Episode Transcript
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Hey Prime members, you can binge all 10
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episodes of Think Twice Michael Jackson
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ad free on Amazon Music Download
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the app today
0:09
My name is Nelson Hayes and
0:11
for a while I got blessed
0:14
to work with Michael Jackson as a
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personal assistant when
0:18
Michael was Expanding
0:20
his magic on January 27th
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1984 Nelson Hayes was helping Michael Jackson and
0:26
his brothers on the set of an ad for Pepsi
0:30
The Jacksons had signed a 5.5 million
0:32
dollar contract with Pepsi to sponsor
0:34
their upcoming tour Even though Michael
0:36
refused to drink soda.
0:38
He loved watermelon juice and
0:40
wheatgrass He wasn't
0:42
a soda person nothing against Pepsi But
0:44
you know a deal's a deal
0:47
on the day of the shoot Hayes found himself
0:49
taking on an unexpected role
0:51
Mike comes up to me said Nelson the
0:54
pyro guys a little bit off-timing
0:56
I want you to cue him when the pyro
0:59
supposed to go off.
1:00
It sounded simple enough So
1:03
I talked to the pyro guy I was just
1:05
gonna tap him and the minute he saw my
1:07
hand moving to tap his shoulder
1:10
He was the hits the fire button on the pyro
1:14
The commercial was staged as a Jackson's
1:16
concert the audience of extras
1:19
fawned in anticipation The brothers
1:21
gussied up readying themselves to go on
1:23
stage and Michael was set to make
1:25
his grand entrance at the top of a staircase
1:28
in a dazzling costume His shirt
1:31
jacket and his now signature
1:33
single white glove were all covered
1:35
in sparkling embellishments After
1:38
a flash of pyrotechnics Michael
1:40
would dance his way down the stairs to join
1:42
the other
1:44
They had already done several takes and
1:46
launched into another all of a sudden
1:49
the power of guys said he's on fire he
1:51
hollers that out and Just
1:54
everybody runs on stage and
1:57
plummets Mike and gets the fire out
1:59
It's like bedlam.
2:02
It's just bedlam there. Michael
2:08
was rushed to his dressing room.
2:10
Hayes, who had worked closely with Michael for years,
2:13
paced back and forth.
2:15
A few minutes later, a security guard told
2:17
him that Michael was asking for him. So
2:21
I go in there and I see
2:23
the burn wound. It's
2:26
about the size of between a quarter
2:28
and a half dollar at the top of his head.
2:31
And it was like bubbling. You know,
2:33
you throw a pat of butter on the skillet,
2:36
those kind of bubbles.
2:38
It was just horrendous, horrendous.
2:43
I was like, wow man, you're going to be okay? And
2:46
he said something like, I hope so. Yeah, I'll be okay. He
2:48
said, but I need you to go get
2:50
my glove. And I looked at him. I
2:52
said, excuse me? And he said,
2:54
I need my glove.
2:57
And so I go back
2:59
out on the stage and the glove
3:01
is somewhere on the floor. And
3:03
I bring it back to him and he
3:05
starts smiling again.
3:07
Michael's sequined white glove had recently
3:09
become a staple of his image. And despite
3:12
being seriously wounded, he was intent
3:14
on staying in character. He
3:16
was thinking, okay, the paramedics are coming to get me. There's
3:19
going to be a bunch of cameras and media
3:21
outside. I got to do something
3:24
to let the fans know how I'm going to be okay. Jackson
3:27
managed a weak wave to his fans as he
3:30
was carried into the burn unit of the Brockman Medical
3:32
Center in Los Angeles last night. Sure
3:34
enough, in the footage that appeared in news reports
3:37
about the incident, the captivating images
3:39
of a body on a stretcher being wheeled
3:41
out of the ambulance and into the hospital, mostly
3:44
covered with a mustard yellow blanket,
3:46
except for a single hand
3:48
wearing a sparkling glove reaching up
3:50
from the stretcher. How could you even
3:52
think of something like that when you've just
3:54
been in an accident? He's
3:58
the true showman.
4:01
On February 7th, 1984,
4:03
just 11 days after the Pepsi accident,
4:06
CBS Records threw a party honoring Michael's
4:09
entrance into the Guinness Book of World Records
4:11
for the album sales of Thriller. The
4:13
invitation was printed on a single white
4:16
glove.
4:19
In this episode, Michael Jackson masterminds
4:22
his own coronation as the King of Pop.
4:25
But not before he becomes known in the tabloid
4:27
media as an eccentric and a weirdo.
4:30
Labels that threaten to consume him and
4:32
call into question whether all publicity
4:34
really is good publicity. I'm
4:37
Leon Nafak. And I'm Jay Smooth.
4:40
From Audible, Wondery, and Prologue
4:42
Projects, this is Think Twice,
4:45
Michael Jackson, Episode 7, Leave
4:48
Me Alone.
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A-N-G-I dot com.
5:30
Sally, Jesse, and Rush Limbaugh out
5:32
for each other's blood. Oh, wow. Dynasty
5:35
co-stars snubbed as Heather Locklear
5:37
weds.
5:40
Outrageous rules allow
5:42
anyone to drive a school bus. Wokeness
5:45
already out of control.
5:48
So Jay and I are sitting here in the
5:50
studio with a stack of National Enquirers. They're
5:52
all from the 80s and early 90s and we've
5:55
been slowly acquiring them and building up this
5:57
pretty massive collection as we've been working on the show.
5:59
And I gotta say, honestly, looking at
6:02
these, I really get the appeal. These covers feel
6:04
like a sort of earlier form of the
6:06
clickbait internet headlines we're also used
6:08
to now. They're like provocative,
6:10
dare you to believe it or not, headlines next
6:12
to all these colorful celebrity photos
6:15
and no actual text or news
6:17
to be found.
6:18
And what's interesting is that while there were
6:20
always rumors going around about Michael
6:22
Jackson, starting from when he was a famous
6:25
little kid, he doesn't seem
6:27
to have been much of a target for the National Enquirer
6:30
until after Thriller.
6:31
Yeah, the success of the Thriller album just made
6:33
him so much more famous than he'd
6:35
ever been. He became one of the most famous
6:38
people, not just in America, but on the planet.
6:40
People had always compared the Jackson 5 to
6:42
the Beatles because of how intense their fans were.
6:45
But Michael mania meant that all that fan
6:47
attention was now being focused on one
6:50
person. I think he's so sexy
6:52
and so gorgeous. He is just beautiful.
6:55
He is just beautiful. He's the sexiest
6:57
man I've ever met in
6:59
my whole entire life. Yeah, you know, it wasn't just young women
7:01
that were over the moon for Michael either. I can remember
7:03
him being the epitome of coolness
7:05
for everyone in my grade school cohort. We
7:08
all wanted his jacket, the glove, his moves.
7:11
That was the swagger you wanted to have.
7:13
I mean, it seems like everyone, including the
7:15
adults reading the National Enquirer in the grocery
7:17
store line, they were all curious
7:19
about him at this point. And the interest
7:22
was piqued by the fact that around 1984, Michael
7:25
had pretty much entirely stopped doing formal
7:28
interviews.
7:29
Michael's manager at the time, Frank DeLeo,
7:31
has said that he got the idea from Elvis's
7:33
manager, the Colonel.
7:35
Elvis didn't do interviews, so neither
7:37
would Michael.
7:38
And the result was that fans like myself
7:41
were kind of starved for information about
7:43
Michael, which I think was partly the intent.
7:46
He also basically stopped going out in public
7:48
at this point so people were eager to see
7:50
any glimpse of him they could get. And
7:53
when Michael was seen out and about, he
7:55
was usually doing these sort of eccentric things.
7:58
For example, the date on this issue.
7:59
is June 19, 1984. The
8:03
headline says, Michael Jackson's
8:05
Wacky Friendship with Young Webster Star.
8:08
Now, Webster was a hit family sitcom,
8:11
and its young star was Emanuel Lewis,
8:13
a 13-year-old boy who looked even
8:15
younger. And the picture on
8:18
the cover of this issue is a tight shot
8:20
of Michael wearing a sequined blue jacket
8:22
and a gold sash.
8:24
He looks like a cross between a military commander
8:26
and a circus ringleader. Yeah, that pic is
8:29
actually from the 1984 Grammys
8:31
a few months earlier, where Michael took
8:33
Brooke Shields as his date.
8:35
But he also brought Emanuel Lewis
8:37
and carried him around all night like he was a
8:39
toddler. And in the National Enquirer,
8:42
the stunt was played as a sort of third wheel
8:44
situation where an unnamed source
8:46
had Brooke Shields telling Michael, I
8:49
guess I have to get used to this if I want to go
8:51
out with you. But it sure is hard to explain
8:53
why there's always the three of us.
8:57
So this is one of those things that in hindsight
8:59
makes you cringe a little, or at
9:01
least feel like surely people must have
9:03
thought something strange was going on with
9:06
this friendship. But honestly,
9:08
it's pretty hard to tell what people were thinking
9:10
at the time. Like there certainly wasn't
9:12
any public speculation about anything
9:14
inappropriate taking place. And it's
9:16
worth saying that Emanuel Lewis himself has
9:19
repeatedly said in interviews as an adult that nothing
9:22
sexual ever happened between him and Michael.
9:25
But that doesn't mean that it wasn't a bizarre
9:27
spectacle in the moment, especially
9:29
for people who had watched Michael grow up in
9:31
front of their eyes.
9:32
I can just imagine that processing
9:35
this evolution from little kid Michael
9:37
to grown up in a tuxedo,
9:40
thriller Michael to now
9:42
where you had this adult who was wearing
9:44
a military uniform and carrying
9:47
a child around like an accessory, just
9:50
had to be a lot to take in. And at
9:52
that time, we were grasping for anything
9:54
that would help us make some sense of what
9:56
Michael was growing into. So I
9:58
can understand the attraction to what
9:59
what the Inquirer was offering. The
10:03
only person we have to think about is the reader. It
10:05
was the reader, the reader, the reader. Now,
10:08
you'd say, how do you really know what the reader wants? Well,
10:10
it took years, but you could tell by
10:13
the stories that sold better. The Inquirer
10:15
was almost all sold copy by copy by
10:17
copy.
10:18
This is Ian Calder, a fixture at the National
10:20
Inquirer for more than 20 years.
10:23
As a top editor at the paper, Calder was
10:25
single-minded in his pursuit of a great headline.
10:28
I always looked for the gee whiz factor. You
10:30
want people to stop saying, oh my gosh,
10:33
who knew that that was there?
10:36
Born and raised in Scotland, Calder
10:39
came to the US to work for the Inquirer at a moment
10:41
when its popularity was exploding. What's
10:43
the largest selling news weekly in America?
10:46
It is a news week, it isn't even time anymore.
10:48
In first place is the self-proclaimed
10:51
news weekly, the National Inquirer,
10:53
the one you can buy for 30 cents at the checkout counter
10:56
of your supermarket. So one
10:58
thing that's worth saying is that a lot of people assume
11:00
that what's in the National Inquirer week to
11:02
week is made up from whole cloth.
11:05
And I think that's because the Inquirer has sort
11:07
of gotten lumped in with some of the other tabloids
11:09
you tend to see next to it in the checkout line. Like
11:12
the weekly world news, for example, which skews
11:15
more towards the absurd, with stories about bat
11:17
boy and aliens coming down to Earth. Calder
11:20
made sure to tell us that the Inquirer was
11:22
different, that they fact-checked everything,
11:25
and that they did not pay people for stories.
11:28
However, what we did is
11:30
we paid them for tips. Now, the
11:32
other mainstream media hated
11:35
us for that because they said it would make people
11:37
lie. But we still had to go through exactly
11:39
the same way to prove a story, whether
11:41
we paid people or not. Calder
11:44
and his team may have been making their best efforts
11:46
to ensure that everything in the National Inquirer
11:48
was true.
11:49
But the paper nevertheless had a reputation
11:52
for overreach. In 1981,
11:54
they were ordered to pay damages in a defamation
11:56
suit filed by Carol Burnett.
11:58
And over the next several years,
11:59
they settled lawsuits from celebrities including
12:02
Frank Sinatra and Tom Selleck.
12:04
In any case, the paper's appeal did not
12:07
depend on its accuracy. Like
12:09
other tabloids, it got by on a salacious
12:11
sense of fun and an ear for a sticky
12:14
phrase.
12:15
One of the stickiest turned out to be Wacko
12:17
Jacko, a nickname for Michael
12:19
Jackson that is typically credited to The Sun,
12:21
a British tabloid. The
12:24
Sun printed Wacko Jacko in bold type
12:26
on their cover in 1986. In
12:28
its subsequent years, the nickname seemed
12:30
to follow Michael everywhere.
12:32
I remember tabloid headline writers running
12:35
with it with covers like Wacko Jacko
12:37
Backo or Jacko on His
12:39
Backo after he collapsed at a rehearsal
12:41
in 1995. And to me, these headlines were
12:45
generally questionable because I think it's bad
12:47
taste to call people Wacko in most
12:49
contexts, but just referring to Michael
12:52
as Jacko is pretty problematic in itself
12:54
because that Jacko part of the nickname has
12:57
some pretty racist origins.
13:02
Back in the 1820s in London, they had this
13:04
thing called monkey baiting, which
13:07
was kind of like modern day dog fighting,
13:09
but possibly even worse because they
13:11
were pitting fighting dogs against monkeys.
13:14
And there was this one fighting monkey named Jacko
13:17
Macaco, who became sort of a legend
13:19
thanks to his track record of killing the dogs
13:22
he was fighting.
13:23
And after that, Jacko became cockney
13:25
slang for monkeys in general, and eventually
13:27
it became a popular children's toy
13:30
or stuffed animal named Jacko Monkey
13:32
that you could find in lots of English homes from the 50s
13:35
on through the 80s.
13:37
So basically any time someone
13:39
in the British press called Michael Wacko Jacko,
13:42
the first association many people would have had with
13:45
the Jacko part was a monkey. Right.
13:48
Yeah, not great. And there
13:50
are also examples of monkey characters named
13:52
Jacko in some American children's books,
13:54
too. So the association isn't necessarily
13:56
just a British one. It does make
13:58
me think of
13:59
one of the inquirers covers we have in our pile
14:02
here, which is headlined Michael
14:04
Jackson goes ape. Now he's talking
14:06
with his pet chimp in monkey language.
14:09
Yeah, although to be fair, that headline
14:11
is referencing an actual monkey, Michael's
14:14
pet chimp bubbles. Right, and
14:16
in what I would say counts as legitimately
14:18
wacky behavior, Michael carried
14:21
bubbles around with him for quite a while.
14:23
He even once brought him to tea with the
14:25
mayor of Osaka in Japan. Very
14:27
similarly to the way he carried around
14:29
Emmanuel
14:29
Lewis actually, which feels a bit
14:32
icky. We're in that uncanny valley between
14:34
wacky and creepy at this point.
14:40
September 16th, 1986, Michael
14:43
Jackson's bizarre plan to lift 150. A
14:47
plan that includes sleeping in
14:49
a pressurized oxygen chamber, getting
14:52
daily electric shocks, popping 50
14:54
vitamin pills a day, and
14:57
even talking with animals.
14:59
Here, Calder is reading to us from one of the most
15:02
famous national inquirers covers of all time.
15:05
You may be familiar with the photo. It's
15:07
Michael Jackson laying on his side, eyes
15:09
closed in a hyperbaric chamber, which
15:12
if you've never seen one, basically looks like a big
15:14
glass coffin attached to a bunch of machinery.
15:17
It's likely that Michael was introduced to this pressurized
15:20
oxygen chamber after his burn incident
15:22
on the Pepsi set,
15:23
because these machines are often used to help
15:26
burn victims heal. The article in
15:28
the inquirer claims that Michael bought his
15:30
own chamber so he could sleep in it and live
15:32
longer. The strange thing
15:35
is that how we got the story
15:37
was probably the easiest story we ever got in our
15:39
lives. It was like handy to us on a plane.
15:43
One of my editors came
15:46
in to see me and said,
15:48
you'll never believe this, but
15:50
I just got a call from Michael
15:53
Jackson's manager. And he said
15:55
that Michael is sleeping
15:58
in this hyperbaric chamber. and
16:00
he's going to send me a photograph in it.
16:03
Now, there are various accounts of this story
16:06
that slightly vary in their details. But
16:08
the thing they all have in common is that Michael's
16:11
team gave the National Enquirer the photo.
16:14
In exchange for the photo and details about his
16:16
plan to sleep in the hyperbaric chamber, Calder
16:19
says the stipulation from Michael's management was
16:21
at the story run on page one with
16:24
the word bizarre in the headline.
16:26
So the picture came in. And
16:29
I didn't like the picture. You couldn't quite
16:31
see it was Michael Jackson. I mean, it looked like Michael
16:34
Jackson. And the information came
16:36
from the Michael Jackson people, which is obviously
16:38
from Michael himself. But
16:40
I'm afraid of the following, that
16:42
it really isn't Michael Jackson. And then somebody will
16:44
come out and say it's me. It really isn't Michael
16:46
Jackson. So I said, I'm not using
16:48
this. It's too dangerous for us. Tell
16:51
him if he wants us to do it, we've got to get another
16:53
picture. And it better show incontrovertible
16:56
evidence that it
16:58
is really Michael Jackson. They
17:01
went away. They took another picture. They sent us the one
17:03
that ended up on the front page.
17:07
We were very happy until Jackson
17:10
tried to screw us on the Oprah show.
17:12
Ladies and gentlemen, Michael
17:14
Jackson. ["The
17:15
Superman Show Theme"] Calder
17:18
is referring to the primetime interview Michael
17:20
gave in 1993, nearly seven years after the story was
17:24
published. When
17:25
Oprah asked him about the hyperbaric chamber, Michael
17:28
blamed the leak on someone from the photo lab.
17:31
So I'm looking at the piece of technology. I'm touching
17:33
it, feeling it, and decide to just go inside of it,
17:35
just to hammer around. Somebody takes
17:37
a picture. When they process the picture,
17:40
the person who processes the picture say, oh, Michael
17:42
Jackson. He made a copy. These
17:44
pictures went all over the world with this lie
17:46
attached to it. It's a complete
17:49
lie. Why do people buy these papers?
17:51
And it's not the truth.
17:54
Michael, in his usual giddily simpering
17:56
style, tried to say
17:58
that the... This story was an exaggeration.
18:02
And the inquirer were terrible people for treating
18:04
him like this.
18:05
Someone makes it up and everybody believes
18:07
it. You hear a lie often enough, you
18:10
start to believe it. Yes,
18:12
and people make money selling tabloids.
18:14
Now, we were really annoyed at that. So we
18:16
had a gossip columnist called Mike Walker. He
18:19
wrote something in our gossip column,
18:21
setting the record straight. And
18:24
he led his column
18:25
by calling this lying star
18:27
Michael Pinocchio Jackson.
18:30
And he announced
18:32
that his nose was getting longer
18:34
by the minute.
18:36
It does seem reasonable to assume that
18:38
even if Michael himself didn't personally
18:40
send Ian Calder that photo, he
18:42
would have known it came from his own camp.
18:45
I mean, his manager Frank DeLeo was quoted
18:47
by name as a source in the article. According
18:50
to this, Frank DeLeo
18:52
says he and other friends have warned the star
18:54
that the machine may harm or even kill him.
18:57
And we have quotes from him, which he obviously
19:00
allowed us to use. Yeah, I mean, what
19:02
better direct source can you have?
19:04
DeLeo was a larger than life character
19:06
who always had a cigar in his mouth. He'd
19:09
frequently appeared in Michael's stead as a
19:11
sort of public mouthpiece. You see,
19:13
you're the manager, but who's the boss? Michael's
19:17
the
19:18
boss. He's definitely the boss. He makes
19:21
every final decision. He decides on
19:23
the type of dancing we're doing, the
19:25
order of the songs. He has the final
19:27
decision on the staging, etc.,
19:29
etc., etc. Tell me this, what
19:31
are you getting paid for? What
19:34
am I getting paid for? To
19:36
talk to you.
19:38
It's been speculated that DeLeo and Michael
19:40
together led the charge on planting
19:42
stories in the press.
19:44
And it wouldn't really surprise me if Michael had
19:46
a hand in spreading rumors about himself, especially
19:49
since Michael is known to have admired P.T.
19:51
Barnum, an infamous manipulator of
19:53
the press who literally co-owned a circus.
19:56
Michael reportedly gave out copies of Barnum's
19:59
autobiography to the press.
19:59
to DeLeo and several other people close
20:02
to him, saying that he wanted his whole
20:04
career to be the greatest show on earth.
20:07
The Wacko Jacko and the
20:09
Sleeping in the Chamber and all that stuff
20:12
was a giggle.
20:13
We all laughed about it. Me, Frank,
20:15
and Michael, we all thought it was a goof. This
20:18
is Larry Stessel, who you met in our previous
20:20
episode. In the 80s, he was the senior
20:22
vice president of West Coast operations
20:24
at Epic Records and worked closely
20:26
with Michael and DeLeo. They were like children.
20:29
Frank or Michael would come up with that idea and they go, yeah, that's
20:32
a great idea. Let's play in the mud. Mom
20:34
will really be upset. It was all shock
20:36
value. It was all fun and games.
20:39
P.T. Barnum was known for big stunts
20:41
to draw up publicity for his attractions.
20:44
Some of them even involved planting fake news
20:46
stories or scathing anonymous editorials
20:49
to get people talking.
20:51
So taking a cue from Barnum, the hyperbaric
20:53
chamber cover can be seen as a purposeful
20:55
publicity play.
20:57
The issue came out the week Michael Jackson's
20:59
Disney attraction, Captain EO, debuted
21:01
in September of 1986. It's
21:03
a super slick, high-tech rock
21:06
video with state-of-the-art special effects.
21:08
Put on your 3D glasses and you get a
21:10
cross between Star Wars, The Muppets,
21:12
and Beat It.
21:14
The highlight of the Captain EO experience
21:16
was a 3D science fiction film
21:19
written by George Lucas and directed
21:21
by Francis Ford Coppola. The
21:23
futuristic hyperbaric chamber photo
21:25
was a perfect tie-in with the movie.
21:27
And this was not the only instance of a Michael
21:29
Jackson tabloid story arriving just
21:32
in time to promote something. In 1987,
21:35
Michael's team tipped off the New York Daily
21:37
News that Michael had attempted to buy the
21:39
Elephant Man's bones from the Royal London
21:41
Hospital. The Elephant
21:44
Man was a 19th-century Englishman named
21:46
Joseph Merrick, who was known for the physical
21:48
deformities of his body and his face and
21:51
who appeared in a freak show owned by the UK's
21:53
version of P.T. Barnum.
21:56
In 1980, David Lynch directed
21:58
a critically acclaimed film
21:59
the Elephant Man that Michael was known
22:02
to be a fan of.
22:03
But the story of Michael trying to actually buy
22:06
Joseph Merrick's Bones was quickly seized
22:08
upon as fodder for jokes.
22:10
Here's Howard Stern on his radio show calling
22:13
the hospital in London and asking to buy the
22:15
Bones himself. I know that Michael Jackson
22:17
offered a million. I can up that to two million. Please
22:19
don't for fail. It's a medical
22:22
research in the medical college. It's
22:24
not up for bid. But the story about Michael
22:27
trying to buy the Elephant Man Bones wasn't
22:29
just relegated to comedians and tabloids.
22:31
Manager Frank DeLeo was an on the record
22:33
source in stories that appeared in the L.A. Times,
22:36
the Chicago Tribune and the AP.
22:39
As it happened two weeks later, Michael
22:41
Jackson announced a worldwide tour for
22:43
his upcoming album, Bad.
22:46
At this point, PR savvy Michael
22:48
Jackson and his team might have thought they
22:51
were in the driver's seat. But the narrative
22:53
of eccentricity in many ways seems
22:55
to be veering off course. To
22:58
most of us, he's just whacko-jacko.
23:01
And if some of the press are to be believed,
23:03
he eats flowers for lunch and sleeps
23:06
in an oxygen tent, often with a chimp, a
23:09
snake and an alien in a sort of bizarre
23:12
love triangle. There's a story
23:14
in Spin Magazine in 1987 that
23:16
said that Michael, in record time, had gone
23:18
from being one of the most admired of celebrities
23:21
to one of the most absurd. It was
23:23
like Michael had evolved into a living curiosity.
23:26
And as he prepared to put out his first
23:28
album since Thriller, it was
23:30
hard to say whether the world was now
23:32
more interested in the man or his music.
23:48
Michael Jackson stole my girlfriend
23:51
in seventh grade. That
23:54
was my first exposure to Michael
23:56
in the Jackson Five.
23:58
This is Larry Davis. who worked
24:00
in promotions at Epic Records in the 80s. But
24:03
in junior high, he was just a kid with a crush.
24:06
Valerie was cute. I mean, she was cross-eyed.
24:08
I didn't care. She was just cute. And
24:11
one day she came to BAM rehearsal and
24:13
she says, you're not my boyfriend anymore.
24:16
This is my boyfriend. And
24:18
she puts this picture of this guy
24:21
on her music stand that I didn't
24:23
know who he was. Well, she had
24:25
moved from a larger city, so she
24:27
was already exposed to who the Jackson
24:29
Five were, but had made it down
24:31
to Biloxi and Gulfport, Mississippi, yet. So
24:34
I didn't know until a couple of weeks later when
24:36
I heard, I want you back.
24:38
Davis wound up in a corner of the music industry,
24:41
then known as Black Music Promotions.
24:44
When Black Music first started to be
24:46
a priority with the labels, it had different
24:48
names. Like at A&M Records, it
24:50
was called Special Projects.
24:53
Like, whoa. By 1987, Davis
24:56
was working at Epic Records, Michael's label,
24:58
and gearing up to go to the company's International
25:01
Convention. Michael was getting
25:03
ready to release his Bad Album, and
25:05
everyone was extremely excited to have a new
25:07
Michael Jackson record to promote.
25:09
As they set the stage and
25:12
laid out the agenda for the week, this
25:14
was the event that was mandatory, and
25:16
it was the biggest event of the convention.
25:19
The event Davis is talking about was
25:21
the premiere of the new video from Michael Jackson's
25:23
title track, Bad.
25:25
It was a massive production, an 18-minute film
25:28
directed by Martin Scorsese.
25:30
The company set up a screening and a large auditorium
25:33
at the convention center.
25:37
As we got into that room that day,
25:39
it was, OK, this is it. Davis
25:42
was on the edge of his seat with anticipation,
25:45
and so was everyone else. It darkened
25:47
the room,
25:49
and then all of a sudden, you hear the music,
25:51
and it's like, whoa, man. You
25:54
could just feel, Michael, I got goosebumps right now thinking,
25:56
you could just feel the anticipation. Dun,
25:59
dun, dun.
25:59
And I was like, whoa.
26:04
And we're all sitting there. And
26:07
then all of a sudden, the video comes on.
26:10
And we were captivated by the track.
26:12
The choreography was incredible,
26:15
but people are staring and they're
26:17
whispering like, what did he do
26:19
to himself?
26:22
That was like
26:25
the undertones of this great event was
26:27
his appearance. They
26:30
saw Michael's face and they were totally
26:33
shocked. His skin was much
26:35
lighter than it had been the last time they saw
26:37
him. And his plastic surgery was more
26:39
pronounced.
26:40
You could see the dimple in the chin. You
26:42
could see the chin had been
26:45
reshaped. This didn't even look
26:47
like Michael.
26:48
You're talking to someone who goes back
26:50
to the Jackson 5 and I want you
26:52
back. Someone else who's African-American,
26:55
who definitely knows what African-American features
26:57
look like. And this is not the
26:59
person that even we saw
27:02
on the Thriller album.
27:03
This is not the person that we saw
27:05
as a Jackson 5. It's like, this
27:08
is different. And people were staring,
27:10
just trying to figure out what it was. So
27:12
I'm thinking, is this like him dressed
27:15
up in some kind of makeup like he was in Thriller?
27:18
And then after the video, when they started
27:20
showing the images of the album, you're
27:23
realizing this is not just a video.
27:25
This is his new look.
27:30
I was still in my early teens when Bad came
27:32
out. And I remember feeling kind of jarred
27:34
by it as well. There's a shot early
27:36
on in the video where they give you a close up of Michael
27:39
slowly turning his face up towards the camera.
27:42
And it's a pretty striking reveal of how
27:44
much his look has changed since the Thriller
27:46
album. That part of the video is in black and
27:48
white. But you can still tell that Michael's skin
27:50
color is much lighter.
27:52
And that was, I think, when people
27:55
began to question Michael's motivations
27:57
for making his facial features and
27:59
skin color.
27:59
whiter. But I still felt
28:02
fond of Michael and I wanted to judge him kindly.
28:04
Well, when bad came out, in August of 87, the
28:07
press was not as kind. The New
28:10
York Daily News ran a three-day special
28:12
series called The Wizard of Odd,
28:14
with one feature in which they said that Michael was
28:16
on a quest to buy Egyptian mummies and
28:19
that he maintained an Elizabeth Taylor shrine
28:21
in his home. There was also a photo
28:23
spread of Michael's young pals, showing
28:26
Michael at Disneyland with Emanuel Lewis, and
28:28
separately, hanging out with Yoko Ono
28:31
and John Lennon's 11-year-old son, Sean.
28:34
And there was also yet another center spread
28:37
where they had a plastic surgeon break down
28:39
which procedures he thought Michael had done
28:41
since his first nose job in 1979. And where fans
28:45
used to squeal about how gorgeous Michael
28:47
was, now they weren't always so
28:49
complimentary.
28:50
It's a lot of talk. A lot of people are talking
28:53
about it and how foolish he looks. I can't
28:55
see paint all that lace with face that comes out like
28:57
his.
28:59
Despite the strong reaction from some fans,
29:02
Michael claimed in his 1988 autobiography that
29:05
he had only had two nose jobs and added
29:07
a cleft to his chin. He gave
29:09
no explanation for his lighter skin.
29:12
The thing was, after bad came out, his
29:15
skin and his face were all anyone
29:17
could talk about.
29:18
Suddenly, it seemed like Michael's camp
29:21
could no longer get the press to focus solely
29:23
on his weird, but ultimately kind of amusing
29:26
behavior.
29:27
Instead, journalists were interested in things
29:29
Michael did not want to talk about. In
29:32
one of the few interviews Michael did in 1987,
29:35
an Australian reporter asked him about the constant
29:37
stream of media speculation about his private
29:40
life. Does it affect you? Does it hurt you
29:42
to see some idiotic stories that are written? Yeah,
29:45
I'll answer that question if you don't mind. In
29:47
the segment, Michael is sitting right next
29:49
to his manager, Frank DeLeo. And
29:51
he's been answering the reporter's questions himself.
29:54
But at the mention of headlines, DeLeo
29:56
jumps in to answer on his client's behalf.
30:00
If it hurts me, I know it hurts Michael.
30:03
He's a little more blase about it than I
30:05
am. He just sort of shrugs it off. But
30:08
I find it very terrible that some of the
30:10
stuff that is written, particularly
30:12
about plastic surgery, and
30:14
the majority of it, not
30:17
the majority, all of it is garbage and
30:19
rubbish. And, you know,
30:21
if that's the best thing that, that's the
30:23
only thing they can figure out to do with their life, then,
30:26
you know, they're pretty sick people.
30:30
I noticed listening to this clip that what he specifically
30:33
names being hurt by is the talk about
30:35
Michael's plastic surgery, not
30:37
the zany behavior that DeLeo himself
30:40
was possibly spreading.
30:41
Yeah, I mean, to me, it seems like this
30:43
is the flip side of all the fun and
30:46
games that Michael and Frank DeLeo had been playing
30:48
with the media in the years after Thriller.
30:51
Like, looking through the press coverage around the release
30:53
of Bad, there is truly no shortage
30:55
of headlines referencing Michael as eccentric
30:57
or weird. In September of 1987,
31:00
People magazine put out a cover story titled Michael
31:03
Jackson. He's back. He's bad.
31:05
Is this guy weird or what?
31:07
And a month later, People had another
31:10
Michael Jackson cover story, which was an
31:12
exclusive message from Michael.
31:14
And inside, they printed a handwritten letter
31:17
Michael had delivered to one of their reporters on
31:19
tour in Japan.
31:21
And the letter said, shortening things
31:23
a bit,
31:24
like the old Indian proverb says,
31:26
do not judge a man until you've walked two
31:29
moons in his moccasins. I cry
31:31
very, very often because it hurts.
31:34
But have mercy, for I've been bleeding
31:36
a long time now.
31:38
And it's signed MJ.
31:40
Wow. So that's him trying to express
31:43
his pain, I guess, at being covered in
31:45
the way People magazine had been covering him, that he didn't
31:48
like being called weird. That
31:50
seems to be what he's going for. But we
31:53
also know that they've been sort of manufacturing
31:55
or astroturfing this sense of weirdness as well.
31:58
So I wonder how much this is really worth.
31:59
or how much this is kayfabe from Michael.
32:03
I
32:03
mean, yeah, it's so dramatic,
32:05
I mean, I guess, which would be resonant with the
32:07
idea that
32:08
he's acting a little bit here.
32:11
But, boy, I mean, I've been bleeding
32:13
a long time now. That's... It's
32:15
a couple of steps removed from I've Been Dying
32:18
For You Since. Yeah.
32:23
What's been the reaction to the new record? Michael
32:26
Madness. You've heard of Beatlemania. This is Michael
32:28
Madness. Everybody's coming in and buying
32:30
Michael Jackson. People were talking about
32:32
Michael's looks, but they were also
32:35
buying the album. The new look is
32:37
not too hot, but the album is great, and he's a
32:39
great entertainer. All told, Bad
32:41
sold nearly 18 million records in
32:44
his first year.
32:45
Among the pictures on the inside of the Bad
32:47
album sleeve is one of Frank DeLeo and Michael
32:49
Jackson with the caption, Another
32:52
great team.
32:53
Larry Davis again. I remember
32:55
people would make jokes sometimes about how
32:57
he looked, but then all of a sudden, smooth
33:00
criminal. It's like when you see him as smooth
33:02
criminal, nobody's talking about how he looks. They're
33:04
talking about how cool it was that he's doing
33:06
that leaning thing, and how did he do that?
33:09
You know, it's like all of a sudden, Michael's done this
33:11
again. And so people weren't focused
33:13
on those looks back then. A
33:14
lot of that was coming from the mainstream,
33:17
but as far as black people, you
33:19
know,
33:21
our people are kind of funny like that, man. At
33:23
least we were in my generation. No
33:26
matter what, we're going to pull our people close to
33:28
us. We're going to circle the wagon. Hey, man, where's
33:30
Michael? Hey, but he's us. You know, well,
33:32
yeah, OK, that's the way he looks now. But we just remember Michael
33:35
Jackson, man, from the Jackson Five. And
33:37
that's who he grew up with. So if he looks different
33:39
now,
33:40
then that's one thing. But he's still bad.
33:43
This assessment is right in line with
33:45
my memories of discussing Michael back then.
33:48
Amongst black people I knew, we might rag
33:50
on him and have a whole variety of opinions.
33:52
And I don't remember anyone thinking that Bad was
33:55
as good musically as Thriller, either.
33:57
But when push came to shove, that was still our.
34:00
Michael and at least in my circles
34:02
when speaking to the outside world we'd be
34:04
protective of him.
34:05
Meanwhile in the white media it was a
34:08
mixed bag. The very first paragraph
34:10
of Rolling Stone's review of Bad mentioned
34:13
Michael's arrested development, the hyperbaric
34:15
chamber and the elephant man's bones. But
34:18
ultimately they did give the album four out
34:20
of five stars. In 1988 Bad
34:22
was nominated for four
34:24
Grammys but the album didn't take home
34:27
any of the major awards.
34:29
According to one biographer after
34:31
the awards show Michael went back to his hotel
34:33
and cried.
34:34
The biographer says that an unnamed friend
34:36
of Michael's told him he thought the whole
34:39
thing was unfair. It wasn't about the music
34:41
it was about the image.
34:43
Would the academy give record of the year to
34:45
a guy who sleeps in an oxygen chamber? Not
34:48
likely. Nearly a decade
34:50
after that in one of Michael's rare sit-down
34:52
interviews Barbara Walters asked him
34:54
about the conflict that arose from the press shifting
34:57
their attention from the music to the man.
34:59
There is that argument that you rely on
35:01
publicity to sell your albums
35:04
for your concerts. I approve of something
35:06
yes. But you can't always control
35:08
the press you can't approve of everything you
35:10
can't invite them in again and again
35:12
and then at a certain point close them out.
35:15
Yes you can. Well
35:16
how do you do that? What is that line?
35:19
You should not say he's an animal should not say
35:21
he's Jacko. I'm not a Jacko.
35:24
I'm Jackson.
35:28
Not quite a year after the Grammy loss
35:30
DeLeo was quoted in the LA Times saying
35:32
that bad had been Michael's final tour
35:34
and that he was turning his focus towards
35:37
film. Weeks later
35:39
Michael fired DeLeo as his manager. DeLeo
35:42
later said it was never clear to him why he was
35:44
fired but some speculated that Michael
35:47
was disappointed with bad's album sales. Others
35:50
say that Michael fired DeLeo because he wanted someone
35:52
more Hollywood as his manager. Ironically
35:55
DeLeo was shortly thereafter cast in
35:57
Goodfellas. Director Martin
35:59
Squareau
35:59
Scorsese had scouted him on the set of
36:02
the bad video. Another
36:03
letter from that school goes to that kid's house.
36:06
In the fucking oven, you're going to go ahead first.
36:10
The 1990s ushered in a new era
36:13
for Michael Jackson and a new management
36:15
team led by a showbiz veteran named
36:17
Sandy Gallon.
36:18
Sandy Gallon was one of those
36:21
notorious Hollywood manager
36:23
types who screamed at his assistants,
36:25
threw staplers at his assistants, went
36:28
through assistants like water.
36:30
This is Shauna Mangataw. You met her
36:32
back in episode one. She worked at Sandy
36:34
Gallon's office, which gave her a front seat
36:37
to the goings-on of some pretty A-list
36:39
celebrities.
36:39
I would talk to Elizabeth Taylor through the day, Carrie
36:42
Fisher, David Geffen. Every
36:45
celebrity of the 90s
36:48
called in
36:49
all the time. He was a very powerful man,
36:51
and he knew everybody. As they got
36:54
ready to launch Michael's new album, Dangerous,
36:56
at Michael's label, there was a concern that the decade
36:59
of weird was distracting from his actual
37:01
art and that fickle pop radio stations
37:04
would lose interest. So Michael's
37:06
new team embarked on a PR push to
37:08
shed him of his wacko persona
37:10
and refocus his image back on the music.
37:13
Michael was a master, and
37:16
his publicity people were masters
37:18
at keeping him in the public eye.
37:20
This is Abby Konowich. In 1991,
37:23
he was the senior vice president of music
37:25
and talent at MTV. That
37:27
meant he was the liaison between the network
37:30
and musical artists and their managers.
37:33
My job was to do what was best for MTV and
37:36
to be transactional with
37:38
the biggest star we had to make sure we got what
37:41
we needed and gave him what
37:43
he needed.
37:45
Sometime in late 1991, Konowich
37:47
was called to a meeting at Sandy Gallon's office.
37:50
Sandy said, Michael's going to join our
37:52
meeting today. And I said,
37:54
that's good. He
37:57
said, well,
37:58
he's going to ask you to do that.
37:59
something and we
38:02
need you to say yes."
38:05
Konowitsch was intrigued. Galen
38:07
spelled out the request. He would like MTV
38:10
to refer to him when you
38:12
play his videos or when you talk about
38:14
him as the king of pop. First
38:17
reaction?
38:18
That's absurd. Abby, that's
38:20
what he wants. I think you understand
38:22
that, right? Well, I do, but
38:26
it doesn't feel right. It's
38:28
not for you to feel. This is what Michael wants and
38:31
he's going to come in in a few minutes and
38:33
you need to tell him you're doing that.
38:36
When
38:38
he came in, he didn't
38:41
ask, of course. Sandy
38:43
and Jim said,
38:45
so we've discussed this with Abby and they've
38:47
agreed to do it.
38:50
We hadn't agreed to do it. I
38:52
was on the set doing my show. Roger
38:55
got handed a memo that
38:57
said his management said that Michael Jackson
38:59
shall be known as the king of pop from here
39:02
on out. This is Alan Hunter,
39:04
the former MTV VJ you heard from
39:06
in the previous episode. In a memo
39:08
dated November 11th, 1991, VJs
39:11
were told that they should refer to Michael Jackson
39:14
as the king of pop at least twice
39:16
over the next week. I giggled, we laughed,
39:18
we thought, well, this can't be serious. It's like,
39:20
oh no,
39:21
this is from on high. And
39:24
if you don't say the king of pop,
39:26
when you talk about Michael Jackson, then I,
39:29
the producer will get crap for it.
39:34
It was not the first time anyone had ever called
39:36
Michael the king of pop, but it was the
39:38
first time they were required to do
39:40
so.
39:42
Elvis was called the king and Michael
39:44
felt like he had earned the title of
39:46
king. So he did it himself.
39:48
He said, you're going to call me the king of pop. And
39:52
even now people still think of him as the king
39:54
of pop. So I think it worked.
39:56
The
39:56
memo to MTV staffers came 15
39:59
days before the.
39:59
Dangerous album was released. Among
40:02
the many images on the cover of Dangerous is a portrait
40:05
of a man who looks an awful lot like P.T.
40:07
Barnum. There's even a tiny Ringmaster
40:09
character perched on top of his head. If
40:12
Michael Jackson had wanted his career to be
40:14
the greatest show on Earth, it seemed
40:16
that was still the playbook, as Michael continued
40:19
a run of publicity behind Dangerous that
40:21
made him more ubiquitous in the culture than
40:23
he had ever been.
40:25
Good evening. I'm Oprah Winfrey. Bringing
40:28
you a world exclusive interview with the most
40:30
elusive superstar in the history
40:33
of music, Michael Jackson.
40:36
On February 10th, 1993,
40:39
Michael Jackson did something he had been refusing
40:41
to do for over a decade. He
40:43
sat down with a journalist for an in-depth
40:45
interview on live television.
40:48
This is the same interview where Michael refuted
40:50
the story about the hyperbaric chamber you heard
40:53
earlier. Oprah interviewed Michael
40:55
at home at Neverland Ranch, which
40:57
he had purchased the year after bad was released.
41:00
There are
41:00
plenty of mind-bloggling
41:02
areas on this 2,700-acre
41:04
ranch, but where Michael Jackson eats
41:06
and where he sleeps and where he lives
41:09
is quite simply a beautiful
41:11
home.
41:13
The Oprah interview was created
41:15
to humanize Michael. The press
41:18
had made him appear to be something other
41:20
than human. And we wanted people
41:22
to remember, look, this is just a guy.
41:24
This is the guy that we all grew
41:27
up with. This is the little boy that
41:29
we fell in love with, with the Jackson Five. He's
41:31
not Wacko. This is the
41:33
Michael that you knew
41:35
and you've always loved.
41:37
Oprah Winfrey was the biggest talk show
41:39
host on TV, so submitting to this
41:41
interview was, in one sense, an act of
41:43
supreme confidence on Michael's part. But
41:46
it was also an acknowledgement that by this point
41:49
his image had overtaken his music.
41:51
Oprah was representing the rest of us here in
41:53
an ostensibly unfiltered conversation.
41:56
wanted
42:00
to know. She asked them all. Did
42:02
you buy the Elephant Man's bones? No. Were
42:05
you trying to get them? That's another stupid story. I love
42:08
the story of the Elephant Man. It reminds
42:10
me of me a lot. You know, I could relate to
42:12
it. It made me cry because I saw myself
42:14
in the story. But no, I never asked
42:16
for the Elephant Man.
42:19
Where am I going to put some bones? I don't
42:21
know. And why would I want a pair
42:23
of bones? Later
42:25
in the interview, Oprah asked for the backstory
42:28
on another bit of Michael Jackson lore. Where
42:30
did this whole notion that you proclaimed
42:32
yourself king of pop come from? Well,
42:34
I didn't proclaim myself to be anything. I'm
42:37
happy to be alive. I'm
42:39
happy to be who I am.
42:41
King of Pop was first set by Elizabeth Taylor
42:43
on one of the award shows.
42:45
Elizabeth Taylor did call Michael
42:47
the king of rock, pop and soul at
42:49
a 1989 award show. However,
42:52
according to Bob Jones, Michael's publicist
42:54
at the time, the line was written into the speech
42:57
at Michael's request.
42:58
Yes. And then fans, all the stadiums
43:00
that we play, they bring big banners that say the king
43:02
of pop and jackets that say the king
43:04
of pop and t-shirts that say the king. And they chant
43:07
it outside my hotel. King
43:09
of pop, king of pop, king. So it just became
43:11
something that just, you know, that just happens all over
43:13
the world. Happened. Yeah. But you didn't
43:15
tell me to call you king of pop. No.
43:17
Why would I tell you to call you king? I've been calling you
43:19
Michael. Yeah. I think the press loves to just
43:22
start trouble like that. Do not read the tabloids.
43:24
Please. It's crazy.
43:26
It's so interesting to hear him blame
43:29
the press repeatedly in this interview for the
43:31
stories that as we've heard throughout this episode,
43:33
he absolutely was a participant in. And
43:36
this was a live interview where Oprah couldn't
43:38
really fact check Michael on the spot. So
43:41
he basically had an open platform to put whatever
43:43
spin he wanted on the truth. Though I
43:45
will say for most of the interview, Michael did
43:47
come across as very forthcoming and
43:50
raw. And
43:51
he was very willing to engage on Oprah's
43:53
questions even when she got extremely personal.
43:56
And Oprah did get into some pretty intimate
43:58
topics like Michael's Virginia.
43:59
He refused to answer that one.
44:02
His childhood abuse at the hands of his father,
44:04
Joe, and about halfway through the
44:06
interview, what was going on with his
44:08
skin? Let's
44:09
go to the thing that is most discussed
44:11
about you, I think, is the fact that the color of your
44:13
skin is obviously
44:16
different than it was when you were younger.
44:19
Is your skin lighter because you don't like being
44:21
black?
44:22
Michael's answer, which he had never shared
44:24
publicly, was that he suffered from a
44:26
skin condition called vitiligo.
44:29
I have a skin disorder that
44:31
destroys the pigmentation of
44:33
the skin. It's something that I cannot help, okay?
44:37
But when people make up stories that I don't want to
44:39
be who I am, it hurts me.
44:44
Suddenly,
44:44
anyone who had laughed at Michael
44:46
for his appearance had been laughing at
44:48
his pain. It's a problem for me, okay?
44:50
I can't control it, okay? A
44:53
total of 62.2 million
44:55
people watched the Oprah interview. And
44:58
if inspiring them to feel sympathy for Michael
45:00
was the goal, it seemed to work.
45:03
A Gallup poll taken for Entertainment Weekly showed
45:05
that in the wake of the interview, 73% of
45:08
respondents said they found him more sympathetic
45:11
than they did before. I
45:12
think it really helped. Of course, there
45:14
were still people who were making
45:17
jokes and stuff, but at least no
45:19
one could make up their own story about
45:22
him anymore.
45:23
It seemed that Michael had effectively undermined
45:26
the caricature that had taken root in the years
45:28
since Thriller. He had turned the page
45:30
and emerged from the transition stronger
45:32
than ever.
45:42
And here's an envelope. Whenever
45:46
I saw this envelope come
45:48
to my office, I
45:51
got excited because I knew it was
45:53
from Michael or his office.
45:56
Shana Mangatal is showing us a collection
45:58
of ephemera that she sees.
45:59
saved from her days working at Sandy
46:02
Gallon's office. Mangatol
46:04
is a self-proclaimed pack rat and saved
46:06
a lot of old papers from the office, even if
46:09
they just seemed like random memos or
46:11
notes at the time. To her, anything
46:13
having to do with Michael was special.
46:15
This is a memo from the National Enquirer
46:17
that I found maybe a year
46:20
or so ago that I didn't even know I had.
46:23
And it's explaining
46:26
different story ideas for Michael. The
46:29
March 1993 memo Mangatol has pulled out is
46:32
from the general editor at the National Enquirer
46:36
addressed to Sandy Gallon. It was
46:38
written a month after the Oprah interview and
46:40
details a whole list of story ideas
46:42
about Michael, including notes
46:45
on how likely they are to make page one
46:47
of the Enquirer. Mangatol read
46:48
us some of the pitches. It
46:50
was Michael Jackson and Dad reconcile.
46:54
Superstar and his father secretly meet
46:56
in tear-filled reunion. This
46:58
is a good news story. I would need some details
47:01
to make it work. It plays off the Oprah
47:03
interview where Michael says that his dad abused him as a child.
47:06
It would be a healing story.
47:08
The memo goes on to talk through several
47:10
other story ideas. Another
47:13
one was the secret behind Michael's
47:15
turnaround from Recluse to
47:18
Media Star, the dark depression
47:20
that almost destroyed him and how he beat it.
47:24
And
47:25
it says, as we discuss, this is a fascinating
47:27
story. However, I need some angle
47:29
on it, depression, suicidal feelings,
47:32
the darkest moment, some event, something
47:35
that gives the Enquirer a headline.
47:37
One of the ideas being battered
47:39
around, according to these memos, was
47:41
about Michael Jackson's secret girlfriend,
47:44
an idea seemingly designed to neutralize
47:46
some of the blowback around Michael's changing
47:49
skin color.
47:50
In the Oprah interview, people had found Michael's explanation
47:53
of his skin lightening due to vitiligo to
47:55
be sympathetic, and a new girlfriend,
47:56
particularly if she was black, seemed
47:59
to be black.
47:59
seemed like a good way to capitalize on that goodwill.
48:02
According to Mangatal, the person they were
48:04
planning on pitching as his date was
48:07
Mangatal herself.
48:08
And it says, as we discuss, blacks
48:11
everywhere are applauding Michael for
48:13
finally clearing up all the talk and rumors
48:16
about his skin and the misconception
48:18
that he was trying to be white. This romance
48:21
with me, a black person, would further
48:24
that applause. I would need a good
48:26
quality color picture and some details.
48:28
Not only was Mangatal
48:30
a black woman, but she was a complete unknown.
48:33
Mangatal says Michael's managers knew
48:35
she had a huge crush on him too.
48:38
They just thought it would be the natural thing and
48:40
that I would be the perfect person because I was so
48:42
shy and no one knew who I was. And
48:45
I remember them saying, you know, we just have to get Michael
48:47
to go along with it. So after they had
48:49
this meeting with the inquirer, Jim Morey
48:51
came up to me and he said, you know, it's happening, you
48:54
know, it's gonna happen. And I was just
48:56
so excited. I truly thought that
48:58
that's what was going to happen. I
49:00
was gonna be his, you know, public girlfriend.
49:05
But then
49:06
those Chandler allegations happened and it just
49:08
changed everything.
49:20
On the next episode of Think Twice, Michael Jackson,
49:24
would just been through something that had
49:27
never been experienced before. There
49:29
was no commercial validation that
49:33
the next record would sell.
49:35
Controversy attract attention
49:37
because what the hell, you're
49:40
replacing selling by Michael Jackson. All
49:42
right, everybody, no laughing around here. We're
49:44
here to make a small motion picture
49:47
with a pop star called Michael Jackson.
49:49
No fucking around. And that's when
49:51
I started realizing
49:52
that he had a problem. I
49:54
started thinking, is he on drugs?
50:00
or something?
50:02
Think Twice, Michael Jackson, is a production
50:05
of Audible Originals, Wondery, and Prologue
50:07
projects in partnership with Jigsaw Productions.
50:11
The show is produced by Dustin DeSoto,
50:13
Benjamin Frisch, Danielle Hewitt,
50:15
and Sam Lee. It's produced
50:17
and hosted by Leon Nayfach and me,
50:20
Jay Smooth. Our executive producer
50:22
is Andrew Parsons. Our senior producer
50:24
is Sam Lee. Our editor is Diane
50:27
Hotzen. Our director of editorial
50:29
and strategy is Kim Gittleson. Our production
50:31
manager is Persea Verlin.
50:32
The lead producer on this episode
50:35
was Sam Lee. Production assistance
50:37
by Arlene Arevalo and Lauren Vespoli.
50:40
Fact checking by Katherine Sullivan and
50:42
Lauren Vespoli. Audio
50:45
mix by Michael Rayfield of Hair
50:47
Salon Studio. Our theme song
50:49
was composed by Casa Overall and our score
50:51
was composed by Noah Hecht and Dan English.
50:54
Our intern was Noah John. Production
50:56
coordination by Nick Sotomayor
50:58
for Audible and Candice Manriquez-Ren
51:01
for Wondery. Acquisition
51:02
and development by Zach Ross
51:05
at Audible and Shay Simpson at Wondery.
51:07
The show was executive produced by David Blum,
51:10
Anne Hefferman and Christopher John Farley at Audible
51:12
and Morgan Jones and Lauren D. at Wondery,
51:15
as well as Joey Mara, Stacy Offman and
51:17
Richard Perrallo of Jigsaw Productions.
51:20
Producers for Wondery were Claire Chambers,
51:22
Mandy Goranstein and Grant Rutter. The
51:24
head of Audible Studios is Zola Maschericki.
51:28
The head of production at Audible Studios is
51:30
Mike Charzick. The chief content
51:32
officer at Wondery is Marshall Louis.
51:35
Special thanks to Glenn Brunman, Darryl
51:38
Dennard, Tom Freston, Jerry Hershey
51:40
and Barbara Sternick. Sound recording
51:42
copyright 2023 by Audible Originals, LLC.
51:54
You can binge every episode of Think Twice,
51:56
Michael Jackson, ad free on Amazon
51:58
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52:00
Download the Amazon Music or Audible app
52:02
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52:03
And before you go, tell us about yourself by
52:06
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52:08
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52:09
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