Episode Transcript
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0:13
Hello and welcome to the Chris Moyles
0:15
Show on Radio X podcast with me
0:17
Toby Tarrant instead of Chris Moyles. You
0:19
probably know how this works by now.
0:22
I've covered him a few times. I actually don't know
0:24
how many weeks but it feels like a lot. I
0:27
mean months if you put them all together. Yes.
0:29
A lot. So well that
0:31
was six weeks when he was in the jungle
0:33
for a start. Absolutely right. It's about eight or
0:35
nine weeks a year I think. I don't know
0:37
how basically I've probably covered him for about a
0:39
year in total. Anyway it's very nice to be
0:41
here. Thank you very much for listening. Now
0:44
it's a busy podcast and
0:46
also the shows were so busy this week that I
0:48
didn't even get round to my story about a shoplifter
0:50
who's not allowed to wear wigs anymore. Oh yeah you
0:52
talked about this on Friday didn't you? Any
0:55
guesses why the shoplifter can't wear wigs anymore? Whoo!
0:58
Um... He's not allowed to. Hiding
1:01
stuff in a wig. No but
1:03
you're on the right path. So you'd stick it
1:05
yeah. You know just like put like a pack
1:07
of jammie dodgers underneath your toupee. Exactly what I'm
1:09
thinking. No it's not that. Is it hiding your
1:11
face? Is it a bit of a skewers vision?
1:13
Yeah. It's softer. Yeah.
1:16
Basically she has a she's a
1:18
notorious shoplifter. Right. She
1:20
can't help herself right and she's
1:22
in Gloucester and she's
1:24
been banned from wearing wigs after
1:27
attempting to disguise herself whilst committing
1:29
thefts on numerous occasions. So
1:32
she was told by the criminal behavior order
1:34
she was issued a criminal behavior order at
1:36
the Cheltenor Magistrates Court early this month and
1:39
she's no longer allowed to
1:41
wear wigs around the city.
1:44
Really? Could I ask a question? Yes you
1:46
may. Why is she being banned from wearing
1:48
wigs and not banned from shoplifting? That's
1:52
a very good point. I think the shoplifting is
1:54
a given. And
1:56
the wigs just they've added they've gone right
1:59
we've tried everything. you know, this
2:02
prison isn't working, giving
2:04
you one of these orders isn't working, we're gonna have
2:06
to hit you where it hurts, we're taking your wig
2:08
collection, right? Now, one
2:10
of the very lovely things that
2:13
I liked about this is that
2:15
unfortunately, despite the fact that she's
2:18
been caught several times, it's
2:21
actually not her wig that's her
2:23
problem. Right. Although she tried
2:25
to get around the band by wearing a variety
2:27
of wigs, her distinctive neck tattoo meant she was
2:29
recognizable to shop staff in the city. That's
2:32
lovely. Honestly, she's got her whole neck is
2:34
covered in a tattoo. Just as I love
2:37
wigs. She
2:39
doesn't need a wig, she needs a turtleneck. That's
2:42
what she needs. Now, I was trying to
2:45
think of things, there's still ways to disguise
2:47
yourself, okay? Doesn't say anything
2:49
about shaving your head. No. Or
2:51
trying new hairstyles. No, that's true. She could dye her
2:53
hair. I mean, I shouldn't be giving a shoplifter advice.
2:56
I'm just saying, she seems pretty eager
2:59
to shoplift. And I would suggest
3:01
that she could dye her hair, shave her head. Now
3:04
hats. Oh yeah. Because
3:07
I was thinking, day one, again,
3:09
don't do this. Day one, you
3:11
go in there, you get some toilet rolls,
3:13
some spaghetti hoops, and you're wearing a fedora.
3:16
That's it. Right? Day two,
3:18
you go in, you get some custard cream,
3:20
some milk. Wearing one of those hats
3:22
that made out of fruit. That's good, yes. Do you
3:24
know what I mean? Yeah, yeah, yeah. Because
3:26
there's loads of hats. And surely,
3:29
there are loads. A never
3:31
true word's been spoken to. There are loads of
3:34
hats. There are loads of hats. So many hats.
3:36
There's so many hats. And I think that's so,
3:38
I'm not saying she should do this. No. But
3:41
if she was going to continue shoplifting, I'd
3:43
go, play around with your hair
3:45
first, then I'd explore the hat. That's it. Trill
3:49
bees. Yeah, trill bees, of
3:51
course. Stetsons. Stetsons. What's
3:54
a Stetson? Is that what cowboy hats? I think it's a
3:56
cowboy hat, yeah. I guess there is one problem here. Well,
4:00
the good news is, you know, well done. You've
4:02
stolen about 2000 pounds worth of goods this week.
4:04
The bad news is you spent 3000 pounds on
4:06
hats. And
4:09
it's only Cheltenham. Yes,
4:12
and she could also just go to another city.
4:14
She could go to Gloucester. And wear wigs till
4:16
her heart continues. Yeah, exactly. But anyway, don't do
4:18
that. No. Shoplifting is bad,
4:20
actually. Shoplifting is bad. You've always said
4:22
that. Absolutely. Now, we're
4:25
all amongst friends here. Go on. Have
4:28
you ever... I'm going
4:30
to say this, and
4:32
I'm going to say it with a heavy heart. On
4:34
Friday's show, so it's Friday today. You went shoplifting
4:36
on Friday, recently. No, no, no. We
4:39
were talking about shoot league ladders. Do
4:42
you remember that? On the show? Yeah,
4:44
the football magazine shoot. Football magazine and stuff. I
4:48
stole one from a news agent when
4:50
I was about nine. Oh, Dom. And
4:52
felt so guilty. I went back two days later
4:54
and put it back in a different magazine. Oh,
4:57
you stole just the league ladders? Just the league
4:59
ladders. Because I... yeah. I don't want the magazine.
5:02
Just the league ladders. Stole it two days later,
5:04
put it back in the magazine. You are scum.
5:08
Scum reformed. I
5:11
don't know why I held my fingers up when I said that. Scum
5:14
reformed, though. You are. You're not
5:17
one of those people that goes to prison for
5:19
a heinous crime, discovers God, comes out a whole
5:21
new man. I rehabilitated myself. Really? Essentially.
5:23
In two days, that's pretty good going. It's not bad.
5:26
Good lesson learned by a nine-year-old. Thank you. That
5:28
is good, actually. Did you tell your parents what
5:30
was going on? I think I did eventually tell
5:33
my mum afterwards. Really? And
5:35
she hit me. Not
5:38
a happy home life. Not really. I
5:40
mean, you did grow up a long time ago. Yeah, exactly. When
5:43
that sort of thing was... Yeah. A little... Part
5:46
of the course. Also, we're saying she didn't hit
5:48
me. No, we knew that. Okay. It's
5:50
worth saying. Definitely. Thank you, Harry. Good producing
5:52
there, Harry. Harry, have you ever treated yourself
5:54
to the old five-finger discount? I've been hit
5:56
by my mum. Well... I'm
5:58
sorry. Well,
6:02
oh now, in turn, pass in turn Becky on my
6:04
phone because she's nodding to the point where her neck's
6:06
gonna fall off. I had
6:08
a really similar experience to Dom. Did
6:10
you? Yeah but I didn't reform, I
6:13
actually got caught. Oh you got caught
6:15
shoplifting. When I was about 11 as well.
6:18
Oh you should know better by then. Dom learned by the age
6:20
of 9. This is the thing, my dad used
6:22
to be a paper boy at the shop. He
6:25
was a news agent. I was fighting
6:27
a discount in Mars
6:30
bars. You know the little go-go
6:32
toys you would collect and trade
6:34
at school. Oh wow, I think
6:36
we're getting an age gap here. Yeah so
6:38
that's like match attacks now type thing is
6:40
it? What's a go-go? Pogs? Somewhere in between
6:43
now and then. For the sake
6:45
of our listeners, could you just call them pogs
6:47
please? Pogs. Perfect. I was stealing pogs. Perfect, thank
6:49
you. Oh I can relate to this now. I'm
6:53
the news agent's new mad dad so they just
6:55
called my dad. Oh
6:58
no. Oh that was far too close. You're putting on your
7:00
own door step. You're putting on your dad's door step. You
7:02
shouldn't do that. No you shouldn't. Captain, I
7:05
reckon you stole it. I'm a bit
7:07
scared of authority. I
7:10
wouldn't dance near the devil like that. Really?
7:12
No, I'm a bit nervous by it. What
7:15
are we losing? Stolen nothing. Other
7:17
than a career. And
7:20
my mum's heart. Have you
7:22
stolen anything? You know
7:25
not dissimilar actually from Becky's story. The
7:27
news agent's with my sister did a
7:29
paper round run by a lovely old
7:31
couple. Oh that makes it worse, Tobes,
7:33
instantly. Not with us anymore. Well the
7:35
shot killed them. No they
7:38
caught me and I battered them. No. They
7:40
would have been about 110 by now. They
7:42
had a good run. You
7:45
didn't kill them. It's worth saying probably that
7:47
Dobbsbud didn't hit him and I could have
7:50
murdered the old owners of the news agents
7:52
on Esha High Street. Clarity is good. I
7:55
did used to go to the old pick
7:57
a mix so my mum would park
7:59
up outside. if I'd been well behaved, which was every
8:02
day. And I'd
8:04
go in there and she'd give me like, a
8:06
quid to fill up my pick and mix break.
8:08
And a quid, you didn't get much for
8:10
a quid. It's weight-based,
8:13
isn't it? You gotta be very careful with your heavy sweets.
8:15
So what I'd do is, and the pick and mix was
8:17
just out of sight of
8:19
them, or so I thought. So
8:21
I would open up the thing, I'm putting in, I
8:23
love a gummy bear, a couple of gummy bears, a
8:26
couple of blue dolphins, some fizzy cola bottles, I'm having
8:28
a good time. But I'm like, oh,
8:30
I'm probably at my power limit already. So I've
8:32
reached in and I grabbed a few gummy bears,
8:34
just chucked them in my mouth there and then
8:36
just ate them out of sight. Did you? Thing
8:39
is though, I didn't realize they've got one of them
8:41
bloody curved mirrors, haven't they? Oh, the curved
8:43
mirror. And I've heard them whispering, because they used to go in
8:45
every day and they really liked me as well. And I've heard
8:48
the wife go, I
8:50
think he's just eating some pick and mix.
8:52
Oh no. And I'm like, now I'm frozen
8:54
behind the pick and mix. Exactly. What
8:56
do you do? Chondry. Just stayed there for a bit.
8:58
Was like, this situation's not gonna get any better. So
9:01
I was bold as brass, just walked up, put my
9:03
pounds worth of pick and mix down and sugar all
9:05
around my mouth. Slap
9:08
them in the face and walked out. Yeah. Because
9:11
he was wired. Yeah, I was off my nut.
9:14
Thump to horse. Yeah, and then that was that. And I
9:17
was, just every day from then on when I went in,
9:19
I just felt they fought less of me. Yeah, well they
9:21
probably did. There's a lesson in there. Well, they would have
9:23
done, because I was a thief. And I murdered them. Yeah.
9:26
No, it was, so there was
9:28
a lesson in there. I felt really bad afterwards. I
9:31
think I got caught. Otherwise I would have been just
9:33
a bloke eating free gummy bears. Absolutely, yeah. But there's
9:35
a lesson in there somewhere. Anyway,
9:37
I went in the next day wearing a wig. And
9:39
we have got what we were doing. Oh,
9:43
that's where it came from. Well brought
9:45
back, Tres. Thank you very much. Thank
9:47
you. Right, so on the podcast, we
9:49
have got loads of guests. We've got
9:51
loads of guests. We have gone, I'm
9:53
gonna try and remember them all. Sandy Toxvig,
9:55
The Maccabees, Simon Rimmer, and Billy Crystal.
9:58
Yeah, what a list though. on
10:00
this podcast, god knows what else.
10:03
It will be as much of a shock to you as
10:05
it is to me. Thank you very much if you listen
10:07
this week. Thank you very much. Enjoy the podcast. Chris Myles
10:09
is back on Monday, but if you're listening to this in
10:12
the future, then who knows where
10:14
Chris is. Chris
10:17
Myles, radio man, strange in
10:19
your heart. So
10:29
earlier in the week, we were discussing this story
10:31
that about £300,000 worth of cheese had
10:36
been stolen. Well,
10:38
a 63 year old man has
10:40
now been arrested in
10:42
London and has been
10:44
taken into police custody. Now, would you
10:46
like to hear some of the jokes that
10:49
social media cracked as
10:51
a result? Of course of this? Yeah, I know
10:53
you would. Now, I was trying to
10:55
find some music. I've tried to
10:57
think of some music to play based on cheese.
10:59
I typed in cheese into our system here. And
11:02
Ed Gamble and Matthew Crosby have apparently got
11:04
a piece of production called 90s cheese. Shall
11:07
we all together find out how that goes? Okay.
11:20
Oh, yeah, I think this works perfectly. That
11:22
is what it says. Here's some
11:24
of the puns that were on social media. The
11:27
suspected cheese thief will now be subjected
11:29
to a thorough grilling by
11:32
greater Manchester police. Excellent.
11:36
Looks like another successful investigation by
11:38
Scotland Yarg. That's
11:42
more niche, isn't it? A little bit. When
11:45
Johnny Vaughn and I did pointless celebrities, and
11:47
we chose cheese as our specialist subject in
11:49
the final round. Oh, I bet the tilly
11:52
fared very well there. We went to niche.
11:55
I went Cornish Yarg was one of
11:57
my cheeses. In the end, Cottage and
11:59
Edam were pointless. Oh, e-damn. E-damn. That's
12:02
entry level cheese. Me and Johnny were naming
12:04
cheeses from all over the place. E-damn.
12:07
E-damn's level one. That is your gateway
12:09
cheese, isn't it? It is, yeah. It's
12:11
the cannabis of the cheese world. That's
12:13
right. He should have plotted his heist
12:15
more carefully. Carefully is very
12:18
good. And
12:20
finally, E-damn well ought to
12:22
be locked up. See,
12:25
it's in people's minds early on. Exactly,
12:28
e-damn. I was just discussing
12:30
the time that Johnny Vaughan and I were on Pointless
12:32
Celebrities. And the final
12:34
category we chose was cheese. And
12:37
I think that it was we
12:39
had to name a pointless cheese that
12:42
was voted in something like the top 50
12:46
British cheeses or something like that. OK.
12:50
Anyway, I went Cornish Yarg before. Hello. That's
12:52
a pretty niche. And that wasn't wrong answer.
12:54
That wasn't a top 50. But
12:56
Cottage and E-damn were pointless. How
12:59
is Cottage cheese pointless, actually? I
13:01
don't know. Johnny and I were trying to
13:03
be too clever. We ended up not
13:05
we got we won the trophy. We didn't
13:07
get the jackpot. This is the Chris Moyles
13:09
Show podcast. So
13:12
I was on my Hollybobs last week and
13:16
I'm trying to relax. I'm trying to unwind.
13:18
And I was trying to not really look at my phone.
13:20
But on about Wednesday, I opened
13:23
Twitter. Oh. And lots
13:26
of messages. Yeah. Lots
13:28
of messages. Something about Captain
13:31
Crapbeard being my new
13:33
dad. Yeah. I mean, honestly, it took
13:35
us by surprise last week. There was
13:37
a huge revelation because I haven't seen
13:39
you since you went away. So here's
13:42
from my point of view what happened. OK. I
13:46
did the unicorn pedalo challenge. We finished on the Friday.
13:48
We went to the pub. Yes. My
13:51
mom had a few vloggers. Oh, yes, she did. And
13:54
she said to Captain Crapbeard. No,
13:57
you said to my mom, oh, I've got holiday next week. I'd
13:59
like to. to go away for a few days. I've always wanted
14:01
to go to Norway. And my mum,
14:04
specifically Oslo, specifically, also my mum said,
14:06
you should stay in my flat. Yes. And
14:09
she actually hit me across the shoulder
14:12
backhanded me. She went, you
14:14
go to Oslo. Yeah, you must stay in
14:16
the family flat. Yes. I was shouting. And
14:19
so sure enough, we organized. Captain
14:23
went to my mum's flat. He
14:25
went to the mini mart across the road, where
14:28
Sultan works. And he had
14:32
the keys waiting. And you went you got the keys
14:34
and you stayed in my mum's flat. By the way,
14:36
how was Oslo? It is lovely. Isn't
14:38
it such a great place? Thank you to you and
14:40
the family as well. You're very, very welcome. I do
14:42
worry for security reasons. You've just told us the name
14:44
of the man who's holding the keys to your mum's
14:46
flat. He's
14:49
obviously not called that, is he? No.
14:51
He's called Steve. Yeah. Yeah. And it's
14:53
not over the road. Now it's in
14:55
Helsinki. Yeah,
14:58
this. Sorry, mom. I mean, I like
15:00
to think that he doesn't just give us a key. Like
15:03
we did give him a heads
15:05
up. Exactly. Yeah. I like to think he
15:07
doesn't just not willy nilly. Yeah. Otherwise, my
15:09
verify who I was, otherwise, mom has to
15:11
really start trusting someone else with the kiosk
15:13
for passports and stuff. Yeah. Otherwise, otherwise, he's
15:16
just a man handing out keys to a flat.
15:19
Maybe there needs to be a new plan. Anyway,
15:21
so you enjoyed yourself. I did. Yeah, I've actually
15:23
got something that's really gonna add some fire to
15:25
the fuel fuel. It doesn't
15:27
matter. I have a gift.
15:29
Oh, oh, oh, oh, this
15:32
is for your mother. Oh,
15:34
thank you gift. Oh, it's your pair
15:36
of leather trousers you left in her
15:38
bathroom. Yeah, that's lovely. Oh
15:41
my god, this is our idea of
15:43
heaven. Yeah. So it's vodka. Oh, yeah.
15:45
And yettast. Oh, what's
15:48
that yettast? What was
15:50
yettast brown goat cheese, the brown
15:52
goat cheese? Honestly, this stuff is
15:54
delicious. Is it? Oh my word.
15:56
I like goat cheese. I mean,
15:58
you can either keep the
16:00
cheese for yourself, Toves? It's gonna be painful
16:03
giving her this because I
16:05
want the yetest for myself. What? Just don't tell her.
16:07
Yeah, I just want you could just go vodka because
16:09
on the note, I've only made a comment about the
16:11
vodka. Oh, here we go. To Ingrid, thanks for letting
16:14
me use the Oslo flat. Sleeping in your bed. Sorry,
16:16
if the vodka is crap, Chris. And
16:19
then a kiss. Oh, hello. Yeah,
16:21
wow. Because I'm a classy guy. That's gonna add
16:24
a little fuel to the flame, I think, on
16:26
the joke, but I still had to, you know,
16:28
so then it was James Haskell, who's got the
16:30
ball rolling. Is that correct? It's the only thing
16:32
we talked about last week, pretty much. And
16:35
we feared for your reaction, obviously,
16:38
because you were busy playing water polo. You
16:40
were familiar with what was for my mum's
16:42
70th birthday. I hasten to add. I
16:45
couldn't make it. Capitalist slept in your mum's.
16:47
I'll tell you what, though, I'm glad I'm glad it was
16:49
that birthday, not last year. Morning,
16:54
Jay Comfort. Otherwise,
16:56
the jokes write themselves. Sorry,
16:59
so yeah, too easy. You feared for my
17:01
reaction. Well, yes, because, you know, captain
17:03
here, essentially. Yeah, slept in
17:05
my mum's bed. Is your stepdad. Yeah,
17:08
it's my new stepdad. If
17:11
I behave for the rest of the show,
17:13
can we get ice cream afterwards? Only
17:16
if you are good. Okay. Now
17:20
we are joined by the wonderful Mr.
17:22
Simon Rimmer is with us this morning.
17:25
Good morning, Simon. Good morning. What a
17:27
lovely intro. I've got to say, I'm
17:30
looking and learning that link then was
17:32
fantastic. Wasn't it good, Simon? Wasn't it?
17:34
Really, really. Thank
17:36
you. Thank you, Simon. Have
17:40
you ever done radio in the past, Simon? I feel like you must
17:42
have done at some point. Yeah, but you
17:44
know what? I love radio. I was saying to
17:46
you just before we came on, I always think
17:48
that Sunday Brunch, in many respects, has more in
17:50
common with a radio show than a TV show
17:52
a lot of the time, you know, because it's
17:54
quite laid back. It's a little bit
17:56
off the cuff. We forget sometimes that people
17:58
can see us. Yeah.
18:02
Well, that shows sometimes in the clothes that Tim
18:04
after he wears. He's
18:06
not here to defend himself. I like
18:08
his new big glasses, by the way,
18:10
do you? Yeah, you and his glasses
18:12
are huge, aren't they? He came in
18:14
about a month ago and was wearing
18:16
them. They look excellent. Yeah. They
18:18
suit him a lot. You've got some hefty glasses
18:21
on yourself, Simon, as well. Yeah, well, you know,
18:23
this is the thing I was saying to Tim,
18:25
because we both sort of started losing our ability
18:27
to see about the same time. I'm just a
18:30
little few steps behind him, but we've got the
18:32
same glasses. So basically, so Tim started off when
18:34
we worked together with her. He's now got no
18:36
hair and neither have I. Now
18:39
he's got the same glasses as me. So the cool part when I
18:41
need to wear a glass on her too, we're just going to look
18:43
like the two Ronnies. Is
18:48
that the stress of working with you, that Tim, because
18:50
he turned up with a lovely head of hair? Yeah,
18:53
and lovely hair. Yeah. Yeah. If
18:56
you want a really good, fun thing
18:58
to look at, and Tim loves it,
19:00
there's great pieces online when you said
19:03
dreadlocks, when he was really young. Really?
19:06
He was a good looking boy. He looks like he should have been
19:08
in Milli Vanilli. Right, yes. Wow. I'm
19:11
going to go and Google that immediately. Yeah, I'm sure
19:13
Tim will appreciate you bringing that to the wider public.
19:17
But you're here because you are Movember-ing. I
19:19
can see you've got the Movember t-shirt on.
19:23
If you don't know what it actually raises
19:25
awareness for, it raises awareness and funds for
19:27
men's mental health, including suicide prevention, also prostate
19:30
and testicular cancer, which 45% of the
19:32
UK have been affected by. So it's
19:34
a really wonderful message that it
19:36
gets across and really great awareness that it raises,
19:39
but also loads of people walk around stupid
19:41
with a mustache for a month. So everyone's
19:43
a winner, really. So Simon, talk
19:45
to me. So how did this first come about? So
19:48
I've sort of done the kind of sash growing thing
19:50
myself, and then this year they asked me if I'd
19:52
be up for being one of the ambassadors for this
19:54
year. Like you
19:56
eloquently said, the start, what it
19:59
covers, this... mental health, prostate cancer,
20:02
testicular cancer, the three sort of main
20:04
areas, and men, general health and wellbeing.
20:06
And it's a really, really great charity.
20:08
So I think it's about just
20:10
raising that awareness. And what I'm gonna, because I'm
20:12
always always like YouTube, I'm always like, you know,
20:14
I've always got a bit of facial hair. So
20:17
what I'm gonna do, what I'm aiming for, I'm gonna keep
20:19
this really, really tightly
20:21
shaped, my beard, and I'm gonna let the tash
20:24
grow over the course of a month, every week
20:26
I'm gonna get done. So I'm hoping by the
20:28
end of it, I'm going for
20:30
sort of long haired hamster, I'm thinking. That's
20:34
kind of the look I'm gonna go for. What's
20:36
gonna be lovely for viewers of Sunday Brunch is
20:38
we'll get a weekly update. Yeah, exactly. Because we
20:40
won't see you from Monday to Saturday, and then
20:42
you'll turn up on Sunday, and it will be
20:44
getting progressively better. So are you gonna, because I
20:46
was thinking, so there's different
20:48
ways of doing it. So some people
20:50
go clean shaven on the 1st of
20:52
November. Now, are you gonna do that?
20:55
No, it's a long time since I've been
20:57
clean shaven. I don't think I want to see that. So
20:59
no, I am gonna have my beard turned right away,
21:02
closer than I normally do, but not touch the tash,
21:04
and then watch around every week, and then by the
21:06
end of the month, I might end up keeping it.
21:09
Well, actually, don't you think tashes have come back
21:11
into fact? Hugely, I mean, look
21:13
at the Australian cricket team. I mean, every
21:15
single Australian cricketer's got a tash now. Yeah,
21:17
well, it's funny because I was thinking about
21:19
this, because a couple of things
21:22
you mentioned there. First of all, I
21:24
accidentally, I did the classic about a
21:26
year ago where I was trimming
21:28
my beard, and I've done the thing where I've
21:30
not put the guard back on, and I've shaved
21:32
straight up the middle, and I
21:34
haven't had not a beard for about 15 years, and
21:38
I hated it clean shape. My wife couldn't look
21:40
at me. She wasn't
21:42
looking at me with the beard either, but
21:44
we've been married a couple of years now, you know how it
21:46
gets. But then
21:48
part of me is like, it's a great
21:50
excuse to grow a tash and
21:52
find out if you like it. Because if you
21:54
look ridiculous, you can say it's for charity, but
21:56
if you like it, you can keep it. You
21:59
might be rocking it. and a tash in December,
22:01
Simon. This is it. Well, I actually started growing
22:03
my facial because Tim and I had a competition
22:05
on the show who could grow the best beard
22:07
in a month and I've never and I've
22:09
never gone clean shamed. And then that's probably about the same
22:11
as you about 15 years ago. So
22:13
I don't know. But I am looking forward to it.
22:15
I think people worry, I think, with fundraising. I've got
22:17
to do something, you know, I've got to walk up
22:20
Kilimanjaro backwards while shaving kind of thing. But
22:22
you don't. It can be anything. It doesn't have
22:24
to be huge. It's about saying, OK, let's raise
22:26
funds, let's raise awareness and just put money in
22:28
the coffers. So research and charity and care workers,
22:30
all that kind of stuff can happen, which, you
22:32
know, at the end of the day, is a
22:35
brilliant, brilliant charity. Yeah, it's so true. And you
22:37
know what? There'll be because obviously there'll be lots
22:39
of guys listening to this right now. Do
22:41
it this year. That those those
22:44
things are listed earlier on suicide prevention, prostate
22:47
and testicular cancer for men in particular. I mean,
22:49
those are the two real real killers, let's be
22:51
honest. Those are the two most dangerous killers of
22:53
men, certainly of a younger age. Yes,
22:56
I mean, 13 men a day commits
22:58
suicide in the UK. I'll
23:01
probably all of us would say the same
23:03
thing. We're rubbish at actually letting go and
23:06
expressing our feelings. Yeah. You know, and I think that
23:08
is a that is a real thing. I know I
23:11
am, you know, and I think in my mind I'm
23:13
better than it used to be. But I know I
23:15
bottle things up all the time. Yeah,
23:17
completely. Oh, there's you know, the stats
23:19
are too alarming to be a coincidence,
23:21
aren't they, that men are just notoriously
23:23
terrible at talking about things of
23:25
dealing with things like that, not bottling them up.
23:28
We try and be stiff up a lip and
23:30
strong and all of that. And we're very bad.
23:32
You know, I listened to my wife sometimes on
23:34
the phone of her friends and they're they're talking
23:36
about everything and it's a stereotype. Our women, you
23:38
know, gossiping, whatever. But I'm like, God,
23:41
me and my mates don't talk like that. No. About
23:43
the real stuff that's on our minds. We talk about
23:45
football and do you want to go to the pub?
23:47
We ignore it. It's a cliche, but it's a cliche
23:49
because it is true. Exactly that. It works like that.
23:51
So it's a really wonderful idea. It's so great that
23:53
you're getting involved, Simon, especially as it's it's
23:56
going to be quite apparent on your face
23:58
on Sunday brunch every Sunday. No, it's a good
24:00
thing. I am excited about that. I'm
24:02
genuinely, I'm genuinely excited. Now you must have done,
24:05
we've all done this, if anyone that can grow
24:07
a beard, when you
24:09
are shaving, you have a bit of
24:11
a play on the way down. So as you're shaving, you
24:13
check out, what would it look like
24:15
if I had a handlebar mustache or mutton chops
24:18
as you're shaving, right? Have you got any idea
24:20
if it's going to look any good? I
24:23
think, because what I'm thinking is, I think I'm
24:25
going to go sort of mix between 70s
24:29
footballer and Australian
24:31
cricketers you mentioned before, and
24:33
probably 70s adult movie
24:35
star. I think that's it. Oh yes. Guten
24:38
Tag. Yeah, yeah, yeah. I
24:40
think that's what I'm going to go for. Or
24:43
slightly dodgy cowboy. It's, I think that's
24:46
where I'm going. I'm not going to
24:48
go for sophisticated handlebar mustache. I'm going
24:50
to go dirty end. Yeah, right. That's
24:55
one of my favourite films from the 70s, actually, funny enough.
24:59
I was saying, Sunday brunch,
25:01
I love it. I put it on every Sunday.
25:03
I'm in my dressing gown with a coffee. And
25:06
I mean this of all the love and respect in the world.
25:08
It sort of shouldn't be as brilliant as it is. Bless
25:11
you. I'll take that.
25:13
It is weird, isn't it? You
25:16
know, we've been on it for 17 years. And
25:18
I actually can't believe it's on it. You know, we've
25:20
come off there. I
25:23
really can't in a very nice way, because
25:25
we come off and it is just a
25:27
proper laugh. The fact it's very laid back.
25:29
It doesn't take itself very seriously. And we
25:31
are just very lucky that we get amazing
25:34
guests doing stupid things. You know, we
25:36
have Keir Starmer on cooking salmon. Simon,
25:42
mate, bless you for doing the Movember campaign. It's
25:44
such a wonderful idea. It's such a wonderful cause.
25:46
And I look forward to tracking the progress of
25:48
your facial hair over the coming weeks. And I
25:50
shall see you up at Anfield
25:53
on Saturday. Yes, yes, definitely. All right,
25:55
mate, good to see you. Right, Simon
25:57
River, ladies and gentlemen. Thanks
25:59
a lot. is the Chris Moyles
26:01
Show podcast. Brave E.O.S. So
26:05
this is all new to me, by the way. So
26:08
this is James Haskell. So this is apparently how it all
26:10
sort of started. I thought you were talking about the fact
26:12
that he's with his mate's mum. No, no, no. We can
26:14
do that. That was
26:16
business. That was the first bit of business I needed
26:18
to address. Oh, is it? Paul Ligetica. I've never seen
26:20
it. Well, as a former rugby player, is it a
26:22
Paul Ligetica or are you like high five fella? It's
26:24
certain bits of play on, but, you know, going
26:27
around there and making them call you your daddy
26:29
is not allowed. Really? You're so right. So,
26:32
yeah, James Haskell. Why's he got involved? He
26:34
really dined out on the joke. He
26:37
loved it. He kept looking at me going, oh, yes,
26:39
you're sort of thing. He just kept getting involved. He
26:42
really wanted to sort of land the joke. He knows your
26:44
sort, doesn't he? I think that's what he was saying. Yeah.
26:46
Now I've got some clips in front of me, but I've
26:48
not heard any of these. This one just says, Gino good
26:50
soup. This is
26:52
a lovely, lovely quote from Gino de Campo, who
26:54
again was hats off to captain. No, it's three
26:56
and a half seconds long. Yeah. I can't imagine
26:59
what this is going to be. This
27:01
is kind of to do with the age
27:03
gap between the two. Okay. You know, with
27:05
captain and your mother. Right. I see. Remember
27:07
that you can make a good soup with
27:09
an old chicken. No
27:13
one saw that coming. No
27:16
one saw that. Was that directly about
27:18
captain? Absolutely. I've never had more eye
27:20
contact with someone. Whilst he
27:22
said that, whilst he said this. Remember that
27:24
you can make a good soup with an
27:26
old chicken. He
27:29
was doing the Italian little gesture with his face. It
27:32
was. Oh,
27:35
it was lovely. Now we all just
27:37
corpse at that moment. Yeah, it was
27:39
beautiful. We couldn't control the amount of
27:41
laughter we all had. It's super fiddle.
27:44
I'm sure mum will appreciate being called an old chicken. Now
27:48
this one just says, Ingrid's lover
27:50
Phil Collins. So yes, song parody
27:52
Joe that is often sends
27:55
in message to the Chris Miles show to us.
27:57
He has made a couple songs. happier
28:00
by the way because there's so much
28:02
content. Really? Oh well I'm Liddy. So
28:04
this is apparently is Ingrid's lover Phil
28:06
Collins. I hope mum's asleep and
28:09
not listening. I was hoping that
28:11
all last week. Yeah. And forever and for the rest of time.
28:13
Well you know you're in bed with her. This
28:37
is a song about my mother sleeping
28:40
with Captain Krabby. It's awful isn't it?
28:43
Terrible stuff. Terrible business. So
28:48
that's sort of the
28:50
next, that's the key
28:53
takeaway of that. It
28:55
was like an early holiday
29:05
last week didn't you? I think Wednesday is
29:07
the best. By halfway through Monday I was
29:09
miserable. Have you got anything you want to
29:11
say for yourself? Do you want to apologize?
29:14
No no I want to go home really.
29:16
That's what I want to say. Back to
29:18
mine. Back to the satin
29:21
sheets. Well
29:24
do you know what? My mum ever
29:26
since she divorced my dad hasn't moved on
29:28
and I'm glad she's found someone. I'll be
29:30
honest I
29:33
thought she'd do better but if
29:36
you are to be my new dad then so
29:38
be it. Ladies
29:42
and gentlemen we have got Billy Crystal. Thank
29:46
you. Thank you. Nice to be here. Good morning.
29:48
Very lovely to have you sir because I'll
29:50
be honest sometimes at Radio X the guests we
29:52
get are frankly crap. We don't
29:55
but this is a really good one.
29:57
This is high end crap. No you're
29:59
not. It's
30:01
an absolute honor to have you here and forgive
30:04
me for this but we were chatting
30:07
earlier and we were saying we just
30:09
assumed Billy Crystal was a stage name.
30:11
No, no. Because it's such a magnificently
30:14
Hollywood name but you were born Billy
30:16
Crystal. William Edward. William Edward
30:18
Crystal. That's even better in a way. Yeah.
30:21
Because I feel like there's that
30:24
idea that if you have a great name you'll go on
30:26
to do great things because you were never going to go
30:28
hungry with a name like Billy Crystal. I
30:31
was never really sometimes comfortable
30:34
with my name. Really? Yeah,
30:36
the Billy part. Right. I'm older
30:38
now so the Billy's, you know, more
30:40
of a more Bill now to friends and
30:43
I like that. Sometimes
30:45
when I was Billy I wouldn't turn around because
30:47
I was I wanted to be like a Tim
30:49
or a Skip. Skip
30:52
would be good. Skip, right? That's
30:54
a good name. Strong name, Skip, isn't it? But
30:56
the family name is what it is all the
30:58
way back. Yeah. Hundreds of
31:00
years. Really? Yeah, to Russia. I
31:03
love the idea of you not turning around to the
31:05
name Billy. I didn't like it. It felt like a
31:07
little kid's name. I do know it's a young person's
31:10
name. And then, you know,
31:12
when I was first doing television my
31:15
manager said it should be Bill. It
31:17
should be Bill. So on the first
31:19
TV shows it was Bill and
31:22
then they said let's put the
31:24
Y back. So
31:27
you've got an identity complex at this point. Yeah. I
31:29
don't know who you are. Yeah. Well,
31:32
I suppose that maybe it's time to
31:35
revisit the idea of William Crystal because
31:37
I think Billy Crystal is quite a
31:39
good comedic name. It's a good, no,
31:41
it's served me well. You've
31:43
done all right off it. But I had
31:45
a when I was playing high school basketball
31:48
and baseball, same coach
31:50
used to call me Willie. And
31:53
I really liked that. Actually,
31:56
the times I've been with,
31:59
I'm going to drop a name, but he
32:01
calls me Willie's, Jack Nicholson. Oh, there it is. Hey,
32:03
if you're going to drop a name, make it a
32:05
good one. That's very good. And so he calls you
32:07
Willie. I think
32:09
calling a baseball player Willie Crystal makes sense because you
32:11
can imagine there was a great baseball player in the
32:14
1930s called Willie Crystal. Absolutely, yes. I
32:17
can absolutely imagine that. Well, we're
32:19
here to talk to you about before. For
32:21
me, it's such a different world, this
32:23
world of psychodrama, thriller
32:26
and amazing relationship
32:29
with this kid who's played
32:31
by a wonderful young British actor named Jack
32:33
and Bee Joop. And
32:37
it's not really
32:39
horror, but it's tense and
32:42
scary. And it's a
32:44
world I never thought I would live in, but now
32:46
I just love that we were able to make
32:48
this. I was thinking, I had
32:50
a scroll for your IMDB and I was looking
32:52
at it. And now, have you ever done anything
32:55
even remotely close to this before? Yeah,
32:59
no, it's so bad. I
33:03
think we should name and shame, do you think? It
33:07
was sort of a show
33:09
like The Twilight Zone, an analogy,
33:11
two episodes for the half hour.
33:14
Okay. And it was on
33:16
ABC television and it was
33:18
called Darkroom. Right, okay,
33:20
Darkroom. Everyone Googles Darkroom. Oh my
33:22
God. And I played a downbeat
33:26
kind of messenger
33:29
with a limp, sort of a Razzo Rizzo
33:31
kind of character. I end up with his
33:33
makeup kit and he told me that the
33:35
makeup was magical, that if you put it
33:38
on, you would become who you
33:41
wanted to play, would actually transform you. So
33:44
he's been taking advantage of me and this
33:46
gangster and I have to fight back so
33:49
I see the makeup kit and I put
33:52
it on and I become like
33:54
this incredible Hulk character. I
33:56
see pictures of it, I still laugh going,
33:58
what was I thinking? Yeah,
34:01
so that was as close as I got. Was that
34:03
more of a skip role than a Billy role? Yeah,
34:06
that could be. Because people go,
34:08
skip, why'd you do that? What were
34:11
your thinking, skip? You're
34:14
absolutely brilliant in it. So obviously the first
34:16
episode so far, you're absolutely brilliant in it.
34:18
Now, how does that come about? Did, because
34:20
you're Billy Crystal, right? He's one of the
34:22
creators of the show. I said, oh, so
34:24
you... Yeah, so when it's... But
34:26
I hadn't intended to play him. I
34:29
was really loving co-creating and
34:31
writing it. In the
34:33
interim, my son-in-law asked me for, is
34:36
there a good book for my grandson who
34:39
at the time was like 13 to read
34:41
something different? So
34:43
I told him about this book I read when I was
34:45
in seventh grade called
34:47
The Search for Bridie Murphy. And if
34:49
you remember this story, she was a
34:52
28 year old woman who under hypnosis
34:54
talked about her life as this woman, Bridie Murphy
34:56
in Ireland 200 years prior. And
35:00
when they did the research afterwards, it
35:02
all panned out. Everything she talked about
35:04
was true. How would she know this?
35:06
So it was really spectacular. So
35:09
he said, this is crazy. I've
35:11
done research into kids with past lives.
35:14
Here's this book by this researcher
35:16
I work with. It's called Life Before Life
35:18
and just read it. It's fascinating stuff. So
35:21
one day in a writing meeting, we
35:23
weren't getting anywhere. So I said to Eric, wait a
35:25
second. What if he's not 100? What
35:28
if he's eight? And
35:30
he still has these memories. That's
35:32
a mystery. That could be really cool.
35:35
And that was Howard. And he said, no, this
35:37
is Ari. We got the idea of something. There's
35:40
a woman I know, a fabulous writer named
35:42
Sarah Thorpe who could write the out
35:45
of this. And two weeks
35:47
later, she came in with a scenario of Dr.
35:50
Eli Adler working with this feral
35:52
young boy who just shows up out of the
35:54
blue, mostly mute. So
35:56
when I start taking him on as a patient,
35:58
I get him to do it. to draw what
36:01
he's expressing. And so I then
36:03
said, all right, stop. I
36:05
wanna play him. And it was just
36:07
off what she was saying. I hadn't really intended to do
36:09
it. And then I was on Broadway
36:11
at the time when we got a go ahead
36:13
to do it for Apple. I
36:16
was doing a musical of Mr. Saturday
36:18
Night and I was having the greatest time. But
36:20
my one day off was Mondays. And
36:22
on Monday, Sarah would send me drafts
36:24
of scripts
36:27
or ideas for things. And I'm reading what,
36:30
this is unbelievable. I
36:32
can't wait for the show to close so I can do this.
36:36
And it was spectacular. It's a world,
36:38
and since Darkroom, I didn't have
36:40
a chance to attend. That's
36:42
wonderful. But I have to ask you about some
36:44
of your magical films that you did. If we
36:46
had more time, I'd talk about Monsters Inc. for
36:48
hours because I love that film so much. Well,
36:51
I just absolutely adore that film because animated films,
36:53
they have a weird way of, I don't know
36:55
why, animated films are somehow get me more choked
36:57
up than non-animated
36:59
films. Usually done by Pixar.
37:02
Yeah, that bit at the end. I
37:04
think this was their second film. Yeah.
37:08
Toy Story was the first. Interestingly
37:10
enough, I was a John
37:13
Lasseter who created Pixar and the whole form
37:15
and that kind of animation had
37:18
come to me to play Buzz Lightyear.
37:20
I ended up not doing it. And it wasn't
37:22
because I didn't think it was good. I didn't
37:24
think when I was the right voice for it.
37:26
But Tim Allen was the perfect voice for it.
37:29
Anyway, a couple of
37:31
years later, phone rings and my
37:33
secretary says, John Lasseter's
37:35
on your line. I said, oh God, hello
37:39
John, whatever it is, yes. And
37:42
he goes, no, he said, listen, I have something I
37:44
think you're gonna really love. I'd love to
37:46
talk to you about it. I said, anytime. And he brought, he
37:48
had a case and he opened a case
37:50
and there was this statue, a
37:54
figurine of Mike. And
37:57
said, this is calling
37:59
a microz And he then told me
38:01
the concept for Monces Inc. I
38:04
said, I love this. I
38:06
signed on and he said, but I
38:08
want to show you something. I
38:11
said, what is it? He said, we did a
38:14
screen test for you as Buzz. And
38:17
I said, he popped in a half inch cassette and
38:20
there's Buzz. And
38:24
they took a speech from when Harry met Sally.
38:28
Where he gets mad at his friends
38:30
because he's just seen his wife. And
38:32
he says, someday everyone's in love and
38:34
that's great. But someday you're going to
38:37
go 15 rounds over who
38:39
gets this wagon wheel coffee table. And
38:42
then it cuts out wide and I'm standing
38:44
under a coffee table. This stupid wagon wheel
38:46
coffee table. And he walks off and
38:49
then you hear Bruno's voice say, I thought you
38:51
liked it. And with his face mask up, he
38:53
goes, I was being nice. And the face
38:55
mask fell down and he
38:57
walked off. So you screened him so you didn't
38:59
even know about it. I didn't even know about it. That's amazing.
39:02
Do you know, I think it worked out perfectly because Timon is
39:04
so great as Buzz in your so great. Mike lives on. And
39:08
when my grandkids were little they
39:11
didn't really know what I did. They
39:14
were able to see Monces Inc. And
39:16
then they started calling the house and I
39:18
would answer and they go, is Mike there? So
39:21
I'd have to talk to them as Mike. But
39:24
now they see, you know, they've seen Harry and
39:26
Sally and I don't know what they are. Are
39:28
they on there? Yeah. It
39:32
has been an absolute honor to meet you Billy
39:34
Crystal. Please come back and see us anytime at
39:36
Radio 8. And we'll call you wherever you'd
39:38
like us to call you in the future. Skip. Thank
39:41
you, Skip. The Chris Moyles Show podcast.
39:44
Crazy. We're
39:46
about to do a feature. And I don't know how it
39:48
works and producer Harry's left the studio. So I don't really know
39:50
what to do. Oh, he's coming in with a
39:52
birthday cake. Oh. Some
39:56
surprises aren't well carried as
39:58
others. It's quite hard to sneak. of a birthday
40:00
cake Harry when there's a huge glass window there and
40:03
I just watched you go past with a birthday
40:05
cake. Happy
40:08
birthday to you. What
40:10
a surprise thank you.
40:12
Happy birthday to you.
40:14
Calm down. Happy birthday
40:16
to you. See your
40:18
heart into it Dom,
40:20
you have to worry
40:23
about the fire alarm.
40:25
Happy birthday to you.
40:28
Happy birthday mate. Thank you very good. Who made
40:30
this? Me of course. Did you? Yeah
40:35
did you Harry? It's a Guinness cake. It's a Guinness
40:37
cake look it's got a pint of Guinness on it
40:39
and then it says Guinness cake. It
40:43
says cake. A card from someone.
40:45
Now oh that's nice. Oh what
40:47
does this say? It says sun
40:49
on it. S-O-N. That's lovely. So
40:52
either this is from you Captain
40:54
Kratbeard my new dad or this
40:56
is actually not for me and
40:59
it's for Son Hyng-Win who plays
41:01
the Tottenham. Oh
41:03
that's very sweet huge card massive card
41:05
of the dinosaur and it says for
41:08
a special sun on your birthday. Oh
41:10
that is a lovely gift. Sending rip-roaring
41:12
romping stomping birthday wishes. And then
41:15
when you open it up now I
41:17
was told that a few of us will be signing
41:20
this. That's
41:22
really funny. That's
41:24
really funny. That's
41:28
really good. And so
41:30
did you sign it first? Thinking everyone
41:32
was going to sign it. That's lovely.
41:34
Right I need to describe for the
41:36
listeners at home. I've got this massive
41:38
card right it's like it's like an
41:40
A2 and it says for a special
41:42
sun on your birthday it's got a dinosaur on the front wearing
41:44
a birthday hat. Sending rip-roaring romping stomping
41:46
birthday wishes. When you open it up a
41:49
dinosaur pops out. It says happy birthday
41:52
but only one person signed it and
41:54
that's dear Toby we wish you a
41:56
great day. Love from Captain but also
41:58
dad crossed out. But
42:01
then, so what you signed it and everyone said they were going
42:03
to sign it. Well, yeah, there was
42:05
a card in the other studio. So I
42:07
signed it before we started the show thinking,
42:09
you know, Don might run outside and Harry
42:11
might sign it. Becky, I might sign it.
42:13
So funny. Phoenix working. Our videos might sign
42:16
it. Yeah, I signed it really small. Yeah,
42:18
also because you left space for everyone else
42:20
to sign it. We
42:23
need to make sure nobody else writes in that
42:26
car. No, because that's lovely. Absolutely not. You know,
42:28
that's my favorite birthday card I've ever received. Talking
42:34
a big time, you know, Chris and I have
42:36
this long running mystery
42:38
with Taron Edgerton. No, it's not
42:40
mystery. He didn't like you because you were both weird to
42:42
him. No, we weren't, though. I've
42:45
seen the video, Dom. We may have been a
42:47
little bit weird, but anyway, so we haven't heard
42:49
from him for about four or five years. Yeah.
42:51
The other day I was phoning you. Yes.
42:54
On from the car. Hey,
42:56
Siri, phone Toby Tarrant. And it's
42:58
taken its phone. Taron. No. Now
43:02
Taron's number doesn't exist anymore. Or the number I
43:04
have for Taron's. He's blocked you. He's blocked you.
43:06
Yeah. Now this is the question I was going
43:08
to ask. Has he blocked me or has he
43:10
changed his number? Well, I'll call him now because
43:12
we're good mates. OK. No, genuinely, I don't know.
43:14
Yeah, I don't know. Dom, I'm going
43:16
to block you and you need to call
43:18
me. What have I done? I'm
43:21
going to block your number. Right. OK. I will unblock
43:23
you later. OK. Yeah, block Dom now. And then see
43:25
what message you get. No, you have to call. Sorry.
43:27
Call Chris. Oh, I see. I see
43:29
if you get the same message you get
43:31
when you call Taron Edgerton. Oh, it's so
43:33
confusing. You're now blocked. You are. OK. Consider
43:35
yourself blocked. OK, I'm going to phone you
43:37
now, captain. Yeah. Despite the fact I'm blocked.
43:42
Welcome to the O2 message. No, see, I
43:44
didn't get that. I got this
43:46
number doesn't exist. Loser. Oh,
43:48
so that's reassuring. So
43:51
maybe has genuinely changed number. Well, that's good.
43:54
That's a good thing, then. When you isn't
43:57
a bit weird, you can still leave a message
43:59
like that. If you block someone,
44:01
surely you just don't want to... Maybe it doesn't
44:03
go through. Maybe they just... You think you've left
44:05
a message. Yeah, possibly. Oh, that'd be... Right,
44:08
leave a message. I was going to say leave a
44:10
message, but I've made this mistake on air before. I
44:12
once gave out a listener's entire phone number on air.
44:15
Don't do it. Because she goes... Well,
44:17
she goes, you're through to the O2 voicemail
44:19
4, and then sometimes they say the whole
44:21
mobile number. Yeah, yeah, yeah, true. So don't
44:23
leave. I think mine will say that. Yeah.
44:26
So what we're taking for this, I think, is I'm
44:28
fine. Taron's fine with me. He's just changed his number.
44:30
Well, there's a couple of ways of looking at it.
44:32
There is the option that he has changed his number.
44:34
Thank you. Let's take that one. Because
44:37
he has become very, very famous in recent years since Rocket Man. Maybe
44:39
he wanted to just start afresh. This was just
44:42
about pre-Rocket Man, I think, that we went out for something to
44:44
eat. And he was the ease of it. There
44:46
is the second option that you and Chris
44:48
creeped him out so much that he changed
44:51
his phone number. Right. So that
44:53
you could never contact him again. So
44:55
it depends how you look at it. And I'll leave that with you.
44:57
I'm not taking a side there. I'm just saying I'll leave that with
44:59
you. He's either changed his number to get
45:01
away from everyone or specifically you. Have
45:03
you seen the messages? So it's
45:05
all me. Oh, now let's count
45:08
these. Let's count these. Terrible, isn't it? So
45:10
the last time he replied to me was
45:12
the 13th of March, actually. This
45:16
year? Pre-pandemic-less,
45:19
we forget. The
45:21
world has changed so much. In many ways.
45:24
But one constant is that Taryn Edgerton
45:26
still doesn't like you. What did
45:28
you do? Chris was doing the magic trick
45:30
with the napkin and I was filming it. Yeah. Oh,
45:33
well, you think you're doing all he likes you? Chris
45:35
was, yeah. Chris was doing all he likes you. You
45:39
always make it sound out like Chris is the problem. Chris always
45:41
makes it out like you creeped him out. Chris
45:44
always says it's I'm the problem because I'm
45:46
filming it. Going, oh, Taryn, Taryn, Taryn. Chris
45:48
is at that point doing a napkin trick
45:50
with a, you know, I won't say what
45:53
the napkin trick is, but if you know, you know, to
45:55
Taryn go, he likes you, he likes you.
45:57
Yes. You be the judge. Well, I
45:59
think. both equally annoying and
46:02
I completely understand the decision to, you know,
46:04
you and I would have so much deleted
46:06
his whole number. That's quite impressive. He has.
46:10
The Chris Moyles Show podcast.
46:15
Yes, the Maccabees announced yesterday they are
46:17
getting the band back together and I'm
46:19
delighted to say that Felix and Hugo
46:21
White are in the studio with us
46:23
this morning. That was
46:26
really nice watching you two listen to that montage
46:28
of songs. You were both looking at each other
46:30
going, oh, we made some bangers, didn't we? We were great
46:32
back in the day. Yeah, I think there was something. Do you
46:34
remember any of that music? It's
46:36
amazing to hear it again, actually, because there
46:38
was there was such a time after the
46:40
band ended where it was like just
46:43
kind of getting so far away from it.
46:45
And now we're kind of back at a
46:47
time where we can start opening that up
46:50
again. Yeah, I've known this is
46:52
happening for like for obviously like a few
46:54
months. So I've had that thing of like,
46:56
you know, when you go out drinking and
46:58
you like on a bus or something and
47:00
you're going away home and think, I just
47:02
listened to Maccabees. I've been listening to Maccabees
47:04
records like a little bit like on night
47:06
buses and stuff. I love thinking, oh, actually,
47:08
it's good, isn't it? If somebody if
47:10
I was on the bus and I saw Felix
47:12
White and I walked past him and he's
47:14
listening to the Maccabees, this guy's an egomaniac.
47:16
Yeah, he's a narcissist. I lived in fear
47:18
about someone saying what you're listening to. Yeah,
47:20
LCD sounds or something. Do
47:24
you say do you listen to your own show, Toby?
47:26
God, no, I don't like them when they're happening. I
47:28
don't like it now. Headphones
47:30
are turning way down. He
47:32
used to be even now. He's got a
47:34
capital on him there. Do you know what we have to do
47:36
with a thing called a Snoop every now and then? About once
47:38
a month, I have to go and sit with
47:41
our boss in the office and he plays you
47:43
back. Your own voice. And it's horrendous. Yeah.
47:45
It's horrendous. Your own voice. I think Land
47:47
has that from Maccabees more because it is
47:49
his voice singing. We just get to hear
47:52
our guitars. Yeah, it's painful. Well,
47:56
anyway, look, I'm very, very excited and lots of
47:58
our listeners are very, very excited as well. So
48:00
first of all, talk to me about it, because this is a very cool
48:02
story. So Hugo, basically you're entirely to
48:05
thank because it was your wedding that's caused
48:07
all of this. Is that correct? To a
48:09
degree. I mean, it was it was the
48:11
first time. So probably was
48:13
four years after we'd split up the band.
48:15
And it was, you know, it was definitely
48:17
we weren't going to do anything ever again.
48:19
That was, you know, we had to do
48:21
that in order to move on. And
48:24
I think, yeah, my wedding,
48:26
we had a lineup of people that were going
48:28
to play. And we had like hired out pub
48:30
and had, you know, the stage set
48:32
up and stuff. And he asked, I
48:34
thought we should end the night with the Maccabees. We
48:37
should do it. And I
48:39
asked, you know, asking Orlando was the
48:41
big one where I was like, I don't think
48:43
he's going to do that, even for my wedding.
48:45
But it was, you know, but he did. And he
48:47
came along and we did. And
48:49
we did Maccabees again. Yes, we played
48:52
as a Maccabees to Hugo's wedding, like
48:54
family. Oh, I love that. Great. That
48:57
is so cool. Also, because there's always
48:59
a couple of people at weddings that have got
49:01
no right to be there, right, because you're like
49:03
plus one. They've got they
49:06
do not. Luckily, they are. Yeah. How do
49:08
you know Hugo? Don't really know. I'm just
49:10
here with my girlfriend. But I've just got
49:12
Maccabees gig for free. Yeah. What result? Now,
49:14
when you say that you had a few
49:16
people playing, it was quite a good lineup,
49:18
wasn't it? We had. Yeah, it was. I
49:20
mean, it was gone for you to really
49:22
off. And in which order? This
49:24
is a that way. I started with a
49:26
Beatles covers band. Yeah, the Beatles was the
49:29
first one. Then it was us and Jack.
49:31
A venison Jamie T venison
49:33
Florence Welch and venison
49:35
Adele. We did rolling
49:37
in the deep and
49:39
then because she goes wedding, he was
49:42
doing a bill in supporting. The
49:45
Maccabees was Adele. So
49:47
we went on after Adele. She was merely the
49:50
order. I have that. That
49:52
is amazing. It
49:54
was in this pub in Batsy was like, you
49:56
know, 200 people in the pub. And it was
49:58
just like you could just. You
50:01
could hear it all from outside, you know,
50:03
it was amazing. And it was a week
50:05
before Covid happened and there was sort of
50:07
the whole lockdown thing. So it was literally,
50:09
it felt like the last and then all gigs were
50:12
cancelled and it was like, wow, we just did like,
50:14
we literally had the biggest gig of the year. We
50:19
had the biggest gig of the year. You rolling in a deep? We did, we
50:21
did rolling in a deep. Somebody walking past the
50:23
pub going, God, this Adele cover's good. She
50:26
sounds just like her. She just walked
50:28
it out. That is a very, very
50:30
cool line up. No part of you
50:32
think that the band might be cursed
50:34
because you'd broken up. Yes. You
50:36
perform for the first time intimately and then a
50:38
worldwide pandemic happens. Yeah. Do you think maybe it's
50:40
best when the Maccabees just stays out of it?
50:43
I know you said I'm a narcissist but I
50:45
listen to my music on the bus, but I'm
50:47
not that much of a narcissist. I think that
50:49
we're actually like responsible for. Yeah. Yeah,
50:51
you're probably harsh on me to play in the
50:53
Maccabees for Covid actually in hindsight. It's
50:56
very exciting. So you are playing All
50:59
Points East Festival, which is,
51:01
it's an amazing festival every single year, All
51:03
Points East, the lineup come out and
51:05
they put the posters all over the place and you
51:07
go, wow. That's
51:09
a serious, I've seen the strokes, I've seen LCD sound system
51:11
of so many good acts there. So this is one that
51:14
a festival that you guys have been at fans a lot,
51:16
right? Yeah. Well, that was the one that was the one
51:18
that's like, so sort of written, as Hugo said, I'd sort
51:20
of, we do written off on our heads. We're not going
51:22
to do this again. So I was
51:24
personally like making peace with the fact maybe we're
51:26
never going to play those big shows again. So
51:29
we'd be going to those shows and you
51:32
couldn't help but think looking at it like, oh, if
51:34
we were there, like where are we playing? Would
51:36
we be headlining? We'll be second top. And
51:39
then you like Nick Cave would do very definitive
51:41
sets LCD, as he said, the strokes. Yeah. Yeah.
51:43
So seeing have a magic moment there. So
51:46
it felt like if, so that was
51:48
the one that like when it got offered
51:50
to us, it was like, yeah, we can't
51:53
not do that. It just feels too, too
51:55
great, too magical. Oh, it's incredible as well.
51:57
And just kind of testament to it. that
51:59
we've actually been able to come back and
52:02
do a show that huge, you know, not
52:05
to think about. It's good. It's pretty cool that you can
52:07
disappear for as long as you have and come back and
52:09
go straight into all points. He's like, it shows that the
52:11
band left the mark marks to prove it. Very
52:13
good. Can't cue track. Oh, here
52:16
we go. Bit, bit, bit. Bit
52:20
more than bad. I'm telling you, I'm getting good at this.
52:22
You're on fire. The
52:26
back of these marks to prove it. Felix
52:30
and Hugo from the Maccabees are
52:32
with us live in the studio. They announced
52:34
yesterday. So you found out relatively recently, what,
52:36
a few months ago that you were going
52:39
to do this? Is it then
52:41
really terrifying walking around with that secret
52:43
in the back pocket? Good
52:45
question. Have you been scared? I
52:49
haven't really been. I've been. I've
52:51
petrified. It's funny. It's the dynamic of
52:54
finding out who's telling who is quite
52:56
interested because we have like these. I
52:59
felt I had it the other night when I
53:01
was out with Fi and everyone
53:03
I bumped into. They
53:05
literally told me that they were like, I've
53:07
just heard the news. I just said, I
53:10
was like, well, it was like Fi was
53:12
walking around and everyone. Oh, yeah,
53:14
I have told a few people I haven't been able to help.
53:17
Basically, what I'm getting from this is that Hugo's been
53:19
really good. I feel like you've been singing like a canary.
53:21
Yeah, that basically was. That makes it
53:23
sound like I've been tortured. Are
53:27
you getting back together? He'll speak. Well,
53:30
I guess I just thought it's interesting you said you were
53:32
out and about. So I was thinking that, you know, in like
53:35
James Bond films, he's an international spy,
53:37
but he's always drinking martinis. And I was
53:39
thinking a couple of martinis. I'd be telling
53:41
everyone. Yeah, you can't really help it because
53:44
everything gets exciting, doesn't it? Yeah. Martinis. Yeah.
53:48
Well, you've done very well to keep it
53:50
under wraps because we were chatting earlier. It's
53:52
been a big year for the Oasis, obviously.
53:54
You may have heard they're getting back together.
53:57
The Cure have got their new album out. Lincoln Park came back.
53:59
I went to go see them a few weeks ago, which was
54:01
brilliant. And now you guys as well. It
54:04
feels like a particularly busy time for bands getting back
54:06
together. Is that just cost of living crisis? You all
54:08
broke? Or what's going on? Do
54:11
you know what? I'll be honest about it. That's
54:13
so funny. That's like a self-help group for bands. The
54:16
Oasis one was funny because we had... It
54:19
was all rolling and then we heard about Oasis. And
54:21
then there was a moment of like, oh, do we want to
54:24
actually do that? Because that's just going to be the thing,
54:26
isn't it? Right. And then I got
54:28
tickets for Oasis. Like I managed to
54:30
get them. And the buzz of
54:32
seeing it on the screen, I was going to see
54:35
Oasis. Yeah. It reframed in my head,
54:37
oh, some people were going to feel that way about
54:39
a Maccabees' feeling. Yeah, yeah. And so
54:41
I completely airbrushed that feeling of like, oh, they're too
54:43
many bands doing it or
54:45
whatever. Yeah. It just comes to
54:47
that point where you're like, this would actually just make people really happy.
54:51
Us happy. Yeah. And
54:53
then there must have been... You must have been like, once it
54:55
was confirmed we're doing this, it was
54:57
really, really exciting. I
54:59
don't know if I've really even realised it's real.
55:01
This is almost this moment is starting to feel
55:03
like it's... Yeah. I don't know.
55:05
Well, we haven't been in a room. So
55:08
that helps with selling tickets. But
55:10
we haven't played in a room together.
55:15
We're a bit rusty. Yeah.
55:18
It can go either way at this stage. The
55:22
Maccabees are back together. Felix and Hugo,
55:24
Smackabees, ladies and gentlemen. Now,
55:29
this weekend, I've got a lovely Friday
55:31
lined up with my much better half-pipper.
55:33
Mm-hmm. Saturday,
55:36
I am going up to Anfield. Yes. I'm
55:39
very excited about... Whereas
55:41
Captain Crapbeard and producer Harry... Oh,
55:44
they're off to a party. Oh,
55:46
you're invited as well, are you? Oh,
55:49
I'm invited. Oh, big time. Oh. You
55:52
don't know about this party, do you, Dom? No. Oh,
55:54
baby. Oh, I'm
55:56
going to go with you. Libby. Libby, who
55:58
is one of the music programmers. in the
56:00
office, works here for years now. You
56:03
know, get along well, I think, me and Libs. She's
56:06
throwing a Halloween party on Saturday night. Is she
56:08
indeed? Yep. Harry's going.
56:10
Right. Captain Crackedbeard's going. You
56:13
and me. Yeah. Not
56:15
invited. Not even... Having
56:17
heard of Peep. Not even shortlisted. Not even...
56:19
not even... Vinicius Jr. Not even... not even
56:22
runner up. Shall we rail Madrid it? Shall we rail...
56:24
well, if we go in vote for a boycott it.
56:26
We don't have a choice. We don't have a choice.
56:29
We're not going. We're not going. We're not going. We're
56:31
not going. We're not going. We're not going.
56:34
We're not going. We're not going. Why does she
56:36
hate us so much? Well, it's a good question.
56:38
It's a good question. It's a good question. Don't
56:41
know. Right. Don't know. Don't
56:43
know. Do you want to
56:46
hear the final real stinger? Oh, go
56:48
on. Producer Harry invited. Yeah.
56:51
Captain Crackedbeard invited. Yeah. Intern
56:53
Becky invited. Whoa. She's been
56:55
here five minutes. Five minutes. Yeah.
56:59
It's coming out for a month now that Becky's been here. Right.
57:02
She's going. We're still in the weeks stage though, aren't we? Yeah.
57:04
We can call it weeks. So three in a bit weeks.
57:06
Yeah. She's like a newborn
57:09
baby. You're still talking in weeks. Exactly. Do
57:11
you know what I mean? And yeah. So
57:13
she's invited. Right. So
57:15
was it fancy dress Halloween? Is it? It
57:17
is fancy dress. Yes. I haven't,
57:19
by the way, I haven't fully confirmed I'm going by
57:21
the way. Right. Okay. Well,
57:24
it'd be nice to have the option. But you have had an invite.
57:26
I've been invited to. Okay. Why don't
57:28
you and I turn up Dom? Yeah. Just with
57:30
knives in our back. Absolutely. Because that's what
57:32
it feels like. Exactly. Exactly. For
57:35
backstabbing Libby. Exactly. That show, wouldn't it? Well, we'll talk
57:37
more about this in a sec. It's just nice to
57:39
see the respect that we earn around here. This
57:42
is the Chris Moyles show podcast.
57:47
We were just trying to talk to Polly, but we
57:49
can't get through to it. What's going on, producer Harry?
57:52
Give us a little peek behind the curtain there, buddy. This
57:55
is really boring. She's not popping up as an
57:58
option. How about that? Well, very sorry, Polly. to
58:00
chat to you. But
58:02
I wanted to ask Polly if she's invited to this party. Well,
58:05
it seems everyone else is. She probably is. Probably.
58:07
It's just you and me, Dom, that's not invited.
58:09
And now, would this be intern Becky's
58:12
Radio X on-air debut that we're about
58:14
to witness here? Could be.
58:16
Yeah, it could well be, yes. Okay.
58:19
Okay. So intern Becky. First of all,
58:21
hello intern Becky. How are you? Hello.
58:23
I'm good. I feel like I've been the opposite
58:25
of relegated. You've been
58:27
promoted? If only there was a
58:29
word for the opposite of relegated. So,
58:35
Becky, you've been with us now about three weeks or
58:37
so? Yeah. Is
58:39
everybody being nice to you? Everyone is being
58:41
lovely. Okay. Has it felt like three weeks
58:44
or is it? It's felt like three years.
58:46
Has it? It's been a slog. In a
58:48
good way. In a good way. Because you've
58:50
enjoyed so much of it. So, Saturday nights,
58:53
Libby, who is one of the music programmers here at Radio
58:55
X, who you can thank for all the wonderful tunes that
58:57
we play every day. She's
58:59
throwing a party. And
59:02
well, producer Harry's going, Captain
59:04
Crapby's going, they've known for a very long time. They've
59:06
worked here for many years. They've got to know her
59:08
over that time. She hasn't invited
59:10
me and Don weirdly. New. But
59:13
we're fine. We're over it. Obviously, Becky, you being new
59:15
and only being here three weeks, you haven't had much
59:17
chance to build a rapport with Libs. No. So presumably,
59:19
you're not invited either. You're in our club, are you?
59:21
Yeah. Oh. I actually have been
59:23
invited. I mean, come on. And
59:27
there's rumors that the previous intern,
59:29
Bella. I'll give her over. She's
59:31
not invited. She's invited. She's gone. Does it work here
59:33
anymore? It doesn't even work here. Come on, guys.
59:35
God, Dom, he really meant that as well. That
59:37
is fair. That is just
59:39
unbelievable. Genuinely, just me and you from Radio X
59:42
who hasn't been invited. Well, let's put it this
59:44
way. There's five people in the studio and
59:46
we're the only two so far. So, Phoenix, who
59:48
does our videos. He's going. Is
59:50
in the group chat as well. He's going, is he?
59:53
There's a group chat. Oh,
59:55
I bet what you're doing. Sharing memes. Bella's
59:58
going. I
1:00:00
mean come on. She's been gone nearly
1:00:02
a month. Where did you on the line?
1:00:04
Dr. Pepper? Yeah Danny
1:00:10
Vernon K is he going? Yeah,
1:00:12
Ricky Wilson's on the list. Yeah, how far back we
1:00:14
going here? Ricky Gervais
1:00:16
and Karl Pilkington. How far back we going?
1:00:18
Only merchant can make No,
1:00:22
it's fancy dress so Becky if you've got an
1:00:24
outfit lined up, yeah, I do. Oh Do you?
1:00:28
Freddy Krueger if he was fit So,
1:00:33
you know without the hideous deformities
1:00:35
and the metal hands so you're
1:00:38
just going in a stripey jumper
1:00:43
Do you know what it checks out? He
1:00:45
would look sexy. He would look good. What
1:00:47
a shame We're not going isn't it? You
1:00:49
love fancy dress. Oh, I love fancy dress.
1:00:51
Yeah Okay, what would
1:00:53
be good is if somebody else went as
1:00:55
somebody who is good-looking if they were hideous.
1:00:57
Mmm So do you know what
1:00:59
I mean? So you go as sexy Freddy Krueger and
1:01:02
they go as like hideous Salma Hayek. Yeah I
1:01:07
Show my age that my go-to celebrity was
1:01:10
I Think
1:01:12
we'd learn why you've not been invited Cindy
1:01:17
Crawford, yeah But
1:01:20
you know, I panicked I tried to
1:01:22
figure somebody's famously yeah like relevant and
1:01:25
good-looking Even
1:01:28
even if I doubt she is listening but even she must
1:01:30
have been shocked to hear her name come out there Margot
1:01:34
Robbie can't believe she's got off the hook. What
1:01:36
about Judy Garland? No Oh Ingrid
1:01:39
Bergman gets me hot under the collar
1:01:56
Oh, this is the captain crap. It's been doing
1:01:58
some audio production You little
1:02:01
scampi! Yeah, you scary
1:02:03
sausage! What? Why
1:02:05
have I got a big box next to me? Oh,
1:02:07
what? I opened it up. What's it say on top of the box?
1:02:10
Oh, what's in the box, Toby, it says? Oh,
1:02:12
this is like the end of seven. Is it
1:02:14
Pippa's head? Oh, sweet! No, don't do that. Why
1:02:16
do you have to make everything weird? What's
1:02:19
in the box? Okay, here
1:02:21
we go. This is intriguing, isn't
1:02:23
it? It's a massive box. It says, what's in the box,
1:02:25
Toby? Somebody drawn a gun. On
1:02:28
Halloween, what do you think someone might have sent you, Toby?
1:02:31
Oh, no! What is it? What is it? What
1:02:34
is it? No, do you know what this is? No, of
1:02:37
course I don't. No, you
1:02:39
haven't. I have. You monster.
1:02:41
No, I haven't. It was anonymous. You got sent
1:02:43
in. What's he done? Dom,
1:02:46
what? In the box. Come
1:02:48
on. It's worse than
1:02:50
Pippa's head. It's worse than
1:02:52
Pippa's head? Oh,
1:02:57
they've decapitated Tallulah. Oh, no, it's
1:02:59
the unicorn head. Oh, my. You
1:03:02
killed her. What?
1:03:07
That is so sinister. What else is
1:03:09
in here? No, I'm getting flashbacks. It's
1:03:14
the gun that we used to do my
1:03:17
back with every time we pulled over at
1:03:19
a canal. Listen to this. Oh.
1:03:23
No wonder your bat
1:03:25
was sore. That's what used to pummel me
1:03:27
in the back every time we stopped. Oh,
1:03:29
no, I'm getting flashbacks. For
1:03:32
people that don't know, a few weeks ago, I
1:03:34
rode a unicorn-based pedalo down the River Thames for
1:03:36
charity. And they've sent me her
1:03:38
head in a box. In
1:03:41
a box. Lana Kane. Yay. I
1:03:44
used to apply that to myself first thing in the morning.
1:03:47
And what was the song, everybody? Three,
1:03:50
two, one. Lana Kane
1:03:52
for my balls. Oh,
1:03:55
yes, it was. What's
1:03:58
this now? Oh. These
1:04:00
are some of the banners that would
1:04:02
hung over the bridge when I was
1:04:04
pedaling. Oh, you turned it upside down.
1:04:07
This one says, Nice
1:04:10
horse. This
1:04:14
is very bleak, isn't it? Do you know the
1:04:16
story behind that? Nice horse. There was a point
1:04:18
where I was pedaling the unicorn down the Thames.
1:04:20
And as I'd go down the river, I'd never
1:04:22
know whether the people on the
1:04:24
side were radio X listeners who'd come say hello, or
1:04:26
just people walking past who, fair enough, were stopping to
1:04:28
watch a man have a midlife crisis on a unicorn.
1:04:31
Fair enough, yes. So at one point I was pedaling
1:04:33
and there was a bloke just stood in the reeds
1:04:35
looking at me. And we made eye contact for what
1:04:37
felt like about 10 seconds. He just looked at me,
1:04:39
go pass really slowly. And then he just
1:04:41
went, Nice horse. So
1:04:45
then someone wrote, spray painted that on a banner and
1:04:47
hung it from a brick. Lovely. I
1:04:51
think I remember this banner as well. Oh, what's this
1:04:54
one? This is one. Is this the,
1:04:56
I like the... I like the
1:04:58
unicorn. I don't like the man. That's the one.
1:05:01
That was another low point. Who
1:05:04
said that? That was a young child.
1:05:06
Young child. Yeah. A lovely radio
1:05:08
X sister. I'm sorry. I've forgotten her name. A lovely radio
1:05:10
X sister and her husband and their two kids came along
1:05:12
to support. And as I
1:05:15
pedaled over to them in the pedalo
1:05:18
and then the children
1:05:20
look absolutely terrified and
1:05:22
I thought fair enough. It's a, you know, it's eight foot
1:05:24
tall unicorn coming at them. And as I pedaled away, the
1:05:26
lady tweeted me in the evening to say, as
1:05:29
soon as you left, our young daughter cheered
1:05:31
up and said, I liked the unicorn. I
1:05:33
didn't like the man. I
1:05:39
read something this morning that, so
1:05:42
apparently, they're
1:05:45
changing the words to
1:05:48
the classic children's nursery rhyme. What
1:05:51
shall we do with the drunken sailor? Oh, it's a
1:05:53
belter, that one. Oh, it's a banger, isn't it? Huge
1:05:56
banger. So they
1:05:59
say it's no. No longer acceptable to sing
1:06:01
the line, What Shall We Do With The
1:06:03
Drunken Sailor? They are
1:06:05
erasing any mentions of booze and violence
1:06:08
from nursery rhymes. Because
1:06:11
I guess, I suppose, babies
1:06:14
and booze and violence don't
1:06:16
necessarily go hand in hand. Right,
1:06:19
I suppose. Are they
1:06:21
getting rid of that line entirely or are
1:06:23
they getting rid of the word drunken? They're
1:06:25
replacing it with, What
1:06:27
Shall We Do With The Grumpy Pirate?
1:06:30
It's not as good. It's not as good. What
1:06:33
Shall We Do With The Grumpy Pirate? Actually it's quite fun.
1:06:36
But it's the next line that's particularly bad.
1:06:39
Because there's another line that says, Put him in a long
1:06:41
boat till he's sober. Put him in
1:06:43
a long boat till he's sober. Put him in a long
1:06:45
boat till he's sober. They've changed that
1:06:47
to, Tickle him till he
1:06:49
starts to giggle. No, no,
1:06:51
no. Not
1:06:54
for me. Not for me. That's
1:06:57
insane. What
1:06:59
shall we do with the grumpy pirate? Tickle
1:07:01
him till he starts to giggle. That's terrible.
1:07:04
It's awful. That's the problem.
1:07:06
The people making the decisions aren't even, at least
1:07:08
let Bernie Taupin have a go. Exactly. They're
1:07:11
not lyricists. Do you know what I mean? We've got a
1:07:13
chance to make it rhyme as well. Now if we're rewriting
1:07:15
it, then it's gone from, what's it gone from? Yeah, because
1:07:17
it used to sort of have a half rhyme. What Shall
1:07:19
We Do With The Drunken Sailor? Put
1:07:22
him in a long boat till he's sober.
1:07:24
There's a bit of a sailor sober. There's
1:07:26
a half rhyme there. It's better than pirate
1:07:28
and giggle. Yeah, that doesn't even sound remotely.
1:07:30
Also, why are they changing the line? Put
1:07:33
him in a long boat till he's sober.
1:07:36
That's responsible. It is. It's carrying
1:07:38
the community, actually. Exactly.
1:07:40
Exactly. Why are we changing that? But
1:07:42
here's the bit that I can't get my head around. So
1:07:45
we've got Capitol on the same floor as us. Right,
1:07:48
which gets listened to by some very young kids. Like when
1:07:50
I worked at Capitol, I'd go to the summertime ball and
1:07:52
I'd look out in the crowd and there'd be girls of
1:07:54
seven, eight, nine years old. I remember
1:07:57
seeing Little Mix at the summertime ball.
1:07:59
They were brilliant, they were magnificent. But,
1:08:02
look, you, captains, I can see him nodding already.
1:08:04
Love him. But they were wearing.
1:08:06
They're so good. Practically nothing,
1:08:10
grinding on male dancers. And
1:08:12
the big, up with the big screen, they're
1:08:15
just basically shaking their backside in the front
1:08:17
row's face. All these seven-year-old girls going, oh,
1:08:20
I bloody love it for a little bit.
1:08:22
Oh, this is great. Oh,
1:08:24
you couldn't do that in Leicester Square. You
1:08:26
get arrested. And suddenly,
1:08:28
but now, we can't even sing, what shall we
1:08:31
do with the Drunket Sale? And so I thought,
1:08:34
am I losing my mind? And I know I turned 33
1:08:36
this week, and I'm sounding every second of 33 years old now.
1:08:39
But I typed in, I was
1:08:42
looking at some of the biggest hits of the
1:08:44
last few years, songs that get played
1:08:46
on popular radio stations all around
1:08:49
the UK, listened to by really young children.
1:08:52
And I was just looking at the lyrics. Some
1:08:54
of them, genuinely, I was like, I can't read
1:08:56
that out on the radio. Even
1:08:59
though that song gets played on
1:09:01
the radio every day, I was like, there's no
1:09:03
way I'm saying that. I mean, the
1:09:06
inconsistency is unbelievable. Now, there's one artist
1:09:08
in particular, because I've been having to
1:09:10
look at lyrics this morning. Megan
1:09:13
D. Stallion, Filth, really,
1:09:15
Filth. Oh, dear. Back in my day, you
1:09:18
had to call a number to get someone
1:09:20
to talk to you like that. Now,
1:09:23
they're just playing her on the hits. Don't
1:09:25
want to tell you. She's getting UK number
1:09:27
ones. Yeah, all over the place. Honestly, I
1:09:30
couldn't believe some of the stuff I'm reading. So these
1:09:32
are some of the tamer ones that I've managed to
1:09:34
find. Doja Cat.
1:09:37
I wasn't familiar with Doja Cat's work.
1:09:39
I am now. Mm. She's
1:09:41
great. She had a song called Kiss Me More. You
1:09:43
were familiar with that one, Chris? Yeah, yeah, yeah. Kiss Me
1:09:45
More, big hit, apparently. Right. Okay, starts
1:09:47
off quite nice. We hug, and
1:09:49
yes, we make love, and always just
1:09:51
say goodnight. And we cuddle, sure. I
1:09:54
do love it, but I need your
1:09:56
lips on mine. Okay. It's
1:09:58
quite beautiful. That's nice, isn't it? I'm getting
1:10:00
misty eyed over him. Boy you write your
1:10:02
name, I can do the same. Ooh, I
1:10:04
love the taste, la la la. All
1:10:07
on my tongue, I want it, la la
1:10:09
la. Boy you write your name, I can
1:10:11
do the same. Ooh, I love the taste,
1:10:13
la la la la la. All on my
1:10:15
tongue, I want it. It takes a turn,
1:10:17
doesn't it? A little bit. I preferred it
1:10:19
when they were cuddling. Yeah. Oh,
1:10:23
but don't think about a drunken pirate, whatever you do. Unbelievable.
1:10:27
This is the Chris Moyles
1:10:29
Show Podcast. Bravely possessed. It
1:10:31
is an absolute pleasure to
1:10:33
say that we are joined
1:10:35
by the one and
1:10:37
only Sandy Toxley. Yes. Oh,
1:10:40
you're so lovely. Lovely team of boys.
1:10:42
Ah. Like a boy band. Like
1:10:45
a boy band. A boy band that's really let themselves go.
1:10:47
I didn't like to say. There's work to
1:10:49
be done, frankly. My darlings.
1:10:51
Our best years have been high, Dus. I think so. We
1:10:53
had a good run though, didn't we? Greatest hits, too. Absolute
1:10:57
pleasure to meet you, Sandy. First of all,
1:10:59
how are you? Yeah, I'm OK. I'm, you
1:11:01
know, bearing up. Not bad for my age.
1:11:03
Why? Have you heard something? I'm
1:11:05
not. You
1:11:08
are a national treasure, Sandy Toxfig. That's such a
1:11:10
weird thing, isn't it? It sounds like you're going
1:11:12
to be put in a safe table. You
1:11:16
should have UNESCO Heritage sites stamped
1:11:18
across you. But
1:11:20
genuinely, because you're so... I know that
1:11:22
you've probably told the story a billion times and you're bored
1:11:24
of it, but born in Copenhagen, and I was saying to
1:11:26
these guys, I found saying, she's a
1:11:29
proper national treasure, Sandy Toxfig. And I can't
1:11:31
think of many national treasures who aren't originally
1:11:33
British or from Britain. So it's pretty cool to
1:11:36
move to another country and become beloved. Yeah, I
1:11:38
don't know. Maybe Denmark didn't want me. Maybe that
1:11:40
was the thinking part of it. You're a national
1:11:42
disgrace in Denmark and a national treasure in Britain.
1:11:44
Well, their losses are game, Sandy.
1:11:47
Well, I'm very proud that I also have British
1:11:49
citizenship. I have base. And can I just say,
1:11:51
with Brexit, it's absolutely fantastic. Oh, yeah. Go
1:11:54
into Europe with your Danish passport and come
1:11:56
back into Britain with your British ones. I
1:11:58
recommend that everybody should apply for Danish citizenship.
1:12:00
That's it. way quicker at customs that's all
1:12:02
I'm saying to you. Oh wow yeah you've
1:12:04
sort of cheated the system. 100% yeah. You're
1:12:06
alien and predator. I know right. Not
1:12:09
entirely how I saw myself. I'm going to
1:12:11
take it. That's
1:12:13
a good t-shirt. Yes
1:12:16
that's amazing. I'm totally going to have that made.
1:12:20
Hi there, Sandy talks with alien and
1:12:22
predator. How you doing? Now
1:12:26
we're here to talk about, well
1:12:28
you're going to some very impressive venues.
1:12:31
You're going to theatre royal, let's do
1:12:33
it chronologically. Let's start with
1:12:35
One Night Only, Sandy talks in One
1:12:37
Night Only, doing two nights of that.
1:12:40
I know because why do
1:12:42
things properly? Well so here's my
1:12:44
theory when you do a live show like this right
1:12:46
so they're never too the same are they? One
1:12:49
of the things that we now know with
1:12:51
theatre audiences which is so interesting, as they
1:12:53
sit down their heart rates begin to synchronise. So
1:12:55
that group of people who none of them
1:12:57
knew each other beforehand will suddenly become a
1:12:59
sort of solid group. So the one show
1:13:01
that we do on the Wednesday and the
1:13:03
show that we do on the Thursday will be
1:13:06
different because the audience is different. Wow
1:13:08
gosh is that true that's been proven their hearts are
1:13:10
great. It's one of those weird QI things that I.
1:13:14
You must never have a dull moment at a
1:13:16
dinner party because by doing QI for so many
1:13:18
years if ever there's a lull in conversation you
1:13:20
can just go want to hear something about a
1:13:22
blue whale. You must be able
1:13:24
to just reel off stuff like you just told us about heart
1:13:26
rate. But the thing to do
1:13:28
to dinner party is rather than saying oh here's an interesting
1:13:31
fact the trick is to interview the
1:13:33
person next to you. Right. And
1:13:35
everybody's interested in themselves. Yeah true. Everybody's
1:13:37
interested in themselves and you just start
1:13:39
with a question but then you can
1:13:41
just eat. I've discovered this. Question
1:13:46
head down. That's great. Something to eat. Just
1:13:48
crack on. Make sure you've got a full
1:13:50
plate. Turn to the person. Ask them a
1:13:52
question. Detailed question about themselves. That's it. Crack
1:13:55
on with your dinner. That's amazing. Oh great my foie
1:13:57
gras arrives. Got any brothers and sisters? Yeah. I
1:14:00
don't know where you go. So what led
1:14:02
you to be in paperwork distribution? Whilst
1:14:07
you eat free courses to see this for a guest
1:14:09
coach? And they
1:14:11
leave that conversation going, God, Sandy's very interesting. Yeah.
1:14:13
No, honestly, they do. They think you're so interesting.
1:14:15
But in fact, all you've done is ask some
1:14:17
questions about themselves. That's fascinating. That's good, yeah. I'm
1:14:19
now realising that people do that to me all
1:14:22
the time and I don't shut up. What
1:14:24
a sad way to realise what an egomaniac you are.
1:14:26
And do you think it was being an egomaniac that
1:14:28
made you want to be on the radio? Everybody sit
1:14:30
back. Yeah. Do you know, Sandy, I think you started
1:14:32
with my father. Yeah, everyone's just
1:14:35
tucking into their breakfast. It's
1:14:38
lovely. So glad you asked that, Sandy, actually, whilst
1:14:40
I've got you. Settle in. She
1:14:44
works every time. Every time. Every time.
1:14:47
Right, November 13th and 14th is the show
1:14:49
One Night Only. But yes, it's on two
1:14:51
nights. So very, very excited about that. And
1:14:53
it's all about the theatre, stories
1:14:56
for about actors, the performances, stories
1:14:58
and songs. This
1:15:00
is a chance to see the elves in action,
1:15:02
the people who are behind the scenes. The boys
1:15:04
in particular, Stephen Frye, chose them. That's all I'm
1:15:06
saying. Right, right. You see what I'm saying? This
1:15:09
is Rowell, who's one of our elves. Yes, exactly.
1:15:12
He doesn't know anything, but look at his six-pack. Oily,
1:15:15
don't touch. There's
1:15:19
my T-shirt. Now,
1:15:23
that's not your only trip to the
1:15:25
theatre this winter. I know, what's happening?
1:15:27
Because, and this is a great title,
1:15:29
this almost feels like Alan Partridge, the
1:15:31
title came first. Sandy
1:15:33
Claus is coming to town. Oh, come on.
1:15:36
Right for sound. That's lovely. Come on. It
1:15:38
doesn't even matter if the show's any good
1:15:40
at this stage. The title's too strong. My
1:15:42
son is a wonderful actor and his wife.
1:15:46
So we're going to have them in the show because
1:15:48
I wanted it to be a family show. There are
1:15:50
plenty of people, particularly, I think, in London, who feel
1:15:52
a bit lonely at Christmas and don't maybe have family.
1:15:55
Totally, yeah. So I'm really my own family,
1:15:58
plus all of those talented people. and we're gonna
1:16:00
put on a rollicking. Can
1:16:03
we say rollicking? Yes, say it. A
1:16:05
rollicking show. We absolutely can say it, but
1:16:08
if we weren't allowed to say it, I love the fact that you double
1:16:10
checked by saying the
1:16:12
word again. But you know what's so
1:16:15
great, darling, is I reached the edge and I don't care anymore. Yeah,
1:16:17
exactly. We don't care. Okay, we had that
1:16:19
with- I looked at you for permission, I don't
1:16:21
know why. Is that all right?
1:16:23
I've got no say. It's sadly comfortably the least
1:16:25
important person in the room that you chose to
1:16:27
look at there. Now feels good about himself. Now
1:16:31
let me tell you about my dad. What did your
1:16:33
father do? Oh,
1:16:37
he's a tiler. Don't worry about it. No. Let's
1:16:39
move on, let's go back to you, Sandy. No, see, I think that's great. I
1:16:41
like tiring, because there's the lesbian in me. I like a bit of
1:16:43
grout. We
1:16:48
are gonna run out of T-shirts. We're
1:16:50
gonna need a bigger bumper for all
1:16:52
these bumpers they get. Oh,
1:16:55
that's magnificent. Now have you done Royal Albert
1:16:57
Hall before, because that's pretty cool. I have,
1:16:59
I have played the Albert Hall weirdly quite
1:17:01
a lot of times. Now you've played Royal
1:17:03
Albert Hall, Dom, have you not? Have I?
1:17:05
No, you played the Palladium. I
1:17:08
mean, the Palladium is lovely. That's a nice Christmas place. Oh,
1:17:10
stunning place. Oh yeah. The last time I played the Palladium
1:17:13
was the 70th birthday of Prince Charles, and I
1:17:15
stood backstage with Cheryl Cole, and we had a
1:17:17
long, intense conversation. Do you know how you do
1:17:19
something you do in the dark? Yeah, yeah.
1:17:22
I don't really know who she was. She
1:17:24
was lovely. Yeah. She's a tiny.
1:17:27
She's very small. And I can
1:17:29
say that. Yes. For me to
1:17:31
say that. We were like a condiment set
1:17:33
backstage. Famously,
1:17:38
whenever I get a guest on, I like to play terrible
1:17:40
games with them. Oh dear Lord.
1:17:43
And this game's quite topical. Yeah.
1:17:45
Because Captain over here, as we
1:17:47
call him, Captain Crapbeard, he recently
1:17:49
went to Oslo. Strong title. Thank you, sir.
1:17:52
Thanks, Sam. It's a hell of a business
1:17:54
card, isn't it? He
1:17:56
recently went to Oslo. My mum is Norwegian.
1:17:58
She's a fellow scammer. And he went to
1:18:00
Oslo and he slept in my mum's bed. It's
1:18:02
a long story. Yeah, I mean there's
1:18:05
so many questions Thank you. Feel free to ask
1:18:07
them But he said look as a
1:18:09
thank you to your mother for letting me stay
1:18:11
in her bed in Oslo Would you
1:18:13
like me to bring anything back and I said
1:18:16
get us some yettust? Yes, which is you know,
1:18:18
Norwegian goat sheep It's fantastic. It's lovely. It's weirdly
1:18:20
sweet But anyway, I like to always play a
1:18:22
game with our guests and so I don't think
1:18:24
where this game is going we've started in your
1:18:27
mother's bed and cheese Hahaha Right
1:18:29
bring her in This
1:18:32
game is called cheese
1:18:34
the one We
1:18:39
can only apologize to you standing like I
1:18:41
said, I'm sorry We
1:18:44
rejected so many other titles before this one.
1:18:46
Yeah, that's the worry cheese all that cheese
1:18:48
electric I like that. I want to open
1:18:50
a delicatessen in the Middle East called cheeses
1:18:52
of Nazareth Nice where were
1:18:54
you when we were coming up with these ideas? But
1:18:58
think about the bed. How good is that?
1:19:00
That's a quote from captain's trip to Oslo
1:19:05
It's a very simple game It also
1:19:07
is to do with the fact that this morning I don't know
1:19:09
if you saw the big news Sandy that 300,000 pounds
1:19:12
worth of cheese was stolen Yes.
1:19:14
Yes Jamie Oliver's up in arms about it.
1:19:17
He is he is So there's
1:19:19
lots of reasons to play this game none of them
1:19:21
good, but let's play it anyway So
1:19:23
I'm gonna give you a name of a cheese and you're
1:19:25
going to tell me whether it is from your Homeland
1:19:28
Denmark or my motherland Norway. How
1:19:30
are you when you're Scandinavian cheeses?
1:19:32
It's like the most rarefied game
1:19:34
of all time. That's coming
1:19:36
from the host of QI So
1:19:41
Sandy, yes, I'm ready I'm going to
1:19:43
shut I'm going to throw the word
1:19:45
kavagg at you kavagg
1:19:49
I'm going to go Norwegian
1:19:51
you'd be right to one
1:19:54
out of one Now
1:19:58
we should have is there a prize because you're
1:20:00
currently holding cheese, so to speak. You
1:20:03
can't take my mum's cheese out of her own
1:20:05
mouth. You need a prize. She does love Sandy.
1:20:07
Can I get a voucher to stay in your
1:20:09
mother's bed? Deal. I mean, I
1:20:11
can't believe I'm actually asking that question. Deal.
1:20:16
Captain, very cute. There
1:20:18
we go. What a compliment. He can do a son to me. I
1:20:23
just thought we'd play a game of cheese, the one, and it's
1:20:25
ended up with Sandy offering to mother captains. Exactly, yeah, we didn't
1:20:27
see that. He looks like he needs it. And
1:20:33
on that note, Sandy top-click, ladies
1:20:35
and gentlemen. What
1:20:39
a podcast. Wow. When
1:20:42
you see it all laid out like that. Oh,
1:20:44
it's quite a thing, isn't it? Really, isn't it,
1:20:46
Josh? We don't charge for that. That's faux-free. Yeah.
1:20:49
Faux-free. It's faux-free. Pay
1:20:51
for it. You don't pay for it.
1:20:54
You don't pay for it. Yeah. You don't
1:20:56
pay for it. We should charge. I've always
1:20:58
said that. Actually, we should charge for that.
1:21:00
Our listeners will go down significantly. Yeah, but
1:21:02
when does one cancel the other out? If
1:21:04
we lose half our listeners, but we're charging
1:21:06
50 quid of podcasts, hello? Hello. Good ching.
1:21:08
That's it. I'd take that. That's it. I'd
1:21:10
take the hit. Dom often says that he
1:21:12
would like to fleece our listeners for everything
1:21:14
they've got. Often. You're big
1:21:16
on that. Yeah, I love fleecing. Producer
1:21:21
Vin, who produces Johnny,
1:21:24
my former producer,
1:21:26
he often says
1:21:29
that the radio station would be better without the
1:21:31
listeners. He says that a lot.
1:21:33
That's his goal. Because we could finally crack on with
1:21:35
doing some radio that wasn't for all those listeners. Yeah.
1:21:37
That's good. He
1:21:40
said, oh, I've got loads of ideas that we could do if we
1:21:42
didn't have a listen. It's an original take on radio, isn't it? Honestly,
1:21:46
once every three months, we've got our listening
1:21:48
figures, our radio figures. Honestly, we once lost
1:21:50
100,000 listeners. I saw Vin punch the air.
1:21:54
Leading a Congo, wasn't he? It's
1:21:57
the one-man Congo. Right, Congo lasted for six weeks. We
1:21:59
all went to the pub afterwards, he got champagne. Anyway,
1:22:03
thank you very much for listening. We love you
1:22:05
listeners, even if it were down the Dom, you'd
1:22:08
be skinted, he'd be rich. Thank you very
1:22:10
much for the podcast and enjoy Chris Miles's
1:22:12
return next week.
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