Episode Transcript
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0:01
NPR. Ah,
0:13
do you feel that Adrienne? That nip in
0:15
the air, the crispness of the fall leaves.
0:19
I can smell the pumpkin spice.
0:21
Ah, for me, fall is the
0:23
most romantic season. And since
0:26
we've all got hearts in our eyes, we
0:28
wanted to do a whole week of episodes
0:30
about the economic side of love. That's
0:32
right. We are exploring
0:34
topics from how romance novelists got
0:37
so successful to why
0:39
online dating is causing heartbreak. This
0:43
is Love Week from The Indicator
0:45
from Planet Money. I'm Adrienne Ma.
0:47
And I'm Weyland Wong. Today on
0:49
Love Week, we're unwrapping the made-for-TV
0:51
holiday rom-com and how television executives
0:54
figured out how to mass produce
0:56
seasonal romance. That's after our theme
0:58
song. Do you have a theme song? Yes.
1:01
It's by Grant Lee Phillips, who is
1:03
the town busker on Gilmore Girls, the
1:05
TV show. How about
1:08
a little romance? Watch
1:12
a rom-com holding hands?
1:15
A provocative plot? Open
1:19
the window, cause the market's hard.
1:22
It's steamy in this place.
1:26
I might have to change
1:28
to something comfortable. Love
1:30
Week is Love Week. This
1:37
message comes from NPR sponsor
1:40
Ford, introducing the Mustang Mach-E
1:42
rally. Chief Engineer Donna
1:44
Dixon shares why her team
1:46
was so excited to design
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a rally-inspired EV. What
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we wanted to do was create an
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electric vehicle that could go around a
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dirt track or take you to your
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favorite biking spot or your favorite mountain
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to hike. where you might not have
2:01
thought an electric vehicle could go. To
2:04
learn more about the all-electric
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Mustang Mach-E rally, go to
2:08
ford.com. This
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message comes from Capital One.
2:12
Say hello to stress-free subscription
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management. Easily track, block, or
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cancel recurring charges right from
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Simple as that. Learn more
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at capitalone.com/subscriptions. Terms and conditions
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apply. This message
2:29
comes from Insparity. Providing
2:31
HR services and technology,
2:33
from payroll, benefits, and
2:35
HR compliance to talent
2:37
development. Learn more at
2:39
insparity.com/HR Matters. It's
2:42
become kind of a national pastime to
2:44
grumble about how the holiday marketing blitz
2:46
seems to start earlier and earlier every
2:48
year. But believe it or
2:50
not, there was a time when it seemed
2:52
like there was not enough Christmas. At
2:55
least not when it came to made-for-TV
2:57
movies. Bill Abbott was CEO
3:00
of Hallmark Channel's parent company for over
3:02
a decade. And he remembers
3:04
those barren days way back in
3:06
the early 2000s. For the most
3:08
part, the TV movie space was really
3:10
only a few movies leading up to
3:12
Christmas. You know, maybe you do
3:15
five or six Christmas movies a
3:17
year. Bill says he and others
3:20
at Hallmark believed there was a
3:22
big, untapped audience for Christmas content.
3:25
People who wanted presents, snowflakes, sleigh
3:27
rides. And most importantly, they wanted
3:29
PG-rated romance. So in
3:31
2009, Hallmark
3:34
launched Countdown to Christmas,
3:36
a collection of movies that would air in the weeks
3:38
leading up to December 25th. And
3:41
Bill says things really got going a couple years
3:43
later. That's when the network aired 12 original
3:46
holiday films with titles like A
3:49
Princess for Christmas and Mistletoe Over Manhattan. Did
3:51
you pick that because it was like the
3:53
12 days of Christmas? There was a little
3:55
bit of that there. To
3:57
be candid. I
4:00
think we kind of thought, what's a good number?
4:02
And 12 kind of made sense for the business
4:04
model anyway. A key part of this business model
4:06
was frugality. Bill says they spent around $12 to
4:09
$15 million on
4:11
those dozen movies. To give you
4:13
an idea of how thin that shoestring is,
4:16
around that same time, Paramount released
4:18
a romantic comedy in theaters called
4:20
No Strings Attached, starring Natalie Portman
4:22
and Ashton Kutcher. That single rom-com
4:24
cost a reported $25 million to
4:26
make. Yeah,
4:29
Bill did not have that kind of
4:31
Hollywood budget. So there were some trade-offs
4:33
made. If you look back, there were
4:35
Christmas movies that had no snow that
4:37
were clearly in warm weather, things we
4:39
would never do now, because we didn't
4:41
have the budget to create
4:43
that overall setting and location
4:45
that we've learned is so
4:47
critical to making the viewer
4:50
become immersed in Christmas. And so
4:52
those were choices that we had
4:54
to make just due
4:56
to financial constraints. Even without
4:59
Hollywood A-listers and elaborate sets,
5:01
these movies have found both
5:03
enthusiastic viewers and advertisers. Hallmark
5:06
already kicked off Countdown to Christmas last week
5:08
and will play holiday movies 24-7 through the
5:10
season. And this year's
5:12
lineup has over 30 new films. Streaming
5:15
services like Netflix and Hulu have also
5:18
aired their own original holiday rom-coms. As
5:20
the genres expanded, so have budgets, but
5:22
a lot of the cost-saving measures from
5:24
the early days have stuck around. For
5:27
example, the movies tend to have simple
5:29
small-town settings, and they're shot quickly in
5:31
just a few weeks. We
5:33
have so many years in the business
5:36
that we don't need more than two
5:38
takes. You may recognize that voice as
5:40
Danica McKeller. She played girl next door
5:42
Winnie Cooper in the TV series, The
5:44
Wonder Years. She is also a Christmas
5:46
movie mainstay. Maybe you watched Crown for
5:49
Christmas or Coming Home for Christmas on
5:51
Hallmark. You'll see a lot of,
5:53
you know, 90s
5:55
child stars like myself in these movies,
5:57
in part because...
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