0:00

Today are in

0:02

our show! We are

0:04

counting down our 10

0:07

favorite films from the

0:10

era of the

0:12

countdown, which is to

0:14

say the last almost

0:17

10 years. That's

0:20

right. Pet it,

0:22

Polly. Welcome

0:26

to episode 497 of the countdown. Wayne

0:28

is my name. My name is Paul.

0:30

Welcome to show we count down stuff

0:32

in order of awesome. You don't have

0:34

to. Today's stuff is film, which has

0:36

been the heart and soul of the

0:39

podcast. Hell yeah. It's not the last

0:41

topic as we move to the end

0:43

of the weekly show this fourth last

0:45

episode in the format. We've been

0:47

almost weekly. Not so is it every

0:50

week forever. We've missed three or

0:52

four weeks now over the course of

0:54

the last nine. and two third years,

0:56

but mostly relatively, you know. 497 Wayne,

0:59

this is the episode, the fourth

1:01

last, as I just said, and the

1:03

third last topic about film. That's

1:05

right. Now, this goes back to March

1:07

2015, which is when we launched the

1:10

podcast in any film made before that.

1:12

Now last week, those regulars in

1:14

the show will know. The wane

1:17

had some trouble. I had no

1:19

trouble coming to the spiritual brief.

1:21

If the show was on while

1:23

we were recording, it's all good.

1:26

I had no problem.

1:28

Paul had some problem. He's

1:30

like, whatever it's like came

1:33

out the week after we

1:35

started. Completely fine. One thousand

1:38

percent of the show. And

1:40

everyone else is like, shut up

1:42

your ass, Paul. Did you spend on this

1:44

list? Did you know it all at the back

1:46

of your hand? Was it straightforward? Are you going

1:48

to piss me off today? Lots of questions there.

1:50

Take your time. Sure. Look, if I don't piss

1:52

you off today, I'm going to be pissed on

1:54

it. So that's one thing. But in terms of

1:56

the harder part about it was narrowing it down.

1:58

Okay, because we've done so. So much shit. There's

2:00

movies. Oh no, that's not hard to narrow down.

2:03

No, that's not enough. Exactly. But like the, like

2:05

for example, someone, I know this won't be on

2:07

your list. It's not on mine list. I can't

2:09

wait for Wayne to put in the man from

2:11

Michael. It's not on my list. It's not on

2:13

my list. It's not on my list. It's not

2:16

on my list. It's not on my list. It's

2:18

not on my list. It's not on my list

2:20

because it came out. It's because it came out.

2:22

It came out. It came out. Yes it did

2:24

August 2nd 2015 okay all right let's but the

2:26

reason I didn't do is because there's so many

2:29

here that I'm like oh let's just talk about

2:31

some of the stuff that we have talked about

2:33

before but I'm trying to keep an interesting so

2:35

yes difficult to know you're fine I want to

2:37

leave out your phone I want no I give

2:39

a shit if I've spoken about this film about

2:42

this film before because of all films that we've

2:44

reviewed at some point for another and therefore would

2:46

have been like a top 10 films of the

2:48

top 10 films of the top 10 films of

2:50

the year films of the year films of the

2:52

year films of the year films of the year

2:55

films of the year. Not at all? No, no,

2:57

the only thing, the only difficulty was deciding the

2:59

order of where they should fall. Oh yeah, that

3:01

was pretty quickly had 12 films and then I

3:03

sort of, you know, I get out one of

3:05

these spaces, I know that one of the spaces

3:08

that obviously formed my honourable mentions, but yeah, I

3:10

got, I got honourable mentions like an MF. Yeah,

3:12

absolutely. All right, then look, without any further ado,

3:14

we, because there's no one wrote to talk to

3:16

us, no one to talk to us, no one

3:18

to be read to be read out on, on

3:21

the read out on the read out on, on

3:23

the read out on the read out on the

3:25

read out on the read out on the read

3:27

out on the read out on the read out

3:29

on the, on the read out on the, on

3:31

the, on the, on the, on the, on the,

3:34

on the, on the, on the, on the, on

3:36

the, on the, on the, on the, on the,

3:38

on the, on the, More chances. Exactly. This just

3:40

holds us up. All right, then we'll get into

3:42

it, right? And of course we get that way

3:44

these days by me officially announcing the opening of

3:46

the show. Oh, here we are. Let's go. No,

3:49

you do it. You go. The top 10 films

3:51

of the countdown hero! See, that's fine. No fucking

3:53

or anything else. Sorry. The, uh, Reverb. Reverb slash,

3:55

what do you call, echo, next time I'll do

3:57

a lot more echo instead of just that of

3:59

just that one. Damn it. Damn it. Why don't

4:02

you tell me? That's it. Delay. Let us away

4:04

this week. I think I let off last week.

4:06

Okay, good, because I got a bit of a

4:08

fucking bombshell. Oh, here we go. All right. Now,

4:10

first of all, Paul, it's from 2020. So please

4:12

suck my cock. Let's look at me. Let me

4:15

get this straight. You expect to be sucked, suck,

4:17

because you actually stayed on roof. I mean, whatever.

4:19

Yeah, I mean, there's no time I'm not going

4:21

to say that. So sure. I'm taking crazy pills.

4:23

Okay. But here's where you abruptly stop fucking. I

4:30

guarantee you, that never turns out. Way,

4:32

it's, wait. Job is for Coxocters.com, which

4:34

guys, exactly. Okay, check it out. This

4:36

is number 10 on my list, because

4:38

I actually do rag on it a

4:41

lot, but Paul, I've seen it, I'm

4:43

sure, 12 times. Okay. Tenet? Tenet? I

4:45

don't understand you, I thought you hated.

4:47

I know, but I keep. I'm watching

4:49

it, Paul, and you know why? I

4:51

figured it out. Yes, I figured it

4:53

out, okay? This motherfucker right here. I

4:55

know, look, I'm surprised as anyone, okay?

4:57

But here it is, the reason I

4:59

put it down here. No one is...

5:02

Bich, I'm surprised. I'm surprised. I'm surprised.

5:04

More surprised than you are. I'm surprised.

5:06

It's because I have I know every

5:08

inch in this film I've seen every

5:10

video every pull every fucking like you

5:12

know mother fucking breakdown of the movie

5:14

and the truth is the matter is

5:16

even though the count doesn't make sense

5:18

and I will stand on that hill

5:21

and down it It doesn't really make

5:23

any fucking sense. And no one can

5:25

actually watch it and go. I know

5:27

absolutely everything that went on in there.

5:29

Some people claim to, but they're lying

5:31

because a lot of this shit doesn't

5:33

make a lot of sense. But it

5:35

is so enthralling as a visual spectacle

5:37

that and the lead, the two leads

5:40

are so cool. Like Denzel Washington's boy

5:42

and Batman? John David. Yeah, those motherfuckers

5:44

are cooler than shit. Okay. The fact

5:46

that even though it's you know back

5:48

and forth and Kenneth Brannier and then

5:50

this chick's there and all what is

5:52

that the boy is that fucking you

5:54

know all that kind of crap the

5:56

truth is you can pick almost any

5:58

scene this and be enthralled at watching

6:01

and that's why I've seen it so

6:03

many times. When I've even got it

6:05

on my little download, I mean, video

6:07

list and your library, library, my physical

6:09

library that I go to, it's got

6:11

leather bound shit. And I'll watch any

6:13

time because it's fucking great to watch.

6:15

I think because Nolan, when it came

6:17

out, it's like, I'm gonna save cinema

6:20

because I'm gonna bring you out of

6:22

COVID and here's what's gonna happen. Very

6:24

grandiose, yeah? And I'm like, that put

6:26

me off it initially, but I really

6:28

wanted to see it. And I'm like,

6:30

that put me off it initially, but

6:32

I really wanted to see it. And

6:34

then I saw it put me off

6:36

it initially, but I didn't know what

6:39

the fuck what the fact was going

6:41

on. Even though I still don't, kind

6:43

of, I kind of get it, but

6:45

I kind of don't, and I couldn't,

6:47

it's just an amazing film, and Christopher

6:49

Nolan should probably keep doing that shit.

6:51

I want more spy thrillers from Christopher

6:53

Nolan, do what you want with it

6:55

Chris, but make it that spectacular, okay?

6:57

Because I like it way more than

7:00

I like fucking Oppenheimer. All fucking. I

7:02

know that one best picture and best

7:04

everything, but. That's not our kind of

7:06

thing. That's number jam. I need me

7:08

some like some fucking spy through the

7:10

sun. It's your thing. A little bit

7:12

more interesting. Actually, it's well acted. It's

7:14

well put together. I understand one at

7:16

one, but I never never watch it

7:19

again. Same as interest teller. All right.

7:21

Well acted. Well, this well that. Don't

7:23

really care about it. Paul. You know,

7:25

so that's what I'm saying. Come back

7:27

to spy movies. I'm stunned, well done

7:29

sir. Hey, I'm saying, that's how it

7:31

is man. You have gone on record

7:33

saying you hate this movie, you think

7:35

it's a piece of shit, and here

7:38

it is, in your 10th best film.

7:40

10th, because it, for it to do

7:42

this, and for me to say, how

7:44

can I hate it if I see,

7:46

12 times? I'm saying shit. So that's

7:48

what I'm saying. Well look. You're a,

7:50

a, b, b, b, b, cep. Sorry

7:52

everyone sorry sorry sorry sorry Paul's like

7:54

this is what I'm saying What's your

7:56

number 10 fuck face? Very

8:00

challenging to follow that one up. Mine number

8:02

10, in fact, couldn't be further from it,

8:04

really. Because this is a film which I

8:07

championed all the way along. It was my

8:09

favorite film, 2020. It was an Academy Award

8:11

nominated film. Maybe it won for Best Foreign

8:13

Film. I can't remember, but it is all

8:16

quiet on the Western Front. That's record back.

8:18

Edward Berger. Shit. Front film. German film. Yeah.

8:20

Artie Farte. Yes, but really well-way, two and

8:22

a two and a half hour film based,

8:25

of course, of course, on the classic novel.

8:27

And Geez, and Geez, this film is. This

8:29

film is. up there with one of the

8:31

best war films that I've ever seen. It's

8:34

in my top five of all time. It's

8:36

Harry. Do you remember the way that film

8:38

opens with the incredible sequence of a soldier

8:40

being killed during a sort of rush through

8:43

the trenches? Then the body's on the back

8:45

of a cart and then the uniform gets

8:47

stripped from it. Uniform gets taken away and

8:49

you know... mended but not well enough because

8:52

then one of the one of our main

8:54

characters gets the uniformers is oh there's blood

8:56

on this like ah you're right mate keep

8:58

going exactly yeah that's such a powerful way

9:01

to open this film and the eye the

9:03

recruitment of these young men for World War

9:05

one and they also excited and then very

9:07

quickly we lose one of our four main

9:10

characters and they get whistled away to the

9:12

course of the film we just left with

9:14

Paul and he makes friends with a bunch

9:16

of veterans with a bunch of all their

9:19

fates play from the Marvel cement universe. Daniel

9:21

Brel, who is a German politician, trying to

9:23

negotiate the end of the war, but the

9:26

soldiers are just, the majors, or whatever they

9:28

are, they're just pushing forward with it, not

9:30

caring about the human costing. It's just very,

9:32

very powerful on so many levels, and so

9:35

well filmed, and so well acted. And I

9:37

know it's always hard in foreign film to

9:39

tell with it, but she's, I believe, every

9:41

single person in this movie. What it was

9:44

is that, because it's a long film and

9:46

it's fine and the fact that, but it

9:48

was so well put together and, because I

9:50

remember you recommended this to me and I

9:53

was like, what? And then I looked, took

9:55

it out and I was like, that's really,

9:57

really great. So, surprised that it's your number

9:59

10 on a list this short, but okay.

10:02

I see it. I see it. I see

10:04

it. Look, I started with four and a

10:06

half star films and worked my up to

10:08

five star films over the last year. You

10:11

had a system. Yeah. You know, I have,

10:13

it's called that a boxed. Right. No, no,

10:15

that's a system. I was like, what did

10:17

I like? And then you look at a

10:20

list. So you're like, well, that one was

10:22

like, well, I like. And then you look

10:24

at a list. So you like, well, well,

10:26

well, that one was like, so you look

10:29

at a that one, so you look at

10:31

a list. So you like, well that one,

10:33

so you like, well that one, so you

10:35

like, well that one, so you like, well

10:38

that one, well that one, so you like,

10:40

so you like, well that one, so you

10:42

like, well that one, so you like, well

10:44

that one, well that one, so you like,

10:47

well that one, well that one, well that

10:49

one, well I probably smoke it will be

10:51

in there too. My number nine. My number

10:53

nine is I tossed and turned and ummed

10:56

and out over this one but I have

10:58

decided that a rival is fucking fantastic. You've

11:00

got some love there in the listener community,

11:03

there for you back coming at the end

11:05

of the episode as always. Oh really? But

11:07

as I think I'm on the record I

11:09

thought that film was... bulk standard average didn't

11:12

do it for me. So it's all you

11:14

take it away. Okay, so arrival everyone this

11:16

is where Amy Adams and and Hawkeye are

11:18

in this film and it's about of course

11:21

alien arrivals so to speak. Amy Adams is

11:23

this sort of linguist correct for whatever reason

11:25

is like the only one that communicates with

11:27

the aliens and why I think it's the

11:30

shit. Two reasons. One. First of all, Denise

11:32

Vanille, right, is doing some great work with

11:34

like, the, um, it's running gags with each

11:36

other, like terrible, and that's one of, but

11:39

the, the actual visuals, like all of, a

11:41

lot of his films, shall we say, are

11:43

stunning, and there's moments in the, three reasons,

11:45

actually, there's moments in there where it's just

11:48

silent, there's no score, there's no nothing, and

11:50

you're just looking at this thing floating in

11:52

the thing floating in the middle of the

11:54

middle of a, And the foreground of the

11:57

film connects so heavily with the second half

11:59

of the film, and then by the time

12:01

you get to the end of the film,

12:03

you kind of get to the middle of

12:06

the film, it is a fucking mind-fuck. And

12:08

I think... Can I weigh in on the

12:10

right? Please, please. Fans of the show might

12:12

have followed me across to binge movies from

12:15

that time. Jason, their wonderful podcaster, who does

12:17

an excellent excellent show, and recently I... I

12:19

was on his show for the final Halloween

12:21

spook tacketer we did the final destination series.

12:24

Oh yeah. And we were stunned together to

12:26

realize that the writer of final destination five

12:28

is the writer of arrival. Are you kidding

12:31

me? A film. He stepped up. Five years

12:33

before arrival in 2016 came out has the

12:35

same plot twist as this one does. Wait

12:37

a minute. Really? Basically. Hang on a second.

12:40

So time is a flat circle. Yes. Same.

12:42

Is that, is final installation five the one

12:44

you like with the logs? No, that's two.

12:46

Two. Two is, two is one of the

12:49

greatest horror movies ever made. Yeah, yeah, yeah.

12:51

Yeah, anyway, point out. Oh, okay. I know

12:53

that. And it's Eric Hiseria, who's written some

12:55

other absolute fucking tripe as well at the

12:58

Nightman Home Street remake and Bloodshot. So, yeah,

13:00

interesting career that that's on. Wow. I worked

13:02

on television with Shadow and Bone for a

13:04

while then. He should do a bit more

13:07

work as he's doing this stuff. Well, that's

13:09

the thing. And that's why, so yes, again,

13:11

the mechanics of the plot and how it

13:13

connects to each other is actually mind-boggingly amazing.

13:16

And the final third thing I think is

13:18

awesome about it is that it's a little

13:20

bit like eternal sunshine of the spotless mind

13:22

in that it asks you a question as

13:25

a human that you have to ponder as

13:27

you're walking out of the cinema and on

13:29

the way to getting a burger. Because if

13:31

you're basically what it asks If you knew

13:34

that really really bad shit that's going to

13:36

make you unhappy and probably like miserable and

13:38

depressed was going to happen before it happened

13:40

would you still do it because of the

13:43

good parts of that experience? Yeah and I

13:45

could be the best part about that question

13:47

in this film is that the two main

13:49

characters have a different reaction to it. Right

13:52

Jeremy Renner does not handle this well at

13:54

all or he handles it just fine depending

13:56

on which way you look at it. Sorry

13:58

yes well but the point being is he

14:01

leaves her. because she's like, how could you

14:03

do this one? You still knew it was

14:05

going to happen. She herself knew not only

14:08

that it was going to happen, but that

14:10

Jeremy Renner was going to do this because

14:12

she can see into the future and shit,

14:14

and that's how she knows how to fucking

14:17

read the... Eight years later you don't give

14:19

a fuck. So please don't hit us up

14:21

with ahhh! Well, you know what? Even with

14:23

that little bunch of crap I just spun,

14:26

you should watch this film if you haven't

14:28

watched it because it's a fucking experience if

14:30

you ask me. And watch it on what

14:32

Paul calls the biggest screen you can. Because

14:35

there's the cinematics of it. Oh, you're Christian's

14:37

house. Yes. If you know someone with a

14:39

home theater, go knock that brick up. So

14:41

yeah, that's the guy. So, or don't. Or

14:44

don't. Or don't. Or don't. Or don't, because

14:46

you might. Or don't, because you might not

14:48

want any legitimate. If it's a prick you're

14:50

fine. So yes, arrival is my number nine.

14:53

Right. Mine number nine, Wayne is short cause

14:55

consternation. I can't wait. So let's prep ourselves

14:57

here. Mine number nine, Wayne, you and I

14:59

got into a stouse over recently. It's going

15:02

to be very high, if not highest, on

15:04

my list of the best film. Yeah, it's

15:06

the Shadow Straight. I was just going to

15:08

say I bet you it's not going to

15:11

be one of those Korean directed shit films

15:13

that you like you like you like, is

15:15

it. You're doing it just a piss me

15:17

also, fuck off! Yeah, you can suck my

15:20

neck, you fucking bitch. That's whole shit. I

15:22

can't believe. You're a prick, you're a prick.

15:24

Do you actually believe this? Or are you

15:26

just doing some shit to fuck with me?

15:29

All right, good, John. Okay good, well not

15:31

the shadow sucks, but what is your actual

15:33

number? It's gonna be my top 10 of

15:35

the year, prepare yourself for that next year.

15:38

Mine, I'm an Iron Wayne, might well be

15:40

on your list. It is the best film

15:42

in the Marvel Cinemate universe. It is A

15:45

Vengeance, Colin, Infinity War. Yeah, okay, there you

15:47

guys. Of course, directed by the Russo brothers,

15:49

this is where we bring together the first

15:51

part of 10 years of world building. and

15:54

however many films up that point I feel

15:56

like it's like 16 or so films and

15:58

it culminates in this first part of the

16:00

story of all these heroes coming together to

16:03

fight against the greatest threat the universe has

16:05

ever seen in the form of Thanos, and

16:07

yet Thanos is somehow, somehow, the geniuses movie.

16:09

Absolutely, it's Thanos's film. And here's the thing,

16:12

everyone, I have probably, I can't even think

16:14

of another movie event where all the cards

16:16

were stacked against it to fail because the

16:18

expectations were so high that I myself shat

16:21

my pants on the way to the cinema.

16:23

And... Then when I saw it... Go home,

16:25

clean off, and start again. I came back

16:27

and then I shot myself again because it

16:30

was so good. Like it was... Do you

16:32

remember Paul? I'm pretty sure we saw it

16:34

together, I don't remember any smell. We saw

16:36

it in the band screen, didn't we? Yeah,

16:39

I think so. So we went and there

16:41

was all motherpuckers dressed up and there was

16:43

like fucking studio reps and your mother snatched

16:45

and all those things. And I rushed back

16:48

out to see it with my then, girlfriend

16:50

with my then girlfriend, girlfriend, girlfriend, girlfriend, girlfriend,

16:52

girlfriend, girlfriend, now wife, now wife, now wife,

16:54

wife, and wife, and wife, wife, wife, and

16:57

wife, and wife, wife, and wife, wife, wife,

16:59

wife, and wife, and wife, and wife, wife,

17:01

wife, wife, wife, and wife, wife, and wife,

17:03

wife, wife, wife, wife, wife, wife, wife, wife,

17:06

wife, wife, wife, wife, wife, wife, Bro it

17:08

was like and that would be like for

17:10

real this is stupid that's a highlight of

17:12

the podcast for me because we never would

17:15

have been in that room absolutely right? So

17:17

we turn up there and then every it's

17:19

remember this is a two and a half

17:22

whatever three hour film we're all hanging on

17:24

the address seat remember the mark was captain

17:26

marvel that movie made a billion dollars because

17:28

it was simply because it was all this

17:31

one no followed this one didn't it wasn't

17:33

between this and sorry yeah you're right you're

17:35

right between this the other one but that's

17:37

the thing there was so much like we

17:40

want some information on this all I'll pay

17:42

for the end credit scene right and Man,

17:44

it just did everything. And then it ended

17:46

in a way where I'm like, holy shit.

17:49

And I'm seeing... I actually did it. Yeah.

17:51

She killed half the heroes. And I'm seeing

17:53

like moms and dead, normal people online saying,

17:55

you know, end of infinity war and then

17:58

like crying face emoji. And I'm like, how

18:00

did you see it? I mean, it's not

18:02

red wedding, let's be honest, but it is

18:04

pretty close. Yeah, yeah, it's not red wedding,

18:07

but like for this to do that after

18:09

10 years and everything and all my god

18:11

And then people are on the edge of

18:13

their ass for like the whatever year reason

18:16

why it's not red wedding is good red

18:18

wedding doesn't retro respectively fix it And you

18:20

knew they were going to I understand that

18:22

but Yeah, we got to sit there going.

18:25

Yeah, how are they going to fix it?

18:27

Yeah, how are they going to fix it?

18:29

The answer is with a fucking rat. Well,

18:31

you know, just on that point, though, this

18:34

is like, it was a good, like, like,

18:36

for, because you and I, I remember us

18:38

being on the show talking about it, going,

18:40

look, if it's just fucking time travel, that's

18:43

bullshit. Yeah, I hate that they do that.

18:45

Then they did do try and try and

18:47

travel. And it was still good. Go on,

18:50

recent guest on Julio of the Contraines, went

18:52

on, basically said, whoever has end game higher

18:54

will win my vote this week. Well, I

18:56

got news for you. Oh, yeah, I'm on

18:59

Wayne's list. It's certainly not on my mind.

19:01

No. And it's nowhere near a good of

19:03

film as this one. I know it's one

19:05

of his absolute favorite films all time, which

19:08

I don't, you know, it's not your favorite

19:10

film. Here's what happened with end game, right,

19:12

since we're talking about it. You have this

19:14

thing, which is like, oh my God, they

19:17

did it. We wait a whole year, right?

19:19

Then it comes back and we're like, what's

19:21

going to happen? For the first, maybe act,

19:23

it's quiet. It's a quiet film. It's somber.

19:26

Oh my God, it's five years later. We

19:28

know they're going to do a five-year time,

19:30

Joe. Right. Yeah, there's that. And then it's

19:32

five years later. And you're like, what's going

19:35

on now? What's going on now? And then

19:37

you're like, and then you're like, like, holy

19:39

shit. it has this slow burn slow burn

19:41

slow burn giving it meaning and then it's

19:44

still I would say this though the end

19:46

of end game with the on your left

19:48

yeah the last that kills over infinity war

19:50

but infinity war is a more consistently better

19:53

film exactly everything that last 30 40 minutes

19:55

of in game is stellar thousand percent but

19:57

you get away through some pretty strong way

19:59

but pretty average stuff well this is the

20:02

thing though it's one of those things where

20:04

you you almost can't It's hard to take

20:06

one without the other, like you have to

20:08

kind of say, look, this was a sequel

20:11

to that one, and it wasn't just a

20:13

sequel, it was the sequel. They made them

20:15

together. So it's almost like if you put

20:17

them both together, does that diminish Infinity War's

20:20

position? I don't put it on. No, right?

20:22

So that means... Yeah, I know. So that's

20:24

it. But yeah, Infinity War. Good call, little

20:27

low. Fair enough, Wayne. What is your number

20:29

eight? Mine of eight is Logan. Also, little

20:31

low. Okay. So, Lohjan, I'll tell you this,

20:33

folks. I've only seen it one point five

20:36

times. What? No. No. But I do remember.

20:38

By the way, if you're not a patron

20:40

member, you might not be aware, but apparently

20:42

Wayne and Mark. Are Wiwina cousins. Yeah, I

20:45

dated a girl, I dated a girl who

20:47

said that she was, she fathered as a

20:49

child with Marki Mark. She was insane. Go

20:51

ahead, be a patron, check out that story,

20:54

feel free. Anyway, Logan. Now, big fan of

20:56

the X-Men when it came out back in

20:58

the day. The first and second ones? Yep.

21:00

I'm assuming last day and not so much.

21:03

But still not bad. Anyway, and then, you

21:05

know, to see actually them put, like, first

21:07

of all, this is the best move by

21:09

Hugh, Hugh, Hugh Grant, right? Hugh Grant? No.

21:12

Hugh Jackman. Yeah, right? Old, I'm very old,

21:14

everyone. Okay, as I have a girl. I

21:16

was going to say, Hugh, Laurie. He sends

21:18

the character out Swan song wise on this

21:21

level where he makes that superhero character. Turned

21:23

into a fucking David Mamet film or something.

21:25

This is such a- James Mangold film. James,

21:27

but like it seemed like, it seemed like

21:30

a fucking, it seemed like Miller's crossing this

21:32

fucking film. It was so different in tone

21:34

and to see the way that he- It

21:36

was R-rated for starters. R-rated for starters. But

21:39

secondly, like, before when you see Wolverine skewer

21:41

someone with his like, with his blades, right?

21:43

It's like, it's like, it's like, it's, okay,

21:45

it's like, it's like, it's like, it's, it's,

21:48

it's, it's, it's, it's, it's, it's, it's, it's,

21:50

it's, it's, it's, it's, it's, it's, it's, it,

21:52

it, it, it, it, it, it, it, it,

21:54

it, it, it, it, it, it, it, it,

21:57

it, it, it, it, it, it, it you

21:59

know and he like it's like they handled

22:01

it completely different and the tone of the

22:04

film works so much better and it was

22:06

so sad of course they're using Johnny Cash

22:08

right as the soundtrack himself but to make

22:10

Professor X actually be decrepit and dangerous? A

22:13

demented. A demented? A demented? And him saying,

22:15

look, we're going to do this thing where

22:17

we're going to get a boat and we're

22:19

going to live out our days, you and

22:22

me in the middle of the ocean. And

22:24

that's how we're not going to hurt people.

22:26

You know, and everything that led up to

22:28

it, X23 was fantastic. That girl was amazing.

22:31

She absolutely was. I could not agree more

22:33

if I'm allowed to. Please, please come tell

22:35

me because it's on your list. What do

22:37

you love about it? Very, very few films

22:40

that I had such a visual emotional reaction

22:42

to. This was my favorite film of the

22:44

year. Daphne as X-W-3 or Laura. Hugh Jackman's

22:46

Logan perfectly, you know, he ends up realizing

22:49

this is the end of, I'm going to

22:51

sacrifice everything for this kid and her peers

22:53

at that point. They just struck. This emotional

22:55

balance in a way I don't think any

22:58

superhero film has before. His end is so

23:00

perfect yet tragic yet emotional. Yeah, it's harsh.

23:02

That moment where she X23 goes over and

23:04

twists the cross. Yeah, to make it an

23:07

ex. To make an ex? I'm like, oh

23:09

my God. Yeah. That is still one of

23:11

the most emotional moments in the cinema I've

23:13

ever seen. I remember seeing it with my

23:16

then girlfriend walking out the cinema, just like

23:18

trying to hide my tears. Fuckin'er. Fuckin'le. And

23:20

obviously there's a dad of a kid. I

23:22

think it struck me that much. Of course,

23:25

I can only imagine. I can only imagine.

23:27

The action. The action. The action. The two

23:29

or three big action. The two or three

23:31

big action scenes is incredible. He's fighting his

23:34

younger self. Exactly and knowing he's dead. He

23:36

makes that decision. Okay, I got to do

23:38

this for these kids. And he knows that

23:41

the adamantium is actually killing him and stuff

23:43

like that. So good. And then even the

23:45

way that they take care of, so to

23:47

speak, Professor X's fate here, as cruel as

23:50

fuck. I know, right? This film doesn't play

23:52

titilly wings, playing for keeps, and it really

23:54

struck me in a way that's a very,

23:56

very few films, very few films. It's one

23:59

of the finest. And I think him appearing

24:01

in Deadpool didn't punish this one bit because

24:03

it had been long enough and it had

24:05

been like helps. Yeah, and it was just

24:08

like so different. Yeah, so different than this

24:10

particular version of Logan that. It's okay in

24:12

the way. It's almost like it came back

24:14

and it was fun. It's not it's not

24:17

the same one, right? It's a different one

24:19

from a different universe. So one of the

24:21

good things about the multiverse is you can

24:23

get away with that kind of shit. Yes.

24:26

The bad things that multiverse is no one's

24:28

ever truly dead. Exactly. And nothing's playing for

24:30

keeps. Yeah. It's coming to an end and

24:32

being surprised by by a loss of a

24:35

carrier like who you really care about. Yeah.

24:37

Yeah. No, makes sense. So yes, my number

24:39

eight was Logan. Logan, very nice choice there.

24:41

So my number eight, Wayne. Is the other

24:44

film from Timo Johan show? The night comes

24:46

for us an actual good film. Oh, fuck.

24:48

And fuck you. Wait, this is number eight

24:50

on my list. Eight. Or, because you're not

24:53

reacting, it's Mission Impossible Fallout. Because... Oh,

24:56

I see, you were fucking with me

24:58

again. Good, because that's a piece of

25:00

shit. Well, you can't, you know... No,

25:02

I love that movie, I do, and

25:04

it's not even... It'll be my top

25:06

30 films that we've done since the

25:08

start of the podcast, but... That's also

25:10

too high. Mission Colony Possible, hyphen fallout.

25:12

That's my number seven. Okay, so we're

25:14

right here. Yeah. I remember. Most significantly

25:16

because the story that comes attached to

25:18

this. Please. It was a July release,

25:20

middle of the year, as these Mission

25:22

Impossible Fallout films have become. So Mission

25:25

Impossible Films have become. Yep, yep. And

25:27

I had the choice of going to

25:29

Christmas and July with my work colleagues

25:31

or coming to see this tentpole film.

25:33

I have never lived it down with

25:35

my work crew, who are not longer

25:37

my work crew, but friends now. Ever

25:39

since like, a lot of time we

25:41

didn't come to Christmas and July, and

25:43

just came late and just barely got

25:45

there to have one day to have

25:47

one beer and have one beer. Like

25:49

worth it. Because this film is so

25:51

fucking. This is by far and away

25:53

the best spy thriller that we have

25:55

done in the history of the podcast.

25:58

Is this by far and away the

26:00

best mission and possible film? This is

26:02

by far and away and by the

26:04

way I keep saying that very deliberately

26:06

because Tom Cruise is a star and

26:08

star in the way. Well done. Well

26:10

done. Well done. Could just. I didn't

26:12

miss it. Well you weren't reacting. I

26:14

was thinking it over. Because you're such

26:16

a, you're making such a grandiose statement.

26:18

This is far and away. I think

26:20

the best T of the C film

26:22

ever made. No! Give me a better

26:24

one. Jerry McGuire. No. For you sure.

26:26

Talk on me ever. Nope. Okay. There's

26:29

a question. Well, maybe we're at the

26:31

hero. I'm just saying. Which is a

26:33

better film for you? Really. Well here

26:35

it is right so what is cool

26:37

about Tom Cruise right is that he's

26:39

not afraid to have these up-and-comers potentially

26:41

upstage him he's so confident he puts

26:43

Superman in this film right sure he

26:45

gave him a shit moustache right yeah

26:47

but in because otherwise he wasn't allowed

26:49

to be in the film right is

26:51

that how it worked is that so

26:53

no what happened was Isn't that you

26:55

couldn't look the same? Is that the

26:57

deal? No, what happened was they just

27:00

happened to give him a mustache to

27:02

make him more the villain And then

27:04

when they need to do pickups on

27:06

Superman They said can you please shave

27:08

off the mustache and Christopher Macquarie said

27:10

nope Also take it out of that

27:12

film. Yes, so they had to digitally

27:14

remove it from that. Sorry. Sorry. But

27:16

this is but that's but that's but

27:18

that's I mean that's kind of a

27:20

good point though like having, you know.

27:22

Henry Campbell in this film and he's

27:24

already considered, like he's a lead, he's

27:26

a hero, he's Superman, he's this, that,

27:28

but they make him the villain. One

27:31

of the interesting things- One eventually. Well

27:33

eventually, right, but this is the thing

27:35

though, right? Christopher Macquarie was saying that

27:37

the biggest criticisms he hears from this

27:39

film is that people go, yeah, I

27:41

knew he was the bad guy all

27:43

along. Oh shit. No, no, but he's

27:45

a thing, Christopher Corbett for him said,

27:47

he's the bad guy, he's the film.

27:49

This villainous music. Right? And even when

27:51

he was writing it, and he's, yeah,

27:53

and even when he was writing it,

27:55

and he's talking with Tom Cruise, going,

27:57

how do we hide that he's the

27:59

bad guy? And they said, don't bother.

28:02

And he said, don't bother. Just make

28:04

it, no, even in the trailer, make

28:06

it look like it's kind of. of

28:08

a villain. You know, like, so you

28:10

walk in knowing it and then when

28:12

it's revealed, it's not that big. It

28:14

wasn't like a big, it wasn't the

28:16

moment that Ali Baldwin gets kept. No,

28:18

no, it wasn't like that. And that,

28:20

by the way, almost burst into tears

28:22

myself. Just like, oh my God. They

28:24

killed Alec Baldwin. And also, big surprise,

28:26

Alec Baldwin didn't kill anyone on the

28:28

set. Oh shit! Wayne's like. Balsy. Stupid,

28:30

but Balsy. That joke ends the decision

28:32

to kill us all. Yeah, okay. But

28:35

yeah, no, this is it. Like, of

28:37

all the Mission Impossibles, right? Because I

28:39

know you love, everyone loves the first

28:41

one, right? Well, Brian DePamba. I do

28:43

love the first one. Well, DeParme is

28:45

only big budget films. Yeah. So, I

28:47

mean, I am on record as adoring,

28:49

you know, ghost protocol. I think that

28:51

number one. Oh yeah. Okay, and are

28:53

we all excited for these? Sadly, dead

28:55

reckoning would be, I think of the

28:57

lower half of the list. That was

28:59

disappointing that movie. Yeah, after this one.

29:01

Oh, because I'll show this one. Yeah.

29:03

Well, that's the one I'm assuming. Look,

29:06

I've got big high hopes for the

29:08

final reckoning, yes. Is, yeah, I'm big

29:10

on that. I'm sure he's gonna retire

29:12

after that. I think this is, I

29:14

went in the corner of the final

29:16

record, I think it's the last Mission

29:18

Impossible film at least with Ethan Hunt

29:20

in the series, like they may, he

29:22

may hand the torch over to someone

29:24

else or there may be, you know,

29:26

maybe it's Harley Atwell who's going to

29:28

be the new... I would like to

29:30

see a Batman Beyond kind of thing

29:32

where Ethan Hunt does come back in

29:34

a few years. but he's the grizzled

29:37

kind of sure yeah that would be

29:39

fine yeah it's a legacy cool but

29:41

only in four or five years time

29:43

rather than yeah yeah yeah exactly yeah

29:45

yeah then he would be too old

29:47

then he would be even older than

29:49

John Voic in the original so shit

29:51

yeah okay look I love this movie

29:53

for all the reasons you said I

29:55

love this movie for all the reasons

29:57

you said I think sequences are incredible

29:59

I think it's got wonderful chemistry with

30:01

Brecon Thurg Ferguson so Ferguson as you

30:03

call her murgerson as you call her

30:05

as you know as you want from

30:08

a spy thriller It is thrilling. It

30:10

has incredible action sequences. and I was

30:12

on the edge of my seat the

30:14

whole way through so yeah damn right

30:16

mission call and impossible hyphen fallout is

30:18

my number you should have said mission

30:20

accomplished well that's my number mother fucking

30:22

seven so we back to you mother

30:24

all right my number seven is a

30:26

film way in which we are both

30:28

particularly fond of from 2017 is directed

30:30

by one of our favorite directors in

30:32

the world Edgar Wright baby driver no

30:34

Look, I think this film might be

30:36

the best constructed film. There's one other

30:39

on my list that could take the

30:41

crown in that regard for reasons I'll

30:43

get to when I get there. But

30:45

this one, I know that not everyone

30:47

loves it. Even I'm not a fan

30:49

of the plot contrivances at the end.

30:51

But apart from that, I think it's

30:53

the flawless movie. preceding part of the

30:55

film was so good I'm happy to

30:57

give the end a pass and it's

30:59

not even that it needs a pass

31:01

but like I know you're like mmm

31:03

okay this didn't happen whatever but I'm

31:05

actually fine with the ending I'm fine

31:07

with the whole movie I think it's

31:09

actually like you said one of the

31:12

best constructed films ever it's actually a

31:14

cinematic masterpiece and I have no qualm

31:16

saying I do I agree with you

31:18

as well the way it's edited and

31:20

the way the thought has gone into

31:22

every frame of this movie up until

31:24

the last 10 minutes is absolutely mind-blowing.

31:26

I think this is one of the

31:28

best opening sequences of any film ever

31:30

made to the John Spencer's blues explosion

31:32

with the highest and whatever else in

31:34

his driving, some of the shots and

31:36

that are incredible. And then through the

31:38

opening credits we get to see exactly

31:40

what's going on. There are references to

31:43

the music that's playing as babies moving

31:45

his way through the shots and the

31:47

scenes that are, unless you're paying real

31:49

attention, you'll just completely miss, there's so

31:51

much so many levels. He will layer

31:53

in so much information for you if

31:55

you really want to commit to it.

31:57

If you really want to watch carefully,

31:59

there's always something more. Feedy changes in

32:01

the background to show what's happening in

32:03

the scene, the street signs, all this

32:05

sort of shit. It's like... Diagetic, right,

32:07

that's the term. Diagetic sound, yeah, absolutely

32:09

is like, but I don't know, how

32:11

well did this dude, do we know?

32:14

Like, did it? I can tell you

32:16

how well, did it? Tell me. It

32:18

made $27 million of only $34. Oh,

32:20

so it killed. Oh, okay, good, I'm

32:22

happy about that, because here's what happened

32:24

with this film, because here's what happened

32:26

with this film, because here's what happened

32:28

with this film. We had Kevin Spacey

32:30

in it. We had Kevin Spacey in

32:32

it. We had Kevin Spacey in it.

32:34

We had Kevin Spacey in it. Before

32:36

all that should happen. In fact, it

32:38

left cinemas by the time. So it

32:40

wasn't tard with that brush Anson Elkhart.

32:42

Yeah, okay. Anson Elkhart. He was a

32:45

chance. It was new. That was a

32:47

chance. We needed someone baby face. No

32:49

pun intended. Lily James, gorgeous young woman

32:51

in this film. I forgot. Lily James,

32:53

gorgeous young woman in this film. I

32:55

forgot. bound and I might be wrong

32:57

here but the Matrix trilogy, Matrix, original

32:59

trilogy? Seems like that's right? The first,

33:01

yeah he did, the Matrix films. He's

33:03

got such an eye, this particular guy.

33:05

I do really enjoy the Pope films.

33:07

Remember the scene where like he's driving

33:09

down, well he's skidding, like he's doing

33:11

big 360s down this corridor and there's

33:13

trucks and shit pulling out in the

33:16

middle of that? That, just to do

33:18

that? Oh, you have a headshot? Yeah,

33:20

insane! And again, this is such a

33:22

well put together movie. It's got a

33:24

little bit of that Nolanish going on

33:26

with it where certain things are a

33:28

little bit contrived, but you're willing to

33:30

go with it because it gave you

33:32

that. For example, when he's getting away

33:34

from the police, he happens to be

33:36

driving a red car and he happens

33:38

to be able to do it all

33:40

switch room in the tunnel because there's

33:42

two other red cars next to him.

33:44

reviews on this show that if a

33:46

film can hide it seems from you

33:49

because you're so entertaining so in the

33:51

film and this is one of those

33:53

movies that does that. As I say,

33:55

all the way through until the end

33:57

for me. Absolutely. Nice one. Great. That

33:59

it's on both of our lists. A

34:01

very, very love film around these parts.

34:03

Wayne, what is your number six? Number

34:05

six is Sicario. Yeah, okay. Not even

34:07

thought of for me? Yeah, see, it's

34:09

a little bit of a venellist. You

34:11

are a veneer. Apologist. I believe it

34:13

completely. She's so scared, so messed around,

34:15

so this, so that. And then you,

34:17

I didn't, look, I've been to California,

34:20

but I've never been to Mexico. So,

34:22

just to see the way the cartels

34:24

are, how bad it is, and the

34:26

way this movie paints it, is that

34:28

just there are no good men here.

34:30

So that's why at the end, it's

34:32

like, you got to leave here, because

34:34

there are no good men here. And

34:36

the Bineusio character is just killing it.

34:38

The thing I always think about is

34:40

the bridge scene where that's like, you

34:42

know, that's a exercise intention that very

34:44

few filmmakers can match and he's so

34:46

smart. He's just got a dog barking

34:48

in the background and it's irritating you

34:51

just enough to keep you on the

34:53

edge of the seat and all this

34:55

shit goes down and then it continues

34:57

on like that, like from the very

34:59

beginning with the bomb and everything, you

35:01

know, oh my God. At the very

35:03

start of the film is don't they

35:05

find out bodies in the dry wall,

35:07

the house, the fucking whole thing blows

35:09

up a crew blows up, a crew

35:11

goes up, a crew goes up, a

35:13

crew goes up, a crew goes down,

35:15

a crew goes down, Benito Gatoro trying

35:17

to go get his revenge. That is

35:19

a absolutely brutal scene. And it pulls

35:22

no punches. It pulls zero punches. And

35:24

for me, it's like, this is the

35:26

most hard hitting thing. The second one

35:28

is not as good as this, and

35:30

it wasn't done by Denis Vanib. No.

35:32

But it's still good. Yeah, it's fine.

35:34

And so that's how good the show

35:36

is. And I will see anything he

35:38

does now. This is one of those

35:40

rare films, not rare films, it happens

35:42

more than occasionally, but where word of

35:44

mouth had built up my expectations too

35:46

much. I expected the greatest crime drama

35:48

ever made on the basis of what

35:50

people were saying. Oh, five star, five

35:53

star. Yeah. And I remember we went

35:55

and saw it at a very small

35:57

cinema. Yeah, that's good. But it's like,

35:59

where's the amazing? Really? I think, yeah,

36:01

maybe, I think that's what it was.

36:03

My expectations were not as high. So

36:05

I'm like, look at this fucking thing.

36:07

So yes. Clearly it's up here at

36:09

number seven. Yeah, six, six, six, six

36:11

of your list. That's very, very high.

36:13

Yeah, good. Yeah, good on. Look, I

36:15

don't think you'll have many arguments about

36:17

that one. I hope. Although, although you

36:19

want to agree, Wayne. There won't be

36:21

many arguments on number six, many argues

36:23

on number six, number six, number six.

36:27

It is my favorite film in one of

36:29

my favorite franchises that's ever been made full

36:31

stop. It's John Wick chapter 4. Yeah, yeah,

36:33

fuck me. I love this movie. John Wick

36:35

Colin chapter 4 is everything that I want

36:37

in action film. It is a wonderful swan

36:39

song for an incredible character. Is it long?

36:41

Yes, do I enjoy it despite that fact?

36:43

The fact that it's a hundred and seventy

36:45

minutes long and I want to watch this

36:47

film like I've seen it three times already.

36:49

It came out last year. Three times, when

36:51

I was recently at COVID for the second

36:53

time and I was isolating my dad's house,

36:55

I looked at all these movies, I looked

36:57

at everything that was online, after watching every

36:59

AFL game that weekend, I'm like, you know

37:01

what, fuck watching something new, I wanna watch

37:03

this again, and I was enthralled from beginning

37:05

to end, even, even get close to falling

37:07

asleep, anything else I put on fell asleep,

37:09

because I'm sick. This film, I watched the

37:12

whole thing all the whole thing all the

37:14

way through. I'm captivated by the whole thing

37:16

all the way through. fairly non-spoken character like

37:18

I think he's the same guy he's not

37:20

the greatest actor in the world but he's

37:22

physical prowess for a man if his age

37:24

is incredible agree on that and also if

37:26

you've seen street kings he is a good

37:28

actor he just doesn't get great directors every

37:30

single time yeah and so you did correct

37:32

me a couple weeks back russer who's a

37:34

better working action directed today than Timo Tianjo

37:36

it is Chadz for Helsinki yeah is incredible

37:38

and this movie is proof positive of that

37:40

the overhead shot Oh, the dragon's breast shotgun?

37:42

Yeah, that was, that was undoubtedly the, around

37:44

the ark to Triomphe, the, some of the

37:46

fights in the nightclub with Scott Atkins is

37:48

this huge over way. There's just so many

37:50

moments in this movie where I'm just like,

37:52

oh my god, damn, damn, damn. Do you

37:54

ever watch Scott Atkins films? Like he does

37:56

a few little things here and there and

37:58

he's like, okay, well at least he's doing

38:00

martial arts. Scott Atkins in little films like.

38:03

one shot and all the rest of it.

38:05

He is always the best thing about them.

38:07

Obviously we get up to the big leagues

38:09

here, the A leagues, he's not vesting anymore,

38:11

but he gives his all physically. He does

38:13

a really great job. Several times to be

38:15

the next Batman. Because he sort of looks

38:17

like Bruce Wayne and he's obviously, he's sort

38:19

of looks like Bruce Wayne and he's obviously

38:21

like, you know, and he talks about it,

38:23

he goes, yeah. this film franchise, one of

38:25

my absolute favorites of all time, and this

38:27

one is the piece that was his stance,

38:29

including where they ended the film. Now, remember

38:31

when we saw this film, Paul, the word

38:33

on the street was that they were making

38:35

a fifth one. No, they hadn't committed to

38:37

it, but it was just knowing that that

38:39

was going to happen. And then, like, this

38:41

one ends the way it ends, and you're

38:43

like, well, what are they going to do?

38:45

Then Kianu Reeves says, no, this is a

38:47

great ending, this is a great ending, this.

38:49

Is there anything that's going to happen after

38:52

this? We don't even know. But the story

38:54

goes. Chad and Kianna would frequently meet in

38:56

Japan when it's released. And for those who

38:58

don't know, Japan cinematic releases are often the

39:00

last in the world. So if they're not

39:02

doing a simultaneous worldwide rollout, they do it.

39:04

Eventually it makes its way to Japan. It

39:06

makes a few extra million dollars, you know,

39:08

20, 30 million dollars extra potentially. I wonder

39:10

why. I don't know. That's just the way

39:12

that it is the way that it is.

39:14

And so that it is. And so that

39:16

it is. And so that it is. they

39:18

often will go there for the premiere, the

39:20

last premiere around the world and they'll go

39:22

to some bar together and that's where after

39:24

the first second and third film that scratched

39:26

out notes together for the fourth film or

39:28

next film in the series. Right. And so

39:30

they did that for the fourth film and

39:32

they acknowledge look the story is probably over

39:34

for this character but we have a universe

39:36

here now we've created we've had the continental

39:38

TV series yeah we have ballerina which has

39:41

been delayed till next year with Adam Damas.

39:43

Why it was meant to come out it

39:45

was meant to come out I think maybe

39:47

the sag after the sag after the sag

39:49

after the sag after the sag after. I

39:51

think there is that story going around, maybe

39:53

a very young John Wick, played by a

39:55

different actor, so we get another film in

39:57

this universe in Canada, easy in Balarina, so

39:59

it's a prequel to this film. I think

40:01

I like that better. I think I like

40:03

it better. I think I like it better

40:05

than doing a good one. Because how are

40:07

they going to bring it back? Yeah, well,

40:09

look. If they could do a prequel, I

40:11

guess. Well, they're going to prequels, or, or

40:13

yeah, I think there is that story going

40:15

around maybe, I think there is that story

40:17

going around maybe a very young John Wick,

40:19

maybe a very young John Wick, maybe a

40:21

very young John Wick, maybe a very young

40:23

John Wick, played by a very young John

40:25

Wick, played by a different actor, played by

40:27

a different actor, played by a different actor,

40:30

played by a different actor, played by a

40:32

different actor, played by a different actor, played

40:34

by a different actor, played by a different

40:36

actor, might be a different actor But you

40:38

know what, if they said, you know what,

40:40

John Week Chapter 5, here he is alive

40:42

and well and kicking off, I will be

40:44

there for it. Front and fucking centered day

40:46

one. Yeah, despite how ridiculous. Whatever, it's a

40:48

movie, it's actually, I'm fine with it. There

40:50

you go. Exactly that. All righty, my number

40:52

five is into the spider verse. Okay, good.

40:54

I think, okay, good. Because I didn't write

40:56

down what year it was, I'm like, wait,

40:58

is you going to say going to say

41:00

it going to say it's going to say

41:02

some shit. It's going to say it's going

41:04

to say it's going to say it, it,

41:06

it, it, it, it, it, it, it, it,

41:08

it, it, it, it, it, it, it, it,

41:10

it, it, it, it, it, it, it, it,

41:12

it's going to, it, it, it's going to,

41:14

it, it, it's going to, it Spider Man

41:16

did the Spiderverse look we have talked about

41:19

this a whole lot and we probably still

41:21

will for a while but let's just say

41:23

this I saw the trailer I said I've

41:25

never seen anything look like that before that's

41:27

the statement there it is yeah and for

41:29

them to do what they did and make

41:31

it look like a comic but in the

41:33

best possible way where you show the dots

41:35

of color and you show like the occasional

41:37

glitch and this is this is the work

41:39

of some kind of creative genius and I'm

41:41

not saying that lightly because everyone's seen animated

41:43

shit before but for them to have the

41:45

idea to make the frame rate between characters

41:47

different to actually show what fucking type of

41:49

comic they are and things like that for

41:51

that to all happen in this one show

41:53

and for it to go like this and

41:55

actually turn out this well and then on

41:57

another note the sequel does another thing it's

41:59

a different thing it's more impressionistic in the

42:01

way and it's also beautiful I actually really

42:03

want to see the second one again because

42:05

I haven't seen it again for a while

42:08

and it's like Yeah, it looks, it's, this,

42:10

this entire thing is this shit. I can't

42:12

believe, what is the flavor of like coming

42:14

up all? It was meant to be this

42:16

year, the strikes happened, and they pushed it

42:18

back, it still doesn't have a date. So

42:20

not even next year, maybe? We're not even

42:22

sure. I think I did, I think I

42:24

saw something somewhere online suggesting 2026. Man, they're

42:26

gonna cool up if they fucking make this

42:28

any later. It's just some bullshit. Well, given

42:30

the way the second one ends with a

42:32

massive cliffhanger. You got to do that. That's

42:34

why I was meant to be 12 months.

42:36

It was meant to be an infinity war

42:38

in-game sort of scenario. Obviously, not as much

42:40

weight behind it. I'm not suggesting for a

42:42

second there hoolio that there was. But, yeah.

42:44

Unfortunately. Unquestionably, like, at least the last 10

42:46

years. For real, for real. So yeah, okay.

42:48

So yeah, that's my, into the Spider-verse is

42:50

my number of high- Wonderful choice. Yeah. It's

42:52

an honorable mention way. It doesn't crack well.

42:54

Yeah, that's how this list goes. Yeah, and

42:56

it would be my number 11, I was

42:59

blown away. Yeah, blown away in the cinema

43:01

watching this movie and just did not know

43:03

what I was in for when I'm fucking

43:05

another Spider-Man, another Spider-Man film, it's animated, whatever,

43:07

and by coming out, I was a convert,

43:09

suddenly, suddenly I understood why people love Spider-Man,

43:11

so this film, Miles Morales, did it for

43:13

me. This also transcends like demographics that you

43:15

would expect. Jen, listener of ours, I recommended

43:17

this. She went and saw it, said she

43:19

loved it, even saw it twice. Nice. Like,

43:21

forget about it. Beautiful. You know what I

43:23

mean? Well, well, I'll say. Or I can

43:25

bounce back to you, because my number five

43:27

is Lujan. Ah, Lujan. Spanish subtitles. Yes, well,

43:29

speak of sort of the devil Paul, my

43:31

number four is Topkahn Maverick. Yeah. Yeah. So

43:33

better for you than Mission Colin for. call

43:35

impossible hyphen fallout. Yeah, and I'll tell you

43:37

why. Okay, because keen to hear. Well, remember

43:39

that year that it came out, um, COVID,

43:41

COVID, right? 2022, right? 2020, yeah, 2020, 2020,

43:43

2020, for us here in Perth, that's where

43:45

COVID really ran through, because I closed the

43:48

borders, and then they eventually had to open

43:50

the lockdown, where we were sort of this

43:52

little haven, where we could still, where we

43:54

could still do more than most people, up

43:56

until most people, up until that point, up

43:58

until that point, up until that point, up

44:00

until that point, up until that point, up

44:02

until that point, up until that point, right,

44:04

right, up until that point, right. Right. Right.

44:06

through everyone. Yeah, that's it. So Top Gun

44:08

Maverick. Again, we talk about things like our

44:10

recent review of Gladie. Did you miss it?

44:12

The cinema because she had COVID. I did.

44:14

Yeah. I had COVID and missed it. There

44:16

was a wicked advanced screening which I couldn't

44:18

go to and pull to one of our

44:20

friends and he won't shut up about how

44:22

awesome it was. It was absolutely the best.

44:24

There you go. See. They had a dude

44:26

playing what guitar doing the Top Gun Anthem.

44:29

and still shut my pants with glee.

44:31

So having seen this with a range

44:34

of different people, I've shown this to

44:36

many people. I'm talking about women. And

44:38

um... Didn't need to be seven thanks.

44:40

Thank you. And I've actually been comfortable

44:42

to say to them, this is a

44:45

good fucking film. All right, so just

44:47

so you know, I know you've heard

44:49

of it, but I haven't seen it.

44:51

Check it out. towards the end of

44:54

the film in all three cases she

44:56

leans over you're right this is a

44:58

great fucking film and I've decided and

45:00

it's always the scene when he comes

45:02

back to the bar afterwards and sees

45:05

and like he's looking for fucking Jennifer

45:07

Connolly and I don't know what it

45:09

is but because of all the things

45:11

that happen and yes there's an F14

45:14

in it which I just love right

45:16

I'm oddly in aviation slight geek but

45:18

not a real one. Yeah,

45:22

I'm saying, I'm saying, but like, the

45:24

fact that, like, we just reviewed Gladiator

45:26

2, that's coming out, and we were

45:28

talking about when you, 20, 20, 20-ish

45:30

years, or 20, 20-ish years. Shouldn't work.

45:32

Shouldn't work. This is like one of

45:35

the few times it did work, okay?

45:37

Great. Even James Mangold can't make shit

45:39

good after years and years with the

45:41

Indiana Jones shit. Oh, fuck that movie.

45:43

Exactly. So this, and every reason to

45:45

fail and didn't. And of course, this

45:47

is the actual film where Stephen Spielberg,

45:50

high five Tom Cruise and said you

45:52

just saved cinema. Because everyone came back

45:54

and watched this thing because it was

45:56

so fat as good. So best Tom

45:58

Cruise movie? On the spot, here we

46:00

go. I'm so old that Jerry McGuire

46:02

is less relevant to me now, but

46:05

I probably was more surprised and shocked

46:07

at how much I adore Jerry McGuire,

46:09

how much it meant to my life.

46:11

Which one? This is probably a hair

46:13

better. Ooh. Okay, there. I can't use

46:15

Stan with Loop, motherfucker. That's right. I

46:17

stand remotely, not even slightly. I have

46:20

folded like a deck chair. And there

46:22

you are! That is my number four,

46:24

Lisa Jennifer. Paul, what's your number? My

46:26

number four equally is a film which

46:28

is very very me and one that

46:30

I still don't think you've seen Wayne

46:32

and it's starting to shit me if

46:34

I'm honest. What is it? It is

46:37

young sang hose trained to Passan. Ah,

46:39

yes. The greatest zombie movie of the

46:41

last 10 years. It's also filmed with

46:43

more heart than you would expect. It

46:45

absolutely will tug on your heartstrings. Childless

46:47

though you may be. Oh right, okay,

46:49

really? I say maybe because we just

46:52

don't know. We're just all pox. No

46:54

one's coming knocking. Dad? I have a

46:56

lot of fake illnesses everyone. Trendy Bessan,

46:58

yes, no look, I've obviously got a

47:00

point about it. I guess we're at

47:02

the point now, the podcast, where we've

47:04

spoken all these films to death. won't

47:07

go into detail except to say if

47:09

you've seen this movie you know you

47:11

know that this is not your standard

47:13

operating horror film you know that it

47:15

has way more characters you care about

47:17

than any general horror film that you

47:19

would expect it also ends in a

47:22

way that you would not anticipate come

47:24

the start of the film at least

47:26

if you're a western audience watcher okay

47:28

I'll give it I will give it

47:30

a try before the weekly show ends

47:32

what about it Paul that would be

47:34

awesome I'd love to hear your thoughts

47:37

I love to hear your thoughts Here

47:39

we go what we have agreed upon

47:41

a particular TV show to review this

47:43

next week Should we abandon that and

47:45

review train to bazaar? Yeah, right? Because

47:47

it's gonna be better than what we're

47:49

gonna do set ourselves up to watch

47:52

We're gonna watch the office Australia for

47:54

you folks Just just like just because

47:56

you know we watched it so you

47:58

don't have to and maybe you want

48:00

that we can do that anytime Maybe

48:02

maybe this is this is both salvation

48:04

for us All right, I'll watch 20

48:07

beside and we'll review it next week.

48:09

Okay, done deal decision retro review from

48:11

2016 this movie. I want to talk

48:13

about any more then because Wayne needs

48:15

to see it and come back next

48:17

week for our review because Wayne is

48:19

gonna wait on this movie good bad

48:22

or indifferent and then maybe Fighting. Done

48:24

and done, ladies and gentlemen. Um, well,

48:26

it's actually a mention of the Infinity

48:28

Wars. We're back in here. Oh, wow,

48:30

up here. Yeah, man. It's a refugee

48:32

war, my fucker. Damn. Yeah? That's really

48:34

high. I know, it's fun. No, last

48:37

10 years, motherfucker. This thing had an

48:39

effect on my life. And in fact,

48:41

when Endgame came out, all right, I

48:43

had an operation on my hip, which

48:45

I had to fight to be better

48:47

for to attend that advanced screening. I

48:49

couldn't go because I was down south.

48:51

Yeah, but the thing was like, hey

48:54

man, you gotta be good for this

48:56

thing. I'm like, I'm gonna be good

48:58

and it helped me heal. That's how

49:00

big these movies were. These movies, these

49:02

movies, these movies were. That's a big

49:04

these movies, that's a big these movies

49:06

were. That's a big these movies were.

49:09

Is the other technically greater film than

49:11

the one I suggested Baby Driver was?

49:13

It is Sam Mendez's 19. Is that

49:15

your number? Three. That's my number two.

49:17

Oh, there we are. Because it is

49:19

the fucking tense. I think we might,

49:21

I wonder, I wonder, if we have

49:24

the consensus best film that the podcast

49:26

has ever seen. No, okay. I know

49:28

what you're talking about. And I am

49:30

going to wow you with information about

49:32

that one. And screw you, Julio. 1917,

49:34

a one-shot World War I film, following

49:36

two characters who are tasked with going

49:39

across enemy lines to deliver essential information

49:41

to a general who's about to launch

49:43

this counter-offensive that's going to result in

49:45

all the soldiers who jump up and

49:47

run across the open fields being slaughtered,

49:49

is astounding. It is absolutely jaw-droppingly amazing

49:51

film. Totally. And for it, like I

49:54

think we've all, we may have seen

49:56

this one. on YouTube, but there's like

49:58

a scene where he's running across all

50:00

the soldiers advancing out of the trenches.

50:02

And there's actually a YouTube which shows

50:04

the arc of the cam that's following

50:06

him. At certain stages, soldiers smash into

50:09

him and he rolls on the floor.

50:11

They keep rolling, you get back up

50:13

and kept something like that. And it

50:15

makes it like. Better? You look at

50:17

it and you go, oh, that was

50:19

staged. It wasn't, but it makes it

50:21

better. So, like, and there's this, this

50:24

show is full of that type of

50:26

stuff. There are so many clever moments.

50:28

And of course, it's not really a

50:30

one take film. Of course, they do

50:32

cut somewhere else. No, no, no. It's

50:34

like Birdman. In fact, there's a moment

50:36

in the film where they clearly delineate

50:39

the difference, because we're a great. that

50:41

kind of film. It's one thing to

50:43

do a one-shot take through a city

50:45

and in fact I watched a horror

50:47

movie the other night called Mads which

50:49

is a one-shot sort of horror film

50:51

which follows a character who's taking some

50:54

drugs and goes to his home and

50:56

then goes to a party then it

50:58

stays within this one very small location

51:00

like this town or this... Is it

51:02

too much hopeful that Mads Mikkelsen is

51:04

in it? He's not in it. Okay.

51:06

No, that would be too much hopeful.

51:09

This film is a sweeping saga across

51:11

battlefields and it's following, not across an

51:13

entire country, that would be too grandiose

51:15

to suggest, but a very wide swath

51:17

of land. It's never boring. In 120

51:19

minutes film, it's never boring. In 120

51:21

minutes film, it's never boring. You're always

51:23

locked in with these guys with Lance

51:26

Corporal Schofield and Lance Corporal Blake. You

51:28

want them to succeed so much. They

51:30

managed to characterize these guys very, very,

51:32

very well. before in this film and

51:34

jeez you so want them to win

51:36

to survive and to deliver that message.

51:38

One of the things that I also

51:41

loved about it was it the way

51:43

that it's shot you kind of there's

51:45

two characters and they're whatever they were

51:47

coming from a fight and you see

51:49

the one of the characters basically gets

51:51

capped but you don't see it happen

51:53

you see the other guy react to

51:56

it and it's sort of like what

51:58

the effect of that scene is is

52:00

that it's almost casual and and and

52:02

kind of workaday that people are dying

52:04

all over the place. And it's just

52:06

a really interesting way to put that

52:08

together. I'm like, holy shit, they did

52:11

that. It wasn't this like grandiose kind

52:13

of shot. It was this in line

52:15

with the rest of the movie kind

52:17

of shot. Very cool. Just Sam Mendez

52:19

is a gangster. What is on sale?

52:21

Like, obviously, you make Specter. Well, Expecter's

52:23

problem wasn't the filmmaking for 10 Academy

52:26

Awards. at the 90-second the game awards

52:28

and it won three as well as

52:30

winning numerous other accolades. Wow. Yeah, no,

52:32

it deserves it. Absolutely. Yeah, absolutely. They

52:34

totally know it and I believe Roger

52:36

Deacons won the cinematography, best, best cinematography

52:38

in this particular film. He's probably won

52:41

that a thousand times, right? No, I

52:43

think this might have been it for

52:45

him. Let me, let me double check

52:47

that statement. It won best cinematography giving

52:49

Roger Deacons, if not his first, they're

52:51

coming award than maybe more than maybe

52:53

more than maybe second, best, best, best,

52:56

visual effects. So yeah, but not best

52:58

director or best film. No, it was

53:00

nominated. Didn't win either of those two.

53:02

So I can't remember what did win.

53:04

I was obviously but hurt at that

53:06

point in time. Nice one. All right.

53:08

Well, that's also my number two, Paul.

53:11

So yes, can also confirm deacons one

53:13

for Blaiver 2049. Okay. So he has

53:15

won it twice. Great look and show.

53:17

My number two then, Wayne, straight back

53:19

to me, as you said, is not

53:21

Spider, Spidera Colin. into the spider verse

53:23

it is spider hyphen man colon across

53:26

the spider hyphen verse so the second

53:28

one better than the first you reckon

53:30

now I kind of I'm actually not

53:32

I don't have a problem with this

53:34

it is fucking leasing I know this

53:36

is a controversial opinion right I get

53:38

everyone will pick the first one first

53:40

and I will not argue with you

53:43

I'm so happy the first one on

53:45

your list yeah obviously I'm not sandwiching

53:47

them both in here or what if

53:49

I could well you often do so

53:51

I'm kind of surprised But

53:54

for sheer jaw dropping spectacle

53:56

there were three or four

53:58

six but primarily one really

54:01

stands up my mind watching

54:03

this at the advanced screening because no

54:05

one had said anything about this man or

54:07

how good this one can't be as good

54:09

as the first one is my attitude I

54:12

went in with absolutely it cannot reach that

54:14

bar and I came out there going oh

54:16

my god the motherfuckers did it. Yeah. They

54:19

pulled this off. It is impossible to my

54:21

mind to match that first film for how

54:23

good it was and yet they somehow they

54:25

did it and they did it by, as

54:28

you suggested, having all these different artistic styles

54:30

as well as maintaining Miles Morales as a

54:32

wonderful character and having Gwen Stacey. as a

54:34

wonderful foil for him. And in

54:37

fact, this film is almost more

54:39

her film than is his film.

54:41

And there's nothing wrong with that?

54:43

It's great. It's great. It's great.

54:45

It's great. Yeah. And then... The

54:47

beginning thing where she's drumming and

54:49

giving the thing that I was

54:51

like, the music, Daniel Pemberton's music,

54:53

the visuals, with so many different

54:55

animation styles. But there's a moment

54:57

that they're having the most for this

54:59

movie. They're hanging upside down looking

55:01

and I'm like, and I'm like...

55:03

Oh my god, my stomach dropped

55:06

out. Absolutely. I felt vertigo. No

55:08

film never done that to me,

55:10

except the one about the rock climber.

55:12

Yeah, yeah. Free solo. Free solo,

55:14

yeah. This is an animated movie

55:16

and it's bringing out this visceral

55:18

reaction in my body and then

55:20

where it ends, I'm like, oh my, I

55:23

love this movie so. So much you know

55:25

like the only thing that you could say

55:27

in its not defense or whatever you're against

55:29

it is that the back to the future to

55:31

ask I like yeah I know we sort of

55:33

knew well I knew there was a third one

55:35

come we knew it was a third one I

55:38

didn't think it was gonna drop completely didn't bother

55:40

me at all I know my daughter I'm sure

55:42

we one of those people would say oh my

55:44

god I hope you don't shoot well for me

55:46

yeah didn't care and I'm I can't wait

55:48

because to wait because to my mind if that

55:50

third film that third film even Yeah, even

55:53

if it's like, yeah, if this is a, if

55:55

it's only a four stuff, best drill you ever

55:57

made. Yeah, it drops more completely as two and

55:59

a half or. God for a bit of

56:01

failure, maybe not. Still a contender. But

56:03

if it gets, if the last film

56:05

is satisfying, best trilogy ever made. That's

56:08

how much I love these two films.

56:10

I own them both on 4K. I've

56:12

watched this one three times already already.

56:14

Yeah. And I don't rewatch films. Yeah.

56:16

I don't. Yeah. Because I have too

56:18

much new stuff to consume. Exactly. Which

56:20

you feel with a podcast. Yeah. Three

56:23

times in 18 months I watched this

56:25

movie. Well you know the first one,

56:27

it might be four, it might be

56:29

six. Well in the trailer there's like

56:31

Spider-Man that seems to be like floating

56:33

in the air and then you see

56:35

that it's actually upside down the cities

56:38

on top of him and then they

56:40

turn it like, that kind of class

56:42

is what is, and it's all over

56:44

this world. And we get to the

56:46

point where there's hundreds of spider people

56:48

chasing him. It's so exciting. That was

56:51

all, I'm gonna do my own thing.

56:53

That was like the shit at the

56:55

shit at the end there, but even

56:57

from the end there, but even from

56:59

the beginning. But even from the beginning.

57:01

You were so behind him. I've very

57:03

few times have I in a cinema

57:06

been able to meditate a little step

57:08

back for myself and go I'm having

57:10

such a good time watching this and

57:12

it was when she was drumming and

57:14

talking I'm like oh this is a

57:16

good way to start it it's amazing

57:19

you know it's like oh look at

57:21

this I didn't expect it and they

57:23

gave me the good surprises all over

57:25

I downloaded three or four tracks of

57:27

the soundtrack I still listen to some

57:29

of them on my long runs yeah

57:31

yeah fucking love this movie across the

57:34

spider versus spider versus my second best

57:36

film we've ever Run us through your

57:38

list then and then we reveal, I

57:40

believe, I'm not wrong, our number one

57:42

together. It's not because you've already mentioned

57:44

my number one. Oh fuck. Then we

57:47

know, then we have a consensus number

57:49

one, it's 1917. Okay, yeah, okay, fair

57:51

enough. I can't believe what it was

57:53

on your list. Hang on the table,

57:55

get in the beer. Okay. Number three,

57:57

eight. I don't know what the fuck's

57:59

going on. Seven, mission impossible fallout, six,

58:02

sicario, five, into the spiderverse, spider. and

58:04

so on. Number four, top gun map,

58:06

top gun, fuck it, I'm not doing

58:08

that, top gun map break. Number three,

58:10

Avengers, no colon, infinity war. Number two

58:12

was 1917 and of course, unfortunately, a

58:14

bit of anti-clamic, baby driver was the

58:17

best movie I saw. It's so fucking

58:19

good, really, because it's. What's

58:23

the fuck? It did things others didn't do.

58:25

Word. My three, you're two, 19-17 is a

58:27

consensus number one then. Baby drive would be

58:30

our number two. But what's your number one?

58:32

For the podcast. Let's go back to a

58:34

point. I'm stunned that mine mine is not

58:36

on your list way. It's probably the, I

58:38

can't believe I didn't do it. It'd be

58:41

one of those. Let's hear it. I hope

58:43

it. I hope it's then, counting back through.

58:45

Then counting back through before we get through

58:47

before we get there. Before we get there.

58:49

Number eight, mission, colon, impossible, hyphen, fallout. Number

58:52

seven, baby driver, boring league. Number six, John

58:54

McCullen, chapter four, number four, train to bazaar,

58:56

number three, nineteen, seventeen, number two, spider, hyphen,

58:58

man, colon, fuck quit. Across the spider, hyphen,

59:00

verse, stick. And my number one, also has

59:02

a colon in it, thankfully. Oh good. It

59:05

is a fine film. Such a fine film

59:07

that my wife and daughter bought me the

59:09

book about the making of this This year

59:11

as I talk about it all the fucking

59:13

time It's all the earth and contrarians said

59:16

I wonder what the over under is on

59:18

Paul having this on his list and I

59:20

said to him the chances are $1 It's

59:22

Mad Max Colin fury fucking road. Oh fuck

59:24

off. God is not on my fucking list.

59:27

It's very good I'm holding here blood, comma,

59:29

sweat, ampersand. Shut up, Dickey! The wild and

59:31

true story of Mademax Cullen, which is a

59:33

novel, well let's not, Paul is literally holding

59:35

a book, a hardcover book. This is one

59:37

that my, my wife and daughter bought me

59:40

for my birthday this year. Oh very nice.

59:42

And about halfway through it, what was started.

59:44

I was on a recent holiday in Singers.

59:46

Let me see it, Kunti. Yeah. It contains

59:48

a lot of really interesting information about how

59:51

this film came to be made and how

59:53

long it took to come to fruition and

59:55

then I haven't got to the production of

59:57

it yet, it's still in the setup. And

59:59

some of the people that they were going

1:00:01

to have on it, is most of the

1:00:04

interviews with all the cast and the crew,

1:00:06

Charlie Theron, Tom Hardy, they're all in there,

1:00:08

George Miller is a huge presence where he

1:00:10

gets interviewed throughout the whole thing, the whole

1:00:12

thing, the whole thing, the whole thing, the

1:00:15

whole thing, the whole thing, the whole thing,

1:00:17

the whole thing, the producers, the producers, the

1:00:19

producers, the producers, the producers, the producers, the

1:00:21

producers, the producers, the producers, the producers, the

1:00:23

producers, the producers, the producers, the producers, the

1:00:26

producers as well, the producers, the producers as

1:00:28

well, the producers, the producers, the producers, the

1:00:30

producers, the, the producers, the, the It should

1:00:32

have died on the vine before it even

1:00:34

got close to production. And yet George Miller's

1:00:36

singular vision for it, he kept pushing through

1:00:39

it. They even talk about his history of

1:00:41

how he became kind of almost direct to

1:00:43

jail for some of the failures that he

1:00:45

had at the box office. Yeah. And then

1:00:47

eventually. Happy Feet is what got this movie

1:00:50

made. Really? I'm looking at the book jacket

1:00:52

and on the back is a quote from

1:00:54

Charlies Theron saying, hands down, this is the

1:00:56

hardest thing I've ever done. There's a level

1:00:58

of the body remembers trauma related to the

1:01:01

experience of shooting this film and that's still

1:01:03

there for me. Holy shit. Yeah, like it's

1:01:05

so good the way it really picks this

1:01:07

apart. Like you will understand, I believe, because

1:01:09

I'm literally said halfway through it, this book,

1:01:11

you'll understand everything that what happened on this

1:01:14

particular production. And it's fascinating. It is so

1:01:16

fascinating, including who they considered it and wanted

1:01:18

to have other than Mel Gibson was going

1:01:20

to be Mad Max all the way up

1:01:22

until all the way up until his controversies.

1:01:25

Like he came in. He came in. He

1:01:27

came in. He came back. He came back.

1:01:29

Yeah. And he was so much. He was

1:01:31

going to be the Mad Max in this

1:01:33

film. Yeah. But when it was going to

1:01:36

be made 10 years before. Oh, 10 years

1:01:38

before. All right. 15 years to get. I

1:01:40

thought it. I thought it. I thought it.

1:01:42

I thought it was like. I thought it

1:01:44

was like. I thought it was like. I

1:01:46

don't script. It's always going to be this

1:01:49

whole thing about Max getting involved with rescuing

1:01:51

these brides from this this this despot and

1:01:53

then eventually and also working with this incredible

1:01:55

female warrior. That's always been the plot George

1:01:57

Miller's mind. Wow. Evolve from there and how

1:02:00

it got built up from there and how

1:02:02

this was one of the only films. it

1:02:04

was ever, it was all made from sort

1:02:06

of panels, like that's how they put it

1:02:08

all up around the room. Storyboards? Yeah, storyboards,

1:02:10

but they did that before, they did it,

1:02:13

they wrote the script from the storyboards, I

1:02:15

think, so they would bring all the people

1:02:17

in and show, here's what we're going to

1:02:19

do, and just walk them around this massive

1:02:21

room in this basically circle. So a lot

1:02:24

of great stories like that in this particular

1:02:26

book, and I could go into the fact,

1:02:28

I'll give you one, I'll hit it, hit

1:02:30

it, hit it. When did it release? 2015.

1:02:32

Shit. Yeah. Also that means Mel Gibson was

1:02:35

going to play that movie. He was going

1:02:37

to be the Tom Hardy version of Mad

1:02:39

Max back that long ago. So there you

1:02:41

go. That's probably enough. I don't need to

1:02:43

go any further into it. So how interesting

1:02:45

that would have been good. That's how long

1:02:48

George maintained his vision for this film. Wow.

1:02:50

Okay. And I'm still a little gutter to

1:02:52

this day that. Which is only six months

1:02:54

ago, whatever it was, that Furio came out

1:02:56

and didn't do better than it did. Because

1:02:59

that's the end. There'll be no more Mad

1:03:01

Max films. We are now done with what

1:03:03

we have. But Billy Dunham got to work

1:03:05

on that last one. So we always like

1:03:07

to drop that in there. Billy B. Dizzle.

1:03:10

Friend of the show. Wonderful human being in

1:03:12

his own right. B. Dizzle. And then we

1:03:14

watch the thing podcast and the potty mouth

1:03:16

radio network. Go over. Go over. Check him.

1:03:18

Check him. Check him. Check him. Check him.

1:03:20

Stund. Stund? No, I'm not at all. Let

1:03:23

me give you my A-champs, Pauli. Can I

1:03:25

do it? All right. Rogue One. Sing Street.

1:03:27

The shape of water. I, Tonya, believe it

1:03:29

or not. Shh, shape of water. Shh, shape

1:03:31

of water. Shape of water. Shape of water,

1:03:34

it's a fuck a good man. Black Clansman,

1:03:36

very surprised. Very surprised. Nice. And last night.

1:03:38

In Christian Bale? It's about Dick Cheney. It's

1:03:40

amazing. I think I might watch that movie.

1:03:42

Wow! Fucking great, really great. He fucking- Better

1:03:44

than your princess? Yes, okay, yes, much so.

1:03:47

Yeah, and love that and soul. There you

1:03:49

go. Yeah, the other egg, right, film. My,

1:03:51

I mentioned Spider-Man, the Spider-verse, the Suicide Scored.

1:03:53

Very close. Yeah, oh good show. Good show.

1:03:55

The Suicide Squad. Correct. That is the right

1:03:58

one. What the piece of shit? What's his

1:04:00

name? David A-1. Yep. Infested, a film from

1:04:02

this year. What? Okay. Get prepared to hear

1:04:04

about that one again before this podcast disappears

1:04:06

at the way the podcast disappears at the

1:04:09

way the dodo. Three billboards outside Ebbing, comma,

1:04:11

sorry, comma, Missouri. It's Colin chapter one and

1:04:13

Midsummer. Oh really. Sorry, never mind. Okay, go

1:04:15

on, you go on. Is it Big Jug

1:04:17

7? Yes, eight. That's Alice, what about yours,

1:04:19

wrap up every episode on the podcast with

1:04:22

your feedback on the topic of your hand

1:04:24

and the segment of the week all. The

1:04:26

pop 10. Talk about. Kicking off this week,

1:04:28

pop 10 with Jamie Davies. Number three, arrival.

1:04:30

Number two, Midsoma, number one, Parasite. Parasite, you

1:04:33

mentioned a lot. Really? Wow, okay, cool. Tony

1:04:35

Dubish had, top of my head, get out,

1:04:37

Fury Road, and Parasite. Good man, could be.

1:04:39

Steve Betson had, number three, he hereditary, number

1:04:41

two, Mad Max, Fury Road, it's like Dick

1:04:44

Wayne, one, once upon a time in Hollywood.

1:04:46

I think that movie has grown on me,

1:04:48

because the first time you and I saw

1:04:50

it and I saw it, you and I

1:04:52

saw it, we were like, you and I

1:04:54

saw it, we were like, we were like,

1:04:57

we were like, we were like, we were

1:04:59

like, we were like, and I mean, like,

1:05:01

and I mean, like, like, like, like, like,

1:05:03

like, like, like, like, like, like, like, like,

1:05:05

like, like, like, like, like, like, like, like,

1:05:08

like, like, like, like, like, like, like, like,

1:05:10

it, I think he's going to George R.R.

1:05:12

Martin. You think he's not going to do

1:05:14

the supposed 10th or whatever you call the

1:05:16

10th one? Really? You reckon. Surely not. All

1:05:18

the money needs to make. He's got all

1:05:21

the foot models in the world. He said

1:05:23

10 films. He said it. George Martin also

1:05:25

said that fucking the song of some of

1:05:27

us and fire is going to be six

1:05:29

books. I'm not sure who he's trying to

1:05:32

hurt here Wayne more than me. Or possibly

1:05:34

you, give me a list, 23 Halloween ends.

1:05:36

Let's go. What the f- Right, come on.

1:05:38

No, he's, he's, he's number two, Batman v

1:05:40

Superman, Colin, Dawn of Justice. Yeah, he's fucking

1:05:43

with us. He's fucking with us. He's fucking

1:05:45

with us. We all know what's going on

1:05:47

here. Joe Doherty had number three billboards. I'm

1:05:49

saying it's good. I'm just thinking, okay, we're

1:05:51

going to go. Timothy Williams had prey. Simple

1:05:53

but effective. That's how you do a predator

1:05:56

movie. Great show. Great show. Number two, Lujan.

1:05:58

Don't think Stephen Merchant gets enough love for

1:06:00

his role as Taliban and a boy on

1:06:02

the holdovers. That is shocking. This went straight

1:06:04

to my top of my X-Men movies rotation.

1:06:07

I only watched X-Men movies in December. What

1:06:09

was that? So, yeah, cool. Jonathan Land had

1:06:11

this to be a choose from number three

1:06:13

Mad Max Firo Do you get the consensus

1:06:15

you got this one? Number two burning number

1:06:18

one parasite which near us had on Alice

1:06:20

the aforementioned Joey Carlo from the so wizard

1:06:22

podcast wonderful show check him out number three

1:06:24

everything everywhere all at once. Number two psycho

1:06:26

gorman number one Spiderman Colin into the spiderverse.

1:06:28

There you go. Now I'm not sure whether

1:06:31

this is also a troll Wayne. Let's here

1:06:33

number three in game game. Number two infinity

1:06:35

or number one. Baywatch. That's from Luke Alexander.

1:06:37

Definitely a troll, but you know what? I

1:06:39

didn't mind Baywatch. So my man. You didn't

1:06:42

mind it. We're near your talk. No, no,

1:06:44

no, no, we go on a thing like

1:06:46

this, but you hated it and I'm like,

1:06:48

yeah, it's fine. Matt Evans. Old school made

1:06:50

a mind of mine. Number three, parasite, number

1:06:53

two, lighthouse. One, the holdovers again. Two holdovers,

1:06:55

number one, two holdovers, number one. Two holdovers,

1:06:57

number one, number, number, number, number, number, number,

1:06:59

number, number one, two, one, two, one, one,

1:07:01

two, one, two, one, one, one, one, one,

1:07:03

one, one, two, one, one, one, one, one,

1:07:06

one, one, one, one, one, one, one, one,

1:07:08

one, one, one, one, one, one, one, one,

1:07:10

one, one, one, one, one, one, Aston Harris

1:07:12

had number three John week four number two

1:07:14

baby driving number one both spiderverse films they

1:07:17

are tied for me fair fair and I'll

1:07:19

allow it Wayne shut up very Polish Josh

1:07:21

Ragson had number three everything every all the

1:07:23

once. Number two, Joe, Joe Rabbit. Number one,

1:07:25

Spider-Man, Colin, into the Spider-Man. All right. Most

1:07:27

people ride the Colin out, by the way.

1:07:30

I'm just letting you know. Fuck off. Stupid.

1:07:32

Stupid. All the podcast had. Number three, everything

1:07:34

everywhere all at once again. Number two, triple-R.

1:07:36

Hey. Number two, triple R. Hey. That was

1:07:38

a good film. And number one, Spider-Man. Into.

1:07:41

Let's go. You mean above the law? Rogue

1:07:43

one and the spiderverse. Okay. All right, last

1:07:45

couple to wrap it up there in our

1:07:47

mate, Jared Demender. I better get involved. You

1:07:49

said three episodes to go. Number three, Spiderman,

1:07:52

into the spiderverse. Number two, Avengers. Colin, Infinity

1:07:54

War, number one. Train to Bassan. There you

1:07:56

are, Wayne. The underline on this week's review

1:07:58

we've agreed upon. And lastly, Marcel McLean. Be

1:08:00

a first time could you be the show

1:08:02

if not, Marcel. I just apologize. Number three,

1:08:05

Moonlight, the only time I've ever agreed with

1:08:07

the best picture, Oscar winner. Number two, John

1:08:09

McCullen, Chapter Four, the best job week so

1:08:11

far. Hell yeah. And number one, Spider-Man, across

1:08:13

the Spider-verse. Yes, I thought this is better

1:08:16

the first one. So did I, Marcel. So

1:08:18

did I. All right. I love it. You

1:08:20

have the same as Miss Rosses monkey. Rosses

1:08:22

monkey. And that you listen to our show,

1:08:24

my man. Thank you very much. I think

1:08:27

you should love more. Yes. That's it. Thank

1:08:29

you so much ever got back to it.

1:08:31

Sorry I couldn't get through all the favorite.

1:08:33

Really, truly do appreciate you taking the time.

1:08:35

It's been, once again, a pleasure, Wayne. How

1:08:37

are the good folks getting in touch with

1:08:40

us? Let us know, Wayne. How are the

1:08:42

good folks, get in touch with this? Let

1:08:44

us know, the feedback on the topics that

1:08:46

are all concerned. The feedback on the topics

1:08:48

that all concerned. The topics that are all

1:08:51

concerned, are all concerned, are all concerned, are

1:08:53

all concerned, with three, on the topics that

1:08:55

all concerned, on the, on the, on the

1:08:57

topics, on the topics, on the, on the,

1:08:59

on the topics, on the, on the, on

1:09:01

the topics, on the, on the topics, on

1:09:04

the, on the, on the topics, on the,

1:09:06

on the topics, on the, on the, on

1:09:08

the, on the, on the Facebook, listen to

1:09:10

me, no you haven't, link is in the

1:09:12

show that's get involved, not too late, it

1:09:15

never will be too late. Word. All right,

1:09:17

that's it, next week Wayne, why we're doing

1:09:19

for 4.9. The third last episode of said

1:09:21

weekly podcast. Well, here's a fun one, this

1:09:23

is gonna be. The top 10. movies or

1:09:26

TV shows that made

1:09:28

us are. All we are. are?

1:09:30

All right, and who

1:09:32

we are, that's up

1:09:34

for know but we'll

1:09:36

know what got us

1:09:39

there in terms of

1:09:41

movies and TVs that show,

1:09:43

what? What? difficult one

1:09:45

to give feedback on.

1:09:47

So here's what feedback on. So

1:09:50

here's what I'm gonna one and

1:09:52

give us an explanation.

1:09:54

one. Pick see two, three

1:09:56

us an why this show

1:09:58

see film made you

1:10:01

who you are today. slash

1:10:03

that's the ones we'll

1:10:05

get right out next

1:10:07

are today. Yes. And right, great.

1:10:09

the ones to been an

1:10:11

absolute pleasure announcing the the

1:10:14

best films think that we

1:10:16

have dealt with over

1:10:18

the course of the

1:10:20

of the Thank you so

1:10:22

much for joining us

1:10:25

today. joining us My name

1:10:27

My My name is

1:10:29

Wayne. My And this has

1:10:31

been the been the soundboard sadly

1:10:33

even though Wayne even though

1:10:35

Wayne deserves not on there. Road

1:10:38

are a sad, strange

1:10:40

little man and you

1:10:42

have my my pity. But Fury

1:10:44

Road this way. catch

1:10:46

you next time. We'll go

1:10:49

next time. See ya!