0:08

These are things people say about drivers

0:10

who switch their car insurance to progressive

0:12

save hundreds. Visit progressive.com to

0:14

see if you could save. Progressive

0:16

Casualty Insurance Company and Potential savings will

0:18

vary, not available in all states

0:20

or situations. or situations. I

0:24

can I can say to my new

0:26

Samsung Galaxy S-25 Ultra, I find a

0:28

keto-friendly restaurant nearby and text it to

0:30

Beth and Steve. And it does without

0:32

me lifting a finger. So I can

0:34

get in more squats anywhere I can.

0:36

One, two, three. Will that be cash

0:38

or credit? Credit, four. Galaxy

0:40

S-25 Ultra. The AI companion that

0:42

does the heavy lifting so you

0:45

can do you. Get yours at

0:47

samsung.com. Compatible, select Ash, Google Gemini,

0:49

results may very based on input

0:52

check responses for accuracy for accuracy.

0:54

for accuracy. Red Valley is intended

0:57

for mature audiences and contains scenes

0:59

some listeners may find distressing.

1:01

Please go to Red Valley pod.com

1:03

for full content warnings on every

1:06

episode. Do you want to continue? What's

2:05

that back in? Marmite, put the

2:07

bed up before you unplugged or

2:09

I won't go. Yeah, I know

2:11

what I'm doing. Zen why are

2:13

we having this conversation? You're okay

2:15

there, Warren? Uh, yeah. Just say

2:17

what we need. You don't need

2:19

to pile up everything. Sure. As

2:21

I know what we need or

2:23

anything, so ever. God, does this

2:26

happen often moving everyone around like

2:28

this? We have evacuation jails to

2:30

the sub level every four months.

2:32

The real thing though, like not

2:34

a drill. There have been three

2:36

occasions since my activation, where a

2:38

risk assessment advised the precautionary measure

2:40

of sub level feedback. So this

2:42

isn't the first time something scary

2:44

has happened. People are like ready

2:46

for it. Two of them were

2:48

threats from other communities that were

2:51

successfully averted through negotiation and trade

2:53

agreement. The third was a flock

2:55

of pink-footed geese that Marmite mistook

2:57

for an airborne assault. Cool, cool.

2:59

Warren, is Hester. How are you

3:02

doing up there? Fine, thanks. It's

3:04

all very busy. Just do what

3:06

you can. You're an extra pair

3:09

of hands. We're grateful. Right. Hester,

3:11

there are a lot of things

3:13

going on here that I don't

3:16

understand, and it all feels like

3:18

a lot of fuss. Are you

3:20

absolutely sure that this isn't all

3:22

my fault? It isn't your fault.

3:25

It feels like it might be

3:27

my fault. With respect, Warren, it

3:29

isn't always about you. Sorry, I

3:32

was experimenting with tough love. That's

3:34

more Aubrey's area, isn't it? What,

3:36

what, you're doing with those? We

3:39

don't have time to forge new

3:41

weapons. What? Oh, don't worry about

3:43

it. Warren, once everything is in

3:45

place, I'll be running things from

3:48

the control room. If you'd rather

3:50

join us down there than be

3:52

in your quarters, you're welcome. Okay,

3:55

thanks. Bye. Stevie, where are we?

3:58

Defences are live, don't sing.

4:00

and anyone else out here

4:02

now. And the valley floor

4:04

defense system? I mean, everything

4:06

looks good. As long as

4:08

the reactor is happy, it

4:11

should work fine. I'll make

4:13

my way back now. Does

4:15

Grace need any help? I

4:17

don't know if he's in

4:19

the operating room or fetching

4:22

our special guest. I'll check.

4:24

If he's okay, I'll see

4:26

you in control. Grace? It's

4:28

Stevie. I'm done at the

4:30

farmhouse. Do you need a

4:33

hand? No, thank you Stevie.

4:35

All in hand. Sure thing

4:37

boss. Care for the rent

4:39

evil genius? Remember she's a

4:41

good shot throwing shoes. Thank

4:43

you for the advice TV.

4:46

Surely I'm not the first

4:48

person to throw a shirt,

4:50

huh? I can live alongside

4:52

such relentless pluckiness. It's time

4:54

to get to work, Briny.

4:57

Righty. So, do I get

4:59

a lab? A team? What

5:01

kind of time frame are

5:03

we working with? I'll need

5:05

a few days to survey

5:08

what kit you have in

5:10

the future. The bad people

5:12

might be coming to Kill

5:14

us all sometime over the

5:16

weekend. So, we thought we'd

5:19

better crack on and get

5:21

it done tonight. Oh, sure.

5:23

Why not? It's the weekend,

5:25

you say? Oh, I do

5:27

hope this music. I'm sure

5:29

Aubrey runs a fun emergence.

5:32

I'll be in charge of

5:34

God's emergence. Oh really? And

5:36

what's Aubrey up to? Everything

5:38

else. Hold still. Yes. There.

5:40

You know, um, you know

5:43

I can't do my own

5:45

injection. I know you can.

5:47

Just wanted to. How are

5:49

you feeling? I'm fine. You

5:51

and I are alike that

5:54

way. It's the standing still

5:56

that kills us. Days like

5:58

this? That's when we come

6:00

to life. Yeah. You're sure

6:02

you're okay, Malcolm. Oh lord,

6:05

it'll be soft. I'll be

6:07

alright. You just do what

6:09

you're best at. All right.

6:11

Hold your bloody nerve, Aubrey,

6:13

and maybe we both get

6:15

what we want. Everyone's

6:56

here, yes? Yes, sir. Yes,

6:59

sir. Good. It's important not

7:01

to look at this as

7:04

two procedures. The emergence and

7:06

then the surgery. They are

7:08

both entirely intertwined. The moment

7:11

we press go and the

7:13

throwing process begins, our patient

7:15

goes from stable to unstable.

7:18

From known to unknown. So

7:20

we want to get him

7:22

out of this pod and

7:25

onto the operating table as

7:27

fast as possible. Yes, sir.

7:30

On a more personal note.

7:32

I know there are a

7:34

lot of nerves around this

7:37

situation, and for some of

7:39

us, a lot of emotions,

7:41

myself included. I knew Gordon

7:44

Pollock for a short time,

7:46

and it was Aubrey and

7:49

I who put him in

7:51

this cryopod 44 years ago.

7:53

So believe me when I

7:56

say I understand your apprehension,

7:58

but you are in this

8:00

room now, because we know

8:03

what you are capable of.

8:05

The most important thing to

8:08

remember at any stage of

8:10

this operation is to communicate.

8:12

If you see something you

8:15

don't think looks right, speak

8:17

up. I'm team leader for

8:19

this procedure, but God operates

8:22

the surgical drone. Please, listen

8:24

to him. Okay then, anesthetics,

8:26

check, ecmo, check, transfusion, check,

8:29

resource, check, God, surgical drone

8:31

is fully operational. Briany, Briany,

8:34

Briany. Oh, check. Check a

8:36

noodle, do. Sorry. I was

8:38

thinking about something else entirely.

8:41

Are you ready? The robot

8:43

surgeon speaks with Gordon's voice.

8:45

Yes. We could have changed

8:48

it back, but... No, no.

8:50

We like it. We like

8:53

it. It's kind of soothing.

8:55

Yeah. It does seem to

8:57

have colton. Hmm. What a

9:00

regular and well-balanced group of

9:02

people it all seemed to

9:04

be. Well then. Braney. Yes.

9:07

Uh, you start. Oh, of

9:09

course. Um, uh, hot frogs

9:12

jumping. Wait. No, it's hot

9:14

dog jumping frog. Yes, yes,

9:16

hot dogs, bag of frogs,

9:19

Albuquerque. Cool. Cool. That's me.

9:21

That's me. Find the fun

9:23

and the job's a game.

9:26

It's not that a game.

9:28

Hey, Aubrey, you're not in

9:30

the sweet. They're starting. I'm

9:33

needed here in control. You're

9:35

the most experienced cryonic scientist

9:38

in this hemisphere. No. Briany

9:40

Halbeck is. They've got the

9:42

best people down there. I'd

9:45

only complicate things. Are we

9:47

dark? Aubrey. You've been planning

9:49

Gordon's op. You should be

9:52

down there. Is that my

9:54

love? Why is your shotgun

9:57

up here? I'm exact. where

9:59

I need to be. And

10:01

if you want to have

10:04

this conversation, could we save

10:06

it for when we're on

10:08

loan? The levels are clear

10:11

and we're powered down. We're

10:13

dark, sir. Stevie, Marmite,

10:15

any traffic out there?

10:17

Nothing to see, nothing

10:19

to hear. You really think

10:22

we're coming? Tonight. I

10:24

don't think anything. Aubrey?

10:26

Who knows? Haster,

10:30

you said I could join you? It's

10:32

fine. Warren, are you all right? Yeah,

10:35

I just, I don't know what to

10:37

do with myself. It's okay. They

10:39

should have started the procedure

10:42

by now. It's probably best

10:44

you're not just sat in

10:46

your room. Thanks. Aubrey, I thought

10:48

you were part of the operation.

10:51

They've got the best team.

10:53

Let's just leave them to it.

10:55

Um, yeah, sure. So

10:58

we're all just standing

11:00

in silence, yeah? Pretty

11:02

much? Yeah, that's cool.

11:05

Picking up any life

11:07

signs yet? Nope. This is

11:09

taking too long. This is

11:11

how long it takes? Perhaps

11:14

we could practice baritones

11:16

again. God, I don't

11:18

think this is the

11:20

right time for that...

11:23

God, let's just focus.

11:25

Of course. Pauloch

11:29

his actual name, or is

11:31

it something that he made up?

11:33

I'm sorry? It's an uncommon

11:35

name. It's a village in Devon,

11:37

isn't it? Pauloch. I don't know.

11:40

Hmm. So, there's this poet, Samuel,

11:42

um, what was it? Coleridge. Samuel Taylor

11:44

Coleridge. He's writing a new poem. This

11:46

was a long time ago. It's a

11:49

real moment of inspiration for him, but

11:51

then he's interrupted by some fellow from

11:53

the nearby village of Paul Rock who

11:56

proceeds to drag him away on some

11:58

tedious business and by the He gets

12:00

back to his poem. The

12:02

moment's past. The spark is

12:05

gone. The poem's ruined. Hence

12:07

the literary illusion of a

12:09

person from Pollock. Someone who

12:11

gets in the way of

12:14

inspiration at the crucial moment.

12:16

That's an interesting piece of

12:18

trivia, Briding. I only learned

12:20

this fact coincidentally. Sometime after

12:23

I shot Gordon here. But

12:25

it's apt, in a way,

12:27

isn't it? We were on

12:29

the verge of breaking this

12:32

technology. It was all coming

12:34

together. Then Gordon Paul up

12:36

comes along. And all rewood.

12:38

And it all turned to

12:41

rubble. I don't know about

12:43

that. The way I'm standing,

12:45

we barely slowed you down.

12:47

Trace. Entidal CO2. Grace? There's

12:50

movement in the dread. He's

12:52

taking the warm fluids. Open

12:54

the pod. Brain. Yes, Dr.

12:56

May. Something

13:03

just pinged on the perimeter.

13:05

If it's a family of

13:07

pink-footed geese marmite, I'm going

13:09

to give them your bunk.

13:11

I think we've got a

13:13

picture. Can you enhance it?

13:15

I don't know how to

13:17

do that. Just zoom in

13:19

on it. It's not geese.

13:22

Yes. It's a fleet of

13:24

drones. Oh. I've got them,

13:26

no. How many? 18? No,

13:28

20. 25. So much for

13:30

the valley floor defense system.

13:32

They're too high to be

13:34

in range. 25 sounds like

13:36

a lot. They're small. Can't

13:38

be carrying much on board

13:40

surveillance. They want to know

13:43

what they're dealing with. They're

13:45

slowing down. They're reaching the

13:47

farmhouse. They won't stay long.

13:49

Nothing of interest. Artural and

13:51

central lines still aren't picking

13:53

up. Checking the transducers. Is

13:55

the ettonic on board? Yeah.

13:57

Looking for a new vein

13:59

though. Struggling with flow. Vital.

14:01

Vital. Never going to get

14:04

oxygen saturation off his peripheries.

14:06

Might never pick them up

14:08

again after this long. Heart

14:10

rates 130. Ready to make

14:12

incision. Still waiting on blood

14:14

pressure. Grace, I believe I

14:16

should start. His BP will

14:18

go through the floor once

14:20

you open him up. We

14:22

need to know what we're

14:25

working with first. Got it.

14:27

Blood pressure, 74 is systolic.

14:29

Risk assessment made. Making first

14:31

incision. Whoa. Thank you. Please

14:33

ensure this excess blood is

14:35

salvaged for retransfusion. Sal salvage

14:37

is going. I want two

14:39

units of bonnet, push through

14:41

and platelets ready to go.

14:43

Got it. God? Toothed four

14:46

seps, please. Larger. There is

14:48

a shard of his iliac

14:50

crest I am attempting to

14:52

reach. I will need to

14:54

check the nerve later. Splenectomy.

14:56

Splenectomy, likely. Diathermy. What?

14:59

Perhaps you could pass this

15:01

to Dr Halbeck? What was

15:03

that? The bullet. Oh. Just

15:06

returning lost property. Wow. Spicy

15:08

little robot, isn't he? Find

15:11

the fun and the jobs

15:13

again. If we could just

15:16

focus, please. The drones are

15:18

at the house. They're stopping.

15:21

Looking for a heat signature.

15:23

They'll move on in a

15:26

second when they see it's

15:28

empty. How dangerous are these

15:31

things? Depends what resources overhead

15:33

have. They're small, but they

15:35

could still be armed. Or

15:38

just here to look around.

15:40

They're suckling the house. Hmm.

15:43

Why would they do that

15:45

if it's empty? Because it

15:48

isn't. What? There's someone there.

15:50

Who is there? What

15:59

is that? Come in, come in.

16:01

And there's room for everyone. Then

16:04

you come. Oh, here you come.

16:06

Great yourselves out. I'm unable to

16:09

control this bleeding grace. That's eight

16:11

units. Heartgrades going up. 170. Everything

16:13

we're putting in is just coming

16:16

straight back out. Okay. Okay. It's

16:18

not the right blood. What? It's

16:20

not the right blood. What? It's

16:23

not the right blood. What do

16:25

you mean? Oh negative isn't going

16:27

to cut it for him anymore.

16:29

He's lived longer with the heartsworn

16:31

infusion in his system than without

16:33

it. Now it's all being flushed

16:35

away and he doesn't have the time

16:37

to adapt. We don't have any more heart

16:39

harm. There is no more heart harm. Well,

16:41

I could make some given the right ingredients

16:43

and enough time. Time? How much time would

16:46

you like? A week or so? Briny, if

16:48

you are not going to help, I

16:50

need you to be quiet. Dr. Melay,

16:52

please. I was thinking about his aftercare.

16:54

After care. It's obvious what he needs.

16:56

Isn't it. Malcolm? What

16:59

the hell is Malcolm doing in

17:01

the farmhouse? It was his idea.

17:03

What was his idea? Sorry,

17:05

what's going on? How did you

17:08

get him there? The tunnel. He

17:10

enjoyed that bit. Aubrey? Was he

17:12

lucid? Of course he was. He

17:15

understands the situation as well as any

17:17

of us better, actually. This is

17:19

how he wants it to be.

17:22

Wants what to be? We

17:24

wanted to send a message.

17:26

Hester. Is everything okay down

17:28

there? I need you to

17:30

get Warren down here right

17:33

now. Hurry! Now, um, which

17:35

one of you shall I

17:37

address? Can any of you

17:40

things talk to me? Dad?

17:42

Rebecca. I hope it would

17:44

be you. It's so good

17:47

to hear your voice. Dad,

17:49

I didn't know you were...

17:51

How? What are you doing there?

17:53

I want you to listen to me,

17:56

just for once. God, we can come get

17:58

you, we can find a way. Rebecca. I

18:06

spent too many years trying to

18:08

make you want the same things as

18:10

I did. I beg of you.

18:12

Remember that person you used

18:15

to be before the company,

18:17

before all this? I thought we

18:19

could beat any challenge this

18:21

life could throw at us

18:23

by simply outlasting it. But

18:25

we can no more separate

18:28

ourselves from this world than

18:30

milk from tea. You need

18:32

to leave these people being

18:34

Rebecca. They're trying to do

18:37

some good in the time they have

18:39

left, and there isn't a lot

18:41

of time left, my daughter. I

18:43

don't understand what you're saying.

18:45

Of course you don't. It

18:47

still sounds so young. Younger

18:49

than you should be, I

18:51

fear. Heartrich 200, he can't

18:53

keep up this tacky. He's

18:56

going to crash. Oh my

18:58

god. Sharps away. Can someone

19:00

please hold his legs? What's

19:02

happening? What have you done

19:04

to him? Warren, I'm going to

19:06

need you to pop yourself in that gurney

19:08

over there and wall up your sleeve. I

19:10

beg your pardon? Chop, chop, chop your

19:12

other arm off. Warren, Gordon's about to

19:14

bleed out and die, and for a bunch

19:16

of reasons, none of us have the time

19:19

to explain the only blood that's going to

19:21

save him is yours. What? Grace, we

19:23

are running out of oxygen.

19:25

This is the inexplicable reason

19:28

you put me here, isn't

19:30

it? Just stay the caretaker.

19:33

So, it's up to you,

19:35

darling. We have outstayed our

19:37

welcome, Rebecca. We have no

19:39

more business here, any of

19:41

us. We have to let

19:43

it go. I beg of

19:45

you. Just, just let it

19:47

go. Let me come and get

19:49

you. You're not well. I can

19:51

help you. No, I'm not well.

19:53

And I've finally learned that our

19:56

many things worse in this world

19:58

than dying. How did... And, uh,

20:01

how did Andrew Marvel

20:03

put it, one of

20:05

the poet? Constrained, not

20:07

only to endure diseases,

20:10

but what's worse, the

20:12

cure, and ready off

20:14

the port to gain,

20:17

I'm shipwrecked into health

20:19

again. The hazard? Must

20:21

I? I

20:44

think they got the message.

20:47

Are there any left? Um,

20:49

just one. Heading to us.

20:51

Okay, don't. Hold the fort.

20:53

Shotgun. Yes, man. You want

20:56

to go out there? Won't

20:58

be a moment. Aubrey? Aubrey.

21:00

Back in a jiffy. Hope

21:18

the journey wasn't

21:21

too rough? The

21:23

stars are out.

21:25

The air is

21:27

still. This would

21:30

have been a

21:32

lovely evening. What

21:34

have we got

21:37

here? Wood, Wood,

21:39

come on, you're

21:41

back, aren't to

21:43

me? Can you

21:46

make this fucking

21:48

thing work? But,

21:50

are you better

21:53

to me? You,

21:55

come, come on

21:57

listen to me.

22:02

If you're still there, Rebecca,

22:04

he wouldn't have felt any

22:06

pain. It was his idea,

22:08

I promise you. Your father

22:10

talked about his death often,

22:12

how he wanted it to

22:14

be. He kept returning to

22:16

two main principles. He wanted

22:18

it to mean something, and

22:20

he really wanted to explode.

22:22

Now, the second one, we

22:24

were able to accommodate. But

22:26

the first is up to

22:28

you. Malcolm had the same

22:31

choice that all who come

22:33

to Red Valley are given.

22:35

You can live and die

22:37

in the manner of your

22:39

choosing as long as it

22:41

doesn't hurt anyone else. You

22:43

have that same choice. You

22:45

can all walk away now

22:47

and live your lives in

22:49

whichever manner seems best to

22:51

you. But if you come

22:53

here with plans to hurt

22:55

any of my people or

22:57

take anyone from here against

22:59

their will, then that choice

23:02

is forfeit. Let me turn

23:04

this camera around. That was

23:06

a beautiful old house. I

23:08

don't want it burning down

23:10

for nothing. I hope you

23:12

can get a good picture.

23:14

I want you to consider

23:16

the difference between yourself and

23:18

your father, Rebecca Landry, between

23:20

your people and mine. None

23:22

of us are afraid to

23:24

die. Connection

23:30

lost. Connection

23:32

lost. Connection

23:34

lost. Wow

23:36

Becky, I'm sorry.

23:39

That must have

23:42

been pretty

23:44

rough. Malcolm

23:46

Landry was,

23:48

you know,

23:50

none of us

23:53

would be

23:56

here without him.

23:59

Obviously. But

24:02

this is why it was good

24:04

to send the drones and stay

24:06

back here at HQ. Woods played

24:08

her hand, we'll keep building support

24:11

here, make more allies, strengthening numbers.

24:13

I'll speak to Pam, see how

24:15

she can help and then all

24:17

of us, we can see what

24:20

we can... Clive, I'm going to

24:22

need you to do something for

24:24

me. Yeah, yeah, okay. Shut the

24:26

fuck up. Hey,

24:55

hey, hey, either

24:57

wake up or

25:00

stop grunting. Boy!

25:03

What? What? Hey,

25:06

hey, hey, hey,

25:08

hey, hey, hey,

25:11

head back down.

25:14

I said wake

25:17

up, not get

25:19

up. You've had

25:22

surgery. Is that

25:25

you? What? Am I? You're

25:27

okay? You're okay. You're probably

25:30

fine. Probably? Well, I don't

25:32

know. I'm not a doctor.

25:34

Wait. You remember who I

25:37

am, right? What? You know

25:39

who I am? Warren. Just

25:42

tell me everything's all right.

25:44

Everything's all right. Probably. Jesus.

25:47

I wanted to be honest.

25:49

Forget, honest. Just tell me

25:52

I'm going to be okay.

25:54

You're fine. You're fine. You're

25:56

fine. You're fine. I can't.

26:00

see very well. Yeah, I

26:02

had that too, but don't

26:04

worry, it gets better. Oh,

26:06

did you have surgery too?

26:08

Oh, no. Why are you

26:10

in a bed then? I

26:12

gave you a blood transfusion.

26:14

Why? Something to do with

26:16

my special blood and the

26:18

dodgy infusion that you were

26:20

given and antibodies. I don't

26:22

know. It was the only

26:24

way you could survive your

26:26

emergence. You're welcome. What? You

26:28

continued? I was in I

26:30

was right home. We both

26:32

did it at the same

26:34

time. How cool is that?

26:36

How long for? Well... Warren?

26:38

How long? Not crazy long,

26:40

but longer. Wait, I can

26:42

see a bit better. Now,

26:44

why are you smiling? I

26:46

smile when things get awkward.

26:48

That's my line. How long,

26:50

Warren? It's... 2064. Oh come

26:52

on just tell me. It's

26:54

2064. No it isn't. Yes

26:57

it is. Warren. Gordon. It's

26:59

been 44 years. It's weird

27:01

but it's true. You're gonna

27:03

like it. Oh come on

27:05

you're being infuriated. In a

27:07

minute some people will walk

27:09

in with faces much older

27:11

than you remember them and

27:13

render this discussion moot. But

27:15

there are several other reasons

27:17

to believe me. Okay and

27:19

what are they? You mess

27:21

around with something called hyper

27:23

sleep for long enough, one

27:25

day you're gonna wake up

27:27

in the future. You're lucky

27:29

it's only 2064. And secondly,

27:31

well, I'm not gonna lie

27:33

to you. Well, I'm choosing

27:35

not to think about this

27:37

right now. Totally, that's my

27:39

whole philosophy. I'd write that

27:41

in Latin on my forehead.

27:43

Yeah. You get some sleep.

27:45

I need you to get

27:47

yourself better. Why? What's your

27:49

plan? It's not a plan

27:51

yet. More of an outline.

27:55

Let me guess.

27:58

Get the hell

28:00

out of Red

28:03

Valley. mind? Are

28:05

you gonna be

28:08

here when I

28:10

wake up? That's

28:13

my life. Red

28:38

Valley is written by Jonathan

28:40

Williams directed by Alan Mandel

28:42

and associate directed by Carol

28:44

Pestrich with music editing and

28:47

sound design by Richard Orpheus

28:49

Campbell Additional sound effects editing

28:51

by Luke Elliot original podcast

28:53

artwork by Claire Hoops and

28:55

promotional artwork by Noah Dow

28:57

Transcripts by Karen Butler Performance

28:59

is by Karen Butler Performance

29:01

is by Hennich Suede as

29:04

Nurse Blair Anderson as Marmite

29:06

Jonathan Williams as Warren Godby,

29:08

Alan Mandel as Gord, Susan

29:10

Hingley as Gaud, Susan Hingley

29:12

as Hester Hiyashi, Kelsey Griffin

29:14

as Stevie, Day on Brony

29:16

as DeGracious Malay, May Cunningham

29:18

as Brannie Halbeck, Tashwreath Banks

29:21

as Aubrey Wood, David Charles

29:23

as Malcolm Landry, Ali Boudt

29:25

as Anesthetics, Chris Gregory as

29:27

Ekmo, Toby Burton as Transfusion

29:29

as Transfusion, Natalie Day as

29:31

Rebecca Landry, Alexander Broad as

29:33

Gordon as Gordon Paullock. Additional

29:35

Voices by Alan Mandel and

29:37

Richard Orpheus Campbell. Thanks as

29:40

always to the overhead board

29:42

of directors, Jack Reese, Marguerite

29:44

Kenner, Dev Patel, Paul James

29:46

and Haley Daniel. Red Valley

29:48

is recorded at Orpheus Studio

29:50

London and brought to you

29:52

by continued productions. We will

29:54

return to Red Valley in

29:57

season 5. Do you want

29:59

to continue? The

30:22

fable and falling network

30:24

where fiction producers flourish.

30:27

Now playing from voyage media.

30:29

A naked woman picked up

30:31

the recently decapitated head of

30:33

a goat that had been

30:35

sitting in a large silver-colored

30:38

bowl. She held the goat's

30:40

head high above hers. It's

30:42

dull black eyes staring emptily

30:44

as she threw her black

30:47

hair and allowed the blood

30:49

to trickle down the front

30:51

of her body. When the

30:53

lights go down. What stories

30:56

really stick with you? Presenting

30:58

fever dreams, an anthology of

31:00

dark genre stories, horror, crime,

31:03

sci-fi. My eyes settled

31:05

on a crystal piece,

31:07

the only thing hanging

31:09

on any of the

31:12

walls, a man's face,

31:14

set inside a raging

31:16

sun. The eyes started

31:18

to glow. In association

31:21

with Seven Lamb Productions,

31:23

creators of the hit audio

31:25

drama Tower Four, a new

31:27

descent into darkness in every

31:29

episode. Season 1 of

31:31

Fever Dreams, a pulp

31:33

collection, available anywhere you

31:35

listen to podcasts.