Episode Transcript
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0:02
Hello everyone, Kirk here with
0:04
the second of Triple Quest, the three
0:06
Dungeons and Dragons campaign Jason
0:08
Maddie and I recorded earlier
0:10
this year with special
0:12
guest dungeon master Mercer.
0:15
If you haven't listened to episode one, definitely
0:17
go listen to that before this one. I
0:19
mean, live your life, do whatever you
0:21
want, but this episode will make a
0:24
lot more sense if you listen to
0:26
act one first. This is the remainder of
0:28
the session that Jason Maddie and I recorded
0:30
with Matt at our hotel in Los
0:32
Angeles back in June. We recorded the
0:34
finale a couple of months later over zoom.
0:36
And as you're about to hear, act sets
0:38
up a lot of juicy stuff for
0:40
the finale to resolve. So So you finish
0:42
the episode that you're about to listen
0:44
to and you can't wait to hear how it
0:46
all resolves, what happens in the finale,
0:49
Well, you can go listen. If
0:51
you go a member at MaximumFun
0:53
.org/join, you can listen to
0:55
the finale right after you finish
0:57
this episode. I actually just editing it,
0:59
it's almost two hours long
1:02
and the music, the effects, the
1:04
editing, it it might be the most
1:06
complex podcast episode I've ever made. This
1:08
whole project has been a lot of
1:10
fun. So yeah, go become
1:12
a MaxFun member if you want to check that out
1:14
now or just wait a minute. month. run the
1:16
finale in the main feed at
1:19
the end of December because we really
1:21
do want everyone to be able
1:23
to hear this Weird and funny thing
1:25
that we did Okay, it is
1:27
time for our heist to get properly
1:29
underway as Ki, Leon, and Bing prepare to
1:31
breach the magical tower at Thornhold. get
1:34
into it with act
1:36
of Triple Quest. I'm
1:45
Maddie Myers. I'm Jason Schreier.
1:47
I'm Kirk Hamilton. and I'm
1:49
Matthew Mercer, and this is
1:52
Triple Quest. The
2:00
quest. Welcome
2:03
back. So picking up where we
2:05
left off, our heroes, Ki,
2:08
Leon, and Bing, have
2:10
been called back together
2:12
for one more job.
2:14
After years of an
2:16
unsuccessful and tragic end to
2:19
their last thief
2:21
job, they've been called
2:23
together to infiltrate Thornhold,
2:25
a dwarven keep, wherein
2:27
of the towers,
2:29
recently married lady
2:31
of strange mystical
2:33
interests. and we saw,
2:38
somewhat, somewhat
2:41
shitty persona.
2:45
Sort of a jerk. Yeah, threw
2:48
you out of the keep walls you
2:50
had snuck in as merchants and
2:52
attempted to sell her a bunch of
2:54
Chachkies. However, However,
2:56
while both Bing and Key
2:58
have left with the
3:00
cart, looks
3:02
like Leon has successfully infiltrated and as
3:04
they await to re -meet at sundown,
3:07
you hope to find a way to
3:09
sneak your friends in to indeed this
3:11
heist for the bracelet
3:13
of the Emerald Maw. All
3:17
right, so yeah,
3:19
Leon's just hanging out until the
3:21
appointed time. You guys have a a little
3:23
bit more to do, right? Yeah. So
3:25
I guess we're on the cart outside, once we're
3:27
outside of the gates, we're kind of clear of
3:29
the guards view.
3:31
mean, mean, we're not gonna do anything
3:33
suspicious, but we kind of take
3:36
the cart, I guess, to the west,
3:38
like into the, how clear, like like much clearing
3:40
is there between the woods and
3:42
Maybe about or so feet, not too long.
3:44
Is Is there road that goes into
3:46
the woods? There is. The road
3:48
kind of kind of, car, it
3:51
of forks towards the fortress then continues into
3:53
the woods, you so you of just head the
3:55
left side of the fort just of sight
3:57
then ditch the cart you want to. Okay.
3:59
So yeah, we pull the cart into the
4:02
the woods and yeah, D cart.
4:05
And get in the woods. get into the woods.
4:08
So looks at Key and says, I
4:10
know you like to burn things and I think
4:12
it might finally be your moment. Yes. Yes,
4:15
distraction time. Just
4:18
sidebar, it's really funny that Leon's
4:20
the one who had to sleep
4:22
in a bush tonight and both
4:24
of us got out of it,
4:26
just sayin'. Sometimes I think he likes sleeping
4:28
in the bushes. Yeah, guys, it's like a role
4:31
playing a peasant kind of a deal for him.
4:33
I guess so. I gave up trying to truly
4:35
understand him a long time ago. It goes a
4:37
lot better if you kind of just go with it.
4:39
Yeah, you're right, you're right. So
4:42
Bing of looks into the back of
4:44
the cart says, what here looks flammable
4:46
and starts pushing things around around and and
4:48
moving around. the wooden crates aren't bad.
4:50
The cart itself? I mean, do we
4:52
really need it anymore? He's
4:54
like, it's all fairly wet and
4:56
he's pushing pushing through underneath the crates and a
4:58
couple of them open. Have we stuffed,
5:00
Did we go with any hay?
5:03
Have we stuffed anything we did, think we all
5:05
dirt, right? Okay. It was mostly dirt
5:07
and sod. I mean, as part
5:09
of your general supplies, you do have like lantern
5:11
oil things that can still catch in the process. And it's
5:14
Okay. It magical fire, then does that still
5:16
does that matter at all? Like I
5:18
could still light it on fire even it's
5:20
pouring rain? It depends. I mean, fair
5:22
enough. Things that are like tinder,
5:25
that soaked will not catch, but oil
5:27
will probably still catch. Things
5:29
that are highly flammable will still
5:31
catch. So Bing has kind of guided
5:33
the cart off the side
5:35
of the road, just kind of
5:37
within the line off of the road. off
5:39
of the road. So still view,
5:42
well, if it started to maybe burn, it
5:44
would still be in view of the front
5:46
of the sort of gate of the wall. Okay,
5:48
okay, so It's like just out of sight. just out
5:51
of sight and starts kind of pulling
5:53
things apart and and things so that they
5:55
might catch fire better. What time is
5:57
it right now? I'd say this is
5:59
by mid afternoon. afternoon. Okay, good afternoon. So
6:02
we of, yeah,
6:05
I guess get the cart just enough off the
6:07
road that it's not immediately visible and
6:10
about making it as fire
6:12
as possible. So
6:14
plan is to just push
6:16
this cart and try to distract the
6:18
guards with a... No, we're start
6:20
a fire out here and and it burn
6:22
high enough that they'll see it and send
6:24
some people out and it'll just have some
6:26
kind of of a distraction like maybe some people
6:28
inside will go reinforce the guards at the
6:31
gate who come out to check the fire
6:33
and it'll just reduce the number of personnel
6:35
on the ground which will make it things
6:37
easier for Leon and for us to get
6:39
up the wall presumably assuming he's able to
6:41
get to the top of the wall like we
6:43
talked about and drop a line down to
6:45
us okay so we're gonna need a really fire if
6:47
we really want people to be worried enough. that
6:49
they're going to come come here. Yes, Key, we're
6:51
going to need a really, really big fire.
6:54
Okay, but it's not time yet because
6:56
have to wait until nightfall, right? So I'm simply vibing
6:58
for now I think we should maybe check in on
7:01
the other wall and see if we can catch some kind
7:03
of a sign from Leon. That's No, a good
7:05
we idea. No, we had plans to meet at night. That was
7:07
the. But maybe you and I should
7:09
just look at it and be
7:11
like, we're sure know what's going on guard
7:13
wise. There's not gonna be weird surprises And we
7:15
don't have to do a whole thing with that.
7:17
we can kind of circle around, assuming and just sort
7:19
of Check out the wall and yeah and do
7:21
that for the rest of the movement. Yeah, and see how many
7:23
guards we're to need to distract. Yeah,
7:25
so you gauge the patrols best you can
7:28
and of get a feel for the pattern.
7:30
It hasn't changed much since the first
7:32
time you scattered space, so you feel
7:34
pretty confident that there's
7:37
about a a 40 40
7:39
to 50 -foot gap between each of
7:41
these little points where guards sit, and
7:44
there, you to kind of piece out
7:46
different sections of small bush and kind
7:48
of divots in the open space between
7:50
the wall and the tree line you
7:52
could probably probably quickly when the eyes
7:55
aren't watching, especially under
7:57
the cover of night and rainfall. Leon,
8:01
have been sitting within the interiors the day a
8:03
progresses, is there any sort of preparation you to
8:05
do do we could move to the end of
8:07
day? No, so there's a ladder on the inside
8:09
that goes right up to the wall and
8:11
and I got my grappling hooks and ropes
8:13
and stuff so no prep,
8:15
don't want to go out
8:17
and because it's daytime and there are
8:19
around so I'm just gonna hang out until
8:21
nightfall. in a bush all day. Yeah,
8:23
that's so boring. I mean Leon's, Leon's, he's
8:25
meditating. he's thinking, day with his He's
8:27
got stuff to do Cool.
8:30
elvish lineage lineage you just focus. Yeah,
8:32
he's playing Candy Crush, you know Perfect,
8:36
great. the afternoon comes
8:38
to a close the sky grows dark once
8:40
more the Cracking of thunder
8:42
has lessened as the day progresses. now then
8:44
you still see a distant flash, it's
8:46
over the ocean and it takes a
8:48
while for the low to just just
8:51
make the interior of the courtyard The
8:55
torture, the and braziers, especially at the top
8:57
of the courtyard pillars all
8:59
lit In spite of the flames and
9:01
you can see the evening portion of
9:03
the courtyard come to life Around
9:05
the time that it feels right
9:07
You can attempt to head towards the
9:09
ladder to where the tower and the
9:11
entrance you discuss be Yes. Go ahead and
9:13
make a stealth check a stealth me. for
9:16
me. Okay. will with advantage on this because
9:18
it was also a dark And
9:20
you have the rain help Okay. Okay.
9:29
Seven. With advantage. With advantage.
9:31
Six a seven Wow Wow.
9:35
So So you, hmm, you
9:39
from this bush to the next
9:41
to behind a section of crates
9:43
and wait for the moment that
9:45
the guard patrol is shifting Through
9:47
the keep which causes attention to
9:49
scatter opposite directions of the main road
9:51
that carves through the courtyard. that you
9:53
dart across the main thoroughfare kind of
9:55
between the keep the tower is The two
9:57
guards to the front of the keep not see
9:59
you. and as you emerge from
10:02
the bush about to head to the
10:04
wall a voice goes uh,
10:07
well, hello. Look
10:09
behind you can see Luther's right
10:11
there. We're like uh,
10:14
we thought you left Is
10:16
it just it's just Luther? the moment.
10:18
Yeah. Yeah, Luther, I lost trying on
10:20
my way out and I was
10:22
hoping that you actually actually was
10:24
looking for you my friend Me, but for
10:26
all I of a sudden, it's not a big courtyard.
10:29
I was I'm to confess to you, Luther. I'm
10:31
in love with you What?
10:34
Making a session check. I'm gonna make a session check. I'm gonna
10:36
make a session check. I'm gonna make a session check. Uh,
10:39
12. 12 12 He
10:43
was like, I, well, We we just
10:45
met, I didn't think we've more than maybe
10:47
a hundred words, but you
10:49
were just the finest soldier that I
10:51
ever met Look, now, look,
10:53
there's some funny business going on here and
10:55
I was not born yesterday I I
10:58
see when I've been I fattened up to be
11:00
a stuck pig So I'm
11:02
gonna have to ask you to be
11:04
up front and honest with me or
11:06
I'm gonna have to get the guards
11:08
involved. Okay, Luther, All right, I'm gonna drop the act.
11:11
I cast Charm Person. And, you
11:13
know. You're
11:16
You like, Drop the act. He
11:18
was. You begin like moving your hands. I think he
11:20
goes for his weapon on the
11:22
side and He just...
11:26
loosens grip. Well, look,
11:28
you just have to be open and
11:30
honest with a friend. okay? I am being
11:32
open and honest, Luther. That's why I need
11:34
to get into that tower. Well, that that
11:37
one, that big old tower. Why? would
11:39
you need Why do you need the tower? a
11:41
secret mission Luther. And the
11:43
of the world and the
11:46
entire realms at stake Who
11:49
are you Noel? And loser? I can't say that
11:51
right now. but I can tell you
11:53
that it is Extremely important for
11:55
you to help me get into
11:57
that tower. All right. I'm
12:00
so conflicted my entire job is to
12:02
keep people out of it But
12:05
so nice Mmm
12:09
Look Look, I I don't know
12:12
what I can do to help because I
12:14
also don't want to don't get fired My
12:16
grams be real unhappy with me if I
12:18
get fired again. So uh
12:20
So, uh... What
12:24
What I do to help you? Where are you going
12:26
to? you You can tell me everything you know about the
12:28
inside of that tower. Well, I've never been inside. you
12:31
tell me everything you know about the guards
12:33
and the outside of that tower. Okay?
12:35
Well, there's tonight. He's a big fan of
12:37
apple pie He's
12:40
got a rash on his left side of his
12:43
Shoulder that's been giving them for about a month. Okay, I
12:45
I was trying to get my good
12:47
cream for that, but it's apparently not helped
12:49
at all. So a bit ornery
12:53
And there's Jamal a big nice
12:55
orchish fella He's he
12:57
on a brave face but he's
12:59
a a bit ticklish and he's a
13:01
real bad occurrence That's
13:04
all I know. Rash and tickles. Okay.
13:06
Good to know. All right thank you. Okay now thing
13:09
I need do is I need you to make
13:11
sure that nobody sees me go up that
13:13
ladder and get to the top of the
13:15
ramparts you even know
13:17
um, I'm saying I I need to
13:19
get up there and meet my friends so we can
13:21
get into the tower because remember the of the world Is
13:23
that stake Make
13:25
another deception He's
13:30
trying to do the math in his head Okay,
13:39
that should be I have
13:41
advantage okay Oh, Ho ho
13:43
25 25 he goes what? 25, he
13:45
goes... What? Wow
13:50
Look I I from very
13:53
humble beginnings. I've always
13:55
wanted an opportunity to do
13:57
something special to just to make
13:59
an impact and mark on the world.
14:01
and I'm
14:03
just let just say
14:05
no I've
14:09
got your back. right, All right. Why don't you
14:11
come with me, Luther? You you
14:13
guard guard ladder here I'm gonna go
14:15
up the ladder and
14:17
I'm going to let my friends up on the
14:19
wall and you guard and make sure nobody goes up
14:21
this ladder and nobody sees me. You got it. All
14:23
right, thank you, Thank you do it. Thank you, Luther.
14:27
It's been an honor. Okay,
14:30
so I guess it's coming up on the on the
14:32
upon. Yeah, it's about my fault I get to the
14:34
wall, I set up my grappling hook so it's
14:36
like on top of the wall and so there's rope is
14:39
anyone up on wall? Are there any guards
14:41
that can see me or anything There are guards
14:43
who could likely see you? Okay, they're not out
14:45
They're not them the location the wall. You are
14:47
they're both kind of at points and they're not
14:49
in the process of shifting. They're just kind
14:51
of stationary looking out. Okay. one of them
14:53
looks like he's yawning a bit So
14:56
they're not like super attentive at
14:58
the moment, but they're they're not
15:01
Completely blind I'm climbing up the ladder
15:03
This should be around the
15:05
time the fire is getting set right
15:07
so maybe they're distracted or the guards distracted I'm
15:10
well be at this time we
15:12
cut over two things. So so are you two so you
15:14
this time, you
15:16
have a flame based cantrip. Uh,
15:18
I have fireball one.
15:22
You might not want to wait that way.
15:24
I think you have another other
15:26
I I have fire bolt is a cancer. Oh yeah, yeah
15:28
fire bolt. Yeah, so you can do is you
15:30
can essentially Repeatedly, hit this. mean, you
15:32
could even like bolt it a little bit
15:34
early to kind of start drying off some
15:36
of the wood as well, but but preventing it
15:39
from catching. number of times I can use
15:41
that? or no cantrips many times as you want to.
15:43
Baseline simple magic. I I also
15:45
have a a cantrip control flames so I was hoping
15:47
maybe I could use that to like make the - fire
15:49
really weird. that's the combination. So So you
15:52
can fire bolt the side of it and
15:54
prevent it from catching entirely. Instead, you
15:56
can control the flame and just kind of
15:58
push it around to dry off all all
16:00
the various wood matter this cart and the surrounding
16:02
kindling you've built to prevent it from
16:04
being waterlogged and have it ready to
16:06
just go up. And so
16:09
you're it back from becoming an inferno until
16:11
you both kind of make eye contact and
16:13
nod it's the right moment. as you do,
16:15
you reverse. You You know longer are controlling
16:17
the flames, you are unleashing them. The
16:19
flames flames erupt and tear up,
16:22
licking the bottom of the
16:24
canopy of the tree line it does,
16:27
the underside of the tree line is not
16:29
very wet. It's densed on top that a lot
16:31
of the rain is of poured through and cascaded the
16:33
sides to the point where the bottom of
16:35
the tree begins to catch as well. Within
16:37
moments, this is not just a cart this
16:39
is becoming the beginnings of a forest fire if
16:41
if the rain doesn't help and the people
16:43
aren't quick. Right around this time, as as
16:45
you're kind of peeking up on one of the rain
16:47
guards goes, goes, oi, oi, oi,
16:50
what is this? It's fire. It's a
16:52
fire, I was like, said. What are
16:54
you talking about? Oh, shit! It's a fire! It's
16:56
fire. For fire. They They both
16:58
what to do, they're not prepared for this. So
17:01
they kind of like scatter, running back and forth. One
17:04
of them darts down the wall the opposite
17:06
direction, The other looks over at the ladder where
17:08
you're currently on and goes and goes towards the ladder,
17:10
what do you do? The
17:12
guard is rushing towards me like on the wall.
17:14
You're the nearest ladder. Oh,
17:16
right. Okay. I
17:19
duck down, All or I climb back
17:21
down before he gets to me and I say,
17:23
loose or for me and I just
17:25
kind of like sneak behind
17:27
the nearest, something. Biggest elves for
17:30
me. Okay. One. One, One.
17:32
There we go. one. or Okay. Yeah. 21.
17:34
it's 21. 21. 21. You get the ground
17:36
and you go behind the ladder,
17:38
kind of like using it to
17:40
hide you as you duck down
17:42
in the shadow. The
17:44
The figure the guard starts
17:47
rushing down, Fire! fire. Lands. turns
17:49
around, Luther, there's a fire.
17:51
One thing goes, no, everything's fine.
17:53
there's no problems. Watch ladder. What's
17:56
goes, no, you dulk. I'm telling you
17:58
there's a fire. Well,
18:01
you should take care of that. Salute
18:03
some the guards. Ah, Why
18:06
are you here? And then runs
18:08
while shouting, Fire, fire! And the guards
18:10
start shouting You hear a bell goes
18:12
ding, ding, ding, ding, ding, ding, ding, ding, ding ding ding,
18:14
on the top of the gate. And
18:16
as the gate to open, you see
18:18
guards rushing out towards some buckets. You
18:21
can see one of the
18:23
guards is currently maneuvering their hands
18:25
to conjure some sort of a small
18:27
of liquid front of them. So
18:29
doing what they can with their disposal try
18:31
and deal with this. But
18:34
as they're scattering out towards this
18:36
flame, you can climb back
18:38
up the ladder, and you're setting
18:40
the grappling hook and rope off the I'm setting
18:42
it Yep, so can come climb up. Fantastic.
18:44
Easy enough to do, especially with good
18:46
old Uther an eye. The
18:48
two of you hear the bell begin
18:50
to toll, and shouts across the way. And
18:52
we're going to run under cover of
18:54
of night and try to avoid whatever. I mean,
18:56
the guards are a straight shot towards
18:58
the fire, right? mean, So going to kind
19:01
of strafe around. Yeah, we're kind of just of through the
19:03
woods. We're gonna get get around. there, but like we're to
19:05
get over to that wall, but we're
19:07
going to try to not be noticed.
19:09
So we're abandoning the fire. So whatever
19:11
control I was doing, I assume the fire is
19:13
just doing its own It It is indeed.
19:15
it is no longer my problem. So
19:17
we're just heading to the wall. Are we
19:19
going to make it there without any issues? Well,
19:21
I need you both to make stealth checks
19:23
for me. You have an advantage on them because they both
19:26
distracted and the light and weather is aiding
19:28
your passage. Yeah, I got a 14. 14,
19:30
okay, great. OK, great. That
19:32
not that's not real. Okay.
19:37
17. Great. Yeah, you both dart past at one
19:39
point, someone kind of of past, but they're caught
19:41
up by the flames and just go
19:43
back to put their attention towards the
19:45
roaring inferno that's gathering at the edge
19:47
of the forest. You both dart through
19:49
the mud, kind of like diving down
19:51
an embankment and then back up as it
19:53
kind of picks the base of the wall
19:55
as you both get there, you you kind
19:57
of glance around right as the rope
19:59
tumbles off the side and... slaps the wet stone
20:02
exterior. You both immediately grab
20:04
the rope, climb up, and the three of you
20:06
are reunited at the top of the wall. Bing
20:09
a moment to look out over the
20:11
fire and looks down at Kia says, nice work.
20:14
I do what I do. I do, What can I say?
20:17
All right, we have limited time, so
20:19
we gotta get in, get out,
20:21
bam. Yeah, yeah, yeah, we yeah, you're welcome. welcome. in,
20:23
We We take another, no, I think we another, grappling card.
20:25
I think we take another grappling hook,
20:27
can we reach the balcony from
20:29
where we're standing with the grappling hook?
20:31
for the grappling hook? How your rope? rope? About 50 feet?
20:33
Sure, Sure, rope size, as one has.
20:36
You can certainly try. I'm gonna try.
20:38
is gonna be, at at
20:40
that length, probably a strength check
20:42
if someone wants to try and lob it
20:44
towards the balcony. So So throwing the
20:46
grappling hook from where we are across. Okay,
20:49
so he pulls up the grappling hook because we only we
20:51
the one. the one. he pulls up the grappling hook behind
20:53
him and spins it above
20:55
head, as you do, and
20:57
a very long, under-earned throw. Lobbing
21:00
it over there, roll a d20,
21:02
add your strength modifier. 11.
21:09
11. It
21:12
connects with the the stone of the balcony
21:14
and then drags off and tumbles
21:16
back to the ground. The first attempt
21:18
was a failure. You have two
21:20
more attempts before you fear might be gaining
21:22
attention this side of the
21:24
wall. And And of just and pulls the rope
21:26
in and says, all right, all right, nobody ever gets anything
21:28
on the first try. try. You this big. You
21:30
got this. Thanks. Thanks, We we appreciate it. We believe spinning
21:32
it again it again, and you hear of humming under his
21:34
breath. And
21:38
And, nah, and he throws it. Oh
21:43
Oh, god. That's
21:45
a nine. That's a nine. Woof, It and
21:47
completely misses the balcony, crashing into the
21:49
ivy and getting caught on the IV. You
21:52
can You on it and pull some
21:54
of the IV free that kind of kind
21:56
of a a chain reaction, like tearing
21:58
off causing an element of it. to flap
22:00
downward, which kind of, the pattern which slightly
22:03
breaks the pattern of of the IV,
22:05
which means there's definitely, if if looking
22:07
closely, a sign that something's different
22:09
about the tower, but nothing yet
22:11
has caused any issue. Oh, God, I,
22:13
I, I, I can mend that if
22:15
we can freaking get over there, man. Bingo's
22:17
pulling up the rope, says, nobody gets anything on
22:19
the second try. He starts spinning it
22:21
again, you hear he's humming a little louder. if
22:24
one of you wants to help,
22:26
you can. You can use your
22:28
help action, which grants advantage on
22:30
another person's ability check. I
22:32
I happily do that by this point, I'm feeling
22:34
sorry for- sing along with me. Recognize
22:37
the sign. What it
22:39
What am I, whatever- I You You just out,
22:41
no, that- Yeah, you also- I help advantage. how you help
22:43
him with the action and then he gets
22:45
advantage. All then I sing with him. Alright,
22:47
we're both like, both like, and he sings, he says,
22:49
and he grows, and throws. And I throw one
22:51
more time. Got it. You
22:55
are so thrilled, struggling with that. gonna be
22:58
another 11. Another 11. Are
23:00
you serious? The third throw, you
23:02
actually do chuck it hard enough
23:05
that it it finally arcs up and
23:07
over onto the balcony Yes.
23:10
And then other side of the rope goes with it it,
23:13
like you're like, oh, I go of the rope. I like
23:15
that. And you watch the entire grappling
23:17
and rope is now up on
23:20
that balcony I cast hand
23:22
and grab the rope with my mage
23:24
hand and pull it towards us. That's slick. As
23:26
you watch it arc over, the of it in
23:28
the middle the air goes taut, and
23:30
begins to just back down to
23:32
where you are all standing. Okay,
23:35
so it, well, the hook
23:37
have landed on the on the
23:39
roof of the tower? No, on
23:41
the balcony. Oh, on balcony Yeah,
23:43
so we can climb. So now we bring up. So can we all, do
23:45
we need to check to climb can we
23:47
all just get on the roof? And then quickly, can go
23:49
ahead and, with with a rope it's much, was climbing
23:51
ivy be a different story yeah but the
23:53
rope you all are pretty well you know, climbers
23:56
in your experience with burglary, So
23:59
one one you all have they clamor up onto the
24:01
balcony just as the guards, you can see the
24:03
flames beginning to be doused. It's
24:05
still gonna burn for a while, but it's
24:07
now being swarmed. There are now guards who
24:09
are starting to look throughout the courtyard,
24:11
just in case. I back and give
24:13
a thumbs up to Luther. He's... When
24:16
the other guards go, Luther is! Nothing's
24:19
wrong, nothing's wrong at all,
24:21
That's normal. Being of watches this and says,
24:23
I know there's a story there, but you're
24:25
just gonna have to tell me that. I'll you later, we're
24:27
done, after we're out of here and in
24:30
our riches, we're at the tavern. I feel like
24:32
like I am paranoid enough to mend the
24:34
ivy with my mending because I don't want
24:36
us to be seen. Okay, you glance over the
24:38
side and use of the ivy
24:40
kind of reforms up into the rest
24:43
of the lattice work. It looks like
24:45
it'll be fine. Great call. great call key.
24:47
right, we we to open the door, the
24:49
glass door is something about. You the doors, you
24:51
can just see a little bit on
24:53
the inside, a beautiful extended
24:56
of black and gray
24:58
floor, and you can
25:00
see what looks to be a staircase in
25:02
the distance, but you can't make out much
25:04
more that because the the curtains obscure it. You gotta check the
25:06
door, and it is closed. So
25:09
is gonna check the door for
25:11
traps and anything that
25:13
looks amiss with the door. Great, You make
25:15
an investigation or perception check. You'll I'll
25:17
have advantage because of dungeon delvers. Yes, you do.
25:19
Oh, that's cool. This be, I I
25:21
think I have generally, Bing good at spotting this
25:23
of thing. so. So, check. Okay,
25:26
that's gonna be a 19.
25:28
19, okay. It is locked, but
25:31
there isn't a trap on
25:33
the door. What you do
25:35
notice as you're inspecting it is
25:37
this slight movement on the inside
25:39
of the chamber and as you glance
25:41
through the glass amongst the kind
25:43
of warm, gentle, kind of almost candle and
25:45
interior of the room, there is
25:47
this faint, translucent
25:51
orb that's just of gliding around
25:53
the upper area in circle.
25:56
So pulls back and says, One
26:00
of of you can probably get it open. There's
26:02
some sort of a translucent orb rotating
26:04
and like it's patrolling and I
26:06
guess is being able to describe it?
26:08
our not if one wants to make
26:11
an arcana check. I
26:13
I guess Bing saw it first. So maybe I should take
26:15
it. Yeah, go for it. I I can, oh
26:17
no, yeah, go ahead. Maybe you both can see. that's
26:20
a 10. That's a a 10, You
26:22
have no real concept. So so that's not
26:24
seeing it, I guess. So then maybe if he
26:26
describes it, I don't know if able to
26:28
describe it enough that to like is
26:30
probably magic? right, so like so then if
26:32
I have I plus one arcana. Yeah, go ahead and
26:35
do it. Int. A
26:38
one? A one. Unfortunately Okay,
26:41
well, so. Unfortunately, no No
26:44
true concept of what this is
26:46
capable of or what it can
26:48
do. It just doesn't look welcoming Great.
26:51
In the sense that it is
26:53
patrolling the upper area around the
26:55
chandelier to be fair. We aren't
26:58
welcome. Yeah Yeah. So being
27:00
as described where that is is, it can of
27:02
you pick the lock? I'm gonna
27:04
cast a minor illusion to create
27:06
like a little critter inside of
27:08
the glass and see what the eye
27:10
does to it. So like So
27:12
little I form a little little cat
27:15
That is like meowing its way around inside
27:17
of on the other side of the glass door.
27:19
Okay. As the cat
27:21
kind of appears and takes a
27:23
couple of steps. You see the the
27:26
as it's passing through it rotates
27:28
and you can see the orb, It's see like it's kind of
27:30
like a a sickly color like a
27:32
greenish yellow, a very very
27:35
dark kind of verident forest green pupil on
27:37
it, Almost like it's a floating
27:39
eye. it comes around and
27:41
its periphery to face the direction
27:43
of that cat it Kind of
27:45
focuses and stops focusing on the
27:47
cat And
27:50
you watch as the bookshelves that
27:52
line the walls that you didn't
27:54
see before Dozens of
27:56
books fly off the shelves and. Pfft.
28:00
on to this cat, like smashing and
28:02
bearing what would have been there. There's
28:04
this heavy, just bludgeoning
28:06
pile of books crammed
28:09
over it. The moment passes
28:11
before one by one the books pick themselves
28:13
back up and then return to the shelves
28:15
where they were and the eye continues its
28:17
patrol. Now we know. Okay,
28:20
I'm gonna pick the lock first, Okay.
28:22
without opening it. I'm just gonna pick the
28:24
lock first. Great, so go ahead and
28:26
roll a dexterity check. So roll D20, add
28:28
your dexterity modifier your proficiency modifier, since
28:30
you are proficient with these tools. That
28:33
would be a 12, 12. Okay, you needed
28:35
a 10 to get this door, it's needed
28:37
not a very complicated lock, at least not
28:39
at this moment. You
28:42
take a moment, eventually find
28:44
the right tumbler, it opens up,
28:46
the glass door's slightly open
28:48
and you can feel the warmth.
28:50
interior air immediately kind of hit
28:52
your face to contrast the cold,
28:54
rainy exterior of the tower. So
28:58
on this orb, I use all
29:00
sorts of illusions to just kind of
29:02
distract, get the books at them
29:04
while we figure out how to neutralize
29:06
this thing. And I do have
29:08
access to darkness, which just to check
29:10
how that works, it's, I think
29:13
it's a race ability. But
29:15
if I'm gonna cast darkness, what
29:17
exactly happens If were to create an
29:19
orb of magical shadow, Right. I think
29:21
it's a 15 foot radius. I believe
29:23
10 15 foot and it stays in
29:26
place It's just wherever you cast it
29:28
it for concentrated for concentration. So for
29:30
as long as you concentrate on it Or
29:33
you want to stop the
29:35
spell, but everything in that
29:37
orb? cannot see. Everything is just
29:39
darkness. Oh yeah, darkness. either. Including us.
29:41
Yeah. Yeah. Unless you can see through
29:43
magical darkness. Which I think I can.
29:45
Can you? And looking at the orb,
29:47
is the orb, does the orb have
29:49
like a full view of every part
29:52
of the interior of the tower? It
29:54
looks, it's moving fast enough where like
29:56
there's a window of about maybe four
29:58
seconds, five seconds, where it, might be
30:00
facing away from you in its
30:02
rotation, but it's a very small window. Is
30:05
this a room like within the tower?
30:07
Like what can we see of this? what
30:09
you can see, this looks like a parlor
30:11
almost. There's some simple furniture,
30:13
some couches arranged, some small tables. Looks
30:15
like a hosting space. There's a chandelier
30:17
in the center that the orb
30:19
is kind of rotating around like a and
30:21
ghostbusters. Oh yes. You can see on
30:23
the opposite end there's a staircase that descends to
30:25
a floor and there is
30:27
a staircase not completely across
30:29
the way. but maybe about
30:31
a third across the chamber
30:33
to the right -hand side
30:35
that looks like it curves upward.
30:37
There are two vases that
30:39
flank the staircase that leads
30:41
up like tall beautiful vases,
30:44
nothing in them. and
30:46
that's kind of the gist of the chamber
30:48
that you're in in now. Okay, And on
30:51
the upper floor, like up the stairs, can
30:53
we see any doorways or or like that
30:55
up on the upper level? Unfortunately,
30:57
no, it's blocked off from the ceiling, it's
31:00
just like the, just each segmented separate floor
31:02
of the tower. see, I see, All you see
31:04
is see is the that kind of spirals up
31:06
and vanishes into an enclosed hall that leads
31:08
you to the upper floors. Got it. Bing
31:11
says, I I think we should go up. We
31:14
take out that orb first. Or Or we
31:16
to get past the orb. Ah, Oh, okay, okay, okay.
31:18
I can distract it. it with
31:20
some cantrips. And And I cover us
31:22
with darkness on the stairs if if you can both
31:24
remember. But we, yeah, I don't know if to we'll anything.
31:26
That might be a disaster. Yeah, but we can look
31:28
at the stairs and remember where they are. We
31:30
know how to get upstairs. There might be other traps,
31:32
but we can just keep checking to see if
31:34
there's any traps on the stairs. and just
31:38
fumble way up up. Leon, your plan
31:40
again I I can
31:42
I could distract the orb we just run upstairs. I don't
31:44
think we need the darkness. Okay,
31:46
give it a shot. All right.
31:48
I'm cast mage Hand just kind
31:51
of like Lead the
31:53
orb on a goose chase in the
31:55
in the sky like the same, sir following
31:57
same circular path as the orb is
31:59
my Mage Hand. Okay, a mage hand legend, your
32:01
mage hand is invisible. Oh, okay. If you
32:03
a book Can I make
32:05
my mage hand visible for the purposes of
32:07
this? you want to, yeah. I'm gonna cast
32:09
visible mage hand. Okay. it's the
32:11
maichan appears, the orb rotates
32:13
it and another like two dozen,
32:15
three dozen books just colliding
32:18
in the air where is like impacting
32:20
Not or tumbling to the ground They're
32:22
creating an orb crushing where the
32:24
hand would be So as that
32:26
happening, we go for it. go upstairs. We
32:29
can certainly try. We certainly try. We're gonna,
32:31
we're gonna, sit gonna sit down quietly as
32:33
possible. All right, so for this, all
32:35
of you. trying desperately to avoid
32:37
detection by this as you head towards the
32:39
two large vases and the staircase that
32:41
ascends. I need all three of you to make
32:43
a stealth check for me. All right. This
32:47
is is the advantage because you
32:49
are in a more interior the ring not
32:51
80. It's a 14 for me. for me
32:53
22 It's a two for me. All
32:55
right, so. the two of you
32:57
dart towards the edge where the
32:59
vases are and
33:01
kind of head up the stairs. Key,
33:04
you go running. Technically it's a seven.
33:06
was wrong. it's a seven. Okay, still. I
33:08
know it's bad. It is bad, but not
33:10
as bad. You running carefully
33:13
as you can. Your rain boots,
33:15
unfortunately, hitting marble floor, so it
33:18
out and you slide and
33:20
slip for a second, catching
33:22
yourself before like completely collapsing into
33:24
the ground. But as you
33:26
catch yourself, you look over your
33:28
shoulder and the eye rotates you
33:30
and the orb of books breaks apart into
33:32
a cloud and they start swarming in your
33:34
direction. What are you doing? Can
33:37
I firebolt at the books? You
33:39
can, yeah, go ahead and roll go ahead and They're waiting on a paper. So
33:43
I roll a 20 or 10. Just Roll a d20
33:45
add your spell modifier,
33:47
which should be on your sheet. Okay,
33:50
so it's 17 plus eight,
33:52
so. 25 all right
33:54
that definitely hits. So go ahead and
33:56
roll damage on your firebolt should
33:58
be be a 2d10, I believe. There you go. There
34:03
you go. 13, great. So you
34:05
launch this firebolt at this cloud of
34:07
books that's just rocketing towards you as
34:09
it impacts. As it spurs flame. A number
34:12
of the books just ignite
34:15
a blast of flame. There are
34:17
tattered pages then falling and cascading
34:19
around you. It does manage to
34:21
lessen the impact. The rest of
34:23
them still clatter towards you and
34:25
you take four points of bludgeoning
34:28
damage as you are impacted by the
34:30
rest of the books that weren't
34:32
quite fully damaged, but you definitely lessen
34:34
the impact before they slammed into
34:36
you. All right, all
34:38
right. So, right. I'm adding
34:41
this to my P. I'm now
34:43
at 18 out of 22 hit points. So
34:45
this orb is out of reach, right? Of
34:47
Of melee reach. It's about
34:49
maybe, I'd say, 10 feet up.
34:51
The two of us got hit it with
34:53
your Of tuba's got up already. Yeah.
34:55
We're out of there. You You
34:57
at the stairs and you hear this
34:59
sound. You're up and then things have
35:01
gone wrong behind you. We hear ki.
35:03
Ki is, okay. Okay, so Bing draws his
35:05
sword and he just yells out at
35:08
the orb over here. As you As
35:10
you shout that, the
35:13
orb orb in your direction as
35:15
well. The books that are
35:17
already impacted stay on the ground.
35:19
You watch as more off
35:21
the shelf and they both divide
35:23
going towards each of you. I
35:25
need you both to make dexterity saving
35:28
throws for me, please. So roll a d20 add
35:30
your dexterity saving throws. Okay. It's
35:32
an 18 for me. Great. 13. 13.
35:34
13, okay. He he to get
35:36
12. So the books go
35:38
towards you. You both dive out of the way.
35:40
You, as you kind of pull back into
35:42
the hall, it it dexterity smashes against the stone.
35:44
You watch as they recoil. You duck out and it it
35:47
smashes the massive vase that's right behind you.
35:49
It hits the ground, you know. As you
35:51
kind of stand there with the sound, you
35:53
glance over. The shards
35:55
of the vase reveal
35:57
a body. It
36:00
was like the vase? or in
36:02
the vase. The orb
36:05
is still now it's kind of hovering around and
36:07
it's kind of still glancing down at the movement of
36:09
the two of you. What are you doing? Um,
36:13
Do I I have like, I can take
36:15
like communication, right? Leon, or a thing back at Leon
36:17
and what Leon is doing. Well
36:19
Leon is looking at looks at the body. What What is this body? What
36:22
do I body? the What do I see on
36:24
the body? In the the midst of
36:26
this chaos, you glance down at the body and
36:28
you see a figure that is bloodied. Freshly.
36:31
And they are adorned in
36:34
the recognizable
36:36
of the Thornhold Keep guards.
36:40
Alive dead? Very much not
36:42
moving and covered in blood. Okay. Okay. Well,
36:45
so Bing is of at
36:47
the base of the stairs. Leon, or a little further
36:49
up the stairs, and Ki is still over where we
36:51
first came in. And there's books.
36:53
Oh I'm a little, I'm by the vase you're by the
36:56
way, So we're at the stairs So is
36:58
just like up the stairs and And he goes up
37:00
the stairs as fast as he can. we're not
37:02
doing casting darkness anymore. We're just going up the
37:04
fricking stairs. All right, here we go. Yeah,
37:06
Leon some invisible Mage Hand
37:08
to in the pockets of
37:10
this guard see if there's anything interesting
37:13
on his body and anything that would...
37:15
Anything, really. Sure, really. Sure, okay. go ahead
37:17
and make an and make an check for
37:19
check for me. 13.
37:24
13. There's
37:26
a pouch of a handful of coins.
37:28
It looks to be a a short sword
37:30
was sheathed on them. It
37:32
looks like most anything else of interest has
37:34
either been taken or they didn't have on them
37:36
at the time. But
37:39
the outskirts of casting this in the space, the orb
37:41
does take notice of you. I need you to
37:43
make a dexterity saving for me. The
37:45
hand, by the way, takes the gold, of
37:47
course. I understand, yeah. That's four gold. Cool.
37:51
21, yeah. 21, yeah. You
37:53
just dodge out of the
37:55
way as the book slams and the
37:58
other vase, which is mercifully Okay.
38:00
Huh. But dart back
38:02
up the stairs and as you all
38:04
begin to to up to the third
38:06
floor of this tower, you can hear
38:09
the books resetting and quiet to take the chamber.
38:12
Bing says, I I never did like
38:14
libraries. Dang. Mm-hmm. right,
38:16
we go upstairs. All
38:19
right, next floor you come into. while
38:22
the previous one was kind of like
38:24
a a parlor entryway, this one feels like
38:26
it is a music hosting room.
38:28
You see a massive grand piano that
38:30
sits on the opposite side of the
38:32
room. It looks like there is
38:34
a stocked bar that
38:37
magically lit across the way. There
38:39
is, opposed to the general single of
38:41
spiral stairs, there is a
38:43
wide thick set of stairs across on
38:45
the opposite side of the
38:48
room that heads up and and
38:50
in two directions, like great Gatsby staircase style
38:52
vanishes into what would be the floor above.
38:55
Here this room, there's like open dance
38:57
floor sort of aesthetic to it.
38:59
This is a place to hold
39:01
parties. This is a place to
39:03
to guests up to mingle and drinks
39:05
and cocktails. You can
39:08
see there's like
39:11
statues and brass art pieces that
39:13
are on displays small pedestals and
39:15
kind of carved alcoves the sides
39:17
of the interior. You're also getting
39:19
the feeling which is odd. This
39:22
isn't massively wide, but now that
39:24
you've been in a few chambers, it
39:26
feels like these rooms are larger
39:29
than they should be given well you've
39:31
cased the structure from the outside. So
39:35
Bing looks across the dance floor, is
39:37
the piano, where is it situated in the
39:39
room? It's directly in
39:41
the center. It's kind of put
39:43
in a corner, I I
39:45
want to say opposite, but almost like a catty
39:47
corner to the staircase so
39:49
that the acoustics the room, when you do see now, just look
39:51
at the ceiling, it's almost like a a domed ceiling,
39:53
so the acoustics will carry it throughout the chamber,
39:56
which also probably makes conversation horrible.
39:59
It's kind of whispered. and everywhere. And is there there's there's
40:01
that the keep going up, right? They do.
40:03
do the So right, right, right. right, right, right,
40:05
okay. So makes his way over to
40:07
the piano and sees if he
40:09
can detect anything strange about it. Sure.
40:11
Sure. Make a a perception or check. It's
40:16
going to be or so that's
40:18
a 13. It's a 13.
40:21
I Piano to be a
40:23
a pretty cool piano. It's very well kept
40:25
well tuned. Bing does not play piano, and he
40:27
just kind of like a few keys at random.
40:30
Okay. ding, ding, ding, ding.
40:32
Okay. as
40:35
you do that. in the silence
40:37
of this chamber, two of the brass
40:39
statues like in
40:41
your direction. Looking
40:43
at these, they look of
40:46
interpretive, strange busts. but
40:48
now that they can turn in your
40:50
direction as opposed to facing away, they are
40:52
originally facing the wall, you can see that
40:54
they have a reptilian sort
40:57
of expression upon them. And
40:59
both of them have these
41:01
marble -like eyes set within the stone. As
41:03
they both turn, you
41:06
kind of over and look at them. each
41:08
I need you to make the constitution saving throw
41:10
me. Okay, first thing, just really quickly pulls
41:12
the lid down on the piano. That's
41:18
going to be a 14. A
41:20
14. You feel like
41:22
some sort of magical influence strikes into
41:24
your body, and for a brief
41:26
moment, all of your muscles begin to
41:28
tense, the tendons begin to pull tight.
41:30
It's almost like something is is
41:33
you in the moment, but
41:35
you are a fairly hardy individual. and
41:38
you've endured the elements both magically
41:40
and otherwise a number of times,
41:42
and you manage to shrug it
41:44
off and regain that mobility as
41:46
they shift back. and here in this still
41:48
silence. You
41:50
gather that maybe is
41:52
a drawing factor. So
41:56
looks at Leon and Key and
41:58
he makes a gesture. like
42:01
silently and he then he holds his hand
42:03
finger up to his lips so he any
42:05
kind of takes his arms across
42:08
his chest to indicate kind of
42:10
binding and points to the stairs Leon,
42:12
yeah, points up like it. Let's
42:14
get the f out of here. So
42:16
So he begins to, being to move very
42:18
quietly and slowly across the the
42:21
floor toward the Okay, as you drop down and
42:23
begin crawling you now have a
42:25
a lower perspective and you can see
42:27
the number of like futons and
42:29
Kind of lounge Chairs that are spread
42:31
the space you move past and
42:33
look and you can see something
42:36
underneath one of these futons. I I
42:39
guess I closer. You carefully
42:42
forward and you can see there's
42:44
a red smear across the ground and
42:46
and up to where this is. there
42:48
is a body that has been
42:51
hidden beneath this particular Food
42:53
on okay, I'm Bing over
42:55
as quietly as you
42:57
can to further.
42:59
Okay this figure
43:01
is also wearing the breastplate
43:03
and armored garb of
43:05
a thorn hold guard.
43:08
he leaves it doesn't touch it at
43:10
all and keeps moving toward the stairs. Okay, rest
43:12
of you follow soon. Mm -hmm. Okay Slowly
43:16
move across I'm
43:20
just gonna have all three of you roll a d20 for me. for me.
43:22
Okay, just don't. ominous.
43:24
You're trying to roll four
43:26
or higher if anybody rolls 17
43:29
13 11 Okay,
43:32
so as a troop with
43:34
the knowledge and the The
43:36
face tanking of the magical
43:38
of this chamber you
43:41
together to coordinate a very careful
43:43
and plot exit out until you
43:45
get to the The rising staircase
43:47
that divides into directions It
43:49
is carpeted across the hardwood base, which
43:51
makes it a little easier from making any
43:54
noise as you ascend it as well Stepping
43:57
forward, upward upward uh It it
43:59
splits into two pads and then
44:01
kind of gathers on the
44:03
second on the the floor at
44:06
this point um what meets
44:08
you here is a vibrant
44:10
interior garden uh as you
44:12
step past that split this
44:14
entire floor is just a
44:16
botanical garden uh the ceiling
44:19
itself is just vines and
44:21
ivy and there are glass
44:23
enclosures that contain beautifully vibrant
44:25
flowers and various exotic plants
44:27
that you've never encountered and definitely
44:30
not from the Sword Coast of Faerun. you
44:32
can see there
44:34
are uh planters and
44:36
and flower boxes
44:39
and they're all just
44:41
clustered with uh
44:43
vibrant and and odd
44:45
very dreamscape-like plants. you also
44:47
hear the silent
44:49
sounds of struggle Oof!
44:53
Hi! Pfft! Pfft!
44:55
um Bing! just
44:58
Yeah, I think kind of moves forward
45:00
pretty quickly to investigate what it is
45:02
Yeah, and try to figure out where
45:04
the sound is coming from yeah
45:06
okay uh you all kind of like
45:08
shift up around the side and can
45:10
hear it coming from across this
45:13
room uh and as you kind of
45:15
divide off to one of the small
45:17
walkways you can see another staircase
45:19
that leads up to the fifth floor
45:21
um and there are two cloaked
45:23
figures that are currently rushing up that
45:25
staircase while a third figure uh stands
45:27
there you see uh a a ebony
45:30
skinned elf with a a
45:32
shock of short blonde hair
45:35
that kind of comes to
45:37
an off-kilter point on the left
45:39
side themselves wearing a dark cloak
45:41
they have a rapier in
45:43
each hand and they currently in
45:45
the process of struggling against
45:48
uh what looks to be
45:50
a uh a moss covered
45:52
stone clay looking humanoid physical
45:54
entity that is just swinging
45:56
massive fists towards it And
45:58
this figure's like, Dodging trying to hold
46:00
it off, like over its shoulder and
46:03
batting the others to continue.
46:06
What do you do? Bing's Bing at the
46:08
two of you and says, looks like we have competition. Yeah,
46:12
can we just ignore those guys and keep on going
46:14
up? and don't think we're gonna be able to ignore this Yes,
46:17
okay So
46:20
woman is fighting this like big moss. Okay, I
46:22
think we should probably, have person
46:24
is we should probably help them
46:26
out. Bing has already drawn his
46:28
sword and attacks the them mean, I wasn't
46:30
gonna help them, but fine, I
46:32
guess. Okay, I
46:35
need you to roll initiative All right.
46:40
13. 19.
46:45
17. All right, so we'll say key
46:47
go, I think you have a higher dexterity than
46:50
Bing so we'll go key
46:52
Leon and Bing. All
46:55
right, so key you're up first. as you
46:57
see the the of the struggle, what do you do? I
47:00
mean, I don't want help, but I'm being socially pressured,
47:02
I guess. You
47:06
still have to. I know, I what mean,
47:08
can, I can, I, hmm,
47:10
Okay, I so
47:12
so we're we're this elf
47:14
somebody we wanna help. The
47:19
elf is alive the other thing is
47:21
is other thing is a problem. I'm
47:23
I'm gonna try to of construct. I'm
47:25
gonna try to attack this construct. Fireball
47:27
you can't really go with firebolt my view. So
47:30
I'm gonna cast Firebolt at it. Okay,
47:33
you cast Firebolt. a fireball you said or fireball bolt bolt.
47:35
okay, Yeah, Just a little guy. You got
47:37
it, so go ahead and roll and roll d20 add
47:39
your spell attack things think it. plus eight you said. Something
47:45
like that. That
47:48
definitely hits. so ahead and roll
47:50
your 2d10 fire damage damage. Well done. This
47:56
entity has a swing its massive this out towards the
47:59
this elf. The elf dodges of the
48:01
way and then gets partially hit by
48:03
one and knocked to knee. Right as
48:05
it brings its up to slam, your
48:07
fireball strikes it the shoulders, just leaving this this
48:09
black dark char mark across its loom it
48:12
does, It's just to look at you.
48:14
And You can see now, it
48:16
is probably an eight -foot
48:18
construct made of clay with
48:20
chunks of stone that are carved
48:22
on it. Its eyes glow of
48:24
an arcane blue light. Its
48:27
face, just this stone-faced set
48:29
expression. as it spins. And
48:32
you watch as
48:34
the stone shifts this liquid clay
48:36
pattern movement of pattern
48:38
movement beneath the shards as
48:40
it now turns to focus on you. Do
48:43
you to stay put or do you want to move somewhere within the
48:45
chamber? I want I want to up
48:47
and stand behind Bing. Ha ha ha ha
48:49
ha ha ha ha I've
48:52
already taken damage today. I don't want to
48:54
take any more. You it. Okay. will
48:56
then bring us to Leon. Yeah,
48:58
I'm going to out my long bow
49:00
and fire at it.
49:03
I guess this be a stink of because
49:05
I don't have advantage yet, but
49:07
for now I'm going to fire at this
49:09
creature. Go for it. All
49:11
righty. 22. 22.
49:13
22? 22. That directly,
49:16
hits as it looks over and faces
49:18
towards Ki, You can see that fists kind
49:20
of clenching and it's about to lumber
49:22
in that direction. As it
49:24
does, your bolt strikes in the center. And and
49:26
you can only maybe see an
49:29
inch or two of it protruding as
49:31
it just dives in deep. As it
49:33
does, you watch as bits of
49:35
that like thick clay kind of like
49:37
spills out, and into puddle on the ground. It
49:40
doesn't slow it down, but it definitely
49:42
left a mark. Nice. My bonus action, I'm gonna
49:44
hide in the shadows. Great. Go go ahead
49:46
and roll a stealth check me. me. All right. 22
49:49
22. You go ahead and dart off into
49:51
one of the nearby bits of brush with the
49:53
of a planner box. It's easy enough for you
49:56
for to dodge in there and kind of off you
49:58
skate you might be The empty doesn't even pay. Pay
50:00
attention to you, it's still focused on ki at the
50:02
moment, so you're pretty well hidden. All right, Bing, you're up.
50:04
up. So rushes toward the construct, which is,
50:06
I think it's pretty close, right?
50:09
About how far away is it? Maybe
50:11
about 20 feet from you, it's pretty
50:13
close. Yeah, feet so he So he 20
50:15
feet quickly, and then he yells, Bing,
50:19
his name, to to enter
50:21
a rage, his bonus action. Alrighty.
50:25
Alrighty. So he is now
50:27
raging, and Storm is active, because
50:29
when cries out Bing activates
50:31
his, enters his rage state,
50:34
you, everybody feels a kind of a cold across
50:37
the room, or at least within
50:39
10 feet of him. And everybody
50:41
within 10 feet of of him gains
50:43
temporary hit points. Oh, great. So So his Storm Aura active,
50:45
he just takes a swing with
50:47
his greatsword at this construct. Oh yeah.
50:49
Bing kind of of echoes the room
50:51
and you swear you hear that rolled
50:53
thunder from outside the tower from
50:55
the storm it seems like to underline the
50:57
shout. Cool. You hear a
50:59
voice from the future, so it's
51:01
Bing. So
51:05
yeah, so Mark, you have three temporary hit points,
51:07
which is kind of like a a hit
51:09
buffer. The next time you take any damage,
51:11
it comes from those first. It's It's kind of like
51:13
a little three hit shield. Nice. Let's
51:16
go ahead roll your attacks. All right,
51:18
so this is going to be,
51:20
I did an attack roll first before
51:22
damage, yes. Okay, so that's Okay, so
51:24
24 definitely hits. hits. Go ahead
51:26
and roll damage. Greatsword is 2d6. Yeah. That's 11. 11
51:29
points of damage. 11 points of damage.
51:32
Heavy strike. you swing past the greatsword, it did
51:34
carves into it. It hits pretty
51:36
hard. It
51:39
shrugs off some of it,
51:41
much like within a bolt in your
51:43
hit. It's taking damage, but
51:45
it also seems to be
51:47
a fairly hardy creature. Not
51:49
unlike you yourself are you are
51:51
conjuring the essence and strength
51:53
of the storm. storm. So, first
51:56
hit definitely leaves a mark, but not as
51:58
heavy a wound as you would have liked.
52:00
So I can take a... second attack. again. So
52:02
he of pulls the sword free and swings again.
52:04
Heck go Yeah, it. Oh,
52:08
that's a natural 20. Ooh, Ooh, okay!
52:10
Critical hit. First crit of a...okay go. So go
52:12
go. and roll ahead and roll
52:14
your dice damage and double what you rolled.
52:19
It's gonna be a 16. All right,
52:21
so the second strike through. At At this point,
52:23
a big chunk of the stone armor
52:25
that's built within its clay form of like
52:27
shears off and hits the ground shattering.
52:30
A big element of that kind
52:32
of molten clay also spills with
52:34
it. and you watch as its other
52:36
arm seems to shrink to shift
52:38
matter over to make up for
52:40
now the loss of mass on
52:42
that side. So again, it's still shrugging
52:45
off more than you'd like, but
52:47
each hit is still impacting it.
52:49
Okay, yeah, Bing right up close next to it.
52:51
That That finishes your go. It's now the the
52:54
elf's turn, who you saw when you
52:56
entered, who now you all strike this creature
52:58
and it spin around and goes,
53:00
look at that, it is a great
53:02
fortune our side. Good luck. And he
53:04
just darts up the stairs after the other two that
53:06
vanished. The cloak
53:08
flowing behind them. He
53:10
is unsurprised by this. The
53:14
The now takes its turn, at the
53:16
start of its turn because it it under its
53:18
hit threshold. Okay,
53:20
it does not go berserk. All All right, so the
53:22
creature is go and take and take its attacks. It's
53:25
gonna go ahead and try and focus to
53:27
slam Bing first and then rush past go after Key.
53:29
It has no idea where Leon is at the moment, so
53:31
so Leon those are two targets at the moment. Going
53:33
against you, that's going to be a 17
53:35
to hit. What's your armor class? 16. 16, so
53:38
it hits you. All right, so the slam attack
53:40
on this is a, it's not an
53:42
insignificant amount of damage. Okay,
53:44
that's gonna be, 20
53:47
points of bludgeoning damage to you,
53:49
but you take half that you are raging.
53:51
Oh, nice. so that would be, so
53:53
that's 10 10 points and then 3 with the current HP. I
53:56
get the bonus to that too, right, when
53:58
I'm raging? Yeah, I guess the Both of you
54:00
are just meat shields. You're just each other. Seven,
54:03
okay, cool. All right, and also I need you to
54:05
make a constitution throw for me. Oh,
54:10
Oh, that's gonna be pretty good. That is a
54:12
21. 21, the The blow slams
54:15
into your chest and pushes you
54:17
back and you hold strong. And
54:19
as you kind of look at it and smile you try
54:21
to inhale, it's like, like it stole, like it knocked the
54:23
wind out of you in a way that
54:25
you weren't expecting. You
54:27
to shrug it off, but
54:29
something about its impact
54:31
beyond just trying to
54:33
leave a mark. and
54:35
it shakes you a little bit. And
54:38
as you kind of take this in, it uses
54:40
the momentum of the first swing to keep
54:42
running forward and come after you. You do get
54:44
an attack of on it as it leaves your
54:46
melee. Okay. Pfft.
54:48
Natural Natural 20. Dang! Dang!
54:51
That's how you do this. Okay, go ahead and
54:53
roll your dice again. Make up
54:55
for that grappling hook. Yeah, yeah. I
54:57
think you not like getting hit by that. one. That's
55:00
a 20 damage. 20 damage. What? What?
55:02
Shh! As it rushes past, your blade
55:04
carves into its back and and actually
55:07
stuck and you see it goes running, it stops
55:09
for a second and head of of like, pfft,
55:12
pfft, back in your direction as you pull
55:14
the blade out and kind of stumble back to
55:16
catch it from the momentum. Its head pfft, pfft, back
55:18
and charging towards Ki. You,
55:21
Ki, that is gonna be to hit.
55:23
11 to hit. Okay. You
55:26
fall just misses you! Beautiful.
55:28
That's great. great. love We love that. Heavy swing out
55:30
you and you just barely duck out of
55:32
the way. Slow motion
55:34
the knuckles just bypass
55:36
your face like a
55:38
tree just narrowly smashing your
55:41
head against the wall. As
55:44
you kind of pull back and almost
55:46
stumble off of your your heel as you catch
55:48
yourself as the massive entities now there in front
55:50
of you and you swear your heel this like
55:52
rumble in its chest down with proximity, like, ahhhh.
55:56
That's gonna finish its go. That brings us back to
55:58
the top the round key. you are up. All right, right,
56:01
so I mean, this thing
56:03
seems pretty strong. I feel like now it's
56:05
gotta be magic time, right? I mean, I I
56:07
don't know. Maybe I'll save that. What
56:09
do you guys think? I'll just do it. just do it close
56:11
enough that Ki can't get away, get
56:13
like put distance between her and it? Yeah,
56:15
you want to Cause pretty squishy, so I. Much
56:19
like how you were able to strike it as
56:21
it left your melee range, if you were to
56:23
leave its melee range, it would get one attack
56:25
and on you as you do so. So
56:28
So, unless you have misty step. I
56:30
do have Misty Step. You do. Hey. So
56:33
can do that on top of casting a
56:35
cantrip like Firebolt if you want to. Okay, up
56:37
to you it seems good So just cast fire
56:39
bolt again and then do a misty step away
56:42
Sure. All right, let's do that. All right, so
56:44
go ahead and roll attack for your Firebolt. So
56:46
it's a D20, firstly. That's
56:50
a 19. But I add eight.
56:52
whatever, three, modifier. I eight. I
56:54
Yeah, plus eight. Phew, for all the of those,
56:56
that definitely hits. All
56:59
All a so nine points of fire
57:01
damage. Okay, cool. right, points so So you
57:03
go ahead and fire this fire
57:05
bolt into it. And you're near blank as
57:07
you just release it. You see
57:09
this kind of concave blast
57:11
crater where the bolt hit of the
57:13
charred black emanating from that space
57:15
as it kind of takes a minute to resolve
57:17
that impact. impact. As it
57:19
pulls its fists up, it gets itself ready
57:21
to slam with a double hammer blow
57:23
on top as you misty
57:25
out of the way and appear else in the chamber.
57:28
I mean, I to go
57:30
behind a planter like did because I
57:32
gotta get out of here, man.
57:34
Ha Ha ha. ha I
57:36
to get away from this thing. This is
57:38
all Bing's job And I didn't even know we we
57:40
run into something this. You it. So
57:43
appear of in a cluster
57:46
of bushes near of the planters off to the
57:48
side of the staircase that that descends upward, kind
57:50
of of near Bing in the middle of that fray.
57:53
Taking that moment to crouch down and
57:55
hopefully not attention in the moment. but finish your
57:57
turn. Bing your head. The end is going to
57:59
sneak attack. on guy. Yes you
58:01
can. Go ahead and make that strike.
58:03
All right. Is
58:05
this with advantage? is with advantage, because it doesn't see you, doesn't
58:07
know where you are. you are. Mm-hmm. Mm.
58:10
Mm. Mm. Mm. Mm.
58:14
Mm. Mm-mm-mm-mm-mm. -hmm. 14 to Mm hit. Mm. hell? 14
58:16
is exactly its armor class, that is. Ah. So as
58:18
you kind of go up, you go
58:20
to aim where you thought it was
58:22
and you see that it's moved over
58:24
there and you watch cages vanish reappear and in confusion,
58:27
you of have to readjust where you were
58:29
aiming and you just managed to catch
58:31
it and of at the base of where
58:33
the clay neck is. Nice. So you go ahead and
58:35
roll your roll your damage with your sneak
58:37
attack. Mm-hmm, mm -hmm, mm -hmm. So that's
58:39
an extra extra three d6s. It is. Can
58:41
I have a couple of your your d6s? Oh
58:44
for sure. I I a bunch. Here,
58:46
take two of these. Okay. All
58:49
right. 16
58:53
damage total. points of damage, heavy
58:55
strike. Like, Nice. This
58:57
particular arrow, just of carves through
58:59
the air, like passing through and
59:01
around various like burn extensions and a little
59:03
middle of this clustered space and and it
59:05
sinks deep into the chest and
59:08
emerges part way out other side as
59:10
it does, there's like the piercing
59:12
of the clay as it hardens
59:14
around the impact and the
59:16
creature creature kind of like, head head up
59:18
in your direction and over towards
59:20
you. Rrrrrrrrr. You
59:23
just nod, way. Yeah, as my bonus. my bonus, as my
59:25
bonus, I'm I'm gonna hide again. All right, go
59:28
ahead and roll stealth. So
59:30
dive back into the bush and begin
59:32
scattering amongst the nearby planet.
59:34
16. 16, okay. okay, good
59:37
enough. Okay, so you dive into
59:39
the shadows in the brush, to
59:41
stay hidden. That finishes your go. Bing,
59:44
you're up. All right, Bing realizes he should have been
59:46
adding two damage to his strength but that's okay. Oh,
59:48
Oh, I can note that, I note that. Okay,
59:52
Bing Bing right
59:54
nearby. He just takes another swing. All right, charges
59:56
behind it and strikes. Go for
59:58
it. Mm-hmm. So that's a a 23. 23. 23
1:00:00
definitely hits, go ahead and roll
1:00:02
damage. So
1:00:07
points of damage. Six points of damage, you it,
1:00:09
OK. And you have your second attack as well.
1:00:11
Yes. This one kind of cleans off the
1:00:13
side, not a heavy hit, and you follow it up a
1:00:15
little little bit with a secondary swing. That's
1:00:18
gonna be a 12. 12, much
1:00:20
better. This one sinks in
1:00:22
very deep. and And the blade is
1:00:24
there, you can feel that vibration on
1:00:26
the blade, almost like within the set
1:00:28
chest of this clay form, there's something
1:00:30
holding it together that is causing this
1:00:32
kind of weird vibration to your weapon in
1:00:35
proximity. Thank you. You your blade
1:00:37
free. And And I believe that concludes
1:00:39
your turn. Let's see how some of your bonus. No, that's it.
1:00:41
All right, it's now its go. After that secondary
1:00:43
swing, and you are no longer in its range,
1:00:45
and it can't even see where you are, Leon.
1:00:47
Yeah, like, Ki and Leon out of its periphery. It's
1:00:49
just going spin around. It doesn't even turn,
1:00:51
like its Its of reform in
1:00:53
the opposite direction, and it's going
1:00:56
to wail on you being strike
1:00:58
on you. That's going to
1:01:00
be a 22 to hit. to hit. The 16 ACs.
1:01:03
ACs. Yeah, and a 24 a 24 to hit. They
1:01:05
both hit you. Oh, great. first
1:01:07
strike is going to be
1:01:09
14 points of bludgeoning damage reduced
1:01:11
to seven. And
1:01:14
oh, that's going to
1:01:17
be 18 points of bludgeoning damage
1:01:19
reduced to nine. So a total of
1:01:21
16 points of damage to you from that round. I
1:01:24
need you to make two more constitution throws
1:01:26
for me. That
1:01:32
was like an 11. OK. And
1:01:35
And... oh, a six.
1:01:38
As with the modifier? Oh yeah,
1:01:40
with with my modifier. OK. The
1:01:43
first blow you kind of like on the
1:01:45
side and it and it you off and
1:01:47
then Your rings a bit on that side
1:01:49
as it batters you with one fist.
1:01:51
other wham Cracks you on
1:01:53
the side of the head, right Where the
1:01:56
the are the face near
1:01:58
the temple as well. Like massive batting ram it
1:02:01
hits. The ringing fills your mind, and
1:02:03
you feel that, like the air being sucked
1:02:05
out of your body again. That
1:02:07
second hit was for points of damage.
1:02:09
Your maximum hit points are reduced
1:02:11
by nine. Oh boy Okay, So even when
1:02:13
you heal up, you can't heal your
1:02:15
nine hit points lower than
1:02:18
your maximum. Wow, okay. It
1:02:21
that shakes you a bit. The idea
1:02:23
that some of your vitality has been
1:02:25
siphoned, or who knows how long, but
1:02:27
it's readying itself another round of pummeling You're
1:02:30
up next. You see this impact have
1:02:32
a profound and strange effect on being who kind
1:02:34
of grasps his chest and pain and in a way
1:02:36
you haven't seen before. What are you doing?
1:02:39
I? I mean, I I
1:02:41
don't know. I I I in got it I
1:02:44
I'm at this point, so
1:02:46
I am gonna give a
1:02:48
more powerful attack. I'm for
1:02:50
it. I want do to do a
1:02:52
freaking You're gonna do
1:02:54
a fireball in this boy. I don't know,
1:02:56
why not? sure all all right. Let's
1:02:58
do it. Let's see what happens. You
1:03:01
you you at the chamber, you see Bing's
1:03:03
proximity to this creature. The fireball
1:03:05
is a large blast radius 20 radius. It will
1:03:07
fill the majority of this chamber. So
1:03:10
you're gonna have to do a little bit of math here to
1:03:12
to from hitting your
1:03:14
friends, Uh-huh, which impossible. I'll
1:03:17
say go ahead and make make
1:03:21
a perception or an arcana check for
1:03:23
me, your choice. Okay, So it's a
1:03:25
d20 and then I'll d20 and then add one to the
1:03:27
other, whichever is higher. Right
1:03:32
20 d20, let's do All right,
1:03:34
great. so about nervously you
1:03:36
feel that that frustration and
1:03:38
you glance up and see the roof of
1:03:40
this room is just enough at a height that
1:03:42
if you were to strike it in the center
1:03:44
in the blast were to explode out, it would hit
1:03:47
the creature and would barely avoid
1:03:49
being long as Bing doesn't jump. With
1:03:52
that, you concentrate and
1:03:54
and unleash bead of
1:03:56
condensed arcane flame up towards
1:03:58
the top as it strikes
1:04:00
strikes, flashes. There's a
1:04:02
moment of silence before it. Blah! Explodes,
1:04:06
filling the chamber with
1:04:08
vibrant, bright flame. Go
1:04:10
ahead and roll 8d6 damage. And
1:04:14
out. Yeah, do we
1:04:16
even have one of those? Oh yeah. Ha
1:04:18
ha ha. The construct definitely
1:04:20
fails in dexterity saving room.
1:04:22
Ha ha ha. Blah!
1:04:24
All right, here
1:04:26
we 22, 23. 23 points of fire
1:04:28
damage. We it. do
1:04:31
you wanna do this? Describe to
1:04:33
me how your fireball consumes
1:04:35
and destroys this construct. Oh, it's
1:04:37
gonna destroy it? You've the
1:04:39
final blow. All right, so
1:04:41
the little the embers are
1:04:43
gonna be like firework -esque
1:04:45
and cascade down and it's
1:04:47
clay So it's just gonna
1:04:49
melt Just be like this
1:04:51
gooey puddle of clay that
1:04:53
just is on the ground
1:04:55
and I'm gonna be like
1:04:57
yeah! Ha ha ha. Maybe a
1:04:59
little too loudly. Ha ha
1:05:01
ha. love it, that's great.
1:05:03
I just shout, yeah! The
1:05:06
kind of descending in the
1:05:08
creature kind of falls and
1:05:10
boils and coalesces in this odd
1:05:12
pile of bubbling brown slop.
1:05:14
All right, surrounding, yeah. The
1:05:16
surrounding vegetation, of course, is
1:05:18
incinerated and blackened. Like, a good
1:05:20
section of this beautiful garden
1:05:22
chamber is now blackened cinders.
1:05:24
Not to mention that the
1:05:27
sound of the detonation. has definitely
1:05:29
reverberated and echoed throughout the tower. You
1:05:31
swear you hear this distant
1:05:33
sound of like an arcane
1:05:35
alarm. It's like whoop, whoop.
1:05:37
Oh, whoop, whoop.
1:05:39
Bing sort of plants his sword and pulls himself
1:05:41
up. He's still a little bit shook. He says, I
1:05:43
think they might have heard that. Ha ha ha. Whoop,
1:05:47
whoop, whoop. feels bad, but doesn't to
1:05:49
admit it and just standing there
1:05:51
silently. Guys, we gotta go. There's
1:05:53
another Thieve party that's now got
1:05:55
a head start on us. So
1:05:57
we gotta get back up there. So
1:06:00
being of puts his sword back to his
1:06:02
back and begins heading the stairs. Yeah, we
1:06:05
head upstairs. Okay. You
1:06:07
dart up the staircase like following the
1:06:09
student as you rush into the next
1:06:11
chamber on the fifth floor. Yeah, this
1:06:14
would be be the fifth floor, I I think. You
1:06:16
head in there, and this is a brass
1:06:20
art decor cluster.
1:06:24
There are multiple pillars with statues
1:06:26
busts all around them. You can
1:06:28
see there are multiple levels with
1:06:30
small miniature that lead to sitting
1:06:32
arrangements. The
1:06:34
further in you look, it looks
1:06:36
like there is a small
1:06:38
laboratory. There are a number
1:06:40
of tables with alchemical contraptions
1:06:43
and odd sparking, kind
1:06:47
of magic tech-looking devices
1:06:49
that light up
1:06:51
that portion of the
1:06:53
room. There
1:06:56
is another, not a staircase,
1:06:58
but a heavy platinum
1:07:01
and brass ladder that leads up to
1:07:03
the floor beyond. And there
1:07:06
you can see there are three
1:07:08
cloaked figures that are in
1:07:10
the process of battling another one
1:07:12
of those clay stone-based stone -based creatures.
1:07:14
Right as you rush in,
1:07:16
you can see them dealing the
1:07:18
final blow to it as it slowly
1:07:22
out to the floor and begins dripping the
1:07:24
stairs towards the central part of
1:07:26
the chamber. can see a number
1:07:28
of these pillars have been toppled and cracked. You can
1:07:30
see these of these art pieces have been shattered
1:07:32
on the ground. In the
1:07:34
air, too, there are these little sparking
1:07:36
wisps of white energy, like dandelions blown
1:07:38
in the sky and they just of drift
1:07:40
on an unseen wind. Bing
1:07:44
drinks the health potion that he's carrying, the
1:07:46
potion of greater healing, just
1:07:48
as they're kind of going up the stairs
1:07:50
and taking in this scene. Got it, So go ahead
1:07:52
and roll roll the hit points for that one, I think it's
1:07:54
D4. it's 4d4 plus
1:07:56
4. Got it. Alright, so it's 484 plus 4.
1:07:58
Got it. I
1:08:02
hate d4. They're
1:08:04
the worst of all the days. Not
1:08:07
too bad. Actually almost to
1:08:09
my to my new maximum HP. We
1:08:14
go up to the other
1:08:16
adventurers and say, hey y'all. As
1:08:19
they turn towards you, you
1:08:21
can see one of them
1:08:23
who has this like mask
1:08:26
across their head, immediately
1:08:29
whistles
1:08:32
and to climb the ladder, looking
1:08:34
down as the other two kind of and
1:08:36
defend as they are starting to climb
1:08:38
up themselves. The one at of them on the elf that
1:08:40
you saw goes, I appreciate the
1:08:42
help back there, but but I you know, being
1:08:46
it is, I guess this
1:08:48
makes us rivals, right? Bing
1:08:50
says, I I don't know, maybe we're here for
1:08:52
different things. The
1:08:54
voice of god goes, I don't think that's
1:08:57
the case. You see the
1:08:59
figure on the top, female formant, like leather
1:09:01
armor, the cloak over there, the bandana
1:09:03
on the side, can see the
1:09:05
horn kind of curled up on this
1:09:07
side, the deep red skin and the
1:09:09
shock of purple hair. Could it
1:09:11
be you, Biana?
1:09:15
You let me
1:09:18
die. I
1:09:22
everything I could to keep you
1:09:24
from how, how is this possible? Shadow Shadow
1:09:26
thieves to have been a bigger friend
1:09:28
than my own brother. Bing's
1:09:31
drops and just speechless. You
1:09:34
can see You can see like, can hear
1:09:37
the metal rung of the ladder like creaking
1:09:39
her fist tenses against it. The
1:09:41
two other thieves, you can now see
1:09:43
there's the elf there and the other one
1:09:45
that around is this kind of rugged looking halfling
1:09:47
with a massive like scar across jaw and face.
1:09:49
What What do you want to do, boss? I
1:09:56
don't know, maybe let them deal with
1:09:58
the dangers of the chamber. And she goes. pulls small
1:10:00
orb from her pouch and tosses it in
1:10:02
the middle of the room. As
1:10:06
it arcs through the air and
1:10:08
lands in the center, it
1:10:10
shatters the bright flash that
1:10:12
of you can't help but
1:10:14
to protect yourselves as the
1:10:16
space settles for a
1:10:18
moment. see this one of
1:10:20
the art pieces in the
1:10:23
middle. It was this
1:10:25
glass orb that contained a
1:10:27
glowing yellow energy, to
1:10:29
have shattered, and from
1:10:31
it this yellowish ooze begins
1:10:34
to gather up into
1:10:36
some sort of aggressive
1:10:39
sentience. The other group
1:10:41
begins to climb the ladder behind her and she
1:10:43
goes, well, I guess I'll race
1:10:45
you to the top. As she
1:10:47
climbs and descends to the next chamber, this
1:10:50
massive ochre begins to
1:10:52
slowly lumber in
1:10:54
your direction. And
1:11:02
I think that is
1:11:05
we're going to pick up on our next session.
1:11:07
Beautiful. Beautiful.
1:11:10
Beautiful. Yay. up
1:11:21
Quest on Triple
1:11:26
Quest written by Matthew Mercer with
1:11:28
improvisational assistance by Jason Schreier,
1:11:30
Maddie Myers and me, Kirk
1:11:32
Hamilton. I edited and the show
1:11:34
and also wrote and performed the
1:11:36
I that It was by me, Jason,
1:11:39
and Maddie always. We were
1:11:41
only able to afford to hire Matt to
1:11:43
run this game because of the generous support
1:11:45
of our Maximum Fun members, so if that's you, thank
1:11:47
you so much. And if you'd like to help
1:11:49
it possible for us to do things like
1:11:51
this in the future, consider becoming a member
1:11:53
at MaximumFun .org. slash join. Okay,
1:11:55
we've made it this far, but are
1:11:57
we ready for what lies ahead? Can
1:12:00
Can we face the future while
1:12:02
exercising the ghosts of our past? Find
1:12:04
out next month on the grand finale
1:12:06
of Triple Quest.
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