Episode Transcript
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0:00
Welcome, conspiracy realist. We
0:02
are talking about something
0:05
that has become a bit of a hobby
0:07
horse for us at this
0:10
point. Not too long ago,
0:13
Nol and Matt Ny were going
0:15
to get tickets to go see a concert
0:17
together and we ran
0:20
into the fees. Oh god,
0:22
the fees.
0:23
The fees.
0:25
Yeah, this isn't an aldly bit of goody.
0:26
That is painfully relevant
0:29
still to this day.
0:30
I mean it's we're approaching an
0:32
absolute monopoly with Live Nation and Ticketmasters.
0:35
They are kind of like the people selling the tickets
0:37
being the same people that on the venues. It's not
0:40
great. Let's jump right in
0:42
and see how much more expensive it's gotten
0:44
since even May twenty nineteen.
0:48
From UFOs to psychic powers
0:50
and government conspiracies, history
0:52
is riddled with unexplained events. You
0:54
can turn back now or learn
0:57
the stuff they don't want you to know.
1:00
Production of iHeart Radios How
1:02
Stuff Works.
1:12
Greetings, Welcome back to the show.
1:13
My name is Matt and our pal Noel
1:16
is on some adventures, but we'll return
1:18
in the future. They called me Ben.
1:20
We are joined as always with our super producer
1:22
Paul Mission Control decad. Most importantly,
1:25
you are you. You are here that
1:27
makes this stuff. They don't want
1:29
you to know. Welcome to the show. You
1:31
did not have to buy tickets.
1:33
That's right. You did have to
1:35
buy a phone or a computer or
1:37
something that has a microphone
1:39
and a processor and at least
1:42
headphone outputs or some
1:44
kind of speaker.
1:45
Let's call those associated fees. Yeah,
1:48
so the show is free.
1:50
It takes some doing
1:53
to get it in you.
1:55
To get it in your ear, right, Yeah.
1:57
All the other paraphernalia is not include.
2:00
I mean, sure, this
2:02
is a show. This is a recorded show,
2:05
right, we do a call in line.
2:07
We've taken the show on the road and probably will
2:09
do again and then near to mid
2:11
future. But nothing,
2:15
nothing quite beats the experience right off.
2:17
You're in your favorite music or your favorite
2:20
performance whatever it is live right,
2:22
Like, what are some of the memorable
2:25
concerts you've been to?
2:26
Man, I
2:28
haven't really been to many, but
2:31
Dave Matthews back
2:33
in the day, oh boy,
2:37
and some of that DMB baby,
2:39
Oh it was the best.
2:41
And you know what tickets were always like, Okay,
2:45
they were not insane back in the
2:48
early two thousands doing
2:50
some old DMB though, you
2:53
know, you get to you know, that's a fairly large act
2:55
right. Then you get to newer
2:58
shows nowadays, and
3:00
you're going to a much smaller venue with a much
3:02
smaller band, And I'm paying more now
3:05
to see those bands than I did to pay a big
3:07
ticket band when I was, you know, coming
3:10
out of high school in college.
3:12
So like you would go see Dave Matthews
3:14
band in a stadium or something,
3:16
yeah, something that
3:19
large, and you would get
3:21
maybe some reasonable tickets
3:23
on the lawn or whatever. Thirty bucks okay,
3:26
max thirty bucks with everything.
3:28
Yeah, just to get into Lakewood
3:30
Amphitheater, which not called that anymore, but who
3:32
cares. And also, you know, inflation.
3:35
Obviously everyone is saying inflation, matt
3:37
but inflation, but that's
3:40
not all.
3:41
Let's call it feflation. Okay,
3:43
maybe okay, asides from
3:45
sounding very doctor Susian, that
3:47
that is a word that could work for today's
3:50
episode, because you know
3:52
what bothers me about buying tickets
3:54
probably the same thing that bothers everyone
3:56
they buy tickets nowadays. When
3:59
you buy its ticket for something, you're overwhelmingly
4:02
going to do it online or
4:05
else. You're going to show up at a show the day of,
4:07
you know.
4:08
And it's probably sold out if it's worth anything.
4:11
Perhaps, Yeah, yeah, And it's really
4:14
it's relatively rare for
4:17
someone to be walking down the street see
4:20
tickets for a show like
4:23
next week or that weekend, and then
4:25
say I'm going to walk in and buy those now
4:27
in person. People don't do that near
4:29
as often, so most of the time we buy
4:32
tickets online. And here in the United
4:34
States, there's been one
4:37
game in town for quite a while, and this
4:39
game continues in other countries
4:41
as well. A master, if
4:44
you will, of tickets. Oh,
4:46
some sort of ticket
4:49
master. Yes, Wowly,
4:52
it took a while to get to that one, but it's true.
4:54
Right, since about the late nineteen seventies, it's
4:56
become increasingly difficult to get tickets
4:58
to live events Broadway plays,
5:02
Symphonies, the DMB.
5:07
It's difficult to get these tickets without
5:09
running somehow into ticket Master,
5:11
even if you don't know that you're running into
5:14
Ticketmaster. So what exactly
5:16
is this thing? It's been here for
5:20
the three of us, for you, mission control of myself,
5:22
for our entire lives.
5:24
Yeah, and beyond and before. Yeah.
5:27
So let's go back to Phoenix, Arizona, nineteen
5:30
seventy six. A couple of
5:32
gentlemen we got Albert Leffler, Peter
5:34
Godwa, and another man, a businessman
5:37
named Gordon Gunn. What a great
5:39
name. Yeah, seriously, Gordon Gunn. So
5:42
Leffler. He comes up with this name,
5:45
this idea for a thing, and
5:48
he calls it ticket Master, And it's this
5:50
new company that's just going to control tickets
5:53
and for these guys when they founded in nineteen
5:55
seventy six, really all
5:57
they're trying to do in the beginning is sells
6:00
tickets to an Electric Light Orchestra
6:02
concert at the University of New
6:04
Mexico. That's the first big thing. And
6:07
electric Light Orchestra is something that my dad
6:09
told me about, actually that he really enjoyed.
6:12
Look it up, Google it. If you don't know
6:15
it, Spotify it. I'm sure you can find it.
6:17
Mister Blue Sky is a great song.
6:19
It really is. It really is.
6:22
But anyway, so this one
6:24
little thing in Albuquerque, New Mexico.
6:26
I'm so sorry to interrupt that to say, yeah, Turned
6:28
to Stone is also a great
6:30
song. Oh, in my mind,
6:33
it's one that I've had stuck in my head. Awesome
6:36
a Blue Sky Turned to Stone. It's
6:38
the seventies, it's Albuquerque.
6:41
Out of college. Awesome,
6:43
good times rolling right, let the good
6:45
times roll. And so
6:48
then they figure
6:50
out, hey, this is working. We're just you know, control
6:53
a hub. We're controlling the tickets to one thing.
6:56
We're good at this, Let's keep doing
6:58
it. So they keep doing it for a few years.
7:00
Then by nineteen seventy eight they have their first international
7:03
clients coming in from Norway,
7:05
Oslo, Norway, and
7:08
that same year they signed their first major venue,
7:10
this place called the Louisiana super Dome,
7:13
along with their first Major League team,
7:15
the New Orleans Jazz, which is
7:18
now the Utah Jazz, but in the city of New
7:20
Orleans it was the Jazz. So they actually
7:22
have the NBA as
7:25
one of their major clients, one
7:27
team on the NBA. But still, that's
7:29
huge for just a couple of guys starting
7:32
with a startup, right.
7:33
Yeah, And it happens so quickly. It's just
7:35
a few years. When Leffler
7:38
and Godwa originally thought
7:41
of the company, they were going to be licensing
7:44
software for tickets,
7:46
really, and they've gone from that to
7:50
being the ticket provider for stadiums,
7:53
which sounds kind of like maybe
7:56
a boring business, right, it's
7:58
not, as you
8:00
know, endlessly fascinating as
8:03
being a professional
8:07
skydiver or maybe a podcast
8:09
or something like that, you know, an underwater
8:11
tattoo artist.
8:13
But still,
8:15
what we have to realize is they get a
8:17
cut of every ticket sold, and
8:19
when you get to something as large as
8:21
a superdome, that's a lot of money
8:24
in like in one night,
8:26
yeap. Other people
8:29
knew about the game. There were other things that
8:31
existed at this time before ticket
8:33
Master. There was a
8:35
business called ticket Tron, like
8:38
ticket and then the movie Tron.
8:40
And that's nineteen sixties. So it's difficult
8:42
to It's hard for me to imagine
8:45
computerized ticket sales being organized
8:48
enough with software, with computers
8:50
that are powerful enough to like do it in any large
8:53
scale. But it was happening.
8:55
Yeah, yeah, it wasn't. It wasn't necessarily
8:58
happening on the customer end, but
9:00
you would make a phone call to ticket Tron and they
9:02
would have this database.
9:03
Right, So can I selly
9:05
fun fact about ticket Tron? Yeah?
9:07
They were purchased by a
9:10
thing called the Lovecraft Investment
9:13
Group in nineteen ninety.
9:19
What's the Lovecraft Investment Group?
9:20
Man? All I know is is Lovecraft. There's
9:22
a Lovecraft involved, That's all I know.
9:25
Oh boy, let's see it's
9:27
true.
9:28
The Hewlett Packard Lovecraft.
9:31
I don't know what the
9:34
I don't know what the Lovecraft investment. This
9:37
may be fodder for another podcast.
9:40
Here's the thing. As you said, there were other there
9:42
were other similar
9:45
creatures around in this
9:47
market, right, other places that wanted
9:50
to be the ticket
9:52
provider, in the middleman for that. But
9:54
like a hungry invading species, Ticketmaster
9:57
consumed and digested the
10:00
these competitors. In nineteen
10:02
eighty one, it opened its first overseas
10:04
operation. In nineteen eighty two, they
10:06
got a new CEO, a guy named
10:08
Fred Rosen. Rosen
10:10
told the La Times back in eighty
10:13
five that his competitors were asleep
10:15
at the switch. He said, he was an
10:17
aggressive businessman. I'm proud
10:19
of it, got this American
10:21
psycho vibe going on, right. He
10:24
was so good at dominating the
10:26
ticket industry that it became
10:28
the only game in town. And other
10:30
people, other artists, primarily not
10:33
just wound up consumers.
10:36
Other artists started to take issue with it.
10:38
Pearl Jam launched a campaign
10:41
in nineteen ninety four that they called
10:44
a strong language for some people ticket
10:46
bastard, because you see, pearl
10:48
Jam was hearing from their fans that
10:50
they literally couldn't afford tickets to a
10:52
show, or that they were getting saddled
10:55
with these egregious hidden
10:58
fees, and so they said, well,
11:00
look man, we want to make a living, but
11:02
we want our fans
11:05
to see our music. We don't want to
11:07
milk them for every penny they're
11:09
worth, Like what are we kiss? You know
11:12
what I mean. They don't want to do that. They want to be human,
11:14
they want to stay human. So they wanted
11:16
to offer summer tour tickets to fans
11:19
for under twenty bucks. And they asked
11:21
ticket Master, you know, hey, guys,
11:24
can you just not charge another
11:27
twenty bucks and fees? Can you actually like keep
11:29
the fees around two dollars or whatever
11:31
that your cost of doing businesses? And
11:33
they said no,
11:37
no, you're Pearl.
11:39
Jam and we are
11:41
ticket Master. Yeah.
11:46
So yeah, but it's crazy to think about because
11:49
they really did say no, and Pearl Jam
11:51
just in nineteen ninety four decided, well it's
11:53
not worth it. We're not even going to go on tour.
11:55
We're canceling everything. We're not gonna
11:58
like go and play a bunch of empty stadiums
12:00
where nobody can show up for these
12:03
exorbitant prices. They ended up going
12:06
to Congress and guess what,
12:08
Pearl Jam one and everything was okay and everyone
12:11
was happy, and ticket sales went down to twenty
12:13
dollars for the rest of our lives.
12:14
Thanks so much for tuning in, folks, We hope you enjoyed
12:17
this episode.
12:18
Oh wait, nope, nope,
12:20
that's not what happened. What happened Ticketmaster
12:22
won.
12:23
Right, And there's one
12:25
more sordid detail for this story.
12:29
The band. The members of the band Pearl
12:31
Jam maintained and say
12:34
to this day. You can ask them today and they'll
12:36
confirm this. That private
12:38
investigators were sent to snoop around in their
12:40
lives, sent by Ticketmaster and
12:43
having a PI sicked on
12:45
you by a company very
12:48
common occurrence. Unfortunately,
12:52
what they were probably trying
12:54
to do. What the allegation
12:57
implies is that Ticketmaster
12:59
was attempted to find something discrediting
13:03
to members of Pearl
13:05
Jam, not something that had anything
13:07
to do with their crusade
13:10
to get better ticket prices. They wanted
13:12
to be able to say, well, this person is
13:15
doing heroin and we'll put it in the news
13:18
if you guys don't straighten up intil
13:20
the corporate line, but you know again,
13:23
that's a terrible example, because this is the
13:26
nineties in Seattle grunge,
13:28
right, So doing Heroin
13:30
may unfortunately not have been the huge
13:33
scandal that they would want, but
13:35
they wanted something to hold over their
13:37
heads, and eventually,
13:41
probably more so, through just the
13:43
sheer, ungodly amount
13:45
of money Ticketmaster has, they
13:47
were able to. They were able
13:49
to, as you say, prevail. So
13:52
that brings us to the modern day. Nineteen
13:54
ninety seven, a company called Interactive
13:56
Corp, oddly enough, not a video
13:58
game company, perch is the majority
14:00
stake and Ticketmaster, and then it bought
14:02
the rest of the company. In nineteen ninety
14:05
eight, the name changed to Ticketmaster
14:08
Online. Dash City search doesn't
14:10
exactly roll off the tongue, right, No,
14:13
So they didn't
14:15
care that it didn't roll off the tongue. The
14:18
company expanded, diversified, it
14:20
kept evolving its business model, increasingly,
14:23
going from phones to online sales,
14:26
and this constant evolution, the
14:28
way of many businesses right unfortunately,
14:32
did not go in the direction that critics
14:34
wanted it to. They didn't see cheaper
14:37
tickets, they didn't feel like
14:39
things were more transparent. These
14:41
moves did not quell all of the critics.
14:44
And today Ticketmaster controls
14:46
an estimated eighty percent
14:50
of the little more than eighty percent of the
14:52
ticketing market in
14:54
North America. So
14:57
they're doing something right. But let's get
14:59
back to the critics. What are
15:01
these critics saying.
15:03
Well, they're saying that we need to take a quick break
15:05
to hear from our sponsor and then we'll find
15:07
out what Ticketmaster may or
15:09
may not have been getting into.
15:17
Here's where it gets crazy.
15:19
So it turns out that in addition
15:21
to be massively successful, Ticketmaster
15:24
has been accused of numerous abuses,
15:26
breaches of law, and shady
15:29
business practices. There's genuine
15:31
stuff they don't want you to know here. It's
15:34
probably not gonna stop, no
15:37
compellingnimpotus to stop it. And yes,
15:40
Ticketmaster has been sued for
15:42
conspiracy.
15:43
Oh snap, the big c All
15:46
right, let's take another time traveling trip
15:48
here to two thousand and nine.
15:52
Bruce Springsteen. Oh
15:54
everybody knows Old Bruce the boss.
15:57
Yeah, he is the boss. He's your boss and my boss.
15:59
He publicly calls out ticket Master in
16:01
two thousand and nine for a little
16:04
let's say misdirection, redirection if
16:06
you will, from a
16:08
website. So as
16:12
fans were going and trying to buy
16:14
tickets through Ticketmaster to the Springsteen
16:16
concert. They were getting sent
16:18
to this other place called ticket now
16:21
dot com, completely separate site.
16:23
It looks very different. There's no you
16:26
know, when you're on that site, you don't understand
16:28
what's happening. You feel like a pop up maybe has occurred,
16:30
or you've gotten redirected through
16:33
an ad maybe.
16:34
Or this is your last chance to get some
16:36
kind of ticket to see the Boss
16:38
live.
16:39
Well, yeah, there's a certain desperation
16:42
that's happening when you are being redirected
16:44
to this ticketnow dot com because
16:46
guess what, the tickets are marked up by
16:49
hundreds, sometimes thousands
16:51
of dollars at ticket now versus
16:53
Ticketmaster. So
16:55
then all these fan complaints are coming through because
16:58
of this weird steering to the place called
17:00
tickets Now. A
17:03
New Jersey congressman gets a
17:05
call and basically
17:07
this guy says, Hey, we need a federal anti
17:09
trust investigation into whatever the heck is
17:12
going on between Ticketmaster and
17:14
ticket now. What is this? Let's figure
17:16
this out.
17:17
Yeah, so here's what they find.
17:21
They find that ticket Now,
17:23
in addition to having a very similar name
17:26
to Ticketmaster, is owned by Ticketmaster,
17:29
and when Bruce
17:32
Springsteen's fans were going to
17:34
a website to buy tickets to his
17:36
show, they were automatically redirected
17:39
to ticket now, which, as he said, Matt
17:41
sells tickets for much higher than their face value,
17:45
and it prais on that desperation, right,
17:47
that's psychological fear that someone
17:49
else will get the thing I want. So,
17:52
you know, I may not necessarily
17:55
think this is a good financial decision, but
17:57
I will be gosh darned and
18:00
gollie ged if I allow somebody
18:02
else to get that ticket.
18:03
You know what I mean.
18:04
It's an artificial scarcity essentially.
18:07
Bruce Springsteen found out about it, and
18:10
he was righteously
18:13
indignant. He wrote a public
18:16
statement about this, because what you
18:18
found out was that this
18:21
sort of second chance or reselling site
18:24
ticket now was
18:26
something that Ticketmaster was sending the
18:28
audience to when there were still
18:30
regular tickets available. So
18:33
they could have gotten that you know, thirty
18:36
or forty whatever dollar ticket
18:38
to sit on the lawn in the back, yeah,
18:40
and have a great time. But instead they were going
18:43
directly to this place where it was you know, this
18:45
huge markup, and that
18:48
markup goes to Ticketmaster man.
18:51
So Ticketmaster
18:53
gets a fifteen percent cut from
18:56
tickets Now, which it owns.
19:00
That's in addition to the fees that already
19:02
gets as Ticketmaster,
19:05
so that that money has already spent and
19:07
baked into the price. So a
19:10
lawsuit comes about, and essentially what
19:13
they're doing is making
19:16
money off the same ticket two times.
19:20
Clever, you know, brilliant, very
19:23
clever, evil, lawful evil, and
19:26
so probably because
19:28
Egenstein himself took such a strong stance
19:31
against it, Ticketmaster issued an apology
19:34
to the fans and said, we will
19:36
refund you the price difference between the
19:38
face value of the tickets and those you
19:40
got from ticket Now, which is a lot of
19:42
you know, it's a lot of scratch. But that's
19:44
also that's also like being caught stealing,
19:48
you know, being caught stealing a car and
19:50
then saying, ah, I'm you know, I'm
19:53
gonna drive it back to your house. Yeah,
19:55
and then what like, I feel bad, you.
19:57
Know, some
20:01
gas money here just a little bit.
20:04
No, they didn't, they didn't, but
20:08
it's strange, right, And this is just one of the
20:10
allegations against ticket Master. We've
20:12
got that Pearl Jam example. But
20:15
let's talk about those fees, because
20:17
that's where a lot of this comes back in, right, Have
20:19
you ever bought a twenty dollars ticket only
20:22
to find that it becomes
20:24
more than forty dollars by the time you get
20:26
to the actual place your order?
20:28
No? Never, oh never,
20:31
This is never Tabernacle.
20:33
That's a that's a local venue here at Atlanta
20:36
Tabernacle. What kind of fees have you run.
20:38
Into literally twice as much? I mean
20:40
it, Yeah, I've seen I
20:42
have seen tickets double when
20:45
I buy them for just a local venue here
20:47
because of ticket Master's weird fees
20:50
to get me my ticket somehow that I can print out
20:52
already.
20:53
Yeah, there's like a two to five dollars fee
20:55
for getting a PDF. Essentially
20:57
you can.
20:57
Print somebody I'm paying some
21:00
salary who's just on a floor somewhere
21:03
making calls like I need three Pearl
21:05
Jam but like, no, no, I got four radio Head.
21:07
No.
21:08
It's like it has to be that to
21:10
justify twenty or thirty
21:12
dollars fees on
21:14
top of everything else. Otherwise I do not understand.
21:17
Yeah, you're absolutely right. There's a there's
21:20
a service charge, and that will be ticket
21:22
Masters charging you for
21:25
the privilege of it giving you a ticket.
21:27
Yeah, and then there's the facility charge,
21:30
which is a charge added by the venue.
21:32
So ticket Master takes its cut,
21:34
and then the Tabernacle, for example,
21:36
takes its cut. And then there are shipping,
21:39
convenience and processing charges.
21:41
So that's a charge
21:44
for you know, using your visa American
21:46
Express, that's a charge for having
21:48
the tickets delivered to you via post
21:51
wow or using
21:53
your own printer.
21:54
Yeah, but then who who
21:57
pays Cardi B? Then is what I'm trying to figure
21:59
out, Like who what's her cut? Everybody
22:01
else has taken their cut. Who's where's Cardib's
22:04
money?
22:04
Unless you're a huge name artist, which
22:06
I guess Cardi B is. Now, the
22:09
amount of money you get per
22:12
ticket can be surprisingly alarmingly
22:15
small because the label will
22:17
take some money, you know what I mean, your road crew
22:19
will take some money, and all this other
22:21
stuff. Craft services eat
22:23
that cheese because it's coming out of your
22:26
cut. Other profits. Right, But
22:29
all this adds up to an
22:31
unpleasant experience for people
22:34
when we're buying these tickets. The
22:36
problem is there's not really any transparency
22:39
with this. Fees between events
22:42
vary even at the same venue,
22:45
and preferences of the artist as
22:48
well. Some people will try
22:50
to buck like Radiohead or Pearl Jam.
22:53
And the
22:55
problem with it is that none
22:58
of this, none of this ultimately goes into
23:00
a situation where in ticket prices are
23:02
lower. None of this is
23:05
meant to nor will it.
23:07
Ever create It cannot.
23:09
Yes, yes, none of this is meant to
23:11
create a situation where artists get paid more
23:14
and the audience pays less.
23:15
No, absolutely not.
23:17
If anything, It's kind of like, you know,
23:19
nobody talks about this, but it's pretty
23:21
weird that you
23:24
you know, historically can't buy a car directly
23:26
from the people who make cars.
23:28
That is weird.
23:29
It's weird. It's a weird thing. It's
23:32
normalized. Yeah, and you
23:34
know, I'm not choosing sides on it,
23:37
but that that is something we think about.
23:39
You know, you can buy almost
23:42
you can buy so many other things directly from
23:45
the people who make them direct sales.
23:47
Vertical integration is scary though, and
23:49
it can be It can be highly it
23:52
can be highly problematic.
23:54
Yeah, and it can also be dangerous for
23:57
the bottom line. Right. So, the
24:00
allegation here is that Ticketmaster
24:02
is sort of a rent seeker
24:06
and it's now a middle
24:08
It's maybe it needed to
24:10
be in the process before
24:12
everybody had a brilliant computer on
24:15
their phone. But now maybe it doesn't
24:17
have to be right. Maybe that kind
24:19
of software is easier
24:21
to handle. We don't really know. We
24:24
just know that they are the largest game in town,
24:27
and we know that the
24:30
entire operation is
24:33
exceedingly opaque.
24:35
We're going to take a break for
24:37
a brief word from our sponsor, and then we'll
24:39
come back with an investigation
24:42
in Canada that makes
24:45
this even weirder.
24:52
All right, here's where it gets crazier. This
24:57
is hard for me to understand
25:00
that this is real. Okay, what we're going to
25:02
talk about from now, mostly
25:05
through the rest of this episode, we
25:07
got from a CBC News
25:10
investigation that was
25:12
carried out and specifically there's a journalist
25:14
named Dave Seglins who
25:17
actually physically went undercover
25:20
as a scalper at a
25:22
ticket industry convention out there in Las
25:24
Vegas. And you
25:27
can watch a video of this online right now. If you want
25:29
to take a break, you can you can
25:31
search us up CBC ticket
25:34
Master.
25:36
New Yes segment l
25:38
I N S.
25:39
That's good, you'll find it. Check it out.
25:42
It's pretty crazy.
25:44
Could we set some just some axiomatic
25:46
beginnings here.
25:47
Oh yeah, sure.
25:48
Okay, So so imagine your
25:50
ticketmaster. You make money selling
25:52
tickets. Okay, you want
25:54
people to buy tickets from you, definitely.
25:57
Sure doesn't
26:00
matter who that person is buying a ticket from you, as
26:03
long as somebody's buying a ticket from you, right.
26:05
Right, as long as the transaction occurs.
26:07
But you want to be on the side of
26:09
the people and the artists, and you probably
26:11
say hey, at
26:14
least in public, you say hey, I
26:17
think scalpers are the worst and
26:19
they take advantage of people.
26:21
Yeah, because we want you to have low prices
26:23
and see all the stuff you want to see. Don't
26:26
be mad at us.
26:27
Right, So it's established
26:29
then in the public mind,
26:32
the axiom is that ticket
26:34
distributors, or these
26:37
middle segments between the
26:39
artists and the event and the customer, that
26:42
they should not be
26:44
down with scalpers Like you
26:46
guys are making it weird. You're making it worse.
26:48
I don't want to be in a situation where,
26:50
for instance, there are oh,
26:53
what's a great what's a great event
26:56
that people would go to today, like
26:58
a band or a perform it's alien
27:01
con sure, alien con.
27:03
They're only yeah, it's a one night
27:05
only four hundred four hundred
27:07
seat event and it's called Alien
27:10
con who knows what it is. Maybe it's a mariachi
27:12
band, and they
27:14
Ticketmaster, one would assume, does
27:17
not care for a situation when
27:19
one person goes in and buys all
27:21
four hundred or whatever of those tickets
27:24
in one block and then turns
27:26
around and sells them for fifty
27:28
percent more on you know eBay.
27:32
Yeah. We basically Ticketmaster
27:34
is not down with opt right
27:38
other people's tickets. They don't. They're like, look, these
27:40
these are the people's tickets.
27:42
Right, right, right, So what that's
27:44
what we assumed, right, yeah, And it
27:46
turns say right, and it turns out that we
27:48
were very wrong, no, like
27:51
cartoonishly.
27:52
So they're they're quite all right with anyone
27:55
buying their share of the tickets
27:58
as long as those tickets get sold,
28:00
and especially if Ticketmaster
28:03
can sell the tickets twice.
28:06
What what are we talking
28:08
about? Okay, let's go back to Las Vegas at
28:10
that convention. So
28:13
ticket Master, he's recording
28:15
Ticketmaster at least some representatives from
28:17
Ticketmaster. Maybe that's the best way to say it. Sure
28:21
are these representatives are pitching scalpers
28:24
on their Ticketmaster's
28:26
trademarked professional reseller
28:28
program that they have established.
28:31
Okay, Now, according to the investigation that
28:33
you'll follow Dave Seglins through
28:36
with the CBC News investigation,
28:39
Ticketmaster was not
28:41
only just deciding that if
28:44
scalping is happening, we're just going to put blinders
28:46
on and pretend that it's not happening. They're
28:49
also literally recruiting
28:51
people, professional people who've been
28:54
scalping for a long time or maybe are very
28:56
good at scalping to cheat
28:59
the ticket master uster system itself,
29:02
to expand their Ticketmaster's
29:04
resale business and again
29:06
to take more money from the people that are
29:08
just trying to go out and see a concert
29:11
or an event or something. So,
29:13
just to recap, it's Ticketmaster teaching
29:16
scalpers to scalp Ticketmaster
29:19
for their own profit, for Ticketmaster's
29:22
profit.
29:23
Yes, yeah, so.
29:26
They have.
29:27
They've done more than turn a blind
29:30
eye. They've they've gotten
29:32
too a win win situation with scalpers
29:34
and Ticketmaster. Right, So
29:37
this is before the average concert goer.
29:39
This is this is the part
29:41
of the movie where the bad guys team up
29:44
and one sales rep
29:46
is on camera saying, I have brokers
29:49
that have literally a couple of hundred
29:51
accounts it's not something that we look at
29:54
or report because
29:56
they wanted these scalpers to feel
29:58
that they were that they were safe
30:01
in this Ticketmaster, for its part, denied
30:03
the accusations. And once again, you can always
30:05
go back to the idea that actions
30:09
by a few people in an organization do
30:11
not automatically mean the entire organization
30:13
condone it right tale as old as time.
30:16
That's what any intelligence agency will say
30:18
when it's undeniably caught
30:20
doing something terrible.
30:22
Yeah, I'll be like.
30:23
Well, that guy decided to topple that
30:25
country on his own, and we always
30:27
knew that, We always knew that Jeremy
30:30
was a little bit off.
30:31
Yeah, and this is all compartmentalized anyway.
30:33
Only a very few, small
30:36
number of people knew anything about that.
30:38
Yeah, Like, I'm weirded out hearing
30:40
about it today, Congresswoman. This was the first
30:43
first I've heard of it, and I've got to tell
30:45
you, frankly, I am outraged.
30:48
Well you know what I am too, And I hope you get to the bottom
30:50
of it. And congratulations on all your
30:52
work.
30:52
Thank you, thank you. I'll be speaking at
30:54
Georgetown this coming
30:57
Friday. It's one one
30:59
night only you can oh, yeah, you
31:01
can get tickets through a Ticketmaster
31:04
or if those are sold out, go ahead
31:06
to Yeah it is sold out, well,
31:09
go to ticket now, Okay, tickets
31:11
now, so
31:14
and scene. So Ticketmaster
31:18
developed a toolkit for
31:21
these scalpers. It is
31:23
a professional. They don't call them scalpers,
31:25
they call them resellers. A professional reseller
31:27
program that they launched.
31:30
Called used Tickets pre
31:32
Owned tickets.
31:34
Called it Certified pre Owned,
31:37
called Trade Desk. Trade Desk
31:39
is a quote web based inventory
31:42
management system for scalpers.
31:44
The company calls it the most powerful ticket
31:46
sales tool ever. So
31:49
here's what it allows you to do. You
31:51
can buy a block of tickets from
31:55
Ticketmaster through one
31:57
of its many faces, and
31:59
then you can upload those tickets
32:02
to this trade Desk thing,
32:05
and then you can just list them again for resale.
32:08
This means you can hike or drop prices
32:10
on tons and tons of tickets
32:13
based on what you think
32:15
fans are looking for. So
32:18
it turns it into almost a stock market kind
32:20
of thing. Neither Trade
32:22
Desk nor the professional reseller program
32:25
are mentioned anywhere on Ticketmaster's
32:27
website. You can go check we looked,
32:29
it's not there. It's also not listed on
32:32
any of its corporate reports. If
32:34
you want to find the Trade Desk website,
32:37
you first have to send in a registration
32:39
request.
32:40
So let's go ahead and take a look at what happens.
32:42
If you do get through that registration process,
32:45
you do have one of these things
32:48
like an account there,
32:50
and you are reselling things. Let's
32:52
see what Ticketmaster actually gets out of this
32:54
whole process. So, just
32:57
as an example, let's say Ticketmaster
33:00
is gonna sell a ticket for a little
33:02
over two hundred dollars. Two hundred nine dollars
33:04
and fifty cents. Okay, that's
33:07
just the price of the ticket. Ticket Master itself
33:10
is gonna collect twenty five dollars
33:12
and seventy five cents just on that
33:14
initial sale. Now when
33:16
the owner, now if because we're saying
33:18
this is through Trade Desk, the
33:21
owner who's just purchased it through Trade Desk,
33:23
then puts it back up for resale for
33:25
roughly twice as much as it's the
33:28
original cost, let's say four hundred dollars
33:30
the company. Then ticket Master stands
33:33
to collect an additional seventy six dollars
33:35
on that same ticket. So
33:38
so again you're looking at over one hundred
33:40
dollars that you're gonna make out
33:44
of six hundred dollars in total
33:46
of sales.
33:47
And at this point that's legal too. Yeah,
33:50
it's not against the law.
33:51
Yeah. And it's just a way to make sure that tickets
33:53
get sold at least if you're looking
33:56
at from the company's perspective trade
33:58
desk, basically that
34:01
every ticket is going to get sold in
34:03
some way from that initial sale.
34:05
The idea being that, you
34:08
know, if you want that, the idea
34:10
being that the lever moves us
34:12
and down so you could lower prices.
34:14
Maybe day of ticket sales aren't where you want
34:16
them to be. So someone says, all right, now this is
34:19
no longer two hundred dollars. It's one hundred and fifty dollars.
34:21
Let's see what happens, right, Yeah, And there
34:24
are strategies that kind
34:26
of line up with that. At the like towards
34:29
the end of a concert or something, or towards the
34:31
end of a big game, people there
34:33
will still be scalpers outside
34:35
of a well, okay, there will be
34:38
resellers outside of a venue
34:40
selling tickets for you know,
34:43
pennies on the dollar if this show
34:45
is almost over or something to get people in just
34:47
to finally make a tiny bit of money on
34:49
that thing and that that exists throughout
34:52
these markets.
34:53
Yeah. Absolutely, we
34:56
do want to say that while
35:00
while we did mention that ticket Master denied
35:03
the allegations brought by
35:06
this investigative report, maybe
35:08
it'll be helpful for us to give the actual
35:10
language that they used in denying
35:12
this allegation. What do you think?
35:14
Absolutely?
35:15
All right, So, after
35:17
the story was published there in CBC News,
35:20
Ticketmaster issued a statement that
35:23
went out to CBC's News, but then also
35:25
went out to other places that are reported on the stories,
35:27
such as The Rolling Stone, saying
35:29
it was quote categorically untrue
35:31
the Ticketmaster has any program in place
35:33
to enable resellers to acquire large
35:36
volumes of tickets. It also said
35:38
it had already begun an internal review
35:40
of professional reseller accounts and employee
35:42
practices before the CBC News
35:44
story came out. So they said,
35:46
look, we've already
35:49
been investigating this internally
35:51
and we would never try
35:54
to game the system in
35:56
the way that you're describing. Again,
35:59
a represent from Ticketmaster is
36:01
on camera completely
36:04
completely doing what they say, what
36:06
they're denying.
36:07
Yeah, the biggest, the biggest thing that
36:09
Ticketmaster had a problem with was that that
36:12
representative acknowledged
36:14
of acknowledged the
36:16
knowledge that one
36:19
person essentially would have two hundred
36:21
accounts, right, or if one entity
36:23
or one group would have two hundred trade desk accounts.
36:26
That's that's where the big problem comes in.
36:30
Yeah, so it is
36:32
a situation where the money
36:34
got too good. Is a situation
36:37
where where finally maybe
36:39
as the public or the uninitiated scene
36:42
into a previously murky.
36:44
World, that's very
36:46
possible. I would go ahead
36:48
and just say it makes me think
36:51
of something we discussed at the very
36:53
beginning of a
36:55
competitive marketplace, essentially and
36:57
having to always evolve,
37:00
like consistently evolving to make sure
37:03
that you are making more profit so that you
37:05
can increase your margins year every year,
37:07
or you know, you increase your percentage
37:11
overall of gross income year every
37:13
year, like having to find new creative
37:15
ways as a giant company like
37:17
Ticketmaster and it's you know, parent companies
37:20
and all that. These kinds of reselling,
37:22
it's another way to increase
37:24
those margins that isn't
37:27
necessarily illegal if you
37:29
take out the some of the
37:31
things from this, you know, some of the
37:33
things were illegal, but not many. Right,
37:37
The reselling market, as terrible
37:40
as it sounds, and as bad as it
37:42
is for consumers such as us,
37:45
it's just another one of those ways to grab more
37:47
money.
37:48
Allegedly illegal, well,
37:51
definitely illegal, but that the allegedly
37:53
did.
37:54
Yes, yes, apologies because.
37:55
It hasn't been an I don't think it's
37:58
necessary. This is just we're just being
38:00
as fair as we can. Yes, yes, so
38:04
as you can tell by the use of the phrase allegedly
38:07
and the fact that we're being fairly
38:09
careful about how we discussed this. Ticketmaster
38:12
has been in and out of court. In twenty
38:15
eighteen, they suffered a data
38:17
breach, and in twenty nineteen a British
38:19
law firm launched legal action against
38:21
them for affecting up to forty thousand
38:24
UK customers. And also in
38:26
twenty eighteen, the US Department of Justice
38:29
launched an investigation following complaints
38:31
that Live Nation, an
38:33
event promoter, had engaged in anti
38:35
competitive practices following their merger
38:38
with Ticketmaster. There's an
38:40
organization called Enschutz Entertainment
38:43
Group, and they said Live Nation pressured
38:45
them into using Ticketmaster as a vendor, and
38:47
had they refused, they would have lost out on business.
38:50
The allegations of anti trust violations
38:52
resulted in a re examination of
38:54
the merger between Ticketmaster
38:57
and Live Nation. However,
39:00
this case is probably
39:02
going into well many of these
39:04
cases are going into arbitration, private
39:07
settlements. No need
39:09
to have a shameful day
39:12
in court. And at this point
39:16
Ticketmaster is very little in
39:18
the way of real competition. There
39:21
are other things in the market, sure,
39:23
but they're gnats
39:25
to Ticketmaster's beheamoth right.
39:28
And the question then
39:31
is, I mean, clearly there's
39:33
some stuff they don't want you to know that's
39:35
inarguable it's not necessarily criminal.
39:38
Like for instance, okay, think of airline tickets
39:41
depending on which way you go
39:43
through an airline, or think of privatized
39:45
insurance. People don't want you to
39:47
know the lowest price you can get. They
39:49
want you to get confused and bored and desperate
39:51
enough to just take the easiest thing. That's
39:56
a that
39:58
is a very clear, an unfortunately
40:00
disturbing explanation of how all three of
40:02
those industries.
40:03
Work, and really most
40:06
industries, everyone's
40:09
just trying to get you to take the easiest option
40:11
for you, and it depends
40:13
on where you are in life times ticket but
40:16
here's the easiest one for your social
40:18
strata.
40:18
Yeah, right, You're not looking for
40:21
mister right price. You're looking for mister right now,
40:23
price right.
40:25
Start applying that to social interactions,
40:28
and now it's just, oh, we've gone down
40:30
a rabbit hole.
40:31
I should have I should have quit while we were ahead
40:33
with the with the insurance airplane
40:36
ticket thing. But yeah, it's it's
40:38
true, and there's probably not going to be any
40:42
anything that really stops
40:44
this practice. There will be things that mitigate
40:46
it. The problem is that the established
40:49
system has
40:52
caught up to technological breakthroughs
40:55
only in the ways that
40:57
can improve its profit while
41:00
maintaining its position. The
41:03
technology that we have now to organize,
41:05
distribute, and track these sorts of things is
41:08
amazing. If you were from the nineteen
41:11
seventies and you've looked at it, you would think was mind blowing,
41:13
you know what I mean, unless you already worked
41:15
for DARPA or something, you would
41:17
be like, how did that get out here? But
41:22
the problem is that even though we're we
41:24
have the potential to democratize
41:27
the access to these tickets
41:29
in a way that would benefit the
41:31
creators and benefit the customers,
41:35
we're not seeing that. When
41:37
will that happen? When will there be some sort
41:39
of market disruption?
41:40
No?
41:41
No, and at this point,
41:44
has ticket Master done anything
41:46
thoroughly illegal. No,
41:49
they haven't been convicted. None of the CEOs
41:51
have ever gone to jail. The creators
41:54
certainly never got in trouble.
41:56
Yeah, in two thousand and nine, that whole conspiracy
41:58
suit was out there, didn't
42:01
really go anywhere.
42:02
Right, right. So the question
42:05
then goes to us, fellow conspiracy realists,
42:09
is this just how this business should
42:11
be run? And what
42:13
what are other businesses that you have
42:15
seen that your that
42:17
your fellow listeners may not be aware
42:20
of, Like we've we've seen some We've
42:22
seen some strange things going on in
42:25
the funeral service industry.
42:27
We've seen some strange things going on of
42:31
course here in the event and ticketing
42:33
industry. But where else, I
42:36
wonder where else is everything just crazy,
42:39
crooked appearing to be crooked. I have to say
42:41
so that we don't get superbl to
42:43
that.
42:44
End, to that end, I want to I want
42:46
to pick your brain, Ben about the
42:50
mechanic big mechanic industry
42:53
with some of these bigger companies out
42:55
there that that offer
42:57
repairs to vehicles and automobiles.
43:00
Sou mean like not just
43:02
straight up garages, but box
43:04
automotive stores that are also
43:07
garages or service centers.
43:08
Okay, yeah, the big ones that are nationwide.
43:11
I'd like to talk about some of those. See if there are
43:13
any conspiracies out there. So
43:15
maybe maybe if you're listening and you know, have you heard
43:17
of anything, let us know what you've heard.
43:21
I will that's that's great, I will say on that.
43:23
On that note, there is one thing
43:25
that sounds a bit curmudgelingally for
43:28
me to say, but I think it's a good point. It's one thing
43:30
that bugs me about modern car repairs.
43:33
Over the past few years, cars have increasingly
43:35
become something that the person who owns
43:37
it cannot work on. Have you noticed that?
43:40
Yeah, there are more and more black
43:42
boxes proliferating under the hood.
43:45
Sure, absolutely, and just lack
43:47
of experience, lack of knowledge.
43:50
I just feel like, call me old fashioned, but I feel
43:52
like if you if you buy a car, it
43:54
should be something that you own that
43:57
it shouldn't have to be a service, you know what I mean.
43:59
We're moving increasingly into a service economy.
44:02
It is going to scare your children
44:04
listening now, when when
44:07
you say, yeah, people used to like buy things
44:09
and then have them, I'm
44:11
like, what for how much a month? Yeah,
44:14
like no, no, like you would just you
44:16
would just buy one sandwich and you would eat
44:18
it.
44:19
Yeah. Well it goes back to that superpower
44:21
thing of money and time and I
44:24
don't have time to work on this vehicle. I'll give
44:26
it to you and you fix it. Here's some of
44:28
my superpower.
44:30
Or signing an agreement for instance,
44:32
it says you are not allowed
44:34
to have anybody else work kind of thing,
44:37
right, like Apple has done this
44:39
very well. Yeah, anyhow, story
44:41
for another day. Thank you so much for you, and
44:44
we want to hear also your most egregious
44:46
concert ticket or event ticket fee
44:48
story. Did you really go into
44:51
some website thinking you were gonna pay
44:53
eighteen bucks and then come out like thirty
44:57
bucks later, bewildered and confused?
44:59
Yeah, did you try get into a Foo fighter's concert
45:01
and then you realized, wait, it's four hundred
45:03
dollars and then you just said.
45:05
Bye, oh man,
45:07
Yeah, tell us your stories. Uh, And that's
45:11
our classic episode for this evening.
45:13
We can't wait to hear your thoughts. We try to be easy
45:15
to find online. Find this at the handle Conspiracy
45:17
Stuff, where we exist on Facebook X
45:19
and YouTube, on Instagram and TikTok.
45:21
We're conspiracy stuff show.
45:23
Call our number. It's one eight three
45:25
three std WYTK,
45:28
leave a voicemail.
45:29
And if you have more to say, we can't wait
45:31
to hear from you at our good old fashioned email
45:33
address where we are conspiracy
45:35
at iHeartRadio dot com.
45:37
Stuff they Don't Want you to Know is a production
45:40
of iHeartRadio. For more podcasts
45:42
from iHeartRadio, visit the iHeartRadio
45:44
app, Apple Podcasts, or wherever you
45:46
listen to your favorite shows.
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