As well as her journalism, memoirs and a novel inspired by Daphne du Maurier, Justine has written an acclaimed biography of Coco Chanel. She tells me how she has to be 'haunted' by a story before she can write it. Her latest book, Miss Dior, te
I was interested to know the part that RSI played in Thomas's shift from illustrating and writing picture books to writing middle grade novels. You might think that his cover art – for Harry Potter and the Philosopher’s Stone – woud be the key
In my first conversation with Sophie , we discussed her successful career as a poet and thriller writer and the support she gives to other writers through the Dream Author programme. Many listeners have already been inspired by her words about
After a false start in standup and comic strip writing, Jenny's career took off with her first novel, Amanda’s Wedding. She is one of those rare authors who has been successful from the word go. She talks about the auction for her first book,
I first encountered Amanda when she was children’s book critic for The Times, and was a judge on the Times/Chicken House competition that won me my first book contract, for Threads. As a journalist and reviewer she has been a huge champion of w
I wanted to talk to Sophie about many things – her career as an international bestselling thriller writer of books such as Little Face, The Carrier and the Monogram Murders, her work with the Agatha Christie estate, what got her into writing,
Way back in the mists of time, when I was too scared to simply sit down and write, I did a PhD in Italian Literature. The focus was reading other people’s work, not creating my own. So I was fascinated to know how a creative writing PhD works.
Jo is the author of the Penny Dreadful series and the Rachel Riley books, and we discuss the importance of funny books for children, and her tips on how to write them. I think her partnership with Chris Hoy and the illustrator Clare Elsom in th
Michelle's titles include Carnevale, The Water’s Daughter, and The Book of Human Skin. She also helped Gemma Dowler write about her late sister Milly. Michelle's novels are usually set in Venice, which she knows intimately, and are always imbue
Natasha has been a children’s writer for a long time, and awards such as the Costa weren’t always on the cards. You might be interested in her answer to my question about when she felt ‘safe’ as a writer – I wasn’t surprised at all. We met thr
Anthony McGowan is the author of various children’s books but the one that won the Carnegie Medal was Lark, which he wrote for one of my favourite publishers, Barrington Stoke. As well as Anthony's contemporary books featuring young, male prota
Phil was born in Hull, where he grew up wanting to play football for Hull City. His first job was as a care worker in a children’s home. Nowadays, when he’s not writing, he works as head of sales and marketing for the independent book publisher
How many of us dream of meeting a glamorous Frenchman, finding a tumbledown house by the sea and restoring it together, whiling away our afternoons in the sparkling pool between writing sessions and heavy manual labour on crumbling walls? Well,
As we’ll hear, Julia's writing and teaching careers developed side by side. I wanted to talk to her because over 60 students on her courses at Bath Spa have gone on to be published writers, some, like Elen Caldecott and Sally Nicholls, with ste
After two dozen episodes of Prepublished, who's next? Sophia introduces some of her guests in the upcoming weeks and the topics they talk about, including creative writing courses. Are they worth it? What can they teach?
This episode is about changing direction as a writer, and writing a high concept novel. Writing as Cass Green, Caroline Green is the author of bestselling crime novels such as In a Cottage in a Wood, The Woman Next Door and The Killer Inside.
This is an episode I’ve wanted to record for a long time. Publishers are making changes, which have speeded up since the Black Lives Matter campaign, but I still don’t see the rich variety of experiences of race, gender and class that emerge ev
Holly wants both aspiring editors and new writers to understand the process as clearly as possible. I love it when she says ‘writing is not something you can either do or not do’. It doesn’t come instantly to most people, but it’s something you
Sheena is a teacher as well as a writer of feminist, historical YA fiction. She and I did a training course together with the Royal Literary Fund, to teach academic writing skills – and I saw in practice what a talented and encouraging teacher
It’s a difficult time for anyone in the performing arts, as we all know. But talking to Fraser, I found it inspiring to hear how the spirit of creation survives somehow, whatever life throws at it. And also, how thinking about performance can i
What I’ve always admired about Sarah is her professionalism. She writes to commission, and always has several projects on the go. I love getting to listen to the results on the radio, and I’m really looking forward to her next play, Rodgers and
Ruth has been called a modern Agatha Christie for her ingenious plotting. She is also one of the friendliest writers I know and is the first person I turn to if I have a question about how something works in the world of publishing. I was delig
Despite being a prolific novelist across almost all the age ranges, Adele didn’t want to be a writer when she was growing up – she wanted to be a star. She performed in the West End in the 1960s, and I can’t think of anything cooler. Writing ru
Emma was an associate lecturer at the Open University and has a PhD in creative writing. She runs popular courses and workshops, including ‘Self-editing your novel’, with Debi Alper. I had an orderly list of questions to ask her, but as soon as
In season one of Prepublished, I talked mostly to writers, agents and editors in the world of children’s fiction, as that’s where I spent the first ten years of my published life. Season two will spread its wings a bit and include conversations