Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics.

Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, [THE BEAUTY AND THE HORROR](www.weirdosphere.org), starting June 20th.

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RERERENCES

Orson Welles, F for Fake Gilles Deleuze Cinema 2 Elmyr de Hory, art forger Clifford Irving, American writer Howard Hughes, American aerospace engineer David Thomson, Biographical Dictionary of Film David Thomson, Rosebud: The Story of Orson Welles Pauline Kael, Raising Kane “War of the Worlds” radio drama The Farm Podcast, “Horror Hosts, Films & Other Strange Realities w/ David Metcalfe, Conspirinormal & Recluse” Orson Welles - Interview with Michael Parkinson (BBC 1974) Geoffrey Cornelius, Cornelius Victoria Nelson, Secret Life of Puppets Lionel Snell, My Years of Magical Thinking Sokal affair, hoax Werner Herzog, “Minnesota Declaration”

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