Episode Transcript
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of the conversation. conversation. F
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-F -F -F -F -F
2:02
-F -F -F -F -F
2:05
-F... This
3:01
is from the rough the rough
3:03
of the of the Isabelle together
3:05
from what little historical information
3:08
the family sent along with
3:10
the statue. the We intend to
3:12
put it all on a
3:14
We will be set out
3:16
next to the exhibit. a placard that
3:18
the plans for the to
3:20
are finalized, of course. plans for the
3:22
museum are finalized, of what we have
3:24
so far. far. Gil
3:27
possesses only a left
3:29
arm, the the
3:31
of of sinister intentions,
3:33
as the left side
3:36
has been historically associated
3:38
with with ill omens the unconventional.
3:41
This singular arm is
3:43
often depicted clutching a
3:45
crooked a crooked an inverted
3:47
scale, representing imbalance
3:49
and injustice. injustice. His wings
3:51
are also inverted, pointing
3:53
downward instead of
3:55
upward. this This unusual fee
3:57
signifies the fall
3:59
from grace and a
4:01
rebellion against the
4:03
natural order. against the natural was
4:05
regarded as something akin to
4:08
a patron saint. to
4:10
a patron saint of the
4:12
those who willingly chose
4:14
who willingly chose the left-hand guiding
4:16
them hell, along their
4:19
route to eternal
4:21
damnation. route to eternal this
4:24
eerie this found reverence
4:26
in only one
4:28
known place. place. A a
4:30
remote and unassuming colonial
4:32
settlement called Isabelle. Geelikeness is fashioned
4:34
from fashioned from a
4:37
grotesque amalgamation of
4:39
human and animal parts,
4:41
interspersed with stone
4:43
and wood. wood. Its
4:45
overall form a simple of times
4:48
both barbaric and
4:50
ruthlessly spiritual. You
4:52
said some some family that traces
4:54
its roots all the way
4:56
back to East to Israel donated the
4:59
historical materials? historical materials?
5:01
but but I can't give you the
5:03
name. While the family gave no
5:05
instructions as to when and how
5:07
the statue could be made public,
5:09
how the they were very specific on
5:11
one point, on that their name
5:13
not be associated with the statue
5:15
or any of its history. of its history.
5:18
The impression I got was that
5:20
they were were... to see the statue
5:22
removed from their ownership. We
5:25
We completely understand, Miss Talfa, and we
5:27
greatly appreciate you helping us out
5:29
as much as you have. out as
5:31
You're quite welcome, welcome, Miss It's the
5:33
least I can do. I After all,
5:35
you three did a real service
5:38
to the country by ridding it
5:40
of that monstrous cult. it of that
5:42
monstrous cult. if no no one I'm not
5:44
feeling very well. very well. I'm gonna go
5:46
head out to the car head out to the car.
5:48
Oh, by all means, I I
5:50
do hope you feel better,
5:53
better, Mr. come out with you. come out
5:55
with you. Actually, I
5:58
think I think we should all... Probably
6:00
get going, but we
6:02
really appreciate all your
6:04
help and it's Tell
6:06
her Yes, tell her
6:08
and thanks again You're
6:10
very welcome Don't
6:13
hesitate to call or
6:15
visit again. We're always happy
6:17
to help You
7:00
Leon are you sure you're all right? Yeah,
7:04
I'll be okay. Just Didn't
7:07
expect anything to happen while we
7:09
were away from the place, you
7:12
know So what happened? Same thing.
7:14
It's been doing rubbing my nose
7:16
in the shit that went down
7:18
at the pinnacle It just took
7:20
things farther than before it trapped
7:22
me the The kids from the
7:24
pinnacle God damn this thing Just
7:26
how much shit can it throw
7:28
at us for fucked sake when
7:30
no one near cold sparrow Perhaps
7:32
not but some of its legendary
7:34
is and it's not at all
7:36
uncommon for the paranormal to attach
7:38
itself to someone Follow them after
7:40
their involvement. It's called the hitchhiker
7:43
effect. Yeah Well, there's more legends
7:45
in there than you think I
7:47
checked out their restricted collections room
7:49
And there's a shit and a
7:51
dirt on Isabelle I wasn't supposed
7:53
to but I scanned a lot
7:55
of the stuff into my phone
7:57
And then of course, there was
7:59
the statue Which, I assume was
8:01
what you saw in the tunnels.
8:03
Yeah. It was. Uh,
8:05
anyway, what did Prist have to
8:07
say? Got a few
8:09
things, but I'm guessing Fel might have
8:11
heard than he was actually saying Sigh...
8:16
Edward was in on whatever occurred
8:18
in Cold Sparrow. Before he died,
8:20
he did something to that tape. Cursed
8:22
it, maybe? I'm not sure. He
8:25
left Prist peculiar instructions on how
8:27
to handle and deliver it. Another thing,
8:29
at some point, Prist heard something
8:31
awful. Screams layered upon screams, as
8:33
if blaring through a loudspeaker or
8:35
some kind of radio transmission. The last
8:37
bit I got regarded something that
8:39
frightened him while he was driving
8:41
through a storm, though I couldn't make
8:44
out what it was. you Love
8:46
guys. Sounds like we might
8:48
have to pay old Charlie another visit
8:51
Quite possibly. You
8:53
sure you're okay Leon? you don't
8:55
look so good. It
8:57
was it was just a lot went
8:59
on and on I I Think I
9:02
just need to get out and get
9:04
some air. You think there's a place
9:06
around here We could just uh, out
9:08
and maybe walk around a bit grab
9:10
something to drink Of course we can
9:12
there must be a park or something
9:15
around here Yeah, I think
9:17
we could all use some fresh
9:19
air. I think we passed park or
9:21
some kind on the way over
9:23
to Prist's. Just a little ways over
9:25
there. Thanks. I just... uh, need
9:27
a breather. We completely understand.
9:29
Take however long you
9:31
need. Yep,
9:58
I think this was a good night. Out
10:00
here in the sun, walking around in
10:02
the woods, woods, this shit and cold barely
10:05
feels real. real. If only it wasn't
10:07
real. I really I really hope Hughes
10:09
comes through with some help. some We
10:11
We are way over our our heads with
10:13
this shit. shit. Yeah, Yeah, reminds me. me.
10:15
We gotta stop by the by
10:17
office, see if any of that
10:19
equipment came in. came afraid none
10:21
of it will do us a bit
10:24
of good a bit of thing This thing clever to
10:26
be caught off its guard off even if
10:28
it isn't it seems powerful enough to destroy
10:30
to destroy whatever footage we might catch of it.
10:32
You the whole the whole
10:34
limitations thing thing? Not at Not at
10:36
all. I'm merely acknowledging
10:38
the limitations of whatever technology Hugh
10:40
sends us. We've already seen
10:42
some of this phenomenon's potential
10:44
weaknesses. potential have have. I think
10:46
I might have been absent
10:48
that day that day, Beach. Can't explain? So I've
10:51
managed to out managed to out -sleuth the
10:53
professional sleuths, have I? about it. This
10:55
think about it. to This entity seems
10:57
to require assistance. all If it
10:59
were genuinely all wouldn't or even close,
11:01
do it wouldn't need people to
11:03
do its dirty work, nor would
11:05
it require its dirty little audio
11:07
tapes to be handled so delicately.
11:09
The fact that it has needs
11:11
at all was revealing. In many
11:13
of the paranormal cases I've encountered,
11:15
or even just read about, these
11:17
forces feed on something, often human
11:19
emotions. Once those sources are cleansed on a on a
11:21
spiritual level, the dark energy usually
11:23
diminishes if not disappears entirely. The The
11:26
trouble here, I would think,
11:28
is one of scale. This This particular
11:30
seems enormous. To counter it, counter it, we'll
11:32
need something equally formidable. I'm I'm hoping
11:34
whoever Hughes Hughes sends will have an
11:36
answer for that. that. Well, if we we can't
11:38
photograph it, prove it in some
11:40
way we we can't get out of
11:42
its range. I'm not sure what not sure what
11:44
you've got coming out of this
11:46
thing with anything but but PTSD. If we out of
11:48
this thing, you get out of this thing
11:50
you mean? out of it all we'll get
11:52
out of here, alright. to I'm not
11:54
about to get my ticket punched by
11:56
some frickin' paranormal force, no matter
11:58
how powerful it is. it is. the hundreds of
12:00
people in Cold Sparrow thought the
12:03
same thing. And more than likely,
12:05
so did the God knows how
12:07
many in Isabel. What you mean?
12:09
Turns out, Whitlock in the town
12:11
didn't survive much longer than the
12:14
sparrows. Three days after Hester dropped
12:16
edge from trying to dig a
12:18
hole to hell, there was a
12:20
rain of dead birds. Sparrows. And
12:22
three days after that, some kind
12:25
of plague hit the city. I'm
12:27
not sure if it was during
12:29
the plague or after everyone died,
12:31
or after everyone died from it.
12:34
Whatever this thing is, Cold Sparrow
12:36
was in its first rodeo. A
12:38
rain of dead brains? I'm assuming
12:40
that's where Cold Sparrow got its
12:42
name, because all the birds were
12:45
covered in frost. It seems we
12:47
figured out where Elias got the
12:49
name. I'll look to the rest
12:51
of the book to see if
12:53
he exposed in more detail. I'm
12:56
also starting to wonder if the
12:58
opening section, a portion taken from
13:00
Whitlock's confession, was left unfinished. After
13:02
all... It's strange that Whitlock never
13:04
mentioned the city coming under any
13:07
sort of curse after the sparrows
13:09
were murdered. Might not have been
13:11
the sort of thing you'd want
13:13
to admit, but the devil to
13:15
make a comeback after having to
13:18
stop lay his sack. You just
13:20
might be right. Uh, Phil. Yes.
13:22
Did you say something recently about
13:24
evil not being able to touch
13:26
the innocent? Or words to that
13:29
effect? Well, yes, I believe I
13:31
did. It was late and I
13:33
thought you were asleep. Mason, I
13:35
were discussing the... Well, we were
13:38
talking about recent events. Why do
13:40
you ask? I didn't hear you,
13:42
but something else apparently did. The
13:44
kids wanted me to give you
13:46
a message. That they weren't someplace
13:49
nice. That evil could take anyone
13:51
it wanted just like it took
13:53
the three of us I
14:24
can't help but feel like we're we're
14:26
to our prison prison cells. Ah no, you don't have
14:28
any don't have any faith in the
14:30
tech we picked up from Hughes, but some of
14:32
of it does look pretty cut an edge. Who
14:34
knows? Who knows? Maybe some of
14:36
those boxes just might work. I noticed that noticed
14:39
that some of the stuff was actually
14:41
made for ghost which have have
14:43
to admit it wasn't something I
14:45
knew existed. I I mean,
14:47
I knew there were recorders and EMF
14:49
detectors and whatnot, stuff that was all
14:51
either just repurposed or some
14:53
kind of of modification, but
14:55
some of it was designed to detect was
14:57
designed to whatever the more
14:59
technical term might be or
15:02
certainly not above home, but
15:04
I'm certainly not above hope, but... I know,
15:06
it's a lot, especially especially after
15:08
everything we've learned we learned, and... Look!
15:10
The mansion's up! lit up! I
15:19
suppose it goes without saying that none of
15:21
us left all those lights none of us left all
15:23
even think there's enough I in the
15:25
house to light it up that bright enough
15:29
bulbs in the house to
15:31
light it up that bright. So,
15:33
what what do we want
15:35
to do? Turn around, around, look
15:37
back. never look back. I
15:40
Me on the obvious, Well, I
15:42
think he meant. treat this we can't
15:44
treat this like some regular haunting,
15:46
can we? can we? We can't just
15:48
gather our gear and rush out
15:50
to take photographs. photographs. be people, people, or
15:53
whatever they might be in there. in
15:55
there. The Lord knows why they'd be so
15:57
brazen about it about it. Are you
15:59
getting any sense? And there go the lights. go
16:01
the lights ones we even the
16:03
ones we left on possibly be
16:05
the Could it possibly be the
16:07
but seems a little too so, but it seems
16:09
a little too coincidental. a few Lights going
16:11
off only a few seconds after we
16:14
see the place lit up like a
16:16
birthday cake. cake? Mace, give me a
16:18
hand. I want to attach those
16:20
spotlights give me a hand. I want to
16:22
attach those spotlights to the van. we That way when
16:24
we drive up there we can light up the
16:26
house and everything around it. it. Just to be
16:28
on the safe side, I think safe side, I think now would
16:30
way ahead of of you, Mr. Rhodes.
16:32
what I like to hear, I
16:34
Ms. Chambers. hear, Miss Chambers. That's
16:58
the screen banging around in the wind.
17:00
in the wind. The screen screen door I
17:03
locked out. Not our way out. in
17:05
the anything in the windows
17:07
Before around the house. Yes, I'm
17:09
either of you In Yes, I'm coming
17:11
along. In fact, you can just
17:13
stop asking that question from now on. I
17:16
suppose we could do this do this like
17:18
we would if we were entering the non-hearted
17:20
structure. Who are you kidding? In a
17:22
situation like this, we'd wait for
17:24
backup and have eyes all over
17:26
this place before setting a toe
17:28
in there. setting a toe in there. Yeah, there's
17:30
that too. Well, those antennae of yours
17:32
antennas of yours beyond the Nothing
17:34
beyond the background I I always
17:36
get the very second we turn
17:39
onto. we turn onto We've got the big
17:41
guns back there. the I say we back
17:43
there. in case. load for Bayer I agree. Yeah,
17:45
I agree. Those mothers will even odds even if
17:47
they got a dozen people in there.
17:49
in there. I'll stick to my my handgun. I already
17:51
look odd enough with it. it. I I
17:53
can't imagine how ridiculous I'd look... with
17:55
an look rifle. All
17:58
right then, then, let's get at it. I'll
18:19
take point. Better to to have you
18:21
behind me. me. You're shot. shot. Only
18:24
now does the truth come out.
18:26
you, you, I'm quite I'm quite comfortable
18:28
taking up the rear. the rear. Both
18:51
doors are unlocked. You
18:53
ready? Whenever you are. are
18:58
unlocked.
19:01
You
19:03
ready?
19:06
Whenever
19:08
you
19:10
are.
19:21
Good lord.
19:24
Places filled with balloons,
19:27
streamers, confetti. like there
19:29
was some kind
19:31
of party going
19:33
on. going on. everywhere.
19:35
everywhere. Let's head to the security
19:37
hub. Most of the cameras
19:39
head to the
19:41
security hub. Most of
19:43
the cameras are battery powered. Might have picked
19:45
something up. up. Gotcha. Gonna
19:58
to the the computers. but up. Now
20:00
they've got
20:03
juice. Every single
20:05
camera on the
20:08
network's been stripped.
20:11
Pulling up the
20:14
footage. Every single
20:16
camera on single
20:19
camera the network's been been
20:22
Pulling up the footage, Pulling up
20:24
the footage. There's no video,
20:26
just audio. But here it is. It's
20:35
the the elevator coming up
20:37
from the basement. basement. That fucking thing!
20:39
all the tripped all the sensors
20:41
on that side of the
20:43
house. house. There's no video, just
20:45
audio. audio. Oh
21:06
God's name. Looks like we
21:08
like we got some video on
21:10
camera 3. on camera Here it
21:13
is. it is. I I can hear
21:15
the crowds, clouds, but rooms. The rooms completely
21:17
empty. What about
21:19
the What about the infrared cameras?
21:21
Not just the audio
21:24
and video from the
21:26
standard cameras. Wait a
21:28
minute. What's wrong? All
21:30
the battery What battery levels
21:33
are dropping? On the cameras,
21:35
the computers? the down
21:37
the numbers, 50%,
21:39
25, the numbers,
21:41
50%, 25, 10, 1.
22:06
What the That they came
22:08
from upstairs, just
22:10
above our heads. just above
22:13
our heads. I can feel
22:15
it, it. they're
22:17
everywhere. It's okay
22:19
Phil, you gotta keep it together, it'll
22:22
be okay, You
22:24
it'll be
22:26
okay. it together. It'll be
22:28
can't be
22:30
real, be okay. This be
22:33
fucking real. They're
23:08
all in the elevator,
23:10
going down. Descending
23:13
straight into
23:15
hell. down.
23:23
Descending
23:28
straight
23:33
into episode was written
23:35
by Mark Anzalone and
23:37
performed by Stephen Zivik,
23:40
Sam Sam Aubrey Acres, Jesse Van
23:42
Hove, and Mark Anselone. Sound and
23:44
Mark Anzalone. Sound by
23:47
was completed by and
23:49
Anzalone was editing was
23:51
conducted by Walker Be
23:53
sure to sure to
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