0:00

Today on our show we are for

0:02

the final time in the weekly

0:04

podcast doing our top 10 last 10

0:06

with thanks the city realists Those

0:08

geniuses there for the idea. Yeah, boy.

0:10

Let's go, Polly Oh Welcome

0:26

to episode 495 of the countdown podcast, my

0:28

name is Wayne and my name is Paul

0:30

Welcome to shall we count down stuff in

0:32

order of awesomest so you don't have to

0:34

today's stuff It's films and specifically films that

0:36

we've watched recently now Just about everyone here

0:38

is gonna be a listen to the show

0:40

at this point if this is the first

0:42

time listening to the podcast Welcome, it's great

0:44

to have you here But the top 10

0:46

last and where we review 10 of the

0:48

most recent films that we've seen from worst

0:50

to best letting We know where we cross

0:53

that divide and we start recommending the films

0:55

that we've seen yeah Means that we talk

0:57

about some absolute shit, and we're lucky some

0:59

good films as well now Wayne you are

1:01

Patently known across this or Infamously, that's what

1:03

we for known across this podcast for leaving

1:05

this shit till very very late Absolutely, we're

1:07

gonna do this once every 10 to 12

1:09

weeks. That's right Which means at worst case

1:11

scenario one episode one extra film a week

1:13

to watch yes to watch now Wayne How

1:15

many films did you watch this last week?

1:17

No And

1:20

Paul I'm not ashamed to say that I

1:22

thought that our recording today was one hour

1:24

later than it was so thought I got

1:26

plenty of time to fit that last film

1:28

in hot dog And I was absolutely walking

1:30

out of the cinema as he calls him

1:32

away. I'm like shit on me So there

1:34

you go Before

1:42

we get there we set up most

1:44

shows I should say we're the segment that

1:46

we call the recount No

2:03

Recon, is our mail room Paul?

2:05

What up? Let's start with the

2:08

vote. Last episode, a couple weeks

2:10

back now, we recorded with B.

2:12

Disel and David Powell for the

2:15

We Watch the Thing podcast and

2:17

the potty, man. Finefellers. Radio, network,

2:19

fine fellers. Wonderful show, if you

2:22

haven't listened to that episode. Well,

2:24

I think most people have, that's been

2:26

the best downloaded episode. Good fun. Who

2:28

had the better list of what the

2:31

actual fucked movie moments? And we were

2:33

a comfortable victor. I think maybe our

2:35

good friends in the listening community, my

2:38

home ground for sure. It was a

2:40

25 votes to us and six votes.

2:42

So they're interesting enough. Bejizzle voted

2:44

for us. That's because he's a nice guy. That's

2:46

what it is. Those guys are gracious and cool.

2:49

Damn about like, what the fuck you juice! Josh

2:52

Raglan said this was a very exciting event

2:54

and both of this were great, but I'm

2:56

voting for Paul and Wayne one last time.

2:58

It's a nostalgia vote, ladies and gentlemen. I

3:00

assume that B does all vote for us,

3:02

is an apology for his views on Scott

3:04

Piliver's. Yes. audio for the contrarian said, it's

3:06

tempting to vote for what we watched as

3:09

a thing podcast. Billy is number 10, kind

3:11

of overshadowed the potential, what the fuck her

3:13

of every other pick, but more like what

3:15

the fuck is Billy saying? So I guess.

3:17

while WWAT provided us with the most what-the-folk

3:19

moments in the recording that basically sank their

3:21

list. Thus Paul and Wayne get the vote.

3:23

I love the rationale there. There you go.

3:25

From, will you? Tom Milton Craig said, Paul just

3:28

wanted to benefit from the Wayne voting book

3:30

at least one time. Very funny. And David

3:32

Power said, I'm only voting for some principal,

3:34

unlike Benity Garland Dunham, but Tom understand our

3:36

number two one has sunk us. Lole so

3:38

thank you gentlemen again. Thank you to everyone

3:41

who voted for that. Hey folks. We have

3:43

an email and a message on our Facebook

3:45

community the one from our Facebook List of

3:47

communities comes from a friend to us Wayne

3:49

long-term friend Scotty McDonald. Scotty McDonald is a

3:52

police officer ladies and gentlemen. Don't know if

3:54

we should say that but anyway. Okay. With

3:56

our windup impending he said, Paul, I've known

3:58

since school, their commentary has been. legendary amongst friends.

4:00

Their chemistry is translated to this podcast. The

4:02

countdown podcast for all these years has been my

4:04

stable, mate to be able to do a

4:06

little disconnect with going on in life. Like

4:08

everyone days at work, it can be testing. And for

4:11

me, sometimes work jobs can be another level of

4:13

emotion. Being able to listen to the boys banter

4:15

and give some good advice on what to watch

4:17

allows me to better frame of mind before I get

4:19

home. Also, as Paul and Wayne know, often works take

4:21

me to various spots in Western Australia. Sometimes 10 to

4:23

12 hour trips are made more palatable listening to the

4:25

guys and sometimes I'd say them to be able

4:27

to run through them all in one big hit with

4:29

the absence of the podcast coming. It will be a

4:31

big miss on the little escapism in my life. Thanks,

4:33

Wayne and Paul for helping me out so many times.

4:35

Thank you, Scotty. Amazing

4:38

that any of our friends listen to our

4:40

shit. And we truly appreciate that you

4:42

are the one that does so. I think Ali

4:44

listens to you. There you go. Yeah. Okay. From

4:47

our high school group of friends. And then an

4:49

email entitled thank you from Tim Williams. Tim has

4:51

been a regular contributor to show for some time

4:53

now. He said, sorry if it's a little long.

4:55

First off, just want to congratulate you both on

4:57

a wonderful show. One that I know brightens up

4:59

everyone's day that listens. I was first introduced to

5:01

the show by fellow podcaster and YouTube reviewer as

5:03

well as actor John Roker. What? He's famous. Yeah,

5:05

he's famous. So now we got him on our

5:08

show back in like 2016. He has taken me

5:10

for one of you guys asked the name of

5:12

your show, which he then passed on to me.

5:14

This was during the COVID 2021. I'm living in

5:16

Melbourne, the most locked down city in the world.

5:18

Oh yeah, it was tough. So your show came

5:20

at the perfect time. I was pretty bleak over

5:22

here back then. I went back and listened to

5:24

every show. Ended up getting some good recommendations along

5:26

the way. Paul, Brooklyn Nine -Nine and Wayne, sweeping

5:29

the sharks to name a couple was also great

5:31

to hear a podcast. Talk about the ABC's late

5:33

show and hearing the great use of the great

5:35

Aussie term. Cunt. Since

5:37

I started, I haven't missed a show. Also joined

5:39

the Facebook group, which I love only one of

5:41

my mates who listens. Hey, Rob, a deep into

5:43

deep movie diving and TV diving too. But

5:45

you guys really make it feel like you're

5:47

there shit talking with your mates. So once

5:50

again, thank you guys so much. Never stop

5:52

playing the family ties song. That's all week

5:54

to week. Sick Monday. Paul,

5:56

let's hope the bombers can one day be great again.

5:58

God, we've been waiting a long time. I think Tim

6:00

Wayne, let's hope you catch a nice burger burger each

6:02

and every night. Love

6:05

you guys and the best for the future. P .S.

6:07

often go back and listen to the date story ep.

6:09

She's behind me. Isn't she? I love hearing Paul

6:11

tell it and Wayne react. But

6:13

thank you very much, Tim, for that email. If

6:15

you want to get involved in the last five

6:17

episodes, post this one of the weekly show. Here's

6:19

up my email. That's the one most likely to

6:21

get you read out, but you can also here's

6:23

up in the face of this committee as well.

6:25

Thanks, T bone. Without any further ado, let's get

6:27

into Wayne on the other side of me officially

6:29

opening this particular countdown. Okay, let's go. The

6:32

top 10 last five.

6:38

Yeah, that's beautiful. Is the

6:40

subject of this week's countdown.

6:42

I might turn down the

6:44

wrong knob there. Fair enough. Not

6:47

the first time. Wayne,

6:50

you've prepped. This week. Take us

6:52

away. What is the worst thing we've seen

6:54

and how much do we need to

6:56

be angry at it? Okay. So the first,

6:58

this is a tough one because it

7:01

involves an actress I have a big crush

7:03

on, but unfortunately this movie blows. The

7:05

film is called Canary Black. It

7:07

starts Kate Beckinsale. Look, this is on

7:09

you because you showed me a trailer for

7:11

it. One day here about a few

7:13

weeks ago, I went, that looks like fucking

7:15

ass. And you're like, I don't know.

7:17

See what happened was Kate Beckinsale on her

7:19

Instagram posted this review that someone else

7:21

said, Oh, it's great kick ass action. This

7:23

that whatever by a lady, da, da,

7:25

da, da, you know, and I'm like, well,

7:27

how bad could it be this bad? She

7:30

is of course a top

7:32

CIA operative and she's married

7:34

to a dude who's of

7:37

course a well -mannered lovely husband. He doesn't,

7:39

he doesn't know she's a CIA. He

7:41

doesn't know this fucking story. Exactly. I'm

7:43

sick of this fucking candy. Coelco did

7:45

it earlier on the roleplay. Oh,

7:47

really? Yeah. And there's a movie. Yeah. Okay.

7:49

Well, you're all comparing piling comparison just to

7:51

Alan's watching you and Jamie Lee Curtis. Okay.

7:53

Of course, it's true lies, but not right.

7:55

It's just a lie. But one good

7:57

thing is that Ray Stevenson is in it. a

8:00

handler at the, whatever, he's like her boss

8:02

at the CIA. And like,

8:04

you know, RIP, Ray Stevenson. That's because I

8:06

did die? Yeah, he's, it's obviously just a

8:08

while back. And of course what happens is the

8:10

bad guys kidnap our husband and they say,

8:12

you got to get this knock list or

8:14

whatever it is for us cause it's some

8:16

shit, right? And then she, now look, and then

8:18

she goes and she goes. What? No. She

8:20

actually, well, you know what's the problem, Paul?

8:23

She kind of does because here's the thing.

8:25

She's the guy, she's the boss when fuck will

8:27

get another one. Well, Kate Beckinsett, everyone, this

8:29

movie is full of English actors playing

8:31

Americans for some reason. Okay. So

8:33

her, Ray Stevenson, the lead guy who, no,

8:35

it's probably the her husband. All of these people

8:37

are English, but they're playing American and they're living

8:39

in Russia for some reason. So

8:41

she, and I'll tell you this, Kate Beckinsale

8:44

as an American, not as good as Kate Beckinsale

8:46

as a natural Englishness. Yes. Okay. Not good.

8:48

Also at the beginning she's doing this scene and

8:50

she's got this shitty hair and I'm like,

8:52

this hair is shit. And then she pulls it

8:54

off and it's a wig. But she's like,

8:56

shit, thank God. No, her actual hair is also

8:58

shit. So this is crap. So

9:04

I'm just like, that was a moment of

9:06

relief. Yeah. Oh, and oddly, do you remember

9:08

a TV show called Dempsey and Make Peace?

9:10

Yes. So the dude is in this. I

9:12

didn't know doing that. Is he Dempsey or

9:14

is he Make Peace? I want to say

9:16

he's Dempsey. He's the American dude. So he's

9:19

actually playing American. So there you go.

9:21

That's one thing. But wildly underwhelming spy action

9:23

story. I won't ruin the ending. How's

9:25

the action? Ah, shit. Because

9:27

it's all like, you know, my problem

9:29

with people running up to someone while

9:31

holding a gun instead of just firing

9:33

from where you are. So much of

9:35

that going on, right? You're never going

9:37

to watch this. I'm not going to

9:39

ruin the ending, but clearly they're trying

9:41

to make this a franchise if they

9:43

can by saying actually some shit is

9:45

still lingering. And I'm like, fuck off.

9:47

It's crap. It's an Amazon. And

9:49

yeah, I do not recommend it. Go nowhere near

9:51

this fucking canary black shit. Worst 10 of

9:53

the year material that bad? Or just just annoyingly

9:55

shit? Just annoyingly shit and underwhelming. I won't

9:57

remember it. So it's like, yeah. Well, I've got

9:59

news for you. My number 10 is absolutely

10:01

in my worst 10 films of the year. I

10:03

have the best and worst of the year.

10:05

I'm not the best film I've seen this year,

10:07

but certainly one's going to be in my

10:09

top 10, maybe even two that might sneak in.

10:12

So I've got a very wide array of

10:14

films this week for you. Please go on. You

10:16

did a review on this on the last top 10, last

10:18

10, and you picked my interest enough enough that I was

10:20

going to see it. I did talk about doing it on

10:22

the show at one particular point. Yes. Trap. Trap

10:25

might be the single stupidest fucking film

10:27

I have ever seen. Do you know

10:29

what? Full fucking stop. Really? Oh my

10:32

God, one. This is your worst one.

10:34

Oh shit, this was bad. In my

10:36

list, this would go at a number

10:38

like seven. That's how bad it is.

10:40

But you think it's the worst. Tell

10:42

me. A horrendously bad film. The premise

10:44

is, which Wayne's spoken about more, so

10:47

I go into my detail. Josh Hartnett

10:49

plays a guy who very quickly, the

10:51

film reveals, is a serial killer. And

10:53

he's got some dude trapped in some basement somewhere.

10:55

While he takes his daughter to a While he takes

10:57

his daughter to a concert. In one of

10:59

the worst cases of nepotism ever fucking

11:01

seen. Absolutely. M9 is trying to launch

11:03

his fucking daughter's pop, singing career. She's

11:05

shit. The concert shit. There's way too

11:07

many fucking, that's my problem with the

11:09

first half of the film, which as

11:12

a tight, taught thriller, as a, you know,

11:14

let's say 80 minute thriller, this idea

11:16

of somehow they've got a tip off. The

11:18

film eventually tells you how that he is,

11:20

the skill is in this particular place. Yet

11:22

the tip off is so fucking vague, which

11:24

makes no sense. Just tell the police who he

11:26

is and what, no, then said, just says it's

11:28

going to be there. And I don't even have

11:31

a start because at one point they're taking off

11:33

African Americans to be interviewed. They're taking if they

11:35

don't know anything other than it's a guy with

11:37

his daughter. That's right. And when you

11:39

eventually find out how the police know that, it

11:41

is, it makes less sense than everything else

11:43

that happens. No, if you give a tip, give

11:45

the actual tip. It's fucking vague bullshit. It

11:47

is so stupid. It's one of the

11:50

many stupid moments in this movie. Then I

11:52

don't know where to start. I think you

11:54

pointed out that he happens to come

11:56

across a very helpful t -shirt seller. Oh,

11:58

the most helpful. off all the information that they've

12:00

been told. Exposition, man. He walks into

12:02

police briefings. Yes. And casually steals a fucking

12:04

walkie talking, so you can hear the police and

12:06

no one pays any attention whatsoever. It's like, hey,

12:09

you're just getting some donuts and shit. Yeah, they're

12:11

like, who the fuck's that kind? Everyone's like, yeah,

12:13

sure, sure. And they keep talking. Careful with the

12:15

coffee here, it's not so good. Yeah, thanks, and

12:17

they keep talking. He's a criminal, we got Haley

12:19

Mills for the parent trap, he's all grown up

12:21

now and very old. And she's going, he is a

12:23

criminal mastermind. We need to be careful, we need to

12:25

know everything that he could possibly do. And I'm like,

12:28

oh my God, fuck me. In the meantime, he'll walk

12:30

out. In the meantime, he'll walk out on the roof

12:32

of the building. What are you doing here? Oh, nothing.

12:34

I was just, you know, hey, up here, up here,

12:36

doing some shit. And I'm doing it. And I'm doing,

12:39

doing, doing, doing, doing, doing, doing, doing, doing, doing, doing,

12:41

doing, doing, doing, doing, doing, doing, doing, doing, doing, doing,

12:43

doing, doing, doing, doing, doing, doing, doing, doing, doing, doing

12:45

it. Like what's going on? And... Arrest this motherfucker, let's

12:48

have words. I mean he does have a story that

12:50

he's sort of... It's shit. You would still not just

12:52

let him go. Then maybe one of the two

12:54

greatest moments of the movie, the first of

12:56

which is when M Knight Show Amalun doing

12:59

his fucking Alfred Hitchcock guesting in his own

13:01

film or cameo in his own film, plays

13:03

the guy who decides to be standing in

13:05

the middle of the floor just doing his

13:08

thing. And Josh hardly goes up and goes,

13:10

hey, my daughter's got like cancer and she's

13:12

gonna die. Can you get her to be

13:14

one up there? Because he thinks he can

13:16

get out from here because the place of man

13:19

here. Yeah. And off they go up there and

13:21

then, oh, and then Lady Raven becomes the

13:23

Earth becomes the Earth's while hero. There it

13:25

is. There it is. What the fuck is

13:27

this movie trying to sell? Not only do

13:30

you have to sit through a full performance

13:32

per song almost of like, like, like shit,

13:34

most of the most of the most of

13:37

the song they just play. Then they come

13:39

up and then she switches and goes, actually,

13:41

I'm gonna be a hero, hero, hero, hero,

13:43

hero, and like, what you mean to say

13:45

is, sorry, she's to be a hero,

13:47

hero, hero, there you go. And, and

13:50

that itself is like, she then goes

13:52

on and takes wild chances and it's

13:54

just like, and it's just like,

13:56

even his plan, even his plan, what

13:59

the fuck, so. You've taken the most

14:01

popular in this fucking film. Pop

14:03

artists of the world, hostage in their own, with their

14:05

own driver there. Yes. What are you gonna do?

14:07

He confesses to it in her room. Are you gonna

14:09

shoot him, shoot them and whatever? Like people saw

14:11

you leaving with her. What was the plan exactly? But

14:14

more importantly than that, initially his plan seems to

14:16

be just drop me off here and he's gonna walk

14:18

away with his daughter. I'm like, the first thing

14:20

she's gonna do is call the police and say, I've

14:22

just had the fucking killer with us. I suppose

14:24

he could dust everyone except his daughter and then just

14:26

run away. that's in front of his daughter, so

14:28

that's given that up. Oh no, I'm just guessing here,

14:30

but at that stage, he's like the jig is

14:32

up with my family. But even then people saw him

14:35

leaving with her. So they know. He's fucked at

14:37

that point. None of this shit makes sense. It makes

14:39

zero, and it got insultingly stupid the further the

14:41

film went. I was just, I was ready to flip

14:43

a fucking table when this film made me so

14:45

angry. I cannot for the life of me understand how

14:47

anybody thinks this is watchable. Anything worse than Dreck

14:49

Garbage, one of the worst written films I've ever seen.

14:51

Oh, God, that's hilarious. All right, good. Fuck this

14:53

film. And I'm done again. I'm done. I was

14:55

briefly back on board after split with Shyamalan. I'm

14:58

done with him. He can get fucked as far

15:00

as I'm concerned. Split was fucking great. It was

15:02

a great film. The fucking whole of the glass

15:04

was shit. Yeah, glass was terrible. That

15:06

old movie was pretty crap. This is the worst

15:08

of them all. This is up there with Lady

15:10

and the Fucking Water. And

15:12

not that had the, not that they're attached.

15:14

Yeah, they're happening and the fucking last day. But

15:16

this is fucking garbage. It's one of the worst

15:18

films you'll ever see. Trap. And it's kind

15:20

of bit of a bunch because he's all fucking

15:22

like a stadium movie. I don't know. It made

15:24

me so angry watching this movie. Okay.

15:28

Well, I have a film

15:30

at my number nine, which was

15:32

from a, now Paul, I don't

15:34

know if Paul likes this director or

15:36

whatever. He likes one of his movies. The

15:38

director is called, his name is Teemo

15:40

Tahunkel. Oh, fuck you. Fuck you. I knew

15:43

you fucking like this piece of shit.

15:45

I knew you were fucking movie sucks. All

15:47

right. This movie is called The Shadow

15:49

Strays, but it should be called The Good

15:51

Taste Strays. It should be called. This

15:53

movie is awesome. Fucking blow. I knew it.

15:55

I knew it. I fucking do this,

15:57

man. You were so wrong. Little boxes. three

16:00

and a half star average. You

16:02

are so fucking wrong. Let me

16:04

just tell you, this is, this

16:06

is, fucking, I'll get in the

16:08

soundboard ready. Check this shit out,

16:10

all right? Don't listen, single thing

16:12

when he's about to say, because

16:15

he's fucking, why he's about to

16:17

say, because he's fucking humidity. Just

16:19

like this film, just like the

16:21

fucking other one, because check this

16:23

shit out, all right? First of

16:25

all the single thing he wants about

16:27

to say, because he's about, code

16:29

name 13 chick who's a prodigal assassin

16:31

and she finds herself you know she's

16:34

working for this whatever some clan she

16:36

works for this clandestine organization of assassins

16:38

called shadows right in English right and

16:40

by the way it is an Indonesian

16:42

film yes so I was going to

16:44

see it not believe this oh bro this

16:46

you think Trapp is better this movie

16:48

is an abomination Trapp is a thousand

16:51

thousand thousand thousand thousand thousand thousand thousand

16:53

thousand Alright so check it

16:55

out right so long story short she she

16:57

gets told by her her the shadows outfit

16:59

that she has to do some shit when

17:01

there's another side plot where the main shadows

17:03

person is also killing motherfuckers and this little

17:05

young boy gets involved it's one of those

17:07

stories where it's like she is an ass

17:09

kicker and she finds some like kinship with

17:11

this young boy whose mother was killed by

17:13

the same bad guys that they're fighting

17:15

yada yada yada yada and what

17:17

happens is look The opening scene

17:20

is okay. Oh, fuck off. It's

17:22

all this stuff. It's shit. All

17:24

the best opening action seems ever.

17:26

A few odd fist fights where

17:28

both people are holding guns and

17:30

for some reason, they don't fire.

17:32

I will acknowledge your own moments

17:34

where it takes too long people

17:36

to fire the gun. I agree. There's

17:38

a room full of motherfuckers, right? And

17:40

there's one bad-ass assassin who's only got

17:42

a knife, right? And... Then there's other

17:44

guys with guns. I can see them

17:46

in the background not firing. Well, they're

17:48

not going to kill their mate. Bitch?

17:50

Also, the boss is the boss is

17:52

the boss is already dead. No, no,

17:54

no, no, the big boss is dead.

17:56

Not the guy who's the second in

17:58

charge, who's the second. No, there was a

18:00

million times we could have fired, especially since

18:02

they were bullet flying off. Okay, that's some

18:05

bullshit, all right, so fine. Then, look,

18:07

there are, I will tell you this,

18:09

Paul, okay? There are some inventive

18:11

scenes, okay? But it suffers from the

18:14

same issue that his other movies

18:16

suffer from, which is that, yes, in

18:18

a room full of gun -toting voods

18:20

attacked by a single person, they

18:22

don't shoot fine. That's kind of stupid.

18:24

But what the problem is with the film

18:27

is that it is, and this is why

18:29

Paul loves it, right? It is heavy on violence

18:31

and gore. It helps. It definitely does help.

18:33

I would agree, right? What happens is, you've got

18:35

this scene, and there's a couple of, again,

18:37

there's a couple of well shot films, but this

18:39

guy's not a good director. He's a good

18:41

first unit director. He's the best action director working

18:43

there. Oh my God, you are so wrong.

18:45

Who's better? Fuck, John Woo

18:47

and my fucking foreskin. John Woo's seen John Woo's latest

18:49

movies. I don't give a fuck. He's still better than

18:51

this motherfucker. I'll tell you what. I'll say working now.

18:53

Working now, action director? Who did fucking John Wick? Yeah.

18:56

There, all right? So that's just off top of my

18:58

head, cracker. I don't know to do. Bitch, please.

19:00

If I had 10 minutes to think about it,

19:02

I'd give you 20. No, you wouldn't. I would. All

19:06

right, so here's the thing though, right? He

19:08

will get a wicked couple of shots in

19:10

and someone's head gets blown off. And the novelty

19:12

of the film is that because it's shot

19:14

in Indonesia, they can do things to actors you

19:16

can't do them. right. They can fuck up

19:18

their stuff. They can fucking throw up everything and

19:21

all that. That is fine, but Jackie Chan

19:23

did it a hundred years ago. So I don't

19:25

know. What then happens is, his action then

19:27

goes too long. It doesn't fucking end

19:29

and it becomes ridiculous, all

19:31

right? And it becomes, this

19:33

movie also suffers from a very

19:35

Korean -like film movie, Bloated

19:37

Runtime. It's fucking long. It's

19:39

2 ,025 minutes, too long. And

19:42

then the action is gory, but it becomes

19:44

stupid. It drags on too long and it

19:46

results, it dips into this ridiculous, unintentionally funny

19:48

kind of thing. And it's just, he's just

19:50

not a good filmmaker. Cocaine is a hell

19:52

of a drug. He has, like I said, this is

19:54

like, and you know what? This movie refuses

19:56

to end. It doesn't

19:58

end ever. It's... still fucking going

20:00

now. It will keep on going, some shit

20:02

goes down, shit goes down, shit goes down.

20:04

This movie would have really, really the furthest

20:06

we've ever been on a film. This movie

20:08

would really help. This is a bad director.

20:11

He's not a good filmmaker. He just, like

20:13

I said, he's a first unit director or

20:15

a second unit action director. 3 .5 stars on

20:17

Letterbox, which is notoriously difficult to get high

20:19

scores on. This is a half a -

20:21

Out of 12 ,000 views. That's how wrong you

20:23

are, you? I was so bored. Dude, three

20:25

a half is a shit score, all right?

20:27

What you mean? Dude, that was my dick,

20:29

all right? 3 .5 out of five. It's

20:31

still my dick, all right? You're saying it's like four

20:33

a half, right? No, no, not that high. Okay,

20:36

so this is, I actually was so bored with this

20:38

film. I was like, I wanted it to shut

20:40

off and it wouldn't end. So this is, now that

20:42

I think about I should have put it in

20:44

front of Clary, can it be black? Fuck off you

20:46

asshole. because I know you like it so much.

20:48

You're such a prick. Is that on your list? Yeah,

20:50

oh yes, it's on my list. Yes, motherfucker! In

20:53

fact, first of

20:55

all, second of all

20:57

- Balzy. Stupid, but But

20:59

you were going against the entire cinematic world, who all

21:01

appreciate the greatness of - I do that all day

21:03

long, my fucking - He is a fantastic action director.

21:05

He sucks! I would agree with you on the

21:07

one thing about, there's too many moments of, I probably

21:10

could have got shot there, that I can care

21:12

with. So you've got Way too many. You've got to

21:14

just let that one go. In the same way

21:16

you might argue in the John Wick films, that too

21:18

many times does that same move of disarming people -

21:20

I have said that many times. Yeah, it doesn't

21:22

bother me. I'm okay with that. As long as the

21:24

way the film is shot and edited together, choreography

21:26

all flows, and this film, it fucking does. There's

21:29

never a moment this film where I feel lost

21:31

as to who's doing what. Whereas, think back

21:33

to Venom, it's just constantly like, where

21:35

the fuck angle are we now? Who's that again?

21:37

What's that happening here? It's still the very,

21:39

very last fight where the two characters are deliberately

21:41

looking very, very similar. That part,

21:43

I got a little bit lost, but they're not -

21:45

I absolutely got lost. Not where their movements were, not

21:47

what they were doing, which is like, how does that

21:49

work out? How does that marry up here? Like, the

21:51

editing and the choreography is second to none. And then

21:53

you can see why at the very end, because there's

21:55

a big cameo from someone who has had no doubt

21:57

worked with the choreographers here. Fantastic. Ironically, the

21:59

- is good but there's not enough of it

22:01

because the fight scene goes too long. I love

22:04

every fight scene I wouldn't change anything about it.

22:06

Really? You can get bored. It's a very similar

22:08

film that night comes through us and someone's trying

22:10

to do the right thing by someone else who

22:12

can't do that and then we get a bunch

22:14

of colorful characters that they're offset against as they

22:17

progress through the line of like a video game

22:19

movie up to the big bosses and and then

22:21

ultimately. coming around to, which I won't spoil the

22:23

last fight. Did you not have any issue with

22:25

the long stretches of supposed character development where there

22:27

was no action? The worst part of the film

22:30

is when, and the biggest thing you have to swallow in the

22:32

film is, she forms such a connection to this kid. That it

22:34

means everything to her. In two days. Yeah, I didn't buy that

22:36

for once. But again, my point here is, I'm not there to

22:38

watch this film for its action. I'm there to watch this film

22:40

for its action for its action, and the action in my

22:42

opinion, in my opinion, in my opinion, is some of the

22:45

best, is some of the best. that's been made since the

22:47

last John Wick film. I loved the way this thing

22:49

looked. I love some of the inventive camera angles.

22:51

I love the violence. I love the fact that,

22:54

I mean, she can clearly do martial arts, both

22:56

the main chicks in this film. I'm not saying

22:58

anything like Kate Bexon's Fungdale, who can't kick for

23:00

shit. We'll agree with you that. So they looked

23:02

like they ended going through the ringer and they

23:05

make this film and it looks legitimately realistic. Some

23:07

of those stuntss where, yeah, yeah, action. They propel

23:09

backwards, one or two of them a

23:11

CJ. But a couple of them are

23:13

legitimately real. They can smash them and

23:16

fly back. I'm like, holy fuck, how

23:18

do I do that? There's a couple

23:20

of dodgy ones and a couple of

23:22

good ones. But I'll give you some

23:24

news, Paul. You are there to watch

23:26

the script. Otherwise, you're just watching YouTube

23:28

videos of action scenes. All I care

23:31

about is whether it makes sense in

23:33

the film, logic, how she got here.

23:35

And it does. She's going on. works

23:37

enough for me. All that matters

23:39

to me is how good the

23:41

action is and to you to

23:43

say it's badly directed blows my

23:46

fucking mind. Do not listen

23:48

to Wayne if you want

23:50

the objective outside 12,000 people

23:52

other agree with me three

23:54

and a half stars. This is

23:56

a 15 out of 100 movie. Straight

23:58

up straight up. gonna be a

24:00

good time and it's working as

24:03

I know it does

24:05

refuse to end though this movie doesn't refuse then

24:07

look at the End it does exactly what you

24:09

said canary black does which it kind of went

24:11

oh shit This was good enough to perhaps warrant

24:13

another film and it sets everything up in the

24:15

last in the sort of not even mid -credit sequence

24:17

It's like just has his name. It doesn't make

24:19

a lot of sense. Yeah, it's fine It's fine

24:21

And I will watch another film this series no

24:23

problem at all and he should not be allowed

24:25

to make stupid fucking comedy action films What you

24:27

do it's called the big four? Okay, if you

24:29

didn't like these two movies you would fucking hate

24:31

that Oh, I dare say I fucking that one

24:33

is bogs down at average these two are fantastic.

24:35

So okay, so straight shadow sprays straight from Check

24:38

it out. Just straight. Check it out as soon

24:40

as you really can if you like action cinema.

24:42

It's on Netflix So just you know, skip over To

24:48

an actual bad film

24:50

from Wayne's You'll

24:52

see how high it goes on my

24:54

list. My number nine is the strangest cold

24:56

and chapter one Do you

24:58

have the strangest live Tyler and Scott speedman

25:00

about I don't 10 15 years ago Which

25:02

is a home invasion film with a bunch

25:04

of masked people could have creep in and

25:06

terrorize this couple And why'd you do this

25:08

because you were home? Oh, you told me

25:10

about I've never seen it It's a very

25:12

tense film a lot of what's happening the

25:14

background when characters can't see and building attention

25:16

that way And for some strange reason Renny

25:18

Harlan has stepped as a director's chair here

25:20

And whatever studio is is decided. Let's make

25:22

three of these films to explain the origin

25:24

of the strangers Except this is

25:27

a weird film that it seems

25:29

weirdly out of time and

25:31

it doesn't seem like a prequel But it doesn't like but

25:33

it it's meant to be a reboot But I'm not

25:35

sure because it's not clear if they explain the origins wouldn't

25:37

that mean it's a prequel Yes, and

25:39

there's no mobile phones or whatever

25:41

else going on here. So what in

25:43

period? But yet they're driving kind

25:45

of modern. It's weird I don't and

25:47

the problem is they recreate all

25:49

these scenes from the original film and

25:51

it adds fucking nothing It's

25:53

watching the same thing over done by an inferior

25:55

filmmaker. Sorry, Renny Harlan You're not as good

25:57

as the guy directed the original one Great

26:00

suspense. Okay. Did you care about

26:02

the zero chemistry between the two leads

26:04

in this film, this, this couple

26:06

that I set upon. And again, dumb,

26:08

dumb moments time and again, you

26:10

want to talk about guns being pointed

26:12

at someone I'm not used. Holy

26:14

shit. This film, this film. Paul, remember

26:16

when Renny Holland was Renny Holland?

26:18

Do you remember like we were watching

26:20

die hard movies from this guy?

26:23

We were watching Deep Blue Sea. We

26:25

were watching motherfucking cliffhanger. Remember that

26:27

90s with Renny Holland's Forte and after that,

26:29

it all went downhill very fast. So it

26:31

culminates here in the Strangers Colin chapter one,

26:33

one of the worst films of the year

26:35

by a million miles. The Strangers Collar, chapter

26:37

two, Colin, chapter two coming soon, apparently to

26:39

a theater near you would need to be

26:41

about 40 fucking times better this movie for

26:43

me to warrant bothering to go to see

26:45

it. Very nice, very nice and ends on

26:47

a complete fight of a note as well.

26:49

It's just like, can I get the name

26:51

again? The Strangers Colin chapter one. Okay, fine.

26:53

Believe it or not, Paul, this is where

26:55

I start to recommend all that early. Yeah. So I

26:57

had these two bags of shit and now I got this one. Now,

27:02

Paul, you know, because you know

27:04

me, but it's been a very

27:06

turbulent month for me. Yes, it's been a

27:08

lot of jobs, getting lost jobs, getting

27:10

gotten and then like just kind of a

27:13

lot of shit going on. Any happily

27:15

though, any happily to me. I'm glad to

27:17

say it, but yes, it's it's been

27:19

it's been a month, ladies and gentlemen. And

27:21

as a result, I have been a

27:23

bit emotional and given that you left nine

27:25

films to watch in seven days, but

27:27

that's got nothing to do with it. That's

27:29

just me. So I was watching this,

27:31

I came home one night on a particularly

27:33

poor night, shall we say, and just

27:35

dialed up this Netflix doco called Will and

27:37

Harper down here. Yeah, I thought he

27:39

sounds like four stars. Have you

27:42

got eight four star films on your

27:44

list? No, I'd say four stars. I

27:46

misinterpreted something you said. Well, what it

27:48

was is that so basically this is

27:50

about Will Ferrell, who takes his friend

27:52

who has and the guy's like 60

27:54

something years old and he's just come

27:56

out as transgender and transitioning, transitioning, right,

27:58

but it's very obvious. or has transitioned. He

28:00

has transitioned. He's very obvious that he's like, you

28:03

know, obviously. Is it a woman who's gone

28:05

to be a guy or a guy? Guy is

28:07

going to be a woman. In that case,

28:09

she should use the she. she? Yes. So how

28:11

does this work? Is she a there or

28:13

they there? Well, it depends what they prefer. Right.

28:15

But if it was a man who's now

28:17

become a woman. think a she. I think it's

28:19

a she. Because they use. He is becoming

28:21

a she. Unless they prefer the pronouns that. Right,

28:23

right. Okay. So she is Will Smith, Will

28:25

Smith. Will Ferrell takes her across America. Will Smith,

28:27

you say. Yeah, then he slaps her. No. What

28:30

the hell are you? No,

28:34

no, no. Anyway, what it is, is that Will

28:36

Ferrell has like, this guy used to write for

28:38

him and he's a writer. He's a TV writer.

28:40

And now he's just sort of late in life,

28:42

come out like this. And he's kind of talking

28:45

to him and he catches him because let's just

28:47

drive across America. So it's their adventures across America.

28:49

And the reason I saw it initially is that

28:51

when I like years and years ago, the first

28:53

time I went to America, I did this like

28:55

tour across and we went to this steakhouse in

28:57

Texas, where if you, if you eat this like

28:59

1 .5 kilo steak in an hour. was eating a 1 .5

29:01

kilo steak. I know. And it's, and they put you on

29:03

stage to do it. And it's really, it's almost impossible to

29:05

do, right? But some people have done it because Texas baby,

29:07

you know I'm saying? And they actually go

29:10

to that one in this song. Oh, let me

29:12

check that out and get some nostalgia. They

29:14

do go to that one. It's working fine. Oh,

29:16

they do. Okay. Yep. Did I try and

29:18

do the 1 .5 kilos? They try because they

29:20

put you on stage, but what happens is, right?

29:22

Put you on stage. Yeah. But what's kind

29:24

of interesting about the show is, look, you might

29:26

imagine certain aspects of Texas, not Austin, but

29:28

the other bits, like our less welcoming to a

29:30

transgender. So they, they go there and the

29:32

next day is all these posts about, Hey, Will

29:34

Ferrell, take that shit and keep it in

29:37

Hollywood and we don't care if this shit, it's

29:39

really, really bad. And he actually starts kind of,

29:41

he himself, Will Ferrell, as they're driving just starts crying

29:43

and, and - But I've got a film crew with

29:45

them. So they knew what they were up for

29:47

here. This is, this is a very deliberate thing. That's

29:49

one of the scenes. But what happened was he

29:51

actually said that. I'm not saying put it on, but

29:53

I'm saying they must have known what they were

29:55

walking into. They, they, well, they wondered what they'd walking

29:57

in because people were nice to his face. They

30:00

were saying, Oh, this is because of Will Ferrell

30:02

was next to us. Oh, this is Will Ferrell's mate.

30:04

Let's go. You know, that's kind of thing. Right.

30:06

Uh, and he actually said that, Oh no, I think

30:08

it actually towards the end to get a bit

30:10

bad. And he's like, I don't know. We have to

30:12

worry about her safety. And he feels like, fuck,

30:14

I put her in danger because of his idea. I

30:16

had to shoot this, this thing. And so he

30:18

just started crying. Now there was another scene where she

30:20

goes a bicycle. She said that before she transitioned,

30:22

she loved going to dive bars. Like, you know, this

30:24

rough dive bars. So she's like, I'm going to

30:26

go into one by myself. Don't come in with me.

30:29

We'll go in there. We will take a camera

30:31

crew, right? And she walks in there and there's

30:33

like big, like, fuck Biden, kind of like, like

30:35

banners in this, all this sort of stuff. Right?

30:37

So she sits there for a while and she's,

30:39

you can see people giving her side eyes and

30:41

whatever. And eventually she comes to the bar to

30:43

have a drink. And then some guys are talking

30:45

to her. Now, again, there's a camera there. So

30:47

I don't know what that means. Changes the dynamic.

30:49

It does change the dynamic because you can't wait.

30:51

But she actually does make friends and people start

30:53

asking her stuff. And it turns out that everyone's

30:55

nice about things. And then she radios or calls

30:57

bills will furlough and just come in. Once

30:59

he comes in, it was like, oh my God, a

31:01

little barrel, you know, kind of thing. And they actually

31:03

have this great. So that's a beautiful kind of scene,

31:05

but it's a really touching. I cried like a bitch,

31:07

right? Like I just absolutely like adding to the list

31:10

of films that you struggled to, films that made you

31:12

cry. Oh, absolutely. And like, it's just like, it's sort

31:14

of like, and he gives us something at the end.

31:16

He goes, I just wanted to give you something. And

31:18

he gave her diamond earrings. Like he said, I just

31:20

wanted you to have something, you know, Tiffany's earrings and

31:22

she starts crying. Then I start crying again. So it

31:24

was a really, it was a really good, like it's

31:26

interesting. You know, Will and Harper ladies and gentlemen on

31:28

Netflix. Right. From that heartfelt and very real documentary

31:30

to a film, which I'm fucking over

31:32

Wayne, really, really over Hollywood telling me

31:34

time and again, how dangerous AI is

31:36

going to be. I know, I fucking

31:38

know. And I agree. We are headed

31:40

towards Terminator fucking Judgment Day. And we

31:43

need to arrest that shit and all

31:45

the rich people in the world need

31:47

to arrest that shit, but stop thrust

31:49

to get down my gullet. Even when

31:51

it features Megan Fox, my number eight

31:53

is subservience. What's this now? It's directed

31:55

by household name S .K. Dale. It is

31:57

a straight to video. To

32:00

be fair you walk into this one would go

32:02

on. I knew and I wasn't expecting greatness But

32:05

this was I'm going to Singapore I've got I

32:07

need some plane movies Which I don't want to

32:09

be able to have to pay too much attention

32:11

to and if if the the lords are flying

32:13

or the gods are flying are kind enough Then

32:15

I'll be able to fall asleep halfway through it

32:18

and if I can't fucking I tried take

32:20

a rest of it not normally and as

32:22

it turns out I'm taking all kinds of

32:24

drugs but anyway, but anyway So subgroups drugs

32:26

of drugs of drugs but anyway, but anyway,

32:28

so sub- Megan Fox. Oh, I say being

32:30

gal before. Sorry, I meant Megan Fox. Yep.

32:32

And another beautiful woman, of course. She's an

32:35

Ozzy actress. Megan Fox is the latest in

32:37

the most advanced version of this AI. So

32:39

AI is accepted in this world. We don't

32:41

go out pains to tell you just that

32:43

they're everywhere. All right. And they're robots that

32:45

move around and look like us and whatever

32:48

else. But they don't act like us, of

32:50

course, because they're programmed and whatever else. And

32:52

so this guy whose guy whose wife has

32:54

a potentially terminal terminal terminal illness. which I think

32:56

can't remember if I say whatever it

32:58

is, but she needs like a heart transplant.

33:01

And the wife is played by,

33:03

do you remember the chick from

33:05

David O'Connor's show, California. Cation?

33:07

Yeah, Madeline. Yeah, Madeline Zeta. Yeah, who

33:10

was... Oh, Madeline Zima. Yeah, the young

33:12

girl. She's now grown up and she's

33:14

probably in her early 30s or whatever

33:16

it is now. Oh yeah, she's flashed.

33:19

She's very attractive young woman. She's the

33:21

one who's got heart transplant coming. Michel

33:23

Maroon. Okay. And he's the husband, got two

33:26

young kids, including a baby. And so clearly

33:28

he's well enough offers the foreman of some,

33:30

whatever building site he works on, that they

33:32

go on by this, this brand new AI,

33:35

which is Megan Fox. And so she comes

33:37

in. I know of this film. She comes in,

33:39

it's all the same, exactly what you've

33:41

seen, every other thing, including that piece

33:43

of shit, fucking AI movie, you're only

33:45

afraid. Initially seems like it's helpful in

33:47

doing the right things, but actually it's changed.

33:49

Well, it doesn't change the programming. Nick, the

33:52

husband, changes the program in a moment in

33:54

the film, which then he will come to

33:56

regret, and it can start doing things like

33:58

killing people who are threatening the family. And then,

34:00

oh no, now it's being threatened here and it really

34:02

wants Nick. So I was going to kill the wife

34:04

and the kids of it has to and all that

34:06

kind of shit. So this was done well. I'm happy

34:08

to tell you that there was a horror movie

34:10

this year or whenever we watch it that I

34:12

like Megan. Oh, Megan is by

34:14

far the best Megan is like a good

34:16

movie. I know Megan 2 .0 is coming next

34:19

year, but that one seemed to nail the

34:21

stupid. Yes, that one knew the joke and

34:23

the funness of it and whatever else. And

34:25

when over the top, this is a really

34:27

budget shitty version there of, you know,

34:29

the fact that it's Megan Fox. And of course,

34:31

the husband at some point dips his dips

34:33

his wick in there because he can do that.

34:35

Apparently they're that real. And

34:37

well, yeah. Look,

34:46

I've never been tested. Paul. So I don't know.

34:48

Okay. Shout

34:51

out to Wayne's lady. Don't

34:54

buy a Megan Fox. Yeah.

34:59

Number eight subservience. It's shit.

35:01

Okay. Okay. Well,

35:03

cool. My number seven is

35:05

it's a cartoon. Okay.

35:08

Oh my God. I know, but it's

35:10

Batman. Okay. It's called Batman. The Long Halloween

35:12

part one and two, which means I

35:14

watched this for like seven hours. Yeah. This

35:16

wasn't too long. Yeah. This wasn't too

35:18

long. For some reason. This was good, man.

35:20

Guess who's the voice talent is Batman

35:22

is Jameson Eccles. Supernatural

35:25

zone. That's right. The Harvey

35:27

Dent is Josh Duhamel, who

35:29

is essentially Timothy Oliphant White.

35:31

Yes, exactly. Also Jack Quaid.

35:33

Timothy Oliphat. It's Oliphat. Yes.

35:35

I wish he put on

35:37

some weight. That'd be good. Oliphant. Fantastic. Yeah,

35:39

I don't know. We're working out. We're working out. But

35:41

yes, David Dismulsion and Jack Quaid

35:43

and a few Titus Welliver. You

35:45

know these kinds of actors like,

35:47

you know, yeah, anyway, it's about,

35:49

it's who doesn't really matter, but

35:52

it's about a killer who like

35:54

has a Halloween theme and whatever.

35:56

But it is surprisingly great animation

35:58

and direction style looks much better than

36:00

I would expect. Because I don't like 2D animation.

36:02

There's a bit of fucking CGI and everything in

36:05

here. And the original was drawn by this artist

36:07

called Tim Sail. If Ashley is listening, she likes

36:09

Tim Sail. She's got a sign thing. I think

36:11

he's a shit artist. Sorry. Um, he's like, he's

36:14

a, he's, he's, he's, he's, he's, he's, he's, he's,

36:16

he's, he's, he's, he's, he's, he's, he's, he's, he's,

36:18

he's, he's, he's, he's, he's, he's, he's, he's, he's,

36:20

he's, he's, he's, he's, he's, he's, he's, he's, he's,

36:23

he's, he's, he's, he's, he's, he's, he's, he's, he's,

36:25

he's, he's, he's, he's, he How dare they? I

36:27

know. It's a comic book film. I know. And

36:29

it's kind of cool. So I was

36:32

actually really surprised. But this is like,

36:34

because I spent four hours watching it,

36:36

I'm like, no, I'm putting it on

36:39

the list. Batman, the long Halloween, part

36:41

one and two. I do recommend it.

36:43

DC cartoon. Actually edgy. There you go.

36:45

Okay. All right. My number seven, I

36:48

don't quite recommend. But I do if

36:50

you're into animation or if

36:52

you're. It's directed by Phil Tippett who

36:54

was the special effects supervisor on Starship

36:57

Troopers and worked on lots and lots

36:59

of Hollywood films. This was his passion

37:01

project which he worked on weekends with

37:04

a very small crew for years and

37:06

years and years and years and it

37:08

looks really cool. It looks really cool.

37:10

Yeah. And it looks really cool. Yeah.

37:13

And it looks really cool. Yeah. And

37:15

it looks really cool. Yeah. And it

37:17

looks really cool. Yeah. And it looks

37:19

so out of time. But Tim Putin. Yeah,

37:21

it's probably safe. It's not the same as claymation, but it is much,

37:24

it's become bedfellows. Yeah, I'm not sure which ones which. But anyway, so

37:26

it's, you know, a little plasticine, things molded out of whatever, all the

37:28

background is the same and whatever else. And it's painstakingly, you know, one

37:30

frame at a time changed as you go. And so very small crew

37:32

worked on this apparently for like 10 12 years. Yeah. For a

37:34

long, long, he was working list working list on the list on the

37:36

list on the list on the list on the weekend list on the

37:39

weekends. It's working list on the weekends. It looks like, it, it,

37:41

it, it, it, it, it, it, it, it, it, it, it, it, it's

37:43

working, it, it's working, it, it, it's working, it, it, it's working, it's

37:45

working, it's working, it, it, it's, it's, it's Bugged if I

37:47

know what the fuck was going on this

37:49

movie. It is a fever dream of ludicrousness

37:51

which to start with this big cage being

37:54

lowered down through the depths with guns firing

37:56

at it into like hell I guess or

37:58

into some kind of crazy under world thing

38:00

and then there's fantastical creatures and this guy

38:02

with a you know like an old school gas

38:05

mask on yeah moving his way through

38:07

there and then you know shenanigans happen

38:09

and it like eventually eats back on

38:11

itself and I don't understand a single

38:13

single thing that was happening after half

38:15

an hour mark like abstract very abstract

38:17

very weird I went I went to

38:19

look on Wikipedia at the plot synopsis

38:21

and there's a very short plot synopsis

38:23

and And that's like, taking some big

38:25

swings, assuming what's going on, I have

38:27

to assume that Phil Tipp, but at

38:29

some point with the interview, to say,

38:31

oh, that means this, and that means

38:33

that, and because otherwise I'm like, how

38:35

the fuck did you get that out of

38:38

this? So as a, as a film in terms

38:40

of just how it looks, purely how

38:42

it looks, there's no action, there's

38:44

no, you know, anything like that. You

38:46

can watch it there if you would, so

38:48

do it, which is a, here in Australia,

38:50

you can watch as part of Amazon Prime,

38:52

it's an extra additional payment to this horror

38:55

streaming thing. It's not really horror, it's weird.

38:57

You weird. Very weird fantasy is how I

38:59

would describe it. Do you recommend it? Yeah,

39:01

funny one, yeah. If you're into this

39:03

kind of thing, absolutely check it out.

39:05

Yeah. If you're not into stop motion

39:07

slash claimation, don't bother. Okay. Okay, cool.

39:09

Excellent. My number, where we at? Six.

39:11

My number six is someone learned how

39:14

to download subtitles everyone. So I watched

39:16

the Three Musketeers part two. Oh, it's

39:18

already at? Milady. Didn't know it was

39:20

out already. Okay. Yes, yes. And now

39:22

this is, I don't know if you

39:25

remember, but I told you a while

39:27

back that I've watched the first. Three

39:29

Musketeers, Colin d'artanion. Yes, d'artagan. And, d'e

39:31

apostrophey. Even. Even you would do that.

39:33

Even you would do that. Even you

39:36

would do that. it affected a bit.

39:38

Fortunately, I've remedied that for this one.

39:40

This is the part two and it

39:42

is about Milady. Now it is actually

39:44

the the three Musketeers, the original movie,

39:47

I mean story by whoever that guy

39:49

is, right? I want to say his name,

39:51

but I call it Alexander, Dumas. Dumas. There you

39:53

go, he was him, right? It's a guess, if

39:55

I got that wrong, sorry, not one. And it

39:58

is, and the Milady in question is in... in

40:00

fact, played by Eva Green. And

40:02

I found out that it's in fact how

40:04

you say her name, not Eva Green, it's

40:06

Eva Green, Eva Green, I don't know. And

40:08

it's, you know, it's your swashbuckling stale from

40:10

Louvre to Buckingham Palace to the gullards of

40:12

parish. And it's a handful of men and

40:14

women trying to overthrow the fucking French Revolution,

40:17

all that stuff. But what I will tell

40:19

you about this one is. It's better or

40:21

worse than D 'Artagnan. It's at least

40:23

as good. Just as I'm basically. It's at least as,

40:25

but I'll tell you what, there's like action, there's

40:27

a shot here. And it's full

40:29

of really great camera work, but there's a

40:31

shot where the guy, which I didn't

40:33

expect the, there's a fight on top

40:35

of a tower, like a fucking castle,

40:37

like the, and D 'Artagnan just jumps

40:39

off. And the cameraman unexpectedly jumps with him

40:41

and he follows him all the way down, splashed

40:43

into the moat. And I'm like, oh shit, that

40:45

was cool. Yeah, sounds good. And it's full of

40:47

really great fights like that. I'm still angry at

40:49

you. I'm having a hard time agreeing. That's

40:53

completely understandable. There is a drone shot

40:55

following a horse rider. This is a proper,

40:57

all the characters are great and D 'Artagnan

40:59

is just hot. I'm sorry. He is.

41:01

Sorry to acknowledge he's hot. He is, he

41:03

is. And there is actually a bit

41:05

in the film where there's a night mission

41:07

where the musketeers have to sort of

41:10

infiltrate this castle. And it's played like Call

41:12

of Duty, Paul, because there's. Does anybody say,

41:14

Porthos the pirate? No, Porthos is a bit

41:16

fat though. I will tell you that. So

41:18

he's a bit older planet in his way,

41:20

but they play it like Call of Duty.

41:22

Like despite being sent in the 1600s, these

41:24

guys are actually kind of like going through

41:26

the water, trying to sneak under the water

41:28

to go under the thick tower and take

41:30

out all these people. Really cool. It's really

41:32

cool. So I will reserve judgment. I understand

41:34

completely, Paul. And in fact, frankly, you shouldn't

41:36

watch it while you're still mad at me.

41:38

So give it a year. Yeah. Fuck

41:40

it, number one worst film the year. Fuck it. Fuck

41:43

my lady. I mean, you know what I mean. All

41:47

right, thanks for that. I wasn't aware that

41:49

one was out. So clearly you have

41:51

been to the cinema to see it. Yes,

41:53

absolutely. No magic involved. Good. My number

41:56

six is a film directed by someone you've

41:58

never heard of before, Josh Margolin. and

42:00

it's called Thelma Thelma. Yeah. All

42:02

right. And this basically follows 93 year

42:04

old Thelma post gets duped by

42:06

a phone scammer pretending to be her

42:08

grandson, which is a thing that happens, right?

42:10

Okay. So like phone call with they've got

42:12

on some voice modulator, whatever else. Yeah. Yeah.

42:15

Yeah. Grandma. I've had a

42:17

car accident. I need $10 ,000 really fast. Oh God,

42:19

are you okay? Yeah. Yeah. Yeah. I just need that

42:21

money really quickly. Can you just wire it to this

42:23

place? But how what? Oh, you don't you can't wire

42:25

it. Okay. Could you just go put it in this

42:27

post office and send it to this address? Hmm.

42:29

Okay. I'll do that then and does that.

42:31

Turns out that she's got a bit

42:34

more gumption than you might expect. And 93

42:36

year old Thelma. Yeah. Is

42:38

played by June Squibb, who has

42:40

been in so many fucking films. It's not

42:42

funny. Okay. Mostly animated films these days,

42:44

but she was in Palm Springs. She was in Meet Joe

42:46

Black, Age of Innocence, Hubee Halloween. Yeah,

42:48

that's why I knew she'd been in an out of

42:50

town film. Anyway, so in this

42:52

one, then it follows her deciding fuck this,

42:54

I'm going to get my money back once

42:56

she works out. She's been scammed. Yeah. And

42:58

so she gets what's his name? Richard Roundtree

43:01

is. Oh, God, really? Is a fellow very

43:03

elderly person. He lives in a sort of

43:05

retirement village. She needs his scooter, so she

43:07

goes and talks to him and still shaft

43:09

when we got wrong. He was shot back

43:11

in the day. I think he might have

43:13

just recently passed away. Yeah, he did just

43:15

this time last year, very sadly. So the

43:17

two of them got on this mission to

43:19

try and get the money back. And meanwhile,

43:21

the grandson is one of the co -rials

43:24

of one of the co -producers on the film.

43:26

His mum is played by Parker Posey and

43:28

dad is Greg Clark Greg. Oh,

43:30

wow. And so the three of them are

43:32

hunting for Grandma. So that's the film. in

43:34

Turquilson. Yeah. Yeah. Okay. It's sweet. We'll put

43:36

you into this. I saw a trailer for it.

43:38

I thought that looks like it's, it's, it's

43:40

amusing. It's a sort of three star film

43:42

for me. So if that sounds like your

43:44

jam, absolutely check it out. Okay. The

43:47

guy who wrote and directed this, apparently at the

43:49

very end of the film in the end

43:51

credits, it's footage of him and his grandmother having

43:53

one of the conversations in the film with

43:55

him. Oh, oh. And she's really, you

43:57

know, going to town about, so he's

43:59

absolutely basic. on his grandmother, which is a

44:01

really sweet sort of ode to her.

44:03

So to make it a thing. What's it

44:05

called again? Thelma. Thelma. All right. That's

44:07

unexpected choice from you. Yeah. Wow. Okay. Cool.

44:10

Well, my number five is a film

44:12

that this is not for you. Okay, Paul.

44:14

Okay. Let's just get there. Okay. It's

44:16

a raw. It's a romantic, not even comedy.

44:18

It's just a romance called once. Right?

44:20

Okay. This is by John Carney. Yes. Yeah.

44:22

You're familiar. Okay. So I, really? Okay.

44:25

Cool. Because I, um, I remember starting to

44:27

watch this for real a hundred years ago

44:29

because we, I made sing street. Yes. Right.

44:31

And then this is a film before sing

44:33

street. I didn't know that. And now that

44:35

I did, that's why I sorted it out.

44:37

Okay. So yeah. So 2007 film ladies and

44:39

gentlemen, and I remember a girl once saying

44:41

to me, you should watch once. I'm like,

44:43

why? She said, I just think you'd like

44:46

it. Right now. People once said this to

44:48

me about that Ewan McGregor and Nicole Kidman

44:50

movie. LaRouche. Yeah. And I saw it like

44:52

20 years later and didn't see it and

44:54

didn't like it that much. But this one

44:56

is about a vacuum repairman. Right? His name

44:58

is Glenn Hansard. He's actually a musician in

45:00

real life. Yep. And he moon lights as

45:02

a street musician and he hopes for his

45:04

big break and then very small budget, tiny

45:06

little budget, a check. Exactly. This check immigrant

45:08

girl comes along and she's, she sells flowers

45:10

and she approaches him with the news that

45:12

she's also a singer songwriter. So I was

45:14

watching it going because it starts with like

45:16

a chase through the streets and stuff like

45:18

that. Okay, this is a bit better than,

45:20

it's just a charming like film, but it

45:22

does have one of the most, one of

45:24

the best learning to play a song scenes. Like

45:26

he's teaching her how to play a song on

45:28

a piano and she's like, okay. And for some

45:30

reason it's not annoying when you hear people screw

45:32

up and then get it and finally get it

45:35

more and get it more. I think it's just

45:37

probably it's an Irish film, right? But

45:39

it's the way a musical should

45:41

be where it's contemporary and

45:43

not cheesy. And it is I

45:45

like using the word musical

45:47

because playing, you're right.

45:49

They're playing songs live and for each other

45:51

and it's actually happening. They're not suddenly bursting

45:53

the song and dancing and whatever else. Yes.

45:55

All of it is diegetic. It is not

45:57

actually for you. It is in fact them

45:59

playing and And there are great songs. I

46:01

actually started listening to the soundtrack. One

46:04

of the songs is really good. Yeah,

46:06

falling slowly. That's right. And it's like

46:08

just one of the, if you've got

46:11

probably a great date movie, unless you

46:13

happen. Abs, that's a great recommendation. You

46:15

know what I'm saying? Like, and if

46:17

you can somehow, because it's 2007, but

46:19

it's still, I don't know, it's really

46:21

great. Sing Street, it's amazing. Sing Street

46:23

is amazing. Yeah, so there you go,

46:26

once. Very, once. Very nice. We walked out

46:28

and both went, it was good, but not great. So

46:30

three stars. I was sort of two and a half,

46:32

three starring it. Yet the world has gone fucking mad

46:34

for this movie. I'll beat you, it's on my list.

46:36

It's called the Wild Robles. Yeah, man, it's on

46:38

my list, and it's higher up. I was watching it on

46:40

the flip side of the Letterbox scores 4.3 stars. Because it's

46:42

fucking beautiful Paul. It is a beautiful film and I was

46:45

one that said to you the buddy trailer for this is

46:47

astoundingly good. I didn't saw the trailer for this. I didn't

46:49

saw the trailer for this. I didn't saw the trailer. I

46:51

didn't saw the trailer. I didn't know what was on it.

46:53

What's going on here? And it's so well rendered. What's going

46:55

on? What's going on? What's going on? What's going on? What's

46:57

going on? What's going on? What's going on? What's going on?

47:00

What's going on? What's going on? What's going on? What's going

47:02

on? What's going on? What's going on? What's going on? What's

47:04

going on? What's going on? What's going on? What's going on?

47:06

What's going on? What's going on? What's going on? What's going

47:08

on? What's going on? What I've done a lot

47:10

of animated stuff, The Crews, How to

47:13

Train Your Dragon, Lila and Stitch, and

47:15

he also directed that one with Harris

47:17

before, The Call of the Wild, a

47:19

few years ago, just as the pandemic

47:21

hit. So what I liked about this

47:23

movie is absolutely how it looked. Didn't

47:25

you find, though, that the graphics in

47:27

this, it's not photo real, but it's not

47:30

cartoony, it's almost graphic-based. but then animated well.

47:32

It's very odd. It's an odd start. Felt

47:34

a bit like a halfway point between traditional

47:36

animation and the spiderverse films. Yes. And I'm

47:39

not the artist. So, but surprisingly it works

47:41

so well. It's not like what you would

47:43

consider pretty looking. It's drawn looking. I don't

47:45

know. I guess where I spent a lot

47:48

of the time watching this movie going, Jesus could

47:50

have been better if only they did X, Y, Z.

47:52

And the main thing is I thought the first 20

47:54

minutes where there was no 20 minutes where there

47:56

was no dialogue was no dialogue was no

47:58

dialogue was amazing. Buddy. but then when they

48:00

get into the dialogue and it was a

48:03

clever device where the robot processes all the

48:05

noises, hearing to turn all the animal

48:07

language into English, great device, really like

48:09

that. But after that

48:11

it just sped through so much so fast

48:13

it gave nothing time to breathe for me and

48:15

currently felt the same way. So when shit's

48:17

going south in the latter part of the film

48:19

I'm like, I don't really care. It just

48:21

sped through this so fast. I think having like

48:23

someone with you and you're hoping that person, like

48:25

you're going to catch your daughter, it really affects

48:27

your adrenaline. She's not mentioned this film again for

48:30

her. And we're heading towards the age now where

48:32

my daughter's going to hit those teenage years where

48:34

nothing's going to impress her. Sure. This might have

48:36

been the first evidence they're off, but I have

48:38

to admit I was right there with her like

48:40

going, this should have been better. Okay.

48:42

But I know that we're in the minority. So

48:44

let me ask you Unlike you, the asshole that you

48:46

are, when I am in the minority, I can

48:48

acknowledge that. Absolutely. I

48:51

can too, I just want to play. But

48:54

what, so let me ask you this because again,

48:56

I walked into someone at work and forgot that you'd

48:58

recommended it. I'm sorry. I didn't recommend it after

49:00

I saw it. I recommended it before we saw it,

49:03

right? So someone said, this is really great. I'm

49:05

like, sure anyway. So I'm like, well, I got to

49:07

pick up these films for fucking the show. So

49:09

I'm to grab this one, right? that what you saw

49:11

today? No, no, no. Oh, okay. I saw it maybe

49:13

a week ago. Okay. But did the

49:15

trailer give away the plot of any

49:17

sort? Because when I started watching it, like I'll just tell

49:20

you this part because it's the first part of the film. Yeah,

49:22

we probably tell, we should probably say what it's about. Yeah,

49:24

sorry. It's a robot that to my,

49:26

like having known nothing, I walked into it.

49:28

The robot is in the wilderness and

49:30

somehow it's gotten there, right? There's a crashed

49:32

container. Yes. So it looks like I

49:34

thought I assumed it crashed out of space.

49:36

Well, I that's what I thought because

49:38

I thought, oh, what's happened? Well, I don't

49:40

know if maybe I didn't pick up the

49:42

crash container, but basically the second basically. Yeah.

49:44

So this, this robot is there in nature

49:46

and it's like, hello under this robot and

49:48

it's obviously there to serve humans. It was

49:50

programmed to serve humans, but it's in the

49:52

wilderness. So I was like, is this

49:54

set in the future where this robot was frozen time? I

49:57

should have said 20 minutes in. The only thing that spoke

49:59

was a robot, not everything else. Yeah, but it will, but

50:01

something, and so is it like the

50:03

robots out of time, what's going on?

50:05

Later on you find out what exactly

50:07

the situation is, but I thought that

50:09

it was like, oh, is it set

50:11

in the future, whatever, right? And how

50:13

it sort of gives you clues to watching,

50:15

you're like, oh, okay, now you get it,

50:17

now you get, and it sort of is good.

50:20

I guess what is. surprise me is

50:22

it's actually surprisingly forthcoming about the

50:24

harshness of nature and animal babies

50:26

dying and yet it's still somehow kind of

50:28

funny which I believe is a really great

50:30

money you should say that because I didn't

50:32

think it was funny though all the attempts

50:34

at humor didn't land for me or my

50:36

daughter what about when there's that armadillo or

50:38

whatever that was the there's some character which

50:40

had heaps and heaps of babies on it

50:43

like it was like a and then it's

50:45

like one dies you know I got 14

50:47

13 kids here, and I'm like, oh my

50:49

God, that's pretty harsh man, right? For his

50:51

kids show, and although then later on that

50:53

one turned back up a live So yes,

50:55

but for the moment, it's like we're gonna

50:57

laugh an hour that baby dying, you know,

50:59

it's like, oh shit. So that's interesting. Now

51:01

the the cast is Pedro Pascale, Bill

51:03

Nye, Mark Hamel, Bingham, yes, Matt

51:05

Barry Love these are Matt Barry. Yeah, Lepida Neongar, yes,

51:07

a lot of other people. So it's like definitely a high-end

51:09

kind of a show, but I was surprised. I was surprised

51:11

it did so well. So I'm surprised. Actually, maybe, yeah, I

51:13

guess. Well, you're more accustomed to these things. I'm like, well,

51:15

you're more accustomed to these things. I'm like, oh, a kid's

51:18

show, actually, maybe like. I think the evidence is in you,

51:20

Wayne, you would not normally seen animated animated film, you, you,

51:22

you went, it, it, it's one, it's one, it's one, it's

51:24

one, it's one, it's one of one of one of one

51:26

of one of the, you went, you went, it's one, it's

51:29

one, it's one, it's one, it's one, it's one, it's one,

51:31

it's one, it's one, it's one, it's one, it's one, one,

51:33

one Like, because I heard about it, like, you know, it's

51:35

like, but obviously we have a 4.3

51:37

star out of, choose, how many?

51:40

365,000 views. See, there's a

51:42

score you can lay on, Paul. 12,000,

51:44

my ass, you'll see. So, but I

51:46

will say this, I imagine you had

51:49

a problem with the ending. The way

51:51

this movie ended, it was like, oh,

51:53

you know, it was really, I kind

51:56

of really liked it, so, you know,

51:58

you know, you know, me. It's not

52:00

a bad film at all. And if you've got

52:02

kids, this is absolutely one you can sit through

52:04

and not be annoyed at yourself having sat through,

52:06

but clearly liked it more than I did. Yeah.

52:08

And it's a new franchise as well. It's not

52:10

like something else. Well, not even a franchise, it's

52:12

a film. Sorry. Yeah, exactly. It's a whole new

52:14

thing. So yeah, you go. All right, cool. Okay.

52:16

My number four, I actually did a little YouTube,

52:18

no, kind of a YouTube and Instagram about this.

52:20

It's a Netflix film called It's What's Inside. Yeah.

52:22

I've got that on my watch list. I was,

52:24

I'm surprised you even came across it, but yeah.

52:26

I only heard about it because I heard chatter

52:28

about people saying stuff. And I started looking to it.

52:30

And I was like, okay, I want to watch this.

52:32

I'm like, you know what? Not everyone is talking about

52:35

this. So I did a little recommendation. If you're

52:37

waxing and waning is my Instagram handle. Go ahead. Look

52:39

me up on YouTube as well. And on YouTube as

52:41

well. So anyway, so

52:43

I was afraid that it would be

52:45

a horror film. Horror film.

52:47

It is absolutely not a horror film,

52:49

but like on, I think the Google

52:51

actually says a horror sort of like,

52:53

it's a thriller. It's a thriller for

52:55

sure. And funny in places. I wouldn't say

52:57

it's a funny, funny film, but what it, I'll

52:59

tell you this much. Cause again, I watched it

53:01

without seeing anything. And I So I was in

53:03

the trailer, so I know what the basic premise

53:06

is, If you can watch it without a trailer,

53:08

all I'll tell you is that it's about a

53:10

group of friends who come together because one of

53:12

them is getting married. Yeah. They haven't seen each

53:14

other in years. And it's like, oh, it's a

53:16

reunion kind of thing. And then weird shit starts

53:18

to happen when one of their

53:20

unexpected guests arrives and it's a

53:22

little bit of sci -fi, but

53:25

very, very little. And it becomes

53:27

something of a, who done it

53:29

or who is it? If you take,

53:31

well, you'll see what I mean. I

53:33

would if I, I know exactly

53:35

what you're referring to. So, cool. So

53:37

there is for your information, Paul,

53:39

some impressive shots in this thing. Long

53:41

wonners. Awesome. Long wonners. Multiple

53:44

characters and steady cams, that kind of a

53:46

thing. I get, I've said this in my

53:48

video, but like one of the most inventive ways

53:51

to present a flashback ever. Cause what they do is

53:53

they talk about a guy and they cut back

53:55

to almost like a yearbook picture of it, but then

53:57

it moves and all this sort of weirds. And

53:59

as they're saying, things characters appear in the background

54:01

shit like that. It's like, Oh man, this

54:03

is kind of cool. Like it's very interesting.

54:05

Surprisingly well made ideas with the cinematography are

54:07

great as well. There are some beautiful looking

54:09

shots and there are shall we say inventive ways

54:11

of informing the audience about aspects of each character's

54:13

identity. We'll just leave it at that. All right.

54:15

I don't know who this filmmaker is and there's

54:18

no one in it. You know, I don't think

54:20

it's the first time it might be for a

54:22

certain film like it, but yeah, it's very early

54:24

in their career. So hopefully it's a really good

54:26

song. If it's this kind of thing. It reminds

54:28

me a little bit of there was a movie

54:30

a long time ago called The Last Supper. Yeah,

54:33

with yeah, and it was like Cameron

54:35

Diaz. Yeah, yeah. And it was that's

54:37

a really odd film, but it's very

54:39

murderous and intense and stuff like that.

54:41

This is a way better version of

54:43

that. Cool. Yeah, I'm kidding. As I

54:46

said, you like you won't like it,

54:48

but like especially today, I fucking want

54:50

to come back next. We're not talking

54:52

about anything else, but when such. So

54:54

yes, it's what's inside. Give it a try.

54:56

Cool. My number four watch with my brother who

54:58

was dead keen to see this one. And

55:00

eventually we got round to see it. It has

55:03

got a lot of buzz around the place

55:05

for some excellent performances by Demi Moore

55:07

and Margaret Quali. It's called Substance.

55:09

Yeah, tell me about it. Cause everyone's

55:11

talking about this. Obviously I won't

55:13

see it cause it's horror. Directed by

55:15

Coralie Farje. I think she's a

55:17

French filmmaker. She did a film a

55:19

little while ago called Revenge, which

55:21

was pretty good. This movie follows.

55:23

It's really well casted. Demi Moore is

55:25

playing like a 50 year old. Now

55:27

I know she's 61 or 62 in

55:29

real life, but she can absolutely pass

55:31

a 50 year old. Yeah. And she

55:33

gets basically fired from her job as

55:36

this like Jane Fonda fitness sort of

55:38

girl, having already won like many

55:40

awards, whatever. There's a

55:42

wonderful opening shot, which top down

55:44

pointing towards her star being put

55:46

down on whatever part of Hollywood

55:48

Walk of Fame. And then over

55:50

time, people, you know,

55:52

how they initially react to it. Then over time,

55:54

people all unbroken with his people walking across and

55:56

the seasons coming in, the star cracking and all

55:58

that kinds of perfect. Okay. beautiful way of

56:00

setting things up. And this film is really

56:02

well directed, particularly in the first two

56:04

thirds, I want to say. So wonderful shots,

56:07

even the positioning of the camera, low

56:09

angles and the like really, really cool. I

56:11

didn't know to me more than that.

56:13

She then gets fired from a job by

56:15

Dennis Quaid, who plays a very over

56:17

the top network executive. And

56:19

the film uses fisheye angles, while he's

56:21

like eating prawns and shit

56:23

and all the mouth noises, gross as

56:25

disgusting. And that's a nice precursor to

56:27

what's to come. Because this film really

56:29

leans hard on the grossest and I

56:31

guess gore, but the body horror kind

56:33

of stuff, because she sees an advert

56:35

for something, or she gets glued into

56:37

something by someone, called this thing

56:39

called the substance. Where

56:42

if you inject this stuff into yourself, a

56:44

younger, better version of yourself will come

56:47

along, right? Come along, not

56:49

turn into. Okay, all right,

56:51

all right. And you then have to

56:53

time share with this version of yourself, for reasons

56:55

that the film will outlay to, which I

56:57

won't go into here. And

57:00

she ultimately decides to take the

57:02

drug obviously, because otherwise we wouldn't have

57:04

a film, and Margaret Quali emerges.

57:06

So a younger, hotter version of

57:08

Demi Moore. Does she look like her?

57:10

Well, I mean, they're possibly similar looking, right? You

57:12

know, not like Demi Moore at that age looks

57:14

exactly like Margaret Quali now, but they're similar, looking

57:16

at Annie McDowell's daughter. You know who she is.

57:19

I know Annie McDowell, yeah. Well, you know Margaret

57:21

Quali, you've seen her in a bunch of stuff,

57:23

including she was in a once upon a time

57:25

Hollywood, the girl that Brad Pitt picks up and

57:27

takes back - Oh, her! Yeah, yeah, she's gorgeous. Yeah,

57:30

she's lovely looking girl. And Demi Moore is

57:32

sort of age -defining, but very brave role.

57:34

They both get, particularly Demi Moore, gets

57:36

really nude here at 61 years of age.

57:38

Like, you see everything you see there.

57:40

Really? Yeah, her arse sort of drooping, and

57:42

you see breasts, you see it all.

57:44

That alone makes it. There's naked wrestling that

57:46

happens sort of in this film in

57:48

places, and then the film goes in direction.

57:51

But But I have to say, and this is

57:53

why it's here at four and not higher, the film makes

57:55

a decision, which it hints at beforehand

57:57

in the last 20, 30 minutes. This

57:59

film's too long. 140 minutes long, it's too

58:01

long, could have been done in half

58:03

an hour, sure, easily. The last 30

58:06

minutes, it just leans so far

58:08

into satire. Shit, 144 minutes. 141,

58:10

yeah. This film leads so hard into

58:13

satire in the last 20, 30 minutes.

58:15

It just, for me, it lost

58:17

me completely. I hated the last

58:19

part of this movie. Some people

58:22

love it, because that's where it

58:24

really leans on the gore in that

58:26

last 30 minutes. But for me, I'm

58:28

just like, no. Can you give me...

58:30

But it's so over the top and

58:32

stupid. But can you give me an

58:34

example of a gore like an example

58:36

that isn't... Yes. Yeah, give me a

58:38

example. There's a moment in this film

58:40

when a breast literally forms out

58:42

of an orifice and plops on the

58:44

floor. What? Yeah. See, I don't like that

58:47

shit. I'm such a breast fan. No, but

58:49

like just like, yeah, I'm not watching it.

58:51

I'm not watching it. Yeah, it's hard to

58:53

recommend to recommend to you. But I do

58:55

recommend, this is officially where I

58:57

cross that line of recommendation, I

58:59

do recommend this to anyone who

59:02

is a fan of horror film

59:04

or who was interested in this

59:06

idea, I've described, is a well-made

59:08

film. It just goes in the

59:10

direction I didn't appreciate. One of

59:12

our listeners, Brianna Petty, is well-made

59:14

film. It just goes in the direction

59:16

that I didn't appreciate. One of

59:18

our listeners, Brianna Petty, is well-one,

59:20

Wayne. My number three, is another

59:23

John Kearny film. What the fuck

59:25

of the odds? Wait, he did it

59:27

another film? Yeah, it's called Flora and

59:29

Sun. Tell me about it. Flora and

59:31

Sun is Flora and Sun. And Sun,

59:34

yeah. And it came out late last

59:36

year on to Apple TV. Hello. And

59:38

it had been on my radar for

59:41

a long time, again, because it's Sing

59:43

Street. And I finally had a chance

59:45

to watch it once again on Zeblen.

59:48

And it's number three. And it's one

59:50

of three. It's a hot. It's a hot.

59:52

Great. I don't know who she is. She's

59:54

played by someone named Eve Houston. Okay. Who's

59:56

been in Bridge of Spies. Obviously I'm going

59:58

to look it up now. Yeah, okay

1:00:00

don't love not a lot of films. I recognize

1:00:02

here, but yeah, she's she's lovely lady And

1:00:05

she's got a 14 year old son had him

1:00:07

when she was 17 with and she had

1:00:09

him to Jack Rainer Who is the

1:00:11

guy who's in sing Street the older brother

1:00:13

in sing Street? Oh, yeah, I like that guy

1:00:15

Yeah, he's very charismatic actor. Yes in a

1:00:17

bunch of stuff as well in recent years And

1:00:19

they're separated and single and whatever else and

1:00:21

the film opens with her going to like a nightclub

1:00:23

and dancing with a Mate, you know, whatever else

1:00:25

and some guy comes up and goes basically I'm

1:00:27

gonna be riding before the night she goes. Nope

1:00:29

So it turns away and she's still dancing on

1:00:31

and then she you know Try to hit on

1:00:33

a better looking guy and he turns her away

1:00:35

and she ends up sleeping with this guy Yeah,

1:00:37

and then the moment next morning where the guy's

1:00:39

like hey I'm gonna make some breakfast or whatever

1:00:41

and she's like, okay And he goes oh and

1:00:43

then the Sun walks out walks through the room

1:00:46

and out the door And she goes you got

1:00:48

a son a kid and she goes. Yeah, he goes,

1:00:50

okay So everything just walks out the door. Oh,

1:00:52

no Okay, all right, so that's

1:00:54

sort of sets up the and

1:00:56

she is not the typical. It's

1:00:58

in Dublin Dublin, she's not the typical

1:01:00

mother. Yeah, but she's saying you're a fucking And

1:01:03

he's like fuck you woman. You're a piece

1:01:05

of shit like that. They're really antagonistic towards

1:01:07

each other Yeah, yeah, and so one day

1:01:10

she spots a guitar. She's very she's not

1:01:12

very rich Not a lot of money spots

1:01:14

a guitar. It's on. I was like, uh,

1:01:16

I'd skip in picks it up takes it home

1:01:18

Packages up to give it to her son

1:01:20

who's into music And he's like you just

1:01:22

bought this for yourself. She goes, well, maybe I

1:01:24

did but you know This is me trying

1:01:26

to go men bridges here or whatever else and

1:01:28

so from there She picks up the guitar

1:01:31

and she starts to learn to play music

1:01:33

And she knows to play music via Joseph Gordon

1:01:35

Levitt's online lessons. Really? Yeah And so she

1:01:37

then pays money for tutoring

1:01:39

with him online and it's really

1:01:41

cool Really cool device where They'll

1:01:44

be playing whatever and then the

1:01:46

film will have him walk into the

1:01:48

room like not really Like

1:01:51

she's there to instruct her. Yeah,

1:01:53

that's kind of cool and their

1:01:55

Relationship grows online and meanwhile her relationship with

1:01:57

her son grows while she's trying to

1:01:59

navigate all the difficulties of being a single mum.

1:02:01

And it's really heartwarming and has a couple

1:02:04

awesome songs. You like it! And it's great.

1:02:06

It's another really good John Carney film. That's

1:02:08

the shit, isn't he? Three for three. So

1:02:10

yeah, you need to watch Flora and Sun.

1:02:13

Flora and Sun. I think it's better than

1:02:15

once. Brickit. Personally? Not as good a sing

1:02:17

street, but then how many things are? Nothing.

1:02:19

Almost, yeah. That's very cool. All right. Well,

1:02:21

Paul, I don't know if you know, but

1:02:24

I think there's an election going on soon.

1:02:26

There is. Not in our country. Not in

1:02:28

our country, but God knows everyone's fucking watching

1:02:30

it. Everyone there in the States, please

1:02:33

make the right decision. Yes. And so

1:02:35

I thought, what the hell, I'm going

1:02:37

to check out The Apprentice, which is

1:02:39

a movie starring fucking... I may have

1:02:42

acquired that today. I

1:02:44

can't imagine now Paul. Sebastian Stan, right?

1:02:46

Yeah, Sebastian, Stan, Winter soldiers there. We

1:02:49

also have Jeremy Strong from succession, if

1:02:51

you're a fan of that. And who

1:02:53

else? Yeah, not the many other people.

1:02:55

Now, the girl from Borat too. Maria

1:02:57

Bakalova. I knew I recommend a recognizer.

1:02:59

Okay, yes, good call. Now, it is

1:03:01

of course the life story of Donald

1:03:03

Trump. And I like initially kind of

1:03:05

bristled at the idea of this, but

1:03:07

I'm like, you know what? I wouldn't

1:03:09

have watched it on my own. If

1:03:11

I'm watching it for a show, maybe

1:03:13

I've got some contact. Well, they forced

1:03:16

him, sorry, they forced it through to

1:03:18

get released before the election, came out October

1:03:20

11th, because the Trump pushed back, tried to

1:03:22

stop it, for being released. That alone makes

1:03:24

it worth watching. Absolutely. And this is what's

1:03:27

interesting about it, okay? This is, I was

1:03:29

expecting to not like it, because I don't

1:03:31

really particularly like this. There's something like that.

1:03:34

It is actually surprisingly compelling, ladies and

1:03:36

gentlemen. It shows how, although, because it's early

1:03:38

level Trump, obviously, 70s and 80s, right? Yeah,

1:03:40

70s and 80s, right? So it shows how

1:03:42

although Trump was massively under the thumb by

1:03:45

his father, his father was a

1:03:47

kung, fucking kunt, according to this

1:03:49

movie, right? And he was constantly

1:03:51

struggling for recognition from his dad,

1:03:53

and then also the rich people

1:03:55

in New York, that community, there's

1:03:57

like billionaires clubs and all sort

1:03:59

of shit. because he learned everything

1:04:01

from this high -end lawyer played

1:04:03

by Jeremy Strong. And Jeremy Strong

1:04:05

is basically telling him shit like,

1:04:07

always claim victory no matter how

1:04:09

badly you've beaten, bang your own

1:04:11

drum at every opportunity, play dirty

1:04:14

blackmail people. Just like he's basically

1:04:16

learning this moral casualness from

1:04:18

this guy and this sort

1:04:20

of pigheadedness from that dude. And

1:04:22

basically you see how he got

1:04:24

the way he is because of

1:04:26

this kind of direction. And of

1:04:28

course, his dad was, like he

1:04:30

inherited most of his money from his dad,

1:04:32

right? So he never really had to fight

1:04:34

to get money though he's been banked up

1:04:37

like 10 times or whatever, right? Sebastian Sand

1:04:39

is doing a great job because he's not

1:04:41

actively doing an impression of Trump. He's not,

1:04:43

you know, he's not doing the thing everyone

1:04:45

does. He's playing him in a sort of

1:04:47

accessible way and kind of how he probably

1:04:49

would sound at a younger age. But not

1:04:51

like this, you know, that thing that he's

1:04:53

doing, he's obviously, he's doing it another way.

1:04:55

And I found myself glued to the screen.

1:04:57

It's actually pretty good. Cool. So, you know,

1:04:59

it's probably the type of thing you want to

1:05:01

watch before the election if you have the option.

1:05:03

Yeah, I might run out of time for that

1:05:05

one, but yeah. But, you know, it's a kind

1:05:07

Given the way the election goes, one way or

1:05:09

the other, maybe it's still a good time to

1:05:11

watch it. You're right, you're right. You could very

1:05:13

well be the case, but I'm just kind of

1:05:15

surprised they did this, you know? Like it's, I

1:05:17

don't even know what the rules on autobiographies are,

1:05:20

I guess, is, but yeah, it's really cool. Like

1:05:22

it's a well -made production. Cool. So that was

1:05:24

your number three? My number two. That was your

1:05:26

number two. Well, it purports itself to be an

1:05:28

action thriller, but it's actually more of a thriller.

1:05:30

It's on Netflix, another film from Netflix,

1:05:32

which is amazing that there's a good film

1:05:34

being released in Netflix. Do

1:05:36

you pay what's it called? The one

1:05:38

for it's what's inside or whatever? Yeah.

1:05:40

I think that's a good show. Here's

1:05:42

another one here, Rebel Ridge, directed by

1:05:44

Jeremy Sonia. I almost caught this one.

1:05:46

Tell me about I love this guy,

1:05:48

Jeremy Sonia. He's made some really great

1:05:50

films. His last four films have been

1:05:52

Blue Ruin, which is a really good

1:05:55

low -budget sort of indie thriller. Then he

1:05:57

did Green Room, which is a pretty

1:05:59

good... horror movie I guess. Oh

1:06:01

yeah, I'm thinking, yep. With Anton Yeltsin from

1:06:03

memory in that one, rest in peace. Yep.

1:06:05

And then he did Hold the Dark with

1:06:07

Jeffrey Wright, another pretty good film, and then

1:06:09

this one as well, another very good film.

1:06:11

So look, these last four have been four

1:06:13

for four as far as I'm concerned and

1:06:15

I will watch anything this guy puts out.

1:06:17

Great. Especially in this kind of genre. And

1:06:19

it basically follows a African American guy played

1:06:22

by Aaron Pierre. who is a strikingly handsome

1:06:24

man, I have to say. I've seen the

1:06:26

cards for it. He is a good looking

1:06:28

fellow. Yeah. And he wanders into town to

1:06:30

pay the bail for his cousin who's going

1:06:32

to be sent to prison otherwise if

1:06:34

he doesn't get there for some low-level

1:06:36

sort of drug charge. And he runs

1:06:39

a foul of a cop played by

1:06:41

David Denham, who's from the office. And

1:06:43

his partner and they basically take his

1:06:45

money away from him and basically rob him

1:06:47

blind. I said, well, you know, I need to put

1:06:50

this permit in here and do this and do that.

1:06:52

And he's like, hang on, but I need that money

1:06:54

for my cousin or he's going to go to do

1:06:56

hard time in a place where people are going to

1:06:58

fuck him up because he knows too much information

1:07:00

type stuff. Well, Don Johnson plays the sheriff of

1:07:02

a particular town. And what it becomes then is

1:07:04

this guy who clearly has some skills, you find

1:07:06

out later what they are, but he's part of

1:07:09

the Marine Corps. and it's him versus it's almost

1:07:11

like first blood for two thousand twenty fours. I

1:07:13

was just thinking that but okay wow. It's not

1:07:15

as action packed as you think as I thought

1:07:17

but it's really compelling and really well directed and

1:07:19

when the action scenes do come there's only a

1:07:21

couple of them really in the whole film which

1:07:24

is long 132 minutes but I didn't feel it

1:07:26

watching this movie. They're really well done really

1:07:28

well put together. People are talking about this.

1:07:30

It really feels realistic I guess as

1:07:32

realistic as this kind of this kind of thing could

1:07:34

go so. So yeah this kind of thing could go.

1:07:36

I thoroughly recommend. I thought it would be good looking

1:07:39

at the trail, but I was really impressed

1:07:41

by how it sort of shapes that. At

1:07:43

the moment, this is sitting right at the

1:07:45

bottom of my 10-11 for the year. Shit.

1:07:47

Yeah. Do check out. Rebel Ridge. Okay, well,

1:07:49

we'll do a thing, but on my number

1:07:51

one is the movie I just walked out

1:07:53

of today to come join you. Wow. This

1:07:55

is a film that I had trouble finding

1:07:57

ball because it's not playing everywhere. It's called

1:07:59

Saturday. Oh yeah, I thought we talked about doing

1:08:01

this as a proper review at some

1:08:03

point, but all right, well shoot that

1:08:05

load. I think this is a good

1:08:07

move though, sorry I didn't think of

1:08:09

it anyway. So Saturday Night is of

1:08:12

course the film, sorry, is the story

1:08:14

of Saturday Night Live. Now you Americans

1:08:16

will be more familiar with this than

1:08:18

you Ozzie's. Or you. I actually like

1:08:20

Saturday Night Live and then I like

1:08:22

it and then I hate it, but

1:08:24

I've always known the history of Saturday

1:08:26

Night Live is, it started with like,

1:08:28

No, he wasn't there, okay? No, I

1:08:30

don't think he ever did. Dan Acroy,

1:08:32

all these people and stuff. Although

1:08:34

Billy Crystal came in, actually, later

1:08:36

episodes, they made him in this

1:08:38

movie, just whatever. The point is,

1:08:40

the actual film is about, in

1:08:42

total in real time, the first

1:08:44

90 minutes before the first 90

1:08:46

minutes before the first episode of Saturday

1:08:48

Night Live. This is like that Jobs

1:08:51

movie. It is very much like that

1:08:53

Jobs movie, but I'll tell you this,

1:08:55

Jobs movie, but I'll tell you know.

1:08:57

And... It is... This guy directed, or

1:08:59

with producer Wayne's World and stuff, which

1:09:02

makes sense. He keeps, like, you know,

1:09:04

like, uh, like, all the Squish Folly

1:09:06

films and your favorite days, they all

1:09:08

came out of this, right? Yeah. What's

1:09:11

great about it is, first of all,

1:09:13

you're seeing all the people who are

1:09:15

playing Chevy Chase and Dan Acro and

1:09:17

Billy, they're like, oh my God, they're so good.

1:09:19

And John Belushi, you know, all playing, like all

1:09:22

of that stuff. It's like boom, oh shit, what's

1:09:24

going on here? And it's so hectic, because the

1:09:26

camera's moving around and the lights are going down

1:09:28

and he's got pressure from the network and all

1:09:30

this shit happens. It's the first show. First show.

1:09:32

And because it's live, it's like, it's like, it's

1:09:34

like, it's the quote of the beginning, it's like, we

1:09:37

don't start the movie, because it's like, we don't start

1:09:39

the movie, because it's like, we don't start the quote

1:09:41

the beginning, it's like, it's like, it's like we don't,

1:09:43

it's like we don't, it's like we don't, it's like

1:09:45

we don't, it's like we don't, it's like we don't,

1:09:48

it's like we don't, it's like we don't, it's like

1:09:50

we don't, it's like we don't, it's like we don't,

1:09:52

it's like we don't, it's like we don't, it's like

1:09:54

we don't American man. So yeah, there you are. Saturday

1:09:56

night I look. In one of your best films of

1:09:59

the year then. Yeah. The fact that I like

1:10:01

Saturday Night Live and I know the history

1:10:03

of it, because this fist fights that happened

1:10:05

between Bill Murray and Fuckin' Chevy Tace and

1:10:08

all this shit that's like war in this

1:10:10

show, but it helped me like it. So

1:10:12

you may not. care as much as I

1:10:14

did, but I really think it's a really

1:10:17

well-fashioned real short movie. Okay, cool. Well, just

1:10:19

run us back to your list, not because

1:10:21

we're comparing it all, but just so people

1:10:23

can remind themselves where things fell and... Sure.

1:10:26

And also acknowledge the point where you go,

1:10:28

bam, recommending from here. Sure. Ten, canary, black,

1:10:30

nine, the shadow strays. And then I sort

1:10:32

of recommend Willin Harper, number eight, seven, Batman

1:10:35

Long Halloween, only if you're a Batman fan.

1:10:37

Six, the three musketeers, mid-five, four, it's what's

1:10:39

inside, three, the wild robot, two, the apprentice,

1:10:41

and one Saturday night. Right, thank you, sir.

1:10:44

Am I, number ten? Chapter one, seven, mad

1:10:46

god. Probably about here, I'll start to recommend.

1:10:48

more widely, sixth elmer, fire the wild robot

1:10:50

for the substance, three, flora and sun, two,

1:10:53

rebel region, my number one, of course, Wayne.

1:10:55

Oh, I wish I had a significant little

1:10:57

fire! Or if you prefer. You're a cot.

1:10:59

You're a cot now, you've always been a

1:11:02

cont. I don't even think it's going to

1:11:04

change. I wish that I made it my

1:11:06

number 10 now, because they would have been

1:11:08

this perfect. One of the one in the

1:11:11

best film I've seen this weekend will be

1:11:13

in my top 10 films, the year less

1:11:15

something really happens in the last two months,

1:11:17

is the Shadow Strays. What the fuck of

1:11:20

me? Could not be a bigger dickhead if

1:11:22

you tried. Please, what? This is number one

1:11:24

cracker of all this shit. This motherfucker right

1:11:26

here. Yeah. The wild robot kicks robot kickskicks

1:11:29

this right in the wild robot kicks this

1:11:31

right in the wild robot kicks this right

1:11:33

in the wild robot kicks this right in

1:11:35

the vivin' right in the wild robot kicks

1:11:38

this right in the vivin' right in the

1:11:40

vivin' right in the vivin' in the vivin'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in'in

1:11:44

There you are one of the most controversial

1:11:46

top ten last week. The final one for

1:11:48

the weekly podcast. What a great way to

1:11:51

go out, but actually not quite yet because

1:11:53

we need to hear your feedback on the

1:11:55

topic at hand. The second for the week

1:11:57

all, the pop ten. Talk about. Talk about.

1:12:03

Get off this week's top team with George Conway's

1:12:05

venom Colin, The Last Dance. Saw it with my

1:12:07

son. It was my daughter's first movie yesterday and

1:12:09

it was so much fun. Well, glad you and

1:12:11

George. Good, good. Jonaslander, patrons, the show, said, have

1:12:13

to go with this, watch season four slow horses,

1:12:16

posted about it here. Still a little shocked by

1:12:18

the ending. I have heard about this and seen

1:12:20

it available for download many times and not watched

1:12:22

it. So, okay. Johnny Manta, one of the host

1:12:24

of the podcast, who was on the show not

1:12:26

too long ago, thank you John, said, Hellboy, Colin,

1:12:28

the crooked man, low-budget hellboy film that tracks very

1:12:30

close to the whole vibe of the comic, nice

1:12:32

little horror story. I quite dug it. Not bad,

1:12:34

okay. Okay, it's on my list to watch, I

1:12:37

have to admit. Troy Spinner, one of the exco,

1:12:39

one of the exco, one comic host, and comic,

1:12:41

and comic confidential podcast, podcast, podcast, said, said, said,

1:12:43

said, said, said, said, John Woozos, said John Woozor-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-

1:12:45

The original video, nice. Purchase physical media to watch

1:12:47

it and almost chat my pants with how great

1:12:49

it is. Excellent recommendation there. Back when John was

1:12:51

great. Joey De Carlo, the substance, it's gross. It's

1:12:53

awesome. It has lots of boobs. Yeah. Oh, by

1:12:55

the way, there's a titty bonus in The Apprentice.

1:12:57

Big surprise. Sorry, go on. Joey, of course, one

1:13:00

of the co-hosts, or the host, I should say,

1:13:02

of the so wizard podcast, who also was recently

1:13:04

on the show. Then Stu for the Stu and

1:13:06

Order podcast had Brothers 2024. Despite a lot of

1:13:08

cast of dependable stars, this was dreadful. This is

1:13:10

the kind of shit I expect you to watch,

1:13:12

Wayne. Brothers, what's that? Is it Josh Roll and

1:13:14

Peter Dinkley, his brothers or something like? It's like

1:13:16

the Twins bullshit version. Nothing is worth of the

1:13:18

comedy that never makes you laugh, said Stu. Yeah,

1:13:21

there you are. Jeremy Trigadi, also the substance, what

1:13:23

the hell did I just watch? Really enjoyed it

1:13:25

though, four stars. Steve Metzen said, gongyam, colon haunted

1:13:27

asylum. I've seen this movie. The last 30 minutes

1:13:29

made me really regret watching this in the dark

1:13:31

with noise cancelling headphones on. I've seen this movie.

1:13:33

The last 30 minutes made me really regret watching

1:13:35

this in the dark with noise cancelling headphones. story

1:13:37

and great performances. Also named Tom Norton Craig. He

1:13:39

said Jackpot on Prime Video, starring Johnson and Aquafina.

1:13:41

Heads up from the top, if all Kefrina being

1:13:44

herself or funny John Sino and all you, stay

1:13:46

away. If you like them, they are in fine

1:13:48

form in this movie. Simu Liu is also great

1:13:50

in a Simul. I think I saw it. I

1:13:52

think I can't remember it. Yeah. You think you

1:13:54

saw it? I can't remember it. That good, huh?

1:13:56

Yeah. Ashton Harris, appropriate for the time of year,

1:13:58

had Halloween at 1978 at 1978 and watching this

1:14:00

on October 31st every year. Generally, unmatched unmatched expense,

1:14:02

especially when it's expense, when it ends, when it

1:14:05

ends, and it really unmatched expense, and it really,

1:14:07

and it really, and it, and it, and it,

1:14:09

and it, and it, especially, and it, and it,

1:14:11

and it, and it, especially, and it, and it,

1:14:13

and it, and it, and it, especially, and it,

1:14:15

and it, and it, and it, and it, and

1:14:17

it, and it, and it, and it, and it,

1:14:19

Chef Ben Randall, one of the patrons to show,

1:14:21

one of the hosts of the Indweeds podcast, what

1:14:23

the host of their off, said the Boy and

1:14:25

the Heron from Miziyaki, sorry. First off, Christian Bala

1:14:28

Rob Pattensenari in the English language version of this

1:14:30

film, so it's just lousy with Batman. Secondly, I'm

1:14:32

pretty sure that Sound Tranks by Torrey Amos of

1:14:34

a near lethal dose of horse tranquilizers. And while

1:14:36

visually beautiful the film is more bonkers in your

1:14:38

average Meazaki movie, which is saying a lot, not

1:14:40

only a plot, several layers of alternate realities, I

1:14:42

heard of weird hunched over grandmas, to quote Dave

1:14:44

Portista, plays a six-foot tall militant parakeet, ten out

1:14:46

of ten, watch it high. But, okay, shit. Okay,

1:14:49

damn! All you have for the contrarians podcast podcast

1:14:51

podcast podcast podcast podcast said me me, me, me,

1:14:53

me, me, Megaopolis, Megal podcast, Megolop, Megolop, Megolop, Megalapolop,

1:14:55

Megalop, Megalit. But dude, have you seen this? No.

1:14:57

I feel like I should and then it's like

1:14:59

eight hours long and then I don't know what's

1:15:01

going on. I heard all these fucking shit about

1:15:03

it. Eight hours long. I'm not saying that. Like

1:15:05

three hours long. You know, it took him like

1:15:07

10 years or 15 years to make this. He's

1:15:09

not going to do it in like half an

1:15:12

hour. No. Sadly. Nick for that. Woman of the

1:15:14

hour. Really good movie on Netflix speaking as a

1:15:16

woman. It's scary in a reality short of way

1:15:18

the tension the paranoia of the men It all

1:15:20

creates a very anxiety inducing mindset in the best

1:15:22

way aesthetically well-designed amazing casting that's directed by Anna

1:15:24

Kendrick That means and stars her as well woman

1:15:26

of the hour then she said on a personal

1:15:28

note. Thank you boys for some of the biggest

1:15:30

last best fist pumping moments and endless heart feeling

1:15:33

and I could hear

1:15:35

my name sit on the

1:15:37

pod. I feel so

1:15:39

lucky to have found this

1:15:41

podcast and this community.

1:15:43

Ah, thanks, Nicole. And that's

1:15:45

the one we're gonna

1:15:47

wrap up on. Thank you

1:15:49

so much to everyone

1:15:51

who got back to us.

1:15:53

Sorry I couldn't get

1:15:56

through all the feedback. We

1:15:58

really greatly appreciate it.

1:16:00

Wayne, next week, what are

1:16:02

we doing? We're doing

1:16:04

the top 10 TV shows

1:16:06

of the countdown era.

1:16:08

The countdown, the John Farnham

1:16:10

tour is very much

1:16:12

coming to a close. There

1:16:14

was only five episodes,

1:16:17

five shows to play. Of

1:16:19

the weekly Of the

1:16:21

weekly podcast. And this is

1:16:23

the first of the

1:16:25

big, big shows to wrap

1:16:27

it all up. So we're

1:16:29

gonna talk about the 10 best

1:16:31

TV shows in basically the last 10

1:16:33

years. Very nice. And gonna rank

1:16:35

those for you and justify our choices.

1:16:37

Wayne will not be allowed to shoot on

1:16:39

the shadow streets next week. Ah,

1:16:42

good stuff. We hope you'll join us for that one

1:16:44

and indeed all the last five shows as we motor towards

1:16:46

the end of the weekly podcast. It has been, as

1:16:48

always, a pleasure but Wayne, how did the good folk get

1:16:50

in touch with us and let us know their thoughts

1:16:52

on things as we wrap up.

1:16:54

Google the countdown podcast. Find us

1:16:56

and follow us. Give us an

1:16:59

email at thecountdownpodcast .gmail .com and

1:17:01

visit the countdown merge and grab something if

1:17:03

you wanna hang. You can do all that too,

1:17:05

yes. You mentioned the email address. Follow or

1:17:07

join the Facebook, this community of links and show

1:17:10

notes. Follow us on podbean where we host.

1:17:12

And I reckon that's about good enough for today.

1:17:14

This last, top 10 last and again, thank you to the

1:17:16

Cine Realists, to of course

1:17:18

our boy James and Zach over there

1:17:20

for allowing us to use their topic that

1:17:22

they or their concept that they came up

1:17:24

with. We really greatly appreciate it. Even if

1:17:27

this is the last one that we do. I

1:17:29

reckon that's it, Wayne. That's it. My name

1:17:31

is Paul. My name is Wayne. And this

1:17:33

has been the sound board. Fuck you, fuck

1:17:35

you, fuck you, fuck ball. What are you

1:17:37

scratching now? I'll let you guess who that's

1:17:40

directed at. We'll catch you next time. See

1:17:42

ya. Maybe we should meet in the middle.

1:17:47

Maybe we could find

1:17:49

a little city

1:17:52

who no one knows.

1:17:54

And if we

1:17:56

just give us a

1:17:59

minute on our

1:18:01

own. maybe we

1:18:03

could call

1:18:06

it home

1:18:08

maybe we

1:18:11

could call

1:18:14

it