Episode Transcript
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This is a head gum
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Nicole buyer here before we get started
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and make sure to subscribe. Tap that
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bell icon and never miss an
1:17
update. Okay now under the show
1:19
hit that theme music that I sing
1:21
myself. another
1:47
episode of Why Won't You Date
1:49
Me a Podcast or Me, Nicole
1:51
Byer, was trying to figure out
1:53
why I was so single even
1:55
though you could come on my
1:57
nightstand and say that's a sleep.
1:59
I'm so excited that he's here
2:01
today. Is a legendary actor, comedian,
2:03
singer, and improviser. And you know
2:05
him from whose line is it
2:07
anyway? Let's make a deal. End
2:09
the Wayne Brady show. He is
2:11
the host of a brand new
2:14
podcast called What If. Out now
2:16
on head gum. I'm so excited
2:18
that he's here today. It's Wayne.
2:27
Man, I hope those sound effects
2:29
translated at home. They did. And
2:31
people listening, they got so excited. Wayne,
2:34
I'm sure you've been asked this one
2:36
thousand times, but I don't know the
2:38
answer and I'm gonna ask again. Does
2:40
Wayne Brady have to choke a bitch?
2:42
Has that haunted your life? You know,
2:44
for a time, for a few years,
2:46
it was all the time. And it's
2:49
a double-edged sword like anything, right? That
2:51
you... how cool to be to have
2:53
something tied to you. But then again,
2:55
you're like, sometimes you're like, we can
2:57
stop that now. We can stop, I
3:00
just want to get my, I just
3:02
want to pee and go. Yeah, I just
3:04
want to pee and go. Yeah, I
3:06
just want to pee and go. And
3:08
yeah, and if you are going to
3:10
quote something, which I'm glad that's the
3:12
only thing that I've really had tied
3:14
to be where someone has a catch
3:16
phrase. Say it right. Say it right.
3:18
Is Wayne Brady have to strangle somebody?
3:21
I was like, well, now you just
3:23
made it more violent than the, than
3:25
the fun time it was. Right. Does
3:28
Wayne Brady got to kill a nice
3:30
woman at night trying to jog? Yeah,
3:32
she was like, I don't want to
3:34
do that. She was just trying to
3:36
enjoy her little jog and be fit.
3:38
Don't turn means a murderer. So, so
3:40
yes. But, but how, how cool to, to,
3:43
to be tied to something that, that
3:45
sketches in the, um, The TV and
3:48
radio museum Like
3:50
the library at Congress
3:52
as one of the the
3:54
the the the best TV
3:57
moments. I mean it is
3:59
in history That's ridiculous.
4:01
It's very funny. Yeah,
4:03
yeah, it was very funny.
4:05
So Wayne, I do want to ask,
4:08
are you single? Are you married?
4:10
Are you dating? I'm going to
4:12
be coy. I'm single. And I
4:15
know that you're not on the
4:17
apps yet. I'm not on the
4:19
apps yet. Do you wish to get
4:21
on them? I'm playing with it.
4:23
I'm playing with it. I
4:25
think I have this fantasy
4:27
of where... I go on the apps,
4:30
but I'm too lazy to make
4:32
the profile. First off, let's start
4:34
there. I'm a very industrious
4:36
person. My folks are from
4:38
the U.S. Virgin Islands, so
4:40
you know, if you know
4:42
any island people in your
4:44
life, we are an industrious
4:46
people, except when it comes
4:49
to things like social media
4:51
or paperwork. I can't be
4:53
bothered. So for me to actually
4:56
on a app, put down... I can't...
4:58
I'm imagining the work that it
5:00
would take. Now, I've never seen
5:02
it, so maybe it's not
5:04
as much work as I
5:06
think. It isn't that much
5:08
work. It's just you answer
5:10
some prompts on some apps,
5:12
some apps. It's just like,
5:14
about me. And you're like,
5:16
I like to do X, Y, and
5:19
Z. And then you just like get,
5:21
and then you upload pictures
5:24
and then you get to swiping.
5:26
Yes. Which is the, I guess
5:28
it's the industry one, the like, I
5:30
did a thing one time one, but
5:32
it did, I don't think you'll get
5:34
wait listed. I was wait listed for,
5:36
I think it was two years, Mars,
5:38
I don't remember how long it was.
5:40
I think so, yeah. It was like
5:42
two years, but I don't think you'll
5:44
get wait listed. I think, you know,
5:46
I think that someone, not me, but
5:49
someone from my. my camp as we
5:51
reached out and started the process and
5:53
I believe maybe I've got access I
5:56
could be completely wrong but I'm gonna
5:58
follow up and see. Okay. And here's
6:00
the thing, I kind of feel, if
6:03
I wanted to date an
6:05
actor, again, because I've dated
6:07
actors and peers, folks that
6:09
I've done stuff with, and
6:11
I've dated people who aren't.
6:13
And maybe you've discovered
6:15
this in your life. The Catch-22
6:17
is, you date someone who
6:19
knows what you do because, oh,
6:21
they get me. But then, there
6:24
are inherent problems. And then you
6:26
date someone who isn't. And then
6:28
either they don't get it, or the
6:31
thing that I've run into in
6:33
the past is, because you have
6:35
a level of notoriety or name
6:38
recognition, that person comes built
6:40
in with assumptions of what it
6:43
is that you do. And my
6:45
thing has been meeting someone
6:47
who it's been cool until
6:49
they do the thing of, oh. You're
6:52
on TV? And you're
6:54
like, oh wow, she
6:56
doesn't have any preconceived
6:58
notions in it. And then
7:00
later like, I was playing. I
7:02
love all your shit. And I
7:04
like when do something to make
7:06
me laugh. I go, oh. And
7:08
I've actually had that
7:11
conversation. And then I've
7:13
also been told, you know,
7:15
you're not as much fun as
7:17
you are on TV. I go. No,
7:20
because that's my job.
7:22
Well, your job is to make
7:24
me happy. I'm like, oh, well,
7:26
then I quit. Oh, I resign.
7:28
I put in my jolics,
7:30
but I'm leaving today. Yep.
7:33
Oh, that's tough. I've never,
7:35
I don't think I've had
7:37
anyone say that I was less
7:39
fun than I was. I've had
7:42
people be like, oh. You there doesn't
7:44
seem to be a distinction
7:46
Because I'll do dumb shit
7:48
like put my dog in
7:51
my pants and be like
7:53
look it's a new baby morn
7:55
And they're like okay,
7:58
sometimes they're like You're
8:00
weirder than I thought you were
8:03
gonna be. I love that. Yeah,
8:05
see, but your weird is endearing
8:07
weird. And so I think
8:09
that that would be wonderful.
8:11
I think it's a shock.
8:14
And I get it. I
8:16
completely own up to the
8:18
fact that I am two
8:20
completely different people off camera.
8:22
Because I just know that
8:24
about myself. I am waning.
8:27
But then off camera. I'm
8:29
pretty... I'm not gonna say I...
8:32
I'm... I hide in the... in the... in
8:34
the corner and... and don't
8:36
turn on the light! You're just
8:38
in the dark, being the
8:41
guy away. Leave me alone!
8:43
Then my precious! But I do
8:45
like quiet. I do... And that's,
8:47
you know, and that's just
8:50
my own thing, the way that I've
8:52
always been since I was
8:55
a kid. For me, comedy
8:57
and acting... and being extroverted in
8:59
that way, even music. That was my
9:01
outlet of being able to express myself
9:04
or to get that little thing. And
9:06
then I get to be Wayne over
9:08
here, which is why I always wanted
9:10
to play characters. So that's why it's
9:13
weird when you become known for, oh,
9:15
that's Wayne Brady from the thing. And
9:17
Wayne Brady's a character too. So when
9:19
I meet someone and you try to date,
9:22
I kind of have to put the
9:24
Wayne Brady character on to even meet
9:26
them and to... interact, and then later
9:28
I'm like, ugh, fuck this. Here comes
9:30
the mask. And I was like, I'm
9:32
gonna sit and read my book now.
9:34
That does seem exhausting, and I do get
9:36
it, and I was once dating this guy.
9:39
This is a while ago. And I like
9:41
come home from, I was working a job,
9:43
we were shooting something, and I came home
9:45
and he was like, how was your day?
9:48
And I was telling him and I was
9:50
like, I'm sorry, this is like not interesting.
9:52
And he's like, you're not here to entertain
9:54
me. And I was like, oh. And then
9:56
that just like really kind of flipped
9:59
a little switch. to you. Yes. And
10:01
I was like, it was until
10:03
it wasn't. It got bad and
10:05
I stayed. Oh, no. You kept
10:07
riding the trolley. I said, let's
10:09
see where the train's gonna
10:11
crash. And then much like
10:13
in the fugitive, I jumped
10:16
out. Not even that's that's
10:18
very telling. When somebody's on
10:20
the shit, you're like. This
10:22
is going to crash. Not
10:24
this is bad. No, I've seen
10:26
relationships where I've dated multiple people
10:28
where I was like, oh, this person
10:31
hates me. Or doesn't like my little
10:33
quirks. I'm a late person. I'm always
10:35
late and I've dated people who are like,
10:37
who just like say snide things when I'd
10:39
show up like 10 minutes late. Oh, well,
10:41
you're here. Yeah, yeah. I am here. And
10:44
they're like, well, I waited. I waited. I
10:46
waited a long time. And I'm like, you
10:48
only waited 10 minutes. I'm sorry. I also
10:50
told you I was running late. So like,
10:52
it's one of those things were like, I am.
10:54
See we have like the opposite thing.
10:56
I'm a lot and I come on
10:58
strong I wear my heart on my
11:01
sleeve. I'll tell you all of my
11:03
feelings And a lot of people I've
11:05
dated are like I don't want that
11:07
I don't I don't want someone who
11:09
feels as much as you who is
11:12
as loud as you I just don't
11:14
want it. See that that's the
11:16
weird thing about dating, right?
11:18
And I also guess it depends
11:20
on which section of your life
11:23
you're in the 20s 30s 40s and on
11:25
like how all that works out because
11:27
when I hear you say that you were
11:29
your heart heart on your sleeve and you
11:31
even just in knowing you the couple
11:33
times that we've met I feel that
11:35
if you were the person that I'm that I
11:38
know what I'm getting if I so
11:40
and maybe you might be different maybe
11:42
you then shut off and you're quiet
11:44
at home but if you're like this
11:46
all the time I've met that person. So
11:48
why should I be surprised that you're
11:50
that person? So two months in, why
11:52
am I yelling at you? I don't
11:55
understand when people don't accept
11:57
you. I don't get it either, but I think
11:59
it might... to do with like, I
12:01
think when people are with
12:03
you, they're like, why aren't
12:05
you Wayne Brady all the
12:08
time? Why? And then when
12:10
people are with me, they're
12:12
like, why aren't, why don't
12:14
you turn off sometimes? Like,
12:16
why aren't you, why don't I
12:19
get to see the real Nicole
12:21
where I'm like, this is
12:23
the real Nicole? They should
12:25
listen to you that, that if
12:27
you tell, tell somebody. Hey, this
12:29
is me. That person should
12:32
get the memo. Yes, they should.
12:34
I once said to my boyfriend,
12:36
I was like, I'm really anxious
12:38
in relationships. And he looked at
12:41
me and he said, yes, I
12:43
know. And I was like, oh,
12:45
I thought I was being a
12:47
little mysterious and I simply wasn't.
12:49
Now that's the person that
12:52
you're with now? Yeah. And how
12:54
long have you dated? It's been
12:56
a minute. It's been over
12:58
six months. And yeah, it's
13:00
going well and he's
13:02
one of those people
13:05
who It's he accepts me
13:07
for me like once we
13:10
were in the car and I
13:12
had just gotten I least another
13:14
Jeep and we were driving and
13:16
I was like, oh, I just
13:18
can't listen to serious XM because
13:20
I'll get used to it. And
13:22
then I'll be mad when my
13:24
free package goes away. And that's
13:27
how they rope you in. I
13:29
was just driving along. And then
13:31
he goes, I like when you
13:33
say things like that. It's nice to
13:35
know how your brain works. That makes
13:37
me so happy to hear that you
13:39
would have that because we all, we
13:42
all deserve that. Yes. that thing that
13:44
like somebody that gets what it is
13:46
versus oh I really wish you
13:48
wouldn't say that because I've been
13:51
that guy in a relationship that
13:53
not like in that way of trying
13:55
to shit on somebody yeah but I
13:57
know that I've been in a relationship
14:00
with somebody where at some
14:02
point I didn't like what was
14:04
coming across? Yes. And I had
14:06
to be honest because I didn't
14:08
like me not liking them if
14:10
that makes sense. Because you should
14:12
be free. You should be free
14:14
to be you. You don't need
14:16
me or anybody policing you because
14:19
I don't want that. Yeah. And
14:21
I don't think there's anything
14:23
wrong with saying to your
14:25
partner, hey, please don't scream in
14:27
my ear. Scream all you want, just
14:29
turn your mouth that way or whatever. Because
14:32
sometimes I do scream right in his
14:34
ear and he'll be like, hey, I'm like,
14:36
sorry, yes, I scream that way now.
14:38
But there's a difference between him
14:40
disliking you screaming in his ear
14:42
and you screaming in general. Yes.
14:45
That if he was just like, whether
14:47
it's in my ear or whether it's
14:49
over there, would you please stop? Yes.
14:51
That's a problem, because that
14:53
means you fundamentally don't like
14:55
me as a person. In dating, we
14:57
tend to just be like, whether the
14:59
person's like famous or whatever, it's like,
15:01
I guess I'll just try to change
15:04
them so they become this person that
15:06
I want. And that's not okay. No.
15:08
I've tried, I've had people try to
15:10
change me, I've tried to change people,
15:12
just by being like, hey, I looked
15:14
this up, why don't you do that?
15:16
You were talking about it, I did
15:19
the work for you, you know, here
15:21
you could try this like. You want
15:23
to go to the gym? I found
15:25
a gym that fits your criteria. It's
15:27
in walking, and it's like nobody wants
15:29
that. Like they want to do things
15:31
on their own. They just want to be
15:34
in a partnership. Say they want something like
15:36
that, but at the end of the day, no.
15:38
Yeah. No. Real quick, we have to take a break.
15:47
Can we take a moment to talk about
15:49
underwear? Because I've got some thoughts. You see,
15:51
okay, bras usually drive me up the wall,
15:53
they're tight and weird places, the strap, the
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fabric's all scratchy, and by the end of
15:57
the day, I'm like ripping it off. I
16:00
finally tried that fits everybody's brawlet
16:02
from skims and it's, muh, actually
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good, like really, really good. You
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see, I've got it, be a
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little titties. So I am very
16:11
picky about brawlets. Most of them
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either do nothing or they feel
16:15
like overkill, but this one, the
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band is supportive without feeling stiff.
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The fabric, mmm, it's buttery soft
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and it feels like it was
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made just for me. I forget
16:26
that I'm even wearing this podcast.
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or domain. You've been in,
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you have children, right? I have
18:19
two. I have two kids. One is
18:21
my daughter Myle, who's 22,
18:23
and she's amazing, beautifully
18:26
talented writer, singer,
18:28
singer, blah, blah, blah.
18:30
And I have a
18:32
two-year-old. A two-year-old? A
18:34
two-year-old named Val. You
18:36
started right over. I did.
18:38
What's that like having a 20?
18:41
You said 22? A 22-year-old.
18:43
And then a two-year-old.
18:45
That's wild. It is. It is.
18:48
It is a different energy. I'm
18:50
definitely a different
18:52
person at my age now than
18:55
I was at 30 when when
18:57
Miley was born. So chasing
18:59
around after a two-year-old, you
19:01
know, I'm I can keep up,
19:03
but I don't want to. You
19:05
get over there that you'll
19:07
come back eventually. It's
19:10
like, oh look, daddy's chasing
19:12
you, run, run, run, run, run,
19:14
run, run away, I'm going to
19:17
arrest my eyes. Oh lord.
19:19
Daddy's resting now. It's interesting.
19:22
It's interesting, but I love
19:24
being a father. So even in
19:27
dating, it's the... Even in
19:29
dating now, I'm not... Because
19:31
my criteria has changed.
19:33
What is your criteria?
19:35
I don't even know exactly anymore.
19:37
That's even the thing. And
19:40
I don't even really know
19:42
if I want to date?
19:44
Okay. I kind of feel
19:46
that... Maybe I need to be open
19:48
to it. I am single. And then
19:50
you end up having the talks with
19:52
yourself. We're like, oh, I'm getting older
19:54
and I don't know if I'm anybody
19:56
wants me and I'll just sit here
19:58
in my rocking chair. So I think
20:00
my criteria now would be somebody who,
20:03
like we way we're talking, somebody who
20:05
accepts my box in my box of
20:07
shorts. I like being, so I don't
20:09
know. I'm trying to be open to
20:11
it because I'm trying to be more
20:14
open to life and love and you
20:16
know, all that good stuff. So I
20:18
think my criteria now would be somebody
20:20
who, like we way we're talking, somebody
20:23
who accepts my life. They'd have to
20:25
be open to knowing that. My schedule
20:27
is what it is. I happen to be
20:29
very lucky that I'm very busy. They
20:31
have to be open to the fact
20:33
that when I'm not busy, I need time
20:36
for myself. They have to be
20:38
open that I have a very,
20:40
very tightly knit family that they
20:42
can see on my show that's
20:44
on Hulu called Wayne Brady the
20:46
family remix. The reality show about
20:48
my family. My ex-wife Mandy is
20:51
my best friend. Her partner Jason
20:53
is like my brother. They've got
20:55
a kid named Sunny. How did that,
20:57
was it a natural evolution from being
20:59
romantic partners to then being like,
21:01
you were my best friend? And
21:03
was it an amicle breakup? Was
21:05
it the two of you being
21:08
like, yes, just isn't working? Kind
21:10
of the whole thing. We met and
21:12
we were always, we were fast friends.
21:14
And we moved out to LA together.
21:16
We had a goal. So when you
21:18
meet someone and the two of you
21:21
just vibe on the creative thing of,
21:23
we're gonna move to LA to do
21:25
this together. when we moved out she
21:27
was a she wanted to dance and
21:30
she became a professional dancer and model
21:32
and I wanted to act and I
21:34
was auditioning and acting and singing dancing
21:37
the whole nine and so we came
21:39
out as a unified front and
21:41
then that became more romantic and
21:43
we felt love and and then
21:46
then we reached a point where after
21:48
we had our child we were not
21:50
meant to be together and talk
21:52
about the train. I never
21:54
pictured being on
21:57
a train that was
21:59
going to... go off the bridges
22:01
and explode. And I didn't know how
22:03
to get off that train because
22:05
I had it drilled into my
22:07
head. If you get married, and this
22:09
is it, and especially around the
22:11
time that I started to take
22:13
off a little bit, everyone's like,
22:16
oh, Wayne's got a perfect
22:18
relationship. And I didn't want
22:20
to fail. I didn't want
22:22
to fail. And I think we
22:24
get trapped in relationships, or we
22:26
may trap other people sometimes. If
22:29
I let you go, then I failed.
22:31
Then I failed. Yeah, I'm
22:33
bad and all the things.
22:35
This is coming from years
22:37
of therapy. All of those
22:39
things that you may hear as
22:41
a child or that you take
22:44
in, I didn't want to
22:46
fail. So if I would have
22:48
actually used better sense
22:50
and been more empathic
22:53
and loving, I probably
22:55
should have tried to... get
22:57
a divorce earlier rather than
22:59
write it out stick it out with
23:02
me I'm in and make your
23:04
life miserable and make me
23:06
miserable so I make your life
23:08
more miserable and we got
23:10
a kid and so after we
23:13
sorted that out there was
23:15
always love and then we said
23:17
no matter what we're going to
23:19
be family because we're gonna
23:21
do this As opposed
23:24
to some people say, let's be
23:26
friends or let's take this out
23:28
for the child. We said, we're
23:31
going to do this because we
23:33
need to keep our relationship and
23:35
she will prosper if we
23:37
are on the same page.
23:39
And shout out to Mandy, she
23:41
is the reason that we stayed
23:44
friends. She did a lot of
23:46
the grunt work and put up
23:48
with me and a lot of...
23:50
me needing a lot of therapy
23:52
and to talk things out and
23:54
to try to develop and
23:57
really mature and grow up and
23:59
and I do a lot of the
24:01
parenting work that I didn't have as
24:03
a kid. I needed to parent myself
24:05
and change the way that I did things.
24:07
And it paid off. We are still a team. I
24:09
love that. I think that's really
24:11
great because I feel like sometimes
24:13
people end relationships and they're like,
24:15
I fucking hate that person. It's
24:17
like, but there was love there
24:20
at one point. And especially if
24:22
you have to co-parent, but like...
24:24
Just in general, I never want
24:26
to break up with somebody and
24:28
then be like, I wish them
24:30
ill, well, like I always want
24:32
to be like, I loved you,
24:34
I wish you the best, but
24:36
like this didn't work out. So
24:38
I like to hear that, like, you
24:41
know, that worked out for you
24:43
guys. So you were telling
24:45
me before we started recording
24:48
that you started musical theater
24:50
to get the chicks. When
24:52
did you start musical
24:55
theater and you had a stutter
24:57
and then on stage it
24:59
went away? Yeah, yeah, I and this
25:02
is where that other Wayne
25:04
that's off stage. I've always
25:06
been an introverted
25:08
little kid. I was always
25:10
very shy and leery of
25:13
things and didn't want to
25:15
engage. I knew that I
25:17
was very different or I felt
25:19
that I was very different from a lot
25:21
of the kids in my neighborhood and the
25:24
things that I wanted or I liked and
25:26
and my folks like I said were from
25:28
the Virgin Islands and raised me so they
25:31
had very strong accents so I had this
25:33
accent when I was a kid and I
25:35
think because of anxiety I had a really
25:37
bad stutter so that made me not
25:39
want to communicate even more. So yeah
25:41
when when you open your mouth and
25:44
you try to say something and it gets
25:46
laughed at and you try to do
25:48
something you get laughed at or you
25:50
have to fight and I was in
25:52
constant fights all the time because in
25:54
my household I couldn't it's like
25:56
when you you beat her ass if she
25:58
hit you so I to go back outside
26:01
and fight if this kid was told
26:03
to beat her ass. I was told to fight
26:05
you. I'm not going to. So always
26:07
fighting. And just so I always had
26:09
all this. Like tension I always had
26:11
that so it wasn't until and I
26:14
knew that I could sing and dance
26:16
and act because I would do it in
26:18
my room and I had this tape
26:20
recorder that my dad got me and
26:22
I would read books I read everything
26:24
and I would do all the voices
26:27
so I'd record myself doing voices singing
26:29
songs and but I kept it
26:31
to myself until I would also do
26:33
that right when I played it I'd
26:35
be like so I can't sing like
26:37
I would sing And I'd be like,
26:39
I'm killing it and then listen
26:42
back and be like, well, that's
26:44
not, that's not me. You
26:46
had early discernment. Truly. You're
26:49
like, who know? Isn't that
26:51
good? Sorry, so you're, you knew
26:53
you could say, and you could
26:55
damn. But I kept it to
26:57
myself for a long time, and
27:00
it wasn't until I was like
27:02
16, and there was, and I
27:04
had to take, take a speech and
27:06
debate. to fulfill one of the
27:08
art requirements, and I was in ROTC. And
27:11
even being in ROTC was cool for me
27:13
because, A, it helped me have something in
27:15
common with my dad, because my dad was
27:17
in the army, and he was like the
27:19
epitome of GIGO. And I wanted to try
27:22
to fit in with him, and in my
27:24
mind, it wasn't a uniform. It's a costume.
27:26
I'm on stage, and I love the
27:28
marching. I used to love it. This
27:30
sounds so funny so funny. I was
27:32
marching, like, left, left, right, left. I
27:34
was like, oh shit, look at me
27:36
march, look at me march. My hands
27:39
are swinging. My hands are swinging. So
27:41
funny. There, that's exactly how I would
27:43
be if I had to wear like
27:45
army fatigues. I'd be like, yes. You
27:47
can't see me. You are playing a
27:49
role. I used to sing in my
27:51
head like the soundtrack is where March.
27:54
Marching, marching. So I loved that.
27:56
And but then I really wanted to
27:58
be in to be in theater. class
28:00
and my life changed it was like
28:02
one of those after school special moments
28:04
I was like I'm in the theater
28:06
class and then I met this girl
28:08
Sandy who they were having auditions for
28:10
Oklahoma and I thought that Sandy was
28:13
so nice and so pretty and that
28:15
it up and but she was the
28:17
star of the course and she sang I
28:19
said oh I've got to get in that show
28:21
and and I was asked do you do you
28:23
sing I'd never sung a lick in front of
28:25
anybody and went yes because my
28:28
grandmother had all these records and
28:30
she used to play Westside Story.
28:33
So I sang Maria and I
28:35
got one of the leads in
28:37
Oklahoma. And I did end up
28:39
being Sandy's boyfriend, but the
28:42
best part of the thing was I
28:44
went, oh, I guess I can do this. I
28:46
love when people stumble into a passion.
28:48
It's so fun. Also very billy elit
28:50
of you to just like be in
28:53
your room dancing and singing. I got
28:55
into this like Instagram hole where I
28:57
was watching this woman. She's wearing LaDuka
28:59
shoes. It's a damn shit. Yes, of
29:01
course. I know LaDuka. Yeah. And she
29:03
was like, she was talking about her like
29:06
limited edition LaDuka's. And then I was
29:08
like, well, let me look at the
29:10
rest of her page. And then she
29:12
does like. I guess she calls it
29:14
Broadway jazz dancing, and she's like, it's
29:16
a dying art form, and I was
29:18
like, it is. And I was like,
29:20
how do we get this to the masses?
29:22
How do we get people to put
29:24
on La Dukas and do Fosse? She's
29:26
like, yes. I mean, if I had
29:29
any sort of rhythm, I would take
29:31
a Broadway jazz class. I. Love musical
29:33
theater. I cannot sing I cannot dance,
29:36
but I can be an onry old
29:38
lady who's like hey, what's up with
29:40
those kids today? Which is what
29:42
I did in that by Bernie.
29:44
That's the other musical that I
29:47
was in high school. Oh really?
29:49
Were you Conrad Bertie? No, it's
29:51
Albert Peterson. Oh, okay. Who were
29:53
you? I was just in the course.
29:55
You're one of the parents. What's
29:57
the matter with kids today. I,
30:00
I, okay, so there is a
30:02
tape that is in my
30:04
house of me and God
30:06
spell where I sing. I
30:09
was saying turn back, oh
30:11
man, and I'm 17 years
30:13
old. I have a red
30:15
feather, have I talked about
30:17
this? I have a red
30:19
feather boa. I sat on
30:22
somebody's dad's lap and leaned
30:24
back and saying, turn back,
30:26
oh man, for swear I
30:28
foolish. And then was like
30:30
shaking my fucking little
30:33
titties. On this dad.
30:35
And people loved it. And
30:37
a star is born, ladies and gentlemen.
30:40
And I never sing publicly again. Well,
30:42
you went out on top. That's how you have
30:44
to look at it. You went out on top. God,
30:46
I have such a special place in my
30:48
heart for God. Have you ever been in
30:50
Godspell? No, I've seen it a couple times. Day
30:52
by day. In fact, the last time that I
30:55
saw God spell, that cast was amazing. It was
30:57
the Broadway cast where, um. I'm going
30:59
to butcher her name so instead I'll
31:01
say the show that she's from and
31:03
you know who I'm talking about. Orange
31:06
is the new black. Yes. Crazy eyes.
31:08
Yes, a du, a dubo? A dubo? A
31:10
dubo? I don't, I'm not sure about her
31:12
last name. Her. Yes. That's where that
31:14
was that I saw her in the
31:16
cast and my buddy Telly who I
31:19
ended up doing rent with at the
31:21
Hollywood Bowl who played Angel and
31:23
a bunch of other stars but she
31:25
was in rent. Live in the hell.
31:27
I tried learning that song.
31:29
I love that song. I
31:31
tried so hard to learn
31:34
that song. I love it.
31:36
It's so good. So you're
31:38
like the reprise or
31:40
you're like the first one?
31:43
Oh, the reprise. Come on.
31:45
It is so bone chilling.
31:48
And every time I've ever
31:50
seen it live, I weep
31:52
openly weep. Oh. It's great. It's the
31:54
thing and see even the way that when
31:56
you talk about musical theater you
31:59
watching something that's why
32:01
that spark which is why
32:03
I think I told told you once
32:05
that I have I feel like
32:07
I have no game. So I
32:10
would just let my
32:12
talent be my game. So
32:14
that's why it was easier
32:16
for me to meet somebody
32:18
if I was in a
32:20
show. Yes. So I didn't have
32:22
to do a lot of the
32:24
socially awkward work. The
32:27
show does the heavy. I
32:29
like video games. Have you played
32:32
video? Wait, what's your favorite
32:34
video game? Right now, on
32:36
my Oculus, I'm in VR,
32:38
did Mars just gas? Did
32:40
Mars just gas? Did I hear
32:42
a gasp of the octopus?
32:44
She does beat saber. I love
32:46
beat saber. I love beat saber.
32:48
Beat saber. It's great. We should
32:51
play beat saber together. I'd
32:53
love to bring into the
32:55
studio sometime. That's because
32:57
you can play with your
32:59
friends online. I'm not a video
33:02
game connoisseur. Oh my gosh. I've
33:04
only played. Aladdin, Sonic,
33:06
and Donkey Kong. Oh, you,
33:08
those are the old school game.
33:10
When I was a kid, I
33:13
would play. See, I like playing
33:15
the things now, like, I like
33:17
VR, or I'm playing Call of
33:19
Duty, Black, Black Op, Sick, the
33:21
zombie mode, I play Fort, Fortnite,
33:24
but I've stopped playing some of
33:26
those multiplayer games because I realize
33:28
that at my age, A, I
33:30
don't need to be angry with
33:32
some... Little kid in Iowa
33:34
who decides to break out the
33:36
n-word that's wild to me I
33:39
went on a kill kill streak
33:41
it's wild but people like that's
33:43
where I'm gonna say it on
33:45
a video game where I'll have a
33:48
nice time and that's the fact
33:50
that that's the word that goes
33:52
boop it's like slot it's like
33:54
why did you have that primed
33:56
I don't it's it's it's it's
33:59
interesting America's a really
34:02
interesting place. And
34:04
sometimes the excuses, well,
34:07
I didn't even know that
34:09
that person was black. I
34:11
just said, it's like, why are
34:13
you just saying it? Why is
34:15
it in the chamber? Why is
34:17
it in the chamber? It's
34:20
because of internalized
34:22
racism that our
34:24
country refuses to acknowledge.
34:26
And oh, we're back. What
34:29
is one of your favorite
34:31
musical theater parts that you've
34:33
gotten to play? Without a doubt,
34:35
Lola in Kinky Boots. Kinky
34:37
Boots is such a fun, vibrant show.
34:40
It is, did you do your
34:42
own makeup? Like, do you? Oh no,
34:44
no, no. You did it on Broadway,
34:46
right? And, and here. But, but I
34:48
replaced, I was the second one I replaced
34:51
Billy Porter. So I got to,
34:53
like, it was still a fresh
34:55
roll. Now I could do my own
34:57
makeup ish. Yeah, but they
34:59
hire amazing Make-up artists
35:02
to be able to achieve
35:04
a very specific look and
35:06
Yeah, and what's weird is
35:08
like Doing kinky boots
35:10
talk about letting the
35:12
talent do the work. Yeah, they
35:15
were oh my god even doing
35:17
that show though. I'm you know,
35:19
I'm six foot in heels. I'm
35:21
six four I was singing and
35:23
dancing on stage and a British
35:25
accent, doing all this stuff. So
35:27
many DMs in my inbox, women
35:30
just like, I just saw you
35:32
on stage as Lola. Mmm, we'll
35:34
get you out of them tight.
35:37
Take off that wig and we
35:39
snatch that wig off bitch. We
35:41
get that red dress off. It's
35:43
like, oh no! That was... That's
35:46
so funny. But also very
35:48
indicative of like a woman
35:50
being like... This man makes me feel
35:52
so safe. I don't care what the fuck
35:55
he's wearing. I'm gonna rip it off. Right?
35:57
Oh, I'm gonna have my way with that
35:59
safe man. What was it like learning
36:01
how to dance in heels? It was
36:03
amazing. It gave me so much
36:06
respect, which I already had respect
36:08
for female performers and for
36:10
women at large in terms
36:12
of when, like you were saying, you
36:14
know, when you dated someone, you're
36:17
late. Look, the amount of work
36:19
that women feel sometimes they have
36:21
to put in. for the male gaze
36:23
and to be ready for us to
36:25
go out so on a cute little
36:27
date and you would have put on
36:29
your heels. Oh I've got these great
36:32
little little luiva tones and the red
36:34
bodice. Good for you. Be a little
36:36
late sometimes. Learning to walk, not even
36:38
dance. Learning to walk and even the
36:40
baby heals. It's a different set
36:42
of muscles. My from having to
36:44
arch. Because I've got a flat
36:46
foot, thanks dad. My arch was all
36:49
messed up, my heels were always engaged,
36:51
my thighs, my IT bands were going,
36:53
what the fuck are you doing? Everything,
36:55
it hurt, in fact, it hurt so
36:57
much. After the first day of rehearsal,
37:00
I flew to New York, I knew
37:02
all the music, and I'm rehearsing. And
37:04
then they go, oh, you're such a
37:06
quick study, because they taught me the
37:08
first number, land of Lola, I learned
37:11
of dance, killing it. Great, let's,
37:13
Let's put on the
37:15
rehearsal heels and try it.
37:17
Okay, let's try. We rehearsed
37:20
for four hours. Oh my
37:22
God. I went back to
37:24
my hotel room, took my
37:26
feet off, and my feet
37:28
were like this. Just pulsing.
37:30
You could see it. And
37:33
I picked up the phone. And
37:35
I called my agent. I
37:37
said, hey Kevin. I
37:39
don't think I can do this. And it really
37:41
hurts me. Because I love the show, but I
37:43
think I have to go home. I think not
37:45
only can I not do the show, I have to
37:48
leave the state. I think I have to leave the
37:50
state. I have to leave the state. I have
37:52
to get on a plane to go back
37:54
to my place of residence. And I've never
37:56
done that. But I honestly couldn't see past
37:58
the pain of this moment. I was like,
38:00
how, you tell me how I'm gonna
38:03
do this. And luckily, ice and
38:05
I stuck it through, but kudos
38:07
to women, kudos to Beyonce. I
38:10
mean, it's a, no, no, no,
38:12
no, no, no, no, it's, it's,
38:14
it's wild. Wild. Wild whenever I
38:17
see shit like that. I wish,
38:19
I wish I had that. But
38:21
again, I don't have the
38:24
rhythm. But it's nuts, because
38:26
in those heels, and I've
38:28
always. in those heels and
38:30
insert and and I'm in
38:32
a dress and wig the whole
38:34
thing but powerful I felt super
38:36
powerful very empowered I think
38:38
it was really cool I
38:40
think men should dawn a wig
38:42
and heels and then just like
38:45
feel pretty well here's the thing
38:47
did you know Nicole that it's
38:49
so funny how the masculinity
38:51
everybody's like guys won't
38:54
even carry wait where's mine
38:56
like guys won't even carry
38:58
You know, like a bag like this,
39:01
they call it a man, you
39:03
know, a mers. A man bag,
39:05
you gotta pull all this man,
39:07
it's a man. This is a,
39:09
this is, yes, it's a
39:11
satchel, but it's, it's a
39:14
purse. Men, men, in the days
39:16
of your, men had purses.
39:18
Yes. There were bags, that's
39:21
just was the literal word
39:23
for it, purses. Yes.
39:25
Men, royalty wore high heels. that
39:27
that lined the streets of Paris
39:30
and London men were the high
39:32
heels because that was a sign
39:34
of I didn't have to walk
39:36
in all the awful in all
39:38
the shit men wore wigs we
39:40
wore things to adorn ourselves at
39:42
some point yeah I don't know
39:44
when the transition happened where
39:46
it was like wild wild west I
39:49
don't know like looking in the 80s
39:51
men in short shorts and crop tops
39:53
and I'm like why did that
39:55
leave George Michael and all
39:58
these dudes dancing. Why? I
40:00
wish we allowed men or gave
40:02
men the room to experiment with
40:04
style or like also just carrying
40:06
a bag, a purse. You could
40:09
put all your things in it
40:11
and then your pockets are free.
40:13
And then you don't have
40:15
that ugly ass wallet bulge.
40:17
Yes. Yes. That's the thing
40:19
is the conflation of a
40:21
masculinity and and what you wear,
40:24
and how you talk, and you're
40:26
not being able to dress a
40:28
certain way, or if I say
40:30
a certain word, pause, pause, because
40:32
that's, did it, all of that
40:34
is so harmful. And that's why
40:36
sometimes bringing it right back, background
40:38
to dating and everything that I'm
40:40
trying, when you meet people, it's
40:42
sometimes hard to have even
40:45
those first date conversations, because
40:47
people have such weird ideas.
40:49
of masculinity that people will say
40:51
wild things to each other?
40:53
Yes. And that's weird. So now you
40:56
even have to watch out who you talk
40:58
to because you don't know if They'll
41:00
have some wild views on sexuality or
41:02
on life. Or, oh my God, I'm
41:05
so glad because that's so gay. Oh
41:07
no, I can't be your friend. You
41:09
hate the people I like. Oh no.
41:11
There was this tweet that killed me.
41:13
It was just like, fellas, is he
41:16
gay to sit next to your
41:18
friend in a movie theater? But I
41:20
was like, oh! And it was
41:22
like a full earnest tweet. And they're
41:24
like, well, if there's nobody else in
41:26
the theater, you gotta leave a seat
41:28
between you and your friend. I was
41:30
like, what is happening? What has happened?
41:32
The only way that that question has
41:35
any merit is if it is a
41:37
gay movie theater in the late 80s
41:39
in Santa Monica called the Don Quixote.
41:41
Then the answer is yes, it's gay.
41:43
That's pretty gay. Not if it's the
41:45
cinema. No if it's a cinema. I
41:47
also think like sexuality is just so fluid. I
41:49
refuse to label myself. I also, I don't use
41:51
the queer label because I feel like I usually
41:53
talk about dating men. So I'm like, I don't
41:56
want to take up space there. But I'm like,
41:58
I would date a woman. I dated trans. I'd
42:00
take any old person because I
42:02
would never close the door to
42:04
love. And I think it's- Hearts
42:06
not parts. Yes, hearts not parts.
42:08
I've never heard that before. Parts
42:11
not parts. Have you heard that
42:13
before? No, that's great. That's new.
42:15
That's new to us. So many
42:17
of the comments are gonna be
42:19
like, that's not fucking new. And
42:21
I mean, you're the son of
42:23
immigrants. And- Did they ever put
42:26
pressure on you to date? No,
42:28
in fact, in a household like
42:30
mine, which is dangerous, I think
42:32
it's a lot of black households,
42:34
we didn't talk about sex. So
42:36
what you don't talk about, you
42:38
find out about in the streets.
42:40
And you can't trust, if you're
42:43
10, you can't trust the 12-year-old
42:45
to tell you the ins and
42:47
outs. of sex. You should, no,
42:49
that shouldn't happen. So we didn't
42:51
talk about sex, we didn't talk
42:53
about dating. The only thing is
42:55
I remember my, my grandmother, don't
42:58
you bring, don't you bring no
43:00
girl in this house and have
43:02
a baby? That was it. That's
43:04
it. Those little, okay. So I
43:06
can't bring this bitch home and
43:08
I can't put a baby in
43:10
her? Don't even know how. Jokes
43:13
on you, granny? Ha-ha! I'm putting
43:15
in every hole. I mean, yeah,
43:17
I didn't, my mom, she did
43:19
an okay job. But my grandpa
43:21
recently said to me, he was
43:23
like, wow, guess the family name
43:25
dies here. And I was like,
43:28
okay. Okay, you don't have to
43:30
put it like bad. Was it
43:32
said, was it, I'm joking? No,
43:34
no, it was pretty serious. And
43:36
it was like, yeah, he was
43:38
looking at my aunt and my
43:40
uncle and he was like, none
43:43
of y'all are gonna have a
43:45
baby. So the family name dies
43:47
here. And I was like, okay,
43:49
grandpa, you don't have to be
43:51
so upset about it. You could
43:53
just chill out. Also, it's okay.
43:55
If our family name dies. There's
43:57
a bunch of buyers. Barbadoes. They
44:00
can carry it on for us.
44:02
That is hilarious. We don't know
44:04
what they're doing over there. That's
44:06
where your folks are from? That's
44:08
where my dad's side of the
44:10
family is from Barbadoes. Okay. Yes.
44:12
Island people. Love that. See, I
44:15
knew I liked you. I knew
44:17
I liked you. And I went,
44:19
I took my grandpa there a
44:21
couple years ago. And I was
44:23
like, why haven't you brought me
44:25
here? It's so beautiful. And I
44:27
was like, maybe I'll find a
44:30
man here. And then I did
44:32
and I had to come back
44:34
here. Wait, you did find a
44:36
man there? No, no. I had
44:38
to come back to the States
44:40
to find one. Well, that was
44:42
meant. It was meant to be.
44:45
Do you remember your first kiss
44:47
or your first girlfriend? Yes. How
44:49
old were you when you had
44:51
your first kiss? Try to remember
44:53
if it was my, did I
44:55
have a kiss or was it
44:57
the pup? puppy love thing. Oh
44:59
yeah my first kiss I think
45:02
my first kiss was with Sandy
45:04
I think my first kiss was
45:06
with Sandy in in junior year
45:08
love that your first girlfriend is
45:10
Sandy that you met in musical
45:12
theater just because of Greece Sandy
45:14
Sandy was was my first kiss
45:17
whose father was Incredibly racist. Oh
45:19
no! Because yes, yeah, Sandy was
45:21
white. And I had a girlfriend,
45:23
you know, like when you're young,
45:25
you like I'm going with or
45:27
whatnot. So I'd gone with people,
45:29
but I'd never had a kiss.
45:32
So I think I really never
45:34
had a first kiss until high
45:36
school. Yeah, and her dad was
45:38
racist. Did you say things to
45:40
you? Oh. He said many things
45:42
to me. But yeah, like at
45:44
one point, it's cool. And I'm,
45:47
and all this is prefaced by
45:49
saying I'm, I was raised in
45:51
Orlando, Florida. So I was raised
45:53
in Florida. So yeah, let's let
45:55
that be, be what it is.
45:57
Florida. So it's always cool when
45:59
somebody likes when a when a
46:01
when a parent of somebody whether
46:04
they're a friend or whatever is
46:06
like oh great kid come on
46:08
over that but then as soon
46:10
as some you express some interest
46:12
or something happens then then they're
46:14
like not in my house you
46:16
know not you and it's like
46:19
wait I thought you liked me
46:21
you made me dinner you said
46:23
I could stay for dinner what
46:25
you don't like me yeah you
46:27
taught you taught me a lot
46:29
very early about about negotiating people
46:31
in life and race and relationships
46:34
and all that stuff. Which is
46:36
tough, but I feel like black
46:38
people have to learn that much
46:40
earlier than our white counterparts. Absolutely.
46:42
Which it's not even a, I
46:44
don't even think it's a bad
46:46
thing at this point. I think
46:49
knowledge is knowledge. Yes. So learn.
46:51
It's like, oh, that happened. So
46:53
that means that that's an issue.
46:55
So I have to navigate the
46:57
world like this. Bingo, got you.
46:59
Thank you for teaching me. Yeah.
47:01
And it is always interesting to
47:04
me when people are like, oh,
47:06
it's always about race. And I'm
47:08
like, kind of. From a very
47:10
early age, my race has been
47:12
a thing I've known about. Playing
47:14
the race card. Yes, because my
47:16
name is literally Nicole because it's
47:18
a white sounding name on paper.
47:21
My name looks white and that
47:23
was. That was a strategy that
47:25
my parents had, which is unhinged
47:27
if you really think about it.
47:29
But before I was born, my
47:31
race was a thing I had
47:33
to think about or my parents
47:36
thought about. That is a part
47:38
of who we are. And that's
47:40
why it's so funny that when
47:42
those conversations do come up and
47:44
someone says, oh, it's always by,
47:46
why does it have to be
47:48
about race? Why can't we all
47:51
just it? Well, yes. Pauliana. That
47:53
would be amazing if we didn't.
47:55
But on the flip side, I
47:57
think the conversation is also, you
47:59
know what? It's not bad that
48:01
race enters the conversation sometimes because
48:03
race is so wrapped up in
48:06
cultures like. Like, I love being
48:08
black and if black conversations happen,
48:10
we can have a black conversation,
48:12
someone can have a Latin conversation,
48:14
an Asian conversation, the difference is,
48:16
don't hate me because of the
48:18
black conversation or treat me differently
48:20
because of it. That's the thing.
48:23
Or tell me who I can
48:25
and cannot love, which it damn
48:27
sure seems that we're getting pretty
48:29
close to in this freaking time
48:31
machine that we're in right now.
48:33
It is. The way back with
48:35
you, that we've been strapped into.
48:38
Not to like bring politics into
48:40
it, but the whole make America
48:42
great again. Just hear me out.
48:44
How come it's not make America
48:46
better? Like why go back? Why
48:48
not go forward? Why look back?
48:50
Make America great again. Make it
48:53
better. Make it better than it's
48:55
been. Which I know a lot
48:57
of people, we have touched, touched
48:59
on this and said the same
49:01
thing. It's, it's... Maybe I missed
49:03
something, but within my span of
49:05
life, life's been cool and thank
49:08
God, like I always tell, you
49:10
tell my daughter, I said, Miley,
49:12
you know how lucky, because I
49:14
was born in 72, just outside
49:16
of that, we weren't allowed to
49:18
be in the same schools as
49:20
somebody, just outside of that. If
49:22
you, even loving, dating, talking to
49:25
somebody of another race, not that
49:27
it was frowned upon. that shit
49:29
would get you killed just outside
49:31
of that. Yeah, I get that
49:33
my generation we are the luckiest
49:35
that that to be born there
49:37
and to be raised here and
49:40
to reap the benefits of hey
49:42
we're on TV or we can
49:44
be successful or not. But but
49:46
still to answer that question, I
49:48
don't know about great again. I
49:50
think that it was great to
49:52
certain people who who may have
49:55
had certain advantages over other people.
49:57
So yeah, let's make it better
49:59
where There are no advantages where
50:01
we're where we're all doing our
50:03
thing. Yeah, we all start at
50:05
zero, but that doesn't happen like
50:07
I have aunts who are still
50:10
alive who can tell me stories
50:12
about segregated movie theaters where they
50:14
would like spin on the people
50:16
who were allowed to sit in
50:18
like, you know, the orchestra or
50:20
whatever while they were in the
50:22
balcony. And I'm like, that's wild
50:25
to say, make it great again
50:27
when they have memories of that.
50:29
Anyway, off of that, you said
50:31
you grew up in Florida. Yeah.
50:33
And you worked at Universal or
50:35
you worked at Disney? You worked
50:37
at Disney? which I put those
50:39
marching skills into play. My very
50:42
first job at Disney, I was
50:44
a toy soldier in the in
50:46
the sparkling Christmas spectacular. I was
50:48
a marching button and I was
50:50
like, I'm a pop, I'm a
50:52
bough, I'll see all that shit.
50:54
And then I was goofy and
50:57
I was tigger and I did
50:59
that because my whole aim was
51:01
I wanted to be a kid
51:03
of the kingdom, which are the
51:05
singer, singer dancers. Oh, a face.
51:07
Yes, well not a face character,
51:09
actually one of the singer dancers
51:12
called a kid of the kingdom.
51:14
I didn't know if we had
51:16
them out here at Disneyland, but
51:18
they were on the main stage
51:20
and they danced beautifully and did
51:22
all the choreography and they sang
51:24
as like, I want to be
51:27
one of those singers. So I've
51:29
got to get into Disney somehow.
51:31
So I got in being a
51:33
character. And that was my whole
51:35
thing is I was fired. Why
51:37
were you fired? Quick story. I
51:39
auditioned for... One of my dreams
51:41
was to be the lead singer
51:44
in a show called Rap and
51:46
Roll. There was one male singer
51:48
and the rest of them were
51:50
characters. But when I saw it
51:52
was like, that's my show. That's
51:54
my shit. I can do this.
51:56
I audition for it. I got
51:59
it. I was so excited, I
52:01
told everybody I'm leaving the character
52:03
department, I'm gonna train into the
52:05
show, blah blah blah blah. That
52:07
was like on a, let's call
52:09
it a Wednesday. Friday was my
52:11
last shift as a character. But
52:14
Saturday, a buddy of mine named
52:16
Chris. And yeah, I'm going to
52:18
say who he is. I've told
52:20
us Chris Judd. Now if you
52:22
know who Chris Judd is, Chris
52:24
Judd is an amazing choreographer, dancers,
52:26
but some people may know him.
52:29
He is one of the ex-husband
52:31
of Jennifer Lopez. Oh, I know.
52:33
So we were best buddies. Like
52:35
when I worked at Disney for
52:37
two years, Chris Judd was my
52:39
best friend. He still is one
52:41
of the most amazing guys. I
52:43
don't get a chance to talk
52:46
to him, but that was my
52:48
dude. And I don't even, I've
52:50
never even spoken to Chris really
52:52
about this. One day I've got
52:54
to talk to him because I
52:56
have to, so Chris handsome, handsome,
52:58
handsome ass dude. Especially he had
53:01
the time. He had a hair
53:03
and did it. Chris got hired
53:05
as a character as a character,
53:07
but. He was never really feeling
53:09
the character thing. So he got
53:11
called in to do a character
53:13
shift. Wayne, can you do me
53:16
a favor? I really don't want
53:18
to do this character shift, blah
53:20
blah blah. Chris had been dancing
53:22
at this point. He learned to
53:24
dance and big things were going
53:26
to happen for him. He really
53:28
didn't want to go into the
53:31
character thing. I wanted to pick
53:33
up an extra shift with some
53:35
money. I was like, sure, I'll
53:37
go in and do your shift
53:39
for you. What are you doing?
53:41
They've got me scheduled, I'm doing
53:43
Pluto. Oh, well, I don't do
53:46
Pluto, but I'll see if they
53:48
need a goofy hut. Yeah, man,
53:50
I got you. I'll do, do
53:52
this for you. It's the last
53:54
thing that I'm gonna do, because
53:56
on Monday, I start a rehearsal
53:58
for rap and row. This story
54:00
is the equivalent of, if I
54:03
would have been on the police
54:05
force, and I'm going, oh, man,
54:07
I've been a... A police captain
54:09
for 45 years. I'm hanging up
54:11
the shield on Friday. Hey, Sarge,
54:13
you might cover in me on
54:15
Friday? You know myself and Miranda.
54:18
We are scheduled to go to
54:20
Couple St. Lucas. We haven't had
54:22
a vacation together in 25 years.
54:24
All right, young blood. I'll cover
54:26
you just this one time. What
54:28
can happen? And then I get
54:30
shot. Oh no! That's what happened
54:33
to me. You got shot at
54:35
Disney. I show up, I'm goofy.
54:37
No, I'm Tigger. You're Tigger. I'm
54:39
doing, I'm doing my tiggerset, I'll
54:41
never forget it, I'm in front
54:43
of the bank. Hey, shaking kids
54:45
hands, doing the whole thing, blah
54:48
blah blah, the clock is ticking,
54:50
I'm looking upset. Almost finished, last
54:52
show, last shift before I go
54:54
do rap and roll, oh shit.
54:56
A lady comes to the front
54:58
of the line, because that's the
55:00
magic. So this lady, there's a
55:02
line. She puts little Timmy in
55:05
front. I was like, oh, so
55:07
me, I, using the improv skills
55:09
that I have home to Disney,
55:11
I'm communicating to her, huh, it's
55:13
Tigger. She's like, no ticker. You
55:15
was, and I'm like, and I'm
55:17
like, and I'm like, hoo-hoo-hoo-hoo. She
55:21
puts Timmy in front and so
55:23
now I'm like shaking the big,
55:25
so pick picture all this movement
55:27
as Tigger. Big old head, just
55:30
like, mm-mm. She's like, take her
55:32
and and she grabs Tigger and
55:34
pulls him a little closer and
55:36
it's like, because people get hands-y
55:39
with characters. She goes, ticker, I
55:41
am. I am very, and now
55:43
I'm going to paraphrase what she
55:45
said, like, Tigger, I think you
55:48
need to see my son, we
55:50
are in a rush, you do
55:52
not know, I am very important
55:54
here. I blah, blah, blah, blah.
55:57
I was like. I
56:00
go to move her and you
56:03
will find and then she just
56:05
goes off on me and says
56:07
some like some shit about you
56:10
will find out you will deal
56:12
with you and so I look
56:14
to whoever you know that that
56:17
they're called character leads the the
56:19
person that that's responsible for handling
56:21
so this lady's yeah and I
56:24
look over like so you got
56:26
to move this person now also
56:28
keep in mind I am I
56:31
am 19? I'm 19 at this
56:33
point? Okay. Yeah, yeah, I'm like,
56:35
no, no, yeah, yeah, I'm, I'm,
56:38
I'm, I'm 18 turning 19. So
56:40
she's yelling at a kid. An
56:42
adult is yelling at a child.
56:45
Is yelling at a kid. Is
56:47
yelling at a kid. You are
56:49
yelling. Whoo-hoo-hoo-hoo! You're yelling at Tigger.
56:52
So then... I turned my back
56:54
to, oh, that's the thing that
56:56
really, really got her. She's, blah,
56:59
blah, no, no, no. I turned
57:01
my back to her. Her child
57:03
decides, Tigger's tail is a piece,
57:06
at that time, it was a
57:08
belt, like a military belt, wrapped
57:10
around your midsection, connected to the,
57:13
to the back, and decides to
57:15
pull my tail. I grabbed the
57:17
tail and I turned and I
57:20
feel, uh-huh. So I grabbed the
57:22
tail and I did was not
57:24
intending to hit the child. That
57:27
he pulled the tail back. I
57:29
grabbed the tail so that it
57:31
wouldn't hit someone else and and
57:34
I can't see. Yes, you're right.
57:36
All I can see is this.
57:38
Uh-huh. So all this happened over
57:41
here. When I turned. So I
57:43
grabbed my tail and I turn
57:45
and I feel, uh-uh. But I
57:48
don't know what happened. So I
57:50
turn my back to her. That's
57:52
the part of you. You will
57:55
see. You'll... Yeah, girl, I'm Tigger.
57:57
And what's happening Monday? I'm in
57:59
rap and roll. I finished the
58:02
character set. Wayne, you've been called
58:04
to the character supervisor's office. Uh-huh.
58:06
Why? They must want to commend
58:09
me on how... On how I
58:11
handle that? Amazing, because I am,
58:13
in my mind, I got to
58:16
tell you, I was... One one
58:18
of the best I will wear
58:20
that shit today. I was one
58:23
of the best characters that Disney
58:25
had seen up to that point.
58:27
I was animated I would break
58:30
dance I did that I killed
58:32
it. So I was like oh
58:34
surely are they giving me an
58:37
award? Are they gonna commend me?
58:39
I don't know am I Walt
58:41
Disney? Am I the next one?
58:44
Is this like really won't and
58:46
they're giving me? No commendation for
58:48
me. Turns out she was a
58:51
supervisor, a character supervisor, who she
58:53
brought her son into the park.
58:55
She wanted Tigger to, oh, and
58:57
I did this to her too,
59:00
because she claimed, because when she
59:02
was there, I was like, I
59:04
did this, and at point I
59:07
was like, these people, have been
59:09
waiting in line. No, you have
59:11
to go back. No, sorry. She
59:14
should have whispered to you, I
59:16
am the character supervisor or said
59:18
something to the handler. And even
59:21
if she did, here's the thing,
59:23
and this is, even if she
59:25
would have gone, I, my last
59:28
name is Disney. You need to
59:30
let me in front. No, these
59:32
people are waiting. It's Florida. It
59:35
is freaking 2000 degrees. And did
59:37
they have fans in the little
59:39
costumes or were you just dying?
59:42
I think in the newer models
59:44
in the generation since I've been
59:46
there back in the back in
59:49
the day. No fans. These kids
59:51
are hot. I loved doing that
59:53
job so much. I loved I
59:56
I always had this big ass
59:58
smile on my face and the
1:00:00
kids so I'm being beat be
1:00:03
raided by another supervisor. Do you
1:00:05
know what you just did? Blah
1:00:07
blah blah blah blah. She brought
1:00:10
her son. So now you are
1:00:12
being written up and we're gonna
1:00:14
do an investigation because of your
1:00:17
insubordination. Oh no, wait, I'm sorry.
1:00:19
At first it was like a
1:00:21
parent. Do you know that a
1:00:24
parent came? And they said that
1:00:26
you, you were looking at your
1:00:28
watch. You told them to leave,
1:00:31
you were rude, and then you
1:00:33
turned around and you hit them
1:00:35
with your tail on purpose, and
1:00:38
you were da da da da
1:00:40
da da da da da. And
1:00:42
so we're gonna do an investigation.
1:00:45
It's like, no, that's not what
1:00:47
happened at all. That's not about
1:00:49
it. Then I find out. Because
1:00:52
at first I said, and you
1:00:54
were rude to her. And it
1:00:56
was his birthday, and you could
1:00:59
have handled it differently. And all
1:01:01
I remember, my little teenage ass,
1:01:03
as I'm being told that I
1:01:06
was suspended, was suspended. At that
1:01:08
point, was code for... Now you're
1:01:10
done. You're fired. No, you're fired.
1:01:13
Is I... Uh-huh. Okay. So I've
1:01:15
still got the skinline fur on.
1:01:17
Do I... Do I get... Do
1:01:20
I get to do rap and
1:01:22
roll? That sentence, do I still
1:01:24
get to do rap and roll?
1:01:27
No. No. No. You're suspended. You
1:01:29
don't feel... Chris Judd did it
1:01:31
to you Chris Judd if you
1:01:34
had not just if you hadn't
1:01:36
taken that shift if I hadn't
1:01:38
taken that shift But but it's
1:01:41
a blessing disguise you could still
1:01:43
be there right now. Come on
1:01:45
Not to be rude, not shooting
1:01:48
on anybody here at Disney, but
1:01:50
like you were destined to do
1:01:52
something else. But everybody's destiny is
1:01:55
different. I see, I've got friends
1:01:57
who I grew up with them.
1:01:59
They are still at Disney in
1:02:02
managerial spots now and doing other
1:02:04
things. They love that life. They
1:02:06
have a home in celebration, beautiful
1:02:09
home and they have a life.
1:02:11
That wasn't for you. That wasn't
1:02:13
for me. So everything happened the
1:02:16
way that it was supposed to.
1:02:18
And I learned a lesson. You
1:02:20
know, I learned a valuable lesson
1:02:23
about how, you know, expectations and
1:02:25
all these things. And so, so.
1:02:27
Thanks Chris. You know, and then
1:02:30
because I got fired from that
1:02:32
job, then I ended up getting
1:02:34
hired at Universal Studios doing a
1:02:37
bunch of, I was a ghostbuster
1:02:39
and I did the Beatle Juice
1:02:41
Rock and Rose show and I
1:02:43
was a percussionist and I was
1:02:46
a breakdancer. I did all these
1:02:48
things. I learned all these valuable
1:02:50
skills doing theme park shows in
1:02:53
theater that ended up giving me
1:02:55
an improv mindset and that's how
1:02:57
I got on TV. I love
1:03:00
that. I love a story that
1:03:02
like, like, I mean. It could
1:03:04
have gone a different way where
1:03:07
you could have been like, well,
1:03:09
I guess that's it for me.
1:03:11
I don't perform anymore, blah, blah,
1:03:14
blah, that fucking bitch. But then
1:03:16
it was like, no, there's another
1:03:18
theme park here. I will work
1:03:21
it the fuck out. I'll do
1:03:23
it. If I had to, I
1:03:25
would go and be black Shamoo.
1:03:28
I'd put on a Shamoo after
1:03:30
the Sea World. Wow. Shamoo was
1:03:32
a man. Yeah. Yeah. Yeah. God,
1:03:36
Wayne, I love that. I really do
1:03:38
love that story. I was let go
1:03:41
from Lane Bryant, a fat woman's clothing
1:03:43
store. And it was a huge blessing
1:03:45
in the sky. It's a long story.
1:03:47
But it was a blessing in disguise,
1:03:49
because I was like, it was before
1:03:51
I started doing improv, and I said,
1:03:53
well, I am getting minimum wage, but
1:03:55
I can pay. my bills and I
1:03:58
keep taking other people's shifts and then
1:04:00
they would be like don't come in
1:04:02
tomorrow, Nicole you're going into overtime and
1:04:04
guess what I would go in tomorrow
1:04:06
and get my overtime but I was
1:04:08
like I'm gonna be a manager of
1:04:10
Lane Bryant and not shooting on anyone
1:04:12
who's a manager of Lane Bryant but
1:04:15
I was not destined for that was
1:04:17
not what I was supposed to do
1:04:19
but I had like become like a
1:04:21
little complacent I was like oh yeah
1:04:23
this this this is what I can
1:04:25
do I'm really good at counting out
1:04:27
a register out a register It's so
1:04:29
funny how you end up and and
1:04:31
you're right it isn't shitting on anybody
1:04:34
that does that because but it's your
1:04:36
it's it's it's where you see yourself
1:04:38
or your goals like my bar at
1:04:40
one point in my life the but
1:04:42
if only I could get that rap
1:04:44
and roll thing then that would be
1:04:46
and then you you end up going
1:04:48
well if only I can be the
1:04:51
manager Lane Bryan yes and then once
1:04:53
you pull out a little like maybe
1:04:55
I could do something else and then
1:04:57
the next thing you know you're doing
1:04:59
things that you didn't even dream for
1:05:01
yourself which I love that that's the
1:05:03
part I love it makes you continue
1:05:05
to dream yeah And when I got
1:05:08
fired from Lame Bryant, I had to
1:05:10
pay off my Lame Bryant credit card.
1:05:12
I know I've told this story, but
1:05:14
I paid it off and I wrote
1:05:16
Lame Giant in who like the Peggy
1:05:18
was two and then they sent it
1:05:20
back and they sent it back and
1:05:22
they said so then I sent it
1:05:24
back and then they wrote a letter
1:05:27
saying that's not funny. We can't take
1:05:29
this very funny bit. That makes me
1:05:31
laugh so hard that even the bad.
1:05:33
You knew who they were talking about.
1:05:35
Just take the damn money. And you
1:05:37
have to pay off the lame Brian
1:05:39
Creditco. You mean you bought stuff in
1:05:41
the store? Working retail is a scam
1:05:44
for the employees because they tell you
1:05:46
we want you to wear the clothing.
1:05:48
But you have to buy the clothes.
1:05:50
And they'll give you a discount. But
1:05:52
I was getting paid $7.50 cents. None
1:05:54
of my checks were ever going to
1:05:56
clear for those clothes. and my rent
1:05:58
and my food and shit so then
1:06:01
I opened up a lame brand credit
1:06:03
card with the twenty two That was
1:06:05
never going to pay off with my
1:06:07
minimum wage. It's a scam. That is
1:06:09
a scam. See, that's what Kaniy was
1:06:11
talking about when he said that he
1:06:13
worked at the Gap. That's what he
1:06:15
was talking about. It is. It's a
1:06:17
scam. Well, you've done good. You've done
1:06:20
good for yourself. You've done good, too.
1:06:22
And we've come to the end. Do
1:06:24
you have any advice for single people?
1:06:26
The advice that I could give right
1:06:28
now is I'm going to Going on
1:06:30
these apps, trying to find somebody, finding
1:06:32
solace in somebody else, how the hell
1:06:34
you're going to love somebody else if
1:06:37
you don't love yourself? Can I get
1:06:39
an Amen? Amen. And I'm going to
1:06:41
give you advice, Wayne. I think you
1:06:43
need to be more up front in
1:06:45
your dating. I think second date in,
1:06:47
they should know that you need your
1:06:49
alone time. Second date and they should
1:06:51
know that you are an introvert second
1:06:54
date and they should know that like
1:06:56
you're looking for love Because you're such
1:06:58
a marvelous wonderful person and I think
1:07:00
if you want a partner you deserve
1:07:02
a partner But also if you want
1:07:04
to take some time for yourself. You
1:07:06
also deserve that too. You work so
1:07:08
hard. Thank you ma'am. Thank you. Also
1:07:10
Wayne. I asked all of my guests
1:07:13
this would you date me? Yes Hell
1:07:16
yeah, thank you. Yes, ma'am. The reason
1:07:18
I ask is because I need validation
1:07:21
And you have it Well if you
1:07:23
like this episode of why won't you
1:07:25
date me? You can like it You
1:07:27
can read it subscribe You can give
1:07:30
me five stars on Apple podcast, and
1:07:32
if you write me a dirty message
1:07:34
to why won't you date me? Podcast@gmail.com
1:07:37
a nasty message hitting on me. I
1:07:39
will read it dear Nicole It's always
1:07:41
bothered me that all these imaginary guys
1:07:43
in your intro is constantly gasolating you,
1:07:46
but there come is something it is.
1:07:48
And all of my intros are a
1:07:50
man lying to me about what come
1:07:52
is. That's why you did. I love
1:07:55
that person. That's the fact that, oh,
1:07:57
that's brilliant. So the first thing. going
1:07:59
to do is get you a lie
1:08:01
detector to use on them. You'll never
1:08:04
have to worry about something being come
1:08:06
again. After that's settled, I'm going to
1:08:08
go right to Mr. Marvel himself and
1:08:10
convince him to cast you a storm
1:08:13
in the Next Avengers movie. You'll be
1:08:15
so iconic that they'll contact the director
1:08:17
of the Sonic movies to do Marvel's
1:08:19
first crossover. Why's Vin? I don't know.
1:08:22
Nothing about Fast and The Furious. To
1:08:24
thank you, Vin Diesel and you as
1:08:26
Storm have electrifying sex. See what I
1:08:28
did here? Okay. All night, uh, long.
1:08:31
Next day, Vin makes you a delicious
1:08:33
breakfast before Sonic comes to pick you
1:08:35
up. You and the Zonic crew zoom
1:08:38
into the horizon as the credits roll.
1:08:40
You realize that even though you're all
1:08:42
so fast you have each other in
1:08:44
the end. I hope this was a
1:08:47
treat to read. It was. All of
1:08:49
my favorite things were in here. I
1:08:51
love Storm. I love Sonic. I love
1:08:53
Vin Diesel. Vin Diesel was a bonus.
1:08:56
I didn't see it coming. It really
1:08:58
was. I, people constantly are like, Nicole,
1:09:00
I thought Vin Diesel died because I
1:09:02
post his, I'll put his Instagram in
1:09:05
my stories and I won't write anything.
1:09:07
It'll just be a picture of Vin
1:09:09
Diesel. Mr. Gum, please! Well, that's it.
1:09:11
Bye, bye! Don't ask Wayne what he
1:09:14
liked to promote. Oh, shit. It says
1:09:16
if I never do this podcast, I
1:09:18
always forget something. I've been doing this
1:09:20
for five years. Six. Oh shit. You
1:09:23
didn't have to do that. Very successfully.
1:09:25
I mean, you're the recipient of a
1:09:27
silver winner award of the Signals, which
1:09:30
I didn't know. That's not me. No,
1:09:32
that's not me. No, but your name's
1:09:34
on it. Is it? Yeah. Co-hosting, popcorn,
1:09:36
foodumbers. Oh! Oh, that's for newcomers, me
1:09:39
and... Lapkis, where we watch movies that
1:09:41
everyone has seen, but we have not.
1:09:43
Did you know Star Wars is a
1:09:45
lot? Is a lot of what? It's
1:09:48
a lot. A lot is happening. Each
1:09:50
set of movies is a different genre
1:09:52
of movie. The first three, the middle
1:09:54
three are indies, and then the first
1:09:57
three, the second three, they're very two
1:09:59
thousands. And then the back end, very
1:10:01
now. And I'm like, how this is
1:10:03
very convoluted movie viewing experience. I'm a
1:10:06
nerd. I died in the Will nerd
1:10:08
and I have never watched a full
1:10:10
Star Wars movie. No? I know all
1:10:12
the lure. But I've tried, oh no,
1:10:15
I've watched one. Which one? Not the
1:10:17
first three. The first one of the,
1:10:19
so what, there are like nine movies
1:10:21
now or something? So the fourth one.
1:10:24
So the second trail, truly, not anything
1:10:26
with John Boyega. I'm talking about the
1:10:28
second one, like, like the second batch
1:10:31
batch. Oh, with Natalie Portman? Yes. And
1:10:33
that man who wears a scoot, he
1:10:35
rides a scooter? Is that small? So
1:10:37
like when we thought that that was
1:10:40
gonna be, is like, oh shit, this
1:10:42
is gonna be, I sat through that,
1:10:44
my buddy Dean, we woke up, we
1:10:46
were at the movie theater at 7
1:10:49
AM, because it was his whole thing,
1:10:51
you're not getting tickets, I was so
1:10:53
mad. I sat through almost three hours
1:10:55
of this bullshit. I was like, is
1:10:58
this your Star Wars? Is this your
1:11:00
king? Is this your king? Keep him.
1:11:02
Boo. I did like Darth Maul. He
1:11:04
rides a scooter and I find that
1:11:07
very funny. And Darth Maul is dope.
1:11:09
I like, um, hello. Jarjar. Yes. I
1:11:11
looked at Mars. I was like, who
1:11:13
is this? Meas. That's actually one of
1:11:16
the only characters I like. And he
1:11:18
was the most, most maligns. People hated
1:11:20
Jar Jar Jar Banks. And you know
1:11:23
the actor. Ahmed Best best yes what
1:11:25
an amazing he's an talented dude such
1:11:27
a good character and incredible musician and
1:11:29
dancer and his wife she danced in
1:11:32
and my Vegas show and she's an
1:11:34
amazing dancer and singer that he he
1:11:36
got the wrong end end of the
1:11:38
stick he got he culturally got the
1:11:41
wrong end of the stick he he
1:11:43
he was directed a certain way I
1:11:45
could go into a whole thing just
1:11:47
for Ahmed best and justice for jar
1:11:50
jar justice for Jesse Spano I just
1:11:52
watched show girls for the first time
1:11:54
she did what the director wanted yes
1:11:56
which was an unhinged performance that is
1:11:59
perfect Yeah, people get get there. See,
1:12:01
that's the series that we should do.
1:12:03
Go through movies that are maligned and
1:12:05
performances and show how now in the
1:12:08
bright light of day, they were actually
1:12:10
good. Yeah, a hill, I'll die on
1:12:12
Madame Webb. Fun movie. I haven't seen
1:12:14
that yet. Listen. I would not recommend
1:12:17
watching it alone. I would recommend literally
1:12:19
spending money renting out a movie theater
1:12:21
and getting 50 people together and tell
1:12:24
them it's like Rocky Horror. Yell at
1:12:26
the screen. Have a nice time. That's
1:12:28
I was in a theater where at
1:12:30
one point the villain was speaking and
1:12:33
his mouth was not moving and I
1:12:35
just yelled they didn't finish the movie
1:12:37
and then everyone was like we're in
1:12:39
good company because in everyone like we
1:12:42
laugh there is this one pivotal scene
1:12:44
that's supposed to be like a like
1:12:46
just action packed and we all laughed
1:12:48
so hard and it was so I
1:12:51
really think once they saw that cut
1:12:53
they should have been like we should
1:12:55
market this as camp. This is Campy.
1:12:57
We're bringing Camp back. And I think
1:13:00
it's... I think it's... I think so.
1:13:02
Because I had a great time. Joker
1:13:04
too. Another Hill I'll Die Out. I
1:13:06
love Joker too. Craven? A movie? No
1:13:09
one's heard of? Oh, Craven? I want
1:13:11
to watch Craven. Because I love Craven.
1:13:13
I want to watch Craven. I want
1:13:16
to watch Craven. Oh, I'm a fan.
1:13:18
He was great and kick ass and
1:13:20
everything else he's. And everything else he's
1:13:22
done. Yeah, like, like once you're finished
1:13:25
with your five other podcasts, I'll start
1:13:27
another one. We will do. Thank you
1:13:29
for being here Wayne. Thank you. Do
1:13:31
you want to ask what he'd like
1:13:34
to promote? Oh yeah, that's right. Oh
1:13:36
yeah, we got off of it. You
1:13:38
have to leave all that it. Wayne,
1:13:40
is there any way you said that?
1:13:43
And then I, well, how do we
1:13:45
go on such a tangent? Wayne, do
1:13:47
you have anything you want to promote?
1:13:49
Yes, I will promote right here on
1:13:52
head gum. You got to check out.
1:13:54
What if? It's an improvised podcast. anything.
1:13:56
We get a guest, someone like yourself,
1:13:58
who I happen to be a fan
1:14:01
of, and then we bring them on
1:14:03
and we talk about whatever. We talk
1:14:05
about their life, we talk about their
1:14:07
career, anything that's going on in the
1:14:10
world. And then we put the little
1:14:12
improvisational twist on it of what if
1:14:14
and we make up songs, we have
1:14:17
live music, we never know where a
1:14:19
conversation is going to go. It's myself
1:14:21
and my partner, Jonathan Mangam, who you
1:14:23
can catch me with on the upcoming
1:14:26
season of Let's Line whose line is
1:14:28
it anyway. you can catch me on
1:14:30
the road doing my musical improv show
1:14:32
with him called Making Shit Up. And
1:14:35
I've got a bunch of other stuff,
1:14:37
but that's good for right now. Check
1:14:39
out the podcast right here on Headgum
1:14:41
and on Apple and anywhere else where
1:14:44
podcasts are. And we don't have a
1:14:46
YouTube page right now, but by the
1:14:48
time you watch this, we will have
1:14:50
the YouTube page up as well. Hell
1:14:53
yeah. Thank you for being here, Wayne.
1:14:55
Okay, bye, bye. You've been listening to
1:14:57
Why Won't You Tate Me With Me?
1:14:59
Nicole Byer. This show is produced and
1:15:02
edited by Mars, with executive producer Anya
1:15:04
Kenefskaya. It's engineered by Casey Donahue. With
1:15:06
guest research by Lindsay Kemp. Our VP
1:15:09
of content at headgum is Katie Moose.
1:15:11
And our theme music is arranged by
1:15:13
Mike Comite. Thanks for listening. We'll be
1:15:15
back next week with a brand new
1:15:18
episode. See you then. Okay! Okay! Okay!
1:15:20
That was a headgum podcast. Hey I'm
1:15:22
Wayne Brady and I'm Jonathan Mango. And
1:15:24
we're big improv nerds
1:15:27
who get a
1:15:29
chance to play and
1:15:31
make stuff up
1:15:33
on shows up on shows
1:15:36
It Whose line Make It
1:15:38
Deep. And we're
1:15:40
now hosting a new
1:15:42
now show called What
1:15:45
If show called What If on
1:15:47
the head gum And on
1:15:49
What If, we
1:15:51
believe that improvisation is
1:15:54
a conversation. So
1:15:56
we get to have
1:15:58
conversations with guests
1:16:00
from the worlds of
1:16:03
from the world film, tech,
1:16:05
and literature. and like
1:16:07
a guest like Aisha Moynihan Aisha
1:16:10
Burton, and Adam and
1:16:12
We ask them
1:16:14
the big, ridiculous questions
1:16:16
like, what if
1:16:19
you heard a monkey's
1:16:21
heard of if Your was
1:16:23
a secret agent?
1:16:25
What if Jonathan was
1:16:28
invited to the
1:16:30
cookout? was invited to the cookout? I'm
1:16:32
not. And not. then the
1:16:34
the conversation into
1:16:37
spontaneous scenes, songs, because
1:16:39
because that's what we do.
1:16:41
Subscribe to to what Spotify, Apple podcast,
1:16:43
pocketcast, wherever you get your get
1:16:45
and watch episodes on YouTube.
1:16:47
No script, on no net,
1:16:49
just net, just what if.
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