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0:00
This message comes from Blue
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Harbor Entertainment with Audrey's
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children, the untold true
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story of Dr. Audrey
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change redefined medicine and
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impacted the lives of
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millions, starring Natalie dormer,
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now playing only in theaters.
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The latest season of the White
0:22
Lotus just wrapped up, but
0:24
not before serving up a
0:26
tropical buffet of sex, betrayal,
0:28
violence, revenge, privilege, incest, drugs,
0:30
death, and this at least
0:32
was new, spirituality. Yes, and in
0:34
keeping with White Lotus tradition, we
0:36
finally found out whose dead body
0:38
was floating in the pond way
0:40
back in the season premiere. I'm
0:42
Aisha Harris. And I'm Glenn Weldon. It's
0:44
just the two of us today on
0:46
NPR's pop culture Happy Hour, and we've
0:49
got so much to talk about. So,
0:51
the White Lotus is the creation of
0:53
Mike White. Y'all know this, and each
0:55
season has featured egregiously privileged white folk
0:57
coming into contact with cultures not their
0:59
own. That contact always starts out indirect,
1:01
because the white folk in question are
1:04
staying at luxury hotels. So there's a
1:06
buffer. But before the season is over,
1:08
the walls of privilege inevitably crumble. This
1:10
season was no different. It was set
1:12
in Thailand. And look, we want to
1:14
concentrate on the finale, of course, but there's
1:16
so much to talk about. I think
1:18
the best way to handle this season, Aisha,
1:21
and all the revelations of the finale, is
1:23
to tackle each storyline one by one.
1:25
You up for that? Yep, yep, let's do
1:27
it. So we've got to start with
1:29
Rick and Chelsea, played by Walton Goggins and
1:32
Amy Lou Wood. I think we're going
1:34
to be together forever, don't you? That's
1:36
a plan. Oof, oof, I say. Oof.
1:38
It turns out, of course, that they're
1:40
the ones who end up in the
1:42
pond at the beginning of the season.
1:44
Rick came to Thailand to find the
1:47
men who killed his father in the
1:49
finale, Rick. kills that man, but that
1:51
man actually turned out to be his
1:53
father. It's giving Luke Skywalk. This leads
1:55
to a gun battle in the crossfire.
1:57
Chelsea is killed and as Rick is
2:00
walking away with her body, he is
2:02
shot and killed by the hotel security
2:04
guard Guy Tock. We'll talk more about
2:06
Guy Tock in a bit. Aisha, what
2:08
did you make of how this long
2:10
Rick Chelsea storyline concluded? Yeah, I mean,
2:12
look, this entire series and this
2:15
season especially, there's a lot
2:17
of sign posting that's always
2:19
happening right from the very
2:21
first episode. It wasn't necessarily
2:23
that I thought that the choice was going
2:25
to be that this guy could be his
2:27
father in the first episode or the... the
2:30
first time he actually talks about why he's
2:32
there because I don't I don't think we
2:34
learn until maybe a little bit later
2:36
into the series but like I did
2:38
kind of figure it out by the
2:40
penultimate episode when Rick goes and he's
2:42
like posing as the movie producer and
2:44
he has that confrontation with him
2:46
and I was like this guy's gonna be
2:49
his actual father I know it yeah of
2:51
course yeah I was like oh this is so
2:53
obvious and when that reveal finally happened I threw
2:55
my hands up in the air I was just
2:57
like What are we doing here? Why is
2:59
the show so obvious? And the Chelsea moment
3:01
as well, which you just heard, where she's
3:03
like, we're gonna be together forever. I was
3:06
like, oh, she's gonna die. Or he's gonna
3:08
die. Someone's gonna die. Glenn, I don't know.
3:10
It felt clunky, but. You know, how did
3:12
that play for you? Were you into this
3:14
storyline at all? Not the, you killed my
3:17
father's storyline at all, but into the rich
3:19
health relationship a little bit. Although I will
3:21
say, the biggest critique about the season I'm
3:23
seeing online is how sluggish and bloated it
3:25
felt, which makes sense because the show keeps
3:28
getting longer. Season 1 was six episodes. Season
3:30
2 was 7, the season was eight. And
3:32
if you had that critique going into this
3:34
season, going into this finale, certainly fed into
3:37
that because it's a lot of
3:39
build-up, a lot of fakeouts, and
3:41
then the last 15 minutes, everything
3:43
happens. You say signpost, I say
3:45
setup. Early in the season, Chelsea
3:47
says bad things, happen in threes,
3:49
and first she has a brush
3:51
with violence during the robbery, then
3:53
she gets bitten by a snake,
3:55
and then she dies because he
3:57
can't keep his revenge in his
3:59
pants, right? Chelsea saying at one point
4:01
that her relationship with Rick is a
4:04
yin yang one. Skype run this yin
4:06
and yang battle and I'm hope and
4:08
Rick is pain and eventually one of
4:10
us all win. Right there. See that
4:13
was the moment I knew she was
4:15
doomed because that is a very smart
4:17
way of illustrating how our culture co-ops
4:19
other cultures by turning something like balance
4:22
the concept of balance itself into a
4:24
zero-sum game and I just didn't get
4:26
this relationship for most of the season
4:28
for reasons like that because they don't
4:31
make sense together. Right. Mike needs to
4:33
show us Rick as someone who is
4:35
distracted and consumed by revenge, but he
4:37
also has to show us a Chelsea
4:40
who is in every other part of
4:42
her life a deeply emotionally intelligent person.
4:44
She can read people. And I kept
4:46
wondering why she didn't see how poorly
4:49
he was treating her, how he never
4:51
made eye contact with her, how he
4:53
dismissed her. And then I remember all
4:55
the people I know in my life
4:58
who give great relationship advice, but are
5:00
in lousy relationships themselves. And it's like,
5:02
okay. And that moment we just had
5:04
in the finale. She says, we'll be
5:07
together forever forever. And then he says
5:09
that's a plan. Giving her nothing. And
5:11
what you couldn't see in that clip
5:13
was her reaction, which like he just
5:15
made the biggest grandest romantic gesture in
5:18
the world. That's when she goes from
5:20
being just doomed to a tragic figure.
5:22
Look, I do find it a little
5:24
hard to understand that relationship, but I
5:27
also have seen... those types of relationships
5:29
play out. Usually there's a money component
5:31
to it oftentimes. And there's a money
5:33
component here, sure. There is too, but
5:36
they really kind of downplayed and she
5:38
is, you know, unlike some of the
5:40
other women on this show who are
5:42
clearly in relationships because of money. Mike
5:45
White goes out of his way to
5:47
make sure that like we understand that
5:49
Chelsea sees something in him. When it
5:51
comes down to it, I think most
5:54
of us don't actually care who dies
5:56
at the end of it. Like it.
5:58
enlightening here. And as much as I
6:00
love Walton Goggins and Amy Lewwood... in
6:03
these roles. It just felt sort of
6:05
perfunctory to me, but whatever. I get
6:07
that. So Guy Talk is the guy
6:09
who actually killed Rick. Guy Talk and
6:12
Moog are another couple. They work at
6:14
the hotel. They are played by Tam
6:16
Tap Tim Tong and Lisa, whom listeners
6:18
might recognize from the K-pop group Black
6:21
Pink. Guy Talk's whole character is he
6:23
wants to be harder, MOOC's whole character
6:25
is she wants him to be harder
6:27
too. That's the entirety of her character.
6:30
Things turn out pretty well for Guy
6:32
Talk on this plane of existence anyway,
6:34
but he's a spiritual guy, and although
6:36
killing Rick earns him respect and a
6:38
new position as the bodyguard for the
6:41
hotel's honor, and it also earns him
6:43
the love of MOOC, because of course
6:45
it does. It all happens at the
6:47
cost of his beliefs, how'd that hit
6:50
you? I think my biggest issue with
6:52
White Lotus as a series is the
6:54
fact that the people who work at
6:56
these hotels, especially if they are people
6:59
of color, tend to be very flattened,
7:01
very one-dimensional. I think Belinda, the Natasha
7:03
Rothwell character who we'll talk about later,
7:05
her character in the first season was
7:08
like an exception to that. But here
7:10
it just felt as though there was
7:12
nothing really going on here. My biggest
7:14
critique is that I would have liked
7:17
to see far less of all the
7:19
white people at this resort and more
7:21
of the dynamics of everyone who was
7:23
working at this resort. Look. Guy Talk
7:26
and MOOC on paper, they look like
7:28
a beautiful couple, but this just felt
7:30
like a storyline from like 50, 60
7:32
years ago. It's like, it's not even
7:35
just about wanting Guy Talk to be
7:37
harder. It's like she wants him to
7:39
advance in his role at the hotel
7:41
to the point where like he's making
7:44
money and he has more power. Like
7:46
it's about that too. It's about this
7:48
very, again, capitalism rules everything, but there
7:50
was just not a lot to do.
7:53
And MOOC, we were talking about this
7:55
before we started recording. Really really like
7:57
not a lot of screen crime and
7:59
I'm sure people black pink fans were
8:02
probably like what's going on here? Where
8:04
is she? I mean she comes off
8:06
like the woman in the ad for
8:08
Charles Atlas bodybuilding who dismissed This is
8:10
the skinny guy when he gets sand
8:13
kicked in his face, but when he
8:15
comes back and he's jacked, she's all
8:17
over him. Yeah. Which is a very,
8:19
to your point, a very aggressive depiction
8:22
of women, you know, there's a possibility
8:24
that I might buy it if she
8:26
was given any specificity, any characterization, anything
8:28
that made her distinct. And I don't
8:31
know if it's in Mike White's Wheelhouse
8:33
to kind of do that for some
8:35
of these characters that he's portraying as
8:37
being objectified and victimized and victimized and
8:40
victimized by the white folk. That sucks.
8:42
Yeah, I do wonder what it would
8:44
be like if he did actually try
8:46
to write these non-white characters in more
8:49
interesting ways, but then I'm like, do
8:51
I want to find that out? I
8:53
don't know. Yeah, see that's the thing.
8:55
He is in his willhouse with the
8:58
Ratliffs. Let's talk about the Ratliffs. They
9:00
are an obscenely rich North Carolina couple
9:02
with three kids. And throughout the season
9:04
we see that the father, Tim knows
9:07
that the feds are onto his shady
9:09
business deals. He doesn't tell his family
9:11
that prison is waiting for him when
9:13
he returns home, or that the family
9:16
has lost everything, basically. And in the
9:18
finale, Tim finally surrenders to the despair
9:20
he's been spiraling into all season long
9:22
as he attempts to poison everyone but
9:25
his youngest son, Loughlin, only to come
9:27
to his senses at the last minute.
9:29
But then the next morning, it's Lachlin
9:31
who polishes off a poison smoothie, and
9:33
we get a very cheap fakeout death
9:36
that the kid seems to bounce back
9:38
from awfully quickly. Lachlin is played by
9:40
Sam Novola. The other two kids, Piper,
9:42
Piper, no, and Saxon are played by
9:45
Sarah Catherine Cook at Patrick Schwarzenegger, and
9:47
their mother Victoria is played by Parker
9:49
Posey. Yes. I just don't think at
9:51
this age. meant to live an uncomfortable
9:54
life. I don't have the will. What
9:56
was your big rat lift takeaway here?
9:58
Okay, so I am in the bag
10:00
for anything Parker Posey has ever done.
10:03
when it's something as bloated and messy
10:05
and mostly not interesting as the season
10:07
of whitelowners. This is why we get
10:09
along, Aisha, because you are a gay
10:12
man at heart. I really am. I
10:14
thought the scene in this final episode
10:16
where Piper finally admits that she is
10:18
only meant to live the soft life,
10:21
she can't actually commit to, you know,
10:23
full-on Buddhism or any sort of spirituality.
10:25
Like the food. I mean, it was
10:27
vegetarian, but it... I don't know, you
10:30
could tell it like, wasn't organic. And
10:32
it was just kind of bland and...
10:34
I don't know, it was kind of
10:36
like, could I like really eat this
10:39
for a hold here? The look on
10:41
Victoria's face of like, yes, yes, finally,
10:43
finally, we won. was like a really
10:45
great moment like I was laughing the
10:48
whole time and the whole family dynamic
10:50
here it did overall feel a little
10:52
bit like a retread of season one
10:54
with the family that's led by Connie
10:56
Britton as a matriarch not obviously not
10:59
a one-to-one but like it felt like
11:01
it was exploring the same thing especially
11:03
the Sydney Sweeney character versus Piper and
11:05
this like quest for feeling enlightened in
11:08
a way But like this was the
11:10
second twist slash fakeout that I saw
11:12
coming from a mile away because of
11:14
course the poisonous fruit was kind of
11:17
like it was made the Chekhov's gun
11:19
in the first episode like you they
11:21
they were checkups punk punk yes and
11:23
you know the hotel worker is telling
11:26
them they're poisonous they will kill you
11:28
and then when she reiterates it again
11:30
in this final. episode, they call it
11:32
a suicide tree. I was like, okay,
11:35
they're harping on this a little too
11:37
much. And as soon as Lachlin, being
11:39
a young adult kid who clearly would
11:41
never watch a dish in his life,
11:44
has never done it, and the idea
11:46
of him being felled by the fact
11:48
that he was too lazy to clean
11:50
out the... The blender before using it
11:53
is like, he's not going to die.
11:55
Even when he was swimming in the
11:57
water, it was like, he's not going
11:59
to die. That's just too much. Glenn,
12:02
were you on board with me? Did
12:04
you also kind of have that sense
12:06
that it was possible that they weren't
12:08
actually going to die? I knew that
12:11
the family wasn't going to die. I
12:13
did think that Lucklin was going to
12:15
die. I was faked out. the gun
12:17
stuff and that the body was something
12:20
to do something else. That's what I
12:22
probably would have done, but that's, you
12:24
know, that's me. The Lachlan and Saxon
12:26
stuff in the storyline. I just want
12:28
to say to folks, I'm seeing a
12:31
lot about this online. If you were
12:33
grossed out by the Brother on Brother
12:35
stuff in Game of Thrones in stride,
12:37
you are telling on yourself and you
12:40
shouldn't work on that. Indeed. But I
12:42
do like that storyline because it's there
12:44
for like, like, for people to kind
12:46
of, post memes about it is there
12:49
to point up what happens when you
12:51
live in a bubble like these characters
12:53
live in and are constantly told that
12:55
you are good people you are quality
12:58
people and the people outside the bubble
13:00
are beneath you when you're told that
13:02
often enough by the Victoria's in your
13:04
life you're gonna believe it. So that's
13:07
what gives you Lachlan you know entering
13:09
his flowers in the attic era and
13:11
it also gives you not for nothing
13:13
a few hundred years of British and
13:16
European aristocracy right a few hundred years
13:18
of history is where this goes but
13:20
to the Parker Posey of it all
13:22
I'm going to join you this is
13:25
a synergy of actor and role because
13:27
Victoria on paper is kind of a
13:29
cartoon and my gal Parker is known
13:31
to go big as you say it
13:34
is dangerous but when in that finale
13:36
Victoria says yes we are lucky No
13:38
one in the history of the world
13:40
has lived better than we have. Even
13:43
the old kings and queens. The least
13:45
we can do is enjoy it. If
13:47
we don't, it's offensive. That is such
13:49
great writing because it's close to the
13:51
line of brush. satire. That is entitlement
13:54
distilled to its essence. The thing we
13:56
owe to others is to keep to
13:58
ourselves and never think about them. That
14:00
is the prosperity gospel, that is God
14:03
wants me to be wealthy, it is
14:05
a cancer and it is embedded in
14:07
American life of people like the Radcliffes
14:09
and they seem broadly satiric at the
14:12
beginning of this show and then they
14:14
became less and less so as the
14:16
season progressed. They are matched to this
14:18
time. in a very strange way. Yes,
14:21
I agree. I guess I just like,
14:23
after three seasons of this, I'm just
14:25
like, what more can we explore? And
14:27
while it felt very on brand and
14:30
on point, it was also just like
14:32
in service of what? At this point,
14:34
we've seen this not just in this
14:36
show, but in plenty of other series
14:39
about rich people. Again, I guess I'm
14:41
just a little kind of tapped out
14:43
on. this stating the obvious and when
14:45
I read something like an article in
14:48
the Atlantic where they're calling this the
14:50
first great post-woke piece of art I'm
14:52
just like what are what are we
14:54
doing here like how are we how
14:57
are we talking about this show and
14:59
how is the show actually playing out
15:01
that's just not being able to read
15:03
satire yes look we've got a lot
15:06
more to unpack here we're gonna talk
15:08
about the great caricoon the great and
15:10
good Natasha Roth will in a bit
15:12
we'll be back after a quick break
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