While it's not a technically-minded podcast, Edith Bowman gets some of the biggest names in the business and extracts interesting information from them. She is endlessly agreeable, almost to a fault - she has nothing but praise for even quite terrible films and scores. I expect this is required to remain on good terms with the interviewees, but I sometimes come away wishing there were a chance to ask more antagonistic or probing questions, particularly around critical disappointments and scoring duty reassignments.For more music-focused soundtrack podcasts, I recommend Art of the Score, The Soundtrack Show and UnderScore.