Never Play the Game Too Long

Never Play the Game Too Long

Released Thursday, 5th September 2024
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Never Play the Game Too Long

Never Play the Game Too Long

Never Play the Game Too Long

Never Play the Game Too Long

Thursday, 5th September 2024
Good episode? Give it some love!
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Episode Transcript

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0:00

The True Story of the Fake Zombies is a

0:02

production of iHeart Podcasts, Talk

0:04

House and never Mind Media.

0:21

Back in nineteen sixty nine, when

0:23

the real Zombies were at their lowest point,

0:26

two guys in rural Michigan dreamed

0:28

up the Fake Zombies. It's

0:31

a strange business to get into. Jim

0:34

Atherton and Bill Keho, the bosses

0:37

at Delta Promotions, thought they'd

0:39

found a loophole. They caught

0:41

win that the Zombies had broken up, and bought

0:43

the rights to the name the Zombies, or

0:46

at least they claimed they did, and assembled

0:48

their own version of the group. Then

0:51

they assembled another one. Delta

0:54

Promotions invested time, money, and a lot

0:56

of effort into supporting their bogus bands

0:58

and making them seem legit. They

1:00

took promotional photos and gave them high

1:02

end amps and tour buses, all

1:04

to capitalize on the success of

1:06

a Zombie song racing up the charts.

1:10

Time of the season set off Delta's Great rock

1:12

and roll swindle. But this was

1:14

not an isolated incident. Another

1:17

British invasion band with songs and the radio

1:19

fell into a similar sort of limbo as

1:21

the Zombies broken

1:24

up but still in demand. Delta

1:27

Promotions once again saw dollar signs. They

1:31

started a fake version of the Animals. But

1:33

it wasn't the fake Zombies or the fake Animals

1:35

that would lead to the downfall of Delta.

1:39

That would come from their version of a group that never

1:41

really existed in the first place, The

1:44

Fake Archies, a fabricated

1:46

version of a cartoon band.

1:47

Do you know the song Sugar Sugartada?

1:52

Ah? Honey, honey.

1:57

This is the final episode of the true story

1:59

of the Fake Zombies. I'm Daniel Ralston.

2:07

Hiring young American musicians to impersonate

2:10

British rock bands may not have been ethical,

2:13

but when Delta Promotions started doing just that,

2:16

it wasn't technically illegal. Bill

2:20

Keho, the businessman behind Delta,

2:23

wasn't afraid to take on the record company's

2:25

management, companies, bands and lawyers who would

2:27

inevitably come beating down his door. He

2:30

happened to know a ton of extremely talented,

2:32

equally impressionable young musicians through

2:35

his business partner Jim Atherton. Why

2:38

not take a shot at becoming the next big industry locals.

2:43

Delta laid claim to the unused name the

2:45

Animals, just like they did with the Zombies,

2:48

and hired another group of young guys, also

2:50

from Michigan, to tour America. Every

2:54

English band, from the Zombies to the

2:56

Beatles and Stones, owes a huge

2:58

debt to American blues music. Every

3:01

Mick, Keith, John Paul, and Ringo started

3:03

out trying to sound like the black artists who

3:05

invented what we now know is rock and roll. Of

3:08

all the British Invasion bands that hit it big in

3:10

the States, nobody tapped into that sound

3:13

like the Animals. Their first

3:15

big hit was a cover of an old Blue standardsan.

3:19

Misery in the

3:21

House. Otherise

3:24

it.

3:26

Like the Zombies, the real Animals were done

3:29

after conquering America with songs like House of

3:31

the Rising Sun. Their singer, Eric

3:34

Burden was bored with his British Invasion

3:36

past, and by nineteen sixty nine

3:38

he was breaking new creative ground in his next project,

3:41

War That

3:44

was Delta's in for

3:47

a brief period of time, as the sixties

3:49

became the seventies, the Fake Animals

3:51

and two fake Zombies tour in America, performing

3:53

for unsuspecting fans, and this

3:55

might have continued on had it not been

3:58

for these words written in the pages of

4:00

Rolling Stone Magazine.

4:02

None of the groups being hunted down is

4:04

real. They're all phonies, tenth

4:07

rate bands using names of well known,

4:09

technically non existent groups to

4:11

pull the wool over the public's collective

4:14

eyes and ears.

4:16

That's Ben Funktorres, the man who wrote

4:18

those words back in nineteen seventy, and

4:21

his story would mark the beginning of the end for Delta

4:23

Promotions. Ben was

4:25

on to them here.

4:27

Ten miles from Saginaw and one hundred

4:29

and twenty or so miles north of Detroit,

4:32

Delta Promotions makes phone calls

4:34

to booking agencies in smaller towns,

4:37

telling them in certain tones about

4:39

the existence and availability of

4:41

groups they handle.

4:43

When he wrote his story, Ben actually spoke

4:45

to people who'd been duped by Delta's fake bands.

4:48

These small town concert bookers were given a

4:50

line by Bill Keho.

4:52

Those promoters who are aware the

4:54

Animals and the Zombies both disbanded

4:56

a couple of years ago are told that the groups

4:59

have reformed, built around

5:01

Nuclei, composed of several

5:03

original members. What

5:05

this means is Delta went to the trouble

5:07

of claiming a copyright on an unused

5:10

band name for their own packs of musicians.

5:16

When he learned about the fake animals. Eric

5:18

Burden was understandably pissed. He

5:21

sent his business partner after Delta. It

5:23

was later reported in Rolling Stone the Burden

5:25

and a few of his friends and the Hells Angels showed up

5:27

at a fake animals gig with I quote,

5:30

subpoenas and baseball bats. The

5:32

fake zombies and the fake animals may have upset

5:35

Eric Burden and the generation of people

5:37

who read Rolling Stone, but

5:39

Delta continued to get away with it.

5:41

The animals are closely linked to the pony

5:44

zombies. Delta even pulled a double

5:46

stunt last Easter Sunday in Duluth,

5:49

Minnesota, building both groups in concert

5:52

and drawing twenty four hundred unsuspecting

5:54

customers at five dollars ahead

5:57

to witness the masquerade.

6:00

The business side of the Delta partnership went

6:02

on the defensive when Rolling Stone reached

6:04

out.

6:05

As for Delta, the word there is no comment.

6:08

Keho would tell Rolling Stone no more than

6:11

I'm ticked off you. People haven't answered

6:13

my letters and dared Rolling Stone

6:15

to come up with proof of their activities.

6:19

Rolling Stone is gathering up a healthy

6:21

collection of contracts, come

6:23

on offers, and promo material, all

6:26

linked to Delta and its associated

6:28

firms, Delta Promotions has

6:30

the next move.

6:34

The imposter groups could have continued caught

6:37

up in trademark claims over the name of the Zombies

6:39

and the Animals for who knows how long, but

6:42

Delta's next act would bring everything

6:44

to a screeching halt. They

6:47

started a fake band. There was

6:49

already kind of a fake band.

6:51

They handle the Animals, the

6:53

Zombies, and the Archies most

6:55

prominently.

6:57

If you don't instantly know the name the Archies,

7:00

you almost definitely know their biggest hit, Sugar

7:03

Sugar. But

7:12

the Archies don't just play music. They've

7:15

also starred in a comic book for the past eighty

7:17

odd years. They

7:20

even have a couple of TV shows. Any

7:22

Riverdale Heads out there.

7:24

Ronnie, you know in your heart I'm right about this.

7:26

It just hurts to admit it.

7:30

Don't you make me say goodbye to you?

7:31

Or Chianrews.

7:34

Apart from the occasional foray into live

7:36

action teenage soap operas, the Archies

7:39

are usually fictional animated

7:41

characters. Juughhead, Betty,

7:44

Reggie, Veronica, and of

7:46

course Archie

7:48

their high school students, and together they have

7:50

a band called the Archies. Archie

7:53

comic dates back to nineteen forty one and

7:56

has had a massive stranglehold on popular

7:58

culture for generations. Never

8:01

was that more true than in nineteen sixty nine.

8:04

People lost their shit when Sugar Sugar, recorded

8:06

by the Archies hit the airwaves,

8:08

like really lost their shit, not just in

8:11

America, all over the world. I implore

8:13

you to go online and see how many countries the Archies

8:15

went to number one. In Okay, it's

8:17

twenty seven. Here in America,

8:20

Sugar Sugar sat at number one for four

8:22

straight weeks in nineteen sixty nine.

8:27

We tend to imagine this era the Vietnam

8:29

era, with a heavy soundtrack full

8:31

of protest songs and mind expanding

8:34

consciousness raising protest anthems Creeden's

8:36

Clearwater Revival, led Zeppelin

8:39

sly Stone.

8:40

We're obtaining a list.

8:41

Of the one hundreds of American prisoners held by

8:43

the North Vietnam Ease. Well, apparently

8:45

the Pentagon has found that.

8:47

The best selling act in America in June of nineteen

8:49

sixty nine was actually a five piece band made

8:51

up of cartoon characters from the Archie comics

8:53

universe. So

8:58

how did a cartoon band end up with the number one

9:00

song in the world. They had a

9:02

really good manager named Don

9:04

Kirshner. If

9:07

Bill Keho knew deep down at

9:09

some point he was going to have to face consequences

9:12

for his imposter band operation, he

9:14

could not have come up against a worse opponent

9:17

than the man who decided to turn the teenagers

9:19

in Archie Comics into the Archies. Kirshner

9:23

got his start in music publishing, helping

9:26

to launch the careers of songwriters and performers

9:28

like Carol King and Neil Sadaka while

9:30

he was still in his twenties. By the time

9:32

he started the Archies, he was a certified

9:34

kingmaker in the music business, with the rolodex

9:37

of world class songwriters in his publishing stable.

9:40

But ironically, it was a different, prefabricated

9:43

band that would make Kershner a music industry legend.

9:48

I had a song in my possession called

9:50

Sugar Sugar, which I felt, after

9:54

I'm a Believer, could be one

9:56

of the biggest songs of all time. And

9:59

I gave him always the money, which they took, and

10:01

I gave him the goal Records played

10:03

him Sugar Sugar.

10:05

Mike and Peter.

10:07

Said, it's a piece of junk. We're never going to do

10:09

this song, Mike proceeded

10:11

to put his fist through the wall at the

10:13

Beverly Hills Hotel. And

10:16

you know, as we say, the rest is history.

10:19

That's Don Kirshner talking about the band

10:21

he helped create, The Monkeys. Don

10:25

picked their songs in the early days of the band. As

10:28

the Monkeys grew more popular, the band

10:30

wanted to write their own songs. Don

10:32

wanted them to sing bubblegum pop hits. When

10:35

the Monkeys passed on Sugar Sugar, written

10:38

by Canadian songwriter Andy Kim,

10:40

Kirshner hired studio musicians to record

10:42

the song. The lead

10:44

vocal was sung by longtime Kirshner hired gun

10:46

Ron Dante. None

10:48

of the people who played or sang on the song are

10:50

credited on the record, It simply

10:53

reads the Archiees. According

10:55

to Tony Wine, the female vocalist

10:57

on Sugar Sugar, Kirshner Peter dozen

11:00

Roses for her services on the most

11:02

popular bubblegum pop song of all time. When

11:30

Delta started a fake Archiees to capitalize

11:32

on the success of Sugar Sugar, just

11:34

as they'd done for Time of the Season, they

11:37

crossed an invisible line while

11:40

in theory, it should have been easier

11:42

to duplicate a group with no actual members.

11:45

That was not the case. The Zombies

11:47

and the Animals were just bands, but the

11:49

Archies were a business, a

11:51

big business. Delta

11:53

found a piece of the Archie's action in Boston,

11:56

Massachusetts.

11:58

Let's put you're a little bit closer to the micro

12:00

from sir, should lean forward.

12:03

Yeah, we called it eating

12:05

the mic. My

12:08

voice should be prominent now, Okay,

12:12

my name is Joanne lef

12:15

I'm a SAG actor, and as

12:18

a SAG actor, my name is Joanne

12:20

rolt r Alt.

12:23

I've been looking for Joeanne for a long time. Today.

12:27

She's an actor and jazz singer living in New York

12:29

City. Back in nineteen sixty

12:32

nine, she was Veronica in the

12:34

touring version of The Archies assembled

12:36

by Delta Promotions. She

12:39

ended up in the Archies for a very teenage reason.

12:43

She wanted to make a guy jealous.

12:45

I fell in love with this guy who couldn't see

12:47

me for dust. He wanted this blonde

12:50

buxom whatever, and he was

12:52

from Rutgers and I was at Boston University.

12:55

So I said, I'm going to become a star. I'm

12:58

going to become famous, and then he's going to be very

13:00

sorry.

13:01

On campus at Boston, you Joe

13:03

Ann learned that a local folk rock group called

13:05

Bluesberry jam Or holding auditions

13:07

for a female singer.

13:09

I went on this audition, and

13:13

they wanted me to sing Somebody

13:15

to Love? Don't you want Somebody

13:18

to Love? You know the Gray Slick

13:21

Jefferson Airplane thing that was happening

13:23

in the I guess sixty eight, sixty nine,

13:25

whatever it was. I didn't know the song.

13:27

I was listening to Laura Nero

13:30

and Judy Collins and you know other

13:32

people.

13:33

Heavy rock and roll music like Jefferson Airplane

13:35

wasn't joe Anne's thing still isn't.

13:38

But she wanted the job. She had

13:40

a guy at Rutgers to impress.

13:42

It was my turn.

13:43

I got up there, I bent my knees a little bit,

13:45

grounded myself and sang

13:47

it with all I had, shaking the mic because I

13:49

was nervous. They cleared

13:52

the room and said, who are you? You

13:54

didn't know this song and you sang it like that.

13:57

There was no second audition. She

13:59

killed it. Joeanne was now the lead singer

14:02

in a rock band.

14:03

They hired me on the spot, and that

14:06

was the Bluesberry Jam.

14:09

They played all over Boston, becoming a favorite

14:11

of the college age class, cutting hippie set.

14:14

We would be at the Boston Common, which

14:17

was, you know, sort of a big lawn

14:21

that was like, you know,

14:23

endless the day of the locust

14:26

of people, and I would look

14:28

at them and they would say, go ahead, go ahead, go

14:31

on, Joe. And so my first song

14:33

singing with them was people get Ready

14:36

by the Chambers Brothers. And then

14:38

I was doing led Zeppelin and all kinds of things

14:41

that I knew nothing about. I just listened

14:43

to the record and sang it.

14:47

My coincidence, Bluesberry Jam

14:49

just happened to feature a tall blonde guy, a

14:52

short guy with olive skin, a thin, dark

14:54

haired guy, and a beautiful blonde woman.

14:57

Now they had Joe Anne a brunette

15:00

front.

15:05

We all looked the part of the Archies,

15:08

but I wasn't thinking about that.

15:10

Then a few months

15:12

into her tenure in Bluesberry Jam, an

15:14

offer came their way.

15:16

What happened was Craig, who

15:18

was the drummer. He

15:21

told us one day that we're going

15:23

to audition for a

15:26

higher paying job. He didn't

15:28

say very much about it. He just said, we have to learn

15:30

certain songs, bubblegum songs,

15:33

silly but cute. But I didn't care.

15:35

I just loved singing.

15:37

After getting their set in shape, they piled into a

15:39

van and headed west to their big audition,

15:42

an audition being held by Delta

15:44

Promotions.

15:45

We went to Detroit and we got the job.

15:48

I knew for sure that Delta

15:50

Promotions were the business

15:53

people behind our

15:56

work, and we found out that we were going to

15:58

be the touring of the Archies.

16:02

Because the Archies didn't actually exist, it

16:05

made sense to a nineteen year old Joanne that they'd

16:07

need a touring version.

16:10

You know, I didn't think anything of it.

16:12

I knew that I had nothing to do with the records,

16:14

and we all did.

16:21

Joanne got her wish for stardom. She

16:23

became the singer and one of the most popular acts

16:25

on the planet sort of.

16:28

We started touring the country as

16:30

the Archies, and we were elevated

16:33

to like being stars. We

16:35

would travel on a Volkswagen bus or

16:37

we would fly or whatever it is, and we stayed

16:39

in holiday inns and we

16:42

would be on stage whenever there

16:44

was a gig, and it was all children. Baronica,

16:47

I love you. It was like, I'm

16:49

in Hellica. I

16:53

have a resounding in my ear. Baronica,

16:56

Baronica, Baronica, we love

16:58

you, we love you, and I would say, just

17:01

shoot me now. I

17:04

kept saying to my bandmates,

17:07

these kids are like nine and ten. We're

17:09

in hell. We're like on

17:12

an island with children. We love.

17:17

Joe Anne's Archies played for huge crowds

17:19

and mostly children and their parents.

17:22

She was soaking up the spotlight and giving every

17:24

performance her all. It was a new experience

17:26

for Joanne and her bandmates to be traveling all

17:29

over the country playing music and

17:31

getting recognized on the street or in the grocery

17:33

store.

17:34

We traveled around and through

17:37

all the adventures and blow into

17:39

a city and they would be all these posters

17:41

the Arches are here. We looked like

17:43

each of the characters to a tea, which may

17:46

have been the reason why we got the job. We

17:48

would go shopping and people say, oh,

17:51

yeah, the archiesus. So it was

17:53

fun, and we were getting

17:55

paid one thousand dollars a week,

17:58

so that's two hundred dollars a person

18:01

per week.

18:02

They were living the lives of rock stars. I'll be at

18:04

fictitious ones.

18:05

Every one of us in the group were good

18:08

musicians, and what we did

18:10

as the Bluesberry Jam was good

18:13

stuff. But what we did with the

18:15

as the Archies was very

18:18

bubblegum and very bang

18:20

Shang lang and Scooby Doo and

18:23

please don't touch my guitar, bicycles,

18:26

roller skates and you and of

18:28

course the one and only Sugar Sugar,

18:30

which was number one in Malaysia. It

18:32

would not die after a show.

18:35

We would go to the hotel, it

18:37

was still number one, playing everywhere,

18:39

and we were like, God, this song,

18:42

what is it with the song?

18:45

Delta was very specific in their instructions

18:48

for the Archies, no deviations,

18:50

just show up, play the hits and get

18:52

out of town.

18:53

We were told to sing just like the record,

18:56

so we weren't permitted to do any improvisation,

19:00

and you know what is really

19:02

creative music. We weren't permitted to change

19:05

the rhythm. I would have loved to

19:08

have been able to let go and just

19:10

really make music because we were musicians,

19:13

you know, we just weren't permitted to and

19:16

the audience loved it just as it

19:18

was.

19:20

The audiences may have loved it, but Rolling

19:22

Stone didn't. When Ben Fong tore is

19:24

this story on Delta promotions dropped, the

19:27

Archies were singled out.

19:29

It blew the lid. It blew the lid off of

19:31

this.

19:33

The Rolling Stone story brought Delta's Archies

19:35

to the attention of Don Kirshner and his team

19:37

of lawyers, and the Gigs dried up before

19:40

they disbanded. Joe Ane's Archies try to last

19:42

ditch attempt to keep the band together

19:45

and to make the outfit above board.

19:47

Harry emanation Reggie.

19:50

He told me, he said

19:53

we wanted to continue,

19:56

and Craig had spoken to I believe

19:58

it was Don Kershner to try and have

20:01

him legitimize us, and we would split the

20:03

proceeds with him. He'd make money,

20:05

and we would make money, and we would still be

20:07

working. Well, not fifty years later, but

20:09

we would have worked for longer. I

20:12

had quit by then, you

20:14

know, after a while being on the road,

20:17

it just had lost its luster

20:20

for me. But the thing is that Craig

20:24

had evidently approached Don Kirshner and

20:26

said we ought to do this together. Don

20:29

Kirshner, as the story goes, he said,

20:32

if you sing one more song

20:35

under the name the Archies, I

20:37

will sue you. He got crazed.

20:40

He went off and that was the end of that, so

20:43

they broke up the band. I

20:47

had fun, and I love singing.

20:49

I've always loved singing. I

20:51

mean, I don't know what went on with other groups,

20:54

but it wasn't a warm family

20:56

type atmosphere.

20:59

In the years after her stint in the Touring Archies,

21:02

Joanne's time as Veronica continues to follow

21:04

her around, especially Sugar Sugar.

21:07

When I moved to New York, friends of mine

21:10

would pull me up on stage and

21:12

ask me to sing the song and they

21:14

would do harmony with me. And

21:17

after a while I didn't even remember the lyrics

21:19

because that would that waned. But

21:22

you know, I always know the beginning to tell

21:24

people, you know, do you know the song Sugar

21:27

Sugar d D D dah

21:31

honey honey, And

21:34

by then they know yeah, oh yeah, yeah yeah,

21:36

and that's all I have to sing.

21:50

What does Joe Anne think of her time in the Fake Archies

21:52

now fifty five years later,

21:55

Well, when you're.

21:56

When you're nineteen or twenty

21:58

years old, and you are a singer,

22:01

and you know that you're a good singer, and

22:03

you have an opportunity to do it professionally

22:07

and you understand that it's not that

22:10

you were not involved in the record making,

22:13

but that's the way business runs. And

22:16

the takeaway is business

22:20

is not always what it

22:23

seems to be. Delta

22:25

Promotions didn't care what the kids thought at

22:27

all. Just be there, you

22:29

know, And so business and entertainment,

22:32

it is show business and

22:36

you have to really love what you do, no matter what

22:38

you do.

22:46

Joe Anne was a theater kid, joined

22:49

a folk rock band and ended up becoming Veronica

22:51

in the Archies. She

22:55

was suffering from a broken heart, so she

22:57

jumped at a chance to become a rock star. For a while,

23:01

Joanne and her Archie bandmates would return to Boston.

23:04

She still continues to perform today and is most

23:06

likely the only woman in history to

23:08

walk on stage and perform as Veronica from

23:11

the Archies. After

23:13

the break, Don Kirshner dismantles

23:16

Delta Promotions. On

23:34

June twelfth, nineteen seventy, Don

23:36

Kirshner and his army of lawyers filed

23:38

the civil lawsuit claiming trademark

23:41

infringement on his intellectual property against

23:43

Delta Promotions and the Fake Archies

23:45

group. Kirshner threw the book

23:48

at Delta a month and a

23:50

day later, to avoid a lengthy and

23:52

likely very costly trial, a

23:54

settlement was reached behind closed doors by

23:57

both parties lawyers. Kirshner

23:59

had the kind of money Keyho could only dream about.

24:02

It was never a fair fight. Face

24:05

with the might of Kershner Enterprises, Keyhoe

24:08

folded his imposter bands operation and

24:10

quit the music business. Delta

24:12

Promotions was done. Kirshner's

24:19

legal victory over the fake archies didn't

24:21

even make it into the pages of Rolling Stone. Delta's

24:25

band stopped touring and returned

24:27

to Texas in Boston and

24:29

Michigan. Delta

24:32

Promotions a little music management

24:35

company in Bay City, Michigan that tried

24:37

to break into the business with a bunch of fake bands.

24:40

Delta would become a footnote, a name

24:42

and address printed on a promotional photo.

24:45

The four guys from Texas who called

24:47

themselves the original Zombies,

24:52

Delta's roster of bands played for thousands

24:55

all over the country. They played

24:57

on TV, They hustled, They

24:59

packed their gear into vans every night, traveling

25:02

from city to city, each one selling

25:04

Keyho's dream to the world. The

25:08

Michigan Zombies who entered the Delta

25:10

Promotions roster as a promising young band

25:12

called the Excels, were torn apart

25:14

by the accusations against them in Rolling Stone.

25:17

They disbanded shortly after their Zombies tour

25:19

and left Michigan, never able to outrun

25:22

their time borrowing someone else's band name. That's

25:29

how it went for Mark Ramsey too. The

25:31

Zombie's tour would be his only time out on the road

25:34

living the rock and roll life. His

25:36

dream faded, only showing up

25:38

occasionally when he was alone in a

25:40

late night guitar solo. Seed

25:44

Meta, the Texas blues pioneer

25:46

and the guy who brought the Texas Zombies together, stayed

25:49

out on the road, living hard, before

25:52

dying of cancer at just thirty years of age. Seed's

25:56

life was cut short, but the music

25:58

he left behind can still be found if

26:00

you look hard enough. The

26:11

bass play the singer in the Texas Zombies,

26:13

Dusty Hill, passed away in twenty

26:16

twenty one. He held down the low

26:18

end in zz Top for fifty one years. It

26:20

became a rock and roll legend. The

26:23

only living Texas Zombie, Frank

26:25

Beard, remains unavailable for comment. Zz

26:29

tops longtime publicist Bob Merriless,

26:32

something of an industry legend himself, forward

26:35

in my interview request to Frank, Bob

26:38

told me not to get my hopes up. He hasn't

26:40

gotten an email from Frank in

26:42

twelve years. Bill

26:56

Kehoe was a big fish in a tiny pond.

26:59

He had a part Jim Atherton, but

27:02

Big Jim was the same age as the bands they managed

27:05

on the Delta roster and worked

27:07

for Sun Amplifiers and Smoked Pot.

27:10

Jim Atherton isn't named at any legal proceedings

27:12

that followed Delta's collapse. According

27:16

to friends, Atherton left

27:18

Michigan and One on the road working for

27:20

Son and helped build the sound system

27:22

at Woodstock. Bill

27:25

Kehoe was left holding the bag. He

27:28

was a well respected local businessman who

27:30

raised money for charity and ran for public office.

27:33

He organized Bay City's first Saint Patrick's

27:35

Day perade. By nineteen

27:37

seventy, he was a forty year old music

27:39

manager, called a fraud on the front page

27:41

of Rolling Stone, and had just been

27:44

sued by Don Kirshner, one of the titans

27:46

of the entertainment industry. The

27:49

world of rock and roll seems like an odd choice of employment

27:51

for a guy like Bill Kehoe. He

27:54

tried to follow a playbook for success that dates

27:56

back to the beginning of the American music industry,

27:59

one that was rich by guys like Don Kirshner.

28:05

Bill Kejo's messed up dream of managing

28:07

imposter bands lasted less than two years.

28:10

He didn't know it at the time, but he briefly

28:12

managed two future rock and roll legends, and

28:15

he impacted the lives of dozens of young musicians

28:18

hungry for their big break. Keijo

28:20

saw rock and rolls a business from

28:24

his teen dance club in Bay City. He

28:26

helped launch careers and helped destroy

28:28

them. Did

28:31

Bill Keyho have any regrets about all

28:33

this? That's

28:35

one question with a definitive answer.

28:39

On June fourteenth, nineteen seventy, two

28:41

days after Don Kirshner filed suit against Delta

28:43

Promotions, a headline appeared in

28:46

the Bay City Times ban

28:49

promoter quits blasts DJs

28:52

mafia. Already

28:54

in the opening quote, Keyho was

28:56

bringing the drama.

28:58

If you ever hear of Dell to promotions,

29:00

booking and managing groups again, you can

29:03

turn over in your grave because we're

29:05

through.

29:06

That's it.

29:07

I'm finished with this business. The

29:09

reason he was done well, you

29:12

just don't succeed by being honest.

29:15

Keiho agreed that his Zombies, Animals and

29:17

Archies were not the same as the famous bands

29:20

with those names, but said Delta never

29:22

represented to anyone at any time that

29:24

these were the same groups who made

29:27

those records.

29:28

Well, obviously Delta wasn't super above board.

29:31

Keijo was enraged at the dishonesty

29:34

of Rolling Stone, who's reporting

29:36

he called.

29:37

A lie printed by a group

29:40

of people who couldn't get me to give them

29:42

twenty five percent of the archies, so

29:44

they decided to put me out of business.

29:48

Keho claimed it was local promoters who

29:50

misrepresented who the bands were, and

29:52

Delta merely took ten percent cut for any bookings.

29:55

What's more, he claimed in two

29:58

years, I lost twenty thousand dollars

30:00

in the business. One of the groups

30:02

wrecked a bus we bought for them, and some didn't

30:05

pay back the money we advanced them. He

30:07

then launched into a rant about how DJ's

30:09

were immoral scam artists, bands

30:11

were ungrateful opportunists, and the

30:13

mob were taking over music. He

30:16

had some memorable closing words for the

30:18

readers of the Bay City Times.

30:21

Regardless of what others, what have you think?

30:23

At least I can quit knowing I stayed

30:26

honest.

30:30

The true story of the Fake Zombies started

30:33

in Bay City, Michigan, when Bill Keho

30:35

borrowed a song and a band name. He

30:38

found four guys from Texas and then

30:40

five guys from Michigan to live out

30:42

this rock and roll fantasy, and

30:45

he borrowed the name The Animals and the Archies.

30:50

Key Hoosts stayed honest in

30:52

a game where truth had no value.

30:55

He saw the bands he was copying as ungrateful

30:57

and the young bands he created as pawns

30:59

to be shuffled around the country if he

31:01

thought of them at all. In

31:05

nineteen seventy, two years

31:07

after the Fake Zombies controversy faded,

31:10

Bill Keyjo made one more attempt to attach

31:12

his name to the rock history books. You

31:15

see, there was another young band on the Delta roster

31:17

during those halcyon days of the late sixties.

31:21

They were called Terry Knight and the Pack.

31:24

Terry Knight in the Pack would turn into Grand

31:27

Funk Railroad, one of the biggest Michigan

31:29

bands of all time. Grand

31:32

Funk ruled the airwaves in the seventies and sold

31:34

millions and millions of records. You've

31:36

definitely heard their music like this their

31:39

number one single, We're an American Band.

31:51

Bill Keho felt his time managing a

31:53

young Terry Knight in the pack entitled

31:55

him to a piece of the action. A

31:57

Bay City Times headline from July fifteenth,

32:00

nineteen seventy two reads Bay

32:02

City ensues rock band for fifty six

32:04

million in damages, the

32:07

modern equivalent of just under half

32:09

a billion dollars.

32:18

Jams.

32:26

The True Story of the Fake Zombies is a production

32:28

of Talkhouse, Nevermind Media, and

32:30

iHeart Podcasts. Executive

32:33

produced by Ian Wheeler, Melissa

32:35

Locker and Daniel Ralster. Produced

32:37

by Anna McLain and Nick Dawson. Written

32:40

by Daniel Ralston. Score,

32:43

original music and additional audio engineering

32:45

by Robin Hatch. Additional audio support

32:47

by Cooper Mall in Los Angeles and

32:49

Scott Baker in Bay City, Michigan. A

32:52

special thanks to Gary Johnson of the Michigan

32:54

Rock and Roll Legends Museum in Bay City. We'll

32:57

be back with two bonus episodes in the coming week.

33:00

Listen to the True Story of the Fake Zombies feed

33:02

wherever you get your podcasts. The

33:05

True Story of the Fake Zombies is a production

33:08

of iHeart Podcasts, talk Hosts

33:10

and never Mind media. For more podcasts

33:12

from iHeart Podcasts, visit the iHeartRadio

33:15

app, Apple Podcasts, or wherever

33:17

you get your podcasts.

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