Episode Transcript
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Hey, I'm Ryan Reynolds. At Mint Mobile, we
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check it
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out. Yeah, Lady Danbury's
2:20
coming round. Lady
2:26
Danbury. I thought I'd make something that she'd enjoyed.
2:28
And it might match an outfit from her posh
2:30
closet. But no, Adjo was coming round, but I
2:32
am so excited to talk about Lady Danbury. I
2:35
mean, there's a lot of Bridgerton chat. There will
2:37
be a lot of Bridgerton chat. I just finished
2:39
the last season. Oh wow, okay, I haven't. So
2:41
there you go. Have you finished it? No. After
2:44
they made us watch the sex scene together at Gogglebox,
2:46
I was kind of done with Bridgerton for a minute.
2:49
I have to say I needed a break. And
2:52
I no longer can watch, I can't watch
2:54
that episode because I'll just get flashbacks of the
2:56
trauma of watching it with my mother. Let's talk
2:59
about Queen Charlotte with her. Oh yeah. And how
3:01
important that story was to tell. Yeah.
3:04
So I wanted to make something quite
3:06
regal and something with soul, bit
3:08
of depth. Cherries I thought
3:11
would be good. I wanted to get that nice
3:13
color. So we kind of muddled cherries with sarky
3:15
and some white vermouth and then vodka because
3:17
we were like, oh, that's a lot of alcohol.
3:19
But then we added vodka still. And
3:22
it's just magical. We've got this lovely syrup. Hey!
3:24
And then a bit of black cherry syrup. And
3:26
then we're just going to top up with champagne.
3:28
I mean, I just feel like this is who
3:30
we are today, people. Wagza. If
3:32
it's going to rain. If it's going to rain
3:34
in the middle of July. On a freak
3:36
and sunny summer day. That's right. You can
3:38
show you rainy, shiny summer. Show you England.
3:41
Cheers, everybody. Welcome to the table. Thank you
3:43
for having us. Welcome to our table. Thank
3:45
you. So in Antigua,
3:47
we have a thing called ducan.
3:50
It's basically a steamed sweet potato
3:52
coconut dumpling. And then there's
3:54
also a tamale. Oh,
3:56
that looks like it in my language. That's
3:58
good. And of course tamales
4:01
are made with corn and they are stuffed
4:03
and steamed and it's a, they're all sort
4:05
of, you know, they're kind of kissing cousins.
4:07
So I have made a dukamali. A dukamali.
4:10
Dukamali. Dukana and
4:12
a tamale mix it. Because I
4:14
basically have stuffed a dukana, which you
4:16
wouldn't normally do. So I've made the
4:18
sweet potato coconut dumpling and then I've
4:20
stuffed it with onions that are caramelised
4:22
with prunes and garlic and
4:24
prune juice and all the peelings and everything.
4:27
So there was no waste. I made a
4:29
stock from that and then reduced it down.
4:31
So that's inside and there's a bit of
4:33
oyster mushroom. Then we've got
4:35
an ackee and charred corn puree made
4:37
with oat milk. And
4:39
then the little crispy anockee mushrooms, which are
4:42
made with chickpea flour on the
4:44
outside and then you've got mushroom pecoras
4:46
here. So everything is everything. And on
4:48
here, she had a dale made of
4:50
burnt lemon vinaigrette. Yes. Do
4:53
we clap now then? Yes. Yes.
4:57
We said it might take a while. I'm
5:04
so pleased that you've both come and that
5:06
you've brought a dale to our table. Yes. I
5:08
mean, you work in radio. Absolutely. Yeah. And
5:12
for a long time. You're kind of quite regal in the world of radio. I mean, I've
5:14
been looking a lot. Is it BBC
5:16
radio also for a long time? BBC for
5:18
the past. Ooh, since 2001. Okay. We
5:21
must have crossed paths. We might have done,
5:23
yes. The Conmori days, you know, that's when
5:25
One Extra at first was, you know, created.
5:28
And it was an exciting time, I remember. I
5:30
am at One Extra in the minute, but I started
5:33
Radio 4. My first ever job was actually
5:35
working, reporting on 9-11. I was
5:37
on the team at Radio 4 for that, the current
5:39
affairs. Wow. But I
5:41
always knew that I wanted to get involved in music and young people not
5:43
saying that Radio 4 don't. Have young people.
5:45
I'm just saying... I'm on there.
5:47
See? The youngest of the youngs.
5:50
From Radio 4 to Radio 2 to
5:52
Radio 1 to One Extra, your
5:54
news, current affairs, and I kind of worked
5:56
my way through. But I just love music.
5:58
I love stuff that comes. So
6:00
then my first job on Radio 1 was working for
6:02
Razz Kwame. Yeah, yeah. Yeah,
6:04
Razz Kwame. And then
6:06
I did the chart show with Fern and Reggie. And
6:09
then Fern Kay, I worked with Etc. And
6:11
then I kind of moved to One X
6:13
Show. And the first person I worked with
6:15
One X Show was Trevor Nelson. Oh, wow.
6:17
And I was absolutely breaking it the night
6:19
before. I'm not often nervous, but the night before,
6:22
I couldn't eat, nothing was staying down. It
6:24
was horrendous. It was Trevor Nelson! Yeah,
6:26
yeah, yeah. And the worst thing is, I must
6:28
admit, he said he wanted me to do a show,
6:30
which is more pressure. Because I thought, this man
6:32
don't know me from anyone. What am I going to do
6:34
if I mess this up? Isn't that funny? No
6:36
question. So somebody else saw your potential and
6:39
you went, why? What are you talking about?
6:41
Yeah. Imposter syndrome. Yeah, yeah. It's really hard,
6:43
but it never goes. Oh, please
6:45
don't tell me that. It never goes, baby. You
6:48
don't have a first-person syndrome. Yes, I do. You,
6:50
listen, in my head, it's a bit of me
6:52
going, I'm from the Cotswolds. I
6:55
don't know what I'm doing here. I didn't
6:57
train at drama school. I didn't finish my
6:59
degree. I got my A-levels after
7:02
two goes. I
7:04
don't know what I'm doing here. So how did you
7:06
find yourself in the heady world of acting? In
7:08
the 1960s, in the Cotswolds, there
7:12
were three black people and we moved from
7:14
Leeds. So I was four
7:17
with a really strong Yorkshire accent rocked
7:19
up in the Cotswolds. Great. Good stuff.
7:22
So my football team, Leeds. How
7:24
good? Acting was not something
7:26
anyone in the Cotswolds did. You didn't do
7:28
acting. What, you're talking about smart girls. They
7:31
worked for the bank or as a building
7:33
society, or maybe they did the civil service
7:35
exams. You didn't go to university. I used
7:37
to do plays for my parents. I used
7:40
to get all the local kids. I'd dress
7:42
up. I had secret clubs. I'd make special
7:44
books and we'd help during the membership club
7:46
and solve mysteries. Stop mysteries.
7:49
Listen, listen, we found
7:51
a key. It belonged to
7:53
the village hall. And
7:55
then the only thing we used to do, we used to sit in
7:58
the bus shelter with our little
8:00
people. membership books and we write down
8:02
car number plates for so few cars.
8:05
By the time you get up to that there in London, people
8:07
are like, oh my God, I died
8:09
and gone to heaven. There is everything
8:11
here. And I'm still a
8:14
bit like that. Yeah. And you talk about, I read
8:16
an interview where you talked about being quite
8:18
fighty. You had to
8:20
fight. It was a fighty time. It was a
8:22
very fighty time. It's true. I got beaten up
8:24
quite a lot when I was in the infants. I
8:26
thought that's what part of going to school was
8:28
that somebody would go, with your
8:30
head against the wall. But then I got to
8:33
the juniors and I discovered you could head back
8:35
people and they'd stay away. It's true. Yeah. I
8:37
thought I'll employ that tactic
8:39
then. Or I'd do some
8:41
humour or a silly song or Paul, you
8:43
know, being a sailor. Smart. Yeah. And push
8:45
comes to shove. I'll knock you out. Kadoosh.
8:47
Yeah. So there was a lot of that.
8:49
But you must have had this in
8:51
Suffolk. I love nature. I give
8:54
the cultswolds all my love
8:56
for nature and all my love that when
8:58
I got to Brixton, I was like, Brixton,
9:01
come to the cultswolds. I
9:05
never loved nature. Never loved nature. I can't
9:07
be bothered walking that handed. Oh, well, maybe it had the
9:09
opposite effect on you. It had the opposite effect on me.
9:11
Maybe you were like, take me to the concrete. I was
9:13
like, this is shit. We used to pick damnsons. Like if
9:16
you take the flowers off nettles, stinging nettles and suck it,
9:18
it's sweet. This is the stuff I want to know. I'd
9:20
love to go like hill walking with my mother and talk
9:22
about the sweet, mister ver. Mommy's lifts it. Mom's
9:26
got bad knees. She can't be asking. She couldn't be asking. She
9:28
had two knees anyways. So
9:31
basically, sorry, I just want to get this clear.
9:33
So you both leave. I mean, my mum was
9:35
16 when she came to the big city. I
9:37
don't know about you, but she went straight, you
9:39
know, right into the scene, which at
9:41
the time was heady, punk. So this
9:43
is what fascinates me about
9:47
you and I in terms of mirroring each
9:49
other. We both had what I call the
9:51
great awakening, which was punk. Oh my
9:53
God! And it just was the meat
9:55
food. It was the most brilliant thing.
9:58
I mean, I know I waggle. I
10:00
went on about it and I could see
10:02
my kids eyes are like glazed. No, I'm
10:04
very interested. But I just,
10:06
the clash and the slits came and played in
10:09
Berry. Did you see the same joke? I
10:14
saw the clash, Richard Hamlet, the voidoids
10:16
and the looze. Shut up! French
10:18
punk band. Shut up! Shut up!
10:22
I saw them in 77. The clash
10:24
line was like nothing. Oh my
10:26
God. On this level. But
10:28
we can say if you say it, a clash gig changed both of
10:30
your lives. A clash gig changed both of your lives. And
10:32
the slits were the other one. I love the slits.
10:34
Because Ari was the same age as us. Ari was
10:37
14, Ari was 15 years old. And if people don't
10:39
know, I mean, do you know about the slits today?
10:41
Thank you. And people who don't know, then
10:43
you need to get to know. Just
10:45
go on Spotify, go on YouTube, because you need
10:47
to see these. Yeah, first female punk band in
10:50
this country and just tore it up. And
10:52
my auntie is Tessa Pollitt from the slits. Okay,
10:54
there you go. So it's all family and very
10:56
proud of me. I came to friends later on, but
10:59
I mean, if I'd known that when I was 15, I'd have
11:01
started and gone to heaven, you know what I mean?
11:03
So what's the effect of you watching the first time?
11:05
You know what it was? It was... I
11:08
remember thinking, I fucking knew it. I
11:11
knew you could do whatever you liked. I
11:14
really suspected it quite strongly.
11:16
Everybody kept telling me you couldn't. I was thinking, I
11:18
don't believe you. And then I saw
11:21
the slits and went, ha! Because
11:23
they were just wild. They were just
11:25
liberated human beings. Because they clashed in
11:27
the slits, right? And for me, the
11:29
Loos, this French punk band, Loos means
11:32
holes. So they called themselves the holes.
11:34
It was like, yeah. Brilliant. And they
11:36
were all like... Yeah. They
11:38
were French. They were never jackets. They
11:40
were like, yeah. You want
11:43
to fight me? I want to
11:45
fight me, too. And I loved
11:47
Richard Hell and the Voidoy. How do I? I
11:49
still love Richard Hell. I love Richard Hell. And
11:52
then the clash, it was just... And
11:55
apart from being ridiculously beautiful... Paul
11:58
and Joan were like, she... beyond,
12:00
and Joe's children were beyond handsome. They
12:04
weren't magnetic, but meh. It
12:06
was Mick Jones for me. It was in meh! It's
12:09
quite an agunty but smart. No, smart,
12:11
smart, smart, smart. I was
12:13
so obsessed with Joe and Paul, but you're
12:15
right, Mick. But your
12:17
dad was a multi-instrumentalist. So my
12:19
dad, so dad
12:22
was a journalist in Ghana. Oh, wow.
12:24
So all the confusing things are, because
12:26
everybody goes, Kwame and Kraman, the first
12:28
sub-Saharan, all of that, all
12:31
absolutely true. Also, because he was a Marxist,
12:33
and the Cold War was being fought on
12:35
the continent of Africa, the
12:37
CIA were in Ghana before it was even
12:39
Ghana trying to destabilize it, because they didn't
12:42
want a Marxist to succeed. And when they
12:44
declassified all these documents, it was like, eh,
12:46
yeah, all that. So
12:48
he got rightly paranoid that
12:51
his political opponents were trying
12:53
to do him down. Private kingdom. Well,
12:56
Lumumba had gone, I mean. And
12:58
so he insisted that everybody had
13:00
to join the party. And
13:03
dad worked for The Daily Graphic, which was like,
13:05
The Daily Mirror had set it up. It was
13:07
the last newspaper. He was the chief sub-editor. He
13:10
and many others refused to sign to join
13:13
the party. Like a swear allegiance company.
13:15
Because their argument was, the
13:18
foundation of a free democracy is a free
13:20
press that holds power to account.
13:22
So they wouldn't sign. People disappeared, people
13:25
got thrown out of helicopters, people went into
13:27
exile, yes. And one night,
13:29
my father's father was, he
13:32
was the chief surveyor for cocoa
13:34
plantations in Ghana. He used to go
13:36
around on his motorbike surveying agriculture.
13:39
So he was like a civil servant, so he was in the
13:41
know. So he came home one night and he was like, you
13:43
have to leave, you have to leave tonight. Don't tell us where
13:45
you're going. He came to England. He
13:48
was 26, third
13:50
class passage on a bird to England. So
13:53
he's got stories, man. They never tells you
13:55
until, like I was telling, talk to him
13:57
about the bridge of spiders, that film with
13:59
Tom Hanks. spice. He's like,
14:01
yes, I was in Berlin
14:03
as a war warrior. Who
14:05
are you? Extraordinary
14:08
stories. But one of
14:10
the, he said his earliest memory is
14:12
of his mother singing and playing guitar.
14:14
Because his mother was a guitarist in
14:17
a Palm Court Orchestra in the 1920s.
14:19
I have photographs of her in a
14:21
cloche, her flapper dress with the band.
14:23
So, so Mama was a musician. Dad
14:26
plays, you know, the mandolin and guitar
14:29
and flute. And he was in folk
14:31
bands all through my childhood. So the
14:33
reason I first came across punk was
14:36
because dad loved the chieftains and John
14:38
Peel used to play the chieftains
14:40
on his show. So you heard punk on John
14:42
Peel. So I heard punk in 76
14:45
in the middle of the Cotswolds. Wow. You must have been like, what?
14:48
Because my dad was, because we were listening to, you know, yeah,
14:50
my dad's 92 in September. And so I was like, so, because
14:56
we try and go to Ghana every year. And I was like, so dad,
14:58
are we going to Ghana this, this year? We
15:01
went in February. And he was like, well, we'll see.
15:03
And I was like, that doesn't know if he's come
15:05
back to Ghana. Does he think he's going to die?
15:07
But no, later on, he was like,
15:09
no, I had to find out when the choral rehearsals
15:11
are. Because he still sings
15:13
in his choral society and he didn't want
15:15
to miss too many rehearsals before the performance.
15:17
What's your dad's name? Frank
15:20
Charles Echo and Nocchi Andal. What a
15:23
dude. Here's the Frank. I'm just going
15:25
to raise a glass of Frank. I'm
15:27
slightly obsessed with him now. If he
15:29
says there's a weird bald black woman
15:31
hanging outside the wall, it'll be me.
15:33
Take me out of the country. Frank,
15:36
hurry up. We
16:00
brought in a reverse auctioneer, which is apparently a thing.
16:02
Mint Mobile unlimited premium wireless. I'm going to get 30,
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Reynolds. At Mint Mobile, we like to do
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$45 up front for three months plus taxes and fees. Promote it
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for new customers for a limited time. Unlimited more than 40 gigabytes
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per month, slows. Full terms at mintmobile.com. We're
16:59
at a table of, as we've seen,
17:01
four milestones in life, 40, 50,
17:04
and then 60. And
17:12
Adra and my mum are both women who've had
17:14
immense kind of crazy next
17:17
level success in their 50s. And
17:20
for me, it's been a beautiful thing to watch
17:22
happen to my mother. I've also loved watching your
17:24
career just go into unbelievable places. The next hemisphere.
17:27
Yes, the next hemisphere. Oh yeah,
17:29
come on now. And what about you with your career?
17:31
Because it feels like you have more worked steadily for
17:33
years and years in one place
17:35
that is quite, I mean, I want to
17:37
say safe, but that isn't how I feel at the BBC. Nothing
17:41
safe, darling. Not anymore, darling. Do
17:44
you think those days are completely gone? Yes,
17:47
they're gone. However, I think for me,
17:49
it's interesting actually, because my mum came from Trinidad
17:51
in 1963 and I
17:53
think my parents, mum's 90s, 10s, 80s,
17:56
their thinking has been good. You're
17:58
at the BBC. Stay there. Right. Right.
18:02
Don't leave. Right. Exactly.
18:05
You've landed, you've arrived. It's world service. How'd
18:07
you say? They're all world service children, our parents. They're
18:09
all world service children. They believe that whole thing. I
18:11
love the world service. Because as an
18:14
institution it's a beautiful thing. It's
18:18
also a time though where I'm at that
18:20
age where I'm learning from the Gen Zers.
18:22
And what are we? Boomers.
18:25
Boomers. We're the tail ender.
18:27
Boomers. Yeah. So I've
18:29
kind of watched you as boomers live through stuff
18:32
and then now be victorious and happy and content
18:34
and sexy in your 60s. My
18:36
generation is an interesting one as in
18:39
first immigrant child. So say
18:41
my dad is Celia and my mum is Trinidad.
18:43
I'm born here. So already there's three different cultures,
18:46
three different names, right? So
18:48
if you think about it, when they first came and they were
18:50
spat out and they were called all kinds of names, et cetera,
18:52
you knew in your head, okay,
18:54
this is not home. There
18:57
is another called home where I won't get
18:59
spat at, whether it's Trinidad, Ghana, et cetera.
19:02
But then people like me grew up and
19:05
I may not get spat at, but I will get things
19:07
told about me, said to me,
19:09
et cetera. But the funny thing is this
19:11
is my home. I have nowhere else to think of that I can
19:14
refer to. So this generation I
19:16
found, an attitude BBC thing, is
19:18
that I'm now realizing that there has to be more to
19:21
life than what I see. So the, God bless
19:23
you, the James Zias are
19:25
the ones that are saying actually, no, I don't
19:27
have to do this, I don't want to. My
19:29
parents are saying you stick around and do what's
19:31
right. Whereas I'm the middle, but I was like,
19:34
I think I might do something different. And
19:36
having people like Adjua in my life makes me
19:38
realize you don't have to do the same thing
19:40
that everyone else has done. Or what you're told
19:42
to. What you're told to, because also
19:45
they gave you a script that they
19:47
thought they had to follow and they
19:49
did it obediently. But then I'm
19:51
starting to realize that you followed the scripts and you still
19:53
got treated badly. You still get treated like
19:55
sheets, you really know what you want anywhere. And you can
19:57
exceed your own expectations. I think it's a
19:59
really interesting conversation. between those of us whose
20:01
parents have come from somewhere else and
20:03
the somewhere else everybody was like them.
20:07
Exactly. So
20:09
my dad, you
20:11
know, you could be a road sweeper or the president, but
20:14
you all look like my dad. The
20:16
hierarchies definitely were there. There'd be tribal
20:18
hierarchies, there'd be class hierarchies because class
20:20
is everything. But
20:24
you were in your land with people
20:26
who were you. For our
20:29
generation, we are born somewhere where,
20:33
you know, I love Ghana, I feel very
20:35
connected to Ghana, but it's not where I
20:37
was raised. I was raised
20:39
here. So there's something about
20:41
my dad's sense of self is
20:43
born somewhere where everybody is like him. It's
20:46
very solid. And it means that he can,
20:48
he can replant himself somewhere else where he
20:50
may have there is a home. He may
20:52
be abused and all that sort of stuff.
20:54
But he has a sense of self that
20:57
was created somewhere else, even if it was
20:59
a colonized country and you were that it
21:01
was still there were traditions, there were routines,
21:03
there was food, there was history. Yes. So
21:05
for us, we are the children of those
21:07
people who are sort of self confident because
21:10
of where they're from. But we
21:12
are here. So we
21:14
have to find our own sense of confidence in
21:16
a place that goes where you from?
21:18
No, but where you really from? And
21:21
so we're constantly having to justify our existence
21:24
here. But we are, you
21:26
know, I'm born in Bristol. I'm raised
21:28
in Leeds in the Cotswolds. I can
21:30
milk cows by hand if you want
21:32
to. So we're a sort of weird
21:34
hybrid. Yeah, because because we still have
21:36
the pet, our parents are still, you
21:40
know, I spent my whole childhood waiting
21:42
to go home. Yeah, right. Like this
21:44
was an aberration and we were going
21:46
home. Right. And then we didn't because
21:48
politics. And then you get home and
21:51
you they go, ah, English gal. Ah,
21:53
Bruni. Yeah. Yeah. And you go, oh,
21:55
shit, I'm not from here either. Which,
21:57
but for me, that was actually odd.
21:59
again I was like, oh. All
22:02
bets are off then. So all bets are off, I'm not from there
22:04
and I'm not from here. So I really can do whatever the fuck
22:06
I want. Right. Do you know
22:08
what I mean? No rules apply because no
22:11
parameters seem to apply. And everybody
22:13
keeps telling me something that I don't understand.
22:15
Like I grew up here in the UK with
22:18
people going, you know, go home, nigga mind
22:20
you'll be all white in the morning. That
22:22
was my favourite. Daily, daily, I'm sure
22:24
all of us around this table have had enough of
22:26
that shit. And then I got to Antigone, I was
22:28
like, oh my God, everybody's black, it's this incredible boys,
22:31
oh my God. And, you know,
22:33
I got to Antigone's carnival, I was 16, I went mental, do
22:35
you know what I mean? Yes. And
22:37
then they started calling me English, yeah. And I was
22:40
like, oh, I'm not from here either,
22:42
am I? Because culturally people would do all these things,
22:44
I'd think, what are you doing? Right. And
22:47
why are you doing it? You know what I mean? I realise
22:49
I'm so British. So where do you find your fit then? In
22:51
my heart. That's where
22:53
I fit. I fit in me and I love being in
22:55
Antigone and I love being here and I'm at home here
22:57
and I'm at home in Antigone, but
23:00
my real home is internal, is
23:02
something that I eventually got to. It took
23:05
me a while to get to that and
23:07
it's actually quite a nice thing because that
23:09
means everywhere you go, your home
23:12
resides within. That
23:14
confidence is incredible though, I haven't even got
23:16
that as yet. That there is phenomenal to
23:18
me. You've got 11 years, love. I was
23:20
going to say it's an old thing. Ask your
23:22
senior. Yeah. We're
23:26
just still buying cushions for our
23:28
heart and they've got like furniture.
23:31
Still tech companies. But
23:34
there is something incredibly liberating about that, to
23:36
just go, I'm of all
23:38
places and no places and I will make
23:40
those choices for myself. And I'm
23:43
absolutely now, I just feel like I go with
23:45
what my instinct does. So
23:47
if my heart cleaves to something, then I will
23:49
lean into that. And it can be anywhere. And
23:53
I'm like, I will assert that freedom.
23:55
I am a human being on the
23:57
planet and everybody is... is
24:00
my family and everywhere is my place.
24:03
So how do you carry though the weight
24:05
of your expectations of your family, your elders,
24:07
et cetera? I don't. I shut them off
24:09
at this stage. I'm just like, come on
24:11
now. You know, I mean, my dad has
24:13
been waiting for me to finish my law degree. I spent
24:16
time now. Is
24:18
he not aware that you're quite busy with
24:21
your massive acting career at this point? Is he
24:23
like, comforting the world in other ways? No, he,
24:25
you know. How does he have that?
24:27
You know, finish your degree. Yes, not finishing.
24:30
Because there were certain things. You're supposed to
24:32
sick. That were really important for that generation,
24:34
for the first generation, immigrant people, for diasporic
24:36
people, when they hit whatever land it is
24:38
they're going to hit, it's certain things they
24:40
want for their children. So they know their
24:43
children are going to be safe. And prosperous.
24:45
Have a better life. And those things, there
24:47
are markers that university. And you can't take
24:49
knowledge away. Part of me wants to go, you
24:51
see you, dad, you see how you
24:54
just, you had to flee, you came
24:56
here, you made a life for yourself.
24:58
You are doing all the things, you,
25:00
you, I am your child, trust me.
25:02
Exactly. I am your child. Yes. That
25:05
resilience, that determination to go, I'm not going to
25:07
go under, I will reframe my life and I
25:09
will make something of it. Absolutely. That gives me
25:11
joy. That is very true. I'm like, I
25:14
am your inheritance. That is very, very true.
25:16
And be, be, be glad. Listen, these are
25:18
your stories come to life. Yeah. Now
25:21
I want to talk about love actually, because I read a beautiful
25:23
article with your husband, about when
25:25
you first met. How we met. I did get married,
25:27
but you know, when I got married, the
25:30
church was full of people that were like, she ain't
25:32
gonna get married. They're like, I got to see this.
25:34
Really? Are
25:37
you not, so you weren't someone that was thinking about marriage a lot?
25:39
Never. My mother's advice was,
25:42
live with them if you have to, don't
25:44
get married, always have your own checkbook. Wow.
25:47
Think, into the 1970s, if you were a woman and
25:50
you wanted a mortgage, your husband had to sign
25:52
for you. When my mum and dad got divorced,
25:54
and she wants to take over the end of
25:56
the mortgage, she had to get him to sign
25:58
it. My mum was treated. like the Hall
26:00
of Babylon when they got divorced. Friends,
26:03
lost friends. Because nice
26:05
women didn't get divorced. And
26:08
they certainly didn't move out and take the kids and do all of
26:10
that, you know. So how did you approach
26:12
falling in love and wanting to get married? No,
26:15
we didn't. We were together for ages before we got
26:17
married. You smile, oh, she really was. The
26:20
kids upstaged us all the way up the...
26:22
I was like, I am wearing my wedding
26:24
dress. Absolutely. And they're all looking
26:26
cute and they're not doing something. I
26:28
was like, hello, centister. How
26:31
long were you together before you got married? About
26:33
eight years. I really love marriage and really would
26:35
love to get married and see what that heart
26:38
journey's like. OK, what's that about? Is
26:41
it just a curiosity if it's something you
26:43
don't know? Yes, maybe. And also what it
26:45
really feels like to be committed to someone
26:48
in your head for the rest of your life. The
26:50
idea that there would be anyone I would like that
26:52
much. Also, I like tradition. Are
26:55
you going to be in the kitchen cooking
26:57
supper? No. And washing
26:59
the floors? No, but I've always... What do
27:01
you mean tradition? Which tradition are you talking
27:03
of? Good luck, Akita. Can you come over
27:05
and watch a week with Nancy? I
27:07
mean like the tradition, the archaic
27:09
tradition of marriage and
27:13
that kind of union. You mean a wedding? A wedding
27:15
would be great, but I'm talking about marriage. OK. But
27:19
on the other hand, I
27:21
have always been sort of
27:24
slightly more financially... made
27:26
more money than my partners. So actually
27:29
I haven't really had what people would see as
27:31
like a kind of traditional relationship where the man
27:33
is making more money. Or even the same. Or
27:35
even the same. So I've had
27:37
a bit of like... I don't know. That's good. That's
27:39
good because that's who you are and that's what
27:42
you do. And the partner you want... Look, waggy
27:44
finger. No, please. The partner you
27:46
want is the one who goes, hooray,
27:50
you're amazing. Look
27:52
at what you do. I can't believe I'm lucky
27:55
enough to be with you. I can't
27:57
believe I haven't met someone who can do that yet. And stand alongside
27:59
you. And you know, it's
28:01
what's that thing about they'll drive in the Cadillac with
28:03
you, but when it breaks down, they'll get on the
28:05
bus with you. Oh, I love that. I
28:08
love that. I
28:10
love that. It's just a different pool of people
28:12
as well. It depends also where you're at, I
28:14
guess. It's quite hard to meet people. It is,
28:17
because again, back to the parents, if they're told
28:19
us to be the best we can be, okay,
28:21
then our partners, the parents, have to say the
28:23
same. And if we're not finding the same reciprocity,
28:26
God bless you, Lauryn Hill, reciprocity, then it's
28:28
not going to work, is it? You
28:31
got it, right? She's always
28:33
on. It's a different pool of people, that's all
28:36
it is. It just means you haven't met the
28:38
person yet because the standard is
28:40
a different standard. The standard has only been risen
28:42
recently. It's fine. How
28:45
about you, Adele? What's lovely? Oh, that's
28:47
hilarious. Oh, me? Oh, no. I was
28:49
waxing so lyrical about someone else. Tim
28:52
thinking that's me. No, but
28:54
you've also been working constantly for 20 years
28:56
or 30 years. I've also found
28:58
recently that success isn't just
29:00
in your paycheck or in your status.
29:04
And to be vulnerable
29:06
and honest, I haven't seen a
29:08
successful home relationship in
29:11
my family. Okay. So
29:14
people get along and we do well, et
29:16
cetera, and I find different members of family
29:19
every now and then. But I've not seen what
29:21
you were talking about, which is just the companionship. You
29:23
know what else it is? It's more like the balance.
29:26
If I can run the world, I've seen
29:28
aunties and moms do it before. They've had
29:30
to go right-lits. Do this, kids.
29:33
Yeah, yeah. Yeah, and they're graceful and they're beautiful and
29:35
they are bitter because they've been hurt, but
29:37
they still do it, right? So you
29:39
think, okay, I'll do the next thing too, but I
29:41
need to find the balance. And like you,
29:43
I haven't found that because I think also
29:46
they think, oh, she's fine. No, I
29:48
want to be able to find someone I
29:50
can lean into. Yes. Like he
29:52
can lean into me. Yes. That's all it
29:54
is. And the appreciation and
29:56
acknowledgement of that has been the
29:58
last... The last... You need kind
30:00
people. Kindness, yes! Kindness is my top.
30:03
Oh my word. That's your top, Trump.
30:05
It's the kindness, my stepdad is an
30:07
extremely kind man. He's
30:09
a really kind man. Why is that not valued?
30:12
With Melanie. Because we live in a very
30:14
repetitive society that says, never mind kindness, get
30:16
out of my way. And
30:19
actually, I would love to go, hooray
30:22
for kindness. No, you're pushy, get away.
30:25
You're kind, you come. Yes, I mean
30:27
funny, sexy, bubble kind. Having
30:30
ambition, I think people become so laser
30:33
focused on what they want to achieve for themselves,
30:35
that they forget that real success, that was what
30:37
you were saying about what is success. Real
30:40
success I've really learned is about the
30:42
community around you and the people around
30:44
you and everyone rising together. If you're
30:46
just looking about how you can rise
30:48
alone, it's not the same kind of
30:50
rise. Because also community is about legacy,
30:52
and I find legacy outlasts us. Someone
30:54
asked me how far ahead I think
30:56
I planned my life. It's
30:58
five years, ten years, I was saying it's more
31:01
like 200. Yeah, yeah. Because in my head, I
31:03
don't have kids, but what I
31:05
want to leave behind is something for
31:07
my nieces and nephews to enjoy, for generations
31:09
to come. Because also,
31:12
let's not forget that people like the royals
31:14
have learned this, correct? So they know
31:16
who they're great, great, great, great, great, great. They know what
31:18
it means. They know what it means. From who you come
31:20
from. It's all up on the wall in the house. Exactly.
31:23
Great, great, great, great, great, great. Yes, and you know, all of that. We
31:25
should have the kings that we come from adorning our walls. Exactly.
31:27
And some of us don't even know that, because of
31:29
course we know that the bloodline is cut short. So
31:32
in terms of who we are, where we've
31:34
ancestors, who we've come from, but also who's
31:37
coming up next. And I
31:39
think what you're saying about community is really, really important.
31:41
You know where I learned that? Punk.
31:44
Punk. Do you know what?
31:46
You wouldn't expect it. The things we learnt from punk. Because
31:48
not the things people think we learnt. It's like, first of
31:50
all, the thing that I was struck by by punk was
31:52
the free thinkingness of it. The freedom of
31:54
it. I could be in a space with. people
32:00
who were not supposed to be my
32:02
fellows. I could be with skins, I
32:05
could be with punks, I could be with rasters, I
32:07
could be with straight people, I could be with LGBT.
32:11
Everybody was there and everybody
32:13
was there because we all
32:15
loved this free-spirited expression through
32:18
music. And you never knew what the music was gonna sound
32:20
like. You never knew. It was just all like, bah, bah,
32:22
bah, bah. It was so much freedom
32:24
and such a broad church.
32:26
And creativity. And creativity, lyricism.
32:29
And it made us a
32:31
very DIY generation. All
32:33
right. All right. All right. All
32:35
right. All right. All right. All
32:38
right. All right. All right. All
32:40
right. All right. All right.
32:43
So, Adele, your parents. Yes.
32:46
Here I am. Came from Trini and
32:48
Sierra Leone. Yes. And why did
32:50
they come and what did they do? Thank you. And
32:52
how did they make? Two very different
32:55
lives. My mum, God
32:57
bless her heart, was an orphan at the age of 10.
33:00
So, she basically left
33:03
Trini when he was 20
33:05
something years of age to find what she could find.
33:07
She'd been split from her brother and her sister from the age of
33:09
10 to like 26. And where
33:12
was she placed when she became an orphan?
33:14
You know that thing they do was in 1942,
33:18
you don't really get counselling. So you get shipped
33:20
off another member of the family. Yes. So
33:23
there was some family she went to, didn't know who it
33:25
was. So then uncle and auntie and mum just were
33:27
somewhere else. Between,
33:29
yeah, in the early 40s. So
33:32
mum got herself together, I came here in 63
33:34
with a view actually to
33:37
moving to America. So I could have had an American
33:39
accent. Lord God. Imagine.
33:43
So mum was here and then she
33:45
fell into nursing and then became a midwife
33:47
for 35 something years, delivered hundreds and hundreds
33:49
of babies and that became a few things.
33:51
Wow. Wow. And then mother,
33:53
the little girl who's an orphan ended up delivering
33:55
her. Oh, I've just seen the majesty put you
33:57
to such a... Yes. Yes!
34:00
Isn't that beautiful? Whoa! Yes!
34:03
I just... Fuck
34:06
yeah! That is poetry, my God!
34:08
That is beautiful. And she wanted loads of kids
34:11
that only had me, but it's essentially... She had
34:13
hundreds. She had a queen. Do you see why
34:15
we have Adjuaa and that in our presence? Makitha
34:17
said I can't wait for Adjuaa to come. She
34:19
has such king energy. Yes! Yes!
34:21
King! My dad's completely different.
34:23
He, West African, first
34:26
born of his generation, parents were
34:28
very well off. And basically came here to
34:30
study. He became the head... So, his
34:32
first boys came to him. And his trini. No,
34:35
he's trini. He's trini. That's why I look so
34:37
dark. My mom is trini. Yeah, so he's dark,
34:39
skin-stirly man. Imagine... I
34:41
know them. So, when did your daddy come? At the same
34:44
time. They met in 70. Then
34:46
here I was four years later. But they came in the
34:48
middle of London in the 60s. Wow.
34:51
So, they saw James Brown and they
34:53
saw these people and I think you
34:55
lot are so blessed. You make me
34:57
sick. I can't... I can never
35:00
see this, you know? I know. But
35:02
basically they were two completely different worlds that met. Dad
35:05
was head of CRE, head of research.
35:07
He advised Margaret Thatcher on the riots in 1981. All
35:11
that kind of stuff. So, very, very, very, very educated.
35:13
Yes. And then you really are
35:16
aware of just all these different cultures. Because they're an
35:18
awesome mum. It's why it fascinates me where
35:20
you come from. Because I'm essentially an only
35:22
child, right? So I feel I'm
35:24
it of all of these people. But mum
35:26
came from trini. My granddad came from Venezuela,
35:29
grandma Panama. My dad's Sierra Leone.
35:31
My grandma on his side is
35:33
Nigerian. My grandfather Liberian. So, already
35:35
it's like six, seven countries
35:38
to make one little Adele. And
35:40
it always fascinates me to think really how much it
35:42
took to get us where we are. I'm going to
35:44
write about that. I'm writing about that. That
35:46
how you get from all these tree
35:48
branches to this one. Right. Because
35:51
it's the world. It's our history. History
35:54
is enormous. It's like a Russian doll.
35:57
You just keep opening it. another
36:00
and it's so rich and it's
36:02
so not the parochial conversations we
36:04
have about where are you from?
36:06
It's like how many hours have
36:08
you got? I can take you
36:10
in so many different dimensions. Also
36:12
you think about how we teach
36:14
us history at school literally. There's
36:19
a lot of tutors and the Nazis and that's
36:21
all that happened apparently. He paid me the aid
36:23
in his dick and Adolpita and
36:25
that's your lockmate. It's
36:28
just exhausting. Do you know Patterson
36:30
Joseph? Amazing actor, really
36:32
great writer, he wrote this brilliant book called
36:35
The Secret Diaries of Ignatius Sancho and it
36:37
was all these letters about Ignatius Sancho, the
36:39
first black man to ever vote in this
36:41
country. A really fascinating thing and he's done
36:43
a plane. He's done a one man show.
36:46
I came and did it in Antigua at our
36:48
project and I went and took my mum and
36:50
my uncle John and it's just brilliant because he
36:53
juxtaposes Sancho growing up in the 1800s
36:55
with his life growing up in Wilston in
36:58
the 1970s and you get
37:00
this kind of brilliant interweaving
37:03
of time but it's just about these two
37:05
boys. All the time you're like
37:07
it's just two boys and if people taught us history
37:10
the way that Patterson has written Sancho
37:12
means, we'd be absolutely grateful.
37:15
We'd all be historians because it's fascinating.
37:18
I always say history is like you
37:20
know we're exactly the same, some
37:22
of the legislation's different but with better
37:24
plumbing and pain relief. Yes, right.
37:28
Do you know what I mean? But
37:30
essentially all the things we feel are
37:32
the same, fear, joy, delight, curiosity. I
37:34
think that would have been such a
37:36
powerful thing to learn in school, to
37:38
learn that the emotions were the same
37:40
then. Because it makes you understand
37:42
the kind of pain of an enslaved people. It's
37:44
not just like, and then put these people in,
37:47
think about you and your sister and
37:49
your mother and your fears and
37:51
your... Exactly. That's what you've got to do. You
37:54
understand generational trauma. Otherwise you really sanitise
37:56
the story. You strip it of all
37:58
its colour. all its relevance as
38:01
well, which means it's easier to
38:03
dismiss it. And also you lose
38:05
the triumph of the existence of
38:08
us all the way down the line. Yes,
38:10
we really are survivors. We're
38:13
thrivers. Thrivers, that's what I would say.
38:15
We're going to survive. Thrivers. Thrivers.
38:22
I've discovered I'm an eighth Yerba. Oh,
38:25
wow! I'm 38% Nigerian. So,
38:28
talking of knowing where you're from, OK, my mum, as
38:30
a, we went to, we did the show about the
38:32
Caribbean three years ago, so my mum would have been
38:34
in her late 50s. And someone who is
38:37
an interested, smart, you
38:40
know, researched motherfucker and had never, ever
38:42
thought to think, wonder where in Africa
38:44
we're from? Like, we've never thought about
38:46
it, never discussed it. We're Antiguan. And
38:49
obviously we're not just Antiguan. And not
38:51
at all. No, no, not even kind
38:53
of. Not one, I haven't got one
38:56
drop of Caribbean blood. Because,
38:59
of course, because it's just where we were taken.
39:01
Black people are from the Caribbean. We're from Africa.
39:04
It's a geography that you were put in. Yes.
39:07
It's the Taino and the Caribs and
39:09
the Amerindians, who are the indigenous people
39:11
of the Caribbean. Most, you know, you
39:13
do a lot of black people, a
39:15
lot of Caribbean people's DNA or whatever
39:18
it is, with genealogy. And
39:20
it's like, I'm 38% Nigerian. Benin,
39:23
Togo, Mali. West Bantu,
39:25
the German, the Scottish
39:27
course, because they're everywhere. Yeah.
39:30
But it was very active at the time. But
39:32
it was really interesting, because it's something that you
39:34
know academically,
39:37
but not intellectually. But
39:39
to understand it emotionally, when I saw it, I
39:42
was in bits. Those are the things, you
39:45
know, the ethos
39:47
of divide and conquer. Yes. You
39:49
deny people their history, their language,
39:52
their story, their roots, their sense
39:54
of place. Once
39:56
you do that, and then you export
39:59
them. them, like a pair of
40:01
shoes to somewhere else and
40:03
you put them there, we are
40:06
unmoored. And then we come here and it's
40:09
like, well, I can't trace my history
40:11
back to, you know, John of Gaunt. So
40:14
you're not in the... And
40:16
you have no stories of
40:18
importance. It's an
40:20
active meant strategy.
40:23
Yes, deliberate. Because if you unmoor people,
40:25
you can move them wherever you want.
40:27
But it's also, but it's
40:29
not just about race. Working class men in
40:31
this country were not allowed to vote for
40:35
centuries and centuries. If you didn't own land,
40:37
you had to own land. Women, I
40:39
mean, if you still happen to get your
40:42
husband to sign for your mortgage application, you
40:44
know, 50 years ago, these
40:46
tropes are world tropes of ways of
40:49
disenfranchising people so that you can make
40:51
them to your will, which is what's
40:53
so thrilling to me about the Labour
40:55
Party winning this election. There are over
40:57
250 women in parliament. For
41:01
the first time. For the first time. I mean,
41:03
like, what do you mean that we now have
41:05
ministers who are on free school meals and grow
41:08
up in cancer? Who know what it feels like.
41:10
How can you legislate for the nation if you've
41:12
not experienced what the nation experiences? So I'm kind
41:14
of excited about it. The hope that I have
41:17
in my heart so strongly. I mean, I just
41:19
have hope. I mean, and I hope that I'm
41:21
right. But my hope is that
41:23
the new legislations that will happen, the new
41:25
thought that will go into things is going
41:27
to be about really the heart of
41:29
the matter because they know what it feels like
41:31
when there's no food on the table in the
41:33
summer holidays. They know what it feels like when all
41:36
of the youth clubs get shut down
41:38
and there's fuck all to do it, except stand on the
41:40
street with your mates. And they know what it
41:42
feels like when the fact that you're just standing on the streets
41:44
with your mates suddenly becomes criminal. Do you
41:47
know what I mean? And all of the things that we all
41:49
talk about, you know, David Lambie is a foreign secretary. That gives
41:51
me hope. I know. This is a good
41:53
start. He's actually not smart and he's sharp. And
41:55
Diane Lambie is the mother of the
41:57
house. Oh my God. Come
42:00
now! Ooh! That
42:04
will raise our glasses too. Here we go.
42:08
What a reversal is that. He's a
42:10
new child. Who
42:12
knows? Let's just
42:14
give him a good talk about Bridgerton because we
42:16
have to. Do you feel like this is the
42:18
most powerful time? No, so for me being Lady
42:21
Danbury in Bridgerton is this conversation. So,
42:24
you know, one of my cousin's sons,
42:27
what's happened to me and I was so
42:29
happy because Lady Danbury in Season 3, the
42:32
costume designer John, he's
42:34
such a lovely man, John Glazer, and
42:36
he said to me, so what do
42:39
you want for, you know, jewellery? What do
42:41
you want for jewellery? And I
42:43
said, I want jinyamazin sankofa in my jewellery.
42:46
Ooh! So it's a
42:48
dinkra. So this is
42:50
the sankofa, which is, it's two sankofas there,
42:52
but it's like the bird that turns around
42:54
and it goes and collects. And it's when
42:56
I left Ghana in 78, after I was
42:58
76, after I'd seen my grandmother,
43:01
she didn't say goodbye or I
43:03
miss you or blah, blah, blah. She just gave me
43:05
a top with a big sankofa on. And
43:07
it's like, you know, you have to
43:09
go back and remember where you're from. You always have to
43:11
go back and remember. So she was giving me that to
43:13
say, please come and see me again. Yeah. So
43:16
I have Lady Dan. So, Jofi, my cousin,
43:18
he's also my brother, is called Jofi, but
43:20
just means born on Friday. So
43:23
my cousin's son, who's also Jofi and
43:25
his sister's also Ajwa. Oh, yeah. Yeah. We're
43:28
not Ajwa born on Monday. I love how literal we are. I know.
43:31
Nobody's literally. It makes me laugh. It's like,
43:33
oh, she's a girl. We're from the fancy
43:35
tribe. It's Monday. I agree
43:37
with you. It's Monday. What shall we call
43:39
her? But
43:45
he said to me, Aunty, were
43:47
you wearing jinyame in your hair
43:49
pieces, in your
43:51
necklace? And he sent me a photo and went,
43:53
yes, boy. That's the jinyame right there. And he
43:55
said, and I went, it's for those those that
43:57
know will know. Yeah. And
44:00
if not, the other 150 million will get
44:03
to know. They might get to know if they're curious.
44:05
Exactly. And jinyama just means,
44:07
accept God, fear nothing. So
44:10
you'll see it on the side of
44:12
buses, on hairdressers, on wrapping paper, Christmas
44:14
cards. I love that. I
44:17
love that. That's coming into our family. I love it.
44:19
It's like, accept God, fear nothing. That's it, innit? It's
44:22
just like deep, rooty strength. Do
44:25
you feel... I mean, because it's
44:27
not about everybody knows fidgeting at this point. It's completely
44:29
brilliant. I watched season three in about five seconds. I
44:31
was like, don't talk to me. I'm busy.
44:33
She was on one. I just got really into
44:35
it. But do you feel
44:37
at this point that you... Do you feel powerful
44:40
in your career? Are you able to be empowered?
44:42
Are you able to make the choices you want
44:44
to make? Are you there? No. It's
44:47
very hard, that. The continuing
44:49
conversation about lighting black
44:51
skin. Oh, Christ. Well, on
44:54
set. Still? On every show.
44:57
Nothing's changed. You're getting better. So
44:59
I suppose I feel powerful in that I
45:02
will now go... Am I blonde? Yeah.
45:05
What's this? Who did you think was coming to
45:07
set today? But I hate doing it because a bit of me is like,
45:09
oh, I don't want to do it. I don't want to make a fuss.
45:11
I don't want to be like, I just want to... And yes. Because
45:14
I want to come and do my work. I
45:16
want to stay in character. I
45:19
don't want to walk onto a set and have to
45:21
be, Adra goes, uh, uh, uh. I just want to
45:23
come on and be Lady Danbury and do what she's
45:25
got to do and like being totally engaged with that.
45:27
So this is... So, okay. So
45:29
this is a big thing for me. When
45:32
people say we're chippy or we're being militant
45:34
or we're all that stuff, what I want
45:36
to say is I'm just a human being
45:38
and I just want to do the gift
45:40
that I'm blessed with. I want
45:42
to do it in a free way, like I see many
45:45
other people doing. So I'm not asking
45:47
for any special revelation. You
45:49
don't need to, you know, I'm not burning
45:51
a building. I just want to live in
45:53
my gift and I want to clear a
45:55
path that allows me to simply be in
45:57
my gift. Nicole Kidman walks onto the set.
46:00
and the lighting was for black skin, she'd go, what's
46:02
with the weird lighting? And they'd go, sorry
46:04
Nicole, and change it. No one would think she'd been chipping.
46:06
They'd go fuck me, mess up Nicole. Yes,
46:08
but it's a dual psycho thing that goes
46:10
on the whole time, isn't it? Did I
46:13
get that job because, did I not get
46:15
that job because, you know,
46:17
that's constantly there, which is
46:19
very tiring and very distracting.
46:23
And also, that's not my shit. Yes,
46:25
exactly, take your luggage home. I don't
46:27
want to carry that. I don't want
46:29
to think about it. I just
46:31
want to get the job because I'm great or not get the job
46:34
because I'm shit. And get on with it.
46:36
But let me tell you, so the other thing about Bridgerton is,
46:38
so I've just been doing, you know, we're launching season three.
46:41
So I was in Johannesburg and, oh
46:44
my God, Africa flew into Johannesburg. If
46:47
they could afford it, they were there. Oh
46:49
wow. So people from like North Africa, East
46:52
Africa, West, everybody came and I
46:54
just, and it was so fabulous.
46:56
They'd gone to so much trouble. It was brilliant.
46:59
They were just like all the different stalls and
47:01
things you could do. Dress,
47:04
I mean, Africa dressed up. Ooh,
47:06
yay! They had zap,
47:08
just had ballet dancers, they had pianists,
47:10
they had rappers, they had everything.
47:12
It was beautiful, delicious food, everything was
47:15
just fantastic. And what
47:17
I was really struck by was, Bridgerton
47:19
became like this haven for
47:22
the LGBTQI plus of Africa.
47:24
Oh, that was nice. Of course.
47:26
Dress, dance, be fabulous, be
47:28
how you please. So, you
47:31
know, on the one hand you can go, yeah, it's
47:33
a historical romance and, is it your thing? I
47:35
don't know. But it's also
47:37
this fantastic movement of
47:39
a place where people can come and go, I don't give
47:42
a shit, did you see episode three? Oh
47:44
my God. You know, it's like, that's the
47:46
focus. And it's like punk in
47:49
that way. It's like the embrace is wide,
47:51
come on in. But that's quite Shonda, isn't
47:53
it? Like I have to say when the
47:56
Queen Charlotte story was being told, I was
47:58
just like, oh, this is fucking fantastic. Fantastic
48:00
and it was just like I love
48:02
that. I mean it's true about that.
48:05
Yes, so she wanted Lady Danbury
48:07
to come from Young Agatha
48:09
has been sent over from Sierra
48:11
Leone. Yeah. So so
48:13
I was like, okay So if she came
48:15
from Sierra Leone, what tribe would she have been and
48:18
what would her actual name have been? Not
48:21
Agatha, but what would it be? So
48:23
I did some research on this tribe called the Bamende
48:25
tribe, which is the biggest tribe in that region. There
48:28
was a military advisor general
48:31
whose name was Soma and so
48:34
I Hi, Sondra. She's
48:38
so generous because she's Sondra Rhimes and I'm
48:40
like a little speck in one in one
48:42
of her machines. She's a very machat. There's
48:44
many millions of them. Yes.
48:47
I was like, what could I? I
48:49
was just thinking she could have come from the
48:51
river and maybe her given name was because that's
48:53
a quite a traditional thing and you know, especially
48:55
for the poshos that get sent over, you know,
48:59
and she was like, I like and she was like, I
49:01
like that bit. No, I don't like that bit. And I was like,
49:03
what about this bit? Just super super
49:05
generous and open to
49:08
ideas as all smart people
49:10
are. Yes, it's a good idea. Let me incorporate it.
49:12
And so she incorporated it into one of the scripts.
49:14
And so when young Lady
49:17
Danbury, she's just having a go at it.
49:19
This is my name and I'm from... Sondra
49:22
put it all in. Yes, she does. She
49:24
does say her name. She does, doesn't she?
49:26
So then when we get to season three
49:28
and I have you seen all of it? Mum
49:31
has. I haven't. Okay.
49:34
Okay. It's been out there for ages. It's not
49:36
my fault now. She
49:38
has a bit of a falling out with her brother.
49:41
Oh yes. Deep shit. And he calls
49:43
her Summa. And in
49:45
the row, I did it
49:47
in a west. It was
49:49
kind of a accident. Yes. Like
49:52
you do when you're really cross. You go
49:54
into your other place. Because that's
49:56
real. We're all doing that all the time, aren't we?
49:59
And... And also it's such an
50:01
opportunity, I feel like, when you're on something that
50:03
is being watched by so many people to just
50:05
throw things in. Why is she wearing it? Why
50:07
is she going to that funny voice? But even
50:09
the Queen Charlotte story, it was like, it's based
50:11
in so much truth, so much truth. I started
50:13
properly researching it. I was like, it's all bloody
50:15
true. And that's
50:17
the fabulous thing about stories sometimes. Yes.
50:19
Oh, I so love that you did
50:22
that. I find you magnificent in life
50:24
and in that in Bridgestone and everything
50:26
I've ever seen you know, but you,
50:28
and it's like you have King energy.
50:31
And I think it's a beautiful,
50:33
powerful gift. Thank you. A,
50:36
B. I think there's a little bit of
50:38
me that is always for going,
50:41
it's not fair. It's
50:45
like, I want, I would be that kid if
50:47
somebody's being bullied, I'd be in there and be
50:49
like, you can't hit them, I'm going to have
50:51
to hit you. All that sort of stuff. Because I
50:53
think, you know, some of your experiences, they just,
50:55
they just tweak you in a certain way. So for
50:57
me, I'm like, make the space bigger. Because I
50:59
want to be in the space and that person
51:01
might want to be in the space. So it's all
51:03
about do that. So if
51:06
history is doing Nazis, Tudors, let's
51:08
do that. And talk about this
51:10
African heritage woman who brought the
51:12
Christmas tree, not Albert, who brought
51:14
the Christmas tree as a tradition
51:16
to this nation. What's Queen Charlotte
51:18
doing? Oh, yes, she did. And
51:21
I love that they put it in it actually. I was
51:23
like, oh, shit. But that's
51:26
the thing, but that's what it shimes with
51:28
people. Because people go, this has, this story
51:30
has nothing to do with me. Yes, it
51:32
does. And also, you know, do the research.
51:34
When she came to this country, there was
51:36
complaints in the papers about her, her mulatto
51:38
skin, her ugly thick lips, her ugly wide
51:40
nose. She had to powder down for portraits.
51:42
All that sort of, you know, so it's
51:44
like, it's all there. And
51:47
this country, so many people in this country don't even know we had
51:49
this queen. But the other thing
51:51
that it makes you think is, okay,
51:53
so throughout nobility and the, you know,
51:55
because, okay, Jane Austen wrote a novel
51:57
called Sanditon that she never finished. This
51:59
black woman and character that because there
52:01
were wealthy West Indian women who were
52:03
courted by poor nobility who needed to
52:05
bank up the coffers. I could give
52:07
you chapter and verse about other of
52:10
colour nobility's throughout this country where we're told
52:12
we're not here and we don't belong and
52:14
blah blah blah blah blah. There
52:17
are people of African, there
52:19
is Africa DNA rolling around
52:21
your blond children and your,
52:23
you know, because these
52:26
sharp definitions that we make are
52:28
actually in reality meaningless.
52:30
That's why when people are going,
52:32
we want our country back, it's
52:34
like to whom? Which in
52:38
French mate? Which country? Or you might even
52:40
be a bit African. I mean there was
52:42
a black Roman Emperor here
52:44
whose wife was from Libya. We're
52:47
all intertwined forever. And
52:50
the old adage there is more that unites us
52:52
than divides us is just true. We can,
52:54
we have to stop talking out of the
52:57
trees. Just come back anyway, we'll turn the
52:59
lights off and just stay stay stay. That
53:02
went quick. A lovely choose. It's
53:04
lovely to meet you. And I think
53:06
we can probably call this family now.
53:09
Of course we're family. Let's fill this week.
53:12
Absolutely. Look, my plate is
53:14
clean. And I noticed at one point I
53:16
thought I just deleted it. So
53:18
delicious. But have you had any of her? No, but
53:20
she was engaged. I
53:23
hate Molly inside. You
53:25
heard it near first. I
53:29
feel learned. I
53:37
feel really happy. I loved both
53:39
of them so much. I knew Adjo a little bit.
53:41
We both met Adjo a few times, but
53:43
it was so good to just sit and really
53:46
be eye to eye across. That's why
53:48
I love doing this podcast, Mikita, because
53:50
you just get beneath the surface of
53:53
a person. She's got so much heart,
53:55
so much soul and so much knowledge,
53:57
Adjoa. And I felt the same about Adjo.
54:00
Adele's brilliant. And when she said, I'm just
54:02
used to listening, I'm used to talking, she's
54:04
an active listener though. She had her producer eyes
54:06
on. She just said to me, she said, I can't
54:09
turn off. I was sort of producing it as we
54:11
spoke. But it was nice to
54:13
have four industry bitches sit around the
54:15
table and pick that apart a bit.
54:17
It's beautiful for me to talk to
54:19
another black woman my age who experienced
54:21
punk in the same way that I
54:23
did. It made me feel really happy.
54:25
Also, the ancestors definitely landed. The ancestors
54:27
were here. I liked actually when me
54:30
and Adele were talking about legacy and community
54:32
and talking about how important that is to
54:34
both of us and how it helped.
54:37
That's really rising in this world. And
54:39
then you went, and that's punk. And
54:41
that's punk. And I actually went, that's punk. And I
54:43
was like, oh, I get it. Obviously
54:46
I understand punk, but I felt like
54:49
I learned a lot more about that time.
54:51
And I suddenly had for the first time
54:53
in my life, a feeling of what it
54:55
really would be like to be a young
54:57
person in that world, in that room, as
54:59
Adele said, so many different kinds of people,
55:01
and to just feel truly free. Thank you
55:04
for coming to our table. Two brilliant women
55:06
who were so lucky. We're going for lunch
55:08
now. Oh yeah, now we're going for lunch.
55:10
New friends. I said, when Adele left, I
55:12
said, I'll see you lunch. Felt good. Yeah.
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