Episode Transcript
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2:38
of the other
2:40
stories is the
2:42
last reading of
2:44
Madame Twilight, written
2:46
by David Thomas
2:48
and narrated by
2:50
Erica Ventura. Madam
3:00
Twilight sat down, took out
3:02
her tarot cards from her
3:04
handback, and placed them into
3:06
a neat pile on top
3:08
of the smooth green silk
3:11
cloth that covered her table.
3:13
She truly did believe that
3:15
her cards were doorways that
3:17
led to tomorrow's meanings. Yet,
3:19
for far too long, she'd
3:22
been giving bad readings with
3:24
them. For whatever reason, they
3:26
were as silent as the
3:28
cold grave. It
3:33
didn't help either that no
3:35
one really wanted their fortunes
3:37
told anymore. The age of
3:39
information had arrived. Everyone was
3:41
connected to everything. Yet to
3:44
her, it felt like the
3:46
modern world for all its
3:48
science and discovery, for all
3:50
its speed and progress, had
3:53
lost the magic and mystery
3:55
of life. They had lost
3:57
a sense of God. A
4:01
single knock came at her
4:03
door. She didn't need the
4:06
cards to tell her that
4:08
it was Joe, the charge
4:10
hand asking if she wanted
4:12
a cup of tea. You okay?
4:14
He said as he poked
4:16
his head in. By the
4:18
look of his face, even
4:21
he could sense the doom
4:23
and gloom in the small
4:25
room. Yes, I'm fine. She
4:28
said with a quick smile.
4:30
No tea tonight Joe Think
4:32
I'll give it another half
4:35
hour then call it tonight
4:37
His eyes gave a soft
4:39
look of concern You need
4:41
anything just let me know
4:44
okay? She nodded and
4:46
he was gone back
4:48
to his business He
4:50
was a good lad they
4:52
all were but she knew they
4:54
all thought she was a
4:57
little mad a little left
4:59
behind in a bygone age. Her
5:01
little star-painted wagon,
5:03
which was at the end
5:06
of the carnival strip, was
5:08
starting to look more like
5:10
a ghost house than Madame
5:13
Twilight's mystical grotto. She
5:15
was sure Big Mac, the
5:17
carnival owner, only kept her on
5:19
as some sort of lucky
5:21
charm. She had only done
5:23
one reading that evening. to
5:26
a fat traveling salesman with
5:28
bad breath, who wanted to
5:30
know if his wife was
5:33
having an affair while he
5:35
worked away. The cards had
5:37
told her nothing, of course.
5:39
All she could do was
5:41
advise him to check his
5:43
wife's dancing shoes for
5:45
scuff marks. Picking up
5:47
the cards, she stared
5:49
at them hard and
5:51
whispered. Why won't you
5:53
speak to me anymore?
5:56
Why? Her voice
5:58
felt flat. and
6:00
worn. Felt like it was
6:02
on the end of a
6:05
telephone line, waiting for the
6:07
carts to pick up. A
6:09
sudden urge went through her
6:12
to throw them across the
6:14
table. Instead, she put them
6:16
gently back down on the
6:19
table, like there were a
6:21
stack of hundred dollar bills.
6:23
Outside, the sound of the
6:26
carnival cried out. There was
6:28
good business out there tonight.
6:30
Plenty of people, plenty of
6:33
money, but none in here,
6:35
none for her. She looked
6:38
again at the cards, and
6:40
with a slow and weary
6:42
shrug, took out a cigarette
6:45
from her red handbag and
6:47
thought about her life. Whenever
6:56
the punters asked she always said
6:58
she was a true-blooded gypsy, who
7:01
as a teenager had traveled around
7:03
with her family, learning the secrets
7:05
of the art. But in reality,
7:08
she was far from that. Her
7:10
father painted billboards in Camden, while
7:12
her mother worked part-time in the
7:14
canteen of a local car factory.
7:17
But she never thought about them
7:19
much anymore. Nor the shame they
7:21
felt for having a crazy daughter
7:24
who liked to play the devil's
7:26
game Anyhow it was all too
7:28
far back down the road to
7:31
worry about All she could really
7:33
think about now was wishing she
7:35
had back what had always been
7:38
there for her Wishing it like
7:40
her soul depended on it She
7:42
took out a silver lighter from
7:44
her inside pocket and waited across
7:47
the end of her cigarette and
7:49
sent a bluey gray mushroom cloud
7:51
up to the ceiling, and idled
7:54
with the thought of what she
7:56
would cook for dinner, tomato soup,
7:58
or cheese sandwiches. Her
8:01
mood was grim. She
8:03
felt old and forgotten.
8:05
Again she looked at
8:07
the cards. Her thoughts
8:09
reached out towards them
8:11
with all the jittery
8:13
longing of a desperate
8:15
prayer. And before she
8:17
could think about it,
8:19
a word rolled off
8:21
her lips like a
8:23
soft kiss. Please. Her
8:25
outside thoughts. instantly felt
8:27
embarrassed by what she
8:29
had said, but her
8:31
inside emotions did not.
8:33
She wanted them back,
8:35
wanted them more than
8:37
anything else in the
8:39
world. But all she
8:41
got was that irritating
8:43
silence that befalls the
8:45
desperate in their hour
8:47
of need. What would
8:49
she do? She didn't
8:52
really know. Work on
8:54
the hot dog stand
8:56
until her age finally
8:58
got the better of
9:00
her. seemed the only
9:02
logical thing. She rolled
9:04
that thought in her
9:06
mind as the sounds
9:08
of the carnival outside
9:10
filled the night sky
9:12
like fireworks. Her eyes
9:14
almost filled with tears
9:16
as the reality dawned
9:18
on her that things
9:20
were changing and it
9:22
wasn't for the better.
9:26
Then a knock came at
9:28
her door. For a split
9:30
second it made her jump,
9:33
but she quickly gained her
9:35
senses and placed her cigarette
9:37
into a nearby crystal ashtray,
9:40
coughed lowly, and spoke in
9:42
her best Eastern European accent.
9:44
You may end that. The
9:56
door of her booth
9:58
creaked open and stood
10:01
before her was a
10:03
little boy, no more
10:05
than 10 years old,
10:07
wearing an oversized Parker
10:09
coat. Can I come
10:12
in? He said shyly.
10:14
She felt flustered and
10:16
annoyed and waved her
10:18
left hand. Ice cream
10:20
van is that way,
10:23
boy. What happened to
10:25
your voice? He said,
10:27
confused. She crunched up
10:29
her cigarette in the
10:31
ashtray and spoke in
10:34
her usual London accent.
10:36
Look, the show's over.
10:38
I'm closing up now.
10:40
It's been a long
10:42
day for me. He
10:45
stared blankly at her,
10:47
then cocked his head
10:49
to one side and
10:51
looked at her cards.
10:53
Are they yours? He
10:56
took a step forward.
10:59
Can I see them? His
11:01
eyes grew wide with excitement.
11:03
What could she do? She
11:05
nodded her head and beckoned
11:07
him over to sit in
11:09
the chair opposite her. He
11:12
moved in a flash, yet
11:14
all the while keeping his
11:16
eyes on the cards. She
11:18
had kids come in before
11:20
asking questions. It always made
11:22
her smile when they asked
11:24
if she knew Father Christmas.
11:28
What would you like
11:31
to know, boy?" Her
11:34
mood felt a little
11:36
better. It always did
11:39
around children. The boy
11:42
snapped out of his
11:44
days and looked at
11:47
her and said, Are
11:50
you like Mary Hex?
11:52
Mary who? She said
11:55
squinting her eyes. From
11:58
his coat pocket he
12:00
quickly pulled out a
12:02
battered comic book and
12:04
placed it in front
12:06
of her. Do you
12:08
see she fights bad
12:11
guys with her spell
12:13
cards? Looking down at
12:15
the cover of the
12:17
comic, she could see
12:19
a scantily-clad woman throwing
12:21
flaming tarot cards at
12:23
a masked bank robber
12:25
holding a machine gun.
12:27
I'm just April, she
12:29
said. April Irving. She
12:31
never lied to children.
12:34
They always deserved better
12:36
than that He pondered
12:38
her answer for a
12:40
second before saying Yeah,
12:42
but do you have
12:44
special powers like Mary
12:46
Hex? She leaned back
12:48
in her chair Not
12:50
anymore. I don't Why
12:52
did you do something
12:54
wrong? No, I didn't
12:57
do anything wrong I
12:59
just I can't feel
13:01
the cause any longer,
13:03
that's all. His face
13:05
became sad. I'm sorry.
13:07
He reached over and
13:09
took his comic book
13:11
back. I just wanted
13:13
to see if the
13:15
cards were real. That's
13:17
all. She looked away
13:20
from him. Everything felt
13:22
wasted and used. A
13:24
tear unexpectedly ran down
13:26
her face. She quickly
13:28
wiped it away. and
13:30
composed herself. I'm sorry,
13:32
but the cards have
13:34
all closed up. He
13:36
tucked his comic back
13:38
into his pocket and
13:40
stood up. Well, I
13:43
have to go now.
13:45
My mom and dad
13:47
don't know I'm here.
13:49
Yes, of course. Well,
13:51
nice to meet you.
13:53
And you, April? He
13:55
then walked over to
13:57
the door. Two
14:07
figures were stood outside. It
14:09
was Big Mac and Joe.
14:12
The child sidestepped them and
14:14
left. They in turn stepped
14:16
in. Madam Twilight put on
14:18
her best smile and gestured
14:20
for them to sit down.
14:22
Joe pulled up a spare
14:25
chair and they both sat
14:27
down in front of her.
14:29
No one said anything until
14:31
finally Big Mac rubbed his
14:33
chin and spoke to Joe.
14:36
How old is it
14:38
then? Joe leaned closer
14:40
towards her. Not sure.
14:42
Eight months? Maybe even
14:44
ten. Pardon? She squawked.
14:46
She couldn't understand what
14:48
the hell they were
14:50
saying to her. Ah
14:52
shit forgot. Joe said...
14:55
and took out a
14:57
small purple disc and
14:59
placed it on her
15:01
hand. As it touched
15:03
her skin, her hand
15:05
gave a quick spasm
15:07
that knocked her cards
15:09
off the table and
15:11
onto the floor. Then,
15:13
as if she had
15:15
turned into ice, she
15:17
froze like a mannequin.
15:19
Tell me, Joe. Big
15:21
Mac said, Why do
15:23
you think it broke
15:25
down? Records show it
15:27
was running smoothly. Joe
15:29
scratched his head and
15:31
raised an eyebrow. I
15:33
say it isn't really
15:35
broke. Just good programming.
15:37
What do you mean?
15:39
Well, look at it
15:41
like this. It's built
15:43
like an old woman.
15:45
Made to act like
15:47
an old woman. The
15:50
AI these days Mac
15:52
is very sharp. I
15:54
think it just thought
15:56
itself old in its
15:58
face recognition and subtle
16:00
body detection just fizzled
16:02
out like it would
16:04
if it were real.
16:06
I say if we
16:08
put a younger skin
16:10
casing over it. Then
16:12
I reckon that would
16:14
straighten out the encoding?
16:16
Big Mac gave a
16:18
snort. Bloody neuron programmers
16:20
are too clever by
16:22
half. Nah. Think I'll
16:24
close this all up
16:26
and reboot it for
16:28
cleaning duties. Wasn't making
16:30
much money anyway? A
16:32
noise came from behind
16:34
them. They both turned
16:36
to see the little
16:38
boy stood in the
16:40
open doorway Big Mac
16:42
called out to him.
16:45
Hey, come on now.
16:47
You didn't think it
16:49
was real, did you
16:51
kid? The child took
16:53
a step back. Turned
16:55
a step back. Turned.
16:57
and ran through the
16:59
carnival. Everything around him
17:01
faded into a slip
17:03
stream of light as
17:05
his eyes filled with
17:07
tears. He was beginning
17:09
to understand a cruel
17:11
fact to life. There
17:13
was no magic or
17:15
mystery to any of
17:17
it. It was all
17:19
just wires and stupid
17:21
comic books. Joe gave
17:23
a wince. I hate
17:25
it when that happens.
17:27
Then pressed the reset
17:29
button in Madame Twilight's
17:31
pupil. Big Mac gave
17:33
a cold-hearted shrug of
17:35
his shoulders and glanced
17:37
at the cards that
17:40
were on the floor.
17:42
Every one of them
17:44
was faced down, except
17:46
for one. He picked
17:48
it up and stared
17:50
at it a little
17:52
too long. It was
17:54
the Ace of Swords
17:56
in reverse. I
18:03
hope enjoyed today's episode of The Up
18:05
Stories, The Last Reading of Madam Twilight,
18:07
was written by David Thomas, narrated by
18:10
Erika Ventura, produced by Carl Heaves of
18:12
music by Dark Fantasy Studio, and Tom
18:14
Robson, in Santa Feftified by Free Sound,
18:17
Dog. The episode illustration was provided by
18:19
Luke Spoon of Carry on House. Joshua
18:21
Bouché is our story programmer and along
18:24
with Jasmine Art and his eyeless ones,
18:26
Mary Bistrano and Cody Sarzasti, he helps
18:28
to manage our community. And a big
18:30
thanks to Benaritan for the ongoing
18:33
explosion of content he fires out
18:35
of his social media canon. David
18:37
Thomas is a comic book writer
18:39
from Cardiff Wales who only believes
18:41
in science, art and fortune tellers.
18:43
Eric Matora is an artist, mother,
18:45
bilingual narrator and her husbandry technician.
18:47
How does she manage it all?
18:49
No idea, but her artwork can
18:52
be seen on Instagram can be
18:54
seen on Instagram, on Instagram. at
18:56
E-F-E-E-E-N-T-U, where you can visit her
18:58
artist page on facebook.com/bio-artsy. The episodes
19:00
is a production of the
19:02
Story City Hall and
19:04
Cleaver and has brought
19:06
you with a greater
19:08
commons, attribution, non-commercial, no-driven
19:10
services license. That means
19:12
don't change it, don't sell it,
19:15
but by all means share the hell
19:17
out of him. Until next time.
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