Episode Transcript
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0:01
Lowe's helps refresh your garden in time
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five seven, selection varies by location. While
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supplies last, discount taken at time of
0:27
purchase. Real
0:30
Ghost Stories from
0:32
Real People. This
0:34
is Into the Paranormal
0:36
with Tony Bruski. It's
0:39
the kind of house you only see in movies. The
0:42
towering Victorian sort with peeling
0:44
gingerbread trim and attic windows
0:46
shaped like eyes. The
0:48
kind of place where the wind always
0:51
seems to whisper your name and the
0:53
silence is never quite empty.
0:56
But this story isn't from a movie,
0:58
it comes from a real home, one
1:01
with history and its bones, and
1:03
something else still hiding deep within
1:05
its walls. Our
1:08
story tonight begins with a letter from
1:10
a listener who spent most of her
1:12
childhood in such a house, nestled
1:15
in a historic district surrounded
1:17
by southern charm, and
1:19
drenched in an atmosphere that turned
1:21
from unsettling to dangerous, from the
1:23
outside it was majestic. Inside,
1:26
there was a room that no one dared
1:28
to speak about. A room that breathed differently.
1:31
A room that watched you back. She
1:34
speaks of a presence. An evil that
1:36
seemed confined to a space no bigger than
1:38
a closet. Yet strong enough to
1:40
choke the breath from your lungs. A
1:43
place where something once fell. Or
1:46
perhaps was pushed. Something
1:49
that never moved for a decade. Until the moment
1:51
she ran for her life. But was it all
1:53
in her head? childhood imagination
1:57
running wild
1:59
or is there something
2:01
about certain places certain rooms that
2:03
holds on to more than just
2:05
dust and time something that waits
2:08
for just the right moment let's
2:10
get to the letter they write
2:12
Tony I've listened to your show
2:14
for a long time always thinking
2:17
maybe one day I'd submit something
2:19
but every time I sat down
2:21
to write I'd stop There's
2:24
a fear that still lingers in me. A
2:26
fear tied to one specific room in the house
2:29
I grew up in. A fear
2:31
that feels foolish until I remember how it
2:33
made me feel. So this
2:35
is me finally getting it out.
2:38
Maybe you can help me make sense of it. I
2:41
was seven years old when we
2:43
moved into the house. Massive Victorian
2:45
style mansion that sat up on
2:47
a slope in the old part
2:49
of town. Quiet, treeline streets, old
2:51
lamp posts, neighbors who still waved
2:53
from their porches. It
2:56
was the kind of home people admired
2:58
from the outside, but living in it,
3:01
that was something different entirely. The
3:04
place had been built in 1870 by a
3:06
family named Drayton. My parents
3:08
said we were lucky. It was
3:11
a steel for its size. Three
3:13
full stories and an attic that
3:15
spanned the entire house. Technically,
3:18
It was four stories if you counted the
3:21
basement. We called it the downstairs, but
3:24
it wasn't the kind of downstairs you'd want to play
3:26
in. At first, it
3:29
was just strange in a way
3:31
that old houses are, settling noises,
3:33
weird drafts, closets with locks on
3:35
the outside. I remember
3:37
the front door had this huge brass
3:39
knocker shaped like a lion's head. No
3:42
one used it. People who visited
3:44
always rang the bell. And once
3:46
inside, they usually glanced up just
3:49
for a second at the massive
3:51
staircase in the shadowed hallway beyond.
3:54
But for me, the
3:56
house became real the moment I saw the
3:58
attic windows. They were like
4:00
eyes, curved at the top, narrow at
4:02
the sides. My friends
4:04
called them Amityville windows, though I didn't
4:06
get the reference until I saw the
4:08
movie years later. After that,
4:11
I understood why they were always hesitant
4:13
to spend the night. That house had
4:15
its layers, the top floor was always
4:18
quiet, too quiet. The
4:21
attic creaked when no one was up there, but
4:23
it was the basement that got under your skin. You
4:26
didn't go down there unless you had to. My
4:29
mom kept decorations stored down
4:31
there, Halloween bins, Christmas lights,
4:33
Easter baskets, and there were
4:35
still remnants of what it used to be. Rusted
4:38
metal stalls from when horses were kept,
4:40
a side entrance where the old carriage
4:42
would have rolled in. The
4:44
rooms were divided oddly. One
4:47
part was walled off by thick
4:49
sliding metal doors on an overhead
4:51
track. They were heavy and
4:53
loud, industrial almost. I
4:55
used to imagine they were built to lock
4:57
something in. Behind them
4:59
was what I called the backside. The
5:03
servants quarters, a root cellar and something
5:05
else, something I've never been able to
5:07
forget. The furnace
5:09
room. It was small, barely big enough to
5:11
turn around in, but it had a coal
5:13
chute like something out of an old prison.
5:16
Black, gaping, built at a slant that looked
5:18
like it could suck in light. The
5:21
furnace itself had been modernized by the time
5:23
we moved in, but the chute was still
5:25
there. Metal, stained, and cold. That
5:28
room was the only place in the entire
5:30
house that made me feel like I was
5:32
being watched from the inside. From
5:34
the moment I first stepped in, I
5:37
could feel something pressing on me. A
5:39
weight. in the air. I
5:42
told my mom once that the room hated
5:44
me. She laughed it
5:46
off, just childhood imagination. But
5:49
that feeling never left. Even
5:51
now, just thinking about it, I can
5:53
feel my chest tighten. Every
5:56
time I had to go in, I'd try to
5:58
be quick, grab the box, the chair, the flashlight,
6:00
whatever I was sent for, and
6:02
get out. But every time I
6:04
felt like something didn't want me to leave,
6:07
Not something physical, nothing I could see, but
6:09
it was there, hovering, holding its breath. One
6:12
time I forgot the key to unlock the
6:14
metal doors and stood there, staring through the
6:16
gap, trying to psych myself up to reach
6:18
inside and slide it open anyway. I
6:21
swear to you, Tony, I heard someone whisper my
6:23
name. I bolted back up the
6:25
stairs, heart pounding, and didn't go
6:28
down for a week. It
6:30
wasn't just me. My
6:32
brother hated the furnace room, so did
6:34
my dad. though he never
6:36
said so outright. He
6:38
started storing fewer things in there as the
6:41
years went by. Friends
6:43
who visited didn't know the details, but when
6:45
asked to grab something from the basement, they'd
6:48
come back pale, brushing it off
6:50
with nervous laughter. The
6:52
cold shoot started showing up in my dreams,
6:55
always the same. I
6:57
was stuck inside trying to scream, but
6:59
my voice wouldn't come. I'd
7:01
wake up gasping for air sometimes in
7:04
tears, but I never told anyone, not
7:06
until now. One
7:08
summer my cousin stayed with us for a week.
7:11
We were supposed to grab the pool chairs from
7:13
the furnace room. I warned him.
7:15
It sounds silly now, but I told him not
7:18
to go in without me. He
7:20
shrugged me off. When I
7:22
found him a few minutes later, he
7:24
was standing in the middle of the
7:26
room, just staring at the chute. I
7:29
called his name three times before he
7:31
even blinked. When he finally looked at
7:33
me, he asked if there was someone
7:35
else down there with us. There wasn't.
7:38
That's when I started keeping count of
7:40
how many people said something felt wrong
7:42
about that room. Nine.
7:46
Nine people over the years, not including
7:48
me, all said the same thing. Something
7:50
wasn't right in there. That
7:52
it felt too cold. That the
7:54
shadows were wrong. that it felt angry.
7:56
I don't know what happened in that
7:58
space, Tony, but I've never forgotten it.
8:01
Never stopped wondering if we were
8:03
all just feeding each other's imaginations,
8:05
or if something was feeding on
8:08
us. It's been years
8:10
since I lived in that house, Tony. I'm
8:12
35 now, married three kids
8:14
in a world away from
8:17
Glenmore Hill, but I still
8:19
dream about the furnace room, still feel
8:21
its breath when I walk down dark
8:23
hallways. or hear something fall in the
8:25
night. The last time I
8:27
went in there, I was 19, home
8:30
from college for Easter break. My
8:32
mom, always sentimental, asked me to go
8:34
downstairs and grab the Easter baskets. They
8:37
were stored in the corner of the furnace
8:39
room behind a stack of lawn chairs. I
8:42
remember hesitating at the top of the stairs.
8:45
It was broad daylight, sunlight
8:47
filtering through the dusty glass blocks
8:49
near the outer basement door, but
8:51
that room Even in
8:53
daylight, it had a kind of darkness that
8:56
didn't care about the sun. I
8:58
walked in. Nothing felt different
9:01
at first. The metal doors slid open
9:03
with the usual groan. I
9:05
stepped inside, flipping the light switch.
9:07
It flickered, buzzed, then stabilized.
9:11
The air hit me like a wall,
9:13
cold, heavy still. The
9:15
kind of stillness that warns you not to
9:17
move too fast. I took
9:19
maybe two steps toward the back wall
9:21
when it hit, that pressure, that presence. It
9:24
was like the air had hands, Tony. Hands
9:27
pressing down on my shoulders, wrapping around
9:29
my throat. I couldn't
9:31
breathe. My heart pounded so hard it
9:33
hurt. Every instinct in me screamed to
9:35
leave now. I
9:37
turned, ran, no baskets, no
9:39
hesitation, just panic. As
9:42
I crossed the threshold into the main
9:44
basement, my foot hit the first step,
9:46
and that's when I heard it. A
9:49
loud, sharp bang, something
9:51
heavy crashing behind me. I
9:53
turned and saw it, my dad's
9:56
old axe, the one that had been
9:58
resting upright against the furnace room wall
10:00
for as long as I could remember,
10:02
now laying flat across the door frame.
10:05
It had fallen, but not just
10:07
fallen, thrown maybe. Dropped
10:09
with purpose, it landed exactly where
10:11
I'd been running a second earlier.
10:14
If I had left just a heartbeat later, It
10:17
would have struck me right in the chest. That
10:20
ax hadn't moved in over a decade. No one
10:22
touched it. No one even talked about it. It
10:25
was just there, like part
10:27
of the room, watching. I
10:30
told my dad, he shrugged, said
10:32
maybe it slipped, but he didn't meet
10:35
my eyes when he said it. My
10:37
mom didn't say anything. She just quietly stopped
10:39
asking me to go down there after that.
10:42
After that day, I never stepped foot in the
10:45
furnace room again. Over time
10:47
other pieces of the house's
10:49
past started surfacing. I started
10:51
digging old newspaper archives Whispers
10:53
from neighbors little fragments that
10:55
never quite formed a full
10:57
story What I found only
11:00
deepened the questions the original
11:02
owner Eleanor Drayton had died
11:04
in the house Fell down
11:06
the main staircase from the
11:08
top floor. They said a
11:10
tragic accident, but some local
11:12
accounts hinted otherwise murmurings
11:15
that she'd been seen arguing with someone
11:17
near the attic door just hours before
11:19
she fell. There were
11:21
rumors about the house staff too,
11:23
specifically a man who worked in
11:25
the coal room. No name ever
11:27
listed. Just the furnace man. According
11:30
to a handwritten letter tucked inside an
11:32
old church bulletin we found in a
11:34
kitchen drawer one year, he was
11:37
rumored to be violent. There was talk
11:39
that Eleanor had wanted him dismissed. The
11:41
staff allegedly warned her not to anger
11:43
him. The letter ended with
11:46
a sentence that never made sense until I was
11:48
older. Some fires don't
11:50
go out with water. Some burn in
11:52
silence. I
11:54
don't know if he died in that house. I don't
11:56
know if he's the one I felt in that room,
11:58
but something stayed behind. Something
12:01
hateful. Something territorial. Years
12:04
later, when I brought my husband and kids to
12:06
visit my parents for Thanksgiving, I
12:08
swore I heard something scratching at the furnace
12:11
room door. I hadn't even
12:13
told my kids about that part of the house. But
12:16
that night, I woke to find my six
12:18
-year -old daughter standing at the top of
12:20
the basement stairs. She
12:22
was whispering. When I asked her
12:24
what she was doing, she said, the
12:26
man told me to help with the coal. We
12:29
left the next morning. I still visit my parents,
12:31
but I never sleep there anymore. And
12:34
I won't go near the basement, not
12:36
even to peak. Sometimes
12:39
I wonder if something was left unfinished
12:41
in that room, something that
12:43
was never buried properly, or
12:45
maybe it was never human to begin with. I've
12:48
spent years trying to convince myself it was
12:50
all in my head, but that
12:52
axe didn't fall on its own. Thanks
12:55
for reading this, Tony. I'm not looking
12:57
for answers, really. Just wanted
12:59
to finally say it out loud. Maybe
13:02
someone else out there knows what I'm
13:04
talking about. Maybe they've seen the eyes
13:06
in the attic or felt the breath
13:09
in the dark or heard the cold
13:11
shoot whisper. If so,
13:14
I believe you. Thanks. When
13:16
we hear a story like Elaine's, the
13:18
easy reaction is to reach for logic.
13:21
Maybe it was the age of the
13:23
house, the drafts, the suggestion planted by
13:25
childhood fears. Maybe the axe
13:27
slipped. Maybe the furnace
13:29
room was just unsettling by
13:31
design. But there's something
13:34
deeper here. something harder to brush away.
13:37
Nine different people felt it. Describe
13:39
the same weight in the air,
13:41
the same unseen pressure, the
13:44
same dread. Her cousin
13:46
lost in a trance. A
13:48
little girl sleepwalking toward a room she'd never
13:51
heard about, murmuring about
13:53
coal. These
13:55
aren't just coincidences, at a
13:57
certain point, too many unexplainable
14:00
stop feeling random and start
14:02
feeling Targeted.
14:05
Psychologically, it's true. Places
14:07
can influence our emotions. Clostrophobic
14:10
spaces, stale air, even infrasound,
14:13
low frequencies created by old
14:15
machinery or airflow, have been
14:17
known to cause nausea, unease,
14:20
and even hallucinations. That
14:22
cold shoot might have been acting like an
14:24
echo chamber for more than just sound. But
14:27
science doesn't explain the axe. Doesn't
14:30
explain the voice whispering her name. And
14:33
it sure doesn't explain a child untouched
14:35
by any of those memories, waking
14:37
in the night, ready to shovel coal for
14:39
a man who hasn't existed in a hundred
14:42
years. Some believe objects
14:44
and places absorb what they witness,
14:47
that certain rooms trap emotion
14:49
like static. In
14:51
the case of the Drayton house, maybe the furnace
14:53
room wasn't just a space, it was a scar.
14:56
One that never healed, one that waits
14:59
for footsteps it remembers, even if no
15:01
one else does. The
15:03
most chilling part of Elaine's story isn't
15:06
what she saw, it's what she almost
15:08
didn't survive. That Axe
15:10
had waited over a decade to move and
15:12
it moved with intent. Which
15:15
begs the question, what else
15:17
is waiting?
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