Making Fiction when Reality is on Fire

Making Fiction when Reality is on Fire

BonusReleased Tuesday, 22nd April 2025
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Making Fiction when Reality is on Fire

Making Fiction when Reality is on Fire

Making Fiction when Reality is on Fire

Making Fiction when Reality is on Fire

BonusTuesday, 22nd April 2025
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0:00

see democracy collapsing and totalitarianism on

0:02

the American doorstep. Massive changes

0:04

our foot and no matter what

0:06

happens, our country will never

0:08

be the same. So with that

0:10

dark distort going on, why

0:12

and how do creators keep making

0:14

escapist art? We'll talk about

0:16

it right after this. You

0:23

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at Progressive.com, Progressive Casualty Insurance Company and

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Affiliates, not available in all states or

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situations. Prices vary based on how

0:51

you buy. Welcome

1:00

to Deep Cuts, the bonus episode of the

1:02

Scott Sigler Slices Fiction Podcast, where a sci -fi

1:04

author and an audiobook narrator discuss things and

1:07

stuff in the world of fiction and pop

1:09

culture. And apparently today, overall

1:11

global doom. I am Scott Sigler, sci -fi

1:13

horror author known far and wide as the

1:15

Future Dark Overlord. And I am

1:17

A .B. Sigler, publisher at Empty Set

1:19

Entertainment and audiobook narrator. And on

1:21

this Deep Cuts, we're talking about

1:23

how artists can keep making escapist

1:25

entertainment while the world burns. and

1:27

why they should keep doing it.

1:29

Hey, reminder, this is a bonus episode

1:31

in the Scott Segler Slices feed. Not part of

1:34

any particular story. You don't have to listen to

1:36

this, keep up on our current tale, but we

1:38

would like to have you join us for this

1:40

particular elements behind the storyteller curtain.

1:42

Absolutely. This is definitely how

1:44

the sausage is made. We've done

1:46

another, recently another episode like this where

1:48

while I wish we could wrap this up

1:50

with a nice bow for you, that

1:52

is not what we're doing, but we have

1:55

actually had a handful of emails asking

1:58

how some of these changes affect

2:00

our small business and especially our business

2:02

since we work with strategic vendors

2:04

to make t -shirts and books and

2:06

all that jazz. And we're going to

2:08

talk about it. We're not going

2:10

to solve this problem today. So

2:13

why don't you tell me a little bit

2:15

about your thoughts? Work is

2:17

being impacted now by the

2:19

dramatic changes that are

2:21

going on. in America and

2:23

the world to some

2:26

extent, but right now the

2:28

things that are newsworthy,

2:30

if you will, are being

2:32

driven by the American

2:34

government. And, you know,

2:36

we're not going to get too

2:39

much into it, but several things are

2:41

happening now that I never would

2:43

have thought possible. I thought the American

2:45

system checks and balances for this

2:47

particular thing. What we're finding

2:49

out is that has been a

2:51

gentleman's agreement. from square one. There really

2:53

hasn't been any enforcement procedure in

2:55

place to do this. So now the

2:57

point of what I'm saying is

2:59

we're getting to the area where at

3:01

my age, I've been around a

3:03

long time, I've won a lot of

3:05

elections. This is

3:07

not normal. This is not

3:10

normal. And we're never going

3:12

to see normal again. So

3:14

with that in mind, You

3:16

know, here I am writing

3:18

stories about a foul mouth

3:20

bartering session in a magical

3:23

pawn shop. You

3:25

know, how can I continue to stay

3:27

focused and make good work and make

3:29

it good enough that people will give

3:31

me their time and their money to

3:33

take in what I create when largely

3:35

a lot of the stuff doesn't seem

3:37

all that important anymore. It seems my

3:39

work seems more. Trivial now than it

3:41

has before so I'm having trouble as

3:43

a lot of staring at the screen

3:45

There's a lot of staring off in

3:47

the middle distance and being like why

3:49

am I doing this? What is the

3:51

point of doing all of this? So

3:53

that's kind of where I'm at right

3:55

now. It's it's affecting It's affecting not

3:57

the work itself, but the time put

3:59

into the work for sure a lot

4:01

of gears being missed up top and

4:03

do you find Part of the reason

4:05

that it takes longer is that there's

4:07

more mental load and there's also more

4:09

that you are having to look into

4:11

having to look at how is it

4:13

taking your time? Well, it's not

4:15

possible. I don't think anymore for a lot

4:17

of people, including me, like I'm just

4:19

not going to pay any attention to it

4:21

because not paying attention to it. Every

4:23

time you turn on the news or you

4:26

go on threads, I don't go on

4:28

Twitter anymore. But every time you go on

4:30

social media or read the noise, you're

4:32

like, what are you? What the what the

4:34

fuck? How is this happening right now?

4:36

So if you just ignore it. For

4:38

a day I've been able to do that

4:40

a couple times ignore it for a day

4:42

hang out with my awesome wife hang out

4:44

my pups You know enjoy the life that

4:46

we've worked so hard to build and then

4:48

you go back to it again And you're

4:50

like holy shit now now this now what

4:52

this is crazy So I'm not able to

4:54

just ignore it nor do I think as

4:56

an American citizen ignoring anything at this point

4:58

is a wise idea because we're gonna We're

5:00

gonna get some point where like this isn't

5:02

at all the same anymore good a hundred

5:04

percent. I think that is that is true

5:07

One of the things that

5:09

I think has been really

5:11

important for us as a

5:14

business that has a direct

5:16

relationship with our customers and

5:18

has a real connection here. One

5:21

of the things that I

5:23

think we've talked about offline

5:25

is how your work throughout

5:27

your career has given people

5:29

hope and strength and tenacity

5:31

to get through a specific

5:33

thing in the Facebook chat

5:35

room. Dawn just mentioned this

5:38

very thing, saying definitely not

5:40

frivolousness. It is an absolute

5:42

necessity for me. I

5:44

am not going to read them because

5:46

I didn't want to do the work

5:48

of getting permissions from everybody because this

5:50

is pretty trivial. But over the years,

5:52

we've gotten emails from people who watched

5:54

their spouse die of cancer, who

5:56

they themselves were dying of

5:59

cancer, people who had catastrophic

6:01

house fires, catastrophic flood, all

6:03

sorts of things that They

6:05

send you a thank you and

6:08

say thank you for giving my

6:10

brain a break And I think that

6:12

is a place that I want

6:14

to start about why it's not

6:16

You know in this way your

6:18

your job is not life or

6:20

death But in this way it gives

6:22

life when sometimes there's a lot

6:24

of hopelessness and I think that's

6:26

essential. Okay So the idea that

6:28

we get from creations and definitely from

6:30

your work examples

6:34

of courage, of strength,

6:36

of fortitude, of bad

6:38

people or imperfect people

6:40

having to make terrible

6:42

choices because they're the

6:44

best choice they have.

6:47

I think all of those things I

6:49

gain from reading your work and

6:51

work like yours. It's interesting to me

6:53

that you think that it somehow

6:55

isn't relevant to that, but it is.

6:57

Yeah, I mean, so I guess

6:59

emotionally I sort of get that part,

7:01

right? What I do

7:03

matters to a bunch of people for

7:05

a bunch of different reasons. One

7:08

of my things I'm the

7:10

most proud of is I

7:12

have diehard fans from all

7:14

across the political spectrum, every

7:16

ideology, atheists, you know, evangelists,

7:18

just every kind of religion. People

7:20

groove my work because I don't I

7:22

don't marginalize or punch down. Anyone

7:24

including the people that I don't agree

7:26

with Politically, I don't treat anybody

7:28

my work doesn't show anybody to be

7:30

a buffoon because they believe in

7:32

X Don't think they're an idiot because

7:34

they believe in Y and in

7:36

no point do I say well these

7:38

people deserve what's coming to them

7:40

because they don't think like these other

7:42

characters think so doing that and

7:44

getting to tell stories that take people

7:46

away from their current life has

7:48

always been a major goal of mine,

7:51

right some of the comments in

7:53

the chat room. Now, we're not really

7:55

talking about the actual granular politics

7:57

themselves, all right? So if there's arguing

7:59

on the chat room, just let

8:01

it go. You can go find that

8:03

any place you want. A rational

8:05

discussion is fine. We're more talking about

8:07

the general, the general vibe and

8:09

feeling of I, as an American, as

8:11

an individual, am struggling with what's

8:13

going on right now. And it all

8:15

seems to have so much more

8:17

gravitas than this thing. that I do.

8:19

So we're not, we're not here

8:21

to discuss split hairs about policy. We're

8:23

talking with a bigger picture of

8:25

like, I'm, I'm bummed out. This is

8:27

not, you know, what's going on

8:29

now is this is not the country

8:31

I grew up in, period, for

8:33

a lot of different reasons. It's not

8:35

just tariffs, tariffs are the smallest

8:37

piece of this. Sure. Recluse Mage in

8:39

the Twitch chat room says, you

8:42

provide one of the needs, it's not

8:44

just food and water. And to

8:46

that point, I think for me personally,

8:49

your sort of fiction, fiction that

8:51

looks and feels like the

8:53

real world where Lincoln uses references

8:55

I understand, even though he

8:57

lives in a magical world, kind

8:59

of puts my emotional brain

9:01

into a sandbox mode, where I

9:03

can go through all of

9:05

those emotions and get used to

9:07

some of those emotions without

9:09

having to live through those emotions.

9:11

And that makes me a

9:14

better member of society, I think.

9:16

And I think that

9:19

that is a thing

9:21

where you're not driving

9:23

an ambulance, but you

9:25

provide really essential care

9:28

sometimes. And one of the

9:30

major goals of my work and my craft

9:32

has always been, I want to write

9:34

a story so immersive and so good that

9:36

you get completely lost in my world. and

9:39

it lets your brain be fully occupied

9:41

with what I've given you so that

9:43

the other part of your brain that

9:45

has to deal with all of these

9:47

much more severe, much more intense things gets

9:49

a breather, gets a break. My

9:51

job is to give you a

9:53

respite. There is a thing that

9:55

we do that you do every day that I'm

9:58

gonna talk a little bit about here because I

10:00

think it's relevant. One is in the physical world

10:02

and one is an emotional thing. Frequently,

10:05

Scott will come. You guys all...

10:07

have heard I work downstairs. He works

10:09

upstairs. He'll come downstairs and say I gotta

10:11

do something with my hands I gotta

10:13

I gotta process something in my head and

10:15

It can be hey take all these

10:17

boxes to the garage and break them down

10:19

for recycling It can be emptying the

10:21

dishwasher. It can be loading the dishwasher It's

10:23

a thing that you can do without

10:25

having to think about it. I

10:27

think going

10:29

through the emotions of your

10:31

characters, other characters, does that

10:33

same thing for me sort

10:35

of mentally and emotionally. Gives

10:37

me time to root around

10:39

in what I'm feeling and

10:41

how I'm feeling and maybe

10:44

sort out some things subconsciously.

10:46

And to put this in

10:48

a broader perspective, of

10:50

course, when the Vietnam era was

10:52

going on and the country is

10:54

going through massive difficulties, I

10:56

wasn't... Cognizant of what was going

10:58

on back then. I was a

11:00

little kid. But I'm sure there

11:02

were artists and creators who were

11:05

writing for network TV, Magnum

11:07

PI, for example, or whatever was on

11:09

at that particular time, writing for MASH, what

11:11

have you. And I'm

11:13

sure creators have had the

11:15

same feeling many, many times. You're

11:17

making this escapist fun. entertainment

11:20

stuff, and yet here America's

11:22

umbrella in Vietnam. Here we

11:24

are in 9 -11. Here we

11:26

are at the stock market crash,

11:28

going way back when. Here

11:30

we are in the Civil War,

11:32

although there wasn't as much

11:34

entertainment going on the Civil War,

11:36

but all these major elements

11:38

going on and making entertainment that

11:40

is separate from that particular

11:42

turmoil. If you're making World

11:44

War II and you're writing songs

11:46

about golly gee, we're going to

11:48

go over there and beat up

11:50

the Germans. That's entertainment, but that's

11:52

also part and parcel of what's

11:54

happening within the context of the

11:56

struggle that's happening at that time.

11:58

So I'm sure if we looked

12:00

around and maybe we could find

12:02

people who have gone through this

12:04

more often or in the past

12:06

and how they dealt with it,

12:08

because I'm certain this anybody who

12:10

makes entertainment for a living has

12:12

gone through something very similar, whether

12:15

it be art, music, literature, whatever.

12:17

One of the things that I

12:19

came across while preparing for this

12:21

episode is the idea that you

12:23

brought up at the top of

12:25

the episode, you said, it feels

12:27

like what I do is frivolous.

12:29

And you use that word. And

12:31

one of the things that I

12:33

came across preparing for this episode

12:35

is this idea that joy and

12:37

enjoyment is absolutely not frivolous. It's

12:39

no more frivolous than the the

12:41

opposite of those emotions. So if

12:43

you have to suffer, you should

12:45

have to have the capacity for

12:47

joy. And if you don't, then

12:49

that makes them luxuries. And

12:51

I think having a safe space

12:53

and having an emotional safe space

12:55

and having some joy in your

12:57

life, even if it's transient, isn't

12:59

a luxury. I think it can't

13:01

be, at least for me, I can't think of it as

13:03

a luxury. It has to be, if

13:06

I have to suffer, I should be

13:08

able to laugh too. they should be equally

13:10

important. We're getting a lot of constant

13:12

chat room about the pressure valve or the

13:14

steam valve. So the things that I

13:16

do, again, going back to that, no

13:19

matter how dark things are going on for you,

13:21

if I execute my skills to

13:23

the top levels of my

13:25

ability, I get you to forget all

13:28

about that. So I guess this is really no

13:30

different than the things you brought up early. The

13:32

people, I was going through this horrible divorce, this

13:34

custody battle, I was getting treated for cancer, I

13:36

was losing my wife, have we here? We

13:38

are all kinds of stuff that is

13:40

really hard to process for me, for

13:43

people who come up and say, your

13:45

work was so important to me during

13:47

this very difficult time. And here's what

13:49

it did for me. And I'm like,

13:51

man, you know, I'm just like, I'm

13:53

right about the GFL. And I'm not

13:55

sure. I'm not sure I grok it.

13:58

But so what you're saying is this

14:00

is largely I'm still providing basically the

14:02

same service. Yeah. It's just now this

14:04

is a particular thing that's more happening

14:06

to me. and not something that's happening

14:08

to somebody else. Right. And that the

14:11

idea that art has always existed to,

14:13

I don't know if it's to prove

14:15

our humanity or show our humanity, through

14:18

times of chaos in through world

14:20

war, as everybody's mentioning, through World War

14:22

II, there were USO tours, things

14:24

like that. Yeah, still USO tours. Yeah,

14:26

of course. There's

14:28

Renaissance, the Harlem

14:30

Renaissance was specifically an

14:32

outcome of free black.

14:34

people moving north and

14:36

finding their ability to

14:39

be human in person

14:41

in public again. And

14:43

that was not escapist,

14:45

but that was in exact

14:47

response to. There

14:49

was one more, I thought of,

14:51

oh, I didn't think of this, but

14:53

somebody said that the whole punk

14:55

rock era that grew out of the

14:57

Thatcher Reagan era in the UK

14:59

specifically was a similar thing. It was

15:01

sort of up the authority. I

15:04

am still the human I was before, no matter

15:06

what you call me, what you tell everybody I

15:08

am, I am still this person. And for me,

15:10

I think that's a very important thing. To

15:12

remain a creative human

15:14

makes you the same

15:16

American you always were,

15:18

to me, anyway. Let's

15:21

see, I have one more point, but we do have to

15:23

take a quick break. This

15:29

is Scott zikareta of this story

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That's Shopify.com slash realm. Welcome

17:58

back to Deep Cuts. This

18:00

episode, we're talking about making

18:02

fiction while reality is on

18:04

fire. So

18:06

getting back into this

18:08

idea that escapism is

18:10

not necessarily resistance, but

18:13

escapism provides more

18:15

ability to continue

18:17

on. I

18:19

find that we talked about

18:21

this at the beginning, but

18:24

you don't really know how

18:26

or why somebody connects

18:28

with your art. But I

18:31

have seen personally that sometimes it

18:33

is a safe space to,

18:35

like you say, hear someone else's

18:37

perspective that you instinctively reject

18:39

completely. And if you

18:41

can do it in a safe space and

18:43

they can do it in a safe

18:45

space, it can change hearts and minds. And

18:48

I do think even Billy yelling at

18:50

Lincoln to not, just because you had

18:52

a bad day, don't be a piece of shit to peanut, teaches

18:55

by example. At

18:57

least I do. Yes. What do you think? Well,

19:00

Scott, big sexy Scott Pond just

19:02

jumped into the chat room. Hey, Scott Pond, nice

19:04

to see you. Yeah,

19:07

it's all this kind of

19:09

amorphous thing in it. And it

19:11

goes through cycles in my

19:13

head that's like, like, you know,

19:16

dryer washing machines, just constantly

19:18

spinning. Because what I do

19:20

requires an enormous amount of isolation

19:22

and focus. to keep all

19:24

of the hamsters corralled at the hamster ranch.

19:26

You have to keep an eye on all

19:28

these hamsters, because once they get away, they're

19:30

out. I have to keep so much in

19:32

my head. I work with Wiki, I work with Notes, I

19:35

work with Outlines. And

19:37

I really have to tune everything out completely.

19:39

But every time I'm like, okay, got

19:41

a couple good hours and that was done,

19:43

I go back, I go back and

19:45

look at what's going on. I'm like, well,

19:47

this is patently illegal. This is completely

19:49

against the Constitution. How is this

19:51

happening right now? that

19:53

makes it really hard to get back into,

19:55

get back into the groove. And I'm

19:57

like, well, I took a break. I

19:59

still got three hours of writing left.

20:01

And now the hamster, the fences kicked over.

20:04

The damn donkey from next door came

20:06

over, kicked over the fence. The hamsters

20:08

are running wild. They've got acetylene torches in

20:10

one hand and gas in the other

20:12

and look out. I'm not gonna lie

20:14

to you, part of your problem might be

20:16

that you chose to put a hamster

20:18

ranch next door. What was that, a

20:20

donkey? Donkey. A donkey. Oh, that's probably your

20:22

mistake right there. Yeah, okay. Well, you

20:24

know what? I'm an author. I'm not

20:27

an architect, nor am I a community

20:29

planner. I don't do either of those things.

20:31

So I have a little bit of

20:33

a difficult question for you, but it's

20:35

a little difficult, not big difficult. Okay. I

20:38

know from having worked with

20:40

you for so long that... are

20:42

uncomfortable getting those emails. I

20:44

just mentioned it is it's

20:46

always a little like oh

20:48

I was just doing my

20:51

job like you sometimes when

20:53

people come to you with

20:55

really heavy stories I am

20:57

absolutely a Terminal case and

20:59

I keep thinking I'll live

21:01

another week to hear the

21:03

Sunday story How

21:05

does that make you feel? And

21:07

is that maybe part of why?

21:09

Yeah, see, this is what I

21:12

mean. Is that part of maybe

21:14

why you have trouble accepting that

21:16

this is not just frivolous, but

21:18

useful, necessary, and good? Yeah,

21:20

I think that those are

21:22

Oreos in the same row, if

21:25

you get a big old

21:27

package of them, right? Like, this

21:29

is another thing that I

21:31

have difficulty reconciling. importance

21:33

my work has with some people at certain

21:35

points of their life with what I think

21:37

is the importance of my work. And I

21:39

take great pride in how hard I work

21:42

and everything and how much wrench time goes

21:44

into trying to make sure if you're going

21:46

to read my stuff, it's going to blow

21:48

you away. You're never going to get a

21:50

phone in performance. But

21:52

I guess it's the characterization

21:55

and the interactions between the characters

21:57

and life situations characters get

21:59

into that resonates with my readers.

22:01

on a level I'm not

22:04

quite sure I planned

22:06

for or that I get.

22:08

And when it helps them out an absolute

22:10

ton, yeah, that's the same kind

22:13

of thing. It's like somebody telling me how

22:15

important the work is and my brain

22:17

draws focus on like, well, this isn't really

22:19

all that important at all. And that

22:21

this isn't really all that important at all

22:23

is the same. you know, campster with

22:25

the blowtorch that's looking at the news and

22:27

being like, I should be more involved

22:30

with this stuff and not putting in 14

22:32

hours a day creating fiction. Yeah,

22:34

absolutely. But the world needs

22:36

poets and pilots and everything

22:38

else, I think. For

22:40

me, one of the things

22:42

that I have found in

22:45

the last five years, I'll

22:47

say. So even with the

22:49

world changing pandemic, I find

22:51

grace in... repetitively

22:53

listening to passages I

22:55

really loved, but also

22:57

passages that I learned

22:59

from. And not just your

23:01

stories, but a lot of them. And

23:04

I have, I'd say maybe 15

23:06

books that are always downloaded on my

23:08

phone for a specific, I

23:10

gotta hear this, you know, sometimes it's hard

23:12

to do the right thing, but you gotta

23:14

do the right thing, section or whatever. And

23:16

I re -listen to them because They

23:19

make me feel the way I think

23:21

I felt when I thought I knew what

23:23

the world was doing. And we thought

23:25

what it was, yeah. And if

23:27

I can feel more myself that way, maybe

23:29

the world, you know, I'll see a path

23:31

through the world as it is. I

23:33

think everybody has those special... Things those

23:35

those parts of the books and I guess

23:37

I've lost track with a lot of

23:39

mine because we've moved I've moved so many

23:41

times You know those books with that

23:43

I had the post it's in and the

23:46

highlighted parts and like oh my god

23:48

How did how did this person create this

23:50

little thing right here? Those are

23:52

all gone. You know for me I don't really

23:54

have a lot of books and I can't sit

23:56

and read anymore for the same reason I can't

23:58

the news gets me and

24:00

the hamsters go crazy. And it's hard

24:02

to find those things in audiobooks. So

24:04

I'm glad that you have those things.

24:06

But I guess the older I get,

24:08

the more I've lost touch with those

24:10

iconic little bits that connected with me

24:12

on a much deeper level. Really, the

24:14

only thing I've left for that is

24:16

music, going back to certain songs and

24:18

getting that that. echo resonance of how

24:21

I felt the first time I heard

24:23

it or how important that song was.

24:25

We've got some breakup songs. When

24:29

things were not going as well

24:31

as they are now. And some of

24:33

those songs, like now I love

24:35

those songs, they're great, but it definitely

24:37

calls up a certain emotional palette

24:39

that I'm able to look at from

24:41

a distance. So that's kind of

24:43

what you're talking about. Yeah, that's a

24:45

terrific soundbite or takeaway from that.

24:47

An emotional palette that I am familiar

24:49

with, soothes me, an emotional palette

24:51

that I understand well and I have

24:53

had. I have reacted to a

24:55

thousand times, makes me feel like myself

24:57

when I don't feel like myself

24:59

in the world. It gives me sort

25:01

of emotional, proprioception, I think. And

25:03

Chris Crawl in the chat room says,

25:05

I bet you have those resonant

25:07

moments in movies. That is, I totally

25:09

forgot about that. I'm very much

25:11

a movie -driven guy, Rob Otto and

25:13

I, co -writer of Slay. Our

25:15

whole... whole culture, our Gen

25:17

X, small town cultures, very much

25:19

about the movies. Actually, that's,

25:21

I'm like, I will, so

25:24

I try to, instead of taking a break to

25:26

read the news or look at the stocks or

25:28

anything like that, I'll take a break. You know,

25:30

I'm just going to go to YouTube and watch,

25:32

I'm going to go watch a clip from Pulp

25:34

Fiction. And then 45 minutes later... 27

25:36

short clips of all the different

25:38

movies I love and all these little

25:40

things come up. That's my escapism.

25:42

I don't even know what time is

25:44

passing and like, holy crap, I'm

25:46

gonna watch some YouTube clips for 45

25:48

minutes. And it could be a

25:50

movie that is wholly irrelevant, like

25:53

Caddyshack. Oh, yeah. Absolutely irrelevant.

25:55

Is it about class or...?

25:57

It doesn't matter, it's still

25:59

really good for you. And

26:01

the last thing I want

26:03

to say, and then the

26:05

floor is yours, and then

26:07

we're out of here, is

26:09

the only other option is

26:11

silence. And that means

26:14

if you say, well, this isn't

26:16

important, and therefore I need to

26:18

go do something important, that

26:20

nobody has those moments, nobody

26:22

has caddyshack, nobody has, I

26:24

was about to say porkies, but that's not

26:26

one of mine, and that might not

26:28

be a lot of people. Oh, you kidding?

26:31

Porky's rules, too. So, you know, the

26:33

only thing that you have if you don't

26:35

have these emotional safe spaces is everything

26:37

that's already telling you, you're not going to

26:39

win this, you can't get past this, this

26:42

is going for it. It's

26:44

just, just give up. Just

26:46

don't worry about it. So

26:48

I think that creating escapist

26:50

stories is essential so that

26:52

someday you are someone's caddyshack.

26:55

Yeah, yeah. I guess I

26:58

could be. Someone's Caddyshack. That's

27:00

great. Michael Morris is back to school.

27:02

I've watched the Sam Kinnison scene a thousand

27:04

times. It's great. I can do it. I

27:07

need to watch it one more time. I

27:09

can do that word for word, every pause,

27:11

every intonation. And yeah, there's

27:13

tons of stuff like that. Caddyshack going through

27:15

the Blues Brothers going way back and

27:17

more hardcore movies like Aliens and getting to

27:20

those things. So that's

27:22

a good point. I'm

27:24

creating those Touchstone gemstone

27:26

moments. for other people, where

27:28

they just get to forget, they forget

27:30

to forget who they are. They get

27:33

to go be somebody else for a

27:35

while, and there's a huge benefit to

27:37

just being someone else for a little

27:39

while. I think so, and I think

27:41

that that is whether or not you

27:43

intended Billy vomiting purple nerpel in his

27:45

grandma's bathroom and having to shout, no,

27:47

no, no, don't come in. I'm

27:51

naked to get out of that.

27:53

That's hysterical. But that is that pressure

27:55

valve release. And that is a

27:58

moment that I understand exactly where I

28:00

fit in the world. And that

28:02

is in short order these days. Awesome.

28:05

Well, you've all helped me very much. You

28:07

can send me your bill as your

28:09

therapist bill, which I will put into my

28:11

file back here, which is full of

28:13

many other things. that I have not thought

28:15

about once since they went in there.

28:17

In other words, I ain't paying you jack

28:19

shit. I ain't paying

28:21

shit. Well, we are glad that you

28:23

are with us tonight. That is it

28:25

for this episode of Deep Cuts. Next

28:27

episode, you get a tariff and you

28:29

get a tariff and you get a

28:31

tariff. Everybody gets

28:33

a tariff. How will tariffs

28:36

impact creators, especially ones who write

28:38

books like me? Goodbye.

28:41

Love you guys. See you next week. Welcome

28:53

to Gotham, Jimmy. It's

28:55

not as bad as it looks. DC

28:58

and Realm present. Our

29:00

vigilante, or Batman, as

29:03

he's called, possesses extraordinary

29:05

physical skill. DC high

29:07

volume Batman. Fear.

29:11

I have to make them afraid. I

29:14

shall become a bat.

29:18

Look. Look there. What

29:20

the hell? The

29:25

Dark Knight's definitive DC

29:27

comic stories. He's

29:29

got a motorcycle. Get after

29:31

him or have you shot.

29:33

Take him down. Adapted

29:36

directly for audio for the

29:38

very first time. I think she's

29:40

a damn Robin Hood. He

29:43

dies. Looks like

29:45

it's just you and me

29:47

now, Phil. Hit the floodlight. It's

29:50

showtime. New episodes

29:52

every Wednesday. Follow and

29:54

listen wherever you get your

29:56

podcasts. Batman

29:59

hasn't attacked anybody. What

30:01

do you mean blow up the building? From

30:10

this moment on, none

30:12

of your safe. DC

30:15

High Volume, Batman.

30:19

Available now. I

30:28

don't have much time. I

30:30

am being transported by the Ecclesiad

30:32

vessel Mercava stand trial for heresy

30:34

of the highest order. But I

30:37

will not renounce my work, and

30:39

to my last breath I will speak

30:41

the truth of this plague -ridden world,

30:43

that ours is not a loving God,

30:45

and we are not its favored children. The

30:48

heresies of Red of Bunwine, chapter

30:50

2, Coming right first.

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