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MintMobile.com. My name is Kit.

1:50

My name is Madison. I'm Andy.

1:52

And I've seen you. And this

1:54

is streaming things, streaming yellow jackets

1:56

this time. It's episode eight of

1:58

season three, a normal. boring life.

2:01

We did it guys. Swing,

2:03

watch, 2025. It's complete. Damn.

2:05

We did it. We got

2:07

it. I felt like we

2:09

need some celebratory music. That's

2:11

all we thought. It was

2:14

the only one I had.

2:16

Episode 8. It actually fits

2:18

because this show is so

2:21

silly that what they decided

2:23

to do to be like,

2:25

hey, Hillary Swank is obviously

2:28

Melissa. I was crying. She's

2:30

been wearing that for 30

2:33

years because she's a cartoon

2:35

character. That's what they do.

2:37

It's awesome. That was so

2:40

funny. But how does it

2:42

feel Annie finally is Hillary

2:44

Swank? She has great man.

2:47

The screen. We've finally got

2:49

her. It took eight episodes.

2:52

It took eight episodes. It

2:54

took eight episodes. It took

2:56

eight episodes. And that's insane. we

2:58

got her almost cool got there

3:00

almost I think that they had

3:03

her for a day and that's

3:05

why we only get her in the

3:07

episode eight and it's like okay let's

3:09

you don't think she'll be in nine

3:11

and sit her down and no she'll

3:13

be in there but not much honestly

3:15

I think that they she probably did

3:18

a couple of days work and everybody

3:20

else you know puts in months of

3:22

time but they had Ella Pernell for

3:24

longer than they had Hillary Swains. Yeah

3:26

pretty much. No it was great it

3:28

was good I think that she's a

3:31

phenomenal actress Melissa's not a character that

3:33

I've cared about at all but anyway

3:35

that we can get Hillary in I'm happy

3:37

for it and I'm just I'm sorry to

3:39

interrupt and jump in jump in I'm just

3:41

so happy that we finally made it here

3:43

you know I'm happy for you dude thanks

3:45

man we were good we were good when

3:47

I was doing the the watch so we

3:49

watched episode seven and eight at the same

3:51

time. ahead of this recording. And I

3:54

think Madison, Madison, I watched it pretty

3:56

early in the week, so we were

3:58

kind of talking back and forth. and

4:00

then I knew, I don't

4:02

think you hadn't seen it

4:04

yet. And you were talking

4:06

about Hillary Swank better being

4:08

these fucking episodes. I'm like,

4:10

oh man, he's gonna be

4:12

so disappointed at first. And

4:14

he's gonna hit that episode

4:16

A and be so happy. And we

4:18

made it. What was your funny

4:21

theory? Okay, so I'm an

4:23

idiot. And last episode, Shawna

4:25

has tracked down Hannah's kid.

4:27

named Alex. Right. And they're

4:29

going to go find Alex.

4:31

And the whole time, I had

4:33

forgotten that the dude in season

4:35

one's name is Adam, not Alex.

4:38

And so the whole time, they're like,

4:40

we're going to go find her. You

4:42

know where he is. You killed him.

4:44

You fucking kill him. We're talking about.

4:47

And so when they get to the

4:49

house, I'm like, what is it? Are

4:51

we going to finally figure out that

4:53

this Alex dude? Was actually this kid?

4:56

Oh wait, his name was Adam. Shit,

4:58

I'm a fucking idiot. And I

5:00

was text and man, instead of

5:02

like, hide this great theory, but

5:05

it fell apart because I'm fucking

5:07

stupid. Well you were like, can I

5:09

share something silly? And I was like,

5:11

of course. And then you told me

5:14

that. And I was like, well, I

5:16

mean, that's kind of like, that was

5:18

a cool reveal. They said it was

5:20

her daughter though. Yeah, they did. But

5:22

that's why I like in. That's why

5:24

I was like making fun of myself.

5:26

It was silly, but I was like,

5:29

that would have been like a

5:31

cool little, little reveal, like

5:33

a full circle moment, if it

5:35

was. I think I just still

5:37

am holding on the hope that

5:39

Adam meant something. Yeah. Back when

5:41

everybody thought it was hobby. Yeah.

5:44

Yeah. Back when everybody thought it

5:46

was hobby. Yeah. Yeah. Back when

5:48

everybody thought it was hobby. Yeah.

5:50

and then finish it all off with

5:52

our choice cuts, our favorite moments, and

5:54

some honeycombs, little Easter eggs and tidbits

5:56

that we can pull out from the

5:58

90s, and then our buds. Buzz buzzworthy

6:00

performance, our favorite performance

6:02

of the episode. There

6:05

down, man. That's how it's

6:07

gonna go, folks. Madison, I'm curious.

6:09

What did you think of episode eight?

6:12

So I had a good time.

6:14

I'm very excited that Hillary Spike

6:16

was finally revealed. We have her.

6:18

She's here. I wasn't a big

6:20

fan of Shawna and Melissa's like

6:23

interrogation scene. It was just kind

6:25

of. It was just very strange

6:27

to me and the dialogue was

6:29

very weird. And a lot happens

6:31

in this episode, which is really

6:34

exciting and really cool. And I

6:36

was very entertained the whole time. But

6:38

again, I think I'm still teetering

6:40

this line of like, okay, how serious

6:42

is this show wanting to be?

6:45

How unserious is it? And so

6:47

I'm trying to like find a

6:49

good middle ground to like help

6:51

myself. So I would say like...

6:53

Having Hillary swank in this episode

6:55

definitely heightened it and made it

6:57

a better episode for me But

6:59

I would say in the most

7:02

part it's probably like a little

7:04

a little above average mid episode

7:06

for me Andy, what about

7:08

you buddy? So my overall

7:10

thoughts One normally I write

7:12

a little paragraph couple sentences.

7:14

All I just Hillary swank at

7:16

all caps. No all I wrote this time

7:19

is what the fuck are we doing?

7:21

God damn this this episode goes

7:23

so fucking far off the rails

7:25

at the end this this episode

7:27

was my fucking let go and

7:29

let frog moment or I'm like

7:32

okay fuck it they can just

7:34

do stuff that's fine I was

7:36

pretty underwhelmed with Hillary Swank finally

7:38

showing up I love her as

7:41

an actress and I love anything

7:43

that she does I think that

7:45

she's phenomenal I thought that having

7:47

her big I'm finally here a

7:50

moment just being sitting at a

7:52

kitchen table with knives for the majority

7:54

of the episode being pretty underwhelming. You

7:56

keep your knife handy, I'll keep mine.

7:59

Yeah, I do. think that they have

8:01

some great moments in this series of

8:03

scenes of the two of them talking

8:06

and they're in my my top three

8:08

and we'll get to that eventually I'm

8:10

happy that we're finally getting

8:12

Shauna going full old-school Shauna

8:14

mode. That's great. I just

8:17

think that the way that they

8:19

did it was silly as fuck

8:21

and they skipped a few steps

8:23

in between. And so I'm just,

8:25

I was like, I don't even

8:27

know how to react to this

8:29

after I watched it, but it

8:31

was fine, it's fun, it's weird,

8:33

I'm here for it. Steve? Oh,

8:35

Kit, let goat, let frog. I

8:37

had fun this episode. The things

8:39

that I thought the most, were

8:41

the most fun, was just the

8:43

fact that the... that the girls think they

8:45

can be rescued now. And I love

8:47

how that possibility has sort of lifted

8:49

this cloud of wilderness and sanity that they

8:51

fall been kind of under, and it's

8:53

really changed the dynamics of the 90s timeline.

8:56

And I appreciate that, because I like

8:58

seeing like, what are you going to

9:00

do when you get back to the mainland?

9:02

What are you going to do? Like,

9:04

they became young kids in the 90s

9:06

again, and that was really, really fun to

9:08

see. And I love how that's juxtaposed

9:11

with the several characters, Shauna. Lottie

9:13

and Ty who feel like there's something

9:16

wrong and they don't want to go.

9:18

I think that's a lot of fun.

9:20

I was really, I really appreciated that

9:22

Travis was like, Akula, that's all bullshit.

9:25

I just put it at you because you

9:27

were close by and I wanted to hug

9:29

Mortimer some more that afternoon. Because I

9:31

don't know if you know this, but

9:34

Mortimer is dope as fuck. And if

9:36

anything happens to that duck, I will

9:38

kill everyone and then myself. I really

9:40

appreciated that. And then like. In

9:43

the present day timeline, watching

9:45

Misty being injected into Shada and

9:47

Jeff's relationship is so fucking funny

9:49

because now you have Jeff like

9:51

Jeff going like, Misty don't hang

9:53

up and hang up on me.

9:55

What did you mean? Like all

9:58

that was really funny for me. I

10:00

agree with everything that Madison

10:02

and Andy said. I do

10:04

think the reveal of why adult

10:07

Melissa sent the dat tape in

10:09

the first place is a real like,

10:11

okay kind of thing. And I think,

10:13

and then the last. Barbers

10:15

are intuitive. What they are,

10:17

that is true. And then to

10:20

Andy's point, the very last

10:22

scene with some light cannibalism

10:24

thrown in was also like

10:26

a, what are we doing

10:28

right now? But I'm letting

10:30

goat. And I'm letting Frog

10:33

and I'm having

10:36

fun and I'm

10:38

having a good

10:40

time. So I enjoyed

10:43

my time with

10:46

this episode. Kit,

10:48

what about you? I

10:51

think it's pretty objectively

10:53

awful. yes but this

10:55

is channeling like next

10:57

karate kid Hillary swank

10:59

and it's not so

11:01

much her fault like

11:03

you put anyone in that

11:05

baseball cap immediately in the karate

11:07

kid movies as soon as the costume

11:10

department was like this is the hat

11:12

that Melissa always wears so they

11:14

know it's Melissa's he was probably like

11:17

no okay like there's a funny scene

11:19

that scene could have been amazing that

11:21

whole scene that sequence the series

11:23

of scenes I don't know what it's

11:26

called, it's not a sequence because there's

11:28

other scenes between it, but you

11:30

know what I mean? Like Tarantino is

11:32

what they were trying to pull off.

11:34

Oh, this is Beatrix confronting Vernita Green.

11:37

We have a long talk building

11:39

and tension before the explosion. You

11:41

know, this is the cold or

11:43

the opening scene of glorious bastards,

11:46

you know what I mean? This is Hans

11:48

Landa talking to the Frenchmen.

11:50

They're hiding underneath the floorboards,

11:53

I think. It's just... plotting

11:55

and drawn out and silly.

11:57

And this is like the

11:59

main. thing of this scene. So

12:01

I think it was a huge,

12:03

we were expecting after all this

12:05

time, we're waiting for a bomb and

12:08

it's a firecracker with a wet

12:10

wick. It's what it feels like.

12:12

Yeah. And it's fine. Sure. And

12:14

also, we're not even talking

12:16

about everything that happens

12:18

in the past with I'm

12:20

staying, you know, especially like

12:22

Shawna specifically, because again, she's, who knows

12:25

what she's about to get up to.

12:27

The worst. I got, but I do

12:29

want to watch nine really bad. Like,

12:31

none of you. Oh, I'm finishing this

12:33

shit. None of your shit. Well, of

12:36

course, we're gonna, I mean, like, I

12:38

want to watch it like, immediately. You

12:40

want to continue? I'll probably watch it

12:42

tomorrow. Like, none of you are leaving.

12:44

What do you mean? How's this going

12:47

to go? I'm curious. Yeah, we're going

12:49

to have yellow jackets Civil War. I have

12:51

the gun and the crossbow. What do

12:53

you mean? I'm not leaving. I enjoy

12:55

the things happening in the young

12:57

timeline, but the adult timeline,

12:59

I'm like, shit's going crazy. I

13:01

love that. I did enjoy in a silly way

13:04

that repeatedly, Joe McHale is asked to

13:06

leave them home, and he's like, okay,

13:08

I get to live, and then it

13:10

has to wait for the craziest

13:12

conversation to finish. And

13:15

he doesn't ever interjecturing.

13:17

He's always just like... It's

13:19

just silly. It's just silly and

13:21

you're supposed to overlook it. And

13:23

I said last week I would

13:25

overlook it and I'm trying, you

13:27

know, but it's like there's like,

13:30

Joe Michael is a like, well, I

13:32

don't know what Joe Michael is, but the

13:34

character is like a 40 year old

13:36

man who fought a saskwatch. You

13:38

know, if he's too, but be believed.

13:40

It's and survived and he at

13:42

no point tries to overpower these

13:45

girls. Which he could easily do.

13:47

There's a point where Mari is

13:49

watching him. Yeah, he's untied, uncuffed,

13:51

hands and arms free. And she's

13:53

just got the gun on the

13:55

ground. She's holding it by like

13:57

the barrel three feet away. And that's

13:59

the. only thing stop but you know

14:01

what I mean and he's got a shovel

14:04

I think it's when he's digging the grave

14:06

and he's got a shovel and he's just

14:08

like now I'm gonna see where this goes

14:10

instead of like what's going on right now

14:13

honestly there's something wild going on here I

14:15

want to I want to see C's I

14:17

want to see up this is T like

14:20

it's just funny it's don't want to go

14:22

home oh he like he somehow he pulls

14:24

out a folding out of folding chair I

14:26

know we're just a folding a folding chair

14:29

It's just a silly so. But we're

14:31

supposed to, it doesn't matter, we'll get

14:33

there, I'll explain it later, but

14:35

yeah, there's my overall thoughts. Let's

14:37

get into the recap, let's just

14:39

dive into the meat and see what

14:42

the hell is going on. But first, let's

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at LinkedIn.com/results. Terms and conditions

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apply. And

15:48

we're back. Let's dive right in. It

15:51

starts with Shawna, and then some kind

15:53

of vision, some kind of dream that

15:55

present-day Shawna is having, but also

15:57

by the end of the episode.

16:00

you're supposed to believe that past

16:02

Shauna had because the moth shows

16:04

off moth imagery. Yeah, Shauna is

16:06

scanning items in a grocery store

16:08

and Jackie's there shopping. It turns

16:10

out that it's human parts shrink

16:12

wrapped that she's buying. That's a

16:14

nice touch. I did like that a

16:16

lot. Trick at the trade. She

16:18

doesn't like being called Shipman. Why

16:20

didn't ever tell me that. I've

16:22

called you Shippman like literally for

16:24

like 20 years. That's your fucking

16:26

name. That's your fucking name. It

16:29

is different for sure. And she says,

16:31

is this what my life is going

16:33

to look like? And there's this whole

16:35

like moths, like moths to the flame,

16:37

right? And she's a just, she has

16:39

a boring trade job at a supermarket.

16:42

And the whole point of this is,

16:44

this is worse to her than being

16:46

like the lead crazy lady in the

16:48

woods, right? So this is why she

16:50

wants to stay back in the woods.

16:52

That meant something, I was a queen.

16:55

And that's kind of what they're saying

16:57

is like, Melissa's words. that she kind

16:59

of starts the draw. Am I the

17:01

drama? She is. Because she doesn't like

17:03

this more normal boring life. And I

17:05

do like the title, you know, it

17:08

alludes to both Melissa and Shana, but

17:10

how they take it differently. One's a one's

17:12

a sentence to Shana and it's it's

17:14

a boon to Melissa. I like all

17:17

that. It's just like the finer points

17:19

of beyond the idea don't quite work.

17:21

But I like this little vision

17:23

sequence. Back in the present,

17:25

Shana. wakes up in her car, she

17:28

unsheets and sleeves the knife. Very dangerous

17:30

way to carry that in there. I would

17:32

have liked if she'd have pulled like a

17:34

rhyme gosling from nice guys and, oh, fuck,

17:36

sliced herself. That's a lot of blood. It

17:38

was kind of funny because she has it

17:41

like in her sheath and she's walking away,

17:43

but her arms still like sticking straight out

17:45

on the side, like not conspicuous at all.

17:47

Well, it's during the daytime, isn't it? She

17:49

goes in there in the morning. Because she

17:51

straight up fell asleep watching the house. I

17:54

get it. Like, that's boring. Do you, though?

17:56

Any suburb worth its salt would have had

17:58

the cops knocking on her window. I can't

18:00

sleep here. I fell asleep at a

18:02

little roses once. It's a pizzeria

18:04

for the uninitiated because

18:07

my son was like almost two at

18:09

the time when he was, if you know, when

18:11

your baby falls asleep in the car,

18:13

you don't wake him up, they're gonna

18:16

be grumpy. So I got to the

18:18

pizzeria and was like, I guess we're

18:20

eating later and was letting him finish

18:23

his nap and I fell asleep and

18:25

the cops and the cops and the

18:27

fire department woke me up. So I

18:29

wasn't mad or anything. I was like,

18:31

maybe 10 years ago, that would have been

18:33

the case, but no, sir. I was just

18:35

taking a napie. Let frog. But I thought

18:37

of that in this scene, like any suburb

18:39

worth itself is not going to let some

18:41

lady sleep in the van. That's not a

18:43

house right there. Come on. Come on. Oh,

18:45

yeah. Where's the neighborhood watch? Dude, if

18:47

that happened at my mom's neighborhood, the

18:49

one across the street would have been like.

18:52

Knocking at your window within

18:54

10 minutes. They would have

18:56

clocked her van as being

18:58

made before 2013 immediately. Yeah.

19:00

What is going on here? Wrong

19:03

neighborhood, lady. Yep. But your brakes

19:05

go out. I knew it all

19:07

the time. I bet you did

19:09

it for the nucky. They don't

19:12

even... They don't even lock the

19:14

homes in this neighborhood. Shauna walks

19:16

right in. She finds children drawings,

19:18

hears laughter and children noises, is

19:20

on phase by this, still ready

19:22

to stab, hides in the pantry

19:25

quickly. Alex, and the kids head

19:27

out, and it's Hillary Swank. She's

19:29

Melissa. Alex, obviously, I don't know

19:31

if we hammered the point home.

19:33

Alex is Hannah's kid that she

19:35

recorded the message for. So what

19:37

is Melissa doing with Hannah? I

19:39

don't know. But Hillary Swank. As

19:42

soon as you saw that baseball cap.

19:44

Oh. Because we see it through the

19:46

perspective, Shawna's perspective in the cupboard. Yeah,

19:48

like pantry. You've got like the slotted

19:50

openings from the door and you can kind

19:53

of see them walking around. Did you got,

19:55

like just a meter like, is that Melissa

19:57

and start laughing? Yes. Oh, yeah. I didn't

19:59

know. Okay. You didn't clock the hat? The

20:01

only way, well she didn't have the hat

20:03

on at first. She does. I don't think

20:06

she puts it on. Because at first

20:08

I was like, who is that? And

20:10

the only way I found it was

20:12

Melissa's because the subtitling said, Melissa, and

20:14

then yeah. And then she put the

20:16

hat on. I'm like almost positive she

20:18

puts the hat on like while she's

20:20

in the kitchen. Like it's her disguise or

20:23

her true self. I don't know. She's ready

20:25

in the morning and she came down from

20:27

wherever she was. Yes. Time to start the

20:29

day and they put my personality on my

20:32

head. But literally I cackled because I

20:34

was like, that's fucking hilarious. But I

20:36

do like her reveal that she like.

20:39

New Shauna was there. That was cool.

20:41

That was cool. I love that a

20:43

lot. That's not cool. I liked it.

20:45

That doesn't make any sense because she

20:48

doesn't know that it's Shauna. She thinks

20:50

it's a burglar and she's like, I

20:52

like that she's... Let my kids leave

20:54

and then, hey motherfucker, instead of being

20:57

like, ah, everyone, call the cops. It

20:59

makes no sense. I guess more so

21:01

like she tuned into. Well, I don't

21:03

think she knew who was Shauna, but I

21:05

think she knew that someone was there. No,

21:07

yeah, she definitely didn't know Shauna. I mean,

21:10

nine of the ten times, it's not Shauna

21:12

and you're covered and you're good. I like

21:14

what they were trying to do when she

21:16

seems it is Shauna who she is scared

21:18

of. It's a whole different story now. She's not

21:21

the tough guy anymore. It's also like the

21:23

thing that I was talking about earlier like

21:25

last week in all kinds of weeks that

21:27

I love like secretly I'm a bad motherfucker

21:29

you don't know what I've been through but

21:32

it doesn't work in context because it's

21:34

like if Steve was you know ushering Eric and

21:36

the kids were going to the grocery

21:38

store and Steve knew a burglar was

21:40

in the closet and was like all

21:42

right honey bye my motherfucker like that's

21:44

a weird thing to do. I would

21:46

do. It's like, oh, I'm about to

21:48

have sexy time. Actually, someone broke in.

21:50

Actually, it's not to this, obviously, not

21:52

to this degree of scariness, but there

21:55

have been moments where I've clocked something

21:57

that would freak the other members of

21:59

the family out. and I don't say it

22:01

until they've gone away and then I take care

22:03

of it or I like hate something's going

22:05

on over there you know that kind of

22:07

thing yeah we thought the house was haunted

22:09

for a while because stuff was moving around

22:11

and I like knew it would freak the

22:13

boys out if we talked about a ghost

22:15

so like there's something that obviously just

22:18

happened and I'm just like uh you know

22:20

longer think it's haunted like you've solved

22:22

the case oh it's still haunted It's

22:24

fine we deal with it. Yeah,

22:26

I'm sorry. I'm trying really hard

22:29

not to like I just think

22:31

it's hot it for your benefit.

22:33

So you're not scared. I don't

22:35

believe it goes. It's hot. I'm

22:37

not scared. It's fine. It's fine.

22:40

It's fine. We deal with it.

22:42

Yeah, I'm sorry. I'm trying really

22:44

hard not to like, I just

22:46

think. Anyway, go on about

22:48

how fondness. I didn't

22:51

mean to do that. No, it's

22:53

not. I didn't mean to do

22:55

that. No, I just like

22:57

how it lends the fact

22:59

that Melissa was in the

23:01

wilderness with them and she

23:04

is also a little bit

23:06

more of a capable capable

23:08

people. Yeah, like they all

23:10

have an intuition for

23:12

that type of stuff. And so

23:15

it was just like. Okay, yeah,

23:17

like Melissa is with it like

23:19

she is similarly like is similar

23:21

to these other women where she

23:24

can identify like I don't know

23:26

just She has this other instinct

23:28

and it puts her on the

23:30

same playing field as the others

23:32

not necessarily I mean in some

23:34

capacity, but Sean is clearly crazy Yeah, that's

23:36

like it's she's like, you know, you have

23:39

no idea whose house you just broke into.

23:41

Oh, I'm pretty sure I do Melissa Yeah,

23:43

everyone thought she was dead. And then it's

23:45

a knife standoff. They both have knives. I

23:47

did like the line. It was funny. We're

23:49

not in high school anymore. Let's not do

23:52

the knives thing, which is not what people

23:54

in high school do normally, but they do.

23:56

So that's a funny joke. You brought a

23:58

knife to a knife fight. Well, you married

24:00

the daughter of the woman we

24:03

killed, that's super fucking weird. I

24:05

agree. Tell me that story. It

24:07

is weird. That's very strange. I

24:09

thought about it more, the age-ups,

24:11

probably not that bad. Because we

24:13

don't know how old Hannah is, and

24:15

she said she was a teen mom.

24:17

So Alex might be like 10 when

24:19

she's in the woods with them, and they're

24:22

like 17. Yeah, I pin Hannah to be

24:24

maybe mid to late 20s, and so her

24:26

kid is probably 12, 17, 17

24:28

years old. So yeah, not a huge age

24:31

gap. And they decide, okay, we

24:33

can both keep our knives is

24:35

how we're going to have to

24:37

play this then. Diplomatic, yeah. Misty,

24:39

this phone call from Misty is

24:42

so fucking great. I'm sorry, I've

24:44

talked too much about how much

24:46

I love Christina Ritchie, but like,

24:48

it's unendingly awesome. Yeah. I'm calling

24:50

because, fuck you actually is how

24:53

I'm going to start every phone

24:55

call all the time. And that's

24:57

awesome. But Taisa is told, there

25:00

isn't anything more that the hospital can

25:02

do for Van. Like, hey, well, let's

25:04

just put her in pellet of care

25:06

and hospice. She's just, she's gonna die.

25:09

We need to start prepping for that.

25:11

She does not accept that. Misty tries

25:13

to comfort Thai. And she really channels.

25:16

I do think Sammy Hanrati and Christina

25:18

Ritchie are the most congruous people.

25:20

Like, you could see somebody at

25:23

the Hanradi saying that, oh. It'll be

25:25

okay. Like, it's just like the same

25:27

person in a way that none of

25:29

the others are able to pull off,

25:32

I feel like. But she says, I

25:34

need you to help me find the

25:36

Palliative Care Unit. And we as the

25:38

audience already know, like, oh shit.

25:41

She wants to kill one of

25:43

the almost dead people. But Misty's

25:45

like, well, I didn't think you

25:47

wanted her to go there. Oh,

25:49

I don't. That's why I need

25:51

to find it. Back in the

25:54

past Mistyy. They are cracked. They're

25:56

cracked. Which I believe is how

25:58

they're cracked in the pre- And

26:00

Travis is like, they're full on going

26:02

to the rescue spot at this. But

26:04

Travis is like, now we don't have

26:06

cracked lenses. Oh, nice. This is where that

26:09

happens. I was a different person than

26:11

I would not remember that. Love it.

26:13

Travis and Akila are walking with

26:15

Cody. And Travis is like, they're full

26:17

on going to the rescue spot at this.

26:19

But Travis is like, now we don't have

26:22

time to get the other. Nope. This land

26:24

of babes has soured. We gotta

26:26

get out, bro. Let's go. Keel

26:28

is cool. He's caught us through

26:31

under the bus. Yeah, I feel

26:33

bad for that. We gotta go.

26:35

And this is where he says

26:37

he completely made it up. Like

26:39

I didn't. You know, I didn't have any kind of

26:42

vision that you were the chosen one. I made that up.

26:44

I was trying to get Lottie off my back. I had

26:46

a fucked up dream because I was a high, I was

26:48

high, you had one because you huffed cave feud. So our

26:50

initial impression was right that he was like, oh, a killer.

26:52

Yeah. Remember because we started to question that. And it seems

26:54

like that was correct. And he's like, look, we've

26:56

been doing shromms, huffing, huffing cave gas, all kinds

26:58

of stuff, all kinds of stuff, all kinds of

27:00

stuff, let's all kinds of stuff, let's, let's, let's,

27:02

let's, let's, let's, let's, let's be real, let's, let's,

27:04

let's be real, let's, let's, let's, let's, let's,

27:06

get out of We don't have time to

27:09

get everybody else, but also he doesn't want

27:11

them to stop him. And I think he's

27:13

like, panic, let's go. What's real is that

27:15

he, Cody, can get his home. And again,

27:18

Cody's just gotta sit there and watch all

27:20

this go down, like, Cabe Gas. You all

27:22

been huffing Cabe Gas? Weird. I love Cabe

27:24

Gas. I wanted a killer to be, like,

27:26

yeah, but I saw a vision of a

27:29

claymation bear, bear, a bear, oh bear, so

27:31

bear, my guy, my guy. We should, actually

27:33

the bear might be a thing, that's funny.

27:35

It was a stop motion bear.

27:37

There's a famous stop motion episode

27:40

of Community of which that guy

27:42

starred in. Follow me Travis. Now

27:44

you sound like a severance theorist.

27:46

Interesting. I wish she would have been

27:49

like, we have to go get Mortimer.

27:51

And he would have been like, okay.

27:53

You're right, leave no Mortimer behind. That's

27:56

fair. Yeah. But Akila decides to leave

27:58

a trail of her sweater. to me

28:00

yarn. I really wish they would

28:02

have shown like at one point

28:05

like her her sweater's like all

28:07

ratty and small because she's been

28:09

leaving a lot of stuff. Michelle

28:11

what happened your sweater? Misty finds

28:14

the trail immediately because she's got

28:16

her glasses now. And then it

28:18

cuts to the group just assailing

28:20

Hannah with all kinds of questions.

28:23

Did Muldern's calling it together? I

28:25

love that one. I love that

28:27

it's banned too that asks it.

28:30

That's so perfect. X files, fucking

28:32

Roy. You should cover that next.

28:34

I've never finished it. I've never

28:36

seen X files. It's so good. I

28:39

know it's good. I know it's good.

28:41

I just, I haven't watched it. I

28:43

just, I haven't watched it. Like, not

28:45

even just for the 90s, like it's

28:47

so good. I would love to

28:49

rewatch. Every episode is like Scully

28:52

you saw an alien literally hit

28:54

your knees and she's like I

28:56

don't know motor I don't think

28:58

it's real science I don't believe

29:00

in aliens I'm with her I

29:02

want to believe there's like flies

29:04

over there on Edwin's body she's

29:06

been out there rotten for a

29:08

little while Hannah tells them that

29:11

she knows who they are or who

29:13

they are right where we're frog people

29:15

maybe you've heard there she says that

29:17

just a Drive that home. They're noises.

29:19

The croaks are the screeching. And she

29:21

realizes that they're the Lost Waskaic soccer

29:24

team. Oh my God, I've heard about

29:26

you guys. And she tells them that

29:28

everybody pretty much gave up searching after

29:30

a few months. They tried really hard.

29:33

And no, I can't help you get

29:35

home. I don't even know where I

29:37

am right now. And then Shawna keeps interrupting

29:39

and being tough, so she's like, are you

29:42

like the captain of the team? I really

29:44

wanted someone to just like push Shada away

29:46

from this conversation at one point when she's

29:49

like, I think everyone thinks you're dead

29:51

and they stopped looking. Why did you

29:53

stop looking for us, huh? Like, what

29:55

are you doing? I do think they're

29:57

alone. There's a decent attempt at establishing

29:59

a believable. change in character and

30:01

motivation for Shawna here because of

30:03

the way this the episode starts out

30:05

with that vision and her fear of

30:07

normal life and all the things that she's

30:10

been through yeah and then the way that she

30:12

says you all left us out here to

30:14

die like she's she's blaming Hannah for all

30:16

of society not you know she's so hurt

30:18

that nobody's looking for them right now right

30:20

like it's like it's almost there but it

30:22

also could be just her again starting the

30:25

drama because she doesn't want to leave so

30:27

like you guys left us how dare you

30:29

when really she doesn't even want to be

30:31

found. Well that's a thousand percent the way

30:33

she is right she has status here

30:35

and Melissa says it damningly like even

30:37

before all this happened you were fucking

30:39

your best friend's boyfriend like you always

30:42

want to insert yourself into some sort

30:44

of dramatic situation yeah girl you'd love

30:46

the tea but Misty runs in and says hey

30:48

we can find Cody and she doesn't know his

30:50

names of that yet but in the others I found

30:52

a trail he looks like a Cody. I don't

30:54

know if that's the same. He just

30:56

looks like a Cody. It's giving with

30:58

a K. I don't know. You have

31:01

to see him. Maybe a Y at

31:03

the end? I don't know. It's an

31:05

I. Whoa, even better. That's so hot.

31:07

And Tiesa stays back while everybody else

31:09

goes on the hunt for Cody and

31:11

Travis and the gang. And she's

31:14

told to watch Hannah and Lottie.

31:16

Shauna, Shauna keeps, which they pivot

31:18

this by the end of the

31:20

end of the episode has been

31:22

like. And fuck her. And then at

31:24

the end, she's like, I'm with

31:26

her. She's cool. Honestly, I tried

31:28

the brains. They're not bad. Yeah,

31:30

you guys were looking. I think

31:32

you guys are missing out with

31:34

a nice cianti. Back in the

31:36

present, Jeff and Cali are out

31:38

at a restaurant. They're out at

31:41

a restaurant. Jeff and Cali are

31:43

out at a restaurant now. They've

31:45

decided when you said left the

31:47

hotel, left the hotel. I thought

31:50

you meant left the whole building.

31:52

advice that they were supposed to back

31:54

the fuck off and hide in order

31:56

room service. I like in the last

31:58

episode that that's fun, right? Not really.

32:00

No, this shit's terrible. Jack sees

32:03

the Joles at this hotel restaurant,

32:05

which what are the odds of

32:07

that? Jack? Jeff and the Jack. I

32:09

don't know why I wrote Jack. It

32:12

really says Jack, it's Jeff. I ran

32:14

all the way here from the beach.

32:16

Jack and lost. Patlets up in the

32:19

tree. No, not in that Jack, God

32:21

know. Which is really funny to me

32:23

because this hotel is repeatedly shown to

32:25

be like a real shithole. It was

32:28

a pretty nice lobby. Yeah, super nice

32:30

restaurant and lobby. And why are the

32:32

rich Joel's there choosing to meet? They're

32:35

slumming it. Maybe, don't they work for

32:37

a hotel, Shane? Maybe that's one

32:39

of theirs. Oh, they just have

32:41

shitholes? Maybe. That's a good, that's a

32:43

good pool. We get breakfast at our

32:45

shithole restaurants. But like Jordan, there were

32:47

some, like it seems like a nice

32:49

place, you know? Yeah, like two, three,

32:51

three stars. Yeah, right. Yeah, right. At

32:53

least. At least. At least. And I

32:55

love how Callie says, well, why don't they

32:57

come over here? And he's like, because

33:00

Callie, some people get waved over

33:02

and some people wave people over.

33:04

And I'm apparently that one, right?

33:06

Like he's just, but he has like

33:08

a nice little episode long arc in

33:10

this episode. Joles are gross because he's

33:12

like, I'm having a staycation with

33:14

my daughter like, okay, buddy, can

33:16

you say nuts? Literally my daughter.

33:18

That was gross. Oh. Yeah, having a

33:21

staycation, they're all nice.

33:23

I see what you're

33:25

doing. You're cheating on that

33:27

lady we hate. I get

33:29

it, honestly? That's my daughter.

33:32

Oh, sorry. Oh, shit. Norley.

33:34

They're meeting, they're meeting furniture

33:37

fam.net. And Jeff is disgusted

33:39

by that. Sorry, Andy's in

33:41

situation that they'd still be

33:44

okay with it if it's

33:46

like, oh, that's my daughter.

33:48

Whoa, okay, cool. Whatever tweaks

33:51

your freak, my guy. I love,

33:53

I tried to breeze past it.

33:56

And Steve was like, pause. Let's

33:58

chat. Misty calls Jeff. in this

34:00

scene. And he's already panicking. He's having

34:02

hives from his stress from this. And

34:04

Misty also gives up no information, right?

34:06

She ditched us at a hospital. Why

34:08

are you in a hospital? None of

34:10

your business. Where was Sean of the

34:12

day Lottie died? Wait, why? We were

34:15

few at the, when the bingo ladies,

34:17

right? I love how his whole, that

34:19

whole day. is just a great memory with

34:21

the bingo ladies for him. It's so

34:23

funny. You're really with the bingo ladies.

34:25

It's such a good time. It's on

34:27

my calendar. I have so many photos.

34:30

Oh, we were with you was the

34:32

best day of my life, I remember.

34:34

He pulls a marked scout too, because

34:36

she's like, or somebody asks him how

34:39

he's doing at some point, and he

34:41

goes, oh, so good. But Melissa tells

34:43

Shauna back in the little kitchen thing

34:45

that you should, you know, she should

34:48

have just rang the doorbell. Why did

34:50

you break in the house, right? And

34:52

so apparently the way that they thought

34:55

Melissa was dead was suicide. And so

34:57

she had left a fake suicide note

34:59

with nobody, cops are lazy. And Shauna's

35:01

like out of nowhere. Are you still

35:04

in love with me? So cringe, I

35:06

believe is the word. Honestly, I

35:08

never was. But she does say

35:10

she was scared of Shawna and

35:12

that's primarily why she faked her death. And

35:14

she says she wasn't one of them.

35:16

Yeah. And Hannah had told Melissa

35:19

where to find the data tape because

35:21

they had become close and so she

35:23

got it and she wanted to give

35:25

it to her daughter. She never did

35:27

though and in the process of kind

35:29

of like keeping tabs on the daughter

35:31

out of guilt. She fell in love with

35:34

her. And now she has a good life, a

35:36

decent job, a great kid, and she goes

35:38

to church. But none of that matters to

35:40

you. And Sean is like, you're right, none

35:42

of that matters to me. Sit. Madison, do

35:44

you have thoughts on this relationship between

35:47

Alex and Melissa? Seems like you

35:49

do. It just seems a little

35:51

far-fetched to me. I'm like, that doesn't,

35:53

I mean, we don't know who this Alex

35:55

character is, and, you know, we've just

35:58

kind of gotten to know Melissa. seems

36:00

very out of left field, I

36:02

guess. I don't feel very connected

36:04

to that relationship or Melissa's

36:07

intentions, if that makes any

36:09

sense. And I don't know if it's

36:11

supposed to be. It is very strange

36:13

because we know that there is no

36:15

connection between Hannah's disappearance and the

36:18

was gay soccer team because Callie

36:20

couldn't find that. It's like an

36:22

implication to her. So there is

36:25

no like record that they were

36:27

together. So what did she say?

36:29

Like, she couldn't say I knew your

36:31

mother, we were in the woods

36:33

together. Obviously, she didn't say she

36:35

killed her. Right. I think she's

36:37

just like met her and just

36:39

doesn't tell her any of that.

36:42

I think it's supposed to be

36:44

psychotic and weird that she's with

36:46

this woman. Like she stalked her

36:48

and fell in love with her

36:50

from afar and then presumably orchestrated

36:52

some kind of meat cute. And

36:54

never told her who she really

36:56

is. She's, what's her fake name?

36:58

Kelly, Kelly. My big issue that's

37:00

kind of overshadowing everything else is

37:02

like the there's it doesn't feel

37:05

like there's very high stakes with this

37:07

entire situation I mean the high stakes

37:09

is Shauna being crazy and that in

37:11

itself is what's making me upset

37:14

because I mean and I mean

37:16

there's a lot of elements here

37:18

too but like the fact that

37:20

there's they're leaning against there being

37:22

no supernatural and then you're just

37:24

kind of putting all of the the

37:26

menacing and like the conflict on

37:28

Shanna being a crazy person is

37:30

just really it doesn't sit well

37:33

with me and so it's just

37:35

like making everything else kind of

37:37

like I don't know unenjoyable I

37:39

think they're both capable of being

37:41

judged now like we don't listen and

37:44

we don't judge we listen and we

37:46

do judge and we're judging them both

37:48

yeah they both have good points throughout

37:51

this whole exchange back in the past

37:53

Akila is purposely slowing them down Travis

37:55

and Cody. She's, oh, I think there's

37:58

a rock in my shoe. She hears

38:00

something in the bushes, she knows that's

38:02

her crew that followed the yarn trail,

38:05

and she knows it's on the moon.

38:07

Yeah. They all pop out of the

38:09

woods, like, Ewoks and return to

38:11

the Jedi? Yeah! Which the woodsman

38:13

did not see coming. No.

38:16

I like to imagine that

38:18

he did and he was

38:20

like, I don't see how

38:23

this plays out. Yeah, he

38:25

just kind of just ambivalent

38:27

all he stands there the

38:30

whole time. I'm kind of

38:32

intrigued. What a weird day.

38:34

Which one of these is

38:37

Hillary Swank? Travis switches back

38:39

to the yellow jacket's team,

38:41

pulls up his crossbow and

38:43

it kills. They tie up

38:45

Cody and Hannah. And Akila

38:48

doesn't like rat Travis out though.

38:50

They both kind of make it

38:52

up as they go along and

38:54

don't snitch him out for like

38:56

how he wanted to get away. We

38:58

were just pretending. We knew you

39:00

guys would follow the yarn. Yeah.

39:02

I actually looked at Akila and

39:05

I did like one of these

39:07

like a head knot and that

39:09

was like the do the yarn

39:11

signal. Yeah. Spend me a yarn.

39:13

Six days to the rescue point

39:15

is how long of a hike

39:17

it would be. If you can keep

39:19

up. And Sean is like, Natalie,

39:21

you're not in charge anymore.

39:23

Which, you know, this kind of lame.

39:25

We had this change last night.

39:27

All right? Natalie's like, I don't

39:30

give a fuck. This is about

39:32

rescue. Yeah. Bero. We don't know

39:34

if they're going to tell everybody

39:36

that we eat people and stuff. And

39:38

then Cody's like, I didn't see shit.

39:40

which is the move in this situation.

39:43

And then now he's like, all right,

39:45

well, let's pack it up, let's go.

39:47

But Lottie's like, no, we

39:49

don't belong there anymore. And Shawna

39:51

also hesitates. Everybody's like, shut

39:54

up, Lottie. Why should we listen to you?

39:56

You ate brains, Lottie. Go fuck your blood

39:58

dirt. Back in the present. Melissa,

40:00

or Sean is like, why did you

40:02

send me the fucking tape? Which

40:04

is fair. That's a totally fair

40:07

question. Hopefully we get a great

40:09

answer. I was just tired of

40:11

having it. Melissa knows about. Honestly,

40:13

I was just tired of holding

40:15

on to it. I can't afford

40:17

the safety deposit box anymore. And

40:19

I know where I was to put it.

40:21

She knows about the cult. And. The

40:24

fact that Natalie died and the

40:26

new sacrifice is she knows an

40:28

awful lot about what they've been

40:30

up to. It's more an intentional

40:32

community actually. That was a good

40:34

line. Melissa's been doing hella research

40:36

recently. Melissa is, she's been watching

40:38

yellow jackets with us. She knows

40:41

what's been going on. And she

40:43

knows what's been going on. And

40:45

she says that after Natalie died,

40:47

she started having all these nightmares

40:49

even during the day and visions

40:51

and she's all in the note, which

40:53

Are we supposed to like, did

40:56

Callie get rid of the note

40:58

or something? Or I think someone

41:00

else got the package. I like

41:03

that Andy. That is definitely

41:05

what it is. Someone whose name

41:07

begins with a W?

41:09

Probably. Oh, Walter. We're

41:11

still going with the Walter

41:13

theory. Yeah. I think Walter messed up

41:16

with the DNA evidence from last

41:18

episode too, so I think Walter

41:20

is up to some shit. Oh,

41:22

the DNA evidence isn't real. I

41:24

think Walter's up to some shit.

41:26

Sneaky Walter. So the Queen of

41:28

Hearts phone, the freezer, the brakes not

41:30

working, Melissa says she didn't do any

41:33

of that. And then Shawna fully

41:35

snaps. I think the only way

41:37

to be sure to be comfortable

41:39

to live life is to be

41:41

the only one left. And she's

41:44

saying that like an accusatory way

41:46

that Melissa is doing that, but

41:48

I think also she's like starting

41:50

to believe that. Like I just need

41:53

to kill everybody and then I

41:55

can relax. It's why you

41:57

killed Lottie. Wait, Lottie's dead?

41:59

Travis. have a knife in case

42:01

anyone was asking. A knife? That's

42:04

a knife. That's not a knife.

42:06

Yes, he's a knife and he

42:08

pulls out a gun. Travis, that's

42:11

what? Misty. Misty. Misty and Taisa

42:13

are at the hospital and then

42:15

Taisa is like they're reading

42:18

the chart of one of the

42:20

guys in the in the palliative

42:22

care unit and Taisa says, well

42:24

he's gonna die anyway. And then

42:26

I love Misty's line read of

42:29

like. He's dying anyway? Like, wait,

42:31

that implies... And then she tries

42:33

to do... What? She tries to

42:35

do pillow talk with the old

42:37

guy. But she can't quite do

42:39

it. And then he does die

42:41

anyway, like immediately. Does that count?

42:43

Yeah, that was funny. We gotta

42:45

get the fuck out of here.

42:47

That counts. Wilderness, does that count?

42:49

I get my points. Did she

42:51

say does that count? Is that one?

42:53

Oh, that's hilarious. Oh, that's

42:55

hilarious. I missed that line. I missed

42:58

that line. Yeah, this is where Mari

43:00

is supervising without even holding the gun.

43:02

Did you guys take, was this weird

43:05

to you that the Edwin dead body

43:07

looks nothing like Nelson Franklin? No. Okay.

43:09

I didn't really pay that much. Because

43:11

for a second, because I noticed that.

43:14

The shot starts on his dead body

43:16

face and pedestals up to them. And

43:18

for a split second, my first step

43:21

was like, who's that? Well, Eddie's

43:23

been snacking. He's going to look

43:25

different. Oh, my note, I was

43:27

reading my notes, I'm like, what

43:30

the fuck does water become slurp

43:32

mean? I actually loved the little

43:34

sequence that we get here. Yeah,

43:36

two more letters to make it

43:39

legible. I actually loved the little

43:41

sequence that we get here. Yeah,

43:43

this is great. Where she imagines

43:45

it's a slurpy and then misty

43:48

is shitting on a toilet or

43:50

maybe peeing, but she has

43:52

toilet paper and vans and

43:54

big comfy bed. They're all

43:56

thinking of home and what it's going

43:59

to be like. Fuddy Duddies, what

44:01

if we can't be together when we

44:03

get back? And, you know, it's been

44:05

a long time for us, but it

44:07

hasn't been that long back in the

44:09

world, meaning like people are really prejudiced

44:11

against gay people. And Van says, I'm

44:13

optimistic, right? She's just like, I don't

44:15

give a fuck, like we're going to

44:18

go on, Van. This place will

44:20

follow us for the rest

44:22

of our fucking life, right?

44:25

Why is no one thinking

44:27

of this? And fans like,

44:30

we're going home, but Sleepy

44:32

Thai disagrees. Uh, shh. The

44:35

no-ide guy shows up behind

44:37

her. Yeah, he's just standing

44:40

there like, yeah, I'm with her. We

44:42

should get the ice cream. Yeah. Shanna

44:44

and Melissa are packing and Melissa is

44:46

upset because she didn't worry about her

44:48

when she got shot with the arrow.

44:51

I can't wait to get the fuck

44:53

away from you, right? You didn't even

44:55

care about my wound. And Shanna lies. I

44:57

wanted to be the person that got the

44:59

guy who shot you, girl. She's very toxic

45:02

now. She's gas lighting her. She's got

45:04

you. Stop being such a bitch. And

45:06

Melissa is so excited to work at

45:08

9-5 and just be home and be

45:10

normal and this triggers triggers to a

45:12

flame thing. She's the opposite. She's the

45:14

opposite. which is how they are in

45:16

the present timeline as well. I just

45:18

love how comical they they make Melissa

45:20

want a boring life. Like I don't

45:22

even care what job it is. They

45:24

can be boring as fuck. Like in

45:26

fact if I could just get a

45:28

job where I stare at white paint

45:30

drying, oh count me in. I'm all

45:32

about it. As long as I got my

45:34

baseball cat and nothing else. I'm good.

45:36

I could marry Hannah's baby and just

45:38

be happy. Oh, oh, sorry. I don't

45:40

want to say that in front of

45:42

you Shawna, use. I made it for

45:44

you. Back in the present, it's a

45:46

cool transition from the knife sheaf to

45:49

the knife on the table. It's decent.

45:51

And Sean is like, I'm not stupid.

45:53

And Melissa is like, no, you're

45:55

not. And I'm not insane. And the

45:57

Melissa is like, I wouldn't go that

45:59

far. Right? And Melissa says, I didn't

46:02

kill Lottie or do any of

46:04

the things that you said. And she

46:06

says, your life is a lie, Melissa.

46:08

You don't get to have a normal

46:10

life. Because she can't get that,

46:13

because she can't allow herself

46:15

to have it. So she's not

46:17

gonna allow anyone else to fucking

46:19

have it. She gets up to get

46:21

water, tries to be alcoi and shit.

46:23

Oh, no, no, no. She grabs her

46:25

knife a little bit. This is where

46:28

she sees the phone on her. And you

46:30

know, this calling into Melissa, even

46:32

the frog stuff. Yeah, who's lying

46:34

now. No, not that, shut up. She

46:36

knows more than Melissa would think,

46:39

but no, Shanna is lying here

46:41

about the extent to which Callie

46:43

is informed. And we cut to

46:46

Callie's end of leaving the voicemail

46:48

because that's who's calling. I

46:50

think you're breaking dad. Yeah.

46:52

And Jeff's in the other

46:54

room trying to talk to

46:56

Misty. Well Shauna's breaking bad.

46:58

She's also breaking dead. That's

47:00

true. That's good. Don't. He

47:02

calls Misty a freaky little for-eyed

47:05

mushroom. I love that. That was

47:07

so funny. And then he completely

47:09

loses it. I can't. He's crying

47:11

into pillow status. This is me

47:13

every Tuesday. And then he's like,

47:16

you gotta have one parent that's

47:18

keeping it together. What do you

47:20

mean by that? And then this

47:22

is when Kelly comes out with

47:24

it. Like, no one's after mom. And

47:26

I think we both know that. And I think

47:28

whatever happened to them out there

47:30

really fucking mess them all up. And

47:32

Jeff's like, you're right. I do

47:34

think that, I think everybody's crazy. Let's

47:36

just go home and let's listen to

47:39

Wonder Wall because who doesn't feel it

47:41

when we listen to Wonder Wall? We

47:43

always feel it. In my notes, I

47:45

have Wonder Wall dash, fuck off. Like, come

47:48

on. My notes are fucking Wonder Wall. Yeah.

47:50

And I love that song, but whenever you

47:52

use it, you know, it's probably. The

47:54

jukebox at a bar and everybody's mad. Oh,

47:56

for sure. It would have been better if

47:59

Jeff said we're going going home, but first,

48:01

this is Wonder Wall. And he starts playing.

48:03

I would have bought that. Yeah, same. Champagne

48:05

Superniver would have been a better

48:07

choice. Agreed. Back in the past, to Wonder

48:09

Wall, all the girls are packing up.

48:11

They're all so happy. What could possibly

48:14

go wrong? Akila finds all of her

48:16

crops dead, all the animals are dead,

48:18

but it's just a vision. We get

48:20

a confirmation that Melissa is a cultured

48:22

person because she too would dip fries

48:24

into milkshakes. That's right. like all cultured

48:26

people must. Well she's talking

48:29

about Maccadese back then and

48:31

the frosty in the fry trip

48:33

was the move. Quarter pounder and fill

48:35

it up with a sprite. She lost

48:38

me on that one but. No but

48:40

happy day. Sounds bright slapped back in

48:42

the day. I felt in sprite. She

48:44

still slaps. Yeah. I'm just saying I

48:47

disagree with it. I don't. I think

48:49

I would go. Often has a weird

48:51

taste nowadays. I don't know what it is.

48:53

Yeah. It's just like a good 10 years before

48:56

they came out with the Barry sprite. You guys

48:58

remember that brief spell? Well, I feel like if

49:00

you're hitting Mcdeenas, then you got to be getting

49:02

the high sea. Oh, you went high sea on

49:04

me. I don't think they have high sea anymore.

49:06

Well, this is 90s. Oh, sorry. Yeah, I guess

49:08

that's true. And then maybe win the Monopoly game

49:10

on your fries. But the Coke at McDonald still

49:12

slaps. Yeah. Yes. Yes. In the root beer. In

49:14

the root beer. In the root beer. In the root

49:17

beer. In the root beer. Did you guys. Did you

49:19

guys. Did you guys. Did you guys. Did

49:21

you guys. Did you guys. Did you guys.

49:23

Did you guys. I heard about it. It's

49:25

really interesting. You should watch it. Nobody was

49:27

winning. Shame was plug. But Lottie

49:29

of all people, it comes up like,

49:31

what's wrong with you? Already being weird.

49:34

All the animals are fine. I

49:36

love that Lottie says this while her

49:38

mouth and face are just covered in

49:40

another. Why are you being weird? You're

49:42

acting crazy. But I also love it

49:45

at the end that she's like,

49:47

biting her lip. Like,

49:49

did you... See something?

49:51

I love vision hot.

49:53

Tell me when you

49:55

saw. Was it French?

49:57

Were there dead things?

50:00

I hope there were. Natalie goes

50:02

to the plane. She puts Coach's

50:04

jacket in there. She's like, sorry,

50:06

you didn't make it literally 24

50:08

hours, Coach. Anyway, see you. I

50:10

really shouldn't have killed you, huh?

50:12

And then she hears the wilderness

50:14

spirit and she's like, we're leaving.

50:16

Oh, we're going home. Fucking frog.

50:18

Oh man. You and your frogs, we're

50:21

out of here. I don't think you

50:23

should be leaving now. I have agents

50:25

on the wade. Is Kermit? That is

50:27

the one. We know the frogs on

50:29

the waterness. Hello. Hello,

50:32

friends. Did you enjoy

50:34

Edwin's head? I need an

50:36

offering. Miss Piggy. Back in

50:38

the present, real Taisa is

50:40

like trapped trying to get sleepy

50:42

Thai to let her see Van.

50:45

Let me know. That's a pretty

50:47

cool visual. I like that. But

50:49

back in the past, they're all

50:52

excited to leave. They get a

50:54

little pep talk to Cody. Listen

50:56

motherfucker. Trusting you.

50:58

Hey, I'm cool. I'm tied up. I'm ready

51:00

to go. Let's go. This is most

51:03

entertainment I've had all year.

51:05

But Lottie says she's staying.

51:07

We have two more seasons of

51:10

this. Yeah, guys, come on. You

51:12

can't leave now? Only. Sophie's the

51:14

only one getting work. We're not

51:16

going anywhere. Yeah, of course it's

51:19

okay for you to leave Sophie.

51:21

I mean, Jasmine's doing

51:23

okay with the whole

51:25

screen thing, but that's

51:27

going off the rails. I

51:29

think we need to hang

51:31

on the woods a little

51:34

while longer. Plus, that's not

51:36

home, Nat. Your trailer trash.

51:38

Where are you going to? Come

51:40

on, let's think about this. what

51:42

we're all thinking. She's like, for fuck's

51:45

sake. What? What? But she keeps saying,

51:47

well, then the rest of us are

51:49

going. And then Ty, I did love

51:52

this, though, because Liv Houston is so

51:54

good. That when Ty drops her pack, you

51:56

know, you hear a van go, mmm, fuck,

51:58

no, pick that up. Yeah. pick it up.

52:01

Like it's that's that's the

52:03

best part of this scene

52:05

are these two. Yeah, I agree.

52:08

And Tice is like, guys, it

52:10

just like, don't you feel it?

52:12

No, the vibes are off. I

52:15

do. I do like this internal

52:17

like. fear of you know going

52:19

back into the real world you've

52:21

tuned into this other side of

52:23

yourself that you know to have

52:26

to jump back into the reality

52:28

of everything else is very scary

52:30

so like I understand that narrative

52:32

and like that yeah struggle yeah

52:35

and also too like you know I

52:37

do like this moral issue they

52:39

have with the people who saw

52:41

them literally sacrifice somebody so like

52:43

that's cool but yeah this scene is

52:46

just so like None of that is like

52:48

being brought up as like a potential like

52:50

reason for them to stay. It's just no

52:52

we're gonna stay. And I'm like, that doesn't

52:55

make any sense. I think there could

52:57

be some really great like award

52:59

winning performances and scenes where it's people

53:01

sort of being open and like we've done

53:03

some wild shit and I'm worried about going

53:06

back and I don't know how I can

53:08

live a normal life after seeing and doing

53:10

the things we've done. The closest we get

53:12

to that is Thai and Van in the

53:15

previous scene. But I wish they would have

53:17

leaned more into that to your point than

53:19

just like, no, all the woods. Yeah. It's

53:21

like the wilderness is keeping us here.

53:23

No, it's, well, we don't know what

53:26

it is exactly, but it's a combination

53:28

of you guys have just, you know,

53:30

tuned into this very feral side

53:32

of yourselves. And then now you have

53:34

to go back to society and like act

53:36

a certain way that society wants you to

53:38

act. So yeah, like I get that I

53:40

get that. But again, it's just like,

53:42

I feel like the room is a

53:44

different way to present that. You're

53:47

not allowed to leave. You just can't

53:49

leave. You're going to be with me.

53:51

And then Matt's like, okay, you three

53:53

hang out. And Shawna's like, no. Somehow,

53:55

she's going to keep all of them

53:57

from leaving. I hope a cross voters.

54:00

Sprouts in her forehead somehow. Oh,

54:02

yeah. No, any Linsky wasn't actually shown

54:04

all. Yeah, that's the choice. It's just

54:06

silly, but I, you know, I'm excited

54:08

to see. I'm excited to see how

54:10

they do that. And then Jeff is

54:12

checking out of the hotel. This is

54:14

such a stupid thing to love and

54:16

the people accusing me of certain things

54:18

are going to have extra ammo now.

54:20

But I think one of my favorite

54:22

moments is Jeff checking out and then

54:24

going, oh, that's right, it's in the cloud,

54:27

it's in the cloud now. It's in the cloud

54:29

now. Boop, doop, boop, boop, boop. Honestly,

54:31

what he does in this scene is

54:33

something that I've done, where I go

54:36

to check out and the people at

54:38

the front desk, you're like, why are

54:40

you talking to me? Just fucking week.

54:43

Just get out of you. I like

54:45

talking to people, back now, you know,

54:47

dad, dad. But then Jeff accosts

54:49

the Joles, he throws Shauna under

54:52

the bus, and then flips it

54:54

on, like, or maybe you just

54:56

bang, boring, boring, boring, boring chicks,

54:59

And then Cali's in the

55:01

back all proud, like, yeah.

55:04

That's my dad. You guys

55:06

get lame ass, let's go.

55:08

And my mom puts it

55:10

down. I don't know what

55:13

this scene is supposed to

55:15

be, but. Malay. This is

55:17

kind of fucked up,

55:19

the couple lines he

55:22

says, it's like, something

55:24

like. She's the fucking reason most

55:26

people don't like me, but I'm not

55:28

her. I'm the reason most people

55:30

like anything. I kick ass. Yeah, I

55:32

kick ass. I run a furniture store.

55:35

I'm the man for the job. I

55:37

just wanted you to know that. Yeah,

55:39

not furniture home.net or whatever the fuck

55:41

that dude was from in the earlier. Yeah,

55:43

furniture fam? Yeah, I think so. Melissa

55:45

in the kitchen claims that it

55:47

was all just happenstance. You're

55:50

crazy. You start shit because

55:52

you hate yourself. You've always

55:54

been shitting. Nobody likes you

55:56

for real. You're terrible in bed.

55:58

And that's all I have to say. say about

56:00

that. I drink 23 dr. Dr. Peppers.

56:02

I think you came here because you want

56:04

your life to explode because it's fun for

56:07

you. You want to burn it all down

56:09

just so you can watch. You stir the

56:11

pot. She gets the water and tries to

56:13

make a grab for Shauna's knife, but Shauna

56:15

like snaps her forearm, throws her down, bites

56:18

her arm, and just eat it. I love

56:20

all, did she make a grab for the

56:22

knife? I thought Shauna just snapped. No, she tries

56:24

to grasp. She does. Okay, I must

56:26

have been taking notes there. I love

56:29

how Shawna is like, I heard all

56:31

of your criticism, I heard all your

56:33

points. What the fuck are we doing?

56:35

Yeah, this show escalates so much. Your

56:37

rips her flesh out, and which that's

56:40

even fine, like the bite, you know.

56:42

Tyson did it, it's aggression. He did

56:44

it. But the eat it thing is

56:46

like, what? Why? You're not better than

56:49

me. Or I'll tell your family who

56:51

you really are, who you really

56:53

are. What? To why? Melissa? My

56:55

middle name is Kelly. I

56:57

just, it's not a big

57:00

deal. And that's the end

57:02

of the episode. It's

57:04

time for our favorite

57:06

moments, our choice cuts,

57:08

but right before that,

57:11

let's take a brief break

57:13

to hear from one of

57:15

our sponsors. Endless Onboarding? Constant

57:17

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stream fiends as we march into

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let's get back to the episode. And

59:48

we're back. It's time for

59:50

our choice cuts, our top

59:52

three favorite moments of the

59:54

episode. Madison, what is your number

59:57

three? My number three is the

59:59

very end. when Sean just

1:00:01

like goes absolutely crazy, mainly

1:00:03

because it was just like so, oh,

1:00:05

I didn't see that coming. And then

1:00:07

it was just a series of

1:00:10

events where she broke Melissa's arm

1:00:12

and then bit it and then

1:00:14

tried to force Melissa to eat

1:00:16

it. It was just, I was like, what

1:00:18

the fuck? So, and it was one

1:00:20

of those scenes that just stood out

1:00:22

to me and will stick out

1:00:25

to me for probably the remainder

1:00:27

of the series. So that's my

1:00:29

number three. And that's my number

1:00:31

three also, just, fuck it, you know?

1:00:33

I'm down, just, fuck it. Steve?

1:00:35

My number three favorite moment is

1:00:37

just, Jeff, checking out of the

1:00:39

hotel at the end, because I really

1:00:42

kind of vied with the whole,

1:00:44

like, ooh, I'm actually not supposed

1:00:46

to be checking out at a

1:00:48

hotel anymore. That's kind of chewy

1:00:50

as Madison's saying. I thought you're

1:00:52

still supposed to check out. and

1:00:54

like you're supposed to like prove

1:00:56

that you're out of the room

1:00:58

by whatever time you're supposed to

1:01:00

really leave. Yeah, they'll know when

1:01:02

they go to I always drop my key cards

1:01:04

off and like yeah, you're supposed to drop

1:01:06

the key card off and then just

1:01:08

there's like a box for that you don't

1:01:11

have to talk to anybody. But then also

1:01:13

him confronting the Joles and sort of

1:01:15

taking a little bit of power back

1:01:17

and he's just so funny. and affable

1:01:19

and like it's like that yeah you

1:01:22

like him a lot and it's such

1:01:24

it is a weird scene like and

1:01:26

that's my daughter behind me there's a

1:01:28

weird little vibe to it but it's

1:01:30

fun that's my number three as

1:01:32

well the Jeff checking out scene for

1:01:35

all of those reasons it's just a really

1:01:37

fun scene Madison your number two

1:01:39

my number two is the Hillary

1:01:41

swing reveal where we find out that

1:01:44

Hillary is Melissa but more so

1:01:46

just Hillary! She's here!

1:01:48

Finally! She's here! I

1:01:50

remember just like, audibly

1:01:52

gasping and being like, oh,

1:01:54

she's here finally! So, what

1:01:56

was my number two? Andy? Um,

1:01:59

my number...

1:02:02

Number two,

1:02:04

favorite

1:02:08

moment,

1:02:13

is

1:02:15

just

1:02:17

the little. sort

1:02:19

of super cut montage of

1:02:21

like the girls imagining what

1:02:23

they're most excited about getting

1:02:25

back in the real world

1:02:27

so Mari's got the slurpy

1:02:29

misty has the the toilet with the toilet paper

1:02:31

vans got the bed that was this fun it was

1:02:33

good fun it was good fun I really I wish

1:02:36

they kind of would have done more with it like

1:02:38

I would have loved to see what gins into all

1:02:40

that stuff but I understand you don't want to

1:02:42

like go to the well too many times and

1:02:44

but it was fun and Melissa saying that she

1:02:47

would dip the fries and milkshake because I like

1:02:49

that I like that I like that I like that

1:02:51

I like that My number two

1:02:53

is Andy's number two, the opening

1:02:55

vision with Sean and Jackie. Anytime

1:02:57

Ella Pinnell shows up, it's so

1:03:00

great. And again, I do think

1:03:02

this is a really good effort

1:03:04

at explaining where like Sean's

1:03:06

heads at. And the themes of the

1:03:09

episode kind of come together,

1:03:11

even if the finer points

1:03:13

didn't always work for me. Madison,

1:03:15

you're number one. My

1:03:17

number one is the conversation between

1:03:19

Van and Ty where Ty is

1:03:22

like, what if we can't be

1:03:24

together when we get back?

1:03:26

And they have to have

1:03:28

a real conversation about their

1:03:30

relationship for the future, which I

1:03:32

feel like is a, I mean, given

1:03:34

this is very crazy, but that is

1:03:37

a valid question for both of them

1:03:39

to have. And then, you know, Ty

1:03:41

also kind of brings these other issues,

1:03:43

you know, we're going to have to

1:03:46

kill them. This will follow us for,

1:03:48

and then bands like, well, this will

1:03:50

follow us for the rest of our

1:03:52

life. You know, it's, I'm seeing both points

1:03:55

of contention with, I guess,

1:03:57

the soon to be civil war between

1:03:59

the two sides. but I just I

1:04:01

like I really like time and

1:04:03

band's relationship and I think at

1:04:06

the core there I mean I don't

1:04:08

know what I'm trying to say

1:04:10

I guess like their their relationship

1:04:12

has kind of been like a

1:04:14

foundation for the show throughout and

1:04:17

so I really like this the scene

1:04:19

I feel like it has a lot

1:04:21

of emotional weight to it between

1:04:24

these two. Awesome Andy. My

1:04:26

favorite moment is between Shawna

1:04:28

and Melissa. when she says that

1:04:30

her life is normal and boring

1:04:33

and that's how she wants it

1:04:35

and Shanna says you know you don't

1:04:37

have a normal life you don't get

1:04:39

to have a normal life. I thought

1:04:41

it was good dialogue and the the

1:04:44

bit especially at the end where you

1:04:46

think your daughter still loves you whose

1:04:48

line now cuts deep. My number

1:04:50

one favorite moment is the the

1:04:52

the Hillary swank reveal. She's finally

1:04:55

here, I was excited, I laughed

1:04:57

so hard when she put the

1:04:59

baseball cap on. And I know you

1:05:01

didn't care for it that much, Kit,

1:05:03

but I like the whole like, all

1:05:05

right, whoever's in the cupboard, get out.

1:05:07

And then, oh shit, it's Shawna, like,

1:05:09

I just really like how that contextualized

1:05:12

who these two characters are. I don't

1:05:14

know if like the rest of the

1:05:16

episode lived up to that moment for

1:05:18

me, but in that moment alone,

1:05:21

I was like, I was like, My favorite

1:05:23

is I think it was your number two

1:05:25

Steve the the home six sequence where we

1:05:27

get all the I just thought that was

1:05:29

a really clever little montage of

1:05:31

in such a fun way showing how excited

1:05:33

they are now because they haven't imagined that

1:05:36

going home would be possible they gave

1:05:38

that up and so they haven't thought about

1:05:40

these tiny things and now we know

1:05:42

that they're going to be stuck there because

1:05:44

of how long they were there we know

1:05:46

this isn't going to work out so I

1:05:48

imagine they've created a little bit of

1:05:50

a normal life there. Some cannibalism

1:05:53

every now and then, but they have like a

1:05:55

community and something like a routine and it's going

1:05:57

to be miserable now that they've remembered slurpees and

1:05:59

toilet paper and McDonald's and beds.

1:06:01

I just thought it was like super fun

1:06:04

and like visually interesting. As soon

1:06:06

as that turned into a slurpee,

1:06:08

it was like, oh, this is

1:06:10

fun. You know, just kind of

1:06:12

a brilliant little thing that I

1:06:14

really enjoyed. But now it's time

1:06:16

for our honeycombs, if anybody has

1:06:18

any throwbacks or Easter eggs or

1:06:20

anything to point out. I just

1:06:22

want to get this out here

1:06:24

because the episode ends with one

1:06:26

of my favorite bands ever, Sleater

1:06:29

Kin. Made me super happy.

1:06:31

Madison? Wonder Wall? I always

1:06:33

said. Of course. Yeah. All right,

1:06:35

by Supergrass is playing during

1:06:38

the montage, we are, yeah.

1:06:40

We like that song. Keep

1:06:42

our teeth, nicely. And then

1:06:44

obviously the X files nod.

1:06:46

Yes. Again, write in if you

1:06:48

want us to cover X files.

1:06:50

I'm fucking love that. I got

1:06:52

nothing. Is that it? That's it

1:06:54

for me. Now it's time

1:06:56

to end the episode with

1:06:58

our buzz buzz, buzz worthy

1:07:01

performance nominations. Buzz, buzz. Madison, who

1:07:03

are you going to give it to?

1:07:05

I am between two people, but I

1:07:07

think I'm just going to give it

1:07:10

to Hillary because we've waited this

1:07:12

long and I'm like, I'm just

1:07:14

going to give it to her.

1:07:16

She fucking killed it. Yeah, the

1:07:18

backwards cab. Yeah, I love it. I'm giving

1:07:20

it to the hat. Andy, I'm

1:07:22

gonna give it to Melanie Linsky

1:07:25

again. I don't know if I

1:07:27

agree with the pace at which

1:07:29

they are having her character transition,

1:07:32

but I'm excited to have

1:07:34

Melanie Linsky just going full psychopath.

1:07:36

That was fun. I think she

1:07:39

did it well, even if it

1:07:41

was silly. And all of

1:07:43

the conversations with Hillary Swank

1:07:46

were great performances overall. I

1:07:48

gave last episodes. Buzz buzz

1:07:50

buzz award to Lauren Ambrose.

1:07:53

This week I'm giving it

1:07:55

to live Houston Young

1:07:57

Van just for that one.

1:08:00

little scene where she's like, pick that

1:08:02

up. Like, you could, because you could hear

1:08:04

the desperate pain that like, no, I'm

1:08:06

not leaving my partner behind. And I

1:08:08

just really, really like just that small

1:08:11

little moment was like it caught me

1:08:13

in the throat a little bit like

1:08:15

I'm gonna start crying because you really

1:08:17

feel it in that one line

1:08:19

delivery. And I think that's why I'm

1:08:22

gonna give it to her. I agree. I'm

1:08:24

also going to, to give it to live

1:08:26

Houston for the same reason. years

1:08:28

ago, whenever this was

1:08:31

start, you know, she talked

1:08:33

about Liff Houston

1:08:35

a lot. And I should

1:08:37

have been paying attention

1:08:40

more. I apologize for

1:08:42

that. It's on you.

1:08:44

But now I'm just like,

1:08:46

Liff use it, crushing it.

1:08:49

Give her some more work.

1:08:51

What is going on here?

1:08:53

Madison, you fixed him.

1:08:56

is the star of like Blue

1:08:58

Roen, a bunch of Jeremy Sunnier

1:09:00

stuff. And it stars Melanie Linsky

1:09:02

as like this sweet suburban woman

1:09:04

who gets robbed and just refuses. Everybody's

1:09:07

an asshole. I'm not going to take

1:09:09

it anymore. And her neighbor is Elijah

1:09:11

Wood with a rat tail and Nunchucks.

1:09:14

Oh, I remember this, yeah. Who wants

1:09:16

to help her out? Super fun, quirky

1:09:18

movie. Yeah, shout out that. But that's

1:09:20

the end of our coverage of episode

1:09:23

eight. Next Friday you'll get our coverage

1:09:25

of episode 9. Hopefully you checked out

1:09:27

our severance mail bag. Mail bag. That

1:09:29

dropped a couple of days ago so

1:09:31

we're we're gearing up for some new

1:09:33

shows coming down the pike but Game

1:09:36

of Thrones and Midnight Master still

1:09:38

going strong over on Patreon. So

1:09:40

become a patron there if you

1:09:42

want to check that out. That's

1:09:44

all the time we have for

1:09:47

this week. My name is Kit.

1:09:49

My name's Madison. I'm Andy. And

1:09:51

I'm Steve. And this was streaming

1:09:53

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