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today. yellow jackets this time it's

1:51

episode two of season three dislocation

1:53

as we warned you if you listen

1:55

episode one we watched and recorded these

1:57

episodes separately so most of you

1:59

probably just went in and watched them

2:02

back to back and you were

2:04

listening to us to just yap on

2:06

an episode one like that's not

2:08

what happens well now we know Now

2:11

we know. If you're listening to

2:13

this on Monday, so every yellow jackets

2:15

episode from here on out will

2:17

drop on Monday. So if you're watching

2:19

on Paramount Plus with Showtime, you

2:21

probably have access on Fridays. You just

2:24

got to wait through the weekend

2:26

and listen to our arcane and game

2:28

of Thrones and severance stuff to get

2:30

you through until Monday. So that's

2:32

what we're going to do. Also, if

2:35

you're new to the show, you're

2:37

going to be real confused, but old

2:39

hats know, sometimes this happens. We

2:41

had like a crazy rainstorm last night

2:43

that morphed through divine intervention, I'm

2:45

guessing, I'm not sure how weather works,

2:48

into a snowstorm. And so we're

2:50

recording remotely for our safety, for the

2:52

safety of our co-hosts. You know,

2:54

we don't want to, you know, for

2:56

example, we wouldn't want to hop

2:58

on a plane and fly to the

3:01

studio and then the plane crashes

3:03

and we land in the Canadian wilderness,

3:05

that would be obviously not good. Mm-hmm.

3:07

I mean, I like to party.

3:09

But also Kentucky Wilderness? That's even worse.

3:12

Not only are we doing this

3:14

remotely, but we're testing out a new

3:16

thing where the software we use

3:18

to do our remote recording allows us

3:20

to do some live streaming. So

3:22

some people are streaming the podcast live

3:25

as we record and there's a

3:27

chat and everything and it's really really

3:29

fun. So hello everyone that's in

3:31

that chat. Hi everybody. Is in there.

3:34

We got Casey, East Gramo, Elpander,

3:36

Jim's in there. Those are the people

3:38

that have commented. I can't quite see

3:40

a full list of people. But

3:42

Steve's like my mom, Andy's neighbor, what's

3:45

her name? Yes, sir. Yes. Andy,

3:47

did you eat my fruit cake? She

3:49

didn't give me one this year.

3:51

What a bitch. She totally heard us.

3:53

So episode two of Yellow Jackets.

3:55

I think what we're going to do

3:58

is overall thoughts and then a

4:00

scene. by seeing play-by-play recap and review

4:02

and we'll cap it all off

4:04

with a few fun little categories little

4:06

games we got our choice cuts

4:08

our top three favorite moments of the

4:11

episode of course the the honeycombs

4:13

which is typically like our Easter eggs

4:15

or lower segment again as we said

4:17

last time with the show doesn't

4:19

make a whole lot of sense anymore

4:22

but we're still going to do

4:24

it because lots of our show doesn't

4:26

and then buzz buzz worthy performance

4:28

our favorite performance of the episode will

4:30

be nominated by each of the

4:32

four of us that's how we'll end

4:35

it. Last time we talked a

4:37

lot about it was very clear and

4:39

intentional that people just binge the

4:41

first two episodes right away that they

4:43

act together as a premiere for

4:45

this season is what we surmised and

4:48

I think I found that to be

4:50

true. I'm wondering what you guys

4:52

think when we get into overall thoughts

4:54

if you are much more excited

4:56

now that you finish the sex is

4:59

not the sex you're not done

5:01

with that yet. The second episode. Now

5:03

that you guys have finished the

5:05

sex. What do you think of the

5:08

show? And I'll tell you. Showtime

5:10

and chill. And by the way, why

5:12

didn't you finish that before we

5:14

started recording? Anyway, Madison, I'm so curious.

5:16

about your thoughts on episode two?

5:18

Well, after the sex, no. I like

5:21

this episode. I think episode two

5:23

alone is fine, but I think episode

5:25

one needs episode two. So, but I

5:27

mean, they do work really nice

5:29

together. But overall, I had fun with

5:32

this episode. I liked the interesting

5:34

groups. I feel like we've been getting

5:36

a lot of like interesting combination

5:38

of characters. within the first two episodes

5:40

like Misty Lottie and Cali being

5:42

together is very strange. But I thought

5:45

those things were entertaining. the very

5:47

ending of this episode was wild. Oh

5:49

my goodness. But it definitely, as

5:51

I'm sure the purpose of the episode

5:53

is to get me really excited

5:55

for the rest of the season. I

5:58

found myself after finishing this episode to

6:00

immediately want to jump into episode

6:02

three. So that's a good sign for

6:04

me, a good tell that I'm

6:06

ready to be back and to watch

6:09

the rest of what we got

6:11

going on. Awesome Andy. Yeah, I thought

6:13

that it was a good episode,

6:15

but it did feel like a setting

6:17

us up episode as episode one

6:19

did as well. So it left me

6:22

wanting for sure, but I enjoyed

6:24

what we got, but I'm ready for

6:26

them to kind of get into

6:28

the meat of the season. It was

6:31

a very trippy episode with a

6:33

lot to do with drugs and that's

6:35

fun. But I I do think that

6:37

it had a little bit of

6:39

a curse of action for sure, but

6:42

I enjoyed it, but I'm ready

6:44

for more. And Steve, how are you

6:46

feeling sitting there thinking about these

6:48

jackets? Hmm, I'm wondering how they're going

6:50

to look on me? How are

6:52

you doing? Can I buzz in them?

6:55

Am I buzzin? No, I, so

6:57

my first, so I have a little

6:59

section of my notes called overall

7:01

thoughts, and my overall thought note is

7:03

just an interesting episode. And that's

7:05

mostly because, like, I don't really think

7:08

the hook of this episode. I agree

7:10

with Madison, like, this episode works

7:12

in and by itself, but episode one

7:14

needs this one. So it made

7:16

sense that they're paired together. However, in

7:19

my opinion, the way this episode

7:21

ended, they're trying to hook me, but

7:23

I just, they didn't get me

7:25

hooked. I was like slightly intrigued, but

7:27

I wasn't like, oh, can't wait

7:29

to watch the next episode. I was

7:32

going like, all right, I'll wait

7:34

to watch the next episode. I'll wait

7:36

to watch the next episode. I'll

7:38

wait to watch the next episode. Always.

7:40

24-7. I really appreciate the Shawna

7:42

Melissa thing of it all. at the

7:45

very, very end, that was sort of

7:47

like the injection of juice that

7:49

the show needed because to be honest,

7:51

until that happened, I was kind

7:53

of like, well, I was really kind

7:56

of like, man, this is not

7:58

going anywhere fast because my other notes

8:00

is like, I love Misty, I

8:02

love Walter, what are they doing with

8:05

half of the adult characters? It

8:07

seems like most of them are just

8:09

kind of languishing in this hell

8:11

of uninteresting. We don't know what to

8:13

do with them. Like every time

8:15

Walter's on screen I can just hear

8:18

the writers like what do we do

8:20

with Walter? We don't know and

8:22

as much as I love Misty like

8:24

she's my favorite person adult Misty

8:26

Christina Reese is my favorite character on

8:29

the show. I'm starting to get

8:31

worried that we That she's like a

8:33

captain Jack Sparrow character in that

8:35

we all love Captain Jack Sparrow in

8:37

that we all love Captain Jack

8:39

Sparrow like the first Pirates of the

8:42

Caribbean curse the black pearl we

8:44

love Captain Jack Sparrow but then three

8:46

movies later he's the main one

8:48

and so I was a little I'm

8:50

a little bit worried like I

8:52

like because in my mind I'm like

8:55

why don't they just make the story

8:57

about Misty but then I thought

8:59

you know you can't do that because

9:01

that's not that type of character

9:03

anyway I do have a lot of

9:06

concerns about the season going in

9:08

now again the Sean and Melissa of

9:10

it all I'm very intrigued by

9:12

I kind of wish Melissa was a

9:14

bigger character up until this episode

9:16

but I'm also intrigued by the coach

9:19

Ben Mari Mari relationship as well

9:21

like that predicament that predicament that he's

9:23

in and who is he's talking

9:25

to That stuff is very, very interesting

9:28

to me. So I'm still interested in

9:30

where it's going, but like, if

9:32

I'm being honest, there are some early

9:34

signs that this season is going

9:36

to suffer from what the previous season

9:39

suffer from, which was a lack

9:41

of direction and just stretching out three

9:43

lines that aren't necessarily very interesting.

9:45

But that's just me. Kit, what do

9:47

you think? I think I agree,

9:49

for the most part, with your assessment,

9:52

I would have never guessed, if

9:54

you had told me a year and

9:56

a year and a last time

9:58

we talked about the last time we

10:00

talked about the show, Coach Ben would

10:03

be one of my most juicy

10:05

storylines that I want to know what's

10:07

going on. on there, I would

10:09

have been like, get the fuck out

10:11

of here. You know what I

10:13

mean? You're out of your mind. But

10:16

I agree with you, like, the

10:18

coach in the cave is super interesting.

10:20

And I love everything that's going

10:22

on with the 1996 timeline. I guess

10:24

it's 97 now. The older timeline,

10:26

which has always been more interesting, is

10:29

just like the only thing carrying

10:31

me through right now. But like you

10:33

said, like, we finally got some

10:35

juice with Melissa and Shana with like

10:37

the knife kiss at the plot. And

10:40

it's kind of awesome, and I

10:42

hope they just get fucking weirder and

10:44

more dramatic for no reason and

10:46

just keep me invested from like a

10:48

T standpoint, because I don't think

10:50

they have five seasons of plot. You

10:53

know what I mean? I don't

10:55

think it's gonna go well. I really

10:57

am kind of aghast that they're

10:59

gonna go for a couple more years,

11:02

but I'll fucking watch, you know?

11:04

But as soon as, like, the way

11:06

the second episode ended, I was

11:08

like, okay, the next episode right now,

11:10

this is amazing. And I knew Madison

11:13

and I were going to be

11:15

on the same page on that. I

11:17

wasn't sure how you guys were

11:19

going to react. Well, I watched the

11:21

episode on, I think, Tuesday, maybe

11:23

Monday or Tuesday. So I watched it

11:26

way before anybody else, and I

11:28

just was like sitting with that information

11:30

for a minute. And I was

11:32

like, oh, guys, please watch this. She's

11:34

a girl kisser, and there's knives?

11:36

Wow. I think it's a pirate knife

11:39

plain for me. It's giving dark

11:41

romance and I'm here for it. But

11:43

yeah, I am concerned that they

11:45

really just don't know what to do

11:47

with a lot of the characters. I

11:50

think the whole Melissa and Hillary

11:52

Swank thing is really going to speed

11:54

things up, juice things up. If

11:56

those are the same character, I still

11:58

think that that's the case. We

12:00

got some good emails about how they

12:03

typically change the eye color with

12:05

contacts with contacts to match. And if

12:07

you look at the trailer, they

12:09

clearly haven't done that with Hillary Swank.

12:11

So for that reason, the person

12:13

doesn't think it's Melissa. That's fair. I

12:16

still don't see where else they

12:18

could go with that. And it makes.

12:20

the most sense, the way they're setting

12:23

this up, that the new adult

12:25

would be Melissa. Because that would like...

12:27

What if it's Coach Ben? Honestly,

12:29

that'd be pretty sick. Like a boys

12:31

don't cry reference or something? I

12:33

don't know. Yeah, I'm uncomfortable too. I

12:36

do think this episode is really

12:38

funny, but yeah, I just don't understand

12:40

how they're going to do like

12:42

another three or four years of this.

12:44

Andy, you're new to yellow jackets.

12:46

I have a couple questions for you.

12:49

How old do you think the

12:51

actor who plays Callie is? How do

12:53

I think the actor is? I

12:55

would guess 24? She's 29. 29, dang.

12:57

I think she's 30 now. Maybe. Wow.

13:00

How old do you think Travis

13:02

is? 22? He's like 34. Yeah. I

13:04

think the youngest younger cast member

13:06

is Sophie Thatcher. Sophie Thatcher, who's 24.

13:08

All of the other ones are

13:10

older. So Lottie, played by Courtney Eaton,

13:13

is I think 29. Sophie Nelis

13:15

is 26, I think, 27. And then,

13:17

Ty, Jasmine, Savoy Brown, she's 30

13:19

years old. So they're all. older. This

13:21

is quickly turning into like grease.

13:23

We got a bunch of dudes that

13:26

look like me playing high school

13:28

seniors. But I will say they all

13:30

can pretty convincingly look like 18 years

13:32

old to me. The young cast

13:34

I've never questioned their age and I'm

13:37

like oh you're not a high

13:39

schooler so I mean that's fine but

13:41

that could change over the next

13:43

two years or however many years. That's

13:45

what I was getting at, like

13:47

if we get to a season five,

13:50

it's just going to be like

13:52

Gandalf being like, I'm Travis. You shall

13:54

not pass bro, but I'm in

13:56

like I said if they just keep

13:59

getting more and more fucking ridiculous

14:01

I'll do it, but I don't I

14:03

don't like what they're doing with

14:05

Misty and Walter right now Like I

14:07

think Steve was kind of alluding to

14:10

it. I think I'm getting what

14:12

you're putting down in like this whole

14:14

bit with I don't know he

14:16

could be he could be a bad

14:18

actor like he could have some

14:20

because it's like giving isolate and manipulate

14:23

vibes at the same time as

14:25

like he's also very right though that

14:27

none of them have ever been

14:29

kind to her and maybe so many

14:31

is like being sincere and trying

14:33

to help but it's like just have

14:36

them solve a case and be

14:38

murderous sociopaths together that's what I want

14:40

I don't want this I think Steve

14:42

had a good point where like

14:44

she could turn into a one-note character

14:47

over time if it if she

14:49

can say who she is and the

14:51

type of art that she would

14:53

need to have to stay interesting is

14:55

to develop some kind of self-awareness.

14:57

And so I think that Walter could

15:00

be serving the role of kind

15:02

of leading her into that to help

15:04

her recognize like, look, these people

15:06

aren't your friends, like none of them

15:08

like you, they use you, and

15:10

you know, he's saying what she needs

15:13

to hear, but it does suck

15:15

because I do want, you know, Sherlock

15:17

and Owens and Watson, you know, I

15:20

mean, I want that. But what

15:22

she needs to stay interesting is what

15:24

he's saying. By the way, while

15:26

watching Stupid Thought before we get into

15:28

the recap, which we desperately need

15:30

to do, I'm aware. I was unaware,

15:33

like I never processed this when

15:35

I'm watching any movie or show, but

15:37

like, it hit me how short

15:39

Christina Ritchie is because I. I have

15:41

met Elijah Wood a few times

15:43

and he's like he's a smaller guy

15:46

and he was like towering over

15:48

Christina Ritchie in that in that scene

15:50

and I was like no fucking way

15:52

dude and then later when she's

15:54

on like the kitchen counter like reorganizing

15:57

the cabinet but like she looked

15:59

like like she fit up there so

16:01

well. And I was like, oh

16:03

my god, so I had to Google

16:05

it. Get the toddler off. She's

16:07

five. She's five one. Oh, yeah. I

16:10

mean, I've seen the promotional photos

16:12

of like all of the cast on

16:14

the right carpet and there was

16:16

a recent group photo and I noticed

16:18

that Christina Reti. They put her

16:20

in the back, which is, or not

16:23

the back. It was like this,

16:25

the side, but there was someone like

16:27

a Jason, right. There was someone like

16:29

adjacently in front of her, but

16:31

she was like, her head was just

16:34

barely popping out of the side

16:36

of the, so small. Gotta put her

16:38

in the front. Well, let's get

16:40

into the meat of dislocation, what actually

16:42

went down in this episode. You

16:44

guys ready? Just doing it. Before we

16:47

do that, though, let's take one

16:49

second to hear a word from one

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to be, to be. And we're

19:20

back. Let's get into the recap

19:22

of everything that went down in

19:24

this episode. It starts in the

19:26

past, right where we left off

19:28

with Mari in the pit. She's

19:30

fitting to be in the pit,

19:32

and she's in there. You know,

19:34

she bought those tickets. She waited

19:36

in line all night for Coach

19:38

Ben Pit. That didn't sound good.

19:40

And she's in there now. He

19:42

rolls up like, whoa, whoa, whoa,

19:44

whoa, whoa, and he's so shocked.

19:47

Why would I kill you? You

19:49

guys are so fucked up. Calm

19:51

down, you know what I mean?

19:53

Which is, we thought Ben kind

19:55

of went feral, but he's still

19:57

like that, like, stop. the murder

19:59

for one second Jesus Christ which

20:01

I appreciate I thought her leg

20:03

was broken but it's just the

20:05

kneecap is fucking dislocated this really

20:07

got to me I'm not super

20:09

squeamish with the body horror stuff

20:11

but this was effective I was

20:13

like I was it was unpleasant

20:15

and I like the way coach

20:17

handled it like later he's like

20:19

I can't help you so you

20:22

gotta do this you know I

20:24

can't remember if they handle it

20:26

here before Yeah, it's like the,

20:28

she's got to push, she's got

20:30

to bear down, if you will.

20:32

Bear down. Bear down. Bear down.

20:34

And we've got a lot of

20:36

doctors in the chat, maybe they

20:38

can comment on this, but I

20:40

don't know if this would have

20:42

worked quite well, but I guess

20:44

because he was a coach, he

20:46

had like some field medicine, you

20:48

know? He seemed to know what

20:50

he was talking about. Straighten the

20:52

leg, and don't be a bitch.

20:54

That's what you got to do.

20:57

So in the chat, Casey says

20:59

he handled it well. I mean,

21:01

it would work, but she may

21:03

tear some shit. Like ligaments, you

21:05

think? And my next note is

21:07

no fucking way Shanna is actually

21:09

digging up her baby? Yes, she

21:11

is. I was expecting it to

21:13

be a dream. Did she do

21:15

that? Are we supposed to take

21:17

that she does that every now

21:19

and then? No, I think that

21:21

she was just getting the baby

21:23

out of the snow. because she

21:25

couldn't bury the baby before because

21:27

the ground was frozen so she

21:29

needed to give it a real

21:32

barrier. I took it as she

21:34

was relocating the baby because she

21:36

didn't want the others to be

21:38

playing over it. Yeah, or like

21:40

doing a sacrificial something around the

21:42

baby. She wanted to have a

21:44

more sacred spot where it could

21:46

maybe just be her in the

21:48

baby and only she know about

21:50

it. That's how I took it.

21:52

I love hearing that you pose

21:54

Chris where she sometimes will take

21:56

up the baby just checking in.

21:58

You still dead? You still sleep

22:00

in? Mommy loves you. She like

22:02

fake burpset. It was definitely like

22:04

their little cemetery, right? Like, it's

22:07

been spring for a little while,

22:09

I think, and they had like

22:11

the little graves there. Yeah, which

22:13

is interesting because there's only three.

22:15

It's hobby, Jackie, and then the

22:17

baby. And I'm like, I know

22:19

that there's another grave site where

22:21

there's several other people. the plane

22:23

crash victim. I was going to

22:25

say, and the beach, they just

22:27

have like a ring of flowers

22:29

set up with like a cross

22:31

and like a photo. Yeah. Not

22:33

lorley. Yeah, but it's interesting that

22:35

it's just those three grades, but

22:37

I guess that makes sense. But

22:39

yeah, I think Madison's right. She's

22:41

she's taking the baby away from

22:44

that campsite because, you know, that's

22:46

her baby and she is, she

22:48

hates the fact that everyone sort

22:50

of made her child into this

22:52

into part of this cult experience.

22:54

And she's very anti the cult

22:56

at the moment. She is, but

22:58

also she's like fully a very

23:00

violent person. And oh, she's awful.

23:02

If I was there, I'd be

23:04

like, we need to chill her

23:06

and eat her. And she's not.

23:08

But she's the one that preps

23:10

all their food. No mercy. She's

23:12

not the only one that knows

23:14

her way around a knife. Like,

23:16

come on. I think she is,

23:19

like, ostensibly in the show. Like,

23:21

she's the one that can clean

23:23

the carcasses and stuff. They always

23:25

give it to her. Melissa just

23:27

only started her apprentices this week.

23:29

So, yeah. And since Winkin, you

23:31

know, there's some new skills, but

23:33

nobody's got Shanna's job yet. But

23:35

the crew in the past discusses

23:37

where Mari might be. And Natalie's

23:39

like, I'm gonna look for her.

23:41

Hope she's dead. Hope she's in

23:43

a pit and Coach Ben hops

23:45

up and they're like that's outlandish

23:47

and she's like I don't care.

23:49

That's what I hope happens and

23:51

Misty's like in the back like

23:54

I'll go the whole time and

23:56

she's trying not to pick her.

23:58

Oh me. I picked Shauna. How

24:00

about Nat eventually has to take

24:02

Misty because no one else volunteers

24:04

and as they walk away, Van

24:06

and Ty are like, let's go

24:08

on her own. Yeah. Van and

24:10

Ty, well we find out later

24:12

that Tyisa does not like Natalie's

24:14

leadership. So that's partially why she

24:16

wants to go on her own

24:18

little mission there. And Travis is

24:20

like, hey, I still know these

24:22

trees, like the back of my

24:24

hand. I'll go. And wow, I

24:26

see like, hang on, we got

24:29

business to take care of service.

24:31

Wait, we got more important shit

24:33

to do, like drugs. The back

24:35

of my left hand, I see

24:37

the front of my right more

24:39

often. But yeah, but Lottie's like,

24:41

no, we need to get high.

24:43

That's what we got to do.

24:45

So we'll get more into that

24:47

in a little bit. But back

24:49

in the present in 2021-ish, Jeff's

24:51

trying to remind Shawna of some

24:53

important work dinner that he has

24:55

planned and she very awkwardly. tries

24:57

to make an excuse to get

24:59

out of it, which he calls

25:01

her on and she still continues

25:04

on the excuse route. And then

25:06

fucking Lottie is at the door.

25:08

And this is the point in

25:10

the show where I'm like, this

25:12

isn't quite working for me, but

25:14

if you want to get just

25:16

super ridiculous, just go a couple

25:18

of steps further and I'll be

25:20

in. Because the idea that Lottie

25:22

would be freed already, that Shawna

25:24

and Jeff would even remotely entertain

25:26

her being in the house with

25:28

their daughter, it's all so ridiculous

25:30

that it doesn't work. So just

25:32

go a step further, you know

25:34

what I mean? Like Lottie broke

25:36

it and has been like living

25:38

with them in the attic unbeknownst

25:41

to them. Lottie is posing as

25:43

a high school student and she's

25:45

at school with Cali. She hangs

25:47

out there now and she goes

25:49

to class. Mommy is the new

25:51

school counselor. Yeah, I honestly think

25:53

she could get a job as

25:55

a guidance counselor. actress is probably

25:57

the same age as Travis. Have

25:59

you given any thought to your

26:01

future? because I've seen it. There's

26:03

the darkness there. Your aura is

26:05

dark. Chinese rooms. She calls her

26:07

a goop sorceress, which I appreciated.

26:09

Follow that one. The many streaming

26:11

things goop jokes. Isn't it wild

26:13

to think about, like, in the

26:16

first season, any time Jeff was

26:18

on screen, we'd be like, oh

26:20

my God, this guy, such an

26:22

idiot, get him off my screen?

26:24

But then, like, fast forward to

26:26

this season, you're like, yeah, why

26:28

is no one listening to Jeff

26:30

more? Never thought I would say

26:32

that. things have really shifted. Jeff

26:34

almost makes Shanna more likable in

26:36

my opinion because Shanna's parenting like

26:38

thought processed by herself is just

26:40

like what? Because she was encouraging

26:42

of Callie to show her the

26:44

video of her dumping guts on

26:46

those like other girls which is

26:48

like not typical parenting I guess

26:51

and so Jeff kind of like

26:53

mellows Shauna out to a point

26:55

where I'm like, okay, yeah, Jeff

26:57

is great. We love having him

26:59

around because he like, she'll Shauna

27:01

out. But also, Jeff doesn't really

27:03

stand up to Shauna, especially during

27:05

the dinner, like Shauna is being

27:07

so rude and is like on

27:09

her phone and like is objectively

27:11

on her, or rude. And like,

27:13

Jeff doesn't really say anything or

27:15

like do anything. So he just

27:17

kind of like lets her walk

27:19

all over him too. I don't

27:21

know. It's very interesting. Well, they

27:23

posit Shauna as like this kind

27:26

of imposing scary figure, even from

27:28

the 1996 timeline, and that carries

27:30

over. And Jeff's always kind of

27:32

been more of a dumb pushover.

27:34

But one of the things that

27:36

doesn't work for me is they

27:38

always put up Jeff's crimes with

27:40

everyone else's as like a, well,

27:42

Hugh tried to blackmail. So even

27:44

though I've killed six people, I

27:46

mean, we're the same. And you

27:48

know, Cali's like... Well, dad, you're

27:50

a blackmailer. Mom eats people. Like,

27:52

we're all crazy. And I'm like,

27:54

let's back up a bit. Like,

27:56

you know what I mean? It's

27:58

not the same. They keep trying

28:01

to bring that up and I'm

28:03

like, we need to let that

28:05

go in light of everything else

28:07

going on, I think. Poor Jeff

28:09

over there, just trying to make

28:11

a little money, just a little

28:13

light blackmail every now and then.

28:15

It's not even a big deal,

28:17

relatively. But Callie's the one that

28:19

says Lottie should stay. And again,

28:21

this was like the, I don't

28:23

know what Callie's going through, or

28:25

what they're trying to do with

28:27

her character. Not the biggest fan.

28:29

I don't think it would be

28:31

remotely what's going on. I would

28:33

have definitely been smoking the dube.

28:36

That was the most relatable 17

28:38

year old thing was the doobies.

28:40

I think it makes sense like

28:42

Callies discovered just how fucking crazy

28:44

her family is, you know, and

28:46

she got exposed to the cult

28:48

stuff and she fucking shot somebody,

28:50

you know what it means. And

28:52

now she's like, I want to

28:54

fucking answers, please. And she wants

28:56

to be part of the team

28:58

with mom and ass. Plus she's

29:00

got a tear drop tattooed on

29:02

her face now. Yeah. Yeah, she

29:04

accuses her mom of having Karen

29:06

energy. That's pretty big. But then

29:08

continues to prove that she does

29:10

have Karen energy throughout this episode.

29:13

Oh, it was a really fun

29:15

call back at the end. And

29:17

she's like, oh. I need to

29:19

speak to the manager. Yeah, it's

29:21

great. Yeah, yeah, but yeah, Cali

29:23

points out the family scorecard and

29:25

that's where she brings up. Hey,

29:27

you're a blackmailer, you're a murderer,

29:29

like, we can't be real judgy

29:31

and she's homeless. We need to

29:33

take her in. Jeff tries really

29:35

hard to be the voice of

29:37

reason. No way, no way, but

29:39

nobody listens to him as we

29:41

talked about. At one point when

29:43

they kind of resolved the Lottie

29:45

thing and they're like, okay, we're

29:48

gonna go to that, we're not

29:50

missing that dinner, Shawna, like this

29:52

is really important to me. It's

29:54

like, ah, Jeff. Is it going

29:56

to be a meeting with those

29:58

guys? Just say, not a hotel

30:00

room, it's an experience? It's like,

30:02

of course it is. That was

30:04

super relatable for me because in

30:06

my job I've had to do

30:08

like videos for hotels and those

30:10

people are everywhere and they just

30:12

nailed that. So funny. Yes, it

30:14

absolutely is. But Van is going

30:16

full steep. She's just laying on

30:18

the couch, a little hung over.

30:20

Singing karaoke, having a good time.

30:23

She's singing jamerica, dude. It's fucking

30:25

fire. You're a lollipulusa. Dude, I

30:27

felt so fucking seen in that

30:29

because I've been banging into that

30:31

song for, not banging, but you

30:33

know what I mean? Every fucking

30:35

laugh at the futures made a

30:37

lot. I'm like all week and

30:39

then that pops up. I'm like,

30:41

let's fucking go. But she's feeling

30:43

really guilty about the dining and

30:45

dashing and boy does she have

30:47

no idea how guilty she should

30:49

feel. Yeah, but the whole time

30:51

they're kissing. I really like the

30:53

energy during this scene. Like the

30:55

role play was good, you know?

30:58

It's pretty hot. They're doing the

31:00

whole, it was very believable. Like,

31:02

oh, maybe you're wearing a wire.

31:04

You know, the frisk and search,

31:06

it was all working. And the

31:08

whole time, I'm like, glass on

31:10

the ground, glass on the ground.

31:12

Don't do it. Her stepping on

31:14

that cup is in the opening

31:16

title sequence. It's like there's a

31:18

frame of the foot on the

31:20

glass. Just a weird thing for

31:22

that to be in there. And

31:24

she insults Van by saying in

31:26

your condition, you should definitely go

31:28

straight to the hospital, which I

31:30

didn't clock that as a hospital

31:33

thing. I was with Van on

31:35

this one, you know. Do you

31:37

guys think? I mean, it looked

31:39

like that was pretty deep in

31:41

there. You know, I mean, you

31:43

can see the fucking bone, probably

31:45

two stitches. I guess so. Well,

31:47

she did go to urgent care,

31:49

and that's fair. I would have

31:51

been a tough, I would just

31:53

drink whiskey and sat there and

31:55

kept singing karaoke, just me personally.

31:57

Put on Jamaica again. Oh yeah.

31:59

Apparently, Vans, a fucking savage troll,

32:01

because this is just something she

32:03

does, because Tace is like, what

32:05

have I told you about leaving

32:07

your glassware just all over the

32:10

ground? She's like, whatever, judgy. I'm

32:12

like, yeah, that's like, super-fucked, what

32:14

is wrong with you. What is

32:16

wrong with you. What's the worst

32:18

that could happen? Can handle that.

32:20

But Shawn is calling Taisa. Taisa

32:22

just gives her the Hater button.

32:24

It does not answer. We cut

32:26

to Walter who's bringing breakfast in

32:28

bed to Misty. Lots of electrolytes,

32:30

trying to clean up her hangover,

32:32

you know, clear her of that.

32:34

Powder salt, oopsie, daisy, tray, boopsie,

32:36

bacon, eggs over oopsie. Mm-hmm. Mm-hmm.

32:38

Mm-hmm. And he's wondering if her

32:40

drinking if her drinking about was,

32:42

in fact, they call for help

32:45

for help for help for help

32:47

for help for help. And that's

32:49

what he's accusing her of. I

32:51

love this delivery there. Consider it

32:53

answered. Quite literally. But at that

32:55

point, Shawna calls Misty as well.

32:57

And so we know from the

32:59

scene in Taisa that she was

33:01

been like, she's the last on

33:03

the list, most likely, but at

33:05

least second. And Walter's really upset

33:07

that she's going to go answer

33:09

their call immediately for multiple reasons,

33:11

but also just on Wednesdays, we

33:13

clean Callegio's cage. That's our Wednesday

33:15

activity. Which sounds terrible. Have you

33:17

guys ever had a bird? Is

33:20

he living with her? No. That's

33:22

what I was wondering. Are they?

33:24

Like, have they moved in together?

33:26

I think he's just been lingering.

33:28

Just, like, he's independently wealthy. Yeah,

33:30

he's independently wealthy. So he's just,

33:32

like, hasn't left. Which is starting

33:34

to wear on Misty. Which I

33:36

don't think she's in a position

33:38

to be, like, judgy about that.

33:40

You know? She's not a guest

33:42

in the last 20 years and

33:44

now she's like, you're just clingy,

33:46

you know, and it's like, you

33:48

have a guest in your head.

33:50

who is not only willing to

33:52

but is excited to clean your

33:55

bird cage with you. Yeah, hang

33:57

on to that. And it's Elijah

33:59

Wood. And he's probably paying your

34:01

rent to our mortgage. Like, you

34:03

know he is, you know he's

34:05

good for it. Walter's a G.

34:07

I think she should have just

34:09

stayed and cleaned the cage. He

34:11

could destroy her. Why upset him?

34:13

This next line though was super

34:15

weird. I clocked some weird music

34:17

choices. Because she says you couldn't

34:19

possibly understand the bonds forged in

34:21

life and death experiences and he

34:23

when it cuts to him He's

34:25

not taking this well, and it's

34:27

got this dark foreboding score behind

34:30

this scene and it made me

34:32

think knowing Walter being kind of

34:34

crazy I mean he's a murderer

34:36

and stuff pretty cool with all

34:38

that stuff. It made me feel

34:40

like he's going to want to

34:42

manufacture some sort of life life

34:44

and death Thing for Misty to

34:46

experience with him so that they

34:48

can be bonded. You can just

34:50

see his mind turning there like,

34:52

okay, that's what you'd like, which

34:54

Misty should love because that's what

34:56

she did to the rest of

34:58

the girls, but I bet she

35:00

won't. So I think if anything

35:02

there won't be like a full

35:04

heel turn, but there will be

35:07

a sort of pseudo heel turn

35:09

for Walter through his love for

35:11

her, if that makes sense. Had

35:13

I hope so. Back in the

35:15

past, young Natalie and Misty are

35:17

heading south and they're discussing what

35:19

happened to Coach Scott. And one

35:21

interesting tidbit we didn't talk about

35:23

yet is in this episode, if

35:25

you believe him, Coach did not

35:27

burn down the cabin. We all

35:29

just assumed that he really did

35:31

because it kind of set him

35:33

up even from the viewer's point

35:35

of view. Like he was just

35:37

angry at the girls and left

35:39

and did that, but he claims

35:42

he didn't and the girls are

35:44

now discussing whether or not he

35:46

actually did. I mean you've seen

35:48

it most recently but I would

35:50

I would guess they did not

35:52

be the way that this is

35:54

shot. Well I almost wonder I

35:56

mean they allude to him talking

35:58

to some thing at the end

36:00

of this episode. So part of

36:02

me is like, is this going

36:04

to be maybe a similar Taisha

36:06

situation where he has this separate

36:08

personality or like maybe this quote

36:10

unquote wilderness personality that takes over

36:12

him? I don't know. It was

36:14

a little confusing because I think

36:17

I do remember him physically like

36:19

lighting. Well prior to doing that

36:21

he was also going crazy and

36:23

having all of those visions of

36:25

his life with Paul that like

36:27

seemingly he could have had if

36:29

he had chosen to stay because

36:31

he has like all those things

36:33

about like you know I decided

36:35

fuck that soccer team I want

36:37

to live my best life with

36:39

you but clearly that's not what

36:41

happened because he's in the forest

36:43

with the girls so I think

36:45

that Paul is who he's talking

36:47

to when he's having his moments

36:49

and I'm pretty sure that they

36:52

showed him setting stuff around the

36:54

house to start the fire. This

36:56

is a dumb, nothing way to

36:58

contribute to this debate. It makes

37:00

sense to me. If you Google

37:02

it, on Reddit, there's a bunch

37:04

of people arguing about whether or

37:06

not Coach Ben burned down the

37:08

cabin. And so I just, and

37:10

that's from two years ago, I

37:12

just feel like it didn't show

37:14

him doing that if that's a

37:16

debate. Right? Like what a silly

37:18

piece of evidence, but I mean,

37:20

I think there's some logic to

37:22

that. Like this Reddit user who's

37:24

deleted by the way, so maybe

37:27

don't trust him. What's he been

37:29

doing? There's no wrong. There's no.

37:31

There's no scenario in which Ben

37:33

burned the cabin down blah blah

37:35

blah blah. But then there's another

37:37

post. Do we really think Coach

37:39

Ben burned the cabin down in

37:41

a bunch of people? Oh, I

37:43

get what you're saying Andy. So

37:45

I think it showed him grabbing

37:47

matches or something, and that's what

37:49

Andy's talking about and remembering. So

37:51

yeah, I don't know. We'll find

37:53

out soon. But I think that's

37:55

what happened is they showed him

37:57

grabbing fire-starting tools. to mislead us.

37:59

To mislead us. As to who

38:02

he's talking to, which happens at

38:04

the end of this episode, we'll

38:06

talk about it more then, but

38:08

I just read it as like,

38:10

he's going crazy, he's been alone

38:12

for months, and then before that

38:14

with even worse company. And we

38:16

had seen him like hallucinating his

38:18

husband and stuff a lot. I'd

38:21

never consider that there was like

38:23

a physical other person there or

38:25

anything like that. I just thought

38:27

the island was getting to him,

38:29

or not the island, but I

38:31

wish it was an island. Lost

38:33

callback. He's talking to John Locke

38:35

back there. I worked in that

38:37

hatch, Capen. Get over your leg

38:39

being missing. Let's go do it.

38:41

He's talking to the French guy.

38:43

I wish he'd have found a

38:45

bunch of heroin like they did

38:47

on lost instead of what he

38:49

found. protein bars and stuff. I

38:52

think they did. That's what Travis

38:54

what Travis is doing right. Oh,

38:56

there's this plane. I love it.

38:58

Yeah, I don't know. I don't

39:00

know. I don't know. But Mari

39:02

fixed her leg, ish, still sore,

39:04

I'm guessing. Maybe some tears, as

39:06

the doctors have pointed out. And

39:08

she tells Coach, you can't leave

39:10

me here. And she's like, with

39:12

the thing that was screaming, which

39:14

I thought the screams were Mari.

39:16

So I'm confused. I'm confused by

39:18

that. I guess there's some other

39:20

like scary sounding entity. The screams

39:23

were very scary sounding and monstrous

39:25

sounding in the previous episode. So

39:27

unless Mari was a werewolf, or

39:29

something else was going on, I

39:31

could be. But it seems like

39:33

she was stuck in the hole

39:35

and she also heard the scary

39:37

spooky monster noises. Yeah, if that's

39:39

the case, I would be scared

39:41

to be in that hole as

39:43

well. I'm finna not being this

39:45

pit anymore. Yeah, because at the

39:47

end of the previous episode, I

39:49

mean they all heard. the screams

39:51

and I kind of interpreted they

39:53

could be marries and obviously like

39:56

they're in the woods and see

39:58

things are scarier because they're in

40:00

the woods and it can be

40:02

heightened or whatever that's how I

40:04

took it was like from their

40:06

POV it sounded like a werewolf

40:08

but it was just those the

40:10

way I was reading it but

40:12

now that maria acknowledges that she

40:14

heard these crazy screams too I'm

40:16

like okay what What was screaming?

40:18

No one knows. And it's at

40:20

this point that coach either pretends

40:22

or is legitimately surprised that the

40:24

cabin is burnt down. So maybe

40:27

he's got like a split personality

40:29

scenario, but I think that's lame

40:31

given what we already experienced with

40:33

Tiesa. You can't just do that

40:35

again. So I don't know what's

40:37

going on there. It's interesting, but

40:39

he claims he did not burn

40:41

the cabin down. In the present.

40:43

Misty shows up to Shawna's house

40:45

and I love that she sees

40:47

Jeff and Shawna and assumes they're

40:49

all going out and she's like,

40:51

oh, I didn't know it was

40:53

a dressy thing. It's actually quite

40:55

sad. Yes, she got a bag

40:57

full of board games and stuff

41:00

like she was about a good

41:02

time. She wanted to hang out.

41:04

Yeah, which is interesting how well

41:06

they're able to and it's partly,

41:08

it's 90% how good Christina Ritchie

41:10

is and how lovable she is

41:12

and how lovable, is a funny

41:14

juxtaposition to feel as a viewer,

41:16

you know, but it's hilarious. It

41:18

worked so well for me. Wait,

41:20

is this an intervention? She got

41:22

drunk once. And now she's like,

41:24

oh God, am I, you know,

41:26

it's just like, are you an

41:28

alcoholic? And, you know, do you

41:31

have a drinking problem? And then

41:33

Misty goes, do I? There are

41:35

like people you'll run into in

41:37

the drug scene that do drugs

41:39

like once and they're like, whoa.

41:41

I have a problem. I think

41:43

I'm addicted. You know what I

41:45

mean? And as the drug addict,

41:47

you're like, shut the fuck up.

41:49

You know. Yeah. I took 20

41:51

bucks. And I liked it. There's

41:53

this girl I went to high

41:55

school with and she got razzed

41:57

a bunch for like a couple

41:59

years because she went to a

42:02

party and a bunch of people

42:04

were giving her apple juice and

42:06

telling her it was beer. And

42:08

she was pretending she was acting

42:10

like she was drunk. Like, I'm

42:12

so drunk, I had so much

42:14

beers. And they're like, we just

42:16

gave you app, which is dumbest.

42:18

I'll do the placebo. is fucking

42:20

real without alcohol. It's bizarre. That's

42:22

bullying. It is bullying, but it

42:24

was funny. That's so funny. But

42:26

like, they would do that. I

42:28

feel like they would do that

42:30

to Misty. No? They for sure.

42:32

You probably would. She could have

42:35

got diabetes or diarrhea. Is this

42:37

a universal experience for everyone to

42:39

do to their friend? Always. A

42:41

bunch of bullies. Yeah. Boleys. Shit.

42:43

That's so funny. But Shawn is

42:45

like, no, you're going to stay

42:47

here and babysit. I need you

42:49

to keep Callie and Blattie from

42:51

talking to each other. That's your

42:53

job. And you're the only one

42:55

I trust, which is so mean

42:57

and not true. Because she's like

42:59

the last one she called, God

43:01

damage Shawna. But back in the

43:03

past. Natalie is walking with Misty.

43:06

I love the bit where Misty's

43:08

like, you know, the way that

43:10

Coach Scott and I ended things,

43:12

you know, because she's so cringe-worthy

43:14

and delusional, and Natalie can hardly

43:16

stand it. But she wants to

43:18

cover up the fact that Coach

43:20

is alive. She sees the animal

43:22

trap there, and she tries to

43:24

dissuade Misty, and from, you know,

43:26

from going that way and from

43:28

seeing it, she does a horrible

43:30

job. She's a terrible liar. It's

43:32

really uncomfortable to watch. It would

43:34

have been so easy to cover

43:36

that up. She's so bad at

43:39

it. She could have just been

43:41

like, oh, I said that last

43:43

summer. You know what I mean?

43:45

Actually, I don't want to go

43:47

south anymore. I just, Mari doesn't

43:49

know where the berries are. This

43:51

is a dumb idea. Like, it

43:53

would have been so easy. Mari's

43:55

an idiot. Yeah. Yeah, not to

43:57

be, admit that I'm such a

43:59

good liar or anything, but it's

44:01

like, that would have been so

44:03

easy. Back in the present, what's

44:05

that tape that Callie's got? Do

44:07

we know? We don't, do we?

44:10

got left on the porch. Yeah,

44:12

it was, the spooky Hillary Swank

44:14

monster that we were kind of,

44:16

that was spying on Shauna was

44:18

also spying when she was making

44:20

her Sunday and left that on

44:22

the porch and calendar. Oh, that

44:24

was in the symbol envelope? Yes.

44:26

Okay. But it's like, it's one

44:28

of those old small tapes that

44:30

needs to be put in a

44:32

big VHS or a camera, right?

44:34

I thought it was a cassette

44:36

tape. Yeah, it's an old school

44:38

videotape. You wouldn't know nothing about

44:40

it. Back in the day, before

44:43

the cloud, we had to video

44:45

record things on tape. Oh, wow.

44:47

I know. Ancient. Ancient. Ancient. We

44:49

had VHS converters for those little

44:51

tapes where you could play them

44:53

on your TV. You could just

44:55

plug stuff in. My family did

44:57

have that. I did have that.

44:59

But to me, it just looked

45:01

like a cassette tape. Anyway, moving

45:03

on. You couldn't imagine back, like

45:05

you pop in a tape that

45:07

was blank and you didn't know

45:09

what you were going to get.

45:11

You might get 30 minutes of

45:14

a wedding, 12 minutes of porn,

45:16

and then half of a Super

45:18

Bowl all on one tape. I

45:20

love it. It's so fucking dead

45:22

on. This is a wild movie.

45:24

I like the second act. Well,

45:26

the reason I thought it was

45:28

a cassette tape is because they

45:30

do show in the trailer for

45:32

this season, they do show Shawna

45:34

listening to it. So there's no

45:36

visual element to the videotape. Oh,

45:38

really? From the trailer. There's no

45:40

video. Yeah, there's no video element

45:42

that I witnessed. But I like

45:44

to think Talie is like me

45:47

in this moment where she's like,

45:49

what the fuck is this? How

45:51

do I play this? That's the

45:53

funniest part. That's the real context

45:55

of that scene is she's like,

45:57

what is this? What are you

45:59

saying? She's

46:01

like so weird. Is this one

46:03

of those dama-gachi's moms always talking

46:05

about? Ooh, she's gonna take it

46:07

to a band because she runs

46:10

at the DHS store. Is this

46:12

a Furby? Oh, that'd be cool.

46:14

Ferby. This is a Furby. Lottie

46:16

comes in and tries to talk

46:18

to her and she's immediately Lottie.

46:20

I've seen your future. But Misty

46:22

comes in, she's like, hey, we

46:24

need to alphabetize the pantry. I

46:27

just noticed it's unalphasitized. Come on,

46:29

Lottie, because that's the best Misty

46:31

can come up with. Back in

46:33

the past, Van and Taisa are

46:35

on their own search party for

46:37

Mari. Taisa blames Natalie, and they

46:39

talk about the coach again. Natalie

46:41

never wanted to believe that he

46:43

did it. So again, they're like,

46:46

all of a sudden. whether or

46:48

not he burnt down the cabin

46:50

is a huge discussion from multiple

46:52

factions in this show. And Van

46:54

Clocks immediately that Taisa wants to

46:56

be the leader and that's why

46:58

she's criticizing Natalie so much. Do

47:00

you want to perhaps run a

47:02

campaign to lead a community of

47:05

people? Perhaps. And a plate does

47:07

not want to be governed? And

47:09

then impeach yourself? Yeah. And now

47:11

they hear Travis screaming screaming. And

47:13

he's like, whoa! Oh, babes! I'm

47:15

not sure. This reminds me of

47:17

a part in the book. Okay,

47:19

they were friends. He trusted him.

47:22

But he says, they're coming. I

47:24

don't want to see them. And

47:26

he's like, and he's got some

47:28

kind of like creepy horror movie

47:30

nursery rhyme. One, two, three eyes

47:32

on me. Or he's like singing

47:34

Will I Am and Brittany. Wrong.

47:36

I'm not sure. This reminds me

47:38

it's of a part in the...

47:41

the only season of Firefly, one

47:43

of the characters has a moment

47:45

where she keeps repeating the line

47:47

one, two, hands of blue, and

47:49

then like just repeats over and

47:51

over again. And so when he

47:53

started doing this, I just immediately

47:55

thought of that like, ah, we're

47:57

gonna. I'll cover that show soon.

48:00

Can't wait. Yeah, we'll get there

48:02

soon. I don't know what he's

48:04

doing here though. They're trying to

48:06

get inside me. And then he

48:08

cries. Don't let him. Yeah, he

48:10

starts smoking Lottie in the Italian

48:12

van and like, dude, what are

48:14

you doing to Travis? What the

48:17

fuck is going on because they

48:19

can see that Travis is really,

48:21

you know, having a real bad

48:23

trip and Lottish. Needing into this

48:25

batch like tell me what they

48:27

said what are they going to

48:29

put in you? Are they using

48:31

Loub? Are they using protection? She's

48:33

like the worst friend I have

48:36

when you're having a bad trip.

48:38

Oh for sure. She's like painting

48:40

her face and like messing with

48:42

her eyeballs. She's putting the lights

48:44

on her fingers and stuff. This

48:46

isn't a tool and you're like

48:48

no not a tool. Terrible. Terrible.

48:50

Yeah, he's weeping. He's having a

48:52

really bad time, but she wants

48:55

to, like, all the spirits love

48:57

you. You're the one they've chosen.

48:59

Come on. Back in the present,

49:01

Taisa shows up to the restaurant

49:03

to pay the bill, and it's

49:05

a, I don't think I've ever

49:07

been to a restaurant that doesn't

49:09

take cash, but maybe these really

49:12

fancy ones are like that sometimes.

49:14

The whole credit card thing was

49:16

weird. why they even bring that

49:18

up if it wasn't going to

49:20

be if it wasn't going to

49:22

matter. But also I was under

49:24

the impression that the restaurant already

49:26

knew that she was like she

49:28

was her yeah she already knew

49:31

who she was so like her

49:33

paying for the dinner wouldn't have

49:35

like out at her any more

49:37

than them already knowing that it

49:39

was her unless it was like

49:41

this evidence is our senator that

49:43

went crazy and then impeached herself

49:45

weird. Exactly. But she sees like

49:47

the little like memorial setup in

49:50

the restaurant. That is a corporate

49:52

thing that they would do. Like,

49:54

hey, we're not gonna. We also

49:56

have to work today, but we

49:58

lid some candles for Carl. Right.

50:00

I know we're all sad, but

50:02

we've got a 30 top coming

50:04

at noon. Come on back to

50:07

it. And she runs. And it's

50:09

totally, I also get like the

50:11

carryout person's not going to know

50:13

how to pull up a check

50:15

from the previous night. And she

50:17

has to go get a manager.

50:19

Like that's that all tracks. That's

50:21

definitely going to happen. Yeah. They're

50:23

all dramatic when they come back,

50:26

like, that's the one. So she

50:28

runs, she grabs her card and

50:30

runs. Misty and Lottie are alphabetizing

50:32

the cabinet. This was done really

50:34

well. She's talking about, should we

50:36

do N for N cheese? You

50:38

know, all that shit. But also

50:40

the fact that she like clocks

50:42

the allergy medicine and sets that

50:45

out and stuff, like it's a

50:47

really offended comment, that's well done.

50:49

Check all his allergy allergy medicine.

50:51

And Lottie's like, no, you shouldn't

50:53

feel bad. Natalie's death was exactly

50:55

as intended. It chose. And I

50:57

love Misty's response. So they just

50:59

let you right out of the

51:02

hospital, huh? And then they hear

51:04

Cali sneaking up and she's like,

51:06

no, guys, let's do this sleepover

51:08

style, you know, and what's the

51:10

alcohol that she wants to drink?

51:12

Oh, Roman milk. Yeah, something like

51:14

that, which sounds disgusting. She said,

51:16

was that a white Russian? Well,

51:18

that's some big Labowski shit, but.

51:21

So vodka and milk is a

51:23

white Russian. That makes sense. Vodka,

51:25

Russia, right. What is this like

51:27

a white pirate? Maybe. I forget

51:29

what she called it. Like a

51:31

milk-rome punch or something. Milk-rome punch.

51:33

Yes, that's what she called. A

51:35

white pirate. Yeah. Oh, stunning. Is

51:37

this going to be your guys'

51:40

next cocktail party, the yellow checkets

51:42

version? I mean, I got milk

51:44

and rum here, bro. Andy can

51:46

just do a misty and just

51:48

do shots of whiskey. But yeah,

51:50

misty is like, no, I'm hung

51:52

over and she's medicated, hopefully, not

51:54

that we can't be drinking and

51:57

hanging out and doing sleepovers. And

51:59

they're like, are you scared of

52:01

my... and then a lot of

52:03

these like to be fair we're

52:05

all scared of your mom. Which

52:07

we find out more and more

52:09

why soon. But Misty's never been

52:11

to a sleepover and that's when

52:13

the girls step in like oh

52:16

girl. That is ridiculous. Well technically

52:18

I was at like an 18

52:20

month long sleepover and they're like

52:22

no, doesn't count. But Sean and

52:24

Jeff are at that work dinner

52:26

and these guys, Madison you talked

52:28

earlier about how Sean was being

52:30

really rude but these guys clearly

52:32

suck from jump from jump. I

52:35

mean, I guess like when I

52:37

say rude, I mean, I guess

52:39

just objectively like being on her

52:41

phone and like not being disinterested

52:43

in the conversation, whereas I feel

52:45

like, I mean, her going into

52:47

this dinner, knowing what it is,

52:49

I mean, I feel like she

52:52

could have maybe just like put

52:54

on a front for her husband,

52:56

but I also understand like she's

52:58

not going to do that either.

53:00

So I mean, it's a little

53:02

conflicting. To me, I'd be like,

53:04

it's one night, your husband doesn't

53:06

ask you for much, just like

53:08

entertain it and like make Jeff

53:11

happy in this instance, but also

53:13

like those guys did suck. Like

53:15

I don't think there was any

53:17

redemption, even if she did put

53:19

on a front. She didn't give

53:21

them any rope either to prove

53:23

that there, she was just like

53:25

immediately showed up, like, no, I'm

53:27

out, I don't like these guys.

53:30

Well, we don't know how far

53:32

into that conversation it had gotten

53:34

when we see her. I think

53:36

it's an interesting way to film

53:38

that scene if you want to

53:40

paint Shauna as like a selfish

53:42

person, which she is, who's always

53:44

wrapped up in her own shit,

53:47

which she is, and can't take

53:49

one night to let Jeff have

53:51

any kind of normal, which she

53:53

is, but like they very clearly

53:55

suck very badly. They're so disrespectful.

53:57

You know, we don't know if

53:59

your furniture's tits enough for our,

54:01

you know, and it's just like...

54:03

And then at the end they're

54:06

like, we're just not, you know,

54:08

you're small mop and pop, you're

54:10

not cool like us, and like

54:12

I don't think it was ever

54:14

going to work anyway. and so

54:16

sure. She just wanted Jeff to

54:18

have some god damn self-respect but

54:20

at this and but I don't

54:22

know what their financial situation is

54:25

if like they desperately need to

54:27

be like out here sucking Dick

54:29

for furniture jobs or something like

54:31

I don't have enough context but

54:33

it well he was blackmailing to

54:35

try to keep the store and

54:37

so I mean they're really broke.

54:39

It's not great that's true. Yeah

54:42

I don't know it's just weird

54:44

it's a weird way to do

54:46

it. She was just talking to

54:48

him a few scenes prior before

54:50

Lottie showed up that she was

54:52

like ready to get back to

54:54

normal and like focus on the

54:56

family and growing the family back

54:58

together and then the first opportunity

55:01

that they have. Yeah. Not really

55:03

a team player. Now I actually

55:05

I do agree that it's understandable

55:07

that she's not because Lottie just

55:09

showed up and she's looking at

55:11

her phone like is Lottie getting

55:13

her claws into my daughter like

55:15

totally understand her worry in that

55:17

situation. as much as you could.

55:20

I thought they were going to

55:22

set this, they were setting the

55:24

scene up for Shawna to step

55:26

in and close the deal. And

55:28

that's going to be like a

55:30

comedic twist. I still think there's

55:32

a chance where that happens where

55:34

she stepped up and did that

55:37

and then like next episode like,

55:39

Jeff, your wife is the tits.

55:41

I love the balls on that

55:43

batch. Let's do this. all of

55:45

them. And you know, so he's

55:47

embarrassing himself and then Shauna's like,

55:49

what have the Saviche? Which I

55:51

don't even know what that is.

55:53

And I saw I was like,

55:56

oh, Shauna's gonna close this deal,

55:58

like by being, you know, disinterested.

56:00

Which you're right, it still could

56:02

go that route. But the guys

56:04

are just so like phones at

56:06

the table again. And you know,

56:08

Shauna's just like, oh, you're gonna.

56:10

What are you my dad? Like,

56:12

you know, there's just like this

56:15

immediate like you're terrible. You're terrible

56:17

people. It's not a hotel. It's

56:19

an experience. Yeah, they said that

56:21

like immediately. I loved it. And

56:23

Jeff's like, don't say anything, Shawna,

56:25

please sleep over their plan. Truth

56:27

or dare. She puts allergy medicine.

56:29

and grenadine in the cocktail, which

56:32

those two go together. It was

56:34

even red allergy medicine, but not

56:36

in milk. So I was just

56:38

like, what's the cocktail vibe here?

56:40

It's also Cali who's 16 making

56:42

cocktails. So like, sorry, but like,

56:44

I doubt she has any knowledge

56:46

of how to make drinks. Well,

56:48

obviously she's drinking fucking milk and

56:51

wrong. My cocktail lunch at 17

56:53

was just Sailor Jerry and Dr.

56:55

Pepper go really well together. I

56:57

do. Or in Mountain Dew and

56:59

Everclear. Oh, Jesus Christ. Wow. Mine

57:01

was Burnett's. Burnett's alcohol. It's just

57:03

like a like cheap, like cheap,

57:05

like vodka stuff. It's just which

57:07

sodas go with which liquors? That's

57:10

your cocktail knowledge at 17. Or

57:12

a gatorade. Gatorade? Sure. Get some

57:14

electrolytes in there? Yeah. We used

57:16

to mix pedia light with certain

57:18

clear liquors to try to get

57:20

ahead of the hangovers. Yeah. And

57:22

like, it's supposed to be funny,

57:24

but... It all sounds pretty good

57:27

to me. But she wants to

57:29

know what it is. Like she's

57:31

starting to, she really wants that

57:33

information from Lottie. So does everybody,

57:35

what is it? Oh, everybody thinks

57:37

we ate people there and that

57:39

is ridiculous, you know, so did

57:41

you? And Cali's really hardcore trying

57:43

to hammer this down. That allergy

57:46

medicine hit Misty ridiculously quickly. Harvey's

57:48

like, what is that? Because I

57:50

need that. Could I give us

57:52

a moment about Misty's face mask?

57:54

Oh my gosh. Oh, the cheetah.

57:56

They opened up the scene with

57:58

Fiona Apple and I just I

58:00

was loving that and then when

58:02

they both were like they had

58:05

the face masks on they were

58:07

like yeah truth or dare like

58:09

it was just such it looked

58:11

like a S&L skit and I

58:13

really liked it was really funny.

58:15

The masks all like I said

58:17

that all the comedic beats work

58:19

really well and this. episode for

58:22

me for sure like I was

58:24

I was laughing at the masks

58:26

I thought it was a great

58:28

great touch. And then Missy was

58:30

like oh yeah I'm not or

58:32

something she was like oh I'm

58:34

not gonna play Truth or Dare

58:36

like I'm not that interesting and

58:38

then Cally looked I liked this

58:41

line because I feel like it

58:43

had a double meaning but she's

58:45

like the body counts a little

58:47

high for you to claim to

58:49

be boring and I'm like it's

58:51

alluding to like maybe them killing

58:53

people and also then like because

58:55

Missty's an adult. Stuff with people.

58:57

And like with the cheetah mask

59:00

and Missy's like kind of dark

59:02

stare in response to that, but

59:04

also like that's fair. You know,

59:06

like that all meshes and works

59:08

so well. Yeah. But back in

59:10

the past, the coach brings a

59:12

ladder and rope for Mari to

59:14

get out. And then he like,

59:17

sweet dogs are over. He's got

59:19

the plan, which it was clever

59:21

that he used the rope. He's

59:23

like, I'll tie yourself up so

59:25

I can help pull you up

59:27

the ladder, but also he had

59:29

that plan so that she would

59:31

already have herself tied up, because

59:33

he could just kind of wrap

59:36

her in it. And he's like,

59:38

I'm not trying to hurt you,

59:40

but I can't trust that mob.

59:42

Then he gives her one of

59:44

his crutches, because now she's got

59:46

a bad leg. He's like, we're

59:48

going to go real slow. Because

59:50

he's like, you think I'm going

59:53

to trust you guys, you guys,

59:55

you guys killed and ate Havi,

59:57

you guys killed and ate Havi.

59:59

Havi. Do you think I'd be

1:00:01

next if I don't play my

1:00:03

cards right? Mars like we didn't

1:00:05

kill hobby. We did. We did

1:00:07

eat him though. He just didn't

1:00:09

save him as he drowned. He

1:00:12

was already dead, first off. But

1:00:14

there's no second off, like that's

1:00:16

how you respond to that if

1:00:18

you're the cannibal. First off, we

1:00:20

didn't kill him. Second, I don't

1:00:22

want to be in the hole

1:00:24

anymore. Back in the present, Tais

1:00:26

is smoking a siggi, walking around.

1:00:28

This whole like Spanish sermon thing

1:00:31

is an interesting touch. Yeah, I've

1:00:33

never seen a curbside storefront. church

1:00:35

that you can just walk up

1:00:37

to from the sidewalk on Main

1:00:39

Street and then pass with people

1:00:41

in a back room. Well I

1:00:43

would imagine in like big cities

1:00:45

there are little weird churches like

1:00:48

this in downtown areas like I'm

1:00:50

not surprised that there's like a

1:00:52

church in there and I'm more

1:00:54

surprised that she just walked through

1:00:56

the service and just it's straight

1:00:58

to the back door and they're

1:01:00

like Well they are in jerseys

1:01:02

so you know there's no rules

1:01:04

in Jersey. Tony Sopano yada yada

1:01:07

yada yada it happens it's true

1:01:09

but she offers she picked up

1:01:11

a matchbook at that restaurant which

1:01:13

I thought that was going to

1:01:15

be a thing and I meant

1:01:17

to go back but like Steve

1:01:19

pointed out last week that our

1:01:21

screeners are weird on pausing I

1:01:23

wanted to see what the restaurant

1:01:26

was called or what it said

1:01:28

in French and see if it

1:01:30

was clever but I couldn't pause

1:01:32

it on there It's not a

1:01:34

woman in French. Referencing Hillary Swank,

1:01:36

she is Coach Ben. It's not

1:01:38

a woman. Yeah, interesting. How to,

1:01:40

but she, but she, but she

1:01:43

offers the matchbook to the flame.

1:01:45

So it's kind of like a

1:01:47

RIP waiter guy, you know, we're

1:01:49

going to miss you Carl kind

1:01:51

of thing, but also like, like,

1:01:54

The spirit took another one. I don't

1:01:56

know it's it's it's it seems to

1:01:58

be what's going on like she wanted

1:02:01

to like complete the offering or whatever,

1:02:03

I'm not sure. That's the way that

1:02:05

I took it at least. And then

1:02:08

Mother Mary's like, what's this for? Why

1:02:10

are you doing this for me? But

1:02:12

mystery is not answering, Misty is not,

1:02:15

not mystery, mystery, fuck, Misty is not

1:02:17

answering Shawna's phone calls. So Shawna goes

1:02:19

to the bathroom, she goes into one

1:02:21

of the stalls, and there's like these,

1:02:24

I don't understand this scene at all.

1:02:26

There's like creepy footsteps, which is the

1:02:28

worst when you're trying to take a

1:02:31

shit or like Vape without being caught

1:02:33

in the airport. And she's like ready.

1:02:35

And then the light turns off. I

1:02:38

like Shawna's instincts. She gets the keystappers,

1:02:40

and her phone light goes outside the

1:02:42

stall, looks around a second. Are we

1:02:45

supposed to believe that whoever that was

1:02:47

snuck around her and put the phone

1:02:49

on the on the toilet? How fuck

1:02:52

did they do that? I assumed that

1:02:54

they selected that first before they stood

1:02:56

awkwardly outside of her stall. So I'll

1:02:58

ask you guys, when I watched this,

1:03:01

the editing of her in the bathroom

1:03:03

was really odd. And I don't know

1:03:05

if it was, I don't know if

1:03:08

it's because we have screeners, but I

1:03:10

think so. But I was like, I

1:03:12

feel like something happened in the interim

1:03:15

between. that and when it cut because

1:03:17

I'm like that tap something's happened so

1:03:19

abruptly it happened so abruptly I was

1:03:22

like what happened yeah I felt the

1:03:24

same way Madison I felt like because

1:03:26

when the lights go out it's immediate

1:03:29

cut to her bursting out of the

1:03:31

room or out of the stall and

1:03:33

I for I kind of thought that

1:03:35

I missed something and went back and

1:03:38

watched it a couple times it didn't

1:03:40

do that to me it showed her

1:03:42

like freaking out and getting the keys

1:03:45

out of her purse oh and then

1:03:47

she busts out of the stall on

1:03:49

my version I saw her get the

1:03:52

keys out and stuff, but like the

1:03:54

edit when the lights went out was

1:03:56

a jarring weird one and like it

1:03:59

was like a mismatch of where her.

1:04:01

was and stuff like in the shot

1:04:03

like it was an awkward edit that

1:04:06

I'm assuming is just a screen or

1:04:08

thing. It did show the keys and

1:04:10

never get in the flashlight. Yeah

1:04:12

but logistically I guess that

1:04:15

person knew Sean I was

1:04:17

going to go in the

1:04:19

bathroom question mark so put

1:04:21

the phone in there left

1:04:23

and then came back. It's

1:04:25

a lot I remember from

1:04:27

the island. She's a pooper.

1:04:30

What if we were turning terrible

1:04:32

at me? We were terrible at

1:04:34

nicknames. But the point still stands.

1:04:36

What if the black mailer or

1:04:38

whoever this is was in the

1:04:40

bathroom in the in that stall

1:04:42

next to her when she showed

1:04:44

up and was like, oh great,

1:04:47

cool. And then two birds once

1:04:49

said. Yeah, yeah. They were saddlebag.

1:04:51

And then she's like, wait. I

1:04:53

have an idea. I was about

1:04:55

to blow this one up, but

1:04:57

Sean, I mean... Or maybe it

1:04:59

was a situation where they put

1:05:01

the phone in there to record,

1:05:04

Sean, and then... I don't know.

1:05:06

I have no idea. It doesn't

1:05:08

make any sense. It was

1:05:10

one of the hotel bras.

1:05:12

He was like, nice. That's

1:05:14

what the audio tape is.

1:05:17

It's just, Seana taking a

1:05:19

shit. It's just

1:05:21

plops, you think?

1:05:24

That's so disturbing!

1:05:27

Why is Travis

1:05:29

doing it? Plops

1:05:32

to you, bro. Plops

1:05:35

to you. I think

1:05:37

it's just... It's

1:05:39

just plops, you think? It's,

1:05:41

uh, I think that scene is just

1:05:44

poorly handled, but all we need to

1:05:46

know is there's a fucking mystery phone

1:05:48

in there. There's a blocked caller trying

1:05:51

to call it, probably wants to

1:05:53

talk to her, you know, like, hey, answer

1:05:55

this, and she gives it to the bartender.

1:05:57

And we get back to the Cryptobros

1:05:59

Hotel. runners does your stock

1:06:01

fuck Jeff? It's like oh

1:06:03

yeah my furniture has lots

1:06:05

of sex. And this is

1:06:08

where I was like I

1:06:10

would expect like if my if

1:06:12

my wife owned a business and

1:06:14

I was trying to be polite

1:06:16

and like they were like

1:06:18

treating her this way it would

1:06:21

be difficult for me to.

1:06:23

treat them well either, you know? Obviously,

1:06:25

we're your lifeline, Jeff. Like, you need

1:06:28

us, right? We don't need you. You

1:06:30

know, like, I'm not gonna just sit

1:06:32

there, probably. But I love Shauna's, you

1:06:34

know, this was a fun moment

1:06:36

for me. What did your dad

1:06:39

do? You know, real estate? Oh,

1:06:41

we're just like you. That's so

1:06:44

weird. Two self-main, completely separate businesses,

1:06:46

self-made. That's interesting, you know. And

1:06:48

then she kind of goes full-on.

1:06:51

You fucking nothing. A piece of

1:06:53

shit, dickless little bitch. He's like

1:06:55

a little boner. Back in the

1:06:58

past, Akila checks on

1:07:00

Travis. This is a heartbreaking

1:07:02

scene. I think, I forget

1:07:04

his name, but the guy

1:07:06

who plays Travis is doing

1:07:09

a really good job here.

1:07:11

Like, do you want to hold

1:07:13

Mortimer? And he's like... I want

1:07:15

to pet toward Mortimer. I would

1:07:17

love to pet a ducky right

1:07:19

now. It's a duck, right? I

1:07:21

want to be an idiot. Yes.

1:07:23

Okay. It's a mallard, you Philistine?

1:07:26

Every time I ever since Dragonfly

1:07:28

Butterfly, I've had this like stick

1:07:30

where I'm just a fucking idiot

1:07:33

with animals specifically. So I wanted

1:07:35

to make sure, like everybody's talking

1:07:37

about severance and I'm like, what

1:07:40

are the emos for though, you

1:07:42

know? There's not emos or goats.

1:07:44

He does want to hold a

1:07:47

Mortimer and it was very sad.

1:07:49

Lottie fucking sucks. She's a real

1:07:51

fuddy duddy. She, like as soon as

1:07:54

he starts to get some comfort,

1:07:56

she walks up like, you rang. It's

1:07:58

like, you're not now. It just

1:08:00

wants to be happy, Travis. Let

1:08:02

it inside you. I was going to

1:08:04

say, Travis says to her, it doesn't want

1:08:07

me. It wants someone. I forget

1:08:09

what exactly he says to her.

1:08:11

It's like, they want something. Someone else

1:08:13

is closer to it. Yes, yeah. That's

1:08:15

why he looks at her. Trust her.

1:08:17

And he looks at Kila, but like

1:08:19

he's lying. He just wants the

1:08:21

lotty smoke off his back. I

1:08:23

love that shot when Lottie leaves

1:08:25

him to go talk to Akila.

1:08:27

He's holding murder by the duck

1:08:29

and he does this really guilty.

1:08:32

I just got your mommy in

1:08:34

trouble born. I'm sorry. It had

1:08:36

to be done. I don't want

1:08:38

to take the shrooms anymore. Yeah.

1:08:40

I was actually so close

1:08:43

of Travis that he got to

1:08:45

hold that duck. Yeah. He deserved

1:08:47

it. He deserved it. He deserved

1:08:49

it. That's the

1:08:52

pip and the dog of

1:08:54

the cannibals for sure.

1:08:56

Mortimer. Mortimer. I

1:08:59

wish you'd stop eating each

1:09:01

other. You go to

1:09:03

eat me eventually too.

1:09:05

Aren't you? I know it. Do

1:09:07

dogs even lay eggs? I think

1:09:10

so. Do they? I'm speaking as

1:09:12

kit now. I have no idea.

1:09:14

And then Misty and Natalie returned

1:09:17

to camp. No sign of Mario,

1:09:19

they say. But Misty immediately snitches

1:09:22

to Shawna. Natalie knows where Coach

1:09:24

Ben is. Is his name Ben? Yeah. Ben

1:09:26

Scott. Yeah, my head went coach

1:09:28

Scott and I'm like, I'm fucking

1:09:30

confused now. Yeah, so she immediately

1:09:33

snitches and Sean is like, don't

1:09:35

fucking tell anybody else this information.

1:09:37

Misty blocks the lips and throws

1:09:39

away the key back in the

1:09:41

present. Repo Dforzays. I didn't fucking

1:09:43

know what this reality show was.

1:09:45

I thought there was like an

1:09:47

Amazon prime ad on my fucking

1:09:49

screener. And I was tripping. This

1:09:51

is a weird cut. You're looking for

1:09:53

a time and watch because this dirt

1:09:56

bag cares about his time piece more

1:09:58

than quality time with his wife. Shauna

1:10:00

comes home to witness the girl time.

1:10:02

Misty's passed out on the kitchen table.

1:10:04

She wakes up and pukes. And she's

1:10:06

like, what the, do you have a

1:10:08

drinking problem? So funny, that shit works

1:10:11

for me, dude. I left my ass

1:10:13

off. Van gets home from Urgent Care,

1:10:15

and remember, Tisa has found out that

1:10:17

they killed the waiter, and she

1:10:19

apologizes for bringing up her cancer,

1:10:22

and she's like, well, how was

1:10:24

the restaurant? She's like, pretty straightforward.

1:10:26

Walter's at home like pimping out

1:10:29

the colligula cage, soldering it.

1:10:31

Wait, do you think Van is

1:10:33

kind of lying about going to

1:10:35

urgent care too? Because she was

1:10:37

kind of being a little suss

1:10:39

with her explanation. Yeah, I think

1:10:41

we were supposed to, since we

1:10:44

only saw Teisa's viewpoint, we

1:10:46

were supposed to, we were supposed

1:10:48

to, we only saw Teisa's view

1:10:50

point. We were supposed to glean

1:10:52

that three days instead of three

1:10:55

months. of Shauna pooping. I'm

1:10:57

sorry, that's not funny and

1:10:59

I'm not going to let

1:11:02

that be our inside joke.

1:11:04

Yeah. Walter's pimping out the

1:11:06

colligula cage and he's so

1:11:08

concerned about Misty because she's

1:11:11

she's coming in wasted again.

1:11:13

And she's like, why did

1:11:15

your friends let you drive

1:11:18

home this drunk? Because Sean

1:11:20

is not the boss of

1:11:22

me, Walter, and you're not

1:11:25

either. That's right. All you do

1:11:27

is spy and hover. Why don't

1:11:29

you have any friends? Anyway, she

1:11:31

flips out and kicks him out

1:11:33

of the house. And he's so

1:11:35

like, don't do this. No, I

1:11:37

was, I'm not done soldering the

1:11:39

cage. I put a cute little

1:11:41

sign on it. What was he

1:11:43

doing to that cage? It looked

1:11:45

like he was putting, I forget

1:11:47

what it said, but it looked

1:11:50

like he was like, putting

1:11:52

like cute little decorations on

1:11:54

it. Yeah. cute little decoration

1:11:56

that he put on there. Back

1:11:58

in the past, Mari and... Ben or

1:12:00

hanging out in the coach cave.

1:12:02

And he makes her hot chalky.

1:12:04

And she's like hot chalky. And

1:12:06

he's like, yeah, I found it.

1:12:08

And I had to say, this

1:12:10

has to be the kind that

1:12:12

with water, which is like a

1:12:14

major ew. I know that she

1:12:17

hasn't had real food in a

1:12:19

long time, but like, you don't

1:12:21

have any milk? Like, what's up?

1:12:23

It sucks. This place fucking sucks.

1:12:25

You would send that cup of

1:12:27

hot chocolate back to the kitchen

1:12:29

after being lost in the wood.

1:12:31

I grew up poor and we

1:12:33

had the Swiss Miss with the

1:12:35

fucking water and that's gross and

1:12:37

eventually I'd go to my friend's

1:12:39

house and they'd hook it up

1:12:41

with the hot milk and it's

1:12:43

like oh shit. This is how

1:12:45

you do it and ever since

1:12:47

I can't go back. I never

1:12:49

had it with milk. It was

1:12:51

always water. Swiss missing with the

1:12:53

water bro? Yeah. I was also

1:12:55

just like, for baking out chocolate,

1:12:57

but maybe that's why. Yeah. I

1:12:59

think I'm, I think I'm teem

1:13:02

water, if I'm being honest. Let

1:13:04

me water? Just hear yourself. But

1:13:06

then you would put marshmallows in

1:13:08

it, and like that would be

1:13:10

the creamy element. Yeah, that's, that

1:13:12

helps. Throw a little water marshmallow

1:13:14

is in the water. Just makes

1:13:16

the powder in the swimming pool

1:13:18

and swim around with your mouth

1:13:20

open. Heated up on this on

1:13:22

the stove, put the chocolate in.

1:13:24

Yeah, let the milk simmer. I

1:13:26

don't do this. I don't even

1:13:28

like hot chocolate. I'm just saying

1:13:30

if I was. But I get

1:13:32

like again, she hasn't had anything

1:13:34

real. She's grateful for this. I

1:13:36

was concerned about her because she

1:13:38

starts gulping that shit down. It's

1:13:40

gonna burn you. Her tummy's gonna

1:13:42

be really hot and uncomfortable. And

1:13:44

maybe even like a little scalding

1:13:47

on the tongue. But then we

1:13:49

hear coach talking to. probably himself

1:13:51

a spirit, a vision, a delusion.

1:13:53

I'm trying to keep her quiet.

1:13:55

I need time to think. That's

1:13:57

enough. Stop. And then Mari's like,

1:13:59

God, why is everybody I know

1:14:01

like this? You know, that's got

1:14:03

to be what she's thinking. Everyone

1:14:05

I know is so uncool. concerned.

1:14:07

Back in the present, Jeff is

1:14:09

understandably shitty with Shawna. Like, you

1:14:11

know, I ask you for one

1:14:13

fucking thing, one fucking thing, why

1:14:15

you gotta be this way? And

1:14:17

then he slams the door and

1:14:19

she's like, I don't care about

1:14:21

my husband, I'm gonna call the

1:14:23

restaurant and figure out what's up

1:14:25

with this phone, which isn't gonna

1:14:27

work at all. Like, can you

1:14:29

imagine being the, you're making $2.50

1:14:32

an hour plus tips and some

1:14:34

chick calls, like I turned in

1:14:36

a phone earlier, like, like, I

1:14:38

don't care, go away. But it's

1:14:40

also like providing a description of

1:14:42

who that person is. It's pretty

1:14:44

not protocol. I can imagine for

1:14:46

that restaurant. Anyway. Does she look

1:14:48

like Hillary Swack? We need to

1:14:50

know. Does she look like she's

1:14:52

one Academy Award? Or does she

1:14:54

can do a cream kick perhaps?

1:14:56

How many millions of a baby

1:14:58

is she? She was in a

1:15:00

movie called Messenger where she played

1:15:02

Joan of Arc. I don't think

1:15:04

anybody else saw it but kit,

1:15:06

but she was in that as

1:15:08

well. What is it? Messenger. I've

1:15:10

seen that, but isn't that Mila

1:15:12

Jobovich? You're right. You're right. It's

1:15:14

embarrassing. But also, like, a pretty

1:15:17

obscure movie either way that used

1:15:19

to. Insane movie. Very insane. Let's

1:15:21

talk about that later. Yeah, exactly.

1:15:23

Sean is on the prowl in

1:15:25

the past and it's quickly revealed

1:15:27

that her new friend Melissa is

1:15:29

the one that's following her and

1:15:31

Sean is like she pulls out

1:15:33

the knife backwards like the cutty

1:15:35

part is facing her it annoyed

1:15:37

me because she's supposed to be

1:15:39

like the bad bitch and it's

1:15:41

like turning around just like holding

1:15:43

the blade. Come on props department

1:15:45

and back in the present. Sean

1:15:47

is still following up on the

1:15:49

lost phone. It's more of a

1:15:51

quick intercut at this point now.

1:15:53

And Melissa in the past is

1:15:55

explaining herself. It's all intercut with

1:15:57

the phone call and it's fucking

1:15:59

me up in my notes, but

1:16:01

it's like, hey, I understand why

1:16:04

you don't want, he's my baby.

1:16:06

She's like, hey, I'm cool with

1:16:08

that, I'm cool with that. You

1:16:10

don't have to cut anybody. And

1:16:12

I would like to speak to

1:16:14

the manager. That's when that scene

1:16:16

happens. And this is where Melissa

1:16:18

goes, everyone's afraid of you, you

1:16:20

know, but I'm not. And Shawna

1:16:22

slams her up against the tree,

1:16:24

puts the knife to her throat,

1:16:26

I will gut you, I'll fucking

1:16:28

kill you. And then Melissa kisses

1:16:30

her, because she's like, this is

1:16:32

hot, leave the knife. And my

1:16:34

notes are, let's go. This is

1:16:36

what I needed to be invested.

1:16:38

Yes. Madison thoughts. For me, I

1:16:40

was like, okay, I could see

1:16:42

this tension building, but I was

1:16:44

like, surely they're not going to

1:16:46

do that. And then they did

1:16:49

it. And I was like, oh

1:16:51

shit. Because I remember there was

1:16:53

a lot of discourse at the

1:16:55

beginning of the show with Jackie

1:16:57

and Shana and how that was

1:16:59

kind of that had undertones of

1:17:01

like a sappic relationship. And I

1:17:03

was anti that because I didn't

1:17:05

feel like Jackie and Shawna gave

1:17:07

that if that makes any sense.

1:17:09

And Shawna to me, at least

1:17:11

young Shawna, doesn't really, I don't

1:17:13

know, not to say that there

1:17:15

needs to be a certain quote

1:17:17

unquote vibe, but I wasn't picking

1:17:19

up any saffic energy. Melissa, kind

1:17:21

of, yes. So I'm very curious

1:17:23

to see where this goes. But

1:17:25

I was. I could see them

1:17:27

building the foundation, especially at the

1:17:29

beginning, at least showing Melissa like

1:17:31

Shauna, with being sweet to her

1:17:34

in episode one and stepping on

1:17:36

the crown that Akila had made

1:17:38

for her. So when it happened,

1:17:40

I was like, oh shit, they

1:17:42

did go there. And I'm not

1:17:44

mad about it. I'm not gonna

1:17:46

lie. I'm not mad about it.

1:17:48

So I'm curious to see how

1:17:50

it goes from here. Well, I

1:17:52

don't remember talking about Jackie and

1:17:54

Shauna in that way, but I'm

1:17:56

sure we did. Well it was

1:17:58

seen if that actually brought it

1:18:00

up initially and I was like

1:18:02

oh my gosh I don't remember

1:18:04

I don't remember feeling this way

1:18:06

at all because it when we

1:18:08

recaps when we rec season one,

1:18:10

you and I had seen it

1:18:12

before, but Steve had not. And

1:18:14

so Steve was like, oh yeah,

1:18:16

I am sensing a little bit

1:18:19

of a saffic relationship between Shanna

1:18:21

and Jackie. And I was like,

1:18:23

oh, I don't feel that at

1:18:25

all. And then it was actually,

1:18:27

I looked it up afterwards and

1:18:29

a lot of people were saying

1:18:31

that they felt that way about

1:18:33

their characters, but. Was this word

1:18:35

saffic? It's just like woman, love

1:18:37

woman, Another word for homoerotic basically.

1:18:39

But specifically women. Yes. I, it

1:18:41

reminds me of the conversation surrounding

1:18:43

the first season of House of

1:18:45

the Dragon and like Emily Kerry

1:18:47

and Emily Alcock's versions of those

1:18:49

characters. There was a lot of

1:18:51

discussion about whether or not they

1:18:53

had sexual feelings or romantic involvement

1:18:55

beyond friendships and there still is

1:18:57

to this day between those characters,

1:18:59

Renira and Allison. And I remember

1:19:01

the interview with Emma Darcy and

1:19:04

Olivia Cook, I think, it might

1:19:06

have been Emily Carrey and Milli

1:19:08

Alcock, which would make more sense,

1:19:10

but they were like, there's always

1:19:12

some element of romantic love in

1:19:14

young female friendships. And it was

1:19:16

like a very European, like, cool

1:19:18

way of looking at, I thought,

1:19:20

because I've always had this, Outlooked

1:19:23

at everybody's gay a little bit

1:19:25

right so it's just like and

1:19:27

then it's society that kind of

1:19:29

holds that back so I don't

1:19:31

know what you guys are laughing

1:19:33

about because I can't see the

1:19:35

chat audio liffers what happened was

1:19:37

he is articulating with his hand

1:19:39

and the computer thought he gave

1:19:41

a thumbs up so this like

1:19:44

thumbs up bubble popped up and

1:19:46

he's like all women all young

1:19:48

girls in particular love and a

1:19:50

thumbs up. I was like, the

1:19:52

lesbian guys are giving you the

1:19:54

thumbs up. Well, I thought somebody

1:19:56

in the chat was able to

1:19:58

do that, and I just was

1:20:00

trying to ignore it. Because I

1:20:02

don't think it just does it?

1:20:04

Yeah, that's something. that because you're

1:20:07

you're on your Mac book right?

1:20:09

Yeah. Yeah Mac that was so

1:20:11

strange. Read hand gestures and it

1:20:13

pops up an emoji but it's

1:20:15

not doing it now that you're

1:20:17

trying to do it. I don't

1:20:19

know but anyway I just wanted

1:20:21

to share I poorly paraphrased a

1:20:23

woman's take on this subject and

1:20:25

I just wanted to share it

1:20:27

because it reminded me of that

1:20:30

discourse and I can't remember if

1:20:32

it was Emily Kerry or if

1:20:34

it was Olivia Cook that said

1:20:36

that but no and I think

1:20:38

I mean, I don't think you

1:20:40

did a poor job. I think

1:20:42

it was, it was, you captured

1:20:44

it perfectly. I think it's, it's

1:20:46

an element of like, when you're,

1:20:48

I don't know, I'm sure maybe

1:20:50

the same can be said for

1:20:53

younger men too. Like there's just

1:20:55

this underlining love that you have

1:20:57

for somebody else and it oftentimes

1:20:59

can show through in romantic senses

1:21:01

or like, I don't know. And

1:21:03

also too. Sure. Is my theory

1:21:05

overtime and puts that in a

1:21:07

box? You know what I mean?

1:21:09

Totally. Whereas like, I probably wouldn't

1:21:11

fuck Andy now, but it's only

1:21:14

because I feel judged. Big government

1:21:16

doesn't want us to be a

1:21:18

thing. No. Yeah. Thanks, Obama. But

1:21:20

also to like, the reality of

1:21:22

I'm sure their situation, they've been

1:21:24

out in the wilderness, they've not

1:21:26

that there's a comfortability with their

1:21:28

situation, like they're obviously fighting to

1:21:30

stay alive, but I feel like.

1:21:32

there's some muscle memory to where

1:21:34

they are at this current moment.

1:21:37

And so now they're able to

1:21:39

tune into other emotions that they

1:21:41

maybe haven't been able to because

1:21:43

they've been on survival mode. And

1:21:45

so it makes sense for characters,

1:21:47

excuse me, for the young women

1:21:49

to maybe be feeling more emotionally

1:21:51

connected to others in a romantic

1:21:53

sense because they're not able to

1:21:55

expand on it. Any other way

1:21:57

with other people so it makes

1:22:00

sense for something like this to

1:22:02

happen. I agree. I think what

1:22:04

I'm what I'm trying to say

1:22:06

is it's just like. with my

1:22:08

worldview, when I see a kiss

1:22:10

like that, I don't go, oh,

1:22:12

Shawna's gay or Shawna's by, I

1:22:14

just go, nothing stopping her from

1:22:16

being her complete in full self

1:22:18

because she's in the fucking wilderness,

1:22:20

right? And, whereas like, if that

1:22:23

had happened at an in and

1:22:25

out, she might be like, hey.

1:22:27

I'm not gay because people are

1:22:29

looking or you know what I

1:22:31

mean I have to like think

1:22:33

a lot more about this because

1:22:35

of wearing the confines of society

1:22:37

but in the woods she's like

1:22:39

the knife stays you know what

1:22:41

I mean just cut which is

1:22:44

another context of that scene that

1:22:46

I really like is that she

1:22:48

doesn't take the knife away you

1:22:50

know still protecting herself in a

1:22:52

way but that's that's an interesting

1:22:54

take to I did not think

1:22:56

of that kind of removing the

1:22:58

societal pressure element of the situation

1:23:00

and Sean and just being like,

1:23:02

book it. Well, that's what I

1:23:04

and I think they're going to

1:23:07

go that with the adult as

1:23:09

well is sure, they're going to

1:23:11

have Hillary Swank, who I still

1:23:13

think is Melissa, but it might

1:23:15

not be. But that's the only

1:23:17

interesting thing to do is have

1:23:19

Melissa show up with the way

1:23:21

they're setting this up and then

1:23:23

have Sean to be like, anyway,

1:23:25

and then Melissa's going to be

1:23:27

like, and Melissa dies. And we're

1:23:30

all like, fuck. That'll depress me.

1:23:32

I think it'd be pretty interesting

1:23:34

if Hillary Swank showed up as

1:23:36

Hillary Swank, just like, what's all

1:23:38

this then? Steve's and coach playing

1:23:40

herself. I don't think she's British.

1:23:42

Or, by the way, by the

1:23:44

way, she's also nine messengers. Don't

1:23:46

get a twisted. Or Coach Ben,

1:23:48

that's Steve's two camps. But

1:23:51

anyway, now it's time for our

1:23:53

top three favorite moments of the

1:23:55

episode. But first, real quick, another

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A-cast at checkout. Hello

1:25:08

Stream Fiennes, it is the month

1:25:10

of February. That's right, I really

1:25:12

enunciate the R in February. It's

1:25:14

a weird cork of mine. No

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apologies will be given, but a

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huge shout of thanks. And gratitude

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but I want to give a

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special shout out to our super

1:25:29

patrons for the month of February.

1:25:31

So thank you to Alex, Aubrey

1:25:33

Karel, Daniel Pack, Nice Guy Eddie,

1:25:36

Nice Guy Eddie. Mattelstadt, Susie Callahan,

1:25:38

Anthony Corona, Jim X, Lady Trashly,

1:25:40

Sean Myers, Just Liz Calabria, Mike

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from New Hampshire, Brett X, E.

1:25:44

Scramo, Lil Tickler, Zvento 7, Jay

1:25:46

Scramo, Bluffpump, A. K. Ashley Ray,

1:25:48

Adam Busby, Big Buthorn, Jared Otanewich,

1:25:51

Kaylee Samson, Rabbit Dog, and a

1:25:53

Barbie Car, Elbander, Charles. Friday, Alexis

1:25:55

Adler, Peaches, Emmy, Haley B, Joe

1:25:57

Velez, Trusha Bular, Sun-loving mortal, Suzanne

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Road, Jodinklage, Morgane, Chloe, Calicia Reeves,

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Strother, Ashley Powers, The Thrift Creeper,

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Casey McCain, and of course, Enza.

1:26:08

And with that, let's get back

1:26:10

to the show. I love you.

1:26:12

And we are back with our

1:26:14

choice cuts, our top three favorite

1:26:16

moments from episode two dislocation. Andy,

1:26:18

no, shut up Andy. Madison, what's

1:26:21

your number three? My number three

1:26:23

is Akila giving Travis Mortimer. I

1:26:25

think it's very sweet. And you

1:26:27

could just, I like seeing Travis

1:26:29

just have a moment of peace

1:26:31

that was quickly disrupted by a

1:26:33

lot of approaching him, but it

1:26:36

was just very sweet. And I

1:26:38

think the sweet connection between Akila

1:26:40

recognizing that Travis needed. outlet of

1:26:42

something to calm him down was

1:26:44

very, it was very nice to

1:26:46

see. So that was my number

1:26:48

three moment. Andy, now it's your

1:26:51

turn. I'm sorry, I'm used to

1:26:53

going to you first. My number

1:26:55

three is the Truth of There.

1:26:57

I just love the girl sitting

1:26:59

around with their masks on and

1:27:01

the kind of turn that it

1:27:03

takes with Callie drugging Misty and

1:27:06

a lot of you who wants

1:27:08

to lay it out on all

1:27:10

out on the table. Like, I

1:27:12

love Winn Callie's like. or Lottie

1:27:14

says truth and then this he's

1:27:16

like no no no no you're

1:27:18

supposed to say dairy I was

1:27:20

like a dare please and out

1:27:23

and I just I thought that

1:27:25

it's fun any scene that Christina

1:27:27

Ritchie is in is great and

1:27:29

yeah fun and funny. My number

1:27:31

three is just a van doing

1:27:33

karaoke like that's it that I

1:27:35

just love man. Any karaoke is

1:27:38

gonna win you over. Oh for

1:27:40

sure. just any sort of scene

1:27:42

where she I just love how

1:27:44

she says lay on the couch

1:27:46

like vibing and it sounds like

1:27:48

the the speakers playing all throughout

1:27:50

the and she's like, Taisa, everybody!

1:27:53

Like, she's getting into it. Like,

1:27:55

Van be, out of all the

1:27:57

adult yellow jackets, Van's the one

1:27:59

that I would love to hang

1:28:01

out with the most. Totally. Kit,

1:28:03

what about you? Your number three?

1:28:05

I think I'm gonna go with

1:28:08

Shawna telling off the bros, the

1:28:10

hotel bros. You know, you see

1:28:12

it coming a mile away, but

1:28:14

I really love that scene. I

1:28:16

love the way she delivers it

1:28:18

and, you know, kind of where

1:28:20

we're at as a society right

1:28:23

now. Because it's fine if you

1:28:25

were born into something nice, but

1:28:27

to also pretend like you just

1:28:29

made yourself is so annoying and

1:28:31

to shit on somebody like Jeff

1:28:33

who like legitimately had to build

1:28:35

his furniture store. It's very satisfying

1:28:38

and knowing too that like I

1:28:40

wish she was a little more

1:28:42

openly bad-ass and less reluctant at

1:28:44

least by now by season three

1:28:46

because I would like the undertone

1:28:48

of also say something I'll fucking

1:28:50

kill you. And we're not there

1:28:53

yet and I think we should

1:28:55

be there. I think that would

1:28:57

be a better vibe. But I

1:28:59

like her telling them off. So

1:29:01

that's number three for me. Madison,

1:29:03

you're number two. My number two

1:29:05

was Andy number three, which is

1:29:08

the sleepover scene with Misty Lottie

1:29:10

and Cali. I thought there was

1:29:12

a lot of humor. I also

1:29:14

really liked the Fiona Apple playing

1:29:16

at the beginning. And just the

1:29:18

interplay of Cali trying to get

1:29:20

information from Lottie and. almost kind

1:29:23

of manipulating, like knowing who Missy

1:29:25

is as a person and manipulating

1:29:27

her to join by being like,

1:29:29

oh yeah, like we have to

1:29:31

have a sleepover, you know, kind

1:29:33

of leaning into the womanhood element

1:29:35

of having a sleepover and stuff

1:29:38

and then drugging her. But yeah,

1:29:40

not cool. But yeah, that's my

1:29:42

number two. I thought it was

1:29:44

really funny. I liked the baywood

1:29:46

they were wearing their face masks.

1:29:48

That shit was so funny. I

1:29:50

honestly laughed out. It was hilarious.

1:29:52

It was hilarious. Andy, your

1:29:55

number two. My number two is Sean

1:29:57

talking shit to the Joles. I love

1:29:59

that she calls them the Joles. So

1:30:02

as Shanna is- Only one of them

1:30:04

is named Joel. Shanna is a, for

1:30:06

my money, she's the villain of the

1:30:09

show. And they, the show does like

1:30:11

put some effort in to kind of

1:30:13

make you emotionally run this fine line

1:30:16

of- sort of being on her side

1:30:18

occasionally. And this is one of those

1:30:20

moments. And like, I just felt consorted

1:30:23

to like, you know, those are the

1:30:25

types of things that you think, but