0:02

There are few things as captivating as

0:05

unraveling a family mystery, especially

0:07

one with as many twists as June's journey.

0:09

And you know we love a good twist. In

0:11

June's Journey, you play as June Parker

0:13

and investigate beautifully detailed scenes

0:15

set in the decadent twenties to solve

0:17

her sister's murder. Whether this is

0:19

your first case or your seasoned Sherlock.

0:22

June's journey will keep you hooked with new chapters

0:24

added every week. With more than thousand

0:27

scenes full of hidden clues, there's always

0:29

something new to discover. I've also

0:31

really enjoyed chatting and playing with other players

0:33

in the detective club. It makes me feel like

0:35

we're team on the case. And you can even

0:37

play against them if you're feeling particularly competitive.

0:40

And beyond the mystery aspect, June's journey

0:42

is just beautifully designed, and you can build

0:45

your very own island to state with expansive gardens

0:47

and beautiful buildings. I'm currently saving

0:49

up for a water feature in the front yard. Pick

0:52

up where you left off to uncover new secrets

0:54

or start your investigation today and

0:56

download June's journey available

0:58

on Android and iOS mobile devices as

1:01

well as on PC through Facebook games.

1:09

Are you in the mood for something spooky? If

1:11

you're listening to the show, I'll just assume the answer

1:13

is yes. And in that case, you're in luck.

1:15

We're very excited to share the first episode

1:17

of between the devil with you, a podcast

1:20

created by Violet Hour Media and Distributed

1:22

by Realm. When a young girl stows away

1:24

aboard her father's merchant ship. In

1:26

eighteenth century Europe, she's hoping to

1:28

find adventures on the high seas. But

1:30

as rampant paranoia grips the crew and

1:33

unseen malevolent forces commandeered the

1:35

vessel for their own purposes. She

1:37

finds terror instead of the fun thrills she

1:39

was chasing. In the face of it all, she

1:41

must work to save the ship her father

1:43

and herself. Sound like fun?

1:46

think so. And you can listen to between

1:48

the devil wherever you get your podcast. But

1:50

as I mentioned, we have the first episode right

1:52

here. So don't run or stow

1:54

away just yet and enjoy between

1:56

the devil.

2:12

The violent hour presents.

2:18

Between the devil. Episode

2:22

one. In

2:24

Veniere. The ebbs and

2:27

into a hostro.

2:40

The sea is vast and

2:42

desolate and unforgiving.

2:46

A world of raw beauty and

2:48

sudden get a strawberry vibes.

2:52

Menu for the should their home

2:54

aboard ships of wood and sand,

2:57

take their lives, not into

3:00

their own hands, but instead

3:02

as an offering. Given

3:04

up with no word from its verifiable

3:07

result to the altar of

3:09

the unknown, And

3:11

yet, there are those two

3:14

who believe themselves to be master

3:17

over the see. These

3:19

men who seek to bend its

3:21

will to their own devices or

3:23

as dicks on an elephant back,

3:27

small niga that

3:29

is sick. And

3:31

it is these men who come

3:34

to learn of the true nature of the sea.

3:36

For the sea is vast, yes,

3:39

stretched four from horizon to

3:41

horizon, but it is also

3:44

deep. And it is also

3:47

hungry. Even humility

3:50

in the face of such power is no guarantee

3:52

of safety, and a man who

3:54

takes to the sea like it is

3:57

sure to meet an end other than that

3:59

Ouchi expects. Even

4:01

if he reaches destination, we

4:04

may find himself changed in

4:06

ways he cannot better. Changed.

4:10

Into something. He

4:12

cannot begin to understand.

4:27

You're not saying anything.

4:31

I wasn't aware that my words were of any

4:33

consequence. Oh, Rosa, we discussed

4:35

this. Yes. But the discussion is

4:37

not the same as

4:38

decision. No. It is in our grand do that.

4:40

But Reuben found the ship at the price we

4:42

are not likely to see again, and the decision

4:45

had to be made by the spice

4:47

trade with the ship and the crew to sail

4:49

it even a fool can make a fortune in such

4:51

an enterprise. And the ship, Rosa.

4:54

Oh, what a ship? Truly

4:56

a thing of

4:57

beauty.

4:57

You have said neither eye nor foot upon that

4:59

ship, Francisco.

5:00

No. But Ruben described

5:03

it so vividly in his letter that

5:05

I I feel as though I have. Oh, the

5:07

same way he so vividly described the

5:09

wonders of go, tears.

5:12

Or how he rode so beautifully on

5:14

the manure train. But And help

5:16

me remember. That was that

5:18

exquisite turn of praise that he used

5:21

to tempt you into rat catching. This

5:24

time is different.

5:24

But different in the worst where

5:26

is this goal? Now how can

5:28

that possibly be? It does

5:29

not go or this to raise prudence when

5:31

you have responsibilities. Those responsibilities

5:34

are precisely why I must do this.

5:37

If,

5:38

when this succeeds, we

5:40

will have a real chance at a happy

5:42

life.

5:43

We have a happy life. If

5:45

you would just be willing to speak with your

5:47

brother without him

5:49

No. That I will not do.

5:51

But surely, all wounds must be

5:53

allowed.

5:53

I said no.

5:54

Your father would not want Truselin. Francisco,

5:58

Bless you.

5:59

That came from the seat. Well,

6:02

then you are excused. No.

6:05

Under the seat. In

6:07

the storage compartment.

6:13

Cabby. Are we there yet? To

6:15

the hardware.

6:16

Tell me.

6:17

Get out of there. Can I see the sheep?

6:19

Oh, bad dress. Your

6:22

good yellow dress. Ring cold

6:24

and dirty.

6:25

I'm

6:26

born. And each.

6:28

Where did you get such a mischievous notion

6:30

as this? Are we there? Papa, can I

6:32

smash it? This

6:37

is simply unacceptable.

6:40

And where are your brothers on top of the

6:42

carriage, no doubt? Oh, no. No. No. No.

6:44

Cape daughter is to afraid of heights for that.

6:46

He gets dizzy when he raises an eyebrow. And

6:49

these bugs would make the galaxy for sure

6:51

from the top

6:52

kilos, not last night.

6:53

The kilo? What the kilo? Not my bottle

6:55

in the In the

6:56

piano? Yep. It was green

6:58

and burgling like a fish this morning. Oh, that

7:00

boy.

7:01

On your poor brothers, baby

7:03

out of their minds with worry.

7:05

Worry. Wanna see more

7:07

like.

7:07

I left a note on the oh,

7:10

he's not the sea.

7:12

We're here. No. Not

7:14

that one. That one is much

7:16

bigger than ours. What

7:17

about that one? No. No. Not

7:19

not bad. It's bad

7:22

one.

7:23

No. Again, that he's a much larger vessel. Oh,

7:25

must be that one. He's in the papa.

7:27

No. That

7:28

one. You can't just wait. I'll

7:30

tell you when There

7:32

it is. I know it from Ruben's

7:34

letter. Come on, you bet.

7:36

That one.

7:37

Now now. Reserve your judgment until

7:39

you see it up close. Yeah,

7:40

mama. Wait till we get out. Let's go.

7:43

No. No. No. No. No. No. Sami,

7:45

you're not going anyway. What Why?

7:48

Mama. Samara. Rosa.

7:50

Francisco.

7:52

Wait in the carriage.

7:57

Your hand. Thank

8:00

you. My

8:02

hand

8:05

Well, there it is.

8:08

So what do you think? Why

8:09

don't we let your friend hear and

8:12

tell us what to say? Honey,

8:14

Ruben. Come here your bastard.

8:17

So good to see you. Well,

8:20

there she sits, Franky. I

8:23

told you she was beautiful, did I not?

8:25

Comanding yet sleep. When

8:28

we return, we will be held as kings,

8:30

Freddie. You and me. Me

8:32

deep in treasure and spices

8:35

and ham. What? Oh.

8:39

Ring. So good to see you as

8:41

well. I don't, Francisco. You want to

8:43

see Visov. You are what I

8:45

do see is a nice sword.

8:47

Yes. She really stands out in the crowd.

8:49

Doesn't you? I round them crazy.

8:51

So well used.

8:53

Tighter sales. Well ventilated. Broud

8:55

home. Boudreaux.

8:56

Boudreaux, cargo space. And the most hideous

8:59

figurehead I've ever seen. Yes,

9:01

Ruben. What is that? Your

9:03

letter said nothing of a octopus.

9:07

Octopus.

9:08

Octopus. And octopus. Yes.

9:10

With a great red eye.

9:12

Irubin. Yes. I don't know

9:14

how the man I bought her from overlooked it. But

9:17

maybe we'll add it to the trade when we make

9:19

it to the end days to sweeten the pot. It's

9:22

quite distinctive. That's for certain. Soon

9:24

to be known far and wide.

9:26

Her name would be on the lips of

9:28

every seller and merchant across the globe.

9:31

And what a name? What a

9:33

name? Open

9:36

what?

9:37

If you just tell me

9:39

what?

9:40

Well, I hadn't found the

9:42

right time in Rosalin. I

9:45

totally would appreciate that. This

9:47

way, you'll be there with us for

9:49

the entire voyage giving us

9:51

strength and comfort.

9:53

Now correct me if I'm speaking

9:55

out of turn. But is

9:58

it not considered

9:59

bad luck to rename a ship? III

10:05

don't know. Is

10:06

it? I can't

10:09

say I've ever heard. This ship

10:11

had no name when I bought her, so we have

10:13

to come up with something he did with. The

10:15

man had no idea what she'd been called

10:17

or where she came from. He seemed

10:19

to know very little about her to be truthful.

10:22

In fact,

10:24

maybe that's one maybe we

10:26

should take a tour. I'm

10:28

sure the ship like its lovely

10:30

and gracious namesake as you and more

10:32

beautiful on the

10:33

inside. We could bring

10:36

Sammy. Sammy is here.

10:38

No. I don't want hair on that. There is

10:40

that little

10:41

devil. Yeah. In the garage, you do

10:43

have been holding up on me. Sorry.

10:46

And Ciscope, don't want her on

10:47

that ship. What I think?

10:50

Just thought maybe she would like. What?

10:53

Sunny. Oh.

10:56

Draw that sleeper little girl. Sunny.

10:59

On it.

11:03

Like the movement of the tides, slow,

11:06

quiet, and imperceptible. Sammy

11:09

had slipped from the carriage and

11:11

made her way cautiously aboard her

11:13

father's ship. The

11:15

creaking tempers and or

11:17

rocking motion of the old vessel, made

11:19

Sami feel as though she had fallen headfirst

11:22

into the pages of one of her parted

11:24

stories, red in the dark

11:26

of her bedroom long after she was

11:28

meant to be asleep. She looked

11:30

about her at the web of reading

11:32

strong between towering moss over

11:35

head. The massive wheel at the

11:37

after the ship, and the backside

11:39

of the octopus figurehead she had seen

11:41

from the docks. Sermi pulled

11:43

her eyes from these tantalizing sites

11:46

and stepped below decks graciously

11:49

accepting the invitation of the open deck

11:51

hatch. Below. Where

11:54

the sun only dimly reached,

11:57

Sammy saw the ship from the inside

12:00

wooden ribs bracing the sides of

12:02

a gigantic space filled

12:04

with boxes and barrels. The

12:07

potential contents of which set her

12:09

mind racing through its vast catalog

12:11

of tales of high seas adventure.

12:16

Whoa.

12:20

It's just like the stories. Salt

12:25

beer. Crashing

12:28

waves. Oh,

12:30

a cannon. And

12:34

resting near to big finer. I

12:36

thought I said I wanted this lead choker polished.

12:39

It's goofy. You there,

12:41

purchase. Yes, you.

12:43

Harkest. Step forward. I

12:45

want to see my face in the press or by

12:47

my hand you'll be strong up to the missing ass.

12:50

Do I make myself clear? Do

12:53

I? Good.

12:56

Pouches. One of

12:58

these days, Oh,

13:03

the pleasure. Whoa.

13:06

Stand back to luck with the noodles. Just

13:09

to be my buying. My ship.

13:11

My map. My treasure. Your

13:15

cut. I and I'll

13:17

have more than one cut for you. If you lord,

13:20

big, fast your thumbs and hasty your treat.

13:22

Miley now. This

13:25

is it. Why I sit

13:27

single all those years ago? The

13:30

treasure reference. Sisko De la Rose.

13:33

How much of love was you?

13:35

How many names it down to the depths.

13:37

And now, it is mine, so good.

13:40

It almost tastes up. But,

13:43

nah! For

13:46

we put that on us.

14:02

Stay back. You've noticed dogs. The

14:06

treasure? Never mind. treasure pack.

14:09

Would still be rotting in a Spanish prison

14:11

cell or not for me. The whole luck

14:13

of you guys. Back I said that I'll see the come Who

14:25

is

14:25

that? Where

14:27

are you? Are

14:31

you? I

14:39

have a sword. I need it. Come

14:42

on, sir. Three,

14:49

two, What

14:57

are you doing now?

15:00

Speak. I was. IIII.

15:03

No. Fancy is ever biomed.

15:05

Do you, girly? Hiring

15:08

more like stuttering as you do.

15:10

What about your god there, darling? A

15:13

sword is it? Where where

15:16

where where All

15:18

without leaf, barons tea.

15:22

I've been in Israel. You

15:25

know what we do with pirate ownership like

15:27

this girl. We

15:30

see. It's

15:31

captain. She's Yeah. Cutscene

15:33

is not only, man. To fry gas. I

15:35

said put that thing

15:37

away. Yes. Captain. Troying

15:40

your weapon, not a little girl. I only

15:42

meant to fry gas. Well, I should say done a fine

15:44

job, but I give time then some. There

15:46

that

15:46

you. You're alright.

15:49

I just wanted to see the

15:51

sheep.

15:51

Well, You've seen it? She floats.

15:54

It's only just

15:56

Hi. Yes? Well,

16:00

What's behind that door? What?

16:03

The locked 100, you

16:05

mean that door? I hadn't realized it

16:07

was

16:07

locked. But in my experience, some doors

16:09

are locked for a very good reason. Like

16:12

what? Well, Maybe

16:16

I lost key.

16:19

Who do we find the key?

16:21

Mhmm. I feel

16:23

it's time for you to return to dry land,

16:25

young lady. Wouldn't you

16:26

agree? But come on now, give the eye. But

16:29

somebody

16:30

Sami, are you alright? Of course,

16:32

mama. What was that screaming? That meant her to

16:34

kill me with his sword.

16:35

What? Whoa. Whoa. It

16:37

was a lazy dummy.

16:39

I only meant to edge. Captain catch.

16:41

Captain on edge.

16:44

You are the captain, Ben. I

16:46

am indeed, Ram. Captain Martin,

16:48

accurate of a majesty's navy

16:50

retired, a jaws service man.

16:53

Well, captain, where were

16:55

you when this man was attempting to disembow

16:57

was my daughter.

16:57

Oh, never. James.

16:59

Day my fortress, ma'am. I

17:01

was napping. Yes. Of course.

17:03

Napping. If I'm not mistaken, Single

17:07

malt. Napp. Roselyn, I think

17:09

we

17:09

should. Good in every more. Sammy? Come.

17:12

What's my love? I

17:13

fear we've made a rather bad impression than

17:15

you, ma'am. III couldn't only apologize and

17:17

and and extend an invitation to join us tonight

17:20

at the Winding Vinewet where perhaps

17:22

you might make your second attempted acquaintance

17:24

making.

17:25

The wine being wine?

17:27

The pub by the dogs, Rosa.

17:29

Up up. Where else? Yes,

17:32

Rosa. The finest fresh fry

17:34

in the city.

17:35

There is to be a celebratory dinner before

17:37

we set sail tomorrow morning. While

17:39

it's an attempt to appreciate the invitation, I

17:41

must take my daughter home before she's

17:44

either stopped, drowned or

17:46

fired from Ghana. Can we

17:48

some other.

17:50

Hey. Good to be there. Won't you front me?

17:53

I should think. Not.

17:57

You enjoy yourself, Ruben. I

17:59

will see you in the morning. Oh,

18:02

nonsense,

18:02

fracking. I won't hear of it.

18:04

We cannot part in this manner on the eve

18:07

of such an auspicious occasion? I'll

18:10

walk you to your couch.

18:12

Right. Captain,

18:15

until tomorrow. Master Francisco?

18:19

Captain I have.

18:30

I don't think I've ever seen a little girl

18:32

so utterly Eyes

18:35

closed the moment her head hit the pillow.

18:37

Amazing how much little school Dougori would

18:39

take out of you? Another

18:43

log on the fire. It's

18:45

not been drafted yet.

18:54

That's the ticket. Now,

18:57

what was I Are you looking

18:59

for this? You're

19:07

going. I understand that,

19:10

but you cannot deny

19:12

me the peace of mind that you go into

19:13

this, at least understanding

19:16

the risk.

19:16

Of course, there is risk. Of course, every

19:19

great venture in history has had a

19:21

certain amount of risk from the founding

19:23

of the Roman Empire hannibal crossing

19:26

the San Francisco. I

19:28

never intend to harpong about these things to

19:30

spoil your fun or chasing your ambition.

19:33

Never that. I am

19:35

your wife. Yes. And

19:37

beautiful to what that entails. But

19:40

I am also a mother and

19:42

beautiful to what is entailed in

19:45

that, weighing pragmatism against

19:47

potentialities, the civility and

19:49

the unpredictable. The

19:51

interest of this movie is always first

19:54

and foremost in my mind, and

19:56

I would wish it to be no other

19:57

way.

19:58

I know that awesome. And the same is

20:00

true for me. I

20:02

know. In your way, I know

20:04

that's true. But

20:07

Francisco,

20:08

you must come home to us.

20:11

Rosa, what the thing to say?

20:13

Francisco.

20:15

I will. Whatever it takes.

20:18

Whatever it takes.

20:21

No. If

20:23

we were to indulge for a moment

20:26

in unpredictable potentialities.

20:30

Yes.

20:31

If this venture pays

20:32

off. When? When it pays

20:34

off. When you sail back

20:36

into port, having strong, strong

20:38

to gold. What then? What

20:41

then? Then

20:44

I'll give you everything you've

20:46

ever wanted.

20:47

I already have that Francisco.

20:49

Oh, really? Everything?

20:51

Well, another bottle

20:53

of tequila might be nice.

20:55

I'll ask Miguel for his recommendation. And

20:58

a new city? I can fill

21:01

the nails in the framework on this

21:03

old thing. Yes. And

21:05

these floors, walking across

21:07

them, makes more noise than the planks on that

21:09

see. Mhmm.

21:11

Oh, and what's more? Yeah. What are these

21:13

for later? There will surely need to be two voyages.

21:15

Stubb, you asked.

21:17

One to the Indies? And

21:19

want to spend. Spain?

21:22

England has been good to us, but

21:26

Spain is where we belong, where our

21:28

family belongs. Now

21:36

you really do need to come home to

21:38

us.

21:39

As soon as I might, I will. If

21:41

you want to go to that pub by the dogs

21:44

with the crew, you can. I

21:46

wouldn't want to keep you from the chance to be part

21:48

of the celebration.

21:49

Non sensorossa. This

21:52

is where I want to be. Besides,

21:55

I have another bottle of tequila

21:58

hidden in the cellar.

21:59

Then why are you still sitting here? Like,

22:01

towed on a stump. That's the

22:03

bottle, Camarillo. Right away,

22:05

seniora. Harry

22:10

back, Cisco.

22:13

Back at the docks, the

22:15

Rolker shirts and laughter come coming from

22:17

inside the wine in wine seemed

22:20

to emanate from the old building like

22:22

a flame of a candle. Had

22:24

anyone be outside in this

22:26

late hour, they might

22:29

have seen a small figure in

22:31

a mud spattered yellow dress,

22:34

scale a pack of boxes, stacked

22:36

against the side of the old pub and

22:39

slipped through a small window of

22:41

the roof. If the men inside

22:44

had looked to the rafters they

22:46

too might have seen a flash of

22:48

yellow in the dim lots of air.

22:51

But the night before a long voyage

22:53

was a thing of sex percent importance

22:55

to these men, and they were too

22:57

consumed with the rituals and rites

23:00

of their seafaring ways to

23:02

notice as salmon settled

23:04

in to watch their qualifications from

23:07

above.

23:13

You deserve. Candy.

23:15

Can you look at those in the chanera?

23:18

Yes, ma'am. Well, choose

23:20

position off the down. Mhmm. Cat,

23:22

maybe. Weasel. Weasel.

23:25

It could be put. Let's find out a show.

23:27

We'll share it tonight. We'll use your own

23:29

mate.

23:31

It was

23:41

Oh, what? It just popped

23:43

up there by itself. Shop it itself

23:45

against the rafters. And

23:47

who will be cleaning it up? You

23:50

buy them drinks to drink, not to fool around

23:52

and chuck them about like bunch of of

23:54

sailors. Oh, you drop

23:57

town markets where I'll be calling in your town.

23:59

Oh, no gwenalin. And

24:01

you wouldn't do that to me, would you?

24:03

I would do it with pleasure, Marcus.

24:06

And with interest. Yeah. You

24:08

know what? She has an interest

24:11

in pleasure in her. Very

24:14

disgusting. Did generate

24:17

low life

24:18

pesos. When are you in the oil of you?

24:20

Alright. Let's simmer down. Simmer down.

24:23

Had a father-in-law that remembers

24:26

his what a night like vest

24:28

needs on the eve of a voyage. He's

24:31

a a spoon tag. Oh, you

24:33

got one eggheads? Do I have

24:35

one? If I drove the decks

24:37

and harness the winds as long as I haven't

24:39

stood here with no tails to

24:41

tell. What can't a say that would not

24:43

be? It

24:44

was my first time at sea. I

24:47

was young and green. We was

24:49

just passing the dova cliffs when a person's

24:51

maiden tortures me, and he says,

24:54

look up Yandha, putting to the top of a cliff

24:56

he was. He he

24:58

says, do

24:59

you know what that is? Or

25:01

says no more. And he

25:03

says,

25:04

that's mad Mary's lighthouse.

25:07

And I'll

25:08

not modernity, not bleeding late house

25:10

again. What?

25:12

Oh, we've all heard

25:14

it a hundred times. Gaps.

25:16

Not the way I'd tell it. Never got

25:18

himself killed so far off war.

25:20

But as he waited in the light house watching

25:22

for him by never a game home. So

25:25

she throws herself off the cliffs.

25:27

But be careful because she might climb

25:29

aboard your ship looking for her man. So if

25:31

you in the

25:32

clips. Get the cutest drawing in your

25:34

eyes on the railing. Why?

25:37

I got the fingers.

25:41

About how he was gonna tell him this. Well,

25:43

I mean, but the way I'll

25:45

tell it, not in those sputail. That's

25:48

a bleeding bedtime story. So I'm always gonna

25:50

have something better than

25:51

that. Cap knacker. You must

25:53

have heard someone in your d or seen something

25:55

yourself. No.

25:58

No. No. I'm sorry. I

26:00

don't traffic in such tales. They're

26:02

only evil that I've ever seen that

26:05

works hidden in the hearts of men. Hey.

26:10

It perhaps you then, master Ruben. Anything

26:14

Yes. Yes. In

26:16

fact, I have just seen

26:19

a most terrifying and

26:21

truals like this very

26:23

moment. The

26:25

bottom of my fingers. Parliament.

26:29

Someone must have something. In

26:31

the night of all needs in the lake houses.

26:33

Heck, what about you? You've

26:36

been a ship navigator in the night on

26:38

four years.

26:39

Oh, boy. Oh, I have thirty

26:42

seven if you're checking on old book. Then

26:44

you must know something. Well,

26:48

well, I do know. Is the

26:50

start. Everything in Navigator

26:52

needs is up their ears. Maps,

26:55

timetables, nifty legends

26:57

tucked away in a constellation. Invenirae,

27:01

naiveson, enterastra, means

27:05

far yourself among the stars. Latin,

27:08

where is to live by? You

27:10

might be on the ocean which is raging and

27:12

fighting to pour you down below to the gates

27:15

of Asia. Self, but one break

27:17

in the clouds, one little sliver of

27:19

sky, and the spray in a

27:21

firm vanish, and the sea

27:23

is your garden bath. Then

27:26

I I saw you. The skiff was one of those nice.

27:30

The storm came on sudden waves,

27:34

fifty and hundred feet, both

27:36

the light and then turning night and day and

27:38

back again. Yep. That's

27:40

what I saw. A boat

27:43

smaller than a jolly boat was nestled

27:45

down in the trough of a monstrous wave.

27:48

Although I was shocked to be able to wind in

27:50

a men up during Gauravore saw like,

27:52

not like a bad cobble together from the Rex

27:54

of at least, it does another boat, all

27:56

spreads and nails. And in a bold

27:58

mother, lay a man. Only

28:01

more than bound. We went down

28:03

to get closer look at him. We went like a

28:05

boat. He sat up and let us

28:07

sparkle water from his knowledge then.

28:10

Felt that the

28:13

surgeon pry it open his eyes

28:16

and they'd gone a little bit of white

28:19

stringy. From staring directly

28:22

into the sun, long as if

28:24

he was meaning to burn him out or

28:27

burn something out. And

28:30

it's still racing all night after two more nights.

28:32

I mean, you always wash it for a break in the clouds.

28:36

Three valves. On the third night, and I

28:38

finally spotted another portabout. Star

28:41

shining through the face of an old friend.

28:44

But I know he's down on a deck below me.

28:46

The man from a skiff just

28:49

standing there, staring up,

28:51

just or

28:54

lash the wheel on I went to, and I

28:56

saw those dead, white

28:58

eyes, white open, staring in

29:00

and a break, and

29:03

Oscar's lips, and I swear a

29:06

sanguine sunrise in a west,

29:09

but it drives a mountain

29:11

scory crest. Your

29:13

shot paid a shadow of drugs.

29:16

Upon a reef of a human balance,

29:20

storms and madness, fall.

29:23

Anchen he was by the school, obscured

29:27

from her own sight and all

29:29

that bathed in the bloody life. And

29:32

only went speaking the same

29:34

same words of your school we online. I'll

29:38

reach out and touch tone. But before

29:40

my fingers were feeling insurable, his

29:42

aim placed me wrist hung

29:44

down, and I saw blood at his

29:46

elbow. But then saw and

29:49

has ever had the surgeon's bone

29:51

soul and a scrap of the

29:53

dog's paper and snagged in the teeth.

29:56

I made a bold way for his grit, I'll take

29:58

time. And he turned back from that break

30:00

in the clouds and fixed that nonsense

30:03

case

30:03

recently. He had responded

30:05

to crack in the other teeth and he said to

30:07

me, or it has shivered.

30:12

He turned back into the brake razors. Right

30:15

on the horse about a horse saying, shout

30:17

out to the sky. I have

30:19

seen you. I have seen you,

30:21

but you will never have me.

30:23

Dear. Never. His

30:26

mouth to his city that he doesn't scream.

30:29

Mad, if I call it a joint, I can't

30:31

describe, and he turned it a

30:33

crack. They stood. Stocks

30:35

still is evolving the same body

30:37

group to add me. Do a man

30:40

let no Spanish spell out in delve

30:42

door to grow and he was thrown back and lost

30:44

by dry musket balls, shattered

30:46

bone, shredded dashes, and

30:49

put a second tone at night.

30:52

I held the wall from another man's

30:54

blind. Then

30:56

people always laughed at a man back in another

30:59

circular bow. I need

31:01

to turn him over the ball. No, sir.

31:04

In the hour, the storm

31:07

had passed but we

31:09

could find a little to celebrate than

31:12

normal for a long time after.

31:15

When I look up on a clear night, I still

31:18

see the stars maps,

31:20

timetables, constellations in

31:23

the near range tell you of some

31:26

interoster, and

31:29

I hope that's

31:31

all I ever see of

31:32

that. But

31:35

I do your lads. I

31:41

That that will do.

31:48

Infiniré, the Ipsum interastra.

31:53

Find yourself among the

31:55

stars. Find

32:01

yourselves.

32:50

From violet hour media, between

32:53

the devil, created written

32:55

and directed by Justin Jones

32:57

and Natalie Jones. Sound

33:00

designed and mixed by Sijo Drumella,

33:02

with assistant sound designer, Alison

33:04

Ng, music, my

33:07

Nathan Matthew David and Jeremy Lab.

33:09

With additional music by CJ

33:11

Drumella, executive produced

33:14

by Cassie Josephov, narrator

33:17

by Maria Olsen. The role

33:19

of Francisco was played by Fred Cross,

33:22

Rosalin, Baladicio Solar,

33:24

Sammy, by Annie Callahooker. Rubin

33:27

by Brian Humberto Hoyos, Gibbs

33:30

by Charlie Wilson, Captain

33:33

Echo by Harwood Gordon, Smith

33:35

by Michael Mau, Marcus

33:38

by Connor Dillon, Willis

33:40

by Connor McGiffon, Gendolyn

33:43

by Sierra Allison and

33:45

Hank by Daniel Van Thomas.