Episode Transcript
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get 30% off your first order
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and a free gift. I
1:45
don't know if you can tell. I'm a
1:48
little worried. Can you get that? Do you
1:50
get that? I mean a little bit. I
1:52
feel you're usually like, aha. And
1:54
right now, you're more like, hmm.
1:56
Because, and I just, I need you
1:58
to tell me honestly. and Eden I
2:01
can handle it. Is Jonathan
2:03
Bennett replacing me
2:05
in your life? I just I
2:07
need to know because I've been
2:10
filled with anxiety ever since I
2:12
saw you guys post that dance
2:14
video of you doing the
2:17
the wicked music and that
2:19
that dance I've been worried
2:21
sick. I am, I get, I don't know
2:23
if it'll, I don't know if it will
2:25
make you feel better or worse
2:27
that I, my first instinct was
2:29
to say, oh I cannot wait
2:31
to tell him that you said
2:33
this. Because truly all we do, I
2:36
mean not all we do, clearly you
2:38
can tell from that video we
2:40
do a lot more, but we
2:42
talked about you so much. No
2:44
you didn't, don't line up my things
2:46
like this. It was his idea to
2:48
facetime you. Wait, okay, wait, yes, just,
2:50
everyone knows. I got, I'm in the
2:53
middle of a cop job, it's 8
2:55
a.m. 8 p.m. where you are, and
2:57
I get a facetime from Sweet Little
2:59
Gorgeous Baby Eden, and... Jonathan Bennett, Aaron
3:02
Samuels himself. He's obsessed with you.
3:04
He thinks you're so cute. All
3:06
I could do was talk about
3:08
how amazing you were. And he
3:11
was like, because I was like,
3:13
oh my God, like, Brock, you'd
3:15
love him. You'd try. I literally,
3:18
I couldn't stop talking about you.
3:20
In fact, I was like, oh
3:22
my God, like, Brock, you'd love
3:25
him. I literally, I couldn't stop
3:27
talking about you. somewhere a little
3:29
bit. Yeah, not quite LA, but
3:32
he lives somewhere fun and
3:34
but like Like Disneyland we made
3:36
a whole plan because he lives in this like
3:38
nice little house and this nice little neighborhood He's
3:40
got a fun little like a great big like
3:42
backyard and he was like and it'll be like
3:45
a little day trip It's not like super close
3:47
to us in our area of LA Got it
3:49
got it. He was like we made this whole
3:51
plan that you and camp and me are gonna
3:53
go and visit him and James his husband and
3:55
we're gonna have the best best best best time.
3:57
Oh my god. He loves you he loves you
4:00
he loves replacing you. Honestly, he
4:02
doesn't have time. Okay, good.
4:04
He doesn't have time to
4:06
replace you. Okay, well, okay,
4:09
so my worry has gone
4:11
away, but that's that's all
4:13
fitting because we're recapping episode
4:15
121, worry duty, and Eden.
4:18
It's true. You just now
4:20
connected the dots. I had
4:22
no idea. That's how we're
4:24
going to segue. I love
4:27
it. Oh, worry appeased. We're
4:29
worry alleviated. No need to
4:31
worry anymore. Thank God. Okay,
4:33
Eden. And it's just us
4:36
today. Yes, it is. Well,
4:38
us and Jonathan Bennett and
4:40
the good on the spirit
4:42
of Jonathan Bennett. All that
4:45
and so much more. So
4:47
let's get to middling. Welcome
4:55
to Middling with Eden and Brock where Eden, Cher and
4:57
I, well, Critics Choice Award winner, Eden, Cher and I.
4:59
Thank you. Yes, break down an episode of the middle.
5:01
Each and every week, Eden, it's January 1st, Happy New
5:04
Year, Happy End of Hanukkah. How are you? I'm good,
5:06
I'm fine, you know. Okay, so, this will have, this
5:08
will be airing. After your birthday, we're recording before your
5:10
birthday, your birthday is December 26th, right in the thick
5:13
of Christmas, mayhem, post-Christmas mayhem, and Hanukkah mayhem. What are
5:15
you doing? So here's the thing. I don't understand why.
5:17
I think this whole season, this whole Christmas season, and
5:19
my birthday should be outlawed. Uh-huh. That's what I think.
5:21
And maybe I'm like, right, like, I don't know how
5:24
I'm going to be feeling, because we're recording this, like,
5:26
hmm, like, secret, spoiler alert. We're recording this before New
5:28
Year's. Right. So I don't know how I'm going to
5:30
be feeling afterwards, but I just got back from a
5:32
big trip. I took a big trip. I was away.
5:35
working very far away for
5:37
a couple weeks and it
5:39
was the longest I've ever
5:41
been away from my kids.
5:44
Boy oh boy, did I
5:46
have some complex feelings. Sure,
5:48
sure. it felt so good
5:50
to be creatively fulfilled. I
5:52
was working on something that
5:55
you will know about soon
5:57
enough, but oh boy oh
5:59
boy, did I just go
6:01
to sleep crying every single
6:03
night? Sweet thing. I just
6:06
miss them. I was so,
6:08
being in a completely different
6:10
time zone, like not just
6:12
like a couple hours ahead,
6:15
but like 10 hours ahead,
6:17
you know? And I, so
6:19
I was never, I was
6:21
just never in sync with
6:23
them and it was just
6:26
like, I'm bad mom and
6:28
I know I'm doing this
6:30
for them and I know
6:32
it's important for me to
6:35
have my own stuff going
6:37
on and it's important for
6:39
them to see me being
6:41
happy, like fulfilled outside of
6:43
them, but oh my God,
6:46
am I like, I'm not
6:48
allowed to have any fulfillment
6:50
outside of them. What am
6:52
I doing? I'm
6:54
an absentee mom. And
6:57
so then coming home,
6:59
they're sick. Sure.
7:01
Okay, home to just like newly
7:03
sick children, have not slept one
7:05
single night. And guess what? You're
7:07
sick too. Yes, and they got
7:09
me sick. Just like this homecoming
7:11
has been, and so now, and
7:13
now I have to deal with
7:15
Christmas. I don't even, I don't
7:17
celebrate Christmas, brah. I know, I
7:19
know. I'm such a cringe. I
7:21
know. But I don't, so it's
7:23
not my thing. Now I have
7:25
to like celebrate Christmas. And
7:28
I love when you're in the
7:30
festive spirit. It's so, it's so heartwarming
7:32
to see. And I have to
7:34
deal with my birthday. Sure. God, it's
7:36
so what are you doing? Nothing.
7:38
Okay, you're just truly chilling. Are you
7:40
just a normal day? Yeah, no.
7:42
It is what it is. Don't worry,
7:44
I'm not hiding anything from you,
7:46
brah. What if I
7:48
was like having a huge party and
7:50
I was like, ha ha, nothing. You're
7:52
like, it's so funny. I keep checking
7:55
my mailbox and no rotation. No, literally,
7:57
Nick last night was like, so wait,
7:59
is there anything you wanna, like I
8:01
can plan something. of course, because usually I'm like, I just
8:03
don't want to plan anything. And I was
8:05
like, look, I don't want to take
8:08
this away from you if you want
8:10
to do something. If that is something
8:12
that is like, if you were, if it will
8:14
make you happy, I'm not going to
8:16
stop you. But don't do it on
8:19
my account. I'm serious. We have a
8:21
very like, you know, say what we
8:23
mean, mean what we say in a
8:25
relationship. I'm not one of those people.
8:27
Yeah, absolutely not. I was like,
8:29
I literally need nothing. I don't
8:31
want to do anything. I mean,
8:34
I can treat it like a
8:36
normal day. I just don't care. It
8:38
was just a good sign that he's,
8:40
I think, a wonderful enough partner that
8:42
I genuinely feel like he does so
8:45
much for me. every day. Like if
8:47
he, you know, we're very very in
8:49
sync with each other. I was like,
8:52
I don't want, you know, added stress
8:54
and maybe like you can pick up
8:56
a little more of the slack with,
8:59
uh, like maybe with the kids stuff,
9:01
do a little more heavy lifting.
9:03
But in terms of like activity,
9:06
no, I literally, I don't need
9:08
anything. I don't even need to
9:10
go out to dinner. I just want
9:12
it to be a normal day. I'm
9:14
too tired. A little bit of housekeeping,
9:16
a little bit of housekeeping before
9:19
we get into this episode. So
9:21
we're kind of in our final
9:23
stretch. We're about to do 121
9:25
worry duty. So we have 121,
9:27
two, three, and 124 left of
9:29
season one, where I can't believe
9:31
we're already nearing the end of
9:33
season one. That is baffling to
9:35
me, by the way. That being said.
9:37
We're going to take a little just at
9:40
the tiniest shortest little break after season
9:42
one It's not a full like summer
9:44
that you're used to when you were
9:46
watching the middle on ABC just a
9:48
one month off to reset Reorganized re-shuffle
9:50
revamp retool just a little bit We've
9:52
noticed things that have been working things
9:54
that were like oh we could use
9:56
more of that because we want to
9:59
make this experience as great as possible,
10:01
especially for all of you wonderful listeners.
10:03
Yeah, we need a little break, we
10:05
need a, we need a, we need
10:08
a, we need a re, we're gonna
10:10
be come back refreshed. Yeah. And we
10:12
want, we would love to hear from
10:14
you. If there's anything that, in this
10:17
time that you, that you, that you
10:19
love, that maybe it's not working so
10:21
much for you, that you want to
10:23
hear more of, you want to hear
10:26
less of whatever. Yeah. Let us know.
10:28
Because like some of our earliest conversations
10:30
Eden and I had when we were
10:32
like, we should do this, how do
10:35
we want this to look, what are
10:37
we trying to like do with this
10:39
podcast? One of the first things out
10:41
of our mouths is like we want
10:44
the listeners, the fans, the viewers of
10:46
the middle to be as involved and
10:48
integrated as possible into this podcast, into
10:50
this experience. Yeah. Did you say the
10:53
thing about Patreon? Or is that? No,
10:55
would you please, I was just about
10:57
to, please, please, please. Patriot! Patriot subscribers!
10:59
Do not fret. We're taking this pause
11:02
for a month and so are you.
11:04
You do not need to do a
11:06
thing. Your billing cycle will be paused.
11:09
Will we pause for the month? You
11:11
will not be charged because there will
11:13
be no content released. And it will
11:15
resume. It will resume just automatically once
11:18
we start releasing more of that content
11:20
that you know and love. So your
11:22
billing cycle will literally stay the same.
11:24
like date if you get billed I
11:27
don't know you signed up on the
11:29
15th and that you get charged the
11:31
15th every month you won't get charged
11:33
on the 15th when we take our
11:36
little sabbatical but then that following month
11:38
it'll pick back up again so we're
11:40
just taking four weeks off no new
11:42
content on patron but you'll still have
11:45
access to the back catalog if you're
11:47
like I'm a few episodes behind let
11:49
me catch up you still can go
11:51
back and look there's not new stuff
11:54
released and as a result we're not
11:56
going to charge you're not going to
11:58
charge you. No, Hollywood won't hire us.
12:00
But on that note, let's do our
12:03
middle minutes. We're middle, middle, middle. So,
12:05
middle, minitting. We're middle, minitting. Okay. Take
12:07
four. Middle minutes. Okay. So, here we
12:09
are, episode 121, worry duty. Here's the
12:12
summary. Frankie is worried that Axle is
12:14
going to get his heart crushed again
12:16
when his on again off again girlfriend
12:18
Morgan reenters his life and tries to
12:21
mold him into the man she wants
12:23
him to be. Meanwhile, Brick learns what
12:25
it means to be a mother hen
12:28
when he has to watch over a
12:30
baby chick. I have a lot of
12:32
thoughts. Oh, me too, me too, me
12:34
too. I also have questions about the
12:37
chick, I have questions about, I have
12:39
a lot of things. Written by Bruce
12:41
Rasmussen and directed by Lee Charlotte Shemo.
12:43
Also, even at the Speed, you and
12:46
I listened the other day to back
12:48
for, you know, quality control. To the
12:50
episode with Neil, the way he talks
12:52
at a normal... pace and you and
12:55
I are fighting for our lives also
12:57
matching him in that case. It's the
12:59
funniest thing because he talks at a
13:01
normal rate and you and I always
13:04
talk like this so we're trying to
13:06
balance it out the funniest thing to
13:08
me. Brock that is the one thing
13:10
that Neil has always said to me.
13:13
He's like if I can give you
13:15
any advice or like just tell you
13:17
any piece of information from as an
13:19
older person. You and it goes it's
13:22
like a young person thing it's not
13:24
just like you and me although we
13:26
do we talk particularly fast yeah yeah
13:28
but he was like as you get
13:31
older I he says like I remember
13:33
older people would say to me like
13:35
slow down or I can't understand you
13:37
and he was like I thought it
13:40
was ridiculous And as he's gotten older,
13:42
he's like, you talk so fast. Did
13:44
I tell you this? Did I say
13:46
this on a bike? We got some
13:49
comment. This is right when we first
13:51
started. And some girl said, I usually
13:53
listened to podcasts at 1.5 speed. But
13:56
with you two, I have to listen
13:58
to it at points. 7 5 speed
14:00
I have to slow you to down
14:02
I mean I've gotten that note before
14:05
that's the note that I've gotten
14:07
on lines where it's usually like
14:09
can you just like speed it
14:11
up or can you like you
14:13
have you have to be almost
14:15
unintelligible I've got literally like
14:18
you can just take it down or
14:20
not. Like you can have some breathing
14:22
room. Yeah. Oh my god. That's funny.
14:24
Yeah. Anyway. Anyway. The guest cast.
14:26
The guest cast is The Fabulous,
14:28
Alexa Panavega again. Her unfortunate final
14:31
episode. That's sad. She was such
14:33
a, as I've said, as we
14:35
said last time, such a joy
14:37
to have on set. Chris Catan,
14:39
as Bob, Brian Doyle Murray, as
14:42
Mr. Ellert, Peter Brightmire, all the
14:44
Ellerts people, as Pete, and Jillian
14:46
Nelson, as Inga. Oh, that's the
14:48
foreign exchanges at the end. Can
14:51
I just tell you really fast?
14:53
Yeah. at the, so I watched this
14:55
with, uh, Nick, my husband last night,
14:57
and at the end, he goes, Alexa
15:00
Vega. I feel like that name sounds
15:02
kind of familiar. And I was like,
15:04
oh, well, yeah, I mean, you might
15:06
have seen her. She was like, oh,
15:08
what would I have seen her? And
15:10
I was like, oh, what would I
15:13
have seen her? And I was like, he
15:15
was probably thinking of her
15:17
from dancing with the stars.
15:20
I know he voted. What if
15:22
my husband was like closeted dancing
15:24
with the stars stand? Honestly, I'd
15:27
be pissed. I wouldn't be surprised.
15:29
This episode aired on Wednesday, April
15:31
28th, 2010 at 83730 Central. We
15:33
were off last week and they
15:35
played two repeats of the middle,
15:38
two repeats of Modern Family. So
15:40
in the 8 o'clock slot on
15:42
the 21st was the breakup, the first
15:44
one with Miss Pena Vega. And then
15:47
the 830 slot was the B. And
15:49
then this week, obviously, we had
15:51
a new episode. And we had
15:53
7.1 million viewers. Wow, people were
15:55
excited. They were. We were thrilled to
15:58
have us back. The top movie. the
16:00
week, wow, time really just does repeat
16:02
itself. This is crazy. Top movie the
16:04
week in 2010, just a mere 14
16:07
years ago, was How to Train Your
16:09
Dragon. Because it dipped to number two
16:11
and then this past weekend it went
16:13
back up to number one, which I
16:16
didn't really realize was a thing that
16:18
happened with movies. Okay, I didn't realize
16:20
that was a thing at all, but
16:23
I was just thinking that we've, like,
16:25
it's what we're living in a time
16:27
loop. Like we're in 2024 and we're
16:29
about to have. How to Change Your
16:32
Dragon, probably be the number one spot
16:34
again? Again, yeah. Because I guess we
16:36
just, yeah, we got no ideas anymore,
16:39
but I will say I'm really excited
16:41
for the new How to Ginger Dragon,
16:43
so I can't explain. Yeah, Human Animal
16:45
story, I know you love. I do,
16:48
I really do. And then the top
16:50
song of the week is nothing
16:52
on you by BOB, FET, Bruno
16:55
Mars. Where's BOB? B-O-B, isn't B-B,
16:57
B-O-B, right? Yeah, where do you
16:59
go? I think you still in
17:02
2011, I'm not sure. Okay. Let's
17:04
break down this episode. Hi, who
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and a free gift. I need
19:42
to center myself because I
19:44
loved this. This is one of
19:46
my, I didn't realize, I don't
19:48
know if I'd seen this since
19:50
it aired originally, back in 2010.
19:52
This, I texted you yesterday, I
19:54
was at LAX, 71B, United Terminal.
19:57
Of course. I was sitting next
19:59
to a fly. light attendant. He was swiping
20:01
on tinder. He apparently likes bald men.
20:03
When I tell you I was tee
20:06
heing out loud at this episode, there
20:08
were so many things that I laughed
20:10
out loud when there's things that took
20:13
me by surprise. This this episode has
20:15
become one of my favorites from season
20:17
one. And I didn't even remember a
20:20
lick of it, which I think made
20:22
it so much more fun. I forgot,
20:24
or I knew that Alexa came back
20:27
and I couldn't remember how. I was
20:29
like, wait, I didn't realize they fully
20:31
broke up in that first episode. I
20:33
was like, how are they going to
20:36
bring her back? And so, yeah, when
20:38
I was like, I know she comes
20:40
back because there's an iconic scene, just
20:43
the whole, there's a whole, it was
20:45
all super ingrained in my memory. So
20:47
same, I was like, oh, what is
20:50
this episode? And then I was like,
20:52
oh, right, this, it was, it was
20:54
a journey watching it was a journey
20:57
watching it. Okay, okay, good. Okay, so
20:59
in our first scene, in our opening
21:01
voiceover, Frankie divides people into warriors and
21:03
non-wrears. At alerts Bob, a warrior, tells
21:06
Frankie he stole a customer from Pete,
21:08
and Frankie shares a relief that axle
21:10
is finally done with Morgan. Ellert then
21:13
announces a company picnic, which is actually
21:15
his granddaughter's ninth birthday, that he's going
21:17
to write off. the line. Patty, there's
21:20
a button, Bob has a button at
21:22
the end of this that... Oh I
21:24
don't remember. Gives her a look, or
21:27
he gives him a look, like, oh
21:29
wait, when he says that, that, he's
21:31
like, yeah, that's why I didn't date
21:33
in high school. That's why I never
21:36
dated in high school. Spare my mom
21:38
the pain. Get around, minions! She goes
21:40
through like five beats in that one
21:43
like hmm and they really stayed on
21:45
it for longer than I thought yeah
21:47
now we are in the heck kitchen
21:50
brick brings home an unhatched egg from
21:52
his school science project he is determined
21:54
to reassure Scout that the world is
21:57
a great place and that he'll be
21:59
here for him when he's ready to
22:01
emerge. I kind of liked that little,
22:03
I don't know if that was on
22:06
purpose, but like you know his name
22:08
is Atticus and the thing is Scout. Oh
22:10
my god. Right? I don't know if that was
22:12
on purpose. It made me so stressed
22:14
out thinking of like they don't do
22:16
that anymore right? They couldn't. I
22:19
don't think so. They don't give just
22:21
like random, they don't give like
22:23
farm animals to random civilians in
22:25
school, right? No, no, no, no, no.
22:28
They can't anymore. Well, I have no
22:30
idea. You'll let me know when your
22:32
kids go through school. Oh my gosh,
22:34
I couldn't even, I, I'll bet you
22:37
a million bucks, Scout, and Atticus, there's
22:39
a reason for that. I love that.
22:41
Loses the egg and when
22:43
he and Frank Of course
22:46
and of course and when
22:48
he and Frankie search the
22:50
house Frankie finds a calculus
22:52
textbook and a tube of
22:55
lip gloss in Axel's room
22:57
and deduces Morgan is back
22:59
in the picture Would you
23:01
like my first? Yelp of
23:04
the episode Yes, do you know
23:06
what I'm gonna say when you
23:08
said Brad? That's favorite Yeah, same
23:10
as Brad. Because I didn't know
23:13
where that was like weirdly specific. I
23:15
was like, what is what is this
23:17
suit line? Because that's the thing again,
23:19
I was like this episode. So sometimes
23:21
that's the funnest because I just come
23:23
in for punch lines like come in
23:26
do a punch line get out. And
23:28
I was like, where is this joke going? Like
23:30
I only wear why? And then I was like.
23:33
Perfect. Yes. Oh, it
23:35
is. Ding, ding, ding.
23:37
It is. I'm surprised.
23:39
And I'm going to
23:41
reenact the flight attendant.
23:44
So he's swiping. Okay,
23:46
no. He had a man
23:48
with man with hair. No
23:50
man with hair. Yes, bald
23:53
man. I yell. He just
23:55
looked and he's back.
23:57
It's a it's a it's a
24:00
You're in these scenes that are large, right?
24:02
For the most part, you're not that
24:04
first pop that we talked about right at
24:06
the beginning of the episode in that
24:08
Frankie voiceover. But for a scene like this,
24:10
which probably takes, I don't know, four
24:12
hours to shoot with all the coverage, but
24:14
you only have one line. What did
24:16
you do in these early days to like
24:18
fill in your time on set? Cause
24:20
like eventually you would bring things to do.
24:23
What did you do to fill your
24:25
time on set of the middle when you
24:27
had these lighter episodes? Cause you still
24:29
have to be there for all four hours.
24:31
Yeah, go to Charlie's trailer. Hang
24:34
out to chat. Truly, no, I mean,
24:36
like if he wasn't there that day, then
24:38
I don't, I don't know. We
24:40
were I want oneself pretty probably. But
24:43
you just sit in a corner and
24:45
that's what actors do. They're actually just
24:47
a half robot. They just go to
24:49
court and like, mm, power down, power
24:51
down. I don't know. I did a
24:53
lot of crosswords. Literally,
24:55
I think you were a Sudoku queen
24:57
at one point, right? Yeah,
24:59
definitely. I wouldn't call myself a
25:01
Sudoku queen. I would call myself
25:03
maybe a Duke, Duchess. Sure, a
25:05
Jester. Yeah, Sudoku Duchess. I was
25:08
like 12th in line probably. Okay,
25:10
okay. Like I did it, but
25:12
I wasn't, it crosswords. I do
25:14
religiously. I'll do the New York
25:16
Times crossword every single day. I
25:19
was probably doing something with, or I
25:21
was literally, I think to myself, and
25:23
this is different because I was like at
25:25
work, but it's still the same. I'm
25:27
like, I don't need, how did I
25:29
fill my time? I must have had so
25:31
much time before kids. Totally, yeah. So
25:34
like when I was on set, like now
25:36
when I'm not, when I'm working and
25:38
I am not filming. You're learning the
25:40
wicked dance. I'm
25:42
sorry, go, go, go, go, go.
25:44
I mean, honestly, I was probably,
25:46
there was a period of time.
25:48
I think it was season three
25:50
though. I got really into tap.
25:52
Oh yes. You saw me in
25:54
the video a couple months ago.
25:56
Of course. But Jeff, just like
25:58
God bless, he got, God, everyone
26:01
was so amazing on that set.
26:03
Cause I think it is. I don't
26:05
want me to ruin my trailer floor. He got like transpo, someone
26:07
to get me a block of wood and put it down in
26:09
my trailer so that I could tap. I could like practice tap.
26:11
I was doing that. We should get Jeff on here.
26:13
You'd be great. We should get Jeff. I
26:15
would love to get him on. Jeff
26:17
was the glue. Jeff was really the mortar,
26:20
what is it, like brick and like between
26:22
the bricks. The ground. The grout, he, there
26:24
was no show without Jeff Pilata. Um, shout out
26:26
Jeff, hope you're listening. So Frankie charges into the
26:28
parents' bedroom lip gloss in hand to tell Mike
26:30
about her discovery. But Frankie is shocked to find
26:33
out that Axel already told Mike about Morgan
26:35
and intentionally didn't tell Frankie, which I really
26:37
respected. I was like, that was a perfect
26:39
middle, like, bada, bada, bada, bada, bada, bada,
26:41
bada, bada, bada, bada, bada, bada, bam, bam, bam, bam,
26:43
bam, bam, bam, bam, bam, bam, bam, bam, bam, bam,
26:45
bam, bam, bam, bam, bam, bam, bam, bam, bam, bam, bam,
26:47
bam, bam, bah, bam, bah, bah, bah, bah, bah, bah, You
26:50
know what I'm talking about? I do, I do. You know
26:52
what I'm saying? Where she's like, you
26:54
did this and didn't tell me? Like,
26:56
oh, you did this and didn't tell
26:58
me? And I didn't tell you. Yeah.
27:00
And, and of course, write on Q.
27:02
Brick exclaims that his egg hatched.
27:05
Okay, so, to prove to Axel that
27:07
if you're happy, I'm happy, Frankie
27:09
insists that Morgan should come over
27:12
for dinner. During dinner. This is
27:14
the iconic scene. During dinner, Frankie
27:16
fights tooth and nail to rein
27:18
it in as Morgan recites a
27:21
laundry list of things she tells
27:23
Axle to do. And finally, when
27:25
it comes to the broccoli, Frankie
27:27
dives over the table, tackles Morgan
27:29
to the ground, and strangles
27:32
her. But it's only a
27:34
fantasy. Okay, I have to, this is where
27:36
I'm jumping in. Please. This scene
27:38
took two, count them two full days
27:40
to shoot. This was a
27:42
two-day shoot because around the table
27:44
scenes already take forever right but
27:47
this was so long and there
27:49
was a stunt involved I cannot
27:51
remember if it was supposed to
27:53
take two days like if they
27:55
had that scheduled or if We
27:57
just we're like well Here we go
28:00
days over, can't come into much more
28:02
overtime when we didn't finish, so we
28:04
gotta do more. Whoa, I didn't realize,
28:06
I knew it would have taken a
28:08
long time, I did not realize two
28:10
full days, because it is a lot,
28:13
there's a lot of camera angles, one
28:15
in general, you're doing a whole extra
28:17
one because there's a whole other human
28:19
there, with Morgan. And we're still getting
28:21
into our, like, exactly, we're, sort of
28:23
figuring out our groove with like dinner
28:26
table, you know, the standard, the angles
28:28
of coverage that we are going to
28:30
use, that we're not going to use,
28:32
but yes, like now bringing another factor
28:34
into it, it just, it's like we,
28:37
the clock reset, we started Square One
28:39
in terms of like knowing where we
28:41
were, you know, what we're going to
28:43
use, it's like I was saying how
28:45
like, if when you're just stuck on
28:47
set with, you're just stuck in a
28:50
little small room with people, keep it
28:52
hidden in your pocket or something. But
28:54
like when you're sitting on set in
28:56
between setups or whatever, you're just, you
28:58
have nothing. You don't, you don't, you're
29:01
not, like you have to just commute,
29:03
you really just are spending time with
29:05
the person. And that felt like a
29:07
solidifying like, oh, these are all really
29:09
great people. We're just, we're getting, we're
29:12
bonding. And I, when I think about
29:14
like, like, I feel like I know
29:16
her so well, and I know her
29:18
so well. And I spent very little
29:20
time. was just speaking to each other.
29:22
Of course. And some of the best
29:25
conversations you can have are in between
29:27
setups and you're sitting on your chairs
29:29
and you don't have your phone with
29:31
you or it's put away and you
29:33
have nothing but time to talk. But
29:36
I have to say, the scene finished
29:38
and Nick was like, did you have
29:40
a line that was cut? had to
29:42
have. There's no way. I'm almost positive.
29:44
I think I remember I had at
29:46
least one line and it was one
29:49
of those things where it was like
29:51
every time I was like I got
29:53
to wait for my one sentence and
29:55
then I watched the episode when it
29:57
aired like originally and I was like
30:00
It was cut? It was cut? You
30:03
did have your opening line
30:05
where you're collecting the cups
30:07
and you're like, I can't
30:09
believe the head cheerleader's coming
30:11
over to our house for
30:13
dinner. And then, yeah, you
30:15
didn't speak. You had some
30:17
great looks when they popped to
30:19
you. I, did I? I don't
30:21
remember. I was so, you know
30:23
what, hold on a second. I
30:25
just want to do one thing really
30:28
fast, Brog. Okay. Okay, we're
30:30
back. I just said to Brock,
30:32
I took a pause and I
30:34
said wait a second and I
30:36
made him just sit there for
30:38
like five, five whole minutes. No,
30:41
I looked up the script.
30:43
I went back into my
30:45
mouth. You did. Did you have a
30:47
line? I did have a line.
30:49
Okay, let's hear it. Can you
30:52
perform it for me real quick?
30:54
Sure. Well, I'm going to do
30:56
the stage directions also. Great,
30:59
great delivery, great, great,
31:01
great, great, great, great riding.
31:03
Sue leans in close and
31:05
snaps a picture of her and
31:08
Morgan together for my locker. Wait,
31:10
no! And then Axle goes, dial
31:12
it down, Sue. Wait, that is funny.
31:14
I knew it. I knew I was like, I
31:17
knew I did something. For my
31:19
locker. Oh, and I had another one
31:21
too. Okay, let's hear it. Wait
31:24
a second. There is a ton, actually.
31:26
That's why this took two days because
31:28
I was like how did this take two
31:30
full days? So it wasn't even longer
31:32
since it's a long scene Yeah, it's a
31:34
such a long scene Wow, yeah, oh, this is
31:36
funny Okay, can you go actually while you
31:39
have it here when? Brick puts the chick
31:41
on the table does the script say Mike
31:43
waves the chicken wing at the chick to
31:45
say get off the table or was that
31:48
or was that meal? Yeah, wow brick
31:50
get that thing off the table shooing
31:52
it with a chicken leg. Come on That
31:54
is so funny to me. It was very funny.
31:56
I, well, I, of course, my little vegan
31:58
heart was like... Oh my god, this
32:01
is terrible! But yes, they knew
32:03
it. But they knew. Okay, so
32:05
I have questions. So do you
32:07
want me to? Oh, do you
32:09
want me to? Oh, do you
32:11
want me to tell you the
32:13
other cut lines? Oh, please, please,
32:15
please, and perform them too. Okay.
32:17
Look, he imprinted, that's brick, after
32:19
he goes, look, he imprinted on
32:21
me, he follows me everywhere. Sets
32:23
the chick the chick on the
32:25
floor, starts, well, am I allowed
32:27
to do. Am I allowed to
32:29
do. Am I allowed to do.
32:31
I don't care. Okay, he sets
32:33
the chick on the floor, starts
32:35
walking around the table, the chick
32:37
follows, BRIC continues to go round
32:39
and round throughout the following. I
32:41
know why, I see why they
32:43
cut this actually. Sue, I turn
32:45
to Morgan. Morgan, my friend Carly's
32:48
on the phone, could you talk
32:50
to her for one second? She
32:52
doesn't believe you're here. Morgan, taking
32:54
the phone. Okay, hello? We here
32:56
and ah! On the other end.
32:58
BRIC. Are you watching? Are you
33:00
watching? No one's watching. Brick, stop.
33:02
You're annoying, Morgan. I made you
33:04
a friendship bracelet. Do you want
33:06
to wear it? I'm wearing mine.
33:08
They're matching. And then Agla goes,
33:10
you know, stocking is a federal
33:12
offense. This is an eight-page scene.
33:14
I understand why all this is
33:16
cut. Wow. How long was this?
33:18
I want to count these pages.
33:20
I want to see if, and
33:22
we'll put it into respect for
33:24
how long an average scene is.
33:26
Average scene I'm going to say
33:28
probably is about a page. So
33:30
this is, once we're at the
33:32
table, it's, I think it's probably
33:34
six and one-eighth. Oh
33:37
my god. So many. And also,
33:39
but then you have the setup
33:41
of you coming to the table,
33:43
Morgan entering right even before that,
33:45
into the house. Yeah, because that
33:47
is all, it is all one
33:49
continuous scene. That's probably almost seven
33:51
pages, the whole thing. Because I
33:53
assume you would have shot Morgan
33:56
entering or like you coming in
33:58
with the cups, more. and then
34:00
you sit down for that table
34:02
seeing which takes forever. Okay, wait,
34:04
we need to pull out scripts
34:06
more often. I really do like this.
34:08
Yeah, that was actually really fun.
34:10
That was very interesting.
34:13
Okay, let me give me all
34:15
the details about the tackle. You
34:17
were right there. So we have
34:19
obviously two stunt doubles, one's for
34:21
Patty, and one is obviously for
34:23
Alexa, and you can tell. You know
34:25
that's a wig and it's a different
34:27
person, but because you never see the
34:29
face, but to a blind eye, you
34:31
know, who doesn't really understand what they're
34:33
looking at, it does feel like it's
34:35
patty heaten. It's so hard for me
34:38
to mentally divorce from. It looks, because
34:40
I know, she had the same stunt
34:42
double for like pretty much all nine
34:44
years, and so I was like. Oh,
34:46
I reckon that's a, you get to
34:48
know, like, I can see the differences.
34:50
I was like, that's 100% not her.
34:52
That is, that is her double, whose
34:54
name I cannot remember at this time.
34:56
And I feel so, I'm gonna remember the
34:59
second we turn up. We turn
35:01
off the board. Yeah. But I was
35:03
like, that's not, that is absolutely
35:05
not her. But there is something
35:07
in my mind, there's something like
35:09
kind of fun, there's something fun
35:12
and funny to me to me.
35:14
It's kind of a wink to the
35:16
audience when you can really tell. You
35:18
can tell, like, that's a stunt double.
35:21
But the, like, broadness of it is
35:23
just, like, you get away with, like,
35:25
yeah, that would be a, like, oh,
35:27
they did a stunt. They did a
35:29
funny, you know, inner imagination. I don't
35:31
know. It was crazy to me, though,
35:34
what I was, because I watched it
35:36
twice, the tackle, in particular,
35:38
when the double, like, Patty
35:40
gets up and they probably cut and
35:42
they did a reset and then the
35:44
stunt double goes and when the stunt
35:46
double finally crosses the table and Tackles
35:49
stunt Morgan There wasn't a pad under
35:51
there. I don't think unless they did
35:53
something to the floor and they like
35:55
really really were able to hide it,
35:57
but it really truly looked like the
35:59
chair Wunk onto the hard ground
36:01
and I was like, whoa, that's
36:03
that's a professional stunt double for
36:05
you. I told Axel. Well, that's
36:08
how it went in my head
36:10
anyway, in reality. No, stunt doubles
36:12
are genuinely, so they are like
36:14
on another level. I doubt there
36:16
was a pad there with something
36:18
like that. They're just, they're so,
36:20
they do things. Like they're so
36:22
skilled. They do things with a
36:24
big fake thing. That was the
36:26
most basic thing that they could
36:28
have ever done for a day
36:30
of work. I know, I know,
36:32
I know. They weren't jumping off
36:34
any any bridges. There was no
36:36
water involved. No. But yeah, no,
36:38
it was. There probably, maybe there
36:40
was like the back of the
36:42
chair was padded a little more
36:45
than normal just to like get
36:47
the shock, like absorb the shock
36:49
a little. But no, there was
36:51
no, like that's exactly why there
36:53
was. stuck doubles. And so it's
36:55
not only that, then you also
36:57
have the baby chick. Now do
36:59
you remember, I was like, how
37:01
many chicks were there actually like
37:03
at the ready? There had to
37:05
be a bajillion. That I don't
37:07
remember, but I do remember, I
37:09
do, like, because we had a
37:11
lot of animals on set over
37:13
the nine years, and like, having
37:15
dogs and cats is such a
37:17
different. Actually, I don't even know
37:19
if we had any. Oh, we
37:22
did have a cat, but I
37:24
wasn't in that storyline. But having,
37:26
like, very easily trainable animals, compared
37:28
to having a baby chicken. An
37:30
infant hatched yesterday? Like, these are
37:32
completely different experiences. Yeah. the job
37:34
of acting is like so close
37:36
to just working with a human
37:38
yeah like it's so it's really
37:40
you just you've got a co-worker
37:42
and they know their job and
37:44
you have a handler and they
37:46
have a trainer and like they
37:48
just get the job done it
37:50
is so much more it's stressful
37:52
working with an animal that's like
37:54
the handler is so close because
37:56
they have to be because that
37:59
that chick would wonder. Well that's
38:01
the thing is that like I was like he
38:03
sets it on the table and I said they
38:05
had to have multiple because what if
38:07
they have a squirmer what if they
38:09
you don't have one that does I
38:11
don't know like they just have to
38:13
have so many because they just have
38:15
to have so many because they need
38:17
them that chick to be in that spot
38:20
at that particular moment to capture it.
38:22
It's really it is like it's
38:24
kind of like working with a
38:26
human infant where you're just what
38:28
we want it to do. There's gonna
38:30
be some animal trainer who's like,
38:33
that's actually not how it works.
38:35
And you know what? Tell us. If
38:37
you're like, if you're the one listening,
38:39
if you were on set that day
38:41
and you're listening, let me know. This is
38:44
my memory, but I don't, are you kidding
38:46
me? I have two kids, I don't
38:48
remember anything. Again, so glad we're doing
38:50
this podcast. So back to the
38:52
episode, that night, Frankie cannot sleep.
38:54
She wakes Mike up to express
38:57
Mike up to express her worry
38:59
that they're. Who? This scene? They
39:01
did so much of this scene
39:03
in one take. Did you notice
39:05
that? That's literally
39:07
my bullet point right under
39:09
there. I, Frank, uh, Patty
39:11
just whipping it out. There
39:14
are certain moments where it,
39:16
she did. She whipped out
39:18
the like, you know, she,
39:20
sometimes she would, it was like,
39:22
great take, Patty. And she would just like,
39:24
Are they really gonna, oh my god, they're gonna
39:27
do this the whole thing without cutting? Oh my
39:29
god, they are! And they did. And I... And
39:31
a two shot, I loved it. And she tells him
39:33
what friends he can have, what college he should
39:35
go to, he should go to a college near
39:37
her. So he moves there, and when he does,
39:39
she breaks up with him again. And then she
39:41
takes him back, and they get married and have
39:43
kids, and then she gets bored, which is her
39:45
pattern. So then they get divorced and Axles living
39:47
in our basement. She's moved with the kids to
39:49
Florida because that's where her parents have retired. They
39:51
get to see the grandkids all the time and
39:53
get to be called Nana and Pop Pop and
39:55
we have to be born grandma and grandpa. We
39:57
only get to see them once a year and
39:59
when we try to hug them they're all stiff.
40:01
awkward because we're strangers to our
40:04
own grandkids. It all starts
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with broccoli. It all starts
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41:34
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41:37
how Newm helps you lose the
41:39
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41:41
really smart. Oh, Danny. It's Newm
41:44
smart. It's Newm's. It's newm. It's
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really smart. It's Newm. It's Newm.
41:48
It's Newm. It's Newm. It's really
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smart. It's Newm. It's Newm. It's
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Newm. It's Newm. It's Newm. It's
41:55
Newm. It's Newm. It's Newm. As
41:57
the days go by, in full
41:59
parent mode and he's run ragged
42:02
from the baby chick. And on
42:04
the day of alerts company picnic
42:06
slash granddaughter's birthday, Frankie
42:09
begrudgingly invites Morgan to come.
42:11
But surprise, she actually feels
42:13
good about making the gesture.
42:15
The good feeling doesn't last
42:18
too long when Frankie overhears
42:20
Morgan complaining about going to the
42:22
picnic through the bathroom wall. Which
42:24
I did not remember. I have a
42:26
couple things to say and there about
42:29
you. Because they're sitting on the
42:31
couch and you I'm gonna reenact
42:33
your crazed look you had in
42:35
your eye as you like by
42:37
the table Because you see her and
42:39
you're like That's my chance to talk
42:41
It oh baby that made you didn't
42:44
have a lot, but you had a
42:46
lot I did I did a lot
42:48
with a little okay and then I
42:50
would argue too much you I'm gonna send
42:52
you I'm gonna send you this because talking
42:54
about the speed in which you and I
42:57
talk I need you to recite that because
42:59
the speed at which you said that in this episode
43:01
took my breath away and I need to see if you can do
43:03
it faster. So we're going to put in, right, we're going to put
43:05
in the clip of you saying it from the episode right here. I
43:07
just want to put in the clip of you saying it from the
43:10
episode right here. I just want to tell you that from the clip
43:12
of you saying it from the episode right here. I just want
43:14
to tell you to recite it from the clip of you saying
43:16
it from the episode right. Can you go faster? Can you to
43:18
recite right? Can you to recite right? Can you to recite right?
43:20
Can you to recite right? Can you to recite right? Can you to
43:22
recite right? Can you to recite right? Can you to recite right? Can
43:24
you. Can you. Can you. Can you. Can you. Can you. Can you.
43:26
Can you. Can you. Can you. Can you. That is so
43:28
good. And honestly, I can actually do it
43:30
faster, but it's not going to be intelligible.
43:33
No, and it's, I need the
43:35
precision of the comedy, and you
43:37
gave me the precision of the
43:39
comedy. Exactly. Also, comedic genius, patty,
43:41
because. Comedy you need the stakes
43:43
to be high and so Patty it's
43:45
not funny if Patty just pulls back
43:47
the shower curtain and steps up to
43:49
the tub to listen She needs to
43:51
rip that curtain open hike herself over
43:54
the lid of the the ledge of
43:56
the tub and Press your ear against
43:58
the wall is so funny to me.
44:00
It's like those little things that separate
44:02
people because they're not writing that in
44:04
the script. It's Patty knowing that like
44:06
in order for that moment to be
44:09
funny it has to be so full
44:11
of stakes the most important thing to
44:13
her at that moment to listen to
44:15
the wall. Totally, totally. I want to
44:17
see one other thing really fast. Wow
44:19
they bumped that that was such a
44:22
good rewrite. I just looked up was
44:24
like what was the original line because
44:26
I thought it was a little and
44:28
it there was a whole bit. that
44:30
is so much better with just one
44:32
that was such a good wow wow
44:35
wow sorry care to fill in the
44:37
audience real quick I the original bit
44:39
between the like me the interaction there
44:41
with Morgan yeah was a bit about
44:43
my scrunchy I was like, I like,
44:45
oh my God, you're wearing my scrunchy.
44:47
And she says, oh, I'm sorry, my
44:50
hair was totally annoying me. And I
44:52
saw it in the bathroom, you can
44:54
have it back. And I say, no,
44:56
keep it, I would be honored. It
44:58
doesn't even, I would be honored. It
45:00
doesn't even matter. Actually, that's all I
45:03
want to like, and then I walk
45:05
past is a, oh my God, if
45:07
Morgan wears my scrunch, my scrunchy during
45:09
a game, it, it's my scrunchy during
45:11
a game. It's almost like I'm a
45:13
cheerleader. It's like I'm a cheerleader. I'm
45:16
a cheerleader. I'm a cheerleader. I'm a
45:18
cheerleader. I'm a cheerleader. I'm a cheerleader.
45:20
their punch up with their revision was
45:22
so much better. Yeah, wait, and also
45:24
it's so funny too, the thing that
45:26
I caught was, and because I just
45:29
did this last week with Brittany and
45:31
Natalie, the episode that came out for
45:33
the Ellis exclusive members, where you audition
45:35
to be a cheerleader in the episode
45:37
that we recapped in front of Brittany
45:39
and Natalie, and you have this fixation
45:41
with cheerleading, which now I'm discovering in
45:44
season one that You love cheerleading and
45:46
you wanted to be a cheerleader just
45:48
like Morgan. Wow. Wow. Kept it consistent.
45:50
So, finally, we are at the picnic
45:52
slash birthday party right off. Tax right
45:54
off. And we've got all sorts of
45:57
happenings. Alerts, charging for drinks, of course,
45:59
could have seen that one coming. Frankie
46:01
and brick commiserate together. and Bob and
46:03
Pete are partnered for the three-legged race
46:05
that ends up turning into a
46:07
brawl. I was like, oh
46:10
right, this storyline? I thought it
46:12
was just a fun like thing
46:14
that Bob said. I wouldn't, I
46:16
didn't anticipate it to be
46:18
like a C or a
46:20
D storyline. I couldn't, I
46:22
was like, they must have,
46:25
there must have been like
46:27
an uncuttable thing somewhere. Because
46:29
there was, like, what, what's the
46:31
payoff of this? Why is this still
46:33
here? I, I got, I got a
46:35
new giggle. Okay, that's true. I mean,
46:37
it was well done. Well done. I
46:39
was like, oh God, I forgot.
46:42
I'm really invested in this
46:44
Morgan thing. Okay, so I think,
46:46
think, think, remind me. This is
46:48
in the fountain that's in the
46:50
park. is the friends found famously
46:52
from the friends intro and what
46:55
we don't see they strategically shot
46:57
it the bright on one side
46:59
you see like the New York
47:01
apartment so that's where you see
47:03
the famous intro that facade and
47:05
that's like where they shot hitch
47:07
and all these different different things
47:09
that looks like New York. It's so
47:12
crazy that I can't Unsee it though?
47:14
Like I was like, wow, they didn't even
47:16
try to hide it. Like this looks exactly
47:18
like, like it looks like we're shooting at
47:20
the Friends Fountain. And maybe people, maybe it's
47:23
not, maybe it really does just look like
47:25
a fountain, but go back and watch it
47:27
because it is so... Clearly the
47:29
Friends Fountain. Yeah. Like it's
47:31
so crazy. It's so weird
47:34
when it's just bizarre when
47:36
stuff like that happens. I love
47:38
it. I love it. And like
47:41
they, I was watching this in
47:43
particular, you can see the. they put up
47:45
these like they're like six foot like fake
47:47
hedges or whatever they are and that's blocking
47:50
because this park that we're shooting at it's
47:52
within the Warner Brothers Ranch or sound stage
47:54
and where we park or you had a
47:56
special workings about where I parked my car
47:58
as a guest star. It's just like
48:00
feet away. So they're covering the little
48:03
security gate. They're covering the street. They're
48:05
covering all these different like houses that
48:07
are there buildings and stuff like that.
48:10
So they're really able to kind of
48:12
transform that space. But truly on the
48:14
other side of those six head, that
48:17
six foot hedge is the security guy
48:19
who would check my license every time
48:21
I drive on the lot. It's true.
48:23
They did a really good job. Really
48:26
good job disgu disguising everything. Props to
48:28
everyone. Everyone. Cornhole Frankie's anxiety hits a
48:30
breaking point and she throws her beanbag
48:33
right at Morgan's face Only this time
48:35
it wasn't a fantasy, but not to
48:37
worry Sue breaks through the crowd to
48:40
Shepard Morgan to safety Okay, that made
48:42
me laugh, but also so something like
48:44
that When like Frankie and Mike are
48:46
actually like tossing the beanback like trying
48:49
to play that's a real beanbag But
48:51
then what they do when the they
48:53
do the close-up of Morgan's face and
48:56
this happened to this happens all the
48:58
time in TV and film but happened
49:00
a couple times with us as well
49:03
So when something like that happens they
49:05
take that same I think was yellow
49:07
fabric from the beanbag they stuff it
49:09
with I don't know, fiber filling, and
49:12
that's what they use when they actually,
49:14
there's probably, it's probably the stunt guy
49:16
who's off camera and throwing it right
49:19
directly at Alexa Panavega with the fiber
49:21
filled beanbag and some of the actual
49:23
beanbag. Yeah, that's exactly, that's exactly correct.
49:26
And it is a fine, it's an
49:28
art form because it can't look too
49:30
much not like, like sometimes if something
49:32
is filled, like if you're supposed to
49:35
be hit with a bowling ball or
49:37
something, and then obviously they make it
49:39
like a foam ball, you still have
49:42
to fake it in a way that
49:44
makes it look like the weight of
49:46
a real, of the real thing. And
49:49
so. There are all these like strategies.
49:51
There are all these like the way
49:53
to when you make stunt things. It's
49:55
not just you don't just fill it
49:58
with you know. You don't just have
50:00
like an air, it can't be like
50:02
an air pocket in the middle. Like
50:05
it has to look like it has
50:07
the heft, but it cannot, it absolutely
50:09
cannot hurt you. So there's
50:11
a whole, there's so many industries
50:14
that go into making a Hollywood television
50:16
show. Yeah. And I feel like
50:18
making stunt items is one of
50:20
them. And because also too, like
50:22
those stunt items, if they don't
50:24
work, then this. moment that we've
50:26
been building to for the entire at this
50:29
point 19 20 minutes washes away if it
50:31
doesn't work right because they don't want the
50:33
audience to be like oh that was
50:35
fake it has to look real because
50:37
that's the moment we're building to it's
50:39
always usually something big and funny and
50:41
humorous and all the things yeah and there's
50:43
also this was a big episode this
50:46
took forever to this took so long
50:48
to shoot because something like something like
50:50
this is like you have the beginning
50:52
where again you see Frankie and brick
50:55
talking and the alert or excuse me
50:57
and the Bob and the Pete thing
50:59
and so but then everyone has to
51:02
stay around because then when Alexa gets
51:04
knocked down everyone slots to be there
51:06
to like surround her. So it's not
51:09
like you do your little vignette and
51:11
then you're gone. You just have to
51:13
stay there all day because they're going
51:15
to need you in six hours when
51:18
it's time to surround Alexa Panabaga. Yeah,
51:20
yeah. And I did laugh at
51:22
myself. I remember thinking like this
51:24
is my moment to shine. Like
51:26
it was very metto. Like eat it.
51:28
I was like, I've got my big moment for
51:30
this. I thought that was pretty good to
51:33
pay off for a little, for a
51:35
little suit story also. She has to
51:37
be okay! Make a whole people! My
51:39
friend Morgan is coming through! So,
51:41
finally, we're back at home. Break
51:43
has decided to return the chick
51:46
to his classroom, because he has to,
51:48
because he has to, right? I would
51:50
assume, yeah. I would assume, okay. And
51:52
just as Frankie accepts that losing
51:55
control over your kids is
51:57
part of the parenting life
51:59
cycle. I love this. Mike is
52:01
now the warrior when Axel
52:03
announces he's giving up football
52:05
for Morgan. Because now it's
52:07
something that Mike cares about.
52:10
Right. But not long after,
52:12
Morgan is out and a
52:14
new foreign exchange student is
52:16
right around the corner. I
52:18
was like, this came in.
52:20
I was like, okay. And
52:22
Nick was like, what? I
52:24
was like, that is a
52:26
28-year-old woman. I thought I
52:28
was like, there's no way
52:30
she was 16. And I
52:32
guess, to be fair, I
52:34
mean, we were all in
52:36
our 20s and I think
52:38
Alexa was, was also, was
52:40
like closer to 30 than
52:42
not, like, that's just Hollywood.
52:45
But I, I was like,
52:47
okay, this is a classic
52:49
on logic, I guess. a
52:51
big to-do type of resolution,
52:53
but I was like, that's
52:55
very realistic to high school
52:57
though. Oh, well yeah, and
52:59
then again, it's, it's, absolutely,
53:01
that's how it is, they're,
53:03
you know, you don't, you're
53:05
never in high school with,
53:07
unless you're the rare exception,
53:09
you're never with the same
53:11
person for too long because
53:13
you're dating around in high
53:15
school and all this kind
53:17
of stuff. Yeah. So that's
53:20
our episode. I think we
53:22
need to get out of
53:24
here. I think we need
53:26
to get out of here.
53:28
And after we come back,
53:30
we've got our listener question.
53:32
So I lied before. I
53:34
said we had a listener
53:36
question. It's actually a listener
53:38
email. And this week's listener
53:40
email comes from Kerris. Subject.
53:42
Already I'm on board with
53:44
this email. Love in all
53:46
caps. Love the middle. I
53:48
usually don't leave comments or
53:50
send messages like this because
53:52
I figure they won't be
53:55
seen, but here it goes.
53:57
Mm-hmm. Kares, Gary. Jokes on
53:59
you, Kares. Get jokes on
54:01
you! Who's getting lost?
54:03
Lost, no! Okay, I'm not
54:05
kidding when I say I
54:07
live for new episodes every
54:09
Wednesday. Oh my god, thank
54:11
you. I'm a, oh my
54:13
god, I'm a mom of
54:15
identical twins. Oh, there's six
54:17
months old now, named Zara
54:20
and Eden? That is
54:22
incredible. Oh, there's so
54:24
much to unpack here
54:26
already. Eden as a fellow twin
54:28
mom if you have any advice please
54:30
send it my way also anytime someone
54:33
asks oh I love this also anytime
54:35
someone anytime someone asks me the difference
54:37
between identical and fraternal twins I always
54:39
send them that amazing video explanation you
54:41
posted on social media such a great
54:44
video have you seen have you seen this
54:46
video I made Brock? Oh, yes, absolutely I
54:48
can't believe to I hope all my Tikk videos
54:50
will be saved when Tic-toc gets banned
54:52
or whatever because that video is my
54:54
shining like is my magnum opus I
54:56
love that video I'm so happy that
54:58
it I'm so happy carers you continue to
55:01
say the middle has been a huge
55:03
part of my life I discovered it
55:05
right before starting high school during a
55:07
really hard time when my parents were
55:09
divorcing I watched it every night it
55:12
felt like an escape and honestly you
55:14
all felt like my family as mine
55:16
was falling apart Oh, Carol, we love
55:18
you. Years later, when I started dating
55:20
my husband, I introduced him to the
55:22
show, and now, he's obsessed too. We
55:25
watch every night and can literally quote
55:27
most of the episodes. Oh, that is,
55:29
that's great. I love that. It's a
55:31
bit bitter sweet watching it as an
55:33
adult now, and with my own little
55:36
family, it's funny how much, it's funny
55:38
how much my husband and I relate
55:40
to the parents these days. Carols, you and
55:42
me, you and me both. Snaps, like,
55:44
yes. Thank you both so much for
55:46
doing this podcast. It's exactly what I
55:48
needed in this season of life, Karas.
55:50
Piaz, I can't wait for the day
55:52
my girls are old enough to watch the
55:54
middle with me. Again, you and me both. I
55:57
cannot believe her, one of her identical
55:59
twins is named. Eden! Like, was
56:01
it after me? Who knows? Who
56:03
knows? Oh my gosh, how sweet
56:05
though. I feel like you guys
56:08
are connected on so many levels.
56:10
There is an implicit, like with
56:12
twin parents, there is, you just
56:15
can't deny, like there is a
56:17
common understanding. that just goes into
56:19
it. You can't explain it. You
56:21
can't, it's like being a war
56:24
buddy with someone you weren't actually
56:26
at battle with, but you both
56:28
were there and you're like, you
56:31
know, I know, I know. You
56:33
can talk about it, you can
56:35
watch a movie about it, you
56:38
can explain to someone, but you
56:40
don't know until you're up in
56:42
the middle of the night and
56:44
one of them is trying to,
56:47
one of them won't latch on
56:49
and the other ones won't take
56:51
the formula bottle, and then both
56:54
parents are, you know. No, no,
56:56
one newborn is not that hard.
56:58
Here's what I will say to
57:01
you, Karas. Your twins are six
57:03
months. I don't know how it's
57:05
been for you. So far, what,
57:07
yeah, I don't know how it's
57:10
been, for me, people said this
57:12
to me, people were like, it
57:14
gets easier, I swear. It gets
57:17
so much easier. Absolutely, I am
57:19
not nostalgic for, I don't know,
57:21
pre-9 months. Absolutely not keep it.
57:23
You can keep it pre-9 month
57:26
old twins. Life is so much
57:28
better. I do not miss them
57:30
being little. It was so hard.
57:33
I did so hard. I did
57:35
not enjoy it. I truly, I
57:37
have just no nostalgia for it.
57:40
So if you do, if you
57:42
are enjoying it, Cara's amazing. And
57:44
if you are hating it. And
57:46
if you are hating it. better.
57:49
Oh it's very sweet. Keras, I
57:51
think you're very sweet and I
57:53
know you're raising them right because
57:56
you're raising them on a diet
57:58
of ABC's the middle. Fantastic.
58:00
Okay, Eden. The sun is going down.
58:03
My ring light is blinding me. We
58:05
have dinner reservations at seasons 52. I'm
58:07
gonna get the scallups. Season 52 I
58:09
would go there with my grandma. No,
58:12
you didn't. Absolutely. I don't know it
58:14
was like a chain. Oh, yeah. There's
58:16
like a few of them, right? It
58:18
was sprinkled around. They at the very
58:20
least have one in West Palm
58:22
Beach, Florida. And that's sort
58:24
of with my grandparents. Okay,
58:26
I love it. So we have
58:29
we have reservations for that. Happy,
58:31
happy new year. Happy new
58:33
year. Happy, Monica. Bring in
58:35
2025 with you. Yes, me too.
58:37
You, me and Jonathan Bennett.
58:39
Yes. And next week, we're
58:42
talking all about, I haven't
58:44
seen this since it aired, but
58:46
I do remember me loving it
58:48
back in 2010, 122 Mother's Day.
58:51
I think this is the footback
58:53
if I recall. Is it?
58:55
Premier? I don't know. I don't know.
58:57
We'll see you. Check it next week. Okay,
58:59
we'll find out. We will find out
59:01
as well. Exactly. Oh, sweet thing. I
59:04
love you so much. I love you more.
59:06
I'm so happy to be seeing you. Oh,
59:08
me too. Okay. Bye, sweetie. Bye. Renew
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