Episode Transcript
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0:00
see democracy collapsing and totalitarianism on
0:02
the American doorstep. Massive changes
0:04
our foot and no matter what
0:06
happens, our country will never
0:08
be the same. So with that
0:10
dark distort going on, why
0:12
and how do creators keep making
0:14
escapist art? We'll talk about
0:16
it right after this. You
0:23
chose to hit play on this podcast
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today. Smart choice. Progressive loves
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situations. Prices vary based on how
0:51
you buy. Welcome
1:00
to Deep Cuts, the bonus episode of the
1:02
Scott Sigler Slices Fiction Podcast, where a sci -fi
1:04
author and an audiobook narrator discuss things and
1:07
stuff in the world of fiction and pop
1:09
culture. And apparently today, overall
1:11
global doom. I am Scott Sigler, sci -fi
1:13
horror author known far and wide as the
1:15
Future Dark Overlord. And I am
1:17
A .B. Sigler, publisher at Empty Set
1:19
Entertainment and audiobook narrator. And on
1:21
this Deep Cuts, we're talking about
1:23
how artists can keep making escapist
1:25
entertainment while the world burns. and
1:27
why they should keep doing it.
1:29
Hey, reminder, this is a bonus episode
1:31
in the Scott Segler Slices feed. Not part of
1:34
any particular story. You don't have to listen to
1:36
this, keep up on our current tale, but we
1:38
would like to have you join us for this
1:40
particular elements behind the storyteller curtain.
1:42
Absolutely. This is definitely how
1:44
the sausage is made. We've done
1:46
another, recently another episode like this where
1:48
while I wish we could wrap this up
1:50
with a nice bow for you, that
1:52
is not what we're doing, but we have
1:55
actually had a handful of emails asking
1:58
how some of these changes affect
2:00
our small business and especially our business
2:02
since we work with strategic vendors
2:04
to make t -shirts and books and
2:06
all that jazz. And we're going to
2:08
talk about it. We're not going
2:10
to solve this problem today. So
2:13
why don't you tell me a little bit
2:15
about your thoughts? Work is
2:17
being impacted now by the
2:19
dramatic changes that are
2:21
going on. in America and
2:23
the world to some
2:26
extent, but right now the
2:28
things that are newsworthy,
2:30
if you will, are being
2:32
driven by the American
2:34
government. And, you know,
2:36
we're not going to get too
2:39
much into it, but several things are
2:41
happening now that I never would
2:43
have thought possible. I thought the American
2:45
system checks and balances for this
2:47
particular thing. What we're finding
2:49
out is that has been a
2:51
gentleman's agreement. from square one. There really
2:53
hasn't been any enforcement procedure in
2:55
place to do this. So now the
2:57
point of what I'm saying is
2:59
we're getting to the area where at
3:01
my age, I've been around a
3:03
long time, I've won a lot of
3:05
elections. This is
3:07
not normal. This is not
3:10
normal. And we're never going
3:12
to see normal again. So
3:14
with that in mind, You
3:16
know, here I am writing
3:18
stories about a foul mouth
3:20
bartering session in a magical
3:23
pawn shop. You
3:25
know, how can I continue to stay
3:27
focused and make good work and make
3:29
it good enough that people will give
3:31
me their time and their money to
3:33
take in what I create when largely
3:35
a lot of the stuff doesn't seem
3:37
all that important anymore. It seems my
3:39
work seems more. Trivial now than it
3:41
has before so I'm having trouble as
3:43
a lot of staring at the screen
3:45
There's a lot of staring off in
3:47
the middle distance and being like why
3:49
am I doing this? What is the
3:51
point of doing all of this? So
3:53
that's kind of where I'm at right
3:55
now. It's it's affecting It's affecting not
3:57
the work itself, but the time put
3:59
into the work for sure a lot
4:01
of gears being missed up top and
4:03
do you find Part of the reason
4:05
that it takes longer is that there's
4:07
more mental load and there's also more
4:09
that you are having to look into
4:11
having to look at how is it
4:13
taking your time? Well, it's not
4:15
possible. I don't think anymore for a lot
4:17
of people, including me, like I'm just
4:19
not going to pay any attention to it
4:21
because not paying attention to it. Every
4:23
time you turn on the news or you
4:26
go on threads, I don't go on
4:28
Twitter anymore. But every time you go on
4:30
social media or read the noise, you're
4:32
like, what are you? What the what the
4:34
fuck? How is this happening right now?
4:36
So if you just ignore it. For
4:38
a day I've been able to do that
4:40
a couple times ignore it for a day
4:42
hang out with my awesome wife hang out
4:44
my pups You know enjoy the life that
4:46
we've worked so hard to build and then
4:48
you go back to it again And you're
4:50
like holy shit now now this now what
4:52
this is crazy So I'm not able to
4:54
just ignore it nor do I think as
4:56
an American citizen ignoring anything at this point
4:58
is a wise idea because we're gonna We're
5:00
gonna get some point where like this isn't
5:02
at all the same anymore good a hundred
5:04
percent. I think that is that is true
5:07
One of the things that
5:09
I think has been really
5:11
important for us as a
5:14
business that has a direct
5:16
relationship with our customers and
5:18
has a real connection here. One
5:21
of the things that I
5:23
think we've talked about offline
5:25
is how your work throughout
5:27
your career has given people
5:29
hope and strength and tenacity
5:31
to get through a specific
5:33
thing in the Facebook chat
5:35
room. Dawn just mentioned this
5:38
very thing, saying definitely not
5:40
frivolousness. It is an absolute
5:42
necessity for me. I
5:44
am not going to read them because
5:46
I didn't want to do the work
5:48
of getting permissions from everybody because this
5:50
is pretty trivial. But over the years,
5:52
we've gotten emails from people who watched
5:54
their spouse die of cancer, who
5:56
they themselves were dying of
5:59
cancer, people who had catastrophic
6:01
house fires, catastrophic flood, all
6:03
sorts of things that They
6:05
send you a thank you and
6:08
say thank you for giving my
6:10
brain a break And I think that
6:12
is a place that I want
6:14
to start about why it's not
6:16
You know in this way your
6:18
your job is not life or
6:20
death But in this way it gives
6:22
life when sometimes there's a lot
6:24
of hopelessness and I think that's
6:26
essential. Okay So the idea that
6:28
we get from creations and definitely from
6:30
your work examples
6:34
of courage, of strength,
6:36
of fortitude, of bad
6:38
people or imperfect people
6:40
having to make terrible
6:42
choices because they're the
6:44
best choice they have.
6:47
I think all of those things I
6:49
gain from reading your work and
6:51
work like yours. It's interesting to me
6:53
that you think that it somehow
6:55
isn't relevant to that, but it is.
6:57
Yeah, I mean, so I guess
6:59
emotionally I sort of get that part,
7:01
right? What I do
7:03
matters to a bunch of people for
7:05
a bunch of different reasons. One
7:08
of my things I'm the
7:10
most proud of is I
7:12
have diehard fans from all
7:14
across the political spectrum, every
7:16
ideology, atheists, you know, evangelists,
7:18
just every kind of religion. People
7:20
groove my work because I don't I
7:22
don't marginalize or punch down. Anyone
7:24
including the people that I don't agree
7:26
with Politically, I don't treat anybody
7:28
my work doesn't show anybody to be
7:30
a buffoon because they believe in
7:32
X Don't think they're an idiot because
7:34
they believe in Y and in
7:36
no point do I say well these
7:38
people deserve what's coming to them
7:40
because they don't think like these other
7:42
characters think so doing that and
7:44
getting to tell stories that take people
7:46
away from their current life has
7:48
always been a major goal of mine,
7:51
right some of the comments in
7:53
the chat room. Now, we're not really
7:55
talking about the actual granular politics
7:57
themselves, all right? So if there's arguing
7:59
on the chat room, just let
8:01
it go. You can go find that
8:03
any place you want. A rational
8:05
discussion is fine. We're more talking about
8:07
the general, the general vibe and
8:09
feeling of I, as an American, as
8:11
an individual, am struggling with what's
8:13
going on right now. And it all
8:15
seems to have so much more
8:17
gravitas than this thing. that I do.
8:19
So we're not, we're not here
8:21
to discuss split hairs about policy. We're
8:23
talking with a bigger picture of
8:25
like, I'm, I'm bummed out. This is
8:27
not, you know, what's going on
8:29
now is this is not the country
8:31
I grew up in, period, for
8:33
a lot of different reasons. It's not
8:35
just tariffs, tariffs are the smallest
8:37
piece of this. Sure. Recluse Mage in
8:39
the Twitch chat room says, you
8:42
provide one of the needs, it's not
8:44
just food and water. And to
8:46
that point, I think for me personally,
8:49
your sort of fiction, fiction that
8:51
looks and feels like the
8:53
real world where Lincoln uses references
8:55
I understand, even though he
8:57
lives in a magical world, kind
8:59
of puts my emotional brain
9:01
into a sandbox mode, where I
9:03
can go through all of
9:05
those emotions and get used to
9:07
some of those emotions without
9:09
having to live through those emotions.
9:11
And that makes me a
9:14
better member of society, I think.
9:16
And I think that
9:19
that is a thing
9:21
where you're not driving
9:23
an ambulance, but you
9:25
provide really essential care
9:28
sometimes. And one of the
9:30
major goals of my work and my craft
9:32
has always been, I want to write
9:34
a story so immersive and so good that
9:36
you get completely lost in my world. and
9:39
it lets your brain be fully occupied
9:41
with what I've given you so that
9:43
the other part of your brain that
9:45
has to deal with all of these
9:47
much more severe, much more intense things gets
9:49
a breather, gets a break. My
9:51
job is to give you a
9:53
respite. There is a thing that
9:55
we do that you do every day that I'm
9:58
gonna talk a little bit about here because I
10:00
think it's relevant. One is in the physical world
10:02
and one is an emotional thing. Frequently,
10:05
Scott will come. You guys all...
10:07
have heard I work downstairs. He works
10:09
upstairs. He'll come downstairs and say I gotta
10:11
do something with my hands I gotta
10:13
I gotta process something in my head and
10:15
It can be hey take all these
10:17
boxes to the garage and break them down
10:19
for recycling It can be emptying the
10:21
dishwasher. It can be loading the dishwasher It's
10:23
a thing that you can do without
10:25
having to think about it. I
10:27
think going
10:29
through the emotions of your
10:31
characters, other characters, does that
10:33
same thing for me sort
10:35
of mentally and emotionally. Gives
10:37
me time to root around
10:39
in what I'm feeling and
10:41
how I'm feeling and maybe
10:44
sort out some things subconsciously.
10:46
And to put this in
10:48
a broader perspective, of
10:50
course, when the Vietnam era was
10:52
going on and the country is
10:54
going through massive difficulties, I
10:56
wasn't... Cognizant of what was going
10:58
on back then. I was a
11:00
little kid. But I'm sure there
11:02
were artists and creators who were
11:05
writing for network TV, Magnum
11:07
PI, for example, or whatever was on
11:09
at that particular time, writing for MASH, what
11:11
have you. And I'm
11:13
sure creators have had the
11:15
same feeling many, many times. You're
11:17
making this escapist fun. entertainment
11:20
stuff, and yet here America's
11:22
umbrella in Vietnam. Here we
11:24
are in 9 -11. Here we
11:26
are at the stock market crash,
11:28
going way back when. Here
11:30
we are in the Civil War,
11:32
although there wasn't as much
11:34
entertainment going on the Civil War,
11:36
but all these major elements
11:38
going on and making entertainment that
11:40
is separate from that particular
11:42
turmoil. If you're making World
11:44
War II and you're writing songs
11:46
about golly gee, we're going to
11:48
go over there and beat up
11:50
the Germans. That's entertainment, but that's
11:52
also part and parcel of what's
11:54
happening within the context of the
11:56
struggle that's happening at that time.
11:58
So I'm sure if we looked
12:00
around and maybe we could find
12:02
people who have gone through this
12:04
more often or in the past
12:06
and how they dealt with it,
12:08
because I'm certain this anybody who
12:10
makes entertainment for a living has
12:12
gone through something very similar, whether
12:15
it be art, music, literature, whatever.
12:17
One of the things that I
12:19
came across while preparing for this
12:21
episode is the idea that you
12:23
brought up at the top of
12:25
the episode, you said, it feels
12:27
like what I do is frivolous.
12:29
And you use that word. And
12:31
one of the things that I
12:33
came across preparing for this episode
12:35
is this idea that joy and
12:37
enjoyment is absolutely not frivolous. It's
12:39
no more frivolous than the the
12:41
opposite of those emotions. So if
12:43
you have to suffer, you should
12:45
have to have the capacity for
12:47
joy. And if you don't, then
12:49
that makes them luxuries. And
12:51
I think having a safe space
12:53
and having an emotional safe space
12:55
and having some joy in your
12:57
life, even if it's transient, isn't
12:59
a luxury. I think it can't
13:01
be, at least for me, I can't think of it as
13:03
a luxury. It has to be, if
13:06
I have to suffer, I should be
13:08
able to laugh too. they should be equally
13:10
important. We're getting a lot of constant
13:12
chat room about the pressure valve or the
13:14
steam valve. So the things that I
13:16
do, again, going back to that, no
13:19
matter how dark things are going on for you,
13:21
if I execute my skills to
13:23
the top levels of my
13:25
ability, I get you to forget all
13:28
about that. So I guess this is really no
13:30
different than the things you brought up early. The
13:32
people, I was going through this horrible divorce, this
13:34
custody battle, I was getting treated for cancer, I
13:36
was losing my wife, have we here? We
13:38
are all kinds of stuff that is
13:40
really hard to process for me, for
13:43
people who come up and say, your
13:45
work was so important to me during
13:47
this very difficult time. And here's what
13:49
it did for me. And I'm like,
13:51
man, you know, I'm just like, I'm
13:53
right about the GFL. And I'm not
13:55
sure. I'm not sure I grok it.
13:58
But so what you're saying is this
14:00
is largely I'm still providing basically the
14:02
same service. Yeah. It's just now this
14:04
is a particular thing that's more happening
14:06
to me. and not something that's happening
14:08
to somebody else. Right. And that the
14:11
idea that art has always existed to,
14:13
I don't know if it's to prove
14:15
our humanity or show our humanity, through
14:18
times of chaos in through world
14:20
war, as everybody's mentioning, through World War
14:22
II, there were USO tours, things
14:24
like that. Yeah, still USO tours. Yeah,
14:26
of course. There's
14:28
Renaissance, the Harlem
14:30
Renaissance was specifically an
14:32
outcome of free black.
14:34
people moving north and
14:36
finding their ability to
14:39
be human in person
14:41
in public again. And
14:43
that was not escapist,
14:45
but that was in exact
14:47
response to. There
14:49
was one more, I thought of,
14:51
oh, I didn't think of this, but
14:53
somebody said that the whole punk
14:55
rock era that grew out of the
14:57
Thatcher Reagan era in the UK
14:59
specifically was a similar thing. It was
15:01
sort of up the authority. I
15:04
am still the human I was before, no matter
15:06
what you call me, what you tell everybody I
15:08
am, I am still this person. And for me,
15:10
I think that's a very important thing. To
15:12
remain a creative human
15:14
makes you the same
15:16
American you always were,
15:18
to me, anyway. Let's
15:21
see, I have one more point, but we do have to
15:23
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That's Shopify.com slash realm. Welcome
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back to Deep Cuts. This
18:00
episode, we're talking about making
18:02
fiction while reality is on
18:04
fire. So
18:06
getting back into this
18:08
idea that escapism is
18:10
not necessarily resistance, but
18:13
escapism provides more
18:15
ability to continue
18:17
on. I
18:19
find that we talked about
18:21
this at the beginning, but
18:24
you don't really know how
18:26
or why somebody connects
18:28
with your art. But I
18:31
have seen personally that sometimes it
18:33
is a safe space to,
18:35
like you say, hear someone else's
18:37
perspective that you instinctively reject
18:39
completely. And if you
18:41
can do it in a safe space and
18:43
they can do it in a safe
18:45
space, it can change hearts and minds. And
18:48
I do think even Billy yelling at
18:50
Lincoln to not, just because you had
18:52
a bad day, don't be a piece of shit to peanut, teaches
18:55
by example. At
18:57
least I do. Yes. What do you think? Well,
19:00
Scott, big sexy Scott Pond just
19:02
jumped into the chat room. Hey, Scott Pond, nice
19:04
to see you. Yeah,
19:07
it's all this kind of
19:09
amorphous thing in it. And it
19:11
goes through cycles in my
19:13
head that's like, like, you know,
19:16
dryer washing machines, just constantly
19:18
spinning. Because what I do
19:20
requires an enormous amount of isolation
19:22
and focus. to keep all
19:24
of the hamsters corralled at the hamster ranch.
19:26
You have to keep an eye on all
19:28
these hamsters, because once they get away, they're
19:30
out. I have to keep so much in
19:32
my head. I work with Wiki, I work with Notes, I
19:35
work with Outlines. And
19:37
I really have to tune everything out completely.
19:39
But every time I'm like, okay, got
19:41
a couple good hours and that was done,
19:43
I go back, I go back and
19:45
look at what's going on. I'm like, well,
19:47
this is patently illegal. This is completely
19:49
against the Constitution. How is this
19:51
happening right now? that
19:53
makes it really hard to get back into,
19:55
get back into the groove. And I'm
19:57
like, well, I took a break. I
19:59
still got three hours of writing left.
20:01
And now the hamster, the fences kicked over.
20:04
The damn donkey from next door came
20:06
over, kicked over the fence. The hamsters
20:08
are running wild. They've got acetylene torches in
20:10
one hand and gas in the other
20:12
and look out. I'm not gonna lie
20:14
to you, part of your problem might be
20:16
that you chose to put a hamster
20:18
ranch next door. What was that, a
20:20
donkey? Donkey. A donkey. Oh, that's probably your
20:22
mistake right there. Yeah, okay. Well, you
20:24
know what? I'm an author. I'm not
20:27
an architect, nor am I a community
20:29
planner. I don't do either of those things.
20:31
So I have a little bit of
20:33
a difficult question for you, but it's
20:35
a little difficult, not big difficult. Okay. I
20:38
know from having worked with
20:40
you for so long that... are
20:42
uncomfortable getting those emails. I
20:44
just mentioned it is it's
20:46
always a little like oh
20:48
I was just doing my
20:51
job like you sometimes when
20:53
people come to you with
20:55
really heavy stories I am
20:57
absolutely a Terminal case and
20:59
I keep thinking I'll live
21:01
another week to hear the
21:03
Sunday story How
21:05
does that make you feel? And
21:07
is that maybe part of why?
21:09
Yeah, see, this is what I
21:12
mean. Is that part of maybe
21:14
why you have trouble accepting that
21:16
this is not just frivolous, but
21:18
useful, necessary, and good? Yeah,
21:20
I think that those are
21:22
Oreos in the same row, if
21:25
you get a big old
21:27
package of them, right? Like, this
21:29
is another thing that I
21:31
have difficulty reconciling. importance
21:33
my work has with some people at certain
21:35
points of their life with what I think
21:37
is the importance of my work. And I
21:39
take great pride in how hard I work
21:42
and everything and how much wrench time goes
21:44
into trying to make sure if you're going
21:46
to read my stuff, it's going to blow
21:48
you away. You're never going to get a
21:50
phone in performance. But
21:52
I guess it's the characterization
21:55
and the interactions between the characters
21:57
and life situations characters get
21:59
into that resonates with my readers.
22:01
on a level I'm not
22:04
quite sure I planned
22:06
for or that I get.
22:08
And when it helps them out an absolute
22:10
ton, yeah, that's the same kind
22:13
of thing. It's like somebody telling me how
22:15
important the work is and my brain
22:17
draws focus on like, well, this isn't really
22:19
all that important at all. And that
22:21
this isn't really all that important at all
22:23
is the same. you know, campster with
22:25
the blowtorch that's looking at the news and
22:27
being like, I should be more involved
22:30
with this stuff and not putting in 14
22:32
hours a day creating fiction. Yeah,
22:34
absolutely. But the world needs
22:36
poets and pilots and everything
22:38
else, I think. For
22:40
me, one of the things
22:42
that I have found in
22:45
the last five years, I'll
22:47
say. So even with the
22:49
world changing pandemic, I find
22:51
grace in... repetitively
22:53
listening to passages I
22:55
really loved, but also
22:57
passages that I learned
22:59
from. And not just your
23:01
stories, but a lot of them. And
23:04
I have, I'd say maybe 15
23:06
books that are always downloaded on my
23:08
phone for a specific, I
23:10
gotta hear this, you know, sometimes it's hard
23:12
to do the right thing, but you gotta
23:14
do the right thing, section or whatever. And
23:16
I re -listen to them because They
23:19
make me feel the way I think
23:21
I felt when I thought I knew what
23:23
the world was doing. And we thought
23:25
what it was, yeah. And if
23:27
I can feel more myself that way, maybe
23:29
the world, you know, I'll see a path
23:31
through the world as it is. I
23:33
think everybody has those special... Things those
23:35
those parts of the books and I guess
23:37
I've lost track with a lot of
23:39
mine because we've moved I've moved so many
23:41
times You know those books with that
23:43
I had the post it's in and the
23:46
highlighted parts and like oh my god
23:48
How did how did this person create this
23:50
little thing right here? Those are
23:52
all gone. You know for me I don't really
23:54
have a lot of books and I can't sit
23:56
and read anymore for the same reason I can't
23:58
the news gets me and
24:00
the hamsters go crazy. And it's hard
24:02
to find those things in audiobooks. So
24:04
I'm glad that you have those things.
24:06
But I guess the older I get,
24:08
the more I've lost touch with those
24:10
iconic little bits that connected with me
24:12
on a much deeper level. Really, the
24:14
only thing I've left for that is
24:16
music, going back to certain songs and
24:18
getting that that. echo resonance of how
24:21
I felt the first time I heard
24:23
it or how important that song was.
24:25
We've got some breakup songs. When
24:29
things were not going as well
24:31
as they are now. And some of
24:33
those songs, like now I love
24:35
those songs, they're great, but it definitely
24:37
calls up a certain emotional palette
24:39
that I'm able to look at from
24:41
a distance. So that's kind of
24:43
what you're talking about. Yeah, that's a
24:45
terrific soundbite or takeaway from that.
24:47
An emotional palette that I am familiar
24:49
with, soothes me, an emotional palette
24:51
that I understand well and I have
24:53
had. I have reacted to a
24:55
thousand times, makes me feel like myself
24:57
when I don't feel like myself
24:59
in the world. It gives me sort
25:01
of emotional, proprioception, I think. And
25:03
Chris Crawl in the chat room says,
25:05
I bet you have those resonant
25:07
moments in movies. That is, I totally
25:09
forgot about that. I'm very much
25:11
a movie -driven guy, Rob Otto and
25:13
I, co -writer of Slay. Our
25:15
whole... whole culture, our Gen
25:17
X, small town cultures, very much
25:19
about the movies. Actually, that's,
25:21
I'm like, I will, so
25:24
I try to, instead of taking a break to
25:26
read the news or look at the stocks or
25:28
anything like that, I'll take a break. You know,
25:30
I'm just going to go to YouTube and watch,
25:32
I'm going to go watch a clip from Pulp
25:34
Fiction. And then 45 minutes later... 27
25:36
short clips of all the different
25:38
movies I love and all these little
25:40
things come up. That's my escapism.
25:42
I don't even know what time is
25:44
passing and like, holy crap, I'm
25:46
gonna watch some YouTube clips for 45
25:48
minutes. And it could be a
25:50
movie that is wholly irrelevant, like
25:53
Caddyshack. Oh, yeah. Absolutely irrelevant.
25:55
Is it about class or...?
25:57
It doesn't matter, it's still
25:59
really good for you. And
26:01
the last thing I want
26:03
to say, and then the
26:05
floor is yours, and then
26:07
we're out of here, is
26:09
the only other option is
26:11
silence. And that means
26:14
if you say, well, this isn't
26:16
important, and therefore I need to
26:18
go do something important, that
26:20
nobody has those moments, nobody
26:22
has caddyshack, nobody has, I
26:24
was about to say porkies, but that's not
26:26
one of mine, and that might not
26:28
be a lot of people. Oh, you kidding?
26:31
Porky's rules, too. So, you know, the
26:33
only thing that you have if you don't
26:35
have these emotional safe spaces is everything
26:37
that's already telling you, you're not going to
26:39
win this, you can't get past this, this
26:42
is going for it. It's
26:44
just, just give up. Just
26:46
don't worry about it. So
26:48
I think that creating escapist
26:50
stories is essential so that
26:52
someday you are someone's caddyshack.
26:55
Yeah, yeah. I guess I
26:58
could be. Someone's Caddyshack. That's
27:00
great. Michael Morris is back to school.
27:02
I've watched the Sam Kinnison scene a thousand
27:04
times. It's great. I can do it. I
27:07
need to watch it one more time. I
27:09
can do that word for word, every pause,
27:11
every intonation. And yeah, there's
27:13
tons of stuff like that. Caddyshack going through
27:15
the Blues Brothers going way back and
27:17
more hardcore movies like Aliens and getting to
27:20
those things. So that's
27:22
a good point. I'm
27:24
creating those Touchstone gemstone
27:26
moments. for other people, where
27:28
they just get to forget, they forget
27:30
to forget who they are. They get
27:33
to go be somebody else for a
27:35
while, and there's a huge benefit to
27:37
just being someone else for a little
27:39
while. I think so, and I think
27:41
that that is whether or not you
27:43
intended Billy vomiting purple nerpel in his
27:45
grandma's bathroom and having to shout, no,
27:47
no, no, don't come in. I'm
27:51
naked to get out of that.
27:53
That's hysterical. But that is that pressure
27:55
valve release. And that is a
27:58
moment that I understand exactly where I
28:00
fit in the world. And that
28:02
is in short order these days. Awesome.
28:05
Well, you've all helped me very much. You
28:07
can send me your bill as your
28:09
therapist bill, which I will put into my
28:11
file back here, which is full of
28:13
many other things. that I have not thought
28:15
about once since they went in there.
28:17
In other words, I ain't paying you jack
28:19
shit. I ain't paying
28:21
shit. Well, we are glad that you
28:23
are with us tonight. That is it
28:25
for this episode of Deep Cuts. Next
28:27
episode, you get a tariff and you
28:29
get a tariff and you get a
28:31
tariff. Everybody gets
28:33
a tariff. How will tariffs
28:36
impact creators, especially ones who write
28:38
books like me? Goodbye.
28:41
Love you guys. See you next week. Welcome
28:53
to Gotham, Jimmy. It's
28:55
not as bad as it looks. DC
28:58
and Realm present. Our
29:00
vigilante, or Batman, as
29:03
he's called, possesses extraordinary
29:05
physical skill. DC high
29:07
volume Batman. Fear.
29:11
I have to make them afraid. I
29:14
shall become a bat.
29:18
Look. Look there. What
29:20
the hell? The
29:25
Dark Knight's definitive DC
29:27
comic stories. He's
29:29
got a motorcycle. Get after
29:31
him or have you shot.
29:33
Take him down. Adapted
29:36
directly for audio for the
29:38
very first time. I think she's
29:40
a damn Robin Hood. He
29:43
dies. Looks like
29:45
it's just you and me
29:47
now, Phil. Hit the floodlight. It's
29:50
showtime. New episodes
29:52
every Wednesday. Follow and
29:54
listen wherever you get your
29:56
podcasts. Batman
29:59
hasn't attacked anybody. What
30:01
do you mean blow up the building? From
30:10
this moment on, none
30:12
of your safe. DC
30:15
High Volume, Batman.
30:19
Available now. I
30:28
don't have much time. I
30:30
am being transported by the Ecclesiad
30:32
vessel Mercava stand trial for heresy
30:34
of the highest order. But I
30:37
will not renounce my work, and
30:39
to my last breath I will speak
30:41
the truth of this plague -ridden world,
30:43
that ours is not a loving God,
30:45
and we are not its favored children. The
30:48
heresies of Red of Bunwine, chapter
30:50
2, Coming right first.
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