Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Released Thursday, 24th April 2025
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Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Elliott Easton’s Countryfied Solo on “My Best Friend’s Girl”

Thursday, 24th April 2025
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The Cars’ self-titled 1978 debut record changed the world of power pop forever. Guitarist and co-vocalist Ric Ocasek penned all the tunes, but lead guitarist Elliott Easton transformed them with his tasteful 6-string stylings. This time on Shred With Shifty, Easton sits down with Chris Shiflett to show him how to play the solo from “My Best Friend’s Girl.”

Born in Brooklyn before winding up in Long Island, Easton washed dishes to save up for his first 1971 Fender Telecaster, and after high school he studied at Berklee College of Music in Boston, where he picked up key theory and technique that he still holds dear. Reared on country and rockabilly players like Roy Buchanan, Jesse Ed Davis, Gram Parsons, James Burton, and Roy Nichols, Easton brought a slick twang to Ocasek’s new-wave gems.

Easton tells Shifty how the band came to work with producer Roy Thomas Baker in London, while crashing at a label-provided mansion nearby and driving a loaned Jaguar and Land Rover to the sessions. Easton’s celebrated leads didn’t take long to come together. “On my mother’s memory, I did all my guitar parts in a day and a half,” he says. All he had with him was a 1978 or ’77 Telecaster with a Bartolini Firebird-style mini humbucker in it, a red Les Paul, a Martin acoustic, and two effects: the brand-new Boss CE-1 and a Morley EVO-1 Echo Volume pedal. His amp of choice in those days? An Ampeg VT-22 or VT-40.

After running down his giddy-up guitar parts from “Best Friend’s Girl,” Easton talks about which modern players impress him, why he doesn’t consider himself a shredder, and the experience of working with Mutt Lange: “I spent as much time tuning with him as playing!”

If you’re able to help, here are some charities aimed at assisting musicians affected by the fires in L.A: 

https://guitarcenterfoundation.orghttps://www.cciarts.org/relief.htmlhttps://www.musiciansfoundation.orghttps://fireaidla.orghttps://www.musicares.orghttps://www.sweetrelief.org

Full Video Episodes: http://volume.com/shifty 

Apple: https://podcasts.apple.com/podcast/id1690423642Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWbiHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314

Follow Chris Shiflett:Facebook: https://www.facebook.com/chrisshiflettmusicInstagram: https://www.instagram.com/shifty71TikTok: https://www.tiktok.com/@chris.shiflettTwitter: https://twitter.com/chrisshiflett71Website: http://www.chrisshiflettmusic.comSpotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag

Producer: Jason ShadrickExecutive Producers: Brady Sadler and Jake Brennan for Double ElvisEngineering support by Matt Tahaney and Matt BeaudionVideo Editor: Addison SauvanGraphic Design: Megan Pralle

Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

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