Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Released Tuesday, 4th March 2025
Good episode? Give it some love!
Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Peter Nicholls and Mike Holmes from IQ on their new album 'Dominion', their long career and more.

Tuesday, 4th March 2025
Good episode? Give it some love!
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Episode Transcript

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0:00

Discover the life-changing benefits of meow greens

0:02

for your cat. Ever see your cat

0:04

slowing down or having health issues and

0:06

wonder, what can I do to make

0:09

them better? Well my friend, add meow

0:11

greens to your cat's food for 90

0:13

days and I guarantee you'll see changes

0:15

that will amaze you. Greetings, I'm naturopathic

0:18

Dr. Dennis Black, inventor of meow greens,

0:20

and I invite you to take the

0:22

meow greens 90-day challenge. In the first

0:25

30 days, you'll see shiny your coats

0:27

and increased energy. By day 60, your

0:29

cat will have a stronger immune

0:31

system, less shedding, improved joint function,

0:34

all due to the live nutrients

0:36

that you've added to their diet.

0:38

And at 90 days, they're going

0:40

to have better digestion, reduced inflammation,

0:43

reduced inflammation, our trial bag for

0:45

your cat today. Go to try

0:47

meowgreens.com. Use promo code, try meow,

0:50

that's try, M-E-O-W. You discover the

0:52

shipping. You don't have to change

0:54

your cat's food to improve your

0:57

cat's health. Just add a packet

0:59

of meow greens. Hi

1:09

everybody, welcome to a very

1:11

special park report interview. We have

1:14

the band IQ here, we have

1:16

Mike Holmes and Peter Nichols, how

1:18

you guys doing? Doing good, thanks.

1:21

Thanks for having us. Yeah. Hi, yeah,

1:23

I'm fine. Well, great to have you

1:25

guys both on. I don't think we've

1:27

ever had you guys on the podcast

1:30

before, which, you know, we try to

1:32

get everybody at some point that we

1:34

can. You guys have now, you're hitting

1:37

40 years, has been over 40 years

1:39

that you've been a band? Is

1:41

that right? 44 years. Amazing. Yeah,

1:43

next year is the 45th

1:45

anniversary, believe it or not. Wow,

1:47

that's amazing. You know, I imagine

1:50

this is a sort of a

1:52

silly question task, but... When you look back

1:54

on it now, can you believe it's been that

1:56

long and that you're still making music? Does it

1:58

sometimes, like, blow your mind? That is... been that

2:00

one? Yeah, definitely. I mean, I think,

2:03

you know, had you said to

2:05

me 30 years ago, I'd still be

2:07

doing this at my age now, I

2:09

would have doubted it very much. But

2:12

no, I mean, the band is

2:14

in great shape. We're, you know, we,

2:16

we, we, we're very happy with a

2:18

new album. And it's a great piece

2:21

of work. And I think for

2:23

us at, you know, 44 years in

2:25

to be doing a new album. and

2:27

a really strong new album I think

2:30

is a great place for us

2:32

to be. I think, you know, I'm

2:34

really enjoying being in IQ at the

2:36

moment. It's a really good time for

2:39

us. The band's very strong, very positive.

2:41

It's all looking good. Yeah. Absolutely. The

2:43

new album by the way Dominion

2:45

comes out on March 28th. Your 13th

2:48

studio album if I have that correct.

2:50

You know it's interesting looking back on

2:52

the career I was trying to

2:54

see if in those 40 years if

2:57

you guys took any long hiatus or

2:59

anything but you really haven't. It's been

3:01

pretty normal. Actually this is your

3:03

longest break between records release I think

3:06

which is six years. You know Mike.

3:08

How have you guys been able to

3:10

just maintain it so long without

3:12

saying I need to I need to

3:15

try something else I need 10 years

3:17

off you know I need I mean

3:19

it's what keeps you guys going

3:21

and being together? Well I think a

3:24

lot of it is friendship we're all

3:26

old friends and we you know we

3:28

have been for over 40 years

3:30

obviously and a lot of it is

3:33

for most of our lives this has

3:35

not been a full-time job it's been

3:37

like a a great hobby to

3:39

have. I mean that's changing a bit

3:42

now because quite a few of the

3:44

band have now finally retired from their

3:46

day job so they can get

3:48

a bit more involved band-wise but yeah

3:51

I'd say it's always been a kind

3:53

of nice extracurricular activity for us. in

3:55

my lives. Yeah. No, that's great.

3:57

Actually, I didn't think about that, that

4:00

now maybe you have more time to

4:02

do some of this stuff. You'd think

4:04

so, wouldn't you? But yeah, I

4:06

seem to be busy than ever. That's

4:09

right. So six years since the last

4:11

album. What, I suppose that this has

4:13

happened to a lot of bands

4:15

that I talked to recently that COVID

4:18

was the reason for the long delays,

4:20

is that what happened to you guys

4:22

as well? Yeah, yeah, we were

4:24

victims of that just like everybody was.

4:27

There was a period, I guess it

4:29

was a couple of years when we

4:31

really couldn't do any live work and

4:34

obviously we had to kind of keep

4:36

apart as everybody else did and

4:38

so that necessarily drove quite a wedge.

4:40

between us all, you know, but I

4:43

think had that not happened, there would

4:45

not have been a six-year wait

4:47

for this album. And I'm, I mean,

4:49

don't quote me, but I'm going to

4:52

stick my neck out and say, I

4:54

don't think it's going to be

4:56

five or six years before the next

4:58

album. I think, you know, I think

5:01

we have a good momentum right now.

5:03

I think, you know, everybody's feeling

5:05

very enthusiastic about the band and I

5:07

think there's a real, there's a real

5:10

energy. the amount of gigs that we're

5:12

doing this year in support of

5:14

the album and it's the most that

5:16

we've done in many many years and

5:19

so I think you know all being

5:21

well I would I would estimate

5:23

that the next album will be out

5:25

within the next five years let's just

5:28

put it that way but I don't

5:30

think there's there's going to be

5:32

a long wait as long a wait

5:34

for the next one I think I

5:37

think we're all aware of the March

5:39

of time you know and we

5:41

want to make best use of the

5:43

time while we have it Yeah,

5:46

you know what's also interesting you

5:48

were talking about a renaissance for

5:50

the for the band, but really

5:52

there's landmark albums throughout the band's

5:54

career that people sort of point

5:56

to earlier earlier, but really even

5:58

in the last 10, 15 years,

6:00

people talk about albums like Road

6:02

of Bones and Dark Matter and

6:04

frequency as even some of the

6:06

band's best work. So it's really

6:09

been a strong part for the

6:11

band, really I think throughout. But

6:13

I mean, particularly I think Road

6:15

of Bones is always one that

6:17

people talk about to me, that

6:19

when they mention the band. Do

6:21

you hear that a lot about

6:23

what albums people are liking when

6:25

they comment to you? Yeah, it

6:27

seems like everybody has their own

6:29

favorite and the nice thing is

6:31

it's not all one album. We

6:33

don't we don't have a fan

6:35

favorite classic album and then they

6:37

kind of tolerate the rest. It's

6:39

right. Good, but I think I

6:41

think we do have a pretty

6:43

good output and I think that's

6:46

because we didn't have quite a

6:48

high quality control. I mean that

6:50

may be one of the reasons

6:52

why sometimes it takes longer than

6:54

and other bands might to put

6:56

out a new album, but I

6:58

don't really like putting stuff out

7:00

just because it's there. It has

7:02

to be good. So actually that's

7:04

a good question. So what is

7:06

the barometer for you and how

7:08

how many ideas and songs or

7:10

demos go through a process before

7:12

you finally decide? I mean, this

7:14

album is long, but it's five

7:16

tracks, but there are long tracks

7:18

and there's a lot there. how

7:20

long before you settled on that?

7:23

Well, there was kind of an

7:25

album with a material that was

7:27

recorded at the same time, and

7:29

that will appear at some point,

7:31

but you're right. I mean, there's

7:33

a lot of stuff that doesn't

7:35

make it through onto the final

7:37

album. When we were starting to

7:39

work on this one, we played

7:41

a couple of tracks live as

7:43

working progress versions, just to give

7:45

people a taster of... how it

7:47

was going and neither of those

7:49

tracks made it onto the album

7:51

so Mike's right we do have

7:53

a high a high threshold I

7:55

think and I think one of

7:57

the great things about over recording

7:59

for an album is you get

8:02

to choose you don't have to

8:04

go with everything that you've got

8:06

you can pick and choose and

8:08

select what you think makes the

8:10

best album and so I think

8:12

we've always had that high we've

8:14

always kind of placed those high

8:16

demands on ourselves I think for

8:18

me I've always said that the

8:20

album is the most important thing

8:22

you know and when we're not

8:24

gigging any more the albums will

8:26

still be there and we'll still

8:28

be there and the new album

8:30

is the thing that defines us

8:32

you're only as good as your

8:34

latest album in that sense if

8:36

we put a you know we

8:39

put a clunker out then we've

8:41

we've done ourselves a disservice but

8:43

you know we always try really

8:45

hard to make it a good

8:47

positive thing we never want to

8:49

kind of release anything substandard because

8:51

it could just be detrimental to

8:53

the to the band's reputation you

8:55

know yeah absolutely and you know

8:57

what's great about this genre that

8:59

you know that that you guys

9:01

are in and that we all

9:03

get to talk about is that

9:05

the album still matters it's one

9:07

of the few places where where

9:09

all the fans want a new

9:11

album they want the longer song

9:13

the better you know and in

9:16

concert they want to hear the

9:18

new songs right it's not it's

9:20

not the normal kind of thing

9:22

well that's true I mean it's

9:24

not like people come along to

9:26

the gig and they're just really

9:28

wanting to hear stuff from 1985

9:30

you know people do embrace the

9:32

new stuff and you know the

9:34

new stuff is good and and

9:36

people are happy to hear the

9:38

new stuff so it's not like

9:40

they they they put up with

9:42

the new songs to hear the

9:44

oldies you know all the catalog

9:46

is well supported and and I

9:48

think that that's testament to the

9:50

fact that we take such a

9:52

lot of care and time over

9:55

putting the albums together they really

9:57

are you know the most important

9:59

aspect of what we do so

10:01

Mike when you decided to start

10:03

working on the salvo. You got

10:05

through the COVID period and now

10:07

you're like, okay, let's let's get

10:09

this one going. Is there a

10:11

particular starting point? How do you

10:13

guys start to ride and send

10:15

back? forth ideas and did you

10:17

record it in one studio? Talk

10:19

me through the process of what

10:21

making this record was like. Um,

10:23

cranky. Well, generally, I will come

10:25

up with a demo of something.

10:27

Um, and because everything is, you

10:29

know, now on computer, it can

10:32

sound a pretty finished. piece. Keyboards

10:34

are down and there's drums and

10:36

everything and generally tends to be

10:38

not too far a move from

10:40

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10:42

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10:46

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10:48

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10:50

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10:52

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10:54

for 90 days and I guarantee

10:56

you'll see changes that will amaze

10:58

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11:00

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11:02

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11:17

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Just add a packet of meow

11:39

greens. The product, but yeah, I

11:41

guess I would come up with

11:43

a couple of tracks and I

11:46

would send them out and then

11:48

we'd have a rehearsal, we'd go

11:50

through stuff and we'd go through

11:52

stuff. talk about it and see

11:54

what we found about it really.

11:56

Has that changed a lot from

11:58

from earlier days? Were you back

12:00

then were you able to all

12:02

be in the same room and

12:04

sort of recording like that or

12:06

how long has it been that

12:08

you've been maybe just sending files

12:10

and you know doing it the

12:12

doing it the Norway? Well I

12:14

think if the technology had been

12:16

there earlier that's what we would

12:18

have done earlier it's just that

12:20

now we can we do before

12:22

we weren't able to do that

12:25

so occasionally we used to send

12:27

cassets out but it's We

12:29

had to essentially get in the

12:31

same room and try things out

12:33

and now we don't. Yeah, one

12:35

of the staples of the band

12:38

has always been the long epic

12:40

song that you always have been

12:42

really good at producing those and

12:44

some of my favorites. The first

12:46

track on this this one is

12:48

you know long 22 minutes the

12:50

unknown door just magnificent talk about

12:52

that song and do you like

12:54

writing the longer songs you is

12:56

that is that something that you

12:58

guys try to do or they

13:00

just happen naturally well yeah I

13:02

think I'm Pete said this recently

13:05

but we never a dude set

13:07

out to we never say okay

13:09

we've got 25 minutes we're gonna

13:11

make a 25 minute track we

13:13

just write and then if it

13:15

feels unfinished we carry on essentially

13:17

with the unknown door. There was,

13:19

I don't know, about eight or

13:21

ten minutes, paid something like that

13:23

for a while. Yeah. And then

13:25

we... I think when inspiration strikes,

13:27

you, you just kind of keep

13:29

going with it. And that's the

13:32

joy of the way Mike writes

13:34

is that, you know, he always

13:36

has a sense that something's not

13:38

quite finished yet. And so a

13:40

song can be... 12 minutes and

13:42

next time you hear a demo,

13:44

it's 18 minutes long and something

13:46

there's another six minutes of great

13:48

music that's appeared from nowhere. But

13:50

yeah, we don't ever set out.

13:52

with the intention of writing the

13:54

20-minute track for each album, but

13:56

I think when Mike hits that

13:59

kind of that flow it just

14:01

keeps going you know even with

14:03

that I think I don't I'd

14:05

done the vocals I've recorded the

14:07

vocals and and Mike said it

14:09

still doesn't feel quite right and

14:11

so right up until the 11th

14:13

hour changes were being made and

14:15

there was an extended bit added

14:17

to it and I think all

14:19

those decisions that Mike made. Well,

14:21

we're absolutely right because they do,

14:23

when you listen to the song

14:25

now, you can't imagine it any

14:28

other way. Right. But yeah, you're

14:30

right. Prog fans do tend to

14:32

kind of pounce on the long

14:34

tracks. And sometimes it's like, well,

14:36

the other songs are good as

14:38

well. It's very funny, I just

14:40

remember being, when I was younger,

14:42

seeing a longer song on a

14:44

Genesis record or something like that

14:46

and fearing those songs, you know,

14:48

and wanting to just hear as

14:50

many short ones as I could,

14:52

and now it's very much the

14:55

opposite. One of the things I

14:57

have to say, Peter, by the

14:59

way, the minute, one of the

15:01

signature marks of the band is

15:03

absolutely your voice, and the minute

15:05

the album starts and your voice

15:07

starts, it's... Just absolutely spot on

15:09

and it doesn't sound like your

15:11

voice is aged a minute at

15:13

all. It's incredible Well, I was

15:15

very kindly to say I think

15:17

that that was my one of

15:19

my concerns going into this album

15:22

Was I didn't want to sound

15:24

like a an old version of

15:26

myself and you know, it's important

15:28

for me that the band sounds

15:30

Energetic and confident and and purposeful

15:32

and I think it really does

15:34

with that track I think one

15:36

of the things when we're doing

15:38

an album is it's always a

15:40

challenge to find a different way

15:42

to start an album and to

15:44

finish an album in fact and

15:46

we've never started an album like

15:49

that I suppose the last human

15:51

gateway kind of started with an

15:53

isolated vocal a little bit but

15:55

You know, you either go for

15:57

the big full introduction of the

15:59

band, here we are, we mean

16:01

business, where you go to a

16:03

different approach, and you're right, with

16:05

the unknown door, with it being

16:07

such a solitary vocal, there's nowhere

16:09

for me to hide really. So

16:11

the vocal has to be strong,

16:13

you don't want to open the

16:16

album with the voice sounding crap

16:18

and people kind of losing interest

16:20

in the first 30 seconds. But

16:22

yeah, I mean, it's a nice

16:24

way to start an album and...

16:26

I really like that track. This

16:28

album I can genuinely listen to

16:30

all the way through For Pleasure.

16:32

Previous albums there are certain tracks

16:34

where I think I would rather

16:36

do the vocal again. But actually

16:38

I think the voice thankfully is

16:40

kind of holding up okay. And

16:42

I think I sound on this

16:45

album like I've always kind of

16:47

wanted to sound. So it's taking

16:49

me 40 odd years. kind of

16:51

starting to get the hang of

16:53

it a little now. Yeah, no,

16:55

absolutely. It sounds amazing. And it's

16:57

cool because you put on something,

16:59

every new album you get from

17:01

any new band, you don't know

17:03

what you're going to be getting

17:05

when you go in. And then

17:07

this one was just like you

17:09

put on and your voice starts

17:12

singing and immediately you're just like,

17:14

oh yeah, okay, this is going

17:16

to be fine, you know, that's

17:18

the feeling that I got right

17:20

away, which was just really cool.

17:22

There's a first Lear video single

17:24

out now, No Dominion song. Any

17:26

story behind that, the no dominion

17:28

title and calling the album dominion,

17:30

what's the story of that song,

17:32

Mike, if you want to elaborate?

17:34

I guess this is more complete,

17:36

really. Okay. I just, I think,

17:39

I guess for me personally, when

17:41

we were doing resistance, it was

17:43

a bit of a dark time

17:45

for me and it was not

17:47

a particularly great time to get

17:49

through, but... with dominion I feel

17:51

much much more positive. and I

17:53

feel I was just kind of

17:55

looking for a way to to

17:57

think about the idea of the

17:59

world that we each create for

18:01

ourselves and how to create the

18:03

best world for ourselves and this

18:06

this kind of came from a

18:08

few places one of one of

18:10

which is like Mike said I've

18:12

stopped working now so I have

18:14

more time more energy for the

18:16

band but there's one thing that

18:18

Mike had said a couple years

18:20

back I think it was a

18:22

show that he'd seen and there

18:24

was a phrase the time is

18:26

now and I really thought about

18:28

that a lot and I kind

18:30

of I really realized that I

18:33

kind of set a lot of

18:35

store by that and I think

18:37

you know that general feeling of

18:39

maybe this is something that comes

18:41

with age but but that feeling

18:43

of making the best use of

18:45

the time that we have and

18:47

making the best life for ourselves

18:49

and making the best world for

18:51

ourselves so I think the dominion

18:53

thing was us creating our

18:56

own kind of our own personal domain

18:58

not only for ourselves but for the

19:00

people around us the people that we

19:02

love and and that actually came from

19:04

a Dylan Thomas poem and death shall

19:07

have no dominion and I just thought

19:09

the word dominion had a real kind

19:11

of gravity task to it yeah and

19:13

there's always that that thing when you

19:15

come up with a title and you

19:18

think right who else has used this

19:20

you go on to Amazon are there

19:22

any albums called dominion and I'm sure

19:24

there are but you know what what

19:26

can you do whatever you do, someone

19:29

else has done it first. But I

19:31

remember kind of mentioning it to Mike

19:33

saying, what do you think about dominion?

19:35

And he kind of said, yeah, it

19:37

sounds okay. And we kind of left

19:40

it hanging. So to me, it's just

19:42

the idea that the world that we

19:44

live in, the world that we each

19:46

individually live in is of our own

19:49

making. And the time is the most

19:51

time and health are the most important

19:53

commodities that we have really. And do

19:55

it now. You know, we can always

19:57

put things off until next week, but

20:00

actually you don't know what lies in

20:02

store next week. week so if you

20:04

can do it today do it today

20:06

I would say yeah I want to

20:08

ask you also about the last song

20:11

of the album which is also one

20:13

of my favorites on our Neverland talk

20:15

about that one what's what's the story

20:17

about that behind that song and how

20:19

that came together? Mike when he presented

20:22

the the demo for that I I

20:24

could I could hear straight away that

20:27

it was going to be a

20:29

great song. I felt like when

20:31

he played Stay Down for Resistance,

20:33

just hearing the demo, I could

20:35

imagine it being a really brilliant

20:37

track. And as soon as he

20:39

played that track, I just kind

20:41

of, I could hear it being

20:43

a really solid piece of work

20:46

and possibly a great way to

20:48

end the album. And I think

20:50

for me is probably my favourite

20:52

track on the album. I think

20:54

it's probably my favourite track on

20:56

the album. I think it has...

20:58

a great spirit to it and

21:00

I think musically it's a genius

21:02

piece of work from Mike I

21:04

think I think most of the

21:06

the music on this album is

21:09

kind of more it feels more

21:11

melodic it feels more positive it

21:13

feels more more direct in some

21:15

ways and the lyric for that

21:17

was just you know two people

21:19

and one of the people has

21:21

passed away and is how the

21:23

other person remembers that person who's

21:25

gone and you know you recollect

21:27

somebody in I don't know it

21:30

might be a song that you

21:32

both liked or somewhere that you

21:34

both went to walk or a

21:36

sunset or you know we all

21:38

remember people in different ways but

21:40

that was kind of the basic

21:42

feeling that I had behind the

21:44

lyrics for that song but I

21:46

think it's a really brilliant track

21:48

I really do. Yeah agreed. Mike

21:50

when you're Just trying to decide

21:53

what songs to play live. Are

21:55

you guys are you coming up

21:57

with the set list or how

21:59

are you pulling from 13 albums

22:01

now of material? Yeah, I guess

22:03

I do come up with most

22:05

set lists. I think putting a

22:07

set list together for a live

22:09

show is a bit like putting

22:11

an album together. It has to,

22:13

you have to be aware of

22:16

certain things and it has to

22:18

flow, you have to have a

22:20

really strong start and an end,

22:22

interesting bits in the middle, and

22:24

a few surprises as well. And

22:26

yeah, one thing that someone said

22:28

about us recently was that we

22:30

curate our back catalog very well,

22:32

live. Which is true, we don't,

22:34

we're not one of the bands

22:37

that goes out and plays the

22:39

new album and then a few

22:41

old tracks. We like to kind

22:43

of respect the whole catalog and

22:45

draw from every album we can.

22:47

Yeah, it's got to be a

22:49

challenge. Also when you have... like

22:51

for example on this album if

22:53

you want to play you know

22:55

the unknown door that's that's 20

22:57

minutes right there that's the trunk

23:00

of the show right so you

23:02

guys are going to be on

23:04

cruise to the edge next month

23:06

in April it's going to be

23:08

my first time getting to see

23:10

you guys going to be on

23:12

the ship so I'm really excited

23:14

about that the last time you

23:16

played in the States was I

23:18

think Pete you said it might

23:21

was about seven years ago and

23:23

yes 2018 we did the the

23:25

raw way That was a festival,

23:27

I don't remember that, I'd love

23:29

it. But yeah, that was railway

23:31

2018 and we did Canada at

23:33

the same time as well. So

23:35

it's seven years since we've been

23:37

in your neck of the woods.

23:39

Yeah. Yeah, excited to have you

23:41

guys on. If you started planning

23:44

yet, what do you think you're

23:46

going to be playing on the

23:48

ship? Any surprises people can expect?

23:50

Oh, just the early stuff. Hey,

23:52

either one is great. So I'm

23:54

curious if, you know, what's the

23:56

album for each of you? I

23:58

think if you were going to

24:00

recommend an IQ album to someone

24:02

that's never heard the band before,

24:04

what's the album that you think

24:07

is the one that does? that

24:09

you that holds up for you

24:11

as that one they need to

24:13

listen to. I think I think

24:15

traditionally when people put out a

24:17

new album they always tend to

24:19

say the new album is the

24:21

right. And I kind of it

24:23

is for me right now. I

24:25

think it's a really good strong

24:28

album. I don't know really. When

24:30

we we did the whole of

24:32

frequency recently and I'd kind of

24:34

sidelined that album in my head.

24:36

for some reason, but hearing it

24:38

all and playing it all again,

24:40

you know, I kind of rediscovered

24:42

it and thought this is a

24:44

really strong album. I like this

24:46

album, you know. I think subterranean

24:48

is always kind of the one

24:51

that people kind of set as

24:53

a benchmark. Yeah. Hmm. But right

24:55

now I would say dominion is

24:57

the one that I can listen

24:59

to for enjoyment, certainly. That's wonderful.

25:01

Mike, what about you? Oh, I

25:03

don't know. It's such a difficult

25:05

question to answer really, purely because

25:07

I've been working on it recently,

25:09

I would have to say the

25:12

latest album, simply because I tend

25:14

not to play old IQ albums.

25:16

So that's the one that's in

25:18

my head the most. And I

25:20

think... it's still a pretty good

25:22

representation of who we are, certainly

25:24

who we are now, but it

25:26

still, it sounds, you know, you

25:28

can imagine this being linked to

25:30

the rest of the catalog, I

25:32

think. Yeah. Absolutely, yeah, I mean

25:35

absolutely sounds like the band for

25:37

sure it's not you're not getting

25:39

anything, you know anything crazy But

25:41

it's certainly fresh interesting like you

25:43

said, it's it's it's more More

25:45

positive. I guess the you know

25:47

you were talking about So yeah

25:49

fantastic album guys dominion comes out

25:51

on March 28th, and of course

25:53

the band will be on Cruce

25:55

the edge soon. So hopefully you

25:58

can get to see them on

26:00

that and yeah any other Tor

26:02

plus plans for the rest of

26:04

the year? Have you guys announced

26:06

anything yet or stuff in the

26:08

works? There's lots. Yeah, there's lots

26:10

of stuff. We've got a couple

26:12

of more. We've taken to doing

26:14

these weekender things. We've done a

26:16

couple now in the UK, Germany.

26:19

We've got one in Paris. I've

26:21

got a weekender coming up in

26:23

Poland. Some festivals in the UK

26:25

and then our Christmas shows. I

26:27

mean, this year, I think we've

26:29

got about 23 shows or something.

26:31

Yeah, yeah. So like I say,

26:33

this is, it just feels like

26:35

a rebirth for the band. We're

26:37

very busy. Very cool. Pretty good

26:39

for old bastards like us. 23

26:42

shows in one year is quite

26:44

an achievement really. That is, that's

26:46

good. Absolutely. I think we haven't

26:48

done it yet. So let's keep

26:50

our fingers crossed. What we were

26:52

saying earlier about, does... Can you

26:54

imagine you have been doing 44

26:56

years? What does it feel like?

26:58

And in my head, it's great,

27:00

but my body after the thing

27:03

is another thing. That's right. Yeah,

27:05

I get it. I get it.

27:07

Well, guys, a pleasure talking to

27:09

you. Check out the album Dominion

27:11

and we'll see you all again

27:13

real soon. Bye bye. She is

27:15

right. Okay. See you guys. Hey,

27:17

thanks for checking out the podcast.

27:19

Don't forget to subscribe to your

27:21

YouTube channel. Wherever you get your

27:23

podcast, follow us on all our

27:26

socials and product.com and we'll see

27:28

all again real soon. Thanks.

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