0:00

Hey, I'll use sexy people looking

0:02

for sexy times. Did you

0:04

know that if you support Pork

0:06

Fried Dice on dice on you

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can get access to exclusive, to

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secret, behind the scenes, goodies, and

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art? Just head

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over to head over

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to .com/support PFD. Plus, if you

0:18

if you support us, Bathwack will kiss

0:20

you right on the lips. You're

0:32

listening to the show about two

0:34

eels in a room. It's pork

0:36

fried eels in a room. It's

0:39

pork fried dice. I'm Eric,

0:41

and I'm the dungeon

0:43

master. I'm Abby, and

0:45

I play Rifina. I'm

0:47

Alex, and I play

0:50

Bethwick. I'm Katie, and

0:52

I play Adam, I'm and

0:54

I play and I play Roscoe.

0:56

Hold on to your

0:58

Hatter sacks. Let's roll.

1:03

Okay, I ready and I can

1:06

hear you guys completely and I can hear

1:08

you guys completely

1:10

know. Go, go, go, go, go.

1:12

Oh, okay. Are we ready?

1:15

go, go, go! know. I feel

1:17

like it's just been a

1:19

long ready? don't you? Yeah.

1:22

I feel like it's just

1:24

been a I feel like it's

1:26

just been a long day. Don't

1:28

you? Yeah. It has been a long

1:30

day. just like, like, hi. check it out

1:36

Oh no, I got my my water

1:38

bottle. oh well. You got really? You used

1:40

to have a next to each

1:42

other there. Aww, that's

1:44

so a- Oh, And we're on

1:46

top. cute! Oh, and we're on top.

1:48

Oh, you're on top. You're a

1:50

goat. a goat? Oh no. Oh, I got

1:52

rid of got rid of

1:54

my goat sound, oh well,

1:56

You got really? You to have

1:58

a lot. a lot. Wow. you have

2:00

a limited amount of space for sounds? for of

2:03

Kind of. That's so That's so weird. on

2:05

the It's based on the keyboard. got he's only

2:07

got so much volume for volume. You guys have

2:09

never seen what my sound board looks like

2:12

here. I'll show you. like here, I'll an

2:14

actual an actual soundboard? It's

2:16

digital. It

2:18

won't let me me share it?

2:21

Show non-video participants. got to do,

2:23

too. what I've got to minute.

2:25

have to do that. stream. it

2:28

it doesn't give you. Yes, I have seen I I have

2:30

not read this This is all new. read this.

2:32

This is all new. Oh, wow. Okay,

2:34

well, then you better close it it.

2:37

Millionaire starts. I mean,

2:39

you can I mean you can only

2:41

words that have the number seven

2:44

in them them the letter you.

2:47

Oh, you Oh, you can do F-U-7. What

2:49

do you do when you want to type

2:51

What The you do when

2:53

you want to is not the same

2:55

is not the same as

2:58

a keyboard. to play the

3:00

my keyboard when I'm not,

3:02

when this window window is

3:04

not active, I

3:06

have to do command and

3:09

then the letter. the

3:11

mustard sound? Oh,

3:13

Oh, you've heard it before, I think. Wait,

3:15

I where Wait, is it M? is it? M, yeah. You

3:17

You have a really big gob of

3:19

mustard, of mustard, right? right? What? Mustard,

3:22

right? You've played played this, and

3:24

I, yeah. From big. Yes. I thought

3:26

it was going to be

3:28

like a squirting sound.

3:30

like a squirting sound. Mm-hmm. Got Alex We've

3:34

got got P. That's good.

3:36

What is that? What is is

3:38

the slash? Gory

3:40

sword rickets oh gory sword kept

3:42

sword sword you

3:44

got - not and you got

3:46

rid of the goat rid of

3:49

gory sword you added of

3:51

goat and added gory sword

3:53

oh i Oh, I see my recap

3:55

on the on the tab there it is it to

3:57

go to go good thing it's

3:59

not away or quiet or

4:01

muffled in some way in my

4:04

microphone right now okay yeah it's

4:06

it it's turned up all right

4:08

do you want me to do

4:10

something I can't do anything I

4:12

can't please do you see how

4:14

it's going go on for the

4:17

recording all right Eric you can

4:19

take it away I'm done I

4:21

just did Oh,

4:23

I... Oh, sorry.

4:26

I was like,

4:28

this was not

4:30

a... I was

4:32

gonna take a

4:34

screenshot. Yeah, take

4:37

a picture to

4:39

last longer. Previously

4:41

on pork fried

4:43

dice. The

4:47

captain's keys are being

4:50

tried, In every keyhole

4:52

on the ship, In

4:54

Roscoe's fist, Then finally

4:57

Roscoe finds Bathwack, And

4:59

heals with Bonn, In

5:01

Sean's room together. If

5:04

we could see the

5:06

scene, a fat-twalk stream,

5:08

A headless goblin on

5:11

the throne, New Goli

5:13

king, Whose laughter is

5:15

drowned out by princess

5:18

and the queen, They're

5:20

screaming together. I can't

5:22

see us getting ourselves

5:25

off this boat with

5:27

all our lives. Will

5:29

we walk the plank

5:32

or be thanked for

5:34

our help and get

5:36

high fives? The thrashing

5:39

wooden crate, it's fate.

5:41

They note some feathers

5:43

and a beak. And

5:45

so they sneak the

5:48

mic on it and

5:50

owl bear away from

5:52

there. They're rescued together.

5:55

That's when Roscoe says

5:57

you've got a little

5:59

bet, Thwack on your

6:02

face. hide your turgleet

6:04

dragon-born self, away they

6:06

race! Chimi and Rifina,

6:09

Rifina and Shimi, their

6:11

statements aren't going well,

6:13

we'll cast the spell,

6:16

distracting Judge Melvoleo, away

6:18

we go, to Sean's

6:20

room together. So

6:29

low!

6:38

But before they

6:40

go, clever Ross

6:43

go, determined to

6:45

disguise the whole,

6:47

now in the

6:49

wall, designs a

6:51

poster of Rufina

6:53

Hayworth style, with

6:55

come here, their

6:57

smile. Nothing could

6:59

go wrong. Oh,

7:01

here comes the

7:03

captain. He pulls

7:05

off the poster.

7:07

He did this

7:10

to my ship.

7:12

He's showing his

7:14

pleasure. We're in

7:16

this together. How is the weather?

7:18

Offship Creek together. Oh my god.

7:21

Oh my god. Oh my god.

7:23

Should I put it in, I

7:25

should put it in Dam Top

7:28

in. That was amazing. Oh, that's

7:30

so good. I love that song

7:33

so much. That was so delightful.

7:35

Oh my gosh. Adam's face when

7:37

I got to the poster part.

7:40

Oh my god. Yeah. I love

7:42

the clock face solo. That was

7:44

my favorite part. That was so

7:47

great. Oh my god. I think

7:49

Adam was jealous. He didn't. of

7:52

that first. Well, yeah, I mean,

7:54

it's such a bold use of

7:56

lyrical real estate. Well, that's because

7:59

he just, well, that's because he

8:01

just, la, la, la, la, la,

8:03

la, la, so it's so beautiful.

8:06

And I thought that I got

8:08

a remarkable amount of information in,

8:10

like, yeah, like, heck, yeah. So

8:13

I was, I was like, I'm

8:15

gonna just, I'm gonna rock. I

8:18

think the shared notes thing was

8:20

a genius idea. Which I used

8:22

not at all this week. But

8:25

yes, I know. How did you

8:27

remember all of that? Holy moly.

8:29

Well, you saw my notes. I

8:32

didn't even look at anyone. I

8:34

mean, it looked like a fucking

8:37

ransom. Oh yes, oh that one,

8:39

yes. It was so weird. On

8:41

my phone, like the lines weren't

8:44

even lining up into a sentence.

8:46

They were like, half of it

8:48

was down here. Was it like

8:51

trying to figure out what font

8:53

you were writing in? That's so

8:56

weird. It took the handwriting, this

8:58

is Google Drive, trying to do

9:00

it. And it kept choosing. It

9:03

is really impressive that you've made

9:05

that recap out of just your

9:07

notes, which feature. And I quote,

9:10

maybe I look like Pa Fisherman

9:12

feels het plop on his head,

9:14

looks down and sees boring pants.

9:17

Maybe they approach us. Massive figures,

9:19

starts laughing, maybe familiar, and stands.

9:22

Do you have a problem with

9:24

my notes? No, I'm saying it's

9:26

really impressive. Which version did you

9:29

go off of Abby? Your handwritten

9:31

ones or the transcribed ones? My

9:33

handwritten ones. Okay, well, there we

9:36

go. That explains it. There

9:39

you go. Did I forget

9:42

anything? Crew that I should

9:44

have highlighted? High lighted. I

9:46

don't think so either. We're

9:48

good. All right, same time

9:51

next week. It was so

9:53

scary that it ended with

9:55

the captain being so mad.

9:58

So who knows what the

10:00

heck is going on? in

10:02

trouble. And I hate to

10:04

be that student. But, well,

10:07

I did have homework. Yeah,

10:09

yeah. And I remembered today.

10:11

Okay. And so I will,

10:13

and I'm hoping that this

10:16

earns us some like, some

10:18

goodwill narrative. Well I also

10:20

was encouraged to say because

10:23

I was talking to KT

10:25

about tonight. He said something

10:27

tonight. And I said I

10:29

have just had an idea

10:32

and I'm not going to

10:34

say what it is but

10:36

it's me it's an example

10:38

of me doubling down on

10:41

you guys having consequences for

10:43

your actions. Look how scared

10:45

he is. He's so nervous

10:47

about saying that too. He's

10:50

like, I can only hope

10:52

that we take into account

10:54

consequences for me having done

10:57

my homework. Okay. Remember that

10:59

I am, I'm going to

11:01

post it. I'm not an

11:03

artist and this was my

11:06

first time really trying to

11:08

learn. Oh my god, it's

11:10

like a tablet. Wow. Oh,

11:12

fancy. And uh, it's just

11:15

gonna be boobs. Side note,

11:17

while he's loading it, Alex

11:19

is drinking a beer in

11:22

honor of Sean Indigo today.

11:24

Is he right? What's it

11:26

say? Oh really? Allerious. And

11:28

that's apparently that's what I

11:31

was apparently saying it was

11:33

awful. All right I'm gonna

11:35

press enter and this is

11:37

this is Roscoe's this is

11:40

the canon poster I think

11:42

Roscoe's illustration of Rafita. Oh

11:44

my, it's a door! It

11:46

kind of looks like the

11:49

cover of Mad Magazine too.

11:51

Not very, not very good.

11:53

And yeah, he signs R.L.F.

11:56

for Roscoe Luflor. Luflor. Even

11:58

though Luflor is one. is

12:01

how we're gonna. This title

12:03

of this is What Me

12:05

Ferry? That's so great. I

12:07

love the I love the

12:09

tunic. We got to share

12:11

all these so yeah I

12:14

do one and I forgot.

12:16

Abby did two and I

12:18

did one. Yeah. So

12:20

we can share them all

12:22

on our Discord server when

12:24

this episode comes out. Okay,

12:26

T, hello editor. Please put

12:29

this in a note for

12:31

me in your email, so

12:33

I do that. Okay, I

12:35

will. Tell, I'm going to

12:37

save them in a folder

12:39

on my desktop. Okay. Tell

12:41

me that. You're going to

12:43

save, tell you right now.

12:45

No. This helps. You're going

12:47

to save it in a

12:50

folder on the desktop, title.

12:52

Rafina drawings. Rafina drawings. Come

12:54

hither's smile. I love it.

12:56

It feel bad because I

12:58

know that at the end

13:00

of our last session I

13:02

did have an idea for

13:04

how to proceed from this

13:06

moment and I've completely forgotten

13:08

that. And I remember thinking

13:11

it was a pretty smart

13:13

idea. And now you're not

13:15

in the room though, right?

13:17

You're not even in the

13:19

room because you've escaped, right?

13:21

Or did you come back

13:23

around? Roscoe's there, Roscoe's the

13:25

one who pointed out the

13:27

poster. Really? Okay. Bold move.

13:29

I can't believe you forgot

13:32

that. Now you know why

13:34

I was making that face.

13:36

Yep. Oh my god. Abby,

13:38

why are your drawings of

13:40

Rafina titled Rita? Because it's

13:42

Rifina titled Rita. Because it's

13:44

Rita Hayworth. Oh! That's so

13:46

cute. You goof? Rifina is

13:48

short for Rifina Hayworth. Yeah,

13:50

nice. Riffina Hayworth, that's great.

13:53

Did we make that joke

13:55

last time? No, I don't

13:57

think so. We should have.

13:59

All right. All

14:01

right let's let's update the map

14:03

with where everybody is it's not

14:06

much of a move I'm gonna

14:08

put kick down here you went

14:10

to the fishing hole I think

14:12

right kick yes right that much

14:15

I remember Sean's there I guess

14:17

everybody's kind of here okay just

14:19

drag everybody over you're all in

14:22

this room and the captain's there

14:25

So yes, the captain has

14:27

revealed the hole in the

14:29

wall and has turned and

14:31

accusingly asked who did this

14:34

to my ship. And he's

14:36

looking over all of you.

14:38

All of us? Like does

14:40

he look at me even?

14:43

Yeah, everybody. And he's like,

14:45

he goes, all right. That's

14:47

it! He puts a figure

14:49

in the air. We're going

14:52

on lockdown! And he goes

14:54

to stride out of the

14:56

room. Oh, well, definitely let

14:59

him straight out of the

15:01

room. I'm just doing big

15:03

eyes at everybody like, what

15:05

is it? Village! And you

15:08

hear him go down the

15:10

stairs. What is going on,

15:12

guys? Well, I mean, he

15:14

uncovered a big hole that

15:17

someone made in the wall

15:19

in the ship, and he

15:21

was upset. I look through

15:23

the hole. It just looks

15:26

like another room. Yeah, it's

15:28

dark, oh, right. Okay, okay,

15:30

okay, so the captain's gone.

15:32

Yeah. All right, so, uh,

15:35

so, here's the problem, is

15:37

that, I think that's, is

15:39

that, and whose room is

15:41

that? Pathway, kick, kick, kick,

15:44

who I... He's not there.

15:47

Oh kick left because he's she

15:49

might have pretended not to know

15:51

us. Shit. So I don't know

15:53

if Roscoe even knows whose room

15:55

that is. I don't know. I

15:57

can't remember if it was said

15:59

or not. thing

16:03

we got the crate with the

16:05

out there and it's over there

16:07

in that room right now so

16:09

I don't know what what what

16:11

should we do is he gonna

16:13

come back is he gonna look

16:16

in that room probably uh okay

16:18

now oh my god I

16:20

think we need to calm down. Like,

16:22

what, we're gonna get, like, this whole

16:24

ship is gonna, we're gonna get kicked

16:26

off the ship. We need to get

16:28

to Golly's End. What the fuck is

16:30

happening right now? What is- And they

16:33

want to have, like, a pocket dimension

16:35

or something? Uh, none of us has

16:37

a pocket dimension? I mean- I have

16:39

a dumb... Why is it even called

16:41

the one that I hate? Oh

16:44

my god. Will? The hut? The hut.

16:46

The hut. The tiny hut. We need

16:49

to be on the same page though

16:51

with the same story right before he

16:53

comes back. I mean, all I know

16:56

is that I was with him the

16:58

whole time. So it's not going to

17:00

be me. That gets in trouble. But

17:02

so the people we have to account

17:05

for are. Kick, potentially Roscoe. And I

17:07

mean, I guess kick isn't with us,

17:09

but he wasn't there the whole time.

17:12

Who else is on this god damn

17:14

ship? Oh, well, there's that nar guy.

17:16

Okay, we got to pin it on

17:19

him. And then, uh, the inventor lady,

17:21

Sue. Yeah. Look, no, we painted on

17:23

Sean Indigo. He's already a criminal. He's

17:26

the one who's pent up, and the

17:28

hose in his room. Right? I don't

17:30

know what's going on in the other

17:33

room. Whose room is that? I don't

17:35

know. Do you want me to go

17:37

over there and check it out? No,

17:40

don't go anywhere Shimi. Just act as

17:42

innocent as you possibly can. Oh, I

17:44

can't believe there's a hole. Shimi, what

17:46

else do you have in your pockets?

17:49

I took, I had taken whatever he

17:51

had dropped at the chair. Yeah, you

17:53

got my log picks. Great, yeah, let's

17:56

some, I just take them and throw

17:58

them and throw them and throw them

18:00

and throw them and throw them, across

18:03

the room, across the room. so are

18:05

we picturing us like we're I'm picturing

18:07

us like we're I'm rescue's like in

18:10

are we all in Sean into goes

18:12

room? Mm-hmm. I think so. Yeah, okay.

18:14

And so does, can we see through

18:17

the other room? You can look through

18:19

it's dark in there. Okay, because a

18:21

bathwack had reset the exterior door. Will,

18:24

can't you illuminate that other room? I

18:27

don't want to move. This is

18:29

not a great situation. We need

18:31

to think of a way to

18:34

cover for Roscoe, since he wasn't

18:36

with us. And, you know, Kick

18:38

can do his own thing. I

18:40

think the captain thinks he's a

18:42

complete idiot. Which, you know, cool.

18:44

But what are we going to

18:46

do with Roscoe? Roscoe, I can

18:48

change you into something and hide

18:50

you. Or we could just act

18:52

innocent Roscoe. How with it do

18:54

you feel right now, Roscoe? If

18:58

you're pretty with it, then I don't

19:00

know why you think that he'll suspect

19:02

me. You weren't with us, is all

19:04

I'm saying. But he doesn't know when

19:06

the hole was made. For all he

19:08

knows, the hole was made, you know.

19:10

I don't know, I didn't see that

19:13

poster before when we were in this

19:15

funding room. None of us noticed it,

19:17

which is weird, because it was right

19:19

there. Can I tell

19:21

that he's lying? Do you need me

19:23

to roll? Because it wasn't there. Are

19:26

you actually trying to lie? He's not

19:28

hiding the fact that he's lying. He's

19:30

suggesting it was right there, right everybody?

19:32

We all saw it the first time,

19:34

right? So Captain Navalio just must not

19:37

have seen it, right? Right, but I

19:39

mean we're all kind of together. Yeah,

19:41

we're all, it's kind of obvious. And

19:43

why is there a poster of Rufina?

19:45

Sean has barely even, we're going to

19:48

have to really play this up, that

19:50

like Sean's obsessed with Rufina in some

19:52

way. And why would Sean be going

19:54

into that other room? I don't think

19:56

this logically makes a lot of sense.

19:59

We can try to just go with

20:01

the flow here, but I'm trying to

20:03

think of some other reason. I think

20:05

the main thing right now is we

20:07

got to figure out what to do

20:10

with the fucking, with the, with the

20:12

albat. All right, so I guess I'm

20:14

gonna, I guess, can Ross go lift

20:16

this thing? I know Bethwack good. Bethwack

20:18

was strong enough too. You think maybe

20:21

you could? It'd be tough. I just,

20:23

I've, yeah, ah. This is

20:25

bad. I hate the fact that I role-played

20:27

this fucking poster. Did he mention the Albera

20:29

out loud? Did you say that out loud?

20:32

Because Will would say, so there's an Alber,

20:34

the Alber that we need to release? Why

20:36

don't we just fucking release it? That's what

20:39

I was gonna, I'm not there. I was

20:41

gonna whisper in your ears, just let it

20:43

go. Is that what the, uh, what the

20:45

Alatrust wanted? Yeah, can I can I conjure

20:48

unseen servant to it? Does it look like

20:50

something he could open or it's a crate

20:52

like nailed shut? Like I didn't see it.

20:55

I haven't seen it. Was it look like

20:57

I could cast something to potentially open it

20:59

so that none of us are even in

21:01

there? What's

21:05

the crate? What is it

21:07

in? What is it? Can

21:10

it get, can it, can

21:12

it, is it easily open?

21:14

I don't, Eric, what would

21:17

Ruska remember from the... It's

21:19

a, it's one of those

21:22

childproof caps like on prescription

21:24

bottles. Just keeps clicking. It's

21:26

a wooden, it's nailed shut.

21:32

Do you have an invisible hammer

21:35

spell? Right. If I, can somebody

21:37

fit through that hole? Can Will?

21:39

I, okay, shit. Kick me? I

21:42

don't want to get more trouble.

21:44

Right? Yeah. It's a big hole.

21:47

So I'm not gonna, I mean,

21:49

Will's gonna say no, she me

21:51

or like with a double long

21:54

stare and then say somebody else

21:56

go in and just let it

21:58

out. And I'll block the door?

22:01

Oh, go. have a question for

22:03

the DM. If you describe the

22:05

whole, what does it look like?

22:08

I'm assuming a raggedly hacked. He

22:10

was chopped with a sword. Ma.

22:12

It's a maw more than a

22:15

game. Three sword. All right. And

22:17

I was just wondering if you

22:20

would look at that and you

22:22

would say, this was hacked by

22:24

an axe or this was hacked

22:27

by an owl. Yeah, exactly. Or

22:29

this was hacked by a silver

22:31

long sword. I'm picturing bathwacking very

22:34

into it and hacking with a

22:36

sword but also like punching pieces

22:38

out and like stuff like clawing.

22:41

You've got dragon born claws. Wait

22:43

a minute, wait a minute, wait

22:45

a minute. Maybe we're going about

22:48

this or the wrong way. Oh,

22:50

right? Maybe we let the maritime

22:53

justice system do the work for

22:55

us, right? Captain Mvalier is going

22:57

to be back here any second,

23:00

and he's going to investigate that

23:02

room, and he's going to want

23:04

to know what's inside that crate.

23:07

So he'll open it for us,

23:09

and he'll free the albert. And

23:11

then we just pinned it on

23:14

Sean Indigo. We already know it's

23:16

an animal smuggler. But

23:19

why would he be putting the... Can

23:21

we drag the crate back in this

23:23

room and act like the owl bear

23:26

bust through the wall? Do owl bears

23:28

do that? I don't know anything about

23:30

owl bears. Oh, I think owl bears

23:33

bust through things all the time. There

23:35

was a soychus act back when I

23:37

was growing up in the soychus and

23:40

there was an act where an owl

23:42

bear would burst through a brick wall

23:44

dressed up like a... What? I don't

23:47

know! I'm making

23:49

all this up as I go along.

23:51

I thought you said you were with

23:53

it! I've just become Paul Giamati. All

23:56

right, I'm gonna, Will's gonna turn to-

23:58

If you and I watch two Paul

24:00

Giamati movies in the past. true. You

24:02

watched the holdovers? I watched part of

24:05

it. I didn't watch the whole thing,

24:07

but I loved the holdovers. It was

24:09

great. God, it was wonderful. Katie didn't

24:11

like looking at the kid's face though.

24:14

Okay, well, it's too bad. Lovely film.

24:16

That's just an example of living with

24:18

Katie. Sure. Do they say

24:21

that about your children's faces? Sometimes.

24:23

No. That's the only redeeming quality

24:25

about them sometimes. It's like, God

24:27

damn it, they're so fucking cute.

24:29

Jesus Christ. Will wants to turn

24:31

to Mo and just say, yeah,

24:33

Mo, go in and tear the

24:35

fucking crate apart and just let

24:38

the, like, let the albert, like,

24:40

let the albert, open the albert.

24:42

I don't know, will it? Like,

24:44

should I fight back? Oh God.

24:46

Don't fight back, it's winged, let

24:48

it, set it free. Oh shit,

24:50

especially if you love it. Okay,

24:52

wait, if Mo can't. I don't

24:55

know. Is Mo really this innocent?

24:57

Mo fucking kills people with a

24:59

knife. I'm curious about no. I'm

25:01

not worried about me. I just

25:03

know that this is like important

25:05

thing, like instinct for me as

25:07

if something hurt me to stab,

25:09

stab, stab, eat, eat, eat. But

25:11

I think you might, I'm trying

25:14

to be the civilization mode that

25:16

you be. But right now we

25:18

need less civilization. We need the

25:20

Albert to bust through the wall

25:22

and bust out the door is

25:24

what I'm saying. But is there

25:26

a way to think, I don't

25:28

even know how long this guy's

25:31

gonna be gone. We've been talking

25:33

for 10 hours. Do you think

25:35

you can get in that room,

25:37

rip the crate open, open the

25:39

door? I run over the door.

25:41

I have a wand! I have

25:43

a wand! Oh! I can charm

25:45

the animal! She can just run

25:47

in there if she wants. I'm

25:50

not, I don't control him. Wait,

25:52

I can tell him to come,

25:54

I, no, did I say Shimi?

25:56

No, wait, wait, I can use

25:58

this, this, I can use this

26:00

to tell him to. like he

26:02

banged through the wall. Do we

26:04

want that? Do we want that?

26:07

You're asking wrong person. I'm just

26:09

gonna do it. Rusco's looking at,

26:11

he's not positioning himself at the

26:13

door to keep a watch. That's

26:15

where I ran too. Oh, okay.

26:17

Yeah. As soon as Mo went

26:19

that way I was running for

26:21

the door to make sure that

26:24

we can distract if he comes

26:26

back, so to give them enough

26:28

time. Okay. Okay, here I go.

26:30

And Rufinus there, you see Mo,

26:32

he rips his, he shoves his

26:34

knife into the crack on the

26:36

top of the crate and starts

26:38

wrenching it up. Accently kills the

26:40

elbow there. Oh God. Stab the

26:43

crate. Gets his claws under and

26:45

starts wrenching. He quickly pops the

26:47

top off of this thing and

26:49

out of the crate explodes this

26:51

mass of feathers and beaks and

26:53

talons and fur. It is a

26:55

young, but still pretty hefty winged

26:57

owl there. Hmm. Okay, but we're

27:00

not in the room, right? Like,

27:02

oh, Refina is, Mois. Okay, all

27:04

right. Oh, oh, go out door,

27:06

go out door! He tries to

27:08

open the door. It flies towards

27:10

him because it's completely off the

27:12

hinges. All right, so Rifina's going

27:14

to use the wand of animal

27:16

friendship or whatever the heck it's

27:19

called. You're asking me? I don't

27:21

know what you're talking about. I

27:23

must have given this to you

27:25

like four years ago. No, I

27:27

still have it. It's in my

27:29

character. I believe you. I'm just

27:31

saying I don't know what it

27:33

is. He always has to like

27:36

everything. Bond of charm, animal, friendship.

27:38

I have three charges. Animal, friendship.

27:41

All right, let's look up animal friendship

27:44

guys. The spell lets you convince a

27:46

beast that you mean it no harm.

27:48

Choose a beast, it can see and

27:50

hear you, it has to succeed on

27:53

a wisdom save or be charmed by

27:55

you. Hmm. Guys, I looked up animal

27:57

friendship and I'm watching some adorable videos.

28:00

Some owl bear videos.

28:02

Is animal friendship similar

28:04

to animal husbandry? No.

28:07

Oh, okay. All right,

28:09

so wisdom saving throw,

28:11

this owl bear has

28:13

to make. Let's see

28:15

how good of a

28:17

bonus it has. All

28:19

right, wisdom plus one.

28:21

Wow, good job. All

28:23

right. So what's

28:26

your saving, the spell

28:28

save DC there? Oh,

28:30

I don't know if

28:32

you need words. 16.

28:35

What is timing on

28:37

saves? I think it

28:39

means yours works. Yeah.

28:42

Yay! Yay! So it immediately stops

28:45

thrashing about and settles down and

28:47

it stands there. It's like a

28:49

short owl bear. If you're not

28:51

familiar, it kind of has like

28:54

the body of a bear, but

28:56

feathery, the head is is beaked.

28:58

It's an owl bear. Everybody knows

29:01

what an owl bear looks like.

29:03

And it does have wings that

29:05

it's like kind of flapping out.

29:08

and then settles down and it

29:11

looks at you and kind of

29:13

tilts its head sideways like an

29:15

owl. And I'm casting Speak with

29:18

Animal as well so I can

29:20

actually talk to it. Oh, unless

29:23

that's somehow included, but I do

29:25

have it's not. It should be.

29:27

Yeah, for real. It just means

29:30

a charmed creature, it can attack

29:32

you or target you with harmful

29:35

abilities and you have advantage on

29:37

any ability check to interact socially

29:39

with it. Great. Okay, that's nice.

29:42

All right, I do cast, um,

29:44

speak with animals. Okay, Ollie Barry.

29:47

Hello. Alley Barry. It's Alley Barry,

29:49

the owl bear. All right. Is

29:51

this the next Steve Correll? Howie

29:54

Barry. you've been in that box

29:56

for a long time. Can you

29:58

tell me about your journey here?

30:01

Actually, no. Tell me something really

30:03

quick because we have to get

30:06

you out quickly. Oh, what do

30:08

you want to know? How visible

30:10

is it for you to make

30:13

this whole bigger and make it

30:15

look like you made it? And

30:18

she points to the wall. You

30:20

want me to make this whole

30:22

bigger? Yeah, and I want you

30:25

to sort of burst through it

30:27

and then I want you escape

30:30

because a bird god told us

30:32

to let you go. Okay, sure.

30:34

Does it sound okay? Yeah, why

30:36

not? You let me out of there.

30:39

Is it? I'll be fine. I'm really

30:41

sorry you were stuck in that box.

30:43

I have a feeling that the person

30:46

who put you in there is not

30:48

a good dude. No, probably not. Took

30:50

me away from my family. You sucked.

30:53

Can you find your family again, do

30:55

you think? I don't know. Where are

30:57

we? We're on a cruise ship. What?

31:00

It's just a huge boat full of

31:02

people. No. Not sure what that is,

31:04

but okay. I'll make that whole bigger.

31:08

And it goes down on fours

31:10

and starts like clawing. You guys

31:12

in the other room hear this?

31:14

You can see like a beak

31:16

and some claws poke through. I

31:18

frantically look around the hallway and

31:21

I'm like, go the other way.

31:23

Get out of there, get out.

31:25

Get out of here. So, um,

31:27

Albert, friend, once you've come through

31:29

that way, can you come back

31:31

through the other way and make

31:33

it look like you escape through

31:36

that hole? in this

31:38

direction. Okay, sure. I

31:40

have a casting suggestion

31:42

for The Alber in

31:44

the eventual Port Fried

31:46

Dice movie. I'd love

31:48

to see the Alber

31:50

plate by Patrick Warburton.

31:52

Yeah, oh, okay. Took

31:54

me away from my

31:56

family. Yeah, I'm Howley

31:58

Barry. Howley. Howley Barry.

32:00

Patrick Warburton does Howley

32:02

Barry. Amazing. She's gonna

32:04

need to make a

32:06

movie poster for that.

32:08

Sandeja is speechy. Yeah.

32:10

You want me to

32:12

make that whole bigger?

32:14

Yeah, I can make

32:17

that figure. Yeah, yep.

32:19

What's a cruise ship?

32:21

Okay. Okay. So yeah,

32:23

it smashes through, suddenly

32:25

there's a winged out

32:27

there in the room

32:29

with you all. On

32:31

the other side. I

32:33

close the door. Okay.

32:35

I close the door

32:37

because I'm like, I

32:39

don't know what's done.

32:41

Hopefully, you shoot out.

32:45

You closed the door to

32:48

Sean Indigo's room? Yeah, like

32:50

so me and you, I'm

32:52

assuming you're out with me

32:54

right in the hallway. Yeah,

32:56

we're just like, okay, that's

32:58

happening in there and we're,

33:01

this is fine. Oh, hello,

33:03

Alba, you hear from inside

33:05

the room. Is it Shimi?

33:07

So Shimi didn't come out

33:09

with us? I don't know,

33:12

did he? Yeah, let's say

33:14

we ushered everybody in the

33:16

Alba. Okay. Raw, raw! And

33:18

then you hear some more.

33:20

All right, is that good?

33:23

Yeah, now just escape. Oh,

33:25

like forever, goodbye? Yeah, I

33:27

really love you. You're the

33:29

best. Okay. Do you want

33:31

to hug? Yeah. Okay. And

33:34

it clacks over to you

33:36

and wraps its big owl

33:38

bear wings around you. And

33:40

crushes you to death. I'm

33:42

so happy being crushed to

33:45

death. Oh, it's so great.

33:47

No, you do get a

33:49

couple pops in your spine.

33:51

Oh, nice. An inch taller

33:53

now. Yeah. I forgot that

33:56

people could talk to animals

33:58

so I didn't realize. That's

34:00

hilarious. No, it's perfect. It

34:02

gives them more of a

34:04

thing to do. Yeah, it

34:07

really does. I forgot that.

34:09

That's hilarious. No, it's perfect.

34:11

It's good. It gives them

34:13

more of a thing to

34:15

do. Yeah, it really does.

34:18

Yeah. I forgot that people

34:20

could talk to animals, so

34:22

I didn't realize that to

34:24

prepare characters for any living

34:26

creature. Now we know your

34:29

default boys. All

34:31

right, this way, this store? Whichever is most

34:33

convenient, I don't even know what floor. Well,

34:35

not back through this hole, right? So I

34:37

can just open the store for you if

34:39

you want, and then you can burst through

34:41

whatever ceilings you want. Oh, I mean, it's

34:43

open. Oh, yeah, okay. Yeah,

34:46

I opened it. I have very

34:48

strong. I pulled right off hinge

34:50

and fly on me. Oh my

34:53

God, because the whack broke it

34:55

off the hinges. That's right. I'm

34:57

very strong. Oh, Mo. Oh my

35:00

God. All right. Well, thanks for

35:02

free of me. I hope that

35:04

hole is good. I don't know

35:07

what that was for. And, um,

35:09

yep. I'll, uh, maybe see you

35:11

later. I hope you find your

35:14

family. Yep. All right.

35:16

Bye. All right. It walks out

35:18

the door and all of you.

35:20

Oh. Are you still in the

35:22

fishing spot, kick? Yeah. Actually, I

35:24

was not kicked though. I was

35:27

inspired. Yeah, yes. When I saw

35:29

the, what is this name, the

35:31

Michael? Micinid? Micin? Yeah. I was

35:33

looking for, I was trying to

35:35

catch a fish that looks like

35:37

that. Okay. Like a micinid? Yeah.

35:40

All right, so real quick, we're

35:42

going to go to kick in

35:44

the fishing hole, trying to catch

35:46

a miconid-shaped fish. Give me a

35:48

nature check. We'll see how successful

35:51

you are. Oh, you're taking me

35:53

seriously. Yes, I am. Always. I

35:55

mean, I'm really trying to do

35:57

it. I know you are. Did

36:01

I do it? No, I do

36:03

it? Sorry. Seven. All right. You

36:05

haul up something. You catch something

36:07

off the bottom that's, you think,

36:09

maybe some sort of a fungus

36:12

that's growing under there? Oh. Nicely.

36:14

It's something kind of fuzzy, but

36:16

it's dead. It's not moving. Yeah.

36:18

It's not regaling. So you can

36:20

eat it if you want, but...

36:23

That's not what you were hoping

36:25

for. Oh, I'll throw it back.

36:27

You hear the door to the

36:29

fishing hole open and the captain

36:31

peaks his head in. He says,

36:33

kick, you might want to reel

36:36

in whatever line you got, maybe

36:38

even step out of there. I

36:40

just did. Caught some. It wasn't

36:42

moving, whatever I caught. Okay. Why

36:44

don't you come out here? The

36:47

fishing hole is going to be

36:49

closed for the foreseeable future. Oh.

36:51

Oh, no. I'm sorry. Why? It's

36:53

too much to explain right now

36:55

in a bit of a hurry,

36:57

but if you could please just

37:00

come out here. Okay. Okay, thank

37:02

you. Maybe make your way back

37:04

upstairs to the maybe the lounge

37:06

or your room. We had a

37:08

bit of an issue on the

37:10

ship here. So I just trying

37:13

to collect everybody in one spot,

37:15

but just definitely don't go back

37:17

out here. Okay. Yeah. Can I

37:19

go? Okay. No, I understand. All

37:21

right. All right. And then he

37:24

strides off down the hallway. Good.

37:26

And then I'm going to go

37:28

up to the very top. and

37:31

I'm going to start fishing

37:33

off the top. Apparently. You

37:35

start heading up the top.

37:37

Yep. So you head up

37:39

to the next floor and

37:41

you hear some distant ch-ch-ch-ch-ch-ch-ch

37:44

and you see you go

37:46

around the corner to go

37:48

up the stairs to the

37:50

top and you see Will

37:52

and Roscoe and Shimi and

37:54

Clockface standing out in the

37:56

hallway. Oh, hey. going to

37:59

keep walking. I think that's

38:01

okay. I think we should

38:03

just let them keep walking.

38:05

I mean, I, you know.

38:07

Sure. Yeah. I mean, it

38:09

makes sense. So I mean,

38:11

here's what I'm thinking. We

38:14

don't know you. Like, well,

38:16

I mean, we sort of

38:18

know each other, but also

38:20

I totally hacked whole in

38:22

the captain's ship. You don't

38:24

want to be seen together.

38:26

And. The

38:29

captain just told me

38:31

something weird. Yeah, and

38:33

so- Oh yeah, I

38:35

guess we don't know

38:37

if you know. Yeah,

38:39

that's true. Yeah. But

38:41

Roscoe's the only one

38:43

who knows for sure

38:45

that you made the

38:47

hole, right? You told

38:49

these guys, I think,

38:51

didn't you? I don't

38:53

even know. Shit. I

38:55

don't think so. Okay,

38:58

so kick walking back. So we

39:00

would need to, we need to

39:02

see something like, a kick. Did

39:05

you hear that the captain's gonna

39:07

do a lockdown of the ship?

39:09

Because there's a fucking hole in

39:11

the wall. I'm looking around, there's

39:13

really actually no one around here,

39:16

but I'll see. Hmm. Like, the

39:18

captain told me to go into

39:20

my room or to a lounge.

39:22

Yeah, a lockdown situation. So I'm

39:24

going to the lounge on the

39:27

top deck. Sounds great. And yeah,

39:29

did you hear that there was

39:31

like a loose how bear on

39:33

the ship and that it might

39:35

have crashed through some walls or

39:38

at least one wall? It might

39:40

have made at least one big

39:42

hole, right? Oh, that's great. Okay,

39:44

get the fuck out of here.

39:46

You filthy animal. All

39:49

right, so kick starts walking away

39:52

and then all of a sudden,

39:54

all of you, the owl bear

39:56

has just left the room,

39:58

Rufina and Mo. at

40:03

about the same

40:06

time and all

40:09

of a sudden

40:11

everybody hears It

40:16

definitely starts with T,

40:18

you're right. It's a

40:20

bell rug. Here I

40:22

have T-C-O-H, T-C-O-H, maybe

40:25

T-H-O-H, T-C-H-O-H, T-H-O-H, T-C-O-H,

40:27

T-C-H-O-H, T-C-H-O-H, T-H, T-H-O-H,

40:29

there. Okay, the whole

40:31

ship, does it stoping

40:33

or something? No, you

40:35

don't feel like you're

40:37

not, you don't feel

40:40

a change in acceleration

40:42

or whatever. Can we-

40:44

Does it sound, does

40:46

it feel mechanical? Yeah.

40:48

So he's probably stopping

40:50

the ship. So

40:53

again, you don't feel any change, you don't

40:56

feel a deceleration or anything like that. Oh,

40:58

sorry, I thought you said we did. Is

41:00

there a- No, no, we hear a bunch

41:02

of- Sounds, right. I mean, I'm trying to

41:04

go up the stairs. I'm gonna, hopefully, this

41:07

doesn't mean things are- So you go up

41:09

the stairs. The top of the stairs is,

41:11

there's like a door there, like a hatch

41:13

that previously it had been open. And if

41:15

you try to open it, you try to

41:17

open it, you find that you were unable

41:20

that you were unable to. Oh,

41:22

I'm gonna come back around and

41:25

be like, guys, I can't, we

41:27

can't go out. Yeah. I can't

41:29

get up on the deck. Yeah,

41:31

locked down, locked down. Yeah, but

41:33

what does that mean? What do

41:35

you mean? Now you know what

41:37

it means? What do you mean?

41:39

Are the doors locked? We're stuck

41:42

in the bottom of the ship?

41:44

What? Yeah, we can't go up

41:46

on the deck. At

41:48

least not on this stairwell. Rusco

41:50

goes and panics and tries to

41:52

open the safety. It goes from

41:55

being condescending. Yeah, it's a lot

41:57

man. I'm freaking. Now I'm like

41:59

the captain's. to turn

42:01

out to be totally deranged.

42:03

You'd be like, my ship

42:06

is damaged and now it

42:08

must sink to the bottom

42:10

of oh my god. I

42:12

love this turn. I hope

42:15

this happens. I hope this

42:17

is a great turn for

42:19

Melvolio. A great opportunity for

42:21

Dan Acroy. And someone else

42:24

has been drawing nude pictures

42:26

of Rufina. Rufina has a

42:28

stirring in her heart. Ooh.

42:31

Ooh. That was the ship

42:33

shuddering. Rufina's emotions. Rufina should

42:35

be crawl back through hole

42:37

or do we just go

42:40

out after owl bear or...

42:42

Let's... We should probably go

42:44

back through, right? Come on,

42:46

Rufina, come with me. I

42:49

will. You want to hold

42:51

my hand? Yes. Okay, come

42:53

on. It's okay. Do you

42:56

want another hug? Baby. But

42:58

after we walk and get

43:00

somewhere. All right, come on.

43:03

All right, so you guys go

43:05

back through the hole, you see

43:07

the door is closed. Ah, hello?

43:09

You guys hear mow inside. Hello?

43:11

I'll make like, is the captain

43:13

nowhere to be seen still? Okay,

43:15

well then I'll open the door

43:17

and like do a big gesture

43:19

like, come on, come on, come

43:21

on, like trying to make it

43:23

look like, oh, the owl bears

43:25

in there, come on, we're trying

43:27

to all escape the owl bear,

43:29

and it's frenzy or something. Okay.

43:33

I mean, I think I'm gonna,

43:35

wait, where are you guys going?

43:37

Everybody's just right outside Sean Indigo's

43:39

room currently. We're together. I'm gonna,

43:41

I'm gonna spend some time figuring

43:43

out what this lockdown's about. I'm gonna

43:45

check the other stairwell. I'm gonna

43:47

see if they're like, can I look

43:49

out the portholes? Yeah, I wanna

43:51

look out a window too. Geez.

43:53

Well, there were lots of big windows

43:56

in the lounge and each of

43:58

your rooms had a porthole. Okay. Yeah.

44:00

then I am after the captain

44:02

clears out, I'm going to go

44:04

back down and see if the fishing

44:06

hole is shut off. Like, can

44:08

I? Is this as dramatic as it

44:11

seems. So anyway, that's what I'm

44:13

doing. Okay. Where is everybody going

44:15

first, if anywhere? I'm

44:18

going to stand right by the

44:20

door, actually. If I know somebody

44:23

else is going to investigate what

44:25

this is about, do you say

44:27

anything, Kick, or? Huh? Oh, that's

44:30

not me. Sorry, I thought you

44:32

meant CAC, and I thought it

44:34

was racist. Oh my God. Yeah,

44:37

I'll be like, I'm going to

44:39

go look around. Okay. And then

44:41

I send a message in your

44:44

brand and say, hey, what are

44:46

you going to do? I'm

44:50

gonna find a way, a way out.

44:52

Oh yeah? Are you gonna leave us

44:54

all behind? No, no, just gonna take

44:56

note. Just gonna write it down on

44:58

my hand. Yeah, then come and see

45:00

me and let me see your hand

45:03

after that, because I wanna know what

45:05

the fuck is going on and how

45:07

trapped we are. Yeah. Because I'm gonna

45:09

stay right here if I'll come back.

45:11

I mean, should we all stay here

45:13

to keep up the illusion that we're

45:15

all innocent? I mean, the truth? Well,

45:18

I think that like the innocent

45:21

harmed parties should stay here as

45:23

if they still need justice so

45:26

you right my look how cool

45:28

but gross it is Well, yeah,

45:30

I think that we're still yeah,

45:33

we're still in the middle of

45:35

that. We're not a part of

45:38

any of this. So yeah, all

45:40

right. Oh you fools we can't

45:42

stay still we can't stay here

45:45

if we stay here we die

45:47

This ship is sinking. We gotta

45:50

move. God saves those who saved

45:52

themselves. Anyone? The ship is sinking?

45:54

Have you ever seen? You've never

45:57

seen the play the beside an

45:59

adventure? It's a classic play. sorry

46:02

Ralph's my impression of famous Soinkus

46:04

act of Gene Hackman Roscoe says

46:06

to Rufina You got a lot

46:09

of guts lady a lot of

46:11

guts I got a hug from

46:13

that owl bear. Oh, is it

46:16

time for my hug though? Yes

46:18

I'm going to put on a

46:21

little bit of an act to

46:23

see if I can like I'm

46:25

going to like look frantically around

46:28

the hallway to see if the

46:30

captain is coming preemptively. Kick, bathwack,

46:33

where are you headed first? Or

46:35

do you have the stairwell and

46:37

then I'm going to go back

46:40

down to the fishing hole? Just

46:42

nonchalant, just kind of milling around.

46:45

So yeah, you head over

46:47

to the other stairwell. It

46:49

is the same situation as

46:51

the first one, hatch, closed,

46:53

locked, unable to be open.

46:55

And at this point, you

46:57

all hear, get ready to

46:59

spell this one. Cho, choch,

47:01

cho, cho, cho, choo, cho,

47:03

cho, cho, cho, cho, cho,

47:06

cho, cho, cho, cho, cho,

47:08

cho, cho, cho. Can you

47:10

spell that? Uh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-huh-h-huh-h-h-h-huh-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-

47:13

This is

47:15

some kind

47:17

of anti

47:19

magic shit.

47:21

Yeah. Oh

47:24

no. Uh,

47:26

wait, can

47:28

I tell

47:30

though? Would

47:32

I know?

47:34

We react.

47:37

Ah! Oh

47:39

shit. You've

47:41

got some

47:43

will on

47:45

you. Uh,

47:48

okay, I

47:50

try to

47:52

change into

47:54

the magpie.

47:56

You can't.

47:58

Fuck! Did

48:00

it use a spell? Do I have to eliminate a spell Do I

48:03

don't know a

48:05

spell slot? I don't know. You don't

48:07

I think so All

48:10

right, I'm going to. Yeah, I think so. All

48:12

right, that. I'm I

48:14

can get my character sheet to come I can

48:16

get my character Oh

48:19

come up. Yeah, you no.

48:21

Oh, no. no. Oh no. no. Oh

48:23

no. Oh no. Oh, no. Oh,

48:25

shit. I am not a am not a

48:27

passenger on the ship. This

48:30

is bad. bad. Uh-oh. Do we know if the

48:32

do we know if the, the,

48:34

so the Albert got off before

48:36

right? right? you asking me or you

48:38

asking me or Bo? Well, we were in

48:40

the fall. We saw When we were

48:43

the leave, right? saw the outbear leave,

48:45

right? No, you didn't see the it crashing

48:48

you heard it crashing around in there. the door

48:50

left the And then the door side. So

48:52

when the owl bear left the room, they see it. see

48:54

it? was on the it was on the other side of

48:56

of the. Oh right, it was

48:58

going through that I understand. It

49:01

went through the through. door

49:03

in the broken door in the

49:06

room. side. To on the

49:08

starboard side. as you're looking

49:11

clear up any confusion. like Will, from

49:13

looking at corner, you see a

49:16

winged looking like crashing around the

49:18

corner you see around the corner,

49:20

you see a winged owl bear

49:22

crashing through, through it pop around

49:24

it pop around the corner, looks down at you. Oh,

49:28

yeah. Lady, where do I where do

49:30

I go? I'm picking out of here.

49:32

Oh, I thought you were you were to

49:34

just the wall the wall or didn't

49:36

want to do that want

49:38

to mean that? You mean like a

49:40

wall? smash through a wall? Yeah, like

49:42

we made you you protect It's a

49:45

like you did it. Yeah, I I know,

49:47

but I thought you would use those

49:49

same good skills to get out. skills to

49:51

get out. Uh, God, I need to

49:53

hide. I hear them need

49:55

to like and each

49:57

other. People need to like, hoot-hoot-hoot.

49:59

Oh, God. Raphina

50:01

is slapping her

50:04

flapping her hands. That's

50:06

so cute. It's like

50:09

an Italian. Oh

50:11

god, that's so cute. Should we have

50:13

it we us? chase us? Rafino, what do we

50:15

do? Oh my god, I look like me!

50:18

I do I like me do I Do

50:20

I not even have any of

50:22

my magic? even look like just me.

50:24

Oh, I look like a mess!

50:26

just me. Oh, I can see a mess. We can

50:28

see veins. see your varico ever tried

50:30

to Google ever tried to

50:32

Google Will Pompey and No Makeupia, exactly.

50:35

Oh, hey! Hey, your, your, you're,

50:37

you're just... is is gone. you

50:39

you look like slightly younger voice

50:41

version of me. A single tear drops

50:43

tear drops down my is

50:46

owl bear. We're, we're in a big fix.

50:48

We really got ourselves into trouble trying in a

50:50

big fix. We had got ourselves into

50:52

trouble trying to get you freed We

50:54

had to use magic and make up

50:56

all sorts of stories and now we're

50:58

in big trouble and the on has turned

51:00

on or magic or something in this

51:02

boat I know how I going to gonna get out of

51:04

it it. What? Sorry,

51:07

we we gotta go back

51:09

a little bit. Uh bit. Uh-oh, what?

51:11

rounds the corner. the corner. Oh, okay.

51:13

movie is a it looks at

51:15

you, movie right now. And goes. looks

51:18

at you, Rafina, and it

51:20

goes, hoot-hoot, hoot-hoot-hoot, hoot-hoot-hoot!

51:22

Oh, yeah. Oh,

51:24

There's nothing. Oh

51:26

my God. I was going to say,

51:28

but my spell minutes minutes. Oh,

51:31

I know. It doesn't matter. Oh, it's

51:33

hot, she's still have been hooting that

51:35

was really cute. that was really cute.

51:37

try to get back. does try

51:39

to gesturing, big time, and I'm trying

51:41

to say we're in trouble. to say,

51:43

we're in trouble. And where's bathwag

51:46

right now. right now? He was going he

51:48

was gonna head down to the fishing hole.

51:51

and you didn't, yeah, first he went over

51:53

to the other side and then his

51:56

path would not take him past you again.

51:58

I i think i think the biggest right now. right now that

52:00

if you lost your disguise, it

52:03

seems very likely that our

52:05

mutual friend lost his and uh...

52:07

Where is he? Oh God. That's

52:09

gonna be a problem. Uh, Ravina,

52:12

Ravina. Oh, can you, can you

52:14

ask, ask the boy, ask the

52:17

Alba, just... I have, no, I

52:19

don't have it, because... Alba, Alba!

52:21

Alba! Alba! Do you feel free?

52:24

So you're directing your speech to

52:26

it and it cocks its head

52:29

directly at you and tilts it

52:31

sideways and then it turns to

52:33

the left to its right

52:35

and just pecks at the wall

52:38

twice very hard and chunks of

52:40

wood go flying out and then

52:43

it turns back to you

52:45

and takes a step towards you?

52:47

Oh shit. Adam's

52:49

acting there was so

52:51

great. Ooh! I was

52:53

like, you're like, Keene

52:56

and Thompson, I'm, ooh.

52:58

Keene Thompson is Roscoe.

53:00

Yes, he'd be a

53:02

great Roscoe, actually. All

53:04

the racist pork fried,

53:07

fried, fried dice fans

53:09

are like, why did

53:11

they make Roscoe black?

53:15

It's a small subset of

53:18

our fans. A small subset,

53:20

of course. The vocal minority.

53:23

Oh my God. But they

53:25

don't like to be called

53:28

that. I think, I think

53:30

the argument would be that

53:32

relatively, relatively it is free.

53:35

So, I don't know, hoot.

53:37

Albatross, cross, fucking albatross. Yes,

53:40

called albatross. Call the bird.

53:42

Can you hear us? We

53:44

did what you want it

53:47

and now we need you

53:49

fucking hell. Adam, say that

53:52

you believe in him or

53:54

something. Who? Do you mean

53:57

Roscoe? Oh my God. I

53:59

don't believe in Adam. No,

54:01

but but but but he

54:04

can't never mind. I'm not

54:06

there. No there you can't

54:09

you can't play sobbing Roscoe

54:11

Like a piece to him

54:14

as a deity I

54:16

don't do that reference

54:18

I don't Roscoe tries

54:20

praying. He's done that

54:22

before. He tried. Yeah.

54:24

He did it in

54:26

this like trying to

54:28

figure out the coyote

54:30

thing. The rabbit ears

54:32

or whatever. You don't

54:34

need to try. Just

54:36

do it. You can't

54:38

hear my play is

54:40

thoughts. Rasko praised

54:42

to the cross albatross,

54:45

especially driven by the

54:47

desperation of the situation

54:50

and by real fear

54:52

of this albert because

54:55

Rasko's scene is fair

54:57

share of circus workers

54:59

die at the wings

55:02

of alberters. One, just

55:04

one. Uh-huh. Uh-huh. So

55:07

what's your, let's hear

55:09

this prayer. Our

55:13

albatross, who ought some

55:15

fucking way. A reasonable

55:17

amount of respect, be

55:19

to my name. Please

55:22

come down and honor

55:24

your side of the

55:26

previously agreed upon deal.

55:29

We would store super

55:31

abbreviated. Bissich, Jim. That's

55:33

a good word. We

55:35

bissich. We bissich. We

55:38

bissich. We bissich. We

55:40

bissich. We bissich. beseech

55:43

the your assault your assault

55:45

Amen did you mean that?

55:48

It's at a reasonable amount

55:50

of respect or whatever you

55:52

said did you mean that?

55:54

It's at a reasonable amount

55:57

of respect to be to

55:59

thy name. reasonable, yes,

56:01

he means that. Okay, okay. There might

56:03

be a varying. I just thought it

56:05

would be interesting to have someone rule

56:07

a deception check on a prayer, but

56:09

anyway. Before you get to whatever the

56:11

cross, Albatross's responses, can I just say

56:14

that Will runs down to what he

56:16

thought was his room? I know that

56:18

you moved my shit to the southern

56:20

room. Oh, it's literally in our way.

56:22

Okay, never mind. God damn, I don't

56:24

have anything to hide myself. Okay, you

56:26

can go maybe around. You can go

56:28

through the lounge. I'm trying to go

56:30

to my old room to find my

56:33

bags. You're not like crap. This isn't

56:35

a dead edge. Metalized that it's not

56:37

there, but I will would be trying

56:39

to go and disguise himself in some

56:41

other way. So to your old room.

56:43

Yeah. Okay. Because you don't know where

56:45

your new room is. Will doesn't know

56:47

about his new room. He knows that

56:49

he has one, but he doesn't know

56:52

where it is. I've heard that I

56:54

will be getting one. I didn't even

56:56

know that it was ready until Alex

56:58

investigated and found out that that was

57:00

my bags were in there. So yeah,

57:02

Will is just trying to preserve some

57:04

of his kind of a vision. You

57:06

want to cut through the lounge. You

57:09

can do that and go around. But

57:11

do I think people might be in

57:13

there? You were the last ones in

57:15

there. You think Sean's probably still in

57:17

there? Oh, Sean's probably still in there.

57:19

In the cage? Yeah. I mean, unless

57:21

the cage automatically crushed him or something

57:23

on lockdown. I'm going to put my

57:25

coat over my head and try to

57:28

go through that room to see if

57:30

there's, if it's only Sean and go,

57:32

he'll just see a guy in a

57:34

dark coat with that over his head.

57:36

Was the cage magical? You're

57:38

not sure. It wasn't like made

57:41

of like purple wavy lions. It

57:43

seemed to be made of some

57:45

sort of metal. Yeah, but didn't

57:48

he sort of conjure it up?

57:50

I can't remember how that worked.

57:52

It rose out of the floor.

57:55

Ah, right. With lots of... Sorry,

57:57

I didn't mean to distract too

57:59

much or anything. I just... All

58:02

right, so yeah. allow it. The

58:04

lounge slash courtroom. Sean Indigo is

58:06

still in the cage in the

58:09

corner. If you're peaking, if you're

58:11

not peaking, you're just here. Oi,

58:13

what's going on out there, mate?

58:16

I ignore him. Hey, I'm stuck

58:18

in here. Don't you run away

58:20

from me? Oh, I'm Sean Indigo,

58:23

mate. Also, the

58:25

room is very dark.

58:27

All of the windows

58:29

are covered. Oh, geez.

58:31

All right. You know,

58:33

this is the one

58:35

moment where it actually

58:37

makes sense for Shondon

58:39

to go to say

58:41

R&R. R-N-R. It's dark

58:43

and hard. And you've

58:45

refused. R-N-R-I-C-S-M-R-I can't see

58:47

more part-carly-R. There we

58:49

go. That's the money

58:51

shot. Yes,

58:54

you cut through and

58:56

head back the other

58:58

up the other way.

59:00

Kick, so you've gone

59:02

down the stairs and

59:05

are checking on the

59:07

fishing hole. The door

59:09

is unlocked, but you

59:11

go in and where

59:13

there was a big

59:16

open space to cast

59:18

your line is now

59:20

just a wall. It

59:24

feels solid. It's not like,

59:26

it's not just a cover

59:28

or, right, it's not like,

59:30

it's not, it's not like

59:32

a tar. But I mean,

59:34

like, it's not, it's not

59:36

like slats that have been

59:38

dropped down or like, you

59:40

know, it's like attached somehow.

59:42

Yeah. It looks solid or

59:45

built into the ship somehow.

59:47

Uh-huh. All right. Significant. All

59:49

right, well I still haven't found

59:52

a way out. Also, though, there's

59:54

further to the left of the

59:56

ship there. That's where the captain

59:58

went. after he

1:00:00

talked to you. I see. So

1:00:03

that could be like the bridge

1:00:05

or something. Man, there is no...

1:00:07

Good place to go. And as

1:00:10

you're looking down that hallway, you

1:00:12

see the captain come out of

1:00:14

a door way way way way

1:00:17

down there. Looks like he's talking

1:00:19

to some people. It's far enough

1:00:21

way. You can't really hear what

1:00:24

he's saying, but it sounds like

1:00:26

he's maybe issuing orders. And then

1:00:28

he is turning to start to

1:00:31

come back up towards you. Okay.

1:00:33

Is there a door on this

1:00:35

fishing hole? Was it closed? Yep.

1:00:38

And it's open now? You opened

1:00:40

it to go in. I

1:00:43

see. I'm going to

1:00:46

try to close it

1:00:48

quickly because he's coming

1:00:50

this way. With you

1:00:52

inside? Yeah. Okay. All

1:00:54

right, you closed the

1:00:56

door? All right. Then

1:00:59

I think I'm going

1:01:01

to, I'm going to

1:01:03

lay down like I'm

1:01:05

taking a nap. Okay.

1:01:07

There you're not going

1:01:09

to come back? No.

1:01:12

Fair enough. I mean I... The

1:01:14

captain told me to go somewhere

1:01:17

else and I didn't listen to

1:01:19

him. I see you're trying to

1:01:21

be defiant. No I'm trying to

1:01:23

hedge like maybe you won't come

1:01:25

in here. Oh it's like when

1:01:27

you play hide and seek when

1:01:29

someone looks in the spot and

1:01:32

then they leave and then you

1:01:34

go hide in that spot. Right.

1:01:36

Yeah. Something like that. Exactly. It's

1:01:38

really a genius. He's never going

1:01:40

to look in here. Right. Right.

1:01:42

Right. All right. So you hear

1:01:44

the footsteps of the captain. If

1:01:47

anyone's good. But the reason I'm

1:01:49

laying on the ground is is

1:01:51

because then I can plausibly explain

1:01:53

what I'm doing in here in

1:01:55

a very kick way. All right.

1:01:57

So you hear footsteps. The captain's

1:01:59

a large figure in these wooden

1:02:02

floors. The sound resonates. And you're

1:02:04

worried that he might be coming

1:02:06

up to the door, but then

1:02:08

they start to fade. So it

1:02:10

looks like he maybe walked past

1:02:12

the door and is going somewhere

1:02:14

else. Will,

1:02:18

you're heading to your room, correct?

1:02:20

Yes. All right, so you head

1:02:22

up, you look over to the

1:02:24

left and you see the owl

1:02:27

bear still standing there, facing your

1:02:29

friends, your good, good, good best

1:02:31

friends, and you keep going, leaving

1:02:33

them to their fate and head

1:02:36

over to your room. They can

1:02:38

handle an owl bear. as you

1:02:40

get over to the sort of

1:02:42

the the place where most of

1:02:44

these these rooms are in the

1:02:47

hallway is standing both NAR and

1:02:49

Sue Broadmoor. Oh great. Oh man.

1:02:51

And they look to you they

1:02:53

looks like they were talking I

1:02:56

have my coat over my head

1:02:58

still that's how I'm walking around.

1:03:00

Right that's true. So they look

1:03:02

over to you and say oh.

1:03:05

Hello? Do you work on the

1:03:07

ship? Yes, what's happening? Excuse me,

1:03:09

excuse me. I go into my

1:03:11

room. I try to just make

1:03:14

my way to my broom. Excuse

1:03:16

me. I'm a passenger, leave me

1:03:18

alone. Who are you? Leave me

1:03:20

alone, leave me alone. And you

1:03:22

just go into your room? Yes.

1:03:25

Okay. They're not going to physically

1:03:27

rip your coat off of you

1:03:29

or anything. Yeah, exactly. I'm being

1:03:31

weird, but I don't care. I'm

1:03:34

in mourning. What a shady creature.

1:03:37

Yeah, maybe he's responsible for all

1:03:39

this. All right, so you go

1:03:41

into your room and it is

1:03:43

empty. It's a weird smell. I

1:03:46

still have. It's empty. I have

1:03:48

my coat over my head still

1:03:50

and I'm looking around like, what

1:03:52

the fuck? I'm in the closet

1:03:54

like this. That's where I thought

1:03:56

we put our stuff. I'm like,

1:03:58

no closet. a a set

1:04:00

drawers. Oh drawers okay yeah

1:04:02

fish. looking through drawers. You

1:04:05

find some no idea

1:04:07

what that means.

1:04:09

what that means? like like all

1:04:12

my shit? my shit? What is

1:04:14

happening? Hey

1:04:20

everyone, if you you like what you hear please

1:04:22

leave us a kind review wherever you

1:04:24

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1:04:28

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1:04:30

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1:04:32

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1:04:35

behind -the -scenes goodies. goodies. Thanks for

1:04:37

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