? No. Later I went.
15:14
When do you go to New York? I went to Pennsylvania. I
15:16
was in the Pennsylvania Ballet. I was an apprentice there, and I
15:18
didn't quite make it. So then I went to New York, and
15:20
I was in ABT II. And
15:23
then I... It was funny because then Burchnikov told
15:25
me I was too stocky, and I walked out.
15:28
And I became an actor. I became a waitress.
15:30
A better... Okay. I'll show
15:32
you. I'll become a waiter. Wait tables. Do
15:36
you think there's anything worse
15:38
for a young woman's self-image
15:41
and female body image? Is there anything worse
15:43
in the world of ballet? Well, no. Ballet
15:45
is really difficult, but this is an interesting
15:47
thing that happened to me. I
15:49
told you I was giving an award, or I
15:51
was to Misty Copeland, who's in ABT. Oh, sure.
15:54
ABT, yeah. She's the first principal
15:57
dancer of color in ABT. So
16:00
I was there and I was talking to
16:02
her and I was at a reception and
16:04
there were all these ABT head honchos. They
16:07
were like, you were an ABT too. I was like, yeah,
16:10
you're right, I was. They were like, you were such a,
16:12
I remember you, you were a beautiful dancer. I was like, I
16:16
remember Misha telling me I was too
16:18
stocky and me quitting dancing. They were
16:20
like, oh, that Misha. Classic Misha.
16:23
I've changed the course of my life. They
16:25
were like, classic Misha. They just brushed it
16:27
off. But I was just so thrilled that
16:30
they even knew the story and had like
16:32
someone had even pretended to know that I
16:34
was a dancer. Also, I thank God
16:36
that he had that he did do that,
16:38
that Misha. Thank God. That's what I say.
16:40
Yeah. Because that course of my
16:43
life was completely changed in that moment. Also,
16:45
I mean, I think it worked out.
16:49
And I mean that not only because
16:51
of what happened as an actress, but what could
16:53
have happened as a ballet dancer. I mean, that's
16:55
a life that, you know, I wouldn't
16:57
wish on anybody. I didn't have the body.
16:59
I mean, I never, you never went to
17:01
the doctor. But I had when I finally
17:03
was an actor and I had the money
17:05
to go to a doctor, when they x-rayed
17:07
my back, my last two vertebrae thought they
17:09
were part of my sacrum. So they didn't
17:12
bend. Oh my God. So those
17:14
extra two vertebrae that make your legs go
17:16
up in the back and like make you,
17:18
I just kept thinking I was a bad
17:20
person. Oh, I'm like a mutant.
17:22
If I was a better person, I could get my leg
17:24
up. Oh my God. But it was
17:26
my body. Of course. And not only
17:28
with the body image, but the pressure that that must
17:31
do to a person that age was really unhealthy. But
17:33
let me tell you, it is a beautiful thing. Yeah,
17:35
I know. It's beautiful to watch. It's
17:37
beautiful to do. Yeah. It's heaven. Do
17:39
you miss dancing? You were on you recently dancing. You
17:42
were on Dancing with the Stars. Were you pissed? You
17:44
didn't win? No, I
17:46
wasn't pissed. I didn't win. But they
17:49
definitely need like a
17:51
12 step program for people who have been on
17:53
Dancing with the Stars. Why? What happened? It's just
17:55
a freaking nightmare. All right. Do you feel just
17:57
like immediate pressure? It's insane. Oh, I would. I
18:00
would have made the first round. It's
18:02
insane. It's so much pressure. It's so
18:04
insane. Producers with headsets and like, okay,
18:06
now you're up next. There's a lot
18:08
of that backstage chaos. It's almost
18:10
worse than that. It's almost like... Oh,
18:13
really? Yeah, it's almost like... Now,
18:16
Leah's making a very judgmental face, right?
18:18
A very smug... Yeah, like because they
18:20
surprise you and they torture you. And
18:22
they decide which way the game is
18:24
going to go. Oh, you're
18:26
a pawn. Yeah, you're a pawn in a game
18:29
that... So it feels like the Hunger Games. Oh,
18:31
my God. It literally feels like the Hunger Games
18:33
and you're in it. Oh, my God.
18:35
Well, that brings us back to ABT. Hello.
18:37
How do you quit? As what? You were 18,
18:39
19? I
18:41
think I was a 20. Oh,
18:44
you were old. I was old. I
18:47
just... Were you crushed? Were that any sentence? I
18:49
was a little bit crushed, but I was all
18:51
by myself and I just remember going to my
18:53
locker and going, that's it. That's
18:56
it. And I just took my things and
18:58
I just was like, that's it, I got
19:00
to do something else. And it
19:02
was upsetting to me kind of as a spiritual person.
19:04
I've always kind of been a spiritual person. And I
19:06
was like, why would the
19:09
great spirit give me this desire
19:11
to do something and not just
19:13
enough talent to almost make it?
19:15
Well, he didn't say... That's brutal.
19:18
That's very, yeah, that's hard to wrap your
19:20
mind around. Sure. But it wasn't enough, thankfully,
19:22
for you to not pursue another
19:24
visual art. No,
19:28
no, I didn't feel that way. I
19:30
didn't feel that way. I felt ridiculous
19:32
at the time. Cause he's
19:34
stocky. Yeah,
19:36
let's face facts. He's a stocky dude.
19:38
He's like, sure. Right. Like,
19:41
what? He's not like life, you know what I
19:43
mean? It just felt ridiculous. Cause I was
19:45
like 98 pounds. There
19:47
was no way I was getting any skinnier. I think
19:49
he probably meant that my hips were too big or
19:52
I wasn't tall enough. They didn't
19:54
clarify. I mean, it was fine. But
19:57
what it was was that the
19:59
greatest... I
40:00
think he and that whole era,
40:02
unfortunately, are a little bit afraid
40:04
of actors. But I
40:07
don't know why. I don't think we're that scary. But
40:09
I think that he would just
40:11
say like louder. Yeah.
40:13
Louder. And he
40:16
did, you know, they cast it really
40:18
well. They cast everybody and just set,
40:20
you know, commitment. See, this is what
40:22
I think about acting right now. When
40:25
I watch acting, and I'm directing a lot now,
40:27
and when I'm talking to actors, I
40:29
just wanna say deepen it. Just deepen it.
40:32
You don't have to do anything but deepen it. Like
40:34
go to the next level. And does that mean more,
40:38
feel it a little more, like sit with
40:40
it a little bit more? Yeah, like don't
40:42
just be, just don't yell at me. Find
40:44
a reason to yell at me. I'm hurt.
40:48
I need something from you. I
40:50
feel depressed. You
40:52
know, just- Totally. So many actors
40:54
are just like on top of the thing. But
40:57
we were to deepen
40:59
every single thing. Bob Zemeckis knew
41:02
that so many massive
41:05
plot points rested
41:07
on our acting. Right, right. Like when-
41:10
Did you rehearse? I remember him being so nervous
41:12
about the kiss scene when I go, it's like
41:14
kissing my brother. Because he knew that I
41:16
had to be like, rear, rear, rear, rear,
41:18
and then like, completely change
41:20
into another person. And it is, that's a good example
41:22
of something that, a pivot that you have to make
41:25
as an actor to go from, you want
41:27
this guy so badly, to go from, you're
41:30
overcome with, you know, and
41:32
then right away, it's like
41:35
kissing my brother. Are you, is
41:37
that a scary scene to get into? Is that- When
41:39
you can tell they're scared. Yeah. Yeah.
41:42
But you know, Crispin, you know,
41:44
after he punches him, and he
41:47
goes, and for
41:49
us to have to like- Are you okay? Fall
41:51
in love in one shot. Oh my God, of
41:53
course. He's like so, but they gave us the
41:55
great music and the great light. I mean, the
41:58
way they lit me. Yeah, it's beautiful. later.
46:00
I mean, it's, um, and they just
46:02
released it in Blu-ray. Yeah. Well, it's
46:04
a good movie. They don't do it
46:06
if no one's watching. Exactly. Exactly. So
46:08
take that, enemy mind. Take
46:11
that, everyone. No, I have no
46:13
problem with Dennis. The whole Quaid family. Yeah.
46:16
I have no problem with Dennis. It's just
46:18
that it's, it's so malign. And actually, at
46:20
a certain point, I got so
46:22
sick of it, you know, people going like doing
46:24
interviews and being like, I'm, I
46:26
have to ask you about Howard the Dead. Oh, yeah. And
46:28
I was like, oh, fuck you. Because so many people who
46:30
love that movie. I wish
46:33
I'd said it that way. I have to ask
46:35
you about Howard the Dead. I'm sorry, but I
46:37
have to ask you. My producer would be so
46:39
mad about it. I ask, sorry. You
46:42
know, as if they were going, as if I'm
46:44
going to shrink away. Yes, I'm ashamed. I'm at
46:46
the Comic Con. Yeah, you know. And people love
46:49
me. You got your finger on the nerd pulse.
46:51
I do. I hold my finger directly on the
46:53
nerd pulse and they love Howard the Dead. Yeah.
46:55
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hello again. Shaboom and I'll go
49:23
meet again. Now some
49:25
kind of wonderful. This is post
49:27
Back to the Future. Was
49:30
that a script that everybody thought, oh,
49:33
this is going to be something special? Did you
49:35
know of Howard Deutsch? No,
49:37
I didn't. But I did know of John Hughes and I
49:39
always wanted to get in his movies. Right. Yeah. That
49:42
was the in crowd. You know, the Brad Pack
49:45
or whatever. Yes, that's right. And everybody wanted a
49:47
John Hughes movie and he would never, you know,
49:49
I always auditioned for him and never got them.
49:51
But it was an interesting story because Howie
49:54
wanted me for this is Deutsch, not the
49:56
duck. I just want to clarify. He didn't direct
49:59
Howard the Duck. I was Willard Hike. Howie
50:02
wanted me for some kind of wonderful, and it was a
50:04
different script. I said
50:06
no, and then Howie left
50:09
the movie, and Martha Coolidge took
50:11
over, and the script got
50:14
rewritten, and then Martha
50:16
Coolidge left, and Howie came back. Do
50:18
you remember why you didn't want to do the first incarnation? Because
50:20
I could tell that the other part was better, and
50:23
I had Howie the Duck coming out. Yeah, you
50:25
were sad. I was sad. You didn't
50:27
need to go slum it with Howie
50:30
Deutsch. No. So then Howie
50:32
the Duck came out. Howie Deutsch came
50:34
back. Right, and you're like, let me look at
50:36
this Amanda Jones thing. Yeah, exactly. So
50:40
when you're working with Howard, is
50:42
it right away? Do you guys fall for
50:44
each other? It's just? No. He
50:47
had a crush on me. There's
50:50
a painting in the movie that's a plot
50:53
point. Yes, yes. And so he had like 12 of
50:55
them painted, because none of them were good enough. That's when
50:57
I knew he had a crush on me. Wait a minute. He
51:00
crushed borderline. That's a nice way of saying what he
51:02
had. But at this point
51:04
still, I was engaged to Dennis Quaid. Oh,
51:07
wow. I didn't realize that. Yeah,
51:09
I was still with him. So I had
51:11
to kind of get out of that before
51:14
I am, but
51:17
it was a crazy time. I mean, I did like 900 movies
51:19
in a row. God, yeah. How do you maintain
51:21
anything when you're working? That's crazy. I did
51:23
900 movies in a row. But what happens
51:25
is it all screeches to a halt when
51:27
you have a baby. I
51:29
want to do the research on this, because once
51:32
you push a baby out, you
51:35
can't be a movie star anymore. Is
51:37
that a scientific fact? Well, let's
51:39
do the research. The only
51:42
Meryl Streep is the only one. I was just thinking
51:44
of Meryl Streep. Yeah, she pushed a couple on. Yeah,
51:46
you can adopt a baby. Oh, Charlize.
51:50
And Halle Berry, and Sandra
51:52
Bullock. That's an interesting theory. But
51:54
once you actually create a placenta,
51:56
you can't be a movie star
51:58
anymore. They don't take your sad car. card necessarily,
52:00
but it's your movie star card. Yeah.
52:03
Does your face change that much? Or what
52:05
happens? That's interesting. I never did
52:08
a movie after that. A starring role. I
52:10
did the Beverly Hillbillies. After that,
52:12
I have never done a big feature. Isn't
52:14
that crazy? The Beverly Hillbillies. You
52:17
do Back to the Future 2 and 3 at the same time. Yes.
52:20
That's in like 89 time. And
52:23
when you're doing that, did Michael, did he
52:25
know at the time, or this is a couple years
52:27
later, he found out about his diagnosis? It was later.
52:30
It was later, okay. I mean, I don't know when he did. Yeah, yeah.
52:32
According to his book, I think it was during Doc O'Lanee.
52:34
See, you've read the books. I've read many of the books.
52:37
I'm a big nerd. I can't believe I'm not at those
52:39
conventions. So
52:41
interesting. And do you, at the time, is
52:43
it frustrating? It's like, what's going
52:46
on? I've done these big movies. That's
52:48
so frustrating. I mean, I still can't believe
52:51
it, but luckily there's TV. You
52:53
start doing TV in the early 90s. And
52:57
Carolin in the City is a huge hit. Did
53:02
you miss doing movies, or was it like, oh,
53:04
this is comfortable. I'm raising kids. This is sweet.
53:08
I found sitcoms to be very,
53:10
very dramatically hard.
53:13
Really? Yeah, I mean, not so
53:15
much so as some other actresses I've heard
53:17
of that like threw up every time, but
53:20
it's very- In front of the live audience. Yeah,
53:23
just the process of doing
53:26
a live play every week with
53:28
the pressure of telling the jokes, like boom, boom,
53:30
boom, and not being able to screw up. Because
53:33
if you screw up, they're like, get really mad
53:35
at you. Really? You could do another
53:37
take, no? With multi-cam stuff? I don't know, have
53:39
you never done it? I have, and I, definite pressure
53:41
because it wasn't my show and I'm just
53:44
coming in as a guest star, but you're
53:46
an ABT. Talk about pressure.
53:48
Like that you can't mess up. You
53:51
gotta be fucking fearless to do
53:53
that. So how does that person,
53:56
how does that not kind of transfer
53:58
over to- the sitcom. You
54:00
know, some people have a different experience. I
54:02
think my show was, first of all, we
54:05
had the best time slot ever on TV
54:07
between friends. Thursday. Thursday night between friends and
54:09
ER at the peak of their time. Er.
54:13
Er, yeah, between er and friends. So
54:15
it was literally the best time slot
54:17
ever. So that was a lot of
54:19
pressure on me. And
54:21
there was also this horrible kind of sexist pressure,
54:24
deserved or not deserved, because there
54:26
was Sybil, there was Roseanne,
54:28
and there was one, there was
54:31
another show. Mrs. Belvedere. No, with
54:33
a woman. That
54:35
sitcoms, three sitcoms with women that were
54:38
very- Veronica's Claws? No, it was Brett
54:40
Butler. Oh, oh, Grace Under Fire. Yeah,
54:43
maybe. And those women were very
54:45
difficult, all three of them, very
54:47
difficult. Roseanne was? Oh,
54:50
no. I'm just kidding. They were all very difficult.
54:52
So they were trying to like kind of keep
54:54
a lid on me, even though I was like
54:56
the nicest person ever. I was like, dude, I
54:58
have already had a career. Yeah, stop being paranoid.
55:00
I'm not gonna turn in a nightmare. Don't project
55:02
your shit about these other people onto me. So
55:05
they were like kept a real lid on me.
55:07
And, um. Right. They were like,
55:09
you stay in your place. And
55:11
so- Oh my God. How would that
55:14
manifest itself? It
55:17
just, just stay in your place. Just
55:19
stay in your lane and just be,
55:21
you know, don't screw up, don't misbehave,
55:23
don't, you know. I had two little
55:26
kids at home, so. But
55:28
for me, you know, some people experience sitcoms as
55:30
being much easier than I did. It was, it
55:32
was a lot, but I did a hundred episodes
55:35
of that. God, you gotta be proud of that.
55:37
Yeah, yeah, yeah, yeah. I love that show. These
55:39
are quick. These are just gonna be quick. What's
55:41
your favorite emoji? Your go-to emoji.
55:44
Tear coming down. Tear coming down.
55:46
Tear coming down. Okay.
55:48
I'm not gonna touch that, but that's the
55:50
truth. Tear coming down. Your
55:52
favorite emoji. That is
55:55
making me cry inside. If you could be a professional
55:57
athlete, what sport would you play and why? be
56:00
a skater, figure skater, is that a
56:03
professional or not? Yeah, sure. I think
56:05
so. Figure skaters make money doing a
56:07
scapade. It looks so beautiful. Tanya
56:09
Harding became a big, yeah. If
56:12
you could have one snack food for the
56:15
rest of your life, what would it be?
56:17
Doritos. Which, nacho or cool range? Nacho. Okay.
56:20
You know, Neil Patrick Harris said the same thing and then
56:22
he said, I said, what about cool range? He said, oh
56:24
no, that makes your breath stink. I was
56:26
like, well, nacho is not, doesn't make things. The whole thing makes the
56:28
breath stink. I'm not sure, you don't have a minty fresh. What's
56:31
your favorite movie of all time? Harold Maud.
56:34
Still? Yeah, yeah, yeah. Oh wow.
56:36
I bet you're, yeah, okay. Well, Cat Stevens
56:38
too. I mean, cause he took the hospital.
56:40
Yes, yes, God. You mean
56:42
Yusef Islam. On this show we say Yusef
56:44
Islam. Out of respect. Out of respect. Ha
56:46
Salama like me. Other than LA, where would
56:48
you most wanna live? Atlanta.
56:51
Montana. Oh Montana, do you guys go there?
56:53
Yes, we have a little, we have a
56:55
double wide. Oh wow, really? I bet you
56:57
don't have a double wide. I don't have,
56:59
I don't even have a single wide. A
57:01
double wide. Wow, where's your double wide? It's
57:03
in private, nice. My double wide is by
57:05
Flathead Lake. Oh my God, you fly fish?
57:08
No. Okay. There's no
57:11
trout in my river. It's all
57:13
walleyes. Some damn Minnesotans
57:15
introduced them. Oh gosh, they're invasive, don't
57:17
you know? They are invasive, they eat
57:19
all the trout. I bet, and they
57:21
crawfish. Crawfish, that's Louisiana. They
57:25
did, really? Is that true? Yeah, it's true.
57:27
But they're good eatin'. They fight
57:29
you. Yes, yeah, they're pike, right?
57:32
Pickle, they're real bony, no? Walleyes?
57:35
No. Okay. I think I'm gonna run
57:37
down. Well, do we have a title? Let's just be serious.
57:39
Nine aside. Nine aside. If
57:41
you could have dinner with three people dead or
57:43
alive, whom you've never met before. That's
57:46
a tough one. Oh yeah, those
57:48
are the ones. Three people? Yeah.
57:51
It would have to be Albert
57:53
Einstein, William Shakespeare, and Barack Obama.
57:55
Oh my god, second person in
57:57
a row. That's great, I mean,
57:59
what a great. Someone said that group exactly. No,
58:01
no, no, no, no, no one said that.
58:03
But it was the second Obama. Who
58:06
was your favorite Muppet? My
58:11
favorite Muppet? Probably
58:13
Cookie Monster. Oh yeah? Yeah, yeah.
58:15
Cookie Monster used to bother me because I
58:18
couldn't understand why only some
58:20
of the, this is how young I was when
58:22
I was watching, I thought- Oh, why then the cookies just fell
58:24
out? The cookies just kept falling out. Like you love cookies so much, most
58:26
of them are falling out of your mouth. Just pick them up. You're
58:29
so preoccupied with talking about how much you love cookies. They're
58:31
all right in front of you, all these like big crumbs.
58:34
Not a real person you can't really eat. Right, I
58:36
learned that about two years ago. But
58:39
I'm confused because when I was pregnant with Zoe,
58:44
who's my second child, I told
58:46
Madeline that I was really worried and I said,
58:48
Madeline, I have a baby in my stomach. And
58:50
she went, oh, that's Zoe. And
58:53
I was like, what? And so later
58:55
the next day I said, so who's coming?
58:57
She goes, it's Zoe. Zoe's coming. What?
59:01
I know, Zoe, I named her Zoe. Weird
59:03
she had the prophetic title thing that you had
59:05
when you were naming fake, when you were padding
59:07
your resume. Exactly, but I always wonder if
59:10
she named it her after Zoe, the character
59:12
on the Muppets. There's a Zoe character. Oh,
59:14
a later one with red hair maybe. Yeah, yeah. Oh
59:17
my gosh. But I don't know, I don't know. So
59:20
she said that and you're like, oh Zoe's a nice name. Yeah.
59:23
Zoe, such a nice name. I just told her the girl, because a boy named
59:25
Zoe would be rough. It's like that scene in Back to
59:27
the Future and you're like, Marty,
59:29
such a nice name. Zoe, such an interesting name.
59:31
Such an interesting name. Yeah. If
59:34
your parents ever, if you ever have a kid
59:37
and one of them when he's eight years old accidentally sets
59:39
fire to the living room rug, go
59:41
easy on him. Oh, you're
59:43
good. Okay. I
59:46
believe now I'm gonna, it's a good thing
59:48
you don't have any more time because I'm gonna, it's, if
59:50
you could be one age for the
59:53
rest of your life, physically, what
59:55
would you pick? Camping
1:00:01
or glamping? Camping. Dogs,
1:00:05
cats? Dogs. Beetle,
1:00:09
stones. Stones. Really?
1:00:12
You were the second person who
1:00:14
answered so emphatically. Oh, I
1:00:17
love the Beatles. Yeah, yeah, yeah. Well, you weren't as emphatic as
1:00:19
Wolfgang Puck said, without missing
1:00:21
a beat, stones, as if he hated the
1:00:23
Beatles. Oh, yeah? That's
1:00:26
our theory, is that Wolfgang Puck hates the Beatles. Some people
1:00:29
do. Who hates
1:00:31
the Beatles? Assholes. I know. How could you? You
1:00:34
gotta be a soulless. But I like
1:00:36
rock and roll. I
1:00:39
like, for some reason, I just like, makes
1:00:41
me just much harder. That's
1:00:44
the kind of music I just like to get like... Lizzy,
1:00:46
like sexual. Yeah,
1:00:48
that's the kind of dance. I remember dancing
1:00:50
with you once at a... Because we did
1:00:52
Ed together. It was
1:00:54
so fun dancing with you. If you
1:00:56
look on your scene, I'm going to grab it for you. This
1:00:58
you don't have to do. You don't
1:01:01
have to do. And this is only to satisfy... This
1:01:04
is selfish. It's very selfish.
1:01:08
But this is a scene where Marty
1:01:10
first meets... I'm totally...
1:01:13
I shanghied you here. This is
1:01:15
a scene where Marty meets Lorraine, as a
1:01:17
younger Lorraine for the first time. And I
1:01:19
was reading it today, and it
1:01:21
struck me that a lot of you guys must have definitely
1:01:24
changed things. Or
1:01:28
was it improvised? And I want to ask about like certain
1:01:32
lines, like line by line. If this was...
1:01:34
If you remember this being... I think this
1:01:36
is the original script. Really?
1:01:40
He wakes up and he says,
1:01:42
Mom, is that you? Shh,
1:01:45
everything's going to be all right. God,
1:01:48
what a horrible nightmare. I
1:01:50
dreamt I went back, way back in time. Take
1:01:53
it easy now. You've
1:01:55
been asleep for almost nine hours. It
1:01:58
was terrible. A terrible place to
1:02:01
be. Now this is new, right? This
1:02:03
is old. I don't remember this, this must
1:02:05
have been cut. The music was awful. They
1:02:07
didn't have rock. The cars were ugly. My
1:02:09
neighborhood hadn't been built yet and
1:02:12
everything was so weird looking. Well,
1:02:14
you're safe and sound. Back
1:02:16
where you belong in good old 1955. Oh
1:02:21
my God. You're my
1:02:23
mom. My name's
1:02:25
Lorraine. Lorraine Banes. Yeah, but you're
1:02:28
so, you're so
1:02:30
thin. Just
1:02:34
relax, Calvin. You've got quite a bruise on
1:02:36
your head. Ha, where are my pants?
1:02:39
Over there, it used to be on my hope
1:02:41
chest. Yes, on my hope chest. Maybe I made
1:02:43
that up. I wondered. I've never seen red
1:02:46
underwear before, Calvin. Now obviously everyone
1:02:48
knows. You changed the purple.
1:02:50
I've signed a lot of purple underwear. Oh
1:02:53
really? Yeah, sometimes on people. No.
1:02:56
Yes. Where on the band you gotta go high
1:02:58
as possible, obviously. Gross. I know.
1:03:01
Yes, so I wonder if that was a prop
1:03:03
thing. They didn't have red underwear. Or Calvin Klein
1:03:05
didn't make red underwear. I've never seen
1:03:07
purple, yeah, because we now know it's purple underwear. This
1:03:09
was an interesting scene to do because I had to
1:03:11
kind of pretend to be that voice. Oh,
1:03:14
in the beginning it's right. I had to try to
1:03:16
kind of. As he's coming out of. And then I
1:03:18
had to be like, when I turned around, I had
1:03:20
to, it took a long time
1:03:22
to get this right. Why are
1:03:24
you calling me Calvin? Oh my God,
1:03:26
that's your name, isn't it? It's written all over your
1:03:28
underwear. Oh,
1:03:31
well that's your name, Calvin Klein. It's written on
1:03:33
your underwear. This is new, right? Oh, I guess
1:03:35
people call you Cal. No, I said that. I
1:03:37
think you did, yeah. No, well no, actually people
1:03:40
usually call me Marty. Well,
1:03:42
I'm pleased to meet you, Marty. That's
1:03:45
Marty, I think I said Calvin.
1:03:47
Oh yes, yeah. Marty
1:03:49
Calvin, I think you said Marty Calvin. This is
1:03:51
definitely a scene that I shot with Eric. Oh
1:03:55
it is, oh. It's like one of the first times I
1:03:57
worked with him. I
1:04:00
sit here? So now this is
1:04:02
different. In the script it just says, no,
1:04:04
Gulp's nervous. But of course we now know
1:04:06
he goes, and then it's brilliant. He goes,
1:04:08
no, good, good, great, good, good. I mean
1:04:10
it goes on. He's, yeah.
1:04:13
That's quite a bruise there. Ha, and
1:04:15
then he falls, yeah. Lorraine, are
1:04:17
you up there? It's
1:04:19
my mother. Oh my God, I always
1:04:22
say, oh my God. Put your pants back on. Originally
1:04:24
it was his underwear that were on
1:04:27
the whole chest. The whole chest is such a
1:04:29
great line. I think so. I think, I
1:04:31
don't know. No, I think, see one of
1:04:33
the things I loved about this movie was
1:04:36
how much joy Bob Zemeckis had doing it.
1:04:38
Oh, interesting, yeah. You know what I mean? How much
1:04:40
joy he had laughing and.
1:04:43
I bet. That's what
1:04:45
I remember that was so profound
1:04:47
to me. How much I wanted to please him.
1:04:50
How much joy and how
1:04:53
fun it was to see his shots and
1:04:56
how he shot it. And it stuck with me
1:04:58
as a director. I bet. His, the
1:05:00
way he filled up every
1:05:02
single shot with story. You
1:05:05
know what I mean? Yes, every moment, every element
1:05:07
was important for the story, advancing the story. Yeah,
1:05:09
and when you watch the movie, it's really slow
1:05:11
in the beginning. Yes. But he's telling the audience,
1:05:13
watch this stuff and it'll pay off. Get it
1:05:15
up, your Uncle J.L. Board Joey didn't make for
1:05:17
all. Yeah, you need to see the cake. You need to remember
1:05:19
the cake. And it's like 40 minutes
1:05:22
later where the punchline is. So
1:05:24
you're my Uncle Joey. Better get used to
1:05:26
these bars, kid. That's right, you're right. It's
1:05:29
45 minutes from set up to joke. Wow,
1:05:31
that again. Brilliant. Brilliant
1:05:33
and brave. Brave. Do
1:05:35
you think about things like legacy and when
1:05:37
I think about movies, even when I watch
1:05:39
old movies I've done it, it's
1:05:41
a good reminder of like a time in
1:05:44
my life that it's nice to be reminded of. Do
1:05:46
you feel that, do
1:05:48
you think about things like that, like legacy and
1:05:50
permanence? Well, I
1:05:52
see it in real life when I see
1:05:55
these like little kids that are like, what's
1:05:57
really nice is doing these panels because I've
1:05:59
been doing. panel with Chris
1:06:01
Lloyd and Michael Fox and Tom
1:06:04
Wilson. What's
1:06:07
great is that we don't have any problems with
1:06:09
each other. We all still love
1:06:11
each other. There's no problem. That's great.
1:06:13
I could cry. It makes me so
1:06:15
happy. I eat. We just laugh and
1:06:17
you should see Tom and Chris together.
1:06:20
I wish they would televise some. I
1:06:22
know. Because they're so funny. I know.
1:06:24
Well. Lately, we've been doing with James
1:06:26
Tolkien who played the principal. Oh sure.
1:06:30
Jesus, didn't that guy ever have hair? He
1:06:32
looked the same. He does, really. So does
1:06:34
Chris. Yeah. Well, again, because Chris
1:06:37
was an older, there was an older version of
1:06:39
him. They aged him. And they're doing a musical
1:06:41
now. So yes, they're
1:06:43
doing a musical. So I think
1:06:46
all the people who want to back to feature
1:06:48
four, they might get the musical and the musical
1:06:50
movie. When I worked with Chris
1:06:52
Lloyd, I did an episode of Ed. I bugged the
1:06:54
shit out of him. I really restrained myself with you,
1:06:56
if you can believe it. That was me restrained when
1:06:59
we worked together. I was like,
1:07:01
I waited until we had been working for a little
1:07:03
bit. But Chris, I just followed him around. And at
1:07:05
one point, I remember him saying, jiggle
1:07:08
what? I don't remember the line. One point, I don't know.
1:07:10
And he kind of gave up on. He
1:07:14
100% has not read any of the books. He
1:07:17
doesn't remember anything. It must
1:07:19
be so weird to him that people show up.
1:07:21
I know. Yeah. But they do because it's, again,
1:07:23
it's a part of our lives. And it's such
1:07:26
an important part of my life. I
1:07:28
mean, if you had told seven-year-old me that I
1:07:30
would be talking to you about this, and I
1:07:32
roped you into doing the scene, his
1:07:34
seven-year-old little head would explode. So I
1:07:37
can't thank you enough for doing this.
1:07:39
I didn't do it for well. I
1:07:41
wouldn't cast me as Lorraine. I
1:07:44
surprised you. I put you on the spot.
1:07:46
And I stepped on one of your lines, too.
1:07:48
It's like I'm going to talk about regrets. I'm
1:07:50
going to be thinking about that for days. It's OK. It's
1:07:53
all good. You're the best. And they say, don't meet
1:07:55
your heroes. And I'm so glad when I met you
1:07:58
when we worked together. I'm so glad you turned out
1:08:00
to be. as kind as you are. And I really,
1:08:03
I'm not gonna cry. I
1:08:05
thank you so much. I'm so glad Baryshnikov
1:08:07
told you you were stocky. Thank you. Thanks,
1:08:10
Miesh. Thank you for having me here. Thanks. This was
1:08:12
a thrill. And this was a thrill. Thank you, my
1:08:15
friend. Doc,
1:08:25
so that happened. Oh
1:08:28
my God. Ah, so that happened. I
1:08:31
think over the course of that interview,
1:08:34
you may have said every single line in
1:08:36
Back to the Future. I
1:08:38
mean, obviously all out of order and out
1:08:41
of context, but you got most of them.
1:08:43
You know, when I roped her into doing
1:08:45
that scene, when it was
1:08:47
happening, it didn't register as being as embarrassing
1:08:49
as it was when I heard it back.
1:08:52
Oh, really? Yeah. I mean, I was embarrassed,
1:08:54
but hearing it back, like, oh, cause
1:08:56
it had been, I
1:08:58
think we got into a really comfortable groove with
1:09:00
one another and then to like, I broke it
1:09:02
and was like, under your seat,
1:09:04
you'll find a seat. That was kind of nerdy.
1:09:06
But you know, I
1:09:08
obviously knew what a thrill
1:09:10
that was for you. So I enjoyed listening to
1:09:12
that. But you know, I think in the show,
1:09:15
there's a pretty good balance, I would say, of
1:09:19
what we get from it and hopefully what
1:09:21
an audience gets from it, the show that
1:09:23
is. And that, that
1:09:25
you asking her to read that, I
1:09:28
think was an example of like,
1:09:31
that was for you. You know what I mean? But
1:09:33
I do think, I do think it was still really
1:09:35
fun to listen to, but it was like, that was
1:09:37
for you. That was a little, but
1:09:39
I'm glad you got to do that. That
1:09:42
must have been such a thrill. As selfish as
1:09:44
it was, and I agree with you, I think
1:09:46
that probably was, I don't know if it alienated
1:09:48
people, but it probably wasn't the most entertaining thing.
1:09:50
No, it totally was. But your intention was not
1:09:53
to entertain. No, no, that was selfish. Your intention was
1:09:55
to do something that the eight year old version of
1:09:57
you would have loved to do. And
1:10:00
it ended up being entertaining for me. Oh, it's good.
1:10:03
Because it
1:10:05
was one of the best moments. You know, those moments
1:10:07
that you'll remember that just
1:10:09
surreal. Yeah. Oh, but just hearing her
1:10:11
voice, I wasn't
1:10:13
there, so I didn't get to meet her, sadly. But so
1:10:17
I just listened to it back. And
1:10:19
hearing her voice was so strange because there's
1:10:22
something so familiar about it to me. I
1:10:24
know. Because I've seen that movie so many
1:10:26
times. I know. And it's
1:10:28
so warm and loving. And I thought there's
1:10:30
comfort. It's comforting. Yes. And I thought, you
1:10:33
know, when she plays the old version,
1:10:36
like middle-aged Lorraine, in
1:10:39
Back to the Future, she had a
1:10:41
sort of like boozy, kind of sad
1:10:43
quality towards- Her uncle didn't make parole
1:10:46
again. But her
1:10:48
voice now sounds so much
1:10:50
more like young Lorraine to me than
1:10:52
middle-aged Lorraine. It must be strange for
1:10:54
her to have seen a potential
1:10:57
older version of herself. Well, it's also
1:10:59
a credit to her performance. That
1:11:03
she made that real. That was a real choice,
1:11:05
that voice. I never thought about that in
1:11:07
that scene. The scene that we did, what
1:11:11
an acting challenge that must have been to
1:11:13
go from old Lorraine. Because you needed to
1:11:16
be tricked by the voice, you know, that
1:11:18
like older voice. And then he
1:11:20
wakes up and he says, you're my mom. I mean,
1:11:22
and then it's like the young version of her. The
1:11:24
whole part, I mean, she talks about it a lot,
1:11:26
thankfully, but what a challenge
1:11:29
that was. As much
1:11:31
as obviously everyone knows I love the movie
1:11:34
understatement. It never really occurred to
1:11:36
me until I talked to her, what
1:11:38
a huge challenge that must
1:11:40
have been. What a difficult role, all
1:11:43
of those parts. I mean, the first few minutes of
1:11:45
the interview, you were, I mean,
1:11:48
no surprise. You came across
1:11:50
as very giddy and
1:11:54
nervous. And so consequently, I
1:11:56
think you steamrolled her a little bit
1:11:59
at first, but then. you definitely
1:12:01
eased into it, you relaxed into it.
1:12:03
I mean, I know how
1:12:05
excited you were. So it's actually, it was
1:12:08
actually restrained for what
1:12:10
it could have been. Yeah, it
1:12:13
could have been a lot weirder. And
1:12:16
you know why I think? Because we'd already worked
1:12:18
together. And I
1:12:20
think had it not been for the fact that we worked
1:12:22
together for a couple days with one
1:12:24
another and she had some insight
1:12:26
into what a fan I was when I,
1:12:29
I also roped her into
1:12:31
doing this video bit for, I put
1:12:33
on, I gotta put it on Instagram. And you've
1:12:35
been showing up at her house a lot lately.
1:12:37
So she's just used to seeing you. He's a
1:12:40
peeping Tom. Oh, that's one
1:12:42
line you didn't get to. No, no. Now you did the
1:12:44
whole thing. Okay. All
1:12:46
right, another one of those kids got in front of my car again.
1:12:50
That story, that Baryshnikov story is
1:12:52
crazy. Crazy. So she's too stocky, but thank
1:12:54
God. I agree when you said that you're
1:12:56
like, I'm so glad he told you you
1:12:59
were too stocky. Thank God. Thank
1:13:01
God he was a, whatever you would
1:13:03
call someone who would call her a stocky.
1:13:05
Not a misogynist, just a body shamer. Yeah.
1:13:08
I mean, that whole world. That's not much
1:13:10
better. No. He's not a
1:13:12
misogynist, he's a body shamer. I mean, that whole world.
1:13:14
I mean, it might be both. But it's remarkable that
1:13:17
getting that gut punch from that guy.
1:13:19
I know. And then she was able
1:13:21
to pick up the pieces. Keep her down. I
1:13:24
would have folded. We've talked about this a
1:13:26
lot, like the resilience of some of these
1:13:28
people. It's so impressive. Yeah. And
1:13:31
I think you kind of need some of that in
1:13:33
order to make it where they've made it.
1:13:35
I mean, there's something. That's why I, you know, I
1:13:37
wish I had asked her this now, but I wonder
1:13:39
if she hesitated to
1:13:41
encourage her kids to get into acting,
1:13:43
just knowing, you know, how fraught with
1:13:46
rejection it is and how she, although
1:13:48
once she did become an actress,
1:13:50
I know she waited tables for a while, but it
1:13:52
sounded like things started happening pretty quickly. Yeah. I
1:13:55
think how could they not? I mean,
1:13:57
she downplays this a lot, but like she is. really
1:14:00
talented actress. I mean, she's a real,
1:14:03
and she just was such a
1:14:05
charming screen, I don't
1:14:07
wanna get into it. Yeah. I've done enough. I
1:14:09
love when she slips into her Minnesota accent
1:14:12
and I love that accent. I've
1:14:14
always loved that accent. Have you ever been to
1:14:16
Minnesota, Minneapolis? I have. It's a great city. I'd
1:14:18
say it in Edina, which is a, Oh, don't
1:14:20
you know? Oh, sure. It's
1:14:22
a suburb of Minnesota. It's
1:14:24
a, yeah, really. I love Minnesota. Me too.
1:14:27
Hormar, who does our
1:14:30
theme music for the show, is famous
1:14:32
in Minnesota. Yes. In fact, he named
1:14:35
himself after a mall, the Hormar Mall,
1:14:37
right? Yeah. I love,
1:14:39
but I love the accent. I love how you obviously
1:14:42
copy it instinctively, like you do with all
1:14:44
the guests when they have a cute accent.
1:14:46
Is it condescending to say cute? I
1:14:49
was wondering that. I don't know, maybe. It's to
1:14:51
say it's cute. About some, about an elder. Is
1:14:54
it cute patronizing? Is it kinda something to say she's an elder? She's
1:14:57
older than me. She's older, but to say an
1:14:59
elder. I'm not saying she's like a tribal elder.
1:15:03
She's elder than me. I'm not saying she's old.
1:15:05
No, I know. I know it's sticky though. It
1:15:07
is sticky. Yeah, cute. I
1:15:10
find it patronizing, and this doesn't apply to
1:15:12
her, but I find it patronizing in general
1:15:14
when people refer to really old people as
1:15:16
cute. Me too. He's like, I think Yoda
1:15:18
is cute. I think most people would agree
1:15:20
that Yoda is cute. But Yoda's a
1:15:23
fictional character. No, I know, I know, but I'm thinking. That's
1:15:25
the thing, I do think a
1:15:27
lot of old people are cute. I would
1:15:30
internally describe them that way. I would never
1:15:32
say it. Because I think
1:15:34
that it's just something condescending about them. Remember when
1:15:36
we met, I had met him, but Danny DeVito,
1:15:38
he was cute. He was cute. He was cute,
1:15:40
but I wouldn't say that to him. No, I
1:15:42
think it'd be rude. When
1:15:45
she told you that her daughter. Well,
1:15:48
Sean is cute too. I wouldn't say that to him either. I
1:15:50
know. When she
1:15:52
said that her daughter hasn't seen Back to the Future
1:15:54
2, I thought your head was gonna explode. I thought
1:15:57
you were gonna start throwing equipment. You're
1:15:59
a vlogger. The voice became distant for a second and
1:16:01
you were like, what? What?
1:16:05
It was really funny. I got
1:16:07
really incredulous. I got, not mad,
1:16:10
I was just stunned. It was, it's like, I
1:16:12
don't know. It's like Julia Roberts' kid not having
1:16:14
seen Pretty Woman. Like- I haven't seen Pretty Woman,
1:16:16
but I'm not. You're not Julia Roberts' kid. But
1:16:18
I only say that because I've
1:16:20
gotten so much shit over
1:16:25
the years for not having seen that movie. That's like,
1:16:27
wouldn't you say Pretty Woman is the one movie that
1:16:29
people are always like, you've never seen Pretty
1:16:31
Woman. Yes, that's one. Constantly. Constantly. I should just see
1:16:33
it. But you know, now it's sort of like a
1:16:35
badge of honor that I haven't seen it. Yeah. I'm
1:16:37
like proud that I haven't seen it. You know, Dirty
1:16:40
Dancing is like that for me a little bit. You've
1:16:42
never seen that? See? Well, I'm
1:16:44
not mad at you. There's a tinge of judgment. I
1:16:47
can't believe how casually she admitted to
1:16:49
having an affair with Dennis Quaid. I know.
1:16:52
And your reaction to it was really funny.
1:16:54
Like, not only did you approve of it,
1:16:58
you were like, oh, I mean, Dennis Quaid,
1:17:00
are you kidding? He's gorgeous. Those flat
1:17:02
abs. Not to talk more about looks,
1:17:04
but I also fetishized his looks. He
1:17:07
was the coolest. He was so cool. Inner space.
1:17:09
Dennis Quaid at inner space. Okay. But
1:17:12
if you guys haven't seen the movie, Inner Space
1:17:14
with Martin Short, Meg Ryan, in her
1:17:16
prime, such a charming performance. If
1:17:20
you're a superficial person and you've never seen
1:17:22
that movie, You like comedy. You are wasted.
1:17:25
You've wasted a lot of time. I
1:17:27
know we said this in the beginning about Back to the
1:17:29
Future, but I wouldn't say stop the beginning of this episode
1:17:31
to see Inner Space, but stop it now and watch Inner
1:17:33
Space. Oh my God, it's good. You
1:17:36
were very pro affair with Dennis Quaid.
1:17:40
Well, also then, I mean, then I felt, yeah,
1:17:42
I mean, that's superficial. And
1:17:44
this show is exposing among other things. I think
1:17:46
it's exposing that I do maybe
1:17:49
have a problem with superficial. With good looking
1:17:51
guys. Yes. Well,
1:17:55
at least we're talking about Dennis Quaid and
1:17:57
not Tom Brady. That's true. Researching the character
1:17:59
and. she
1:22:00
suffered that much. Even if critics hated the movie, she
1:22:02
was good in it. I agree. And I thought the
1:22:04
movie was really good. Granted, I haven't seen it since
1:22:06
I was a kid, but I loved it as a
1:22:08
kid. It never
1:22:10
made sense to me that that movie didn't
1:22:13
get good reviews. And then she made casual sex,
1:22:15
which I only know. I could tell you, I
1:22:17
could probably, if the box cover of that movie
1:22:19
committed a crime, I could draw
1:22:21
the best police sketch of it. I know it,
1:22:23
but I've never seen the movie. Oh, really? Never
1:22:25
seen it. But when I was a kid,
1:22:27
I was so, you know, maybe I've talked about how
1:22:30
I felt about Leah Thompson, and then the fact that there
1:22:32
was sex in the title. I
1:22:34
know it well. It's so funny why the Cookie
1:22:36
Monster bothers you, because you
1:22:38
don't like that he doesn't get all the cookies in
1:22:40
his mouth. But it is ridiculous. I think he gets
1:22:43
less than half of the cookies in his mouth when
1:22:45
he eats. Wait a minute. You're joking. Much
1:22:47
less than half. You're kidding.
1:22:49
He gets none. Oh, okay. Oh, God, I got scared.
1:22:52
I got, like, nervous. You
1:22:54
thought I thought the Cookie Monster was a real thing? Like,
1:22:56
maybe there was a hole in the felt or something. No.
1:22:59
I thought you'd be afraid that, like, it's
1:23:02
based on a real character. Uh-oh. Maybe I'm
1:23:04
too hungry. I know it's a Muppet. Or
1:23:06
maybe I need to eat some food. But
1:23:08
it's funny that that bothered you as a kid. Yeah, yeah,
1:23:11
yeah. That you were stupid as a kid and didn't realize
1:23:13
it was a Muppet. I believed in the Easter Bunny until
1:23:15
I was in sixth grade. The Easter Bunny still exists. Right,
1:23:17
right. I believed in... So,
1:23:20
again, thank you, Mikhail Brishnikov.
1:23:24
Shout out to Miesh. Yes. It's funny
1:23:26
because we call our producer, Michelle Lanzmiesh,
1:23:28
and so Miesh is now... But
1:23:31
she doesn't body shame people. No. And
1:23:33
she also doesn't, like, create... In the
1:23:35
chaos effect of somebody's life, she doesn't
1:23:37
create movie stars because of their shaming.
1:23:41
Not yet, anyway. No. Maybe she does.
1:23:45
Yeah, thanks, Miesh. Thanks, Brishnikov. He's
1:23:47
passed on, right? No, no, no.
1:23:49
He's very much alive. Really? Yeah.
1:23:52
You're kidding. Brishnikov? That's... Oh, yeah.
1:23:54
He still... He still... He
1:23:57
helped train Sam for a glossy version, I
1:23:59
think. I think so. I think I remember
1:24:01
him saying that. Oh my. Or
1:24:03
he met him in the process or something. Wow.
1:24:05
Oh, he's very alive. He's like
1:24:08
really healthy. Well, are you saying he's like really
1:24:10
virile? No, but he's very active. I think he
1:24:12
still acts and he... You're kidding. He was in
1:24:14
Sex and the City, you know. Oh,
1:24:17
I think I did. I'm proud to
1:24:19
say I didn't have that immediately
1:24:21
accessible. But... So do you
1:24:23
wanna, should we read a... Yeah, so we're
1:24:26
gonna close as we now do. With
1:24:30
a letter. Do you wanna read that one? So
1:24:32
this letter is from Alicia G. And
1:24:35
here's a little portion of it. She
1:24:37
says, I love everything that is the
1:24:40
wrong size. Teeny tiny elephants,
1:24:43
giant paperclips, et cetera. And while I was
1:24:45
living in Whitehorse, I found out that Manitoba
1:24:47
has the most oversized monuments and town statues
1:24:49
of any province. So cool. And I became
1:24:52
mesmerized with the backstories and names and reasons
1:24:54
they were built. So I did
1:24:56
my first solo road trip around Manitoba two summers ago
1:24:58
and saw 27 of the official 65 big things. A
1:25:02
week after I got back, they unveiled a new
1:25:04
one, biggest turtle known to ever be on the
1:25:06
earth. Obviously, I have to do another road trip.
1:25:09
And now I'm a super nerd about the
1:25:11
whole thing and have several maps of different
1:25:13
provinces in Google Maps with layers and links
1:25:16
all color coded. And anytime I hear
1:25:18
of a new one, it gets added to the map. If
1:25:21
you're not convinced, look up hashtag
1:25:24
Alicia and the big things
1:25:27
on Instagram. And you'll see it's actually
1:25:29
a super cool hobby. And everyone not
1:25:31
treasure hunting for big things in small
1:25:33
towns is missing out. It
1:25:35
is really cool. We saw it. It's cool, right?
1:25:38
And yet another example, I feel
1:25:40
like on every episode, we have a really pretty
1:25:42
strong example of why Canadians
1:25:45
are the best. Alicia
1:25:48
G, that is something I would never have thought to do.
1:25:52
But what a great way to
1:25:54
spend some time. I love that. Me too.
1:25:57
So check out Alicia's page and thank
1:26:00
you. for doing that and thank you for listening
1:26:02
to Life is Short. And also if you want
1:26:04
to be the next Alicia G. Yeah.
1:26:07
Email us and let us know how you make the
1:26:09
most out of your life at LifeisShort
1:26:12
at wondery.com. Yeah,
1:26:14
exactly. So thanks again
1:26:16
to Alicia G and especially
1:26:18
to Leah T. Ah, man. Thank
1:26:21
you, Leah. Life could be a
1:26:23
dream. Life could be a dream.
1:26:25
Doo doo doo doo doo. Thank
1:26:30
you guys for listening to Life is Short.
1:26:33
If you like the show, please give us
1:26:35
a five-star review and tell your friends to
1:26:37
subscribe. We're available on Apple Podcasts, Spotify, Google
1:26:39
Podcasts, and every major listening
1:26:42
app as well as wondery.com. Life is
1:26:44
Short is hosted by me, Justin Long,
1:26:46
produced by Christian Long, and Megan Monaco,
1:26:48
our senior producers, Michelle Landes, engineers, Marcelino
1:26:51
Veapondo, and it's executive produced by Marshall
1:26:53
Louis and Ernan Lopez for Wondery. As
1:26:55
mentioned, our dear friend, Harmar Superstar, does
1:26:58
our theme music. Doo
1:27:00
doo doo doo doo
1:27:02
shaboo. I'm
1:27:05
so insulted. I'm
1:27:07
so insulted that you are telling us to do that. I haven't
1:27:10
like to do a zip lining. Now I want to do that
1:27:12
just to let the zip lining. Yeah, I can't. Would you do
1:27:14
a zip lining? Yeah, exactly. You would. It's
1:27:16
fun. It's obvious. Zip lining. You hang out the
1:27:18
thing and you go... Oh, I know old people.
1:27:20
You would do it. I would. I
1:27:23
know older people. Oh, really? And then
1:27:25
the second you go on it, it's worth it. It's so
1:27:27
fun. It's like being on a slide.
1:27:29
Oh, really? Yeah, you're all strapped in and it's not...
1:27:31
I'd be a little scared of that. You
1:27:34
see other people do it. That if her dad
1:27:36
was like, we're going zip lining, and you're like,
1:27:38
yeah, I'm in. And Katie was like, I'm in.
1:27:40
I would suck up and do it. That's a
1:27:42
scenario relative. Would you play with monkeys? Were
1:27:45
there genitals? No. Why
1:27:48
would you play with them? Like,
1:27:50
touch? You think of monkeys in that sexual way that
1:27:52
you assume are in their genitals. I thought it was
1:27:55
so sexual. Would you play with monkeys? I
1:27:57
was like, would you play... Play what with monkeys? Checkers!
1:28:00
How do monkeys play? Play around
1:28:03
with them. Not play, feed them. Oh, I
1:28:05
can feed them. That's specific. How
1:28:08
do you play with monkeys if you don't know them? They're not
1:28:10
good at chess, but check with them maybe. I meant like, you
1:28:12
know, have them jump on you and feed them. No, it would
1:28:14
not jump on me. If
1:28:18
that's what playing is, then no, I don't play with anybody. That's
1:28:21
how different we are in that regard. That having monkeys jump on
1:28:23
me was one of the best days of my life. You're
1:28:26
insane. You're insane. It was the
1:28:28
best. It was the best feeling.
1:28:30
And they kind of, they smelled great. And
1:28:33
they, I was having a mercy. They were full of bugs. Oh
1:28:35
yeah, I was having a mercy. I loved it. That's
1:28:38
so awful. Yeah. But there was an
1:28:40
animal. I'd rather do that than skydive.
1:28:43
Duh. I'd rather slow down
1:28:45
something than orangutan than skydive. Oh, I would have.
1:28:48
That's scary. So it was skydiving.
1:28:50
No, but orangutan could lose it and like smash
1:28:52
it. Or is it God of the Dark cut
1:28:55
like a tranquilizer right next to us? I
1:28:59
would rather do that than skydive. Really?
1:29:02
Strangers in the middle of the water? It's really funny
1:29:04
to picture. And
1:29:07
you'd have to know who's trained and everything, not a wild.
1:29:09
Yeah, yeah, yeah. I mean, it'd have to be someone trained
1:29:11
just to go over to you. But
1:29:14
I had to stand. Just
1:29:17
to learn how to doff its cab. But
1:29:21
what if they, that's all they've created? And you're like,
1:29:23
all right, this doesn't seem so right. It's like, it's
1:29:25
a bee? And you're
1:29:28
like, okay, you go to grab it to dance.
1:29:30
It's like, book. And
1:29:32
the trainer's like, oh no, we're not there yet.
1:29:34
And it's just like squashes your head like a
1:29:36
watermelon. And
1:29:38
meanwhile, you guys are like flying through the air, like
1:29:41
skydiving. It's like such a happy piece of the way.
1:29:43
And you're like, you get used to it so fast,
1:29:45
this is the best feeling of my life. It
1:29:49
would be so scary to go skydiving. I
1:29:51
would be so scared. But
1:29:53
that scenario of everybody...
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