0:08

You were listening to Strawberry Spring, based

0:10

on a short story by Stephen King. See

0:19

Edwards. You asked to see us. Come

0:21

back later if you're busy,

0:24

Take a seat, make yourself comfortable. I

0:26

was just about to read the latest copy of the New

0:28

Sharon Times. I thought you might care to join

0:30

me. New Sharon Times,

0:33

March Night.

0:36

Henry, you you're right here that five girls

0:39

have all been murdered. Gail

0:41

Kerman, Charlotte Foster,

0:44

Adele Perkins,

0:47

Chelsea Spencer, and

0:49

most recently, Hannah

0:51

Gray. Ages

0:54

range from eighteen to twenty years old, victims

0:56

of New Sharon's very own Spring Heeled

0:59

Jack. We still have no leads,

1:01

and the campus of New Sharon remains open,

1:03

a virtual hunting ground for

1:05

a killer that has a blood lust

1:08

that can't or won't be satiated.

1:12

That last line, it might be my favorite.

1:14

It's very poetic, Henry. I

1:16

don't know who's doing more damage

1:18

at this point. The two of you were

1:20

Spring Heeled Jack. Either

1:22

way, it's left me no choice. I'm

1:25

going to announce that spring break will

1:27

be moved up a week. I just don't see

1:29

any other way but to clear out the campus. I

1:31

need you to put that in tomorrow's

1:34

paper, and do me a favor, try

1:37

to keep the editorializing to a minimum.

1:40

All I care about is making sure everyone gets

1:43

home safely. Can I quote you on that?

1:45

Do you want to graduate? Not

1:51

what I was thinking. When we are called in, some

1:54

conversations come to an inevitable conclusion.

1:58

We scattered out at the office like frightened

2:00

sheep before a storm.

2:02

We were going to be abandoning the campus,

2:05

handing over an empty and haunted

2:07

legacy to police looking for clues,

2:09

and one dark specter leaving a trail

2:11

of death and sorrow in his wake. I

2:14

can't believe it's only been a few weeks since this all

2:16

started. It does seem like it's been forever

2:18

since we were in the name Spring Neo Jack. I

2:22

walked with Anne, but I felt very much alone.

2:25

It was hard to believe how much could change

2:28

in such a short period of time. Five

2:31

women were dead, countless lives

2:33

had been shattered, and there was an exponential

2:36

amount of damage that I wouldn't begin to

2:38

understand for years to come. The

2:40

word inevitable kept echoing

2:43

in my head. Captain,

3:05

It's it's me, Yeah, I know what

3:07

can I do for you? You're not gonna want

3:09

to hear this. But with the latest

3:11

victim,

3:14

yes, that's her. This puts

3:16

me in a terrible predicament. I can

3:18

close the campus and and hope that's the end

3:20

of the murders, or I or you can give

3:23

me and my man a chance to see this through. I

3:25

don't know if these kids.

3:28

They have a hard enough time getting to classes

3:30

now worrying about a killer. I

3:33

think we all need a break. I

3:36

need a break. Listen to me. If you let

3:38

them go home now, we may never catch

3:41

and bring hill Jack. You

3:43

have to give me a little more time. He's

3:46

one of them. I can feel any in my bones.

3:49

I'm a cop and sometimes cases

3:51

get salt on a hunch, and

3:53

I have that hunch. I will catch

3:55

him. Come hell or I water Earl.

3:58

You may be right. I can't

4:00

imagine what you're going through. I

4:03

feel for you, I really really

4:06

do, not for

4:08

me, But

4:11

can I be frank I

4:15

I think you can use a break too. We

4:17

need a reset, all of us. If

4:20

they all go home, there will be no one left

4:22

for him to kill. For

4:28

to catch. My mind

4:30

is made up. I have

4:33

to go. Look. I am

4:35

sorry for your loss.

4:44

Closing the campus down. What do you think I

4:47

think it all goes away. It doesn't. It's

4:49

not possible. What would you have them do?

4:51

Keep everyone on campus? He'll kill again,

4:54

he asked. What makes you so sure he'll

4:56

kill until he gets caught. Isn't

4:58

that what you would do. That's a strange

5:00

question. I wouldn't kill. We

5:03

should talk about what us.

5:07

And there is no us. There

5:09

never was and there never will be except

5:12

there was. Okay, I have to go.

5:14

Let me know if you need help with the paper. I

5:17

turned and walked away. I

5:19

wanted to look back and see if Anne was still

5:21

there. In my mind's eye, she's

5:24

still standing there, and

5:27

and I split up. She could handle

5:30

getting the paper together, announcing

5:32

an early spring break. Not much to do

5:34

there, that will take about ten minutes. Right in

5:36

the headline, it's what wasn't being said

5:39

that made everything so uneasy.

5:42

The wind really picked up that day. The

5:44

snow flurries hit hard. I

5:47

bundled myself up and decided to

5:49

stop by my apartment to grab some things.

5:52

It was a safe bed that I'd be spending the night

5:54

at Rachel's. New

5:56

Sharon was old, full

5:58

of tradition, and in the middle

6:00

of winter, at the beginning of spring. It

6:02

was also full of old power transformers

6:05

and shifting knob into wiring,

6:08

the kind that had a habit of failing when

6:10

winter went on a bit too long. I

6:14

remember entering my place to a power

6:16

outage. For a brief

6:18

moment, I wondered if spring heeled Jack

6:20

had something to do with this too. First,

6:23

the fog now blackout. I

6:26

tried the light switch a couple of times, but no luck.

6:29

I had a flashlight somewhere in the kitchen and

6:32

a transistor radio nearby. I

6:34

stumbled over a chair trying to find

6:36

the bold. Fortunately for

6:39

me, the radio took batteries, so at least

6:41

I had something to do to pass the time. I

6:44

turned on the radio, hoping to get a weather update,

6:46

but all I got was static. Maybe

6:49

the color station lost power too. I

6:51

grabbed the radio, change of clothes, a cheap

6:53

bottle of wine, and headed over to see Rachel.

6:56

It was called out Chris,

6:59

the kind of air that stung your lungs every

7:01

time you took a breath. I

7:03

thought about each breath I took on

7:06

the way over. I thought

7:08

about the victims when they walked,

7:11

when they took their glass breath and then

7:14

before I knew it, I found myself

7:16

standing on Rachel's store step. I

7:19

had no idea how long I've been walking

7:21

or how I got there. That's

7:26

it, forever did it. It's

7:28

harder to find this place in the dark than you think.

7:31

Candles how romantic.

7:34

Where's the power out here too? Yes,

7:37

there is nothing more romantic than writing

7:39

my mid turn paper by candle light only

7:43

one glass. I really have to get

7:45

my side paper done before spar break.

7:48

Early Trauma and Childhood Development

7:50

a study in coping mechanisms.

7:53

That's a lofty title, it

7:56

is. But I need you to get back to

7:58

me now and forth from my peaches to get

8:00

out of order. Okay, but only

8:02

if we finish our wine and forget about school

8:04

for one night. Deal One

8:07

night. Oh h

8:14

that night that her moment had dropped fifteen

8:17

degrees, I woke up next to Rachel.

8:20

It was cold in her apartment. The

8:23

old radiator and pipes must have frozen.

8:26

I shivered as I watched the warm vapor

8:28

of my breath dissipated into the moonlight bedroom.

8:31

I couldn't sleep. I don't know

8:33

what it was, but something was in the air. I

8:36

don't know the thing about Vietnam. Why

8:39

aren't we bringing our boys home? It's not

8:41

our war. Old men are

8:44

dying. Rachel slept soundly.

8:47

There was some sound coming from the radio. Kevin

8:50

Hartigan was coming in loud and clear, so

8:53

loud, in fact, I couldn't understand

8:55

how it didn't wake Rachel. I

8:59

jumped out of it. I realized

9:01

I must have left the goddamn thing on when I took

9:03

it from my apartment. I grabbed it

9:05

off the nightstand. I tried to turn it off.

9:08

I turned it so hard I broke the knob.

9:10

I didn't want to wake Rachel, so I rushed

9:12

into her living room.

9:15

Kevin was relentless, angry.

9:18

From what I could make out, he was yelling

9:20

the entire time about everything and

9:22

anything. Five women from murder

9:25

in Cold Blood, no subspects, a

9:28

sniveling chiller tiding behind

9:31

his damn in sight the murders and spring

9:33

heeled Jack. He'll catch him

9:36

sooner or later. He'll mess up,

9:38

won't Henry? What are

9:41

you talking to me? I couldn't tell

9:43

if I was asleep, awake, or somewhere

9:45

in between, a dream,

9:47

sleep walking through, just visiting

9:50

someone else's dream. And then when

9:52

I couldn't take it any longer. I turned the radio

9:54

over and opened the compartment. I

9:57

was about to take out the batteries when I saw,

9:59

under a shaft of moonlight there

10:02

weren't any batteries in the radio. But

10:05

how I must have been

10:07

training. I had

10:09

to have been training. There

10:12

wasn't much else to do, and now I was

10:15

quite away. That's when

10:17

I saw Rachel's folder in the warm red

10:19

glow of the firelight. I

10:21

opened it. It was like opening

10:24

Pandora's box. What

10:26

I read couldn't be put back. Subject

10:31

Henry Denton, aged twenty two. He

10:34

has managed to overcome many struggles,

10:36

the loss of both parents and a sibling. For

10:40

most subjects, one or two personal setbacks

10:43

would be enough to break an ordinary person,

10:46

but Henry din has created his

10:48

own coping mechanisms to

10:50

help him continue on a productive

10:52

path. His survival instincts

10:55

are primeval. Over the last

10:57

three months, the subject has been pretty

11:00

herring to graduate through college with

11:02

a degree in journalism,

11:04

he has also been thrust into a police

11:06

investigation by association of

11:09

his involvement with the college newspaper.

11:11

He chooses to bury himself in his

11:13

work rather than face real world consequences

11:16

and overcompensates for personal relationships

11:19

with avoidance, sleep

11:21

deprivation, and mild behavioral

11:23

issues culminating an O c D.

11:26

Maybe the result of a debilitating

11:28

the head injury suffered during adolescence.

11:32

Subject is in a long term relationship

11:34

that shows second thoughts regarding the future

11:37

of that relationship, and maybe

11:39

to hit it by a colleague. She

11:42

thinks I'm having an affair with Anne.

11:45

But you do think of Anne is more than a friend,

11:47

don't you. I don't know, wrong

11:49

answer, Henry, I said, I don't know,

11:52

But would you be willing to leave Rachel?

11:56

I know, away a clean break?

11:58

You might say cut time, if you know what I

12:00

mean. No, not Rachel than

12:03

Anne. Perhaps No. Well,

12:06

you can't have your cake and

12:09

eat it too. That's not

12:11

how life works. Someone will

12:13

have to suffer. If not Rachel and

12:16

Anne, then who then

12:19

who? Henry? You

12:24

You've been suffering your entire life.

12:27

I didn't have the answer. I

12:29

stared at the bedroom door, closed

12:32

tight. I knew Rachel

12:34

was fast asleep behind, and I didn't know

12:37

what to make of what I was reading. But I decided

12:39

I couldn't stay and read anymore

12:42

about me. Rachel's

12:44

breathing was so loud I could hear it from the

12:47

other room, pounding in my skull,

12:49

aching in my brain. The migraine

12:52

hurt, my vision blurred.

12:54

I wanted to make it stopped, but

12:57

how could I make the pain? The noise

12:59

I make haven't go away.

13:03

Henry, who are you talking to? Huh?

13:08

No one? I was reading. Oh

13:11

my god, Henry,

13:14

you've been analyzing me this entire

13:17

time. I haven't been analyzing

13:19

you. I've I've been studying

13:21

you everything. You've

13:24

overcome, the accident,

13:26

losing your family, the orphanage, all

13:29

of it. And now look at

13:31

you. You've put yourself through college

13:34

and you're about to start in life. Life

13:36

is me? Are you mad?

13:39

I don't know what I am. Maybe I should

13:41

read your paper and find out, Henry.

13:44

I need some mayor. But it's freezing

13:46

out. It's colder in here.

13:50

I stepped outside, hoping some fresh air would

13:52

help. I expected

13:54

the fog to hit me in the face. Like so many

13:57

other nights in Strawberry spring first

13:59

began but stead the whole northern

14:01

New England area was belted by a shrieking

14:04

norther that began in sleep and

14:06

ended in the foot of snow. I

14:08

trudged through the streets, holding my arms

14:11

close to my sides, moving them up and

14:13

down to keep warm. I was

14:15

under dress, but at two in the morning, Couis

14:17

m'm I didn't want to go back to Rachel's

14:19

fird coat. I'd rather suffer in silence.

14:23

I was so busy to generate the body heat

14:25

that I failed to realize I was walking

14:27

past all of the murders. Dean

14:29

Edward's voice kept ringing in my ears.

14:32

Con Lung Charlotte

14:34

Foster two, I didn't Perkins

14:36

three, Chelsea Spencer four in

14:38

a grave. I passed the first murder scene

14:41

where it all began, the

14:43

Animal Sciences parking lot. I

14:46

ran through the quad, past the dorms,

14:48

through the narrow pathways of the buildings, until

14:50

I finally stood and stared at Dean

14:52

Edward's window, where Hannah gras dismembered

14:55

head was found. I saw

14:58

my reflection staring back at the It

15:00

was like an out of body experience, the

15:02

kind of Ragent talks about. I felt

15:05

like I was watching someone else run across

15:07

the grounds. I could see, I

15:09

could see what they saw, hear what they

15:11

heard, but it wasn't And then how the body

15:13

experience, and I wasn't sleep

15:15

walking, It wasn't a dream. It

15:18

was real. The clues added

15:20

up. The killer had been staring

15:22

everyone in the face the entire time.

15:25

It wasn't some monster from a movie that

15:27

goes from a book or some agent

15:29

had cursed Spring heel Jack

15:32

was a man. He looked just

15:34

like you. He lived among us, He

15:36

killed at will. He was no one,

15:39

and he was everyone all at once. And

15:41

when I found myself standing in the middle

15:43

of campus staring at my reflection

15:46

in the glass of Dean Edward's office

15:48

window, it was overwhelming. Awoke

15:51

from a never ending Nightmary and eerie

15:53

glow surrounded me. Is snow gathered

15:56

on my shoulders. The vintage glass

15:58

panes were distorted, and I did recognize

16:01

the person staring back at the I

16:03

panic. I picked up a rock and did what

16:05

I could to make him disappear. As

16:09

the window shattered into a thousand pieces,

16:11

the sound woke me. My subconscious

16:13

took over, and as soon as

16:16

the image staring back at me vanished,

16:18

it put Spring heeled Jack to sleep

16:21

for another eight years until

16:24

another Strawberry Spring came

16:26

to pass. Who

16:29

is it, Who's there? I

16:33

could see a shape through the fog. But

16:36

I can't believe my eyes. It

16:38

can't be not after all this

16:41

time, I

16:43

missed you, Henry, Dad,

16:47

you're alive. But that's

16:49

impossible. Henry,

16:53

Hey, can you hear me? My god,

16:55

hang out, Henry.

17:04

We don't have time for this. Henry.

17:08

There is a killer on the loose. Get

17:17

off the past whole. You're running out

17:19

of time where Henry,

17:23

wake up? Oh my god, I

17:26

remember it was you.

17:28

You're the reason they died. You were

17:30

chasing us. It's all your fault. You tried

17:32

to kill Mom. You killed them.

17:35

It's all coming back to me now, like

17:37

a bad dream. Only it wasn't a dream.

17:40

He's here, pure evil,

17:42

standing right in front of me. It's

17:46

cooled out. Let's not attract attention.

17:48

Come on, let's get in the car. Words warm,

17:50

and let's talk about it. It's been almost

17:52

fifteen years. For all that

17:55

time. I blamed myself. I

17:57

thought it was my fault we crashed. I

18:00

didn't see the dear, I didn't warn mom

18:02

and time. I thought it was my fault.

18:05

But they didn't die because of me, did they.

18:07

They died because of you. They

18:09

died because of you. Are What's

18:13

what's wrong? Oh? My head. It

18:15

hurts. You've

18:18

been alive all this time. You're

18:21

alive. You're alive,

18:23

and they're dead. You were beating

18:26

her, hurting her, causing her

18:28

pain. I saw it all growing up. I

18:31

learned from you. I saw it all. It

18:34

was a long time ago. I've

18:37

changed, okay. I've come

18:39

to make peace with you, with my

18:41

past. I'm not violent

18:43

anymore. Don't call me shun. We

18:46

can get past that. I

18:48

shouldki.

19:00

Yeah, Henry,

19:07

holy shit, Oh

19:10

my god, can you hear me? What's your name? John?

19:19

I need nay the parking lot immediately.

19:21

A man has been stabbed. He

19:26

what have you done?

19:37

Rachel? Where are you in

19:41

here? I'm upstairs. I'm

19:43

on my way. Are

19:46

you okay? Thank

19:48

e? There? Here? Are you

19:50

okay? Just bloat on your arms.

19:53

I cut myself on a card door. I'll

19:55

be fine. Hey, where's

19:57

your bay? Never mind? I see

19:59

it. Come on, let me help you get downstairs.

20:02

We need hurry. My water broke.

20:05

Put your arm around me. I got you. She

20:08

looks scared. Why is she looking

20:11

at me like that? Rachel?

20:13

I set I've got you. Stay

20:26

focused. Just breathe, honey.

20:29

We're only a few minutes from the hospital. Come

20:37

on, come on, please

20:41

him to be

20:43

careful. You don't want to come to Henry,

20:58

Henry and wake up. Henry.

21:02

It's me, Kevin, get up. You

21:04

still have time, my

21:06

head. What happened? We happened.

21:09

What happened is you and me.

21:12

I've been trying so hard to get to you. Look

21:16

at her, Rachel doesn't look

21:18

so good. You should just put her out

21:20

of her misery, just like you did with mom.

21:22

Mom. What are you talking about?

21:24

Who are you? You still don't remember?

21:28

Don't worry about it. It'll come back to

21:30

you. It's me, Henry,

21:32

It's Kevin. Don't

21:35

you remember I'm your

21:37

brother and

21:40

you need to hurry up. We're

21:42

running out of time.

21:48

Spencer,

21:52

we g got all your person of interest,

21:55

Henry Gain was in a car accident on Silver

21:57

Road, white and hand roaming aar in general.

22:00

Got it? Thanks? Are

22:04

you okay? We've got a second

22:06

victim from the accident of Pilgrim Road. Male

22:09

late twenties to early thirties, head

22:11

trump, no external bleeding. Spousal

22:15

female has

22:17

my wife the baby? She's gonna

22:19

be okay? Justin who likes my

22:23

wife? She's pregnant. We've

22:25

already got around. She's on her way to the hospital.

22:28

Thank god, can you stand

22:30

up? HENRYA

22:36

you're okay? Yes, Chief

22:38

Spencer, Please, I need to get

22:40

to the hospital. Okay, I'll

22:42

take it from here. I went in my car.

22:44

Would you get you to the hospital. Yeah?

22:51

What happened back there? We got in the nexcident.

22:54

No, Henry, not there at

22:57

the police station. That man,

22:59

he said he was your mother. We

23:02

have to get to Rachel. How far are we?

23:04

We'll be there soon. Tell

23:07

me about your father. There's nothing

23:09

to tell. He abandoned us when I was just a kid.

23:12

I thought he died in Korea, but that was just lying.

23:15

This doesn't look like the way to the hospital.

23:18

Henry. Where are we going?

23:21

Why did you have a knife? What a

23:24

knife? I did? You stabbed

23:27

your father? I don't like this, Henry.

23:30

We should make him stuck and

23:33

growing up? Were you too close? This

23:36

isn't the way to the hospital. We

23:40

are not going anywhere until you answer

23:42

some questions

23:46

today.

23:50

That man at the police station, your

23:52

father. You didn't

23:54

just stab him, Henry. He sliced

23:56

his throat from year to year, the

23:59

only anything holding his head in place. Where some tendons

24:03

you look just like a murder victim.

24:06

A murder victim of spring Heeled Jack. What

24:09

are you saying? What am I saying? These

24:12

are all the files from the spring Hill Jack murders.

24:14

I want you to look at these pictures, Henry. Look

24:16

at them. Do you see anything familiar? Do

24:19

you? Do you? Henry? Make

24:21

it stop, Henry. It

24:24

looks like spring Healed Jack had his way with him, doesn't

24:26

it. I want you to take a closer look. What

24:29

do you see? I don't have to come

24:31

closer. I don't have to take a book.

24:33

I already know. But he wants me

24:35

to play a game, so I'll play on

24:38

your mark. It looks like murder

24:41

scenes. Henry, it looks like murder scenes. To

24:43

get set, actually, Chief

24:46

Gods, this

24:51

looks like a murder scene.

25:00

Yeah,

25:00

m maternity

25:11

ward, how can I help? Excuse

25:13

me? My wife was brought

25:15

in earlier. She was in labor.

25:18

What's her name, Rachel Denton. She's

25:20

in three fifteen down the hall to your left.

25:23

Thank you, she

25:27

made it here in time. I couldn't

25:29

forgive myself as something to happen to No. Oh,

25:32

thank god, honey, you're okay. I

25:35

was so worried. What

25:39

do you want to meet your daughter? A

25:42

daughter? I didn't realize

25:44

we're going to have a girl. Yes,

25:47

yes, I don't. Oh

25:50

my gosh, I

25:52

can't believe we would be daddy's

25:58

daddy's little girl. The

26:01

sound of that terrifies me. Everything

26:04

I hear it rings in my ears. The

26:07

elevator down the hall, the wheelchairs

26:10

rolling across the linoleum floor, the

26:12

phones at the nurses station, the

26:14

babies crying out for their mothers,

26:17

the screams.

26:20

I recognize that look, the

26:23

look of a helpless girl, her

26:26

life in my hands, staring back at

26:28

me. The last thing I want

26:30

to do is heard our little girl and

26:33

might hope her te tape. She's

26:36

fine, she's mine. You

26:39

can't have her, She'll always

26:41

be mine. Do

26:44

we have to do this now? I

26:47

can see out the window, the snow

26:49

melt running down the gutters. Strawberry

26:52

spring is back. Out of the

26:54

corner of my eye. I can see the headline

26:56

on rachel side table. This

26:58

morning's paper says a girl was

27:00

killed on the New Sharon campus near the Civil

27:02

War cannons. She was killed family

27:05

melting snowbag. She was not old.

27:07

There. I've been thinking about these foggy nights

27:10

and those years ago. My head with an

27:12

egg, and I walked from here and passed all

27:14

the shadows without shape or

27:16

substance. We have her,

27:19

Henry. She's hysterical here.

27:23

By the way. Anne was here earlier,

27:25

Oh she was. She

27:28

said she had to move town. She's

27:30

going to call you later, something about an inevitable

27:32

conversation too had to have and

27:37

did she lead because she was worried something would

27:39

happened to her? Wonder

27:42

that events. I

27:44

have no idea. An inevitable

27:46

conversation sounds like it could

27:49

mean anything, except

27:51

I don't think it does. It could

27:53

mean and it's going to come from me. It

27:56

could mean she's going to write a story about

27:58

spring Neo Jack. You

28:01

could mean anything. You

28:03

couldn't mean. I'm going to have to find her and ask her

28:05

myself. Now it's not the time, but

28:08

last night, where were you?

28:12

You can't disappear on me anymore.

28:15

I don't want any part of it. Rachel

28:18

is upset. It's

28:21

not that I don't want to tell her. It's that I

28:23

can't be sure. I

28:25

would never start a go from work. I

28:27

remember putting my headlights on to search my

28:30

way through the fog, but that's all I remen

28:33

She would call it a blackout selective

28:36

memory. Everything

28:39

is fine. We don't have to worry

28:41

about anything. Nothing is going to change

28:44

that. I'm not planning on going anywhere

28:46

ever. You have no idea how

28:49

happy I am to hear

28:52

you say that. It's

28:54

just you, me and our baby and

28:58

me, Henry. Don't

29:00

forget about me. I'm

29:03

not planning on going anywhere. YEH

29:26

did it? Strawberry

29:31

Spring Executive produced by Lee

29:33

Metzger, Jared Goodstadt and Philip Alberstadt.

29:36

Written and directed by Lee Metzger, starring

29:38

Garrett Headland, My Love and Amilia Horizon,

29:41

Gardiola, Sydney Sweeney, Ken Marino,

29:43

Al Madrigal and Breck Bessenger. Audio

29:46

up in house production by Georgiana Lck

29:48

Franzheim and Laura Ramada, Edited

29:51

by Carry Caulfield, Eric and Jeremiah's

29:53

Immerman. Sound design and mix by

29:55

Jeremiah's Immerman. Score by Jeff

29:58

Peters. Original songs in music by

30:00

Jared Goodstad, Kubert and Jesse Siebenberg.

30:03

Strawberry Spring is published in Stephen

30:05

King's story collection Night Shift, available

30:07

in paperback and e book from Anchor Books,

30:09

and as an audio book from Penguin Random

30:12

House Audio, original score

30:14

and soundtrack from Strawberry Spring featuring

30:16

Daddy Longlegs by Yakuza and the Bear,

30:19

now available on the I heart Radio app,

30:21

Apple Music, Spotify, or wherever

30:23

you stream good music. For the full

30:25

list of production credits, please visit audio

30:28

up dot com. You will find more podcasts

30:30

from I heart Radio on the I heart Radio app,

30:32

Apple Podcasts, or wherever you listen

30:34

to podcasts. Body