Episode Transcript
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0:00
I've always had a fascination with death.
0:03
I guess it's not uncommon, especially
0:06
for people who work in hospitals. After
0:09
all, death is something that none of us
0:11
can avoid, no matter how much
0:14
we may want to. Death
0:16
comes for us all. I
0:18
just didn't think it would come for me while I was in the
0:20
prime of my life. I didn't
0:22
think it would come for me on a Tuesday night while
0:25
I was at work. And I certainly
0:27
didn't think it would come for me in the form it did.
0:34
I watch Nurse Shelly walk away
0:36
down the hallway from my security desk, thinking
0:39
about what she would look like with her scrubs off.
0:42
She definitely works out, no
0:44
doubt about it. Or maybe it's all
0:46
the walking she has to do. You're
0:49
gonna get written up for sexual harassment one
0:51
of these days, the other security
0:53
guard, Aguilar, says. I
0:56
pry my eyes away from Shelly's rear end
0:58
and look up at Aguilar. I'm just
1:00
looking, I say. You're
1:02
staring. There's a difference. Shrugging,
1:06
I sneak one more glimpse before checking the
1:08
clock. It's about time to lock
1:11
up the morgue, which is something Aguilar
1:13
gladly lets me do. He thinks
1:15
it's creepy down there. Me? I
1:18
don't mind it. I'll be back in
1:20
fifteen, I say, standing
1:22
up from the desk. I'll be here,
1:25
Aguilar says. I
1:27
take the stairs down to the morgue, not
1:30
only because I need the steps, but
1:32
because it's what we're supposed to do, to
1:35
make sure the stairwell is clear and
1:37
that no one is there who shouldn't
1:38
be. Stepping into the morgue,
1:41
I find that there's no one in the reception office,
1:44
which is common at this time of night. I
1:47
move through the door and into the back area,
1:50
looking around for the morgue attendant I
1:52
know is on shift. She's
1:54
the one who shuts everything down at night after
1:56
the medical examiner has left for the day.
1:59
I find her in the body holding area, standing
2:02
with her hands on her hips and looking at
2:04
two body bags that clearly contain
2:06
fresh bodies. Hey Shaw,
2:09
I say, what are you doing? Shaw,
2:12
a woman in her late twenties with curly
2:14
dark hair turns to look at me. Her
2:17
brows are furrowed, mouth slightly
2:20
open. You okay? I
2:22
ask. I might be going nuts.
2:25
Why? What happened? These
2:28
two were just straight in, she says,
2:31
gesturing at the only two bodies not yet in
2:33
the cold room. Those bend and waltz.
2:36
They both died around the same time, according
2:38
to the paramedics who took the call. How
2:41
did they die? We don't know,
2:43
Shaw says. No
2:45
signs of violence that we could see. We'll
2:48
be doing the autopsy's tomorrow.
2:50
You suspect I'll play?
2:53
When two people in the same house die suddenly,
2:55
and there's no apparent cause, we
2:57
do autopsies. It's not
2:59
a common occurrence.
3:01
Okay, I
3:02
say. Still not seeing why she's so
3:04
freaked out. So why do
3:07
you think you're going nuts? Because
3:09
I swear I just saw one of them move inside the body
3:11
bag. I stifle a
3:13
laugh. Seriously? Justice
3:17
Shaw is about to answer. Something
3:19
presses against the inside of one of the
3:21
body bags, making it move up
3:23
slowly before it goes back down again. Did
3:26
you see that?
3:27
Shaw asks. Yeah,
3:30
I say. I saw it. Is
3:32
it some battery-operated toy or something? You're
3:35
messing with me, right? Shaw
3:37
shakes her head. Dark curls swing.
3:40
I swear this isn't a beak. Okay,
3:43
so it's a muscle torch or something, right? Doesn't
3:46
that happen? Sure, it happens. And
3:49
not like that. Not a deliberate
3:52
movement like that.
3:53
Suddenly, something bulges up within
3:55
the other body bag. The movement
3:58
is similar to the first.
3:59
a little quicker and more violent. Shaw
4:02
swallows her throat clicks. I
4:05
have to see what it is, she says, moving
4:08
over to retrieve latex gloves from a box.
4:11
I keep my eyes on the body bags. They
4:14
both move again. This time,
4:16
I swear I can hear something tearing, something
4:19
wet and tough, like skin. Are
4:22
you sure that's a good idea? There
4:24
must be some explanation, she says,
4:27
sounding like she's trying to convince herself of her
4:29
own words. Bebe cast filled up
4:31
in the abdomen or something. She adorns
4:34
a surgical mask and a clear plastic
4:36
face mask, then moves over to the
4:38
body bag on the right. I
4:40
stay where I am, not daring
4:42
to get any closer. Shaw
4:45
reaches for the zipper, slowly. Her
4:47
hand shakes. She unzips
4:50
the body bag, and as she reaches down
4:52
to part, the two flaps. There's
4:54
a blur of movement. A dark
4:56
creak
4:56
on the side of a cat shoots out of the bag
4:59
and scrambles up Shaw's chest with spider-like
5:01
legs. Shaw's double-back in the
5:03
mountains of the other morning as the creature is
5:05
in its own way. The
5:08
other body bag is now moving by now as
5:10
whatever is inside fails to get out.
5:13
The creature in the shower's
5:14
chest grabs its beak
5:15
into her throat repeatedly, and
5:18
I see with Shaw's confusion that its body
5:20
is shaped like a stomach. The
5:22
legs, crowding out of it, look like tuna
5:24
coke, and the beak seems to be sticking
5:27
out of the esophagus. Shaw
5:29
gets her hands around the thing and throws it off. It
5:32
hits the floor with a spot and then skitters
5:34
off into the darkness toward the back of the mold.
5:37
Coming back to me, I rush forward to
5:39
help Shaw, who's bleeding profuse from
5:41
her throat. But before I
5:43
take in two steps, the other body bag
5:45
tears open. The snake shoots
5:47
out of the bag, wrapping around Shaw's
5:50
throat. Only, it's not
5:52
a snake. It's lumpy and pale pink.
5:54
It's a large intestine, and it has a
5:56
long, triple-segmented beak
5:58
at one end.
5:59
The creature jams its beak into Shaw's stomach,
6:02
tearing through her shirt and skin. Its
6:04
head, if it can be called a head, disappears
6:07
several inches into the Morgantenden's body.
6:10
A moment later, it comes out. Shaw's
6:13
large intestine and his beak exist
6:15
to the organ out and proceeds to gulp it down
6:18
as Shaw passes out and falls to the floor.
6:20
The thing unwinds itself from around Shaw's
6:23
neck and finishes feeding the large intestine
6:25
after giving it a good tug to rip it completely
6:28
from her body. I back up,
6:30
reaching for my taser, wishing I carried
6:33
a gun. There's a skittering
6:35
noise and the other creature, the stomach,
6:38
flashes across the back of the room, moving
6:40
like a cockroach. The intestine
6:42
turns its beak toward me, seeming to
6:44
notice me, even though I can't see any eyes
6:47
on it. The thing is about five feet
6:49
long and it moves
6:50
just like a snake.
6:52
There's more skittering and the other
6:54
creature shoots toward me. I scream
6:56
and spin around, running out through the popped open
6:58
double doors. I kick the doorstop
7:01
up on the left door and swing it shut. Glancing
7:03
up, I see the creatures, speeding toward
7:05
me as I move to the other door. Kicking
7:08
the other stop off, I slam the door just
7:10
a moment before both creatures crash into it.
7:13
I put my shoulder against the middle of the two
7:15
doors as I reach for my keys to lock it.
7:18
One of the handles suddenly moves. I
7:20
grab it, keeping the door from opening. And
7:23
the other one moves. I drop my keys
7:25
and grab the other handle. Those things
7:27
are strong and it's all I can do to keep
7:29
the handles from moving. Sweat
7:32
springs up on my forehead and in my armpits.
7:35
Without a free hand, I can't reach down to get
7:37
my keys. I also can't grab my
7:39
rodeo to call Aguilar for help. So
7:42
I do the next best thing. I scream.
7:45
After about two minutes of screaming, my hands
7:48
are weakening and my voice is hoarse. I
7:50
give it one final shout, thinking no
7:52
one will hear me. A moment passes,
7:55
despair settling in on my hunched shoulder.
7:58
Then
7:58
there's the sound of footsteps.
7:59
falls rushing down the nearby stairwell. It's
8:02
the most beautiful thing I've ever heard. Nurse
8:05
Shelley bursts through the stairwell door and
8:07
lives at me. Oliver? She
8:09
asks, what's wrong? Help
8:12
me. I say, grab my keys
8:14
and lock these doors. She moves
8:16
closer, steadying me for the moment. What's
8:19
going on? Please, just do
8:21
it. She moves up and reaches down
8:23
between my legs to grab the keys. She
8:26
stands back up and looks through the small square
8:28
window in the right-hand door. There's
8:30
no way she'll see the creatures from her angle.
8:33
What's the money, man? She says, turning
8:35
to me. Is this some kind of joke?
8:38
Suddenly, the door handles stop moving.
8:41
I look down at them, eyes wide, but
8:44
I don't take my
8:44
hands off them. Is that the door? The
8:46
door? I shout. Wow!
8:49
She says, shocked. There's
8:50
no need for... The
8:52
window used to her head shatters as the large
8:55
intestine bursts through. Having
8:57
its sharp beak into the height of Nurse Shelley's head,
9:00
she stumbles aside, dropping my keys, reaching
9:03
up to grab the slimy creature. The
9:05
thing pulls its beak out of her, and blood
9:07
skews out of her head wound. She stumbles
9:09
to the ground. I look up to see
9:12
the other creature squeezing through the broken window. I
9:14
throw myself away from the doors and grab my taser,
9:17
pulling it out as the spidery stomach creature
9:19
lunges at me. Staying out of the
9:21
way, I lose my feet and fall in
9:23
the hallway. The creature skitters
9:25
across the wall and launches itself at
9:27
me again. I get the taser up
9:30
and hold the trigger, but nothing happens. I
9:33
haven't disengaged the safety switch. I
9:35
put my left hand up, and the creature hits it,
9:38
stabbing its beak through my hand. I
9:40
scream and instinctively grab the thing,
9:42
keeping it from pulling its beak out of my palm.
9:45
I slam it into the walls, I'm disengaging the safety
9:47
switch on the taser in my right hand. The
9:50
thing gets its tentacle-like appendages around
9:52
my wrist, saying to pry its head on my
9:54
hand. But I hold tight as it adds to
9:57
pain, slamming it into the wall, and beating
9:59
him again. Two flies from
10:01
the thing, splattering the wall, the
10:03
floor, and my face. Very
10:05
soon it goes limp. I
10:07
toss it away from me and scramble to my feet, pointing
10:10
the taser toward Nurse Shelley, looking for
10:12
the other creature. It's not there. Only
10:15
Nurse Shelley's body is there, lying
10:17
face down in an expanding pool
10:20
of blood. I notice a trail
10:22
of blood leading down the hall and behind me.
10:25
I spin around, just as the creature jumps
10:27
at me. This time, the taser
10:29
fires, the barbs striking the creature
10:31
in midair. I step aside and
10:33
the smokelight thing hits the floor with a splat,
10:36
rising as electricity courses through it.
10:39
When the taser is spent and the creature is no
10:41
longer moving, I step up and
10:43
stomp on it with my feet. The
10:46
smell that comes out of it as it spills open
10:48
is horrendous, but I keep stomping
10:50
it until I'm sure it's dead. The
10:52
stairwell door opens and Evelar steps
10:55
into the hallway. He looks around for a
10:57
moment, then he looks at me. What
10:59
the fuck, man?
11:04
While we wait for the authorities to arrive, one
11:06
of the doctors in the new locked down hospital
11:09
cleans and dresses the wound in my hand.
11:12
While she's working, I notice some
11:14
blue goop on my arm, along with
11:16
some blood and what can only be stomach
11:18
bile. But as I watch, the
11:21
goop seems to evaporate. Either
11:23
that,
11:23
or is disappearing into my skin. I
11:26
say nothing to the doctor about the strange goop,
11:29
but when she's done, I go straight to the bathroom.
11:32
Using plenty of soap, I wash my
11:34
face and any other exposed skin
11:37
quickly, afraid to think what I might
11:39
have caught from those freakish things. By
11:42
the time I'm done, the police have arrived.
11:45
But once they see the dead creatures, they
11:47
know it's clearly above their pay grade. So
11:50
they take a statement and escort me to the
11:52
morgue office, where I'm to wait for
11:54
whatever three-letter government organization
11:56
is coming to take over.
11:58
They post a uniform outside.
11:59
the office door to make sure I don't go
12:02
anywhere. I'm not planning
12:04
on it. I take a seat, lean
12:06
back, and close my eyes, trying
12:08
to calm my mind. My eyes,
12:11
shoot open as a terrible pain erupts in my abdomen.
12:14
Panicking, I pull my shirt up and look at
12:16
my stomach. The skin bulges
12:19
as something moves inside me. SCP-1429
12:25
is a luminescent amoeboid organism
12:28
of fluorescent blue coloration and
12:30
unknown origin. After
12:32
the incubation period, SCP-1429
12:35
causes acute and variable mutations
12:38
in human tissue. The organism
12:40
does not share physical characteristics with
12:42
any known terrestrial microorganisms
12:45
and does not appear to have a detectable DNA
12:47
structure. Upon infection,
12:50
an instance will enter a human body painlessly
12:52
through the skin and settle within a large
12:54
internal organ, rooting itself
12:57
and becoming effectively undetectable by
12:59
conventional means. The time
13:01
between infection and activation varies
13:04
greatly, with test subjects displaying
13:06
incubation times in minutes in some cases
13:09
and months in others. After
13:11
incubation, the instance of SCP-1429
13:14
becomes active and causes a series
13:17
of radical mutations to the infected
13:19
organ through an unknown process. Organs
13:22
undergo genetic and morphological changes
13:24
and become ambulatory, growing limbs
13:27
and simple bodily systems of their own, effectively
13:30
becoming independent organisms. These
13:33
organisms, in every case to date, have
13:35
caused massive trauma and eventual
13:38
death in their hosts as they tear their
13:40
way out of the host's body.
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