Episode Transcript
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Hey folks, Dungeons and Daddy's season
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and Daddies is a rowdy,
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horny, violent podcast for
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can be
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found in
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the episode
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description. For
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Welcome to Dungeons and Daddies! Not
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a BDSM! What the fuck is
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that? Not a BDSM podcast! You're
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excited about the show! This season,
5:37
season 3, the Peachiville horror! You
5:39
know who you sounded like, is
5:41
that this is gonna be the
5:44
deepest cut for no one, but
5:46
there used to be a show
5:48
called Boston Legal with William Shatter
5:50
and James Spader, and all of
5:52
the little interstitial noises they would
5:54
do between scenes, will be like
5:56
a little guitar, like... And then
5:58
someone go like, oh yeah! I don't
6:00
love that shit. I love what TV
6:02
shows fucking big noises to tell you
6:04
to be excited. It helps me, helps
6:06
me know what I should be doing.
6:08
Can we do one of those during
6:11
the episode today? Yeah. Yeah! Oh, he
6:13
sounded like the guy just ate a
6:15
really good sandwich. He's like, mmm! This
6:17
is the Peacheville. Oh yeah! Sorry, go
6:19
ahead for him. This is the Peacheville
6:21
horror soundboard podcast set in the column
6:23
Kethulu system. This is an actual play
6:26
horror comedy podcast about four everyday schmows
6:28
fighting the forces of darkness in suburban
6:30
1950s. I play deep thinking plumber, Blake,
6:32
lively, more lake. Yeah, we'll see. Last
6:34
episode we learned that Blake is a
6:36
rich man. Now here's the thing. Blake's
6:39
master bedroom. Beth, you'll
6:41
appreciate this particular fact.
6:43
Wait, why? Can I hear it first before I
6:45
decide whether? Despite being a rich man,
6:47
Blick's bed in his master bedroom is,
6:49
in the corner without a bed frame,
6:51
just the mattress on the floor. I
6:53
have a bed frame now, and it's in
6:55
the middle. No, Beth, I would say
6:57
you'd appreciate that because of the general
6:59
quality of guy's bedrooms as shit. Well,
7:02
Beth kind of just told about herself
7:04
a little bit. I did. I'm afraid
7:06
because he thinks that all the bedroom
7:09
Beth goes to or just... We have
7:11
no bed frame and quarter bed at
7:13
home. We have no bed? You know
7:15
I've punched up, Freddie. I'm punching up.
7:18
That's why I go home
7:20
to my bed frameless existence.
7:22
We have no bed frame
7:24
and quarter bed at home.
7:26
But not anymore. I'm really
7:28
moving up in the middle of
7:30
the room now. I'm in the
7:32
middle of the room. No, it's
7:34
a room. How rich are you?
7:37
That's the richest. That's the richest
7:39
in the middle of the room.
7:41
The middle of room rich. It's
7:44
the sort of rich you guys
7:46
might as well. I'm proud to
7:48
say I'm touching only one wall.
7:51
There you go. That's the new
7:53
fact. Blake's bed is a mattress
7:55
in the middle of his large
7:58
room. I like that. a huge
8:00
bed, it's a pretty small room to
8:02
be touching three walls. It depends on how
8:04
huge a bed. That's true. I basically in
8:06
college had a three wall touching. Hey
8:09
everybody, my name is Matthew Arnold, I
8:11
play Kelsey Grammar, Beachyville's Happiest and Snappiest
8:13
School Marm, and you know what she
8:15
always says, a teacher's job is never easy,
8:18
but it could be a louisier if the
8:20
parents did their job a little better. Who
8:22
did she say that too? Do you
8:24
guys go all the fucking centers this
8:26
season? Sorry, sorry. She's been having parent
8:29
teacher conferences. She's just she's just in
8:31
it right now. She's just having tough
8:33
days. So the final sense, which I
8:35
guess is the end of the season,
8:38
the last fact I got. No, I
8:40
remember the first time you did this,
8:42
you started getting into weird like off-brain
8:44
like sort of like powerful senses like
8:47
ear pressure. Maybe I'll do that. But
8:49
touch. So her least favorite feel or
8:51
or touch is pretty common. I think
8:53
for a lot of people is a paper
8:55
cut. Just the feeling of a paper cut.
8:58
It's just extra because it feels like a
9:00
betrayal for her. Just a book cutter. Yeah.
9:02
And then her best again, this is another
9:04
thing the fast that she just loves. A
9:06
weighted blanket. There's nothing better than going home.
9:08
Well, did they have those back then? Did they
9:10
have those back then? They just called you a
9:13
pussy and told you to stop being so anxious.
9:15
You just put books on top of your
9:17
blanket. A blanket of books. There's a
9:19
weighted blanket. There you go. Do you
9:21
think Kelsey dreams of like Scrooge McDucking
9:24
into a pile of books somehow? Yeah,
9:26
absolutely. Absolutely. Quick way to get a
9:28
bunch of paper cuts. Are these fair
9:30
feeling. I'm Anthony Birch. I play Francis
9:32
Francis. Oh, God. Oh, yeah! I
9:34
already hate this. Francis' fact is
9:36
that he loves his dad.
9:39
I feel like that will
9:41
be important to remember as the
9:43
episode goes on. So what? You
9:45
love your dad. Wow. Good for
9:48
you. Oh, I'm sorry, do you
9:50
want me to save all
9:52
of his favorite senses? His
9:55
favorite smells coffee. His favorite
9:57
smells poop. His favorite touches.
10:00
He touches his own butt. His favorite
10:02
taste is chocolate. His least favorite taste
10:04
is shit. His favorite look at? I
10:06
feel like I know him better than
10:08
I have in all 20 episodes. His
10:10
favorite feeling is his own butt. Hold
10:12
on. Hold on. He doesn't like touching
10:14
his own butt. Oh, his least favorite
10:16
feeling. Yeah. I could. I could dive
10:18
in right now. I'm going to step
10:20
back from the edge. I'm going
10:22
to step back. Because I feel
10:25
like that was an Anthony fact.
10:27
I love touching my butt. I
10:29
would never say something that homophobic.
10:31
My name is Beth May.
10:33
Wow! Everyone needs to supply
10:36
their own sound effects. And
10:38
I play Trudy Trout, a robot
10:41
homemaker, mother of one beautiful child.
10:43
to take a little departure from
10:45
the average Trudy fact here, which
10:48
is it tends to be a
10:50
robot or a technology pun.
10:52
I'm just going to explain why
10:55
Trudy stole that wallet from that
10:57
dead man. Ah, here we go. It's
10:59
a perfectly logical and
11:01
reasonable explanation. As all
11:03
reasonable explanations are prefaced by it.
11:05
You're going to hear this and you're
11:08
going to be like, that makes so
11:10
much sense and I'm happy that she
11:12
did it in fact. I can't remember
11:14
what his name is right now, but
11:17
we should honor him, honor him, by
11:19
knowing, acknowledging that he did have a
11:21
name, and that he still has it
11:24
in death. So she stole that man's
11:26
wallet because she saw his Diner's Club
11:28
credit card, this was the first credit
11:30
card, and in knowing that women cannot
11:33
open lines of credit. I was committing
11:35
an act of gender
11:37
liberation and also he had money
11:39
and she wanted it. Good for
11:41
her. Thus making it? Okay. Thus
11:44
making it? Okay. Thus making it?
11:46
Okay, because she saw the money
11:48
and then she'd... And he wasn't using
11:50
it? Yeah, good point. Yes. His
11:52
name was Buddy Betts, by the
11:54
way. Right. Peace. RIP and Peace,
11:56
buddy. Hi, I'm Will. I will.
11:58
Just Will. Just Will. I'm
12:02
just Will and I am just
12:04
the DM of this humble
12:06
podcast and I... have a spooky
12:08
ookie fact for all of you to
12:10
do on your own. Which is foreign
12:12
accent syndrome is a rare condition in
12:14
which an individual develops a persistent foreign
12:16
accent despite not having previously spoken in
12:18
that accident. One of the many ways
12:20
this can be caused is by brutal
12:23
brain slash head trauma. People weighing their
12:25
head really hard say on the ground
12:27
after flying out of a window and
12:29
then wake up with another accent. I
12:31
feel like Freddie is getting a suggestion
12:33
from the audience here. So we'll see,
12:35
you know, maybe we should. I should
12:37
have like roll for a new accent.
12:39
All right, let's kick it off. Let's
12:42
get into this spooky adventure. Let's
12:44
do it. Oh yeah! You guys
12:46
ready to be scared? As long as
12:48
you remind us of where we are
12:50
and what we're doing. Well, I'm so
12:53
glad you suggested that because I've once
12:55
again typed up a little. That's great.
12:57
For all of my favorite people.
13:00
That's great, because I'm my
13:02
Audi right now. I'm so silly.
13:04
After discovering your brother's diary in
13:06
the confiscated document section of the
13:08
project, Harlan Archives Department, you emerged
13:10
at the Peacheyville Public Library to
13:12
discover a grizzly sight. The ex-sanguinated
13:15
remains of buddy bets, drunk, dry,
13:17
and crumpled up like a human
13:19
juice box, the gruesome site caused
13:21
you to break with reality. This
13:23
reality, anyway, suddenly you found yourself
13:25
teaching class in an alternate Peacheville
13:27
where the US lost World War
13:30
I, where the US lost World
13:32
War I, where the US...
13:34
to begin with. Do you
13:36
know, really? You have to
13:38
really fuck that out. Ever
13:41
say, you see these videos
13:43
and it's true. We came
13:45
in and lost it for
13:47
them. We came in
13:49
and lost. That's like
13:52
when I see a couple
13:54
fighting. I'm like, hey, leave
13:56
her alone. It's like, shut
13:59
up. way on urgent business to
14:01
Percicovograt. Where the hell is that? It sounds
14:03
Russian. I don't know. Good news, you've got a
14:05
big fat dossier from the Project Heartland
14:07
Archives loaded with information about the dollmaker
14:09
that just might help you hunt them
14:11
down and harvest their venom to cure
14:13
your comatose sun. There's multiple dollmakers? Oh,
14:15
just the one. I just don't know
14:17
that we defined the gender of the
14:20
dollmaker. Okay. Bad news is that it's
14:22
a thick file and it'll take some
14:24
time to read time that may be
14:26
running out as the hour of the
14:28
whole draw is near. Good news though,
14:30
you'll be driving around town in style
14:32
in your brand new 10 passenger 1950xxx
14:34
bed for dormobile. Bad news? Bad news like
14:36
flew out of it being silly? Bad news
14:38
in a valiant attempt to stop a
14:41
squad of bisons from kidnapping local restaurant
14:43
tour, Tyris Louo, you power drifted your
14:45
new ride into the curb, launched yourself
14:48
out of the window, and launched Blake
14:50
quietly, face first, into the ground, and
14:52
oh, marbles, the cat hates you even more
14:54
now. Blake! Yeah. It's okay. Sleep now, baby
14:57
boy. Sleep and dream. How dare you? Francis!
14:59
Which is it Francis? Do you want
15:01
to exercise Brunhilda the malevolent spirit
15:03
haunting your car 98K rifle? Or
15:05
do you want her help saving
15:07
your friends? We're getting mixed signals
15:09
here. You haven't even so much
15:11
as glanced at the book you
15:13
acquired from the archives on removing
15:15
curses from haunted objects, but you
15:18
did manage to cut a deal
15:20
with Brunhilda to shoot a deal
15:22
with Brunhilda to shoot one tire
15:24
out during your brawl with the
15:26
bison's in exchange for a free
15:28
murder. your own father, who we've
15:30
now canonically established that you
15:33
love underneath. Technically, the fight is
15:35
still going on. Freddie, I have good
15:37
news for you. Yes. So I checked
15:39
the rules, and Blake Lively is in
15:41
fact not dying. Because you never had
15:43
a major wound. And to dying, and
15:45
to die, and to never had a
15:47
major wound. And to dying, Call of
15:49
Kasulu, you need to suffer a major
15:51
wound first. Otherwise, you just go unconscious.
15:54
At which someone can kill you. It was
15:56
the bison's turn because Trudy
15:58
had counterattacked them. with this
16:00
sort of stab move, which means it
16:02
is now, it is now Francis's turn.
16:04
Decisions, Francis. You've now seen your father's
16:06
face as like he sort of spits
16:09
up blood and then collapses onto the
16:11
ground. Where's the van? He's like right
16:13
next to the van. The van is
16:15
not driven away yet. Tyrus is in
16:17
the van with the other two goons.
16:19
Okay. And it's like, yeah, probably seconds
16:21
away from speeding off because he's trying
16:24
to get away from Kelsey. Yeah. Across
16:26
the way, ready to ram into him
16:28
in a moment's time. Francis is going
16:30
to freeze completely. I think he
16:32
just spends his entire turn just
16:34
looking at his dad in utter
16:36
disbelief and is unable to move.
16:38
Dang. Yeah, what's his face look
16:40
like, dude? What's his face look
16:42
like, dude? His face goes from
16:44
confusion to complete blankness. Like he's
16:46
not there anymore. Poor little boy.
16:48
Too much from the handle. He's
16:50
unconscious, he passed out. Idiot. Kelsey
16:52
it's now your turn. Shit talker.
16:54
What I'd like to do is
16:56
just try to stop the van
16:58
from leaving. Are you trying to like
17:01
ram it, knock the engine out, or
17:03
are you just trying to block it
17:05
out from the front? Is there anything
17:07
else around it? Is it like Beth's
17:09
dorm room, like it's touching three walls,
17:12
or is it like Beth's dorm room,
17:14
like it's touching three walls, or is
17:16
it just like Beth's dorm the... front
17:18
like the engine of this. Yeah. Okay.
17:21
Hopefully spin it, break its wheel. Ramming
17:23
the front of it from the front
17:25
is not a pin. I understand. In
17:27
that case, give me a vehicle handling
17:29
rule. A 58 and my vehicle handling is like a
17:32
70 something if you remember it from last
17:34
time. You gun the engine. This guy's trying
17:36
to start the engine and you see him
17:38
and he sees you and then you slam
17:40
straight into the engine of his car with
17:42
the Bedford doormobile. Nice. So now we got
17:44
to see how much damage damage damage damage
17:46
that did. to both the cars. We'll call
17:48
this a severe incident. Okay. You're gunning into
17:50
this other car, right? Yeah, I mean, I'm
17:52
trying to hit my corner of my front
17:54
of the car into their like wheel well.
17:56
We'll call it a moderate incident then. Roll
17:58
me a 1D6. A moderate. is like when
18:00
you have dinner at your parents' house.
18:02
Three. That's gonna be the damage that
18:05
the Bedford dormobial takes. Okay. Which fortunately
18:07
does not bang it up too much
18:09
because this thing's probably got like a...
18:11
Yeah, in 7th edition I think dormobials
18:13
have 42 HP. And you feel this
18:16
for you stat heads out there. A
18:18
Bedford dormobial has a build of 6?
18:20
Wow. So that's about half its HP.
18:22
Okay. It is now impaired. It's pretty
18:24
fucked up, but it's still driveable. The
18:26
goon squad van that you've rammed took a
18:29
full six of damage to you absolutely obliterated
18:31
the engine of this thing. God damn do
18:33
what a trailer moment. You know I was
18:35
gonna be in the trailer for this episode.
18:37
Fucking car crash. I love a TV show
18:39
and the only show a car crash. I should
18:41
have thought of that. That would have been much more
18:43
useful than what I did. The good news is... There's
18:45
more cars across the street. No, you don't need to
18:47
another one. You're good, Trudy. It is now, Tyres's
18:49
turn, the van got jostled. The two guys are
18:51
in there. They've all gotten kind of knocked around.
18:54
So he's gonna make a break for it. So
18:56
we're gonna give him a strength roll with advantage
18:58
to bust out of here, which he fails, unfortunately.
19:00
He runs for the door and they grab him
19:02
but pull him back in. The guy's trying to
19:04
start the engine and realizing that they're realizing that
19:06
they're realizing that they're realizing that they're realizing that
19:08
they're realizing that they're realizing that they're realizing that
19:11
they're realizing that they're realizing that they're realizing that
19:13
they're It's Milton and Bibi's turn. The dream team.
19:15
The dream team. Milton and Bibi are just gonna
19:17
spend their turn running back over
19:20
here seeing their comrade Blake Lively
19:22
down for the count. They'll be
19:24
able to move next turn. Trudie is
19:26
now your turn. Blake has like a
19:28
head wound. Blake has like a head
19:31
wound. Blake has like a head wound.
19:33
Blake has like a unresponsive
19:35
and lightly twitching. Blake has
19:37
like a head wound. Blake
19:39
is unresponsive to stabilize. That
19:41
makes sense. Well, I'll rule first aid
19:43
then, and I'll take like my apron
19:45
off and put it under Blake's head.
19:48
What's your first aid? It's only
19:50
35. That's about right for taking
19:52
off an apron and wrapping it
19:54
around someone's head. I fail. I got 74.
19:56
How do you fail? Bad not. But
19:58
just doesn't do anything. Yeah, because you're
20:00
still, well, you know, you're more comfortable.
20:03
Ah, yes, but you're still unconscious. It
20:05
didn't change the function. Yes, but you're
20:07
slightly less likely to go into shock
20:09
now. Oh, excellent. Would you like to
20:11
do anything else? You can move, that'll
20:13
count as your action, but you can
20:16
move somewhere if you'd like. So real
20:18
quickly move away from them. Well, hold
20:20
on, yeah, we've killed out their vehicle,
20:22
right? Yes. So it's right or die
20:24
different outcome. Not when there's a father
20:27
here now, maybe you can talk it
20:29
out. He's unconscious. Okay. And how many
20:31
other people are outside of the car? All of
20:33
them are in the car other than the
20:35
guy you just stabbed. Two of them
20:37
are probably going to be coming out
20:39
pretty soon to just, they're stuck in
20:42
here now. They're feeling like this is
20:44
going very badly for them. Well, I
20:46
mean, I think that would be advantageous
20:48
if they came out because then that would
20:50
be one less person watching Tyrus.
20:52
That's true. Your leader is hurt. Don't
20:54
you want to come see if he's okay?
20:56
Okay, I like that. We'll get to
20:58
their response on their turn. Blake, it
21:01
is your turn, but you're unconscious. What
21:03
are my gameplay options in this fun
21:05
environment I find myself in? In this
21:07
little theater of the mind prison. You
21:09
know what? Give me a brain doing
21:12
anything. Is he thinking in there? He's
21:14
very deep thinker. and now I'm in
21:16
deep sleep. So the thought is this
21:18
episode in the first season of the
21:20
award-winning Spartacus, where the main character is
21:23
just asleep the whole episode because he's
21:25
really hurt. And in that episode, he
21:27
just thinks about like everything that's happened
21:29
in the season and he figures out
21:31
the mystery. Is that like a clip show? No, it's
21:33
not clip show. It's actually a pretty
21:36
cool idea, but it's like he wakes
21:38
up, he's like, oh shit. That's the
21:40
guy. Oh, so I was saying, you
21:42
know, can he be thinking? This is
21:45
going to represent whether Blake is able
21:47
to jumpstart his own mind right now.
21:49
Oh, yeah. I'm going to give you
21:51
a math problem and you're going to
21:54
do it in your head. I'm going
21:56
to give you, we'll say, one minute.
21:58
Okay. 43 times
22:00
17. 14, 40
22:04
times
22:06
17,
22:08
683
22:10
times
22:13
17
22:15
is
22:17
34.
22:19
3
22:21
times
22:23
17
22:25
21
22:28
51
22:30
right so 51 plus what
22:32
was the shit was he
22:34
if it was the first
22:36
ever I had 680 I
22:38
think yeah 680 plus 51
22:41
is 731. You got it!
22:43
16 seconds to spare! Wow!
22:45
Blake lately springs back to
22:47
life with one HP! You're
22:49
back baby! With one HP!
22:51
You're back baby! With one
22:53
HP! With one HP! I'm
22:55
very impressed by the mask.
22:57
All right, what are you
22:59
gonna do hot shot? Ow! That's
23:01
the first thing I'm gonna do.
23:04
Okay, Blake jumps awake with a
23:06
big owl. Now that here's a question. How
23:08
many more bullets do I have in my
23:11
gun? Oh forgot you had a gun. Yeah.
23:13
Are you still holding on to it? Yeah,
23:15
dude. How many bullets? In a 1911, that
23:17
would be 8 plus 1 will. 8 plus
23:19
145 ACP rounds. You have 8. Totally keep
23:22
one in the chamber. Tony would have loaded
23:24
it up as much as he could have.
23:26
Okay. But shot once. Yes, you have eight
23:28
bullets left. Who's closest to me? Everyone that
23:31
is alive is in the car right now.
23:33
I'm a little dazed. I'm a little bit
23:35
of, I'm sort of literally seeing that everyone's
23:37
in the car and they're trying to
23:39
get away? What are they trying to
23:41
do with the car? One of them
23:43
was frantically trying to start the car
23:45
to no avail because the car's been
23:47
blown to smithereens. Other guys are freaking
23:49
out here. So just like Tom Hanks
23:51
and Saving Private Ryan when he's like
23:53
shooting at the tank, I want to
23:55
sit there and just like, eww, like
23:58
raise the gun. It just like pluck.
24:00
Don't get their car, do you know what I
24:02
mean? Okay, do you remember that? Okay, yes I do
24:04
remember that. But I want me aiming at the people
24:06
in the car. Oh yeah, we assume that. One of
24:08
them is the guy you're trying to save. Tire is
24:10
in there. Blake, I think you should really stay
24:12
down. Shut up, Trudee! Well there's a
24:14
lot of people in the car. There
24:17
are, one of them is someone you're
24:19
trying not to kill. Hey baby! All
24:21
right. Roll the dice. Roll the dice.
24:23
Roll the dice, baby. You're not looking
24:25
in the car. You're just firing at
24:28
the car. Let me pull up the
24:30
scene from Saving Private Rider. Here, let
24:32
me just get on the YouTube. Tall,
24:34
Tom! Shooting at a tank! movieclips.com. Tom
24:36
Hanks shooting at a tank is sort
24:39
of like me trying to convince Freddie
24:41
not to do something stupid. A lot
24:43
of jerky Germans because they shot
24:45
at a high under prank. It's
24:47
a rich jerky Germans. Tom Hanks.
24:49
Not looking good. Not looking good. He's
24:51
back to a motorcycle. He's got
24:53
his 1911. Just like flakes. He
24:55
does not see anyone. He's just shooting
24:58
at the... No, but his eyes
25:00
are open, dude. Clear eyes. Clear
25:02
eyes. No, what is watching Tom
25:04
Hanks do this? We all understood what
25:06
you're doing. I just wanted to
25:08
revisit one of the great comic
25:10
performances. You just wanted to watch a
25:12
fun movie right now. I don't think
25:15
Will was questioning what you're doing. He
25:17
was just clarifying that that is for
25:19
sure what you want to do. Because
25:21
there's the person we're trying to save
25:23
inside. So here's what we're going to
25:25
do. The car provides two points of.
25:27
armor for the people inside. So the
25:29
first thing you're going to do is
25:31
you're just taking a shot on this
25:33
car is roll the damage roll for
25:35
me for a cult 45 that is
25:38
1D10 plus 2. Fuck yeah what a powerful
25:40
weapon as it should be dangerous everyone.
25:42
1D10 guns are dangerous. 2 plus 2
25:44
4! That's an easy math problem. 2
25:46
plus 2. Try to think of how
25:48
to do this thing randomly hitting someone.
25:50
We'll give everyone a number. Roll a
25:52
D6. Roll a D6. Oh, a D6.
25:54
That's good. Because there's four in the
25:56
car. One in six will be nobody.
25:58
Tyrus is going to be. five and then
26:00
the other three are gonna be two or four.
26:02
I just feel like I'm rolling a five. Does
26:05
you ever get that feeling before we roll a
26:07
dice? You're just like, I know that a five
26:09
is coming. All right, roll the bones, Frank. I'm
26:11
rolling a one. Three! Three! One of the guys
26:14
was already injured, the guy who shot the first
26:16
time, and so you hit him again. So he
26:18
is looking really bad. It's like basically you shot
26:20
him in the leg and now he's got a
26:23
bullet in his other leg. Life finds a way.
26:25
He screams. Trudy was like your leaders outside and
26:27
you hear one of them, wait, wait, wait, wait,
26:29
wait, wait, wait, wait, wait, wait, wait,
26:31
wait, wait, wait, wait, just wait.
26:33
Okay, we're waiting. And then you hear
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to Warby parker.com. parker.com. That's
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Warby parker.com. He says,
29:30
I've got your guy! Okay? I
29:32
don't know who that is. Tell
29:34
him who you are. It's me,
29:37
Tyris. I'm just, I'm just the
29:39
guy who owns this restaurant. Please,
29:41
I don't know what's going on.
29:44
Can you just please let me
29:46
out here? Shut up! And he
29:48
whips him on the head with
29:51
his pistol. Tyris, you are between
29:53
me and a purp. Who the
29:55
fuck is this? Who's this? Who
29:58
is this? Who is this? Well,
30:00
why don't you come get your guy? No! No,
30:02
he's right up here. I have another deal for
30:04
you, courtesy of Samuel Colt. I wrote down the
30:06
windows, I feel like I'm on the other side,
30:08
and I go, hey, roll down your window. No!
30:11
What? Can you hear me? Yes, I can hear
30:13
you. Oh, okay. I don't want you to know
30:15
what's going on in here. Well, you only, look,
30:17
we're freaked out. Just get out here. Just get
30:20
out here. Yeah, we just, we just want the
30:22
man. Yeah, we just want the man. We just
30:24
want the man. We're gonna give you the guy,
30:26
you gotta give us our guy. Okay. No, you
30:29
can trust us. Who said no? So Francis just
30:31
coming into like full consciousness of what the situation
30:33
is, knowing that your guy is referring to his
30:35
dad, just says no, if he can see somebody
30:37
through the windshield or wherever he is in relation
30:40
to the car, he's gonna aim his gun
30:42
at somebody who's not his dad, but is
30:44
one of the best. Francis, your shot with
30:46
mine. Wait, wait, you too, Francis, Francis, what's
30:48
what's what's going on, what's going on, what's
30:50
going on, what's going on, what's going on,
30:52
what's going on, what's going on, what's going on?
30:54
Oh, that is your father? Your injured
30:56
father? Lying unconscious on the ground?
30:59
And you promised me I could shoot
31:01
one of the people that was dead
31:03
at the end of this? Give me
31:06
a willpower role. You're gonna have to
31:08
make a hard role for this. Oh,
31:10
I got a five. Oh, wow. Okay,
31:12
great. You see her arms wrap around
31:15
you and try to whip this gun
31:17
towards your father, but you're able, despite
31:19
having promised her this kill, to Stonewaller
31:22
and keep the gun. Not right now,
31:24
bitch. You promised me to kill Francis.
31:26
You promised me. Be patient, Jesus. We
31:29
still might kill my dad. Francis, you
31:31
may want to go with them. I'm
31:33
aware, that's why I'm saying he can't
31:35
go. Excuse me, sir, in the car? Yeah.
31:38
So, that's his son. You're looking at
31:40
him. Is that Francis? That's Francis?
31:42
It's a complicated situation. Is it
31:44
Miss Grammer? I'm sure I teach your kids.
31:46
There's no childless people in this town. No,
31:48
I'm not one of your kids. So look,
31:50
why don't you just give up Tyras? No,
31:52
I don't think so. I feel like Tyras
31:54
is the only... We're not going to go
31:56
around murdering our guys for like a week!
31:58
Frasier than going to shoot it. the nearest
32:00
guy, he's tired of talking. And I
32:02
believe the range they are at makes
32:04
it point blank. That's a thick heavy
32:06
round, bro, the car 90. Give me
32:09
another hard willpower roll. That glass is
32:11
gonna fucking go red. with 96 very
32:13
much the opposite of my last run.
32:15
Oh no! A fumble! A fumble! In
32:17
Fumbo! You're like in an arm wrestling
32:19
match with Bernhilda for control of this
32:21
gun. And then when you decide to
32:24
shoot this guy, to focus your on
32:26
aiming, you relax your resistance to her
32:28
for just a second, and the gun
32:30
snaps to now you're now aiming at
32:32
your father. And she said, I said,
32:34
I want my kill, Francis. I don't
32:36
want to fuck off those shitty guys
32:39
in the car. I want him. I
32:41
want to make you suffer Francis. I
32:43
want to taste pain. You can feel
32:45
your finger curling around the trigger as
32:47
you're staring down the barrel. The iron
32:49
sites are pointed right at your father.
32:51
Big old open sight picture on that
32:54
one too, dog. I still got my
32:56
gun out. You guys all see Francis,
32:58
focus, focus. I'm trying. It's not me,
33:00
it's a gun, it's from Hilda, from
33:02
Hilda. What? Did I not tell you
33:04
about this, but don't, yeah, my gun
33:06
talks to me. Look, we don't want
33:09
anybody else to die. We have a
33:11
crazy child out here. That's a good
33:13
point, it got his dad? Yes, there's
33:15
no telling what I might do. We
33:17
are willing to execute a hostage. Are
33:19
you willing to do the same? No,
33:21
don't say that. We don't want to
33:24
say that. in a war where we're
33:26
in Peacheville. We are in a war.
33:28
We are in a war for our
33:30
survival. Shots and blows have been exchanged.
33:32
And I think it should probably end
33:34
here. Let's just talk. Bring out your
33:36
guy. Oh, so you hear this hushed
33:39
whispering inside the cottage. We have you
33:41
surrounded with two guns. All right. Here's
33:43
what we're gonna do. Okay. We're gonna
33:45
come out with our guy. And we're
33:47
gonna walk away. You can keep head.
33:49
We're gonna walk away, but you try
33:51
anything. This guy's brains are getting blown
33:54
all over his restaurant, okay? I mean
33:56
it. Why are you taking him? When
33:58
you're walking, where you're taking him? Yes,
34:00
we're taking them. We get the whole
34:02
reason we came. It was again. Why?
34:04
Why? I'm not telling you shit. Tyros,
34:06
Tyros, do you want to go with
34:09
them? You can't get me that easy.
34:11
I don't, I just, I don't, I
34:13
don't, you just see, Tyros is just
34:15
like, oh God, don't, don't, don't, don't,
34:17
don't, don't, don't, don't, don't, don't, don't,
34:19
don't, take me, don't, don't, don't, don't,
34:21
don't, don't, don't, don't, don't, take me,
34:24
take me, take me, take me, take
34:26
me, take me, take me, take me,
34:28
take me, take me, take me, take
34:30
me, take me, take me, take me,
34:32
take me, take me, take me, take
34:34
me, take me, take me, take me,
34:36
take me, take me, take me, take,
34:39
take Therefore, they must believe that I...
34:41
This man's probably on the fucking registry
34:43
for the potential seeds. Yeah, well, we
34:45
could have, we could have exchanged him.
34:47
We can eliminate him and take a
34:49
tool away from our enemy. I'm also
34:51
one of the potential seeds, so I
34:53
don't really want to set that precedent.
34:56
Oh, it's that, and Blake, this man
34:58
is just a restaurant owner. He's an
35:00
innocent man. This man gave me food
35:02
poisoning. One year ago to the day?
35:04
Oh, you didn't die, play. The day
35:06
of the running toilet. Okay, I want
35:08
to try to do a persuade roll.
35:11
Okay. I'm going to say, look, Eric,
35:13
calm down for one second. This is
35:15
the situation, and I wish it wasn't
35:17
this, but it's very simple. You have
35:19
a war veteran who's itching to kill
35:21
somebody and a child who's willing to
35:23
kill his father. So I think these
35:26
are the two options. Either, the guns
35:28
go off. And a lot of you're
35:30
going to die. It's not going to
35:32
be me. I'm in the car over
35:34
here. So I'm just letting you know.
35:36
A lot of you will die. Or
35:38
you leave tires alone, and you walk
35:41
off, and you fight another day. Those
35:43
are the two options. If you say
35:45
no to that, they're going to start
35:47
shooting. There's nothing I can do about
35:49
it. Give me a persuade roll. I
35:51
got a 55, and my persuade is
35:53
55. So you hear again more angry
35:56
shouting inside. All right, we're coming out.
35:58
Okay. Miss Kramer. Yes, I do. You
36:00
knew me. You know my kid? I'm
36:02
not going to say who my kid
36:04
is. Okay, but I know you don't
36:06
want them to be an orphan. No,
36:08
I don't. Well, some of them. And
36:11
we had a parent-teacher conference last week.
36:13
Oh, that narrows down that. It went
36:15
very well. I thought, I said good
36:17
things about you to the principal. So
36:19
just keep that in mind. If you
36:21
try any funny business. Are you going
36:23
to rescind your? OK. The nice thing
36:26
you said. You can't rescind stuff when
36:28
you're dead. Not the principal. Sh. You
36:30
see the door crack open. OK, just
36:32
leave Tyrus in there. We're going to
36:34
come out with tires. Okay. We're going
36:36
to walk to the end of the
36:38
block. Okay. With him. Okay. And then
36:41
we're going to round the corner and
36:43
we're going to go. What point do
36:45
you let go with tires? At the
36:47
corner. Okay. Before you round the corner.
36:49
Before we round the corner. Before we
36:51
round the corner, we let go with
36:53
tires. Okay. Before we round the corner.
36:56
Before we round the corner, we let
36:58
go on the corner. Before we round
37:00
the corner. We let go on the
37:02
corner. We let go on the corner.
37:04
We let go on. We let go
37:06
on the corner. We let go on
37:08
the corner. We let go on the
37:11
corner. We let go on the corner.
37:13
We let go on. We let go
37:15
on. We let go on the corner.
37:17
We let go on. We let go
37:19
on. We let go on. We let
37:21
go on. We let go on. We
37:23
let go. We let go. We. We
37:26
let go. We let go. We. We.
37:28
We It was last week, it went
37:30
well, and I can tell the size
37:32
of the person. I want, like, what
37:34
would I rule to be like? I
37:36
think I should be able to narrow
37:38
this person down in the voice. I
37:41
love that. History, knowledge, like, what's so
37:43
funny. I feel like you can make
37:45
an argument for it being a no
37:47
role or an evil. And it's like,
37:49
it's like a no. Yeah, like general
37:51
intelligence. I'm like just figuring it out.
37:53
Because I want to know who it
37:56
is. So I got a 71 and
37:58
I have 70s so I lost one
38:00
luck and down a 47 luck. All
38:02
right, you tell me who it is,
38:04
ma'am. Damn you. What? What? Is that?
38:06
Is that? Are you going to say
38:08
it? You can let him know that
38:11
you know? Hmm. I know who that
38:13
is. You know what? He's a really
38:15
funny name, but I don't want to
38:17
say it out a lot right now.
38:19
I don't know who that is. She
38:21
knows who that is. So if you
38:23
guys, you know, do something any funny
38:26
business. They are backing away. Mm-hmm. So
38:28
they're outside the van? Yeah. Yes, they're
38:30
outside the van. You deal, motherfakers? I
38:32
knew it! I fucking knew! Leave the
38:34
man here or all of you die
38:36
on the spot! I have more than
38:38
enough bullets to end all of you.
38:41
Your entire family line is over. They
38:43
have guns too, right? You're not thinking
38:45
clearly. But they have guns too, right?
38:47
Yes, they do. Yes, they do. One
38:49
of them has a gun. One of
38:51
them has a gun. The other two
38:53
guys have brass knuckles. Not a lot
38:56
of them held. The brass knuckles from
38:58
over there. You're pointing out. I have
39:00
a gun. Because he's coming out of
39:02
this car, he has a human shield,
39:04
you're bloodied and dazed on the ground.
39:06
He's as likely to shoot you as
39:08
the other way around. So yes, to
39:11
paint the picture, they're all lined up
39:13
behind tires. One of them is carrying
39:15
the guy with two hit points, the
39:17
guy you shot twice now, who's bleeding
39:19
badly. Ask him? No, a gun works.
39:21
And he's got a little better than
39:23
yours. Give me a roll with a
39:26
penalty dice. With a penalty diceice. Here's
39:28
what it is. After my head injury,
39:30
I'm seeing double and they look over
39:32
at me and I'm just pointing at
39:34
the double, which is just like 40
39:36
feet to the right. Yeah, yeah, yeah.
39:38
He's like, okay. Drop it to Buster.
39:41
Yeah, right. They start backing up. While
39:43
they are doing that, Francis is just
39:45
pointing this gun in his father. I'm
39:47
just putting that up. He's about to
39:49
make a roll. Trudy is going to...
39:51
Yeah step in front of Ed. Oh,
39:53
okay. Oh, you're just gonna step in
39:56
front. Oh, Pepsi. Like Pepsi? Like Pepsi?
39:58
Like Pepsi? Like Pepsi? What? Pepsi can
40:00
be a Pepsi and it's gonna end
40:02
racism. Exactly like that. So you step
40:04
in front of Francis. I'm in front
40:06
of Ed because Ed's closest to me.
40:08
Okay. But I can't shoot Ed without
40:11
shooting you as well. Yes. Oh, to
40:13
Favan. Very interesting. Very interesting. Very interesting.
40:15
I think that one, did you... that
40:17
Brunhilda wants innocent blood? Yes! I'm not
40:19
innocent. I stole that man's wallet. I
40:21
stole it? She seems pretty innocent to
40:23
me. I stole it. I left my
40:25
family. I left my family. I left
40:28
my family. I left my son. She
40:30
murdered her husband. He was like basically
40:32
completely inert and she could have let
40:34
him live, but she killed him. Yes,
40:36
yes. And plus, who knows? If you
40:38
shoot me, it probably won't even get
40:40
to Ed. He'll probably be fine. Yeah,
40:43
she's made out of metal. Francis, do
40:45
you want to get rid of that
40:47
gun? I can't. My hands are tight
40:49
and around it. I can't let go
40:51
of it. But you want to, right?
40:53
Of course. Kind of. Brunhill is like,
40:55
hmm. I'm going to. I'm going to.
40:58
I'm going to. I'm going to take
41:00
it. I'm going to take my chances.
41:02
I got a 36 and my willpower
41:04
is 14. Ooh, okay, just barely. While
41:06
you guys are doing this, you see
41:08
the bisons disappear around the corner and
41:10
true to their word, they leave Tyris
41:13
behind. Oh, Tyris, go ahead. Oh, Tyris,
41:15
you want to come with us or
41:17
you want to just run home? He
41:19
runs over to you guys. Oh my
41:21
God, thank you so much. Thank you
41:23
so much. Look, free food for life.
41:25
All of you, seriously. All of you.
41:28
Seriously. You owe me a refund. I'm
41:30
sorry, who are you? I was the,
41:32
well, my butler came and got me
41:34
a Chinese feast, a succulent Chinese meal.
41:36
And now I had food poisoning. Oh,
41:38
I couldn't have been for my restaurant.
41:40
It was the only food I had
41:43
eaten. I don't believe you. I don't
41:45
think that that's real. But regardless, I,
41:47
you know... Are you, are you good
41:49
staying here though? It sounds like a...
41:51
I don't know, who are, who are
41:53
you know, who are you, who are,
41:55
who are, who are, who are, who
41:58
are, who are, who are, who are,
42:00
who are, who are, who are, who
42:02
are, who are, who are, who are,
42:04
who are, who are, who are, who
42:06
are, who are, who are, who are,
42:08
who are, who are, who are, who
42:10
are, who are, who are, who are,
42:13
who are, who are, who are, who
42:15
are, who are, who are, She shows
42:17
you and you see his name on
42:19
this list of seat candidates under your
42:21
own. It's under Francis's? Yeah, well it's
42:23
just a list of names. I'm just
42:25
curious. If they're going in order, or
42:28
if it's just a random, like, whoever
42:30
is on the list. Is it an
42:32
ordered list or no discernible? So you're
42:34
saying is this like an alphabetical Iraq
42:36
war deck of cards. Is it priority
42:38
like who's got the best swimmer's list?
42:40
There's the best seed. Most eligible seed
42:43
candidates. America's next top seed candidate. Draw
42:45
whichever conclusions you wish from it. Okay,
42:47
Mr. Mr. Louo. I feel like you
42:49
probably shouldn't stay at your restaurant. It's
42:51
hard to explain everything, but those men.
42:53
Also, they're very dangerous. They want, she
42:55
looks at Francis and kind of leans
42:58
in whispers, you're seaman. Yeah, I know,
43:00
I know, it's a lot. All the
43:02
more reason you don't want to be
43:04
here, right? Yeah, I guess. Do you
43:06
have any family in a different town?
43:08
I mean, no, I'm out here by
43:10
myself. I, uh, I'm trying to hopefully,
43:13
you know, open to start a family
43:15
out here. It's kind of my dreamt.
43:17
Just for your own safety, I would
43:19
leave. Just for your own safety, I
43:21
would leave. I would leave. Just for
43:23
your own safety, I would leave. I
43:25
would leave. Because we can't protect you.
43:28
We can't like, okay. And the cops
43:30
are in on all this. You're not
43:32
going on. You're right. Hey, and Kelsey,
43:34
thank you. Thank you. Thank you. And
43:36
I gotta say, your food's never gonna
43:38
be food poisoning. I think Blake's just
43:40
having a, yeah, I don't know why.
43:43
You sure don't have me allergies or
43:45
anything like that? I just, I've never
43:47
had complaints about this. Maybe want to
43:49
get back at you for something. No,
43:51
I saved his life He is my
43:53
closest friend and ally and potential other
43:55
character I might play So that would
43:58
be a really big shame if he
44:00
didn't like you and wanted to hurt
44:02
you so he and I are cool
44:04
as hell Okay, are you sure I
44:06
can't get you guys some food Alfred
44:08
try and do anything bad to mastaway?
44:10
No, no, yeah, we'll take some food.
44:13
Okay. All right. Well. I'll just load
44:15
you guys up So he prepares just
44:17
a succulent Chinese meal for you. Be
44:19
enough for 10. Get him off my
44:21
penis. Yeah, for 10, great, yeah. Oh,
44:23
hands off my penis! He just runs
44:25
into the back and throws some stuff
44:28
together and gives it to you. He
44:30
is going to get the fuck out
44:32
of town for your suggestion, Kelsey. Cool.
44:34
Hey, wait a minute. We told him
44:36
we can't protect people. Maybe we should
44:38
tell our families, et cetera, to also,
44:40
like, just get out of town. Oh,
44:43
it's not a bad idea, actually. Well,
44:45
let's go get them first. Okay. When
44:47
you guys turn around, Francis is sitting
44:49
criss-crossed-cross apple sauce-cross apple sauce in front
44:51
of his dad. And he is staring
44:53
at his dad's unconscious form and silently
44:55
loading shells into Brunhilda. Pretty common thing,
44:58
you sign up for something, you forget
45:00
about it, then you get a trial
45:02
period ends, and then they hit you
45:04
with that charge. Guys, hear me out,
45:06
sorry to interrupt. Space bank. Space bank.
45:08
It's a bank in space, and you
45:10
send your money to space. What bad
45:13
guy's gonna rob a space bank? Maybe
45:15
some space pirates named the Guardians of
45:17
the Galaxy? Oh, no. I don't like
45:19
them, but I got a hand to
45:21
them, they're a family. 85% of people.
45:23
Have at least one paid subscription going
45:25
unused each month. Who do you think
45:28
it is on the Guardian's crew? You
45:30
think it's track? You're supposed to cancel
45:32
your weapon subscription. I'm dealing with a
45:34
bunch of knuckleheads on this ship. With
45:36
Rocket Money, you and the Guardians of
45:38
the Galaxy can see all of your
45:40
subscriptions in one place. Cancel the ones
45:43
that Groot's not using anymore. Come on,
45:45
you've got a weapon subscription too? Why
45:47
can't you got a weapon subscription too?
45:49
that helps find and cancel your unwanted
45:51
subscriptions, monitors your spending. Wait, Rocky Rackoon,
45:53
you've got ones, they're all just into
45:55
weapons. That's all the guardians do. No,
45:58
in fairness, Gamore is defined entirely by
46:00
the men around her, so that's different.
46:02
And it helps lower your bills so
46:04
you can grow your savings. Like root?
46:06
He grows. Rocky Mine's dashboard gives you
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details. Hey this is Paige from Gagli
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nordstrom.com. Oh,
47:35
Tyras, really quick. Yeah? Do you have like
47:37
a padlock? A padlock? Yeah, I mean, you
47:39
have a right, yeah, yeah, okay, yeah. And
47:41
he's like one of those shudder things that
47:44
closes up the restaurant. So yes, he gets
47:46
a pad, like, what do you need a
47:48
padlock for? Can I have it? Okay, yeah,
47:50
I mean, sure, you say my life, here
47:52
you go. Yeah, I have the key. I
47:54
want to put the padlock through the trigger
47:57
guard. Francis, what is he doing? What is
47:59
he doing? If you don't want me to
48:01
do what I'm about to do, then we'll
48:03
fix it. But I think if I tell
48:05
you, whatever is happening, we'll stop it. And
48:08
I quickly try to grab the gun and
48:10
put the... Look at my funny face that
48:12
I'm making. I feel like if I saw
48:14
you coming, I would like, again, still staring
48:16
at my dad, I like raise the gun
48:18
up and pointed upward at you. Okay, like
48:21
a back off lady, kind of lady kind
48:23
of thing. Oh, kind of lady kind of
48:25
thing. You continue to look at something and
48:27
turn your head until the very last second
48:29
when your eyes move from his dad to
48:32
you and he looks you dead in the
48:34
eyes and there's just like nothing there. It's
48:36
like a void. I'm gonna signal to truly,
48:38
you gotta grab the gun so I'm pointing
48:40
out pointing at me. This is all I'm
48:43
signaling. It's just women's intuition between us. I
48:45
just love knocked. Of course. I want to
48:47
try to make it so that you hold
48:49
the gun in a way. That's not pointing
48:51
anybody while I quickly padlock. Well I quickly
48:53
padlock it. 34 out of 55. What would
48:56
I oppose with psychology because like I know
48:58
yes give me a psychology right perfect I
49:00
have an 80 psychology and I rolled a
49:02
46 okay so it's a normal success ooh
49:04
the same in order to keep the gun
49:07
pointed at you I think Francis is in
49:09
a space where he's so pissed and like
49:11
dissociating that he wants to deal with his
49:13
dad in his own particular way and doesn't
49:15
want to be interrupted. Okay so you're pointing
49:17
the gun at Kelsey right now. Francis you
49:20
hear in your head, what's she doing with
49:22
the set lock? What is she trying to
49:24
do? You better tell her to back off,
49:26
little man. Is it going to work? Tell
49:28
her to back off or I start shooting.
49:31
Yeah? Hmm. So Francis's face softens a little
49:33
bit and he looks up at Kelsey and
49:35
is like, she seems pretty scared about you
49:37
putting the lock down. Make a hard willpower
49:39
roll. My pal is a 40, I got
49:42
a 10. You feel Brunhilda, who's starting to
49:44
get scared, because yes, this is going to
49:46
work, because she needs you to pull the
49:48
trigger of the gun in order for it
49:50
to go off. You once again feel your
49:52
finger curled tight around the trigger, but you're
49:55
able to just hold her back just barely.
49:57
So now, give me a slight of hand
49:59
roll for putting this. I'm not trying to
50:01
be sneaky with it. Can I do a
50:03
forceful? Sure, yeah, in that case, give me
50:06
a strength role to gain control of the
50:08
gun. Okay, great. A
50:11
one. You know what? All right, you
50:13
look at the movies, when the guy's
50:15
like, you're not going to shoot me,
50:18
he walks up and he just snatches
50:20
the gun out of the guy's hand,
50:22
you wrenched Brunhilda out of his hands
50:24
and slap this lock around the gun.
50:26
And with a one, dude, you see
50:29
me, like, push the barrel away, and
50:31
slap this lock around the gun, and
50:33
with a one, dude. It's like, you
50:35
see me, the lock, just on the
50:37
lock. I love them. I love them.
50:39
I love them. I love them. They
50:42
go really fast and they stop to
50:44
really stare at one part and then
50:46
they're fast again. I love it. To
50:48
clarify, the bad luck is a big
50:50
piece of metal that's just behind the
50:53
trigger. To change the trigger for being
50:55
able to pull all the way back.
50:57
So what I would like to do
50:59
is stand up, throw Brunhilda to the
51:01
side, and walk over to my dad.
51:04
Okay. And try to slap him awake,
51:06
basically. Okay. Step back and let the
51:08
family. Should we take the gun? I
51:10
think it's on his back already. Is
51:12
it just back on him? Right? Doesn't
51:15
it a more back? You got it
51:17
for now. It has a more back.
51:19
Because you've got a good grip on
51:21
it. Francis' dad is dying, just so
51:23
you guys are clear. He's bleeding. Francis'
51:26
dad is dying, just so you guys
51:28
are clear. He is bleeding out of
51:30
blood pouring out of his stomach as
51:32
well. I want really quickly I give
51:34
Trudy the key to the padlock. Okay.
51:37
Just, you know, eat this or consume,
51:39
you know, hide it in robot button.
51:41
Well, just so nobody can get it,
51:43
but maybe we need it at some
51:45
point. I'm just saying, you do whatever
51:48
you want to do with it. You
51:50
hold on to it. Okay. And I
51:52
eat it. Like the sewing needle. Yep.
51:54
Team, what are we going to do?
51:56
About Francis, Dad, should we tie the
51:59
dad up? No. First you have to
52:01
healing. Blake won't be needing this apron
52:03
anymore so we can put it under
52:05
Ed's head. At that point, BB comes
52:07
up and it's like, Francis, stand back.
52:10
I think I can help. I have
52:12
a first aid field dressing merit badge
52:14
for my time in the Scouts before
52:16
they kick me out. Just stand back
52:18
and I think I can get them
52:21
stabilized and then maybe we can get
52:23
them to a hospital or something like
52:25
that, right? Yeah, and scouts are hardcore
52:27
back then. They went to war war
52:29
two. Francis steps back. We know the
52:32
cops are kind of in on this,
52:34
but we don't know about the doctors,
52:36
right? Dr. Mann was. Oh yeah. Doctor,
52:38
fuck dude. Can we trust the doctors
52:40
in this town? So BB has a
52:43
75 in a first case. She's a
52:45
doctor. She's a scout, dude. She knows
52:47
what you're doing. So we are gonna
52:49
give her a role. That's better than
52:51
a lot of doctors nowadays, too, shit.
52:53
She got an 88. Oh, so... Baby,
52:56
you gotta use some luck. Oh, oh,
52:58
oh, no, this is bad. You know,
53:00
I mostly just learned how to treat
53:02
like sprained angles and stuff like that.
53:04
This is pretty far beyond me. I
53:07
think we need to get him somewhere
53:09
now. We need to go to a
53:11
hospital or something. That is a lot
53:13
of blood. Okay, well, we have a
53:15
van. Okay, yeah, let's take him. You
53:18
guys are the adults. I'm just a
53:20
12 year old. What do you think
53:22
we should do? Yeah, let's take him
53:24
to the hospital. Okay, so are you
53:26
okay? You're at the hospital? Yeah. Is
53:29
that one of our actions? Remember we're
53:31
in a action. This will be your
53:33
second action. This will be the afternoon
53:35
action. This will be your second action.
53:37
This will be afternoon action. Okay, we'll
53:40
do wait wait wait just like stairs
53:42
at his dad and is not looking
53:44
away for a minute He goes, I'm
53:46
going to save my dad. Okay. Yeah,
53:48
let's look at Francis wait here me
53:51
out Blake they know that we have
53:53
this man and he is injured Yeah,
53:55
we don't be looking for the hospital
53:57
to get him back. We need him
53:59
to alive. How do we do that
54:02
if not in the hospital? What if
54:04
we find a veterinarian at the zoo?
54:06
Okay, I don't think vets are just
54:08
at the zoo. Yes, they absolutely are.
54:10
Yes, they are employed. What the fuck?
54:13
I get that Z is at the
54:15
end of the alphabet, but the functioning
54:17
of a well managed zoo involves care.
54:19
Take her staff? How big of a
54:21
city is Peacheyville that we got our,
54:24
I feel like the Peacheyville Zoo is
54:26
not vet run. It's like a goat
54:28
and somebody's bet rabbit on a street.
54:30
Like it's not like a zoo. Wouldn't
54:32
a regular veterinarian just have more experience
54:35
with traumatic injuries? I don't think elephants
54:37
are getting shot or staff. Everybody brings
54:39
him to the hospital. He'll be saved.
54:41
And if the bison's find him... I'm
54:43
staying with him. Okay, well, education will...
54:46
I fail. I succeed. I fail. I
54:48
pass. 27, my education is 80. You
54:50
guys both know that there is a
54:52
terrific vet in town if you guys
54:54
would like to take him to a
54:57
vet instead. Because you do know that
54:59
a prominent doctor in town is part
55:01
of the bison call. I'm just putting
55:03
that out there. What should the vet's
55:05
name be? Dr. Dog? Doctor, dog. Sally
55:07
Dog. The local vet, Sally Dog, cat
55:10
clinician. And she runs a cat clinic
55:12
on the other side of town. She
55:14
has a sign that says, I don't
55:16
do dogs, it's just my name. And
55:18
you know that she's got great reviews.
55:21
Well, listen. I think the vet makes
55:23
sense because it's kind of low profile.
55:25
We won't, you know, cause such a
55:27
ruckus is going to the... We can't
55:29
trust people right now, Trudy, you're right.
55:32
Plague I was disagreeing with you, but
55:34
after a little bit of an education.
55:36
I think you're right, we should go
55:38
find a vet. There seems to be
55:40
a good vet here. Ed's a bison,
55:43
that's an animal. Oh God, all right,
55:45
let's get him over there. You pile
55:47
into the car, I went ahead and
55:49
gave Ed a constitution role, so he
55:51
did not die on the way over
55:54
to the vet, which is great. Is
55:56
there anything happening in the car? Is
55:58
there like intense blood going on everywhere?
56:00
And you're like, keep it together, dad.
56:02
I got so much got to tell
56:05
you. No, it's absolutely not like that.
56:07
Okay, so it's just very quiet with
56:09
a small squelching sound as he bleeds.
56:11
It's quiet if there's a squelching sound
56:13
and you cannot tell, again, Francis's face
56:16
is blank. I'm driving so much better
56:18
this time. You're doing great, Trudy. Does
56:20
anyone want to give another first aid
56:22
role to? Sure. You guys can try
56:24
all do it if you would like.
56:27
I'm just saying someone here has one
56:29
health. Is BB with us? BB. BB
56:31
is with you. Oh, people want to
56:33
give another shot. You got the 80
56:35
first aid. Baby, look at me. Okay.
56:38
Hey, you're always one of the best
56:40
students. And of course, you're wonderful. And
56:42
look at you, you're still, you're still
56:44
just striving to learn. And I didn't
56:46
know you were that good at being
56:49
a doctor. So, I mean, maybe this
56:51
could be a career for you, but
56:53
give it a shot. I know this
56:55
is a high pressure situation, but you
56:57
can do it. B. B. Stills herself.
57:00
She is gonna make another. A career
57:02
for her? In the 50s. Yeah. Yeah.
57:04
Okay, okay, I really feel like I'm
57:06
making this verse. Let's just get to
57:08
the hospital really quick. Okay. Just go
57:10
go go go go go go. So
57:13
you roll up to over on we'll
57:15
say G Street. Oh doctor Yeah, she's
57:17
got a vet salary, not a doctor's
57:19
hat. We're sick in the 50s and
57:21
you didn't just shoot it. You were
57:24
probably pretty rich. So, she's such a
57:26
street. Actually, I just saw an article
57:28
about how like cat health has been
57:30
a mystery for so long and we've
57:32
just seen like an uptick in people
57:35
like caring a lot about their cats
57:37
and wanting to make sure they live
57:39
long healthy lives. The Sally Dog cat
57:41
clinic. Let's going. Um, meow, we've got
57:43
an emergency. But it's not a cat.
57:46
Yeah, it's a pussy. Boom. So yes,
57:48
the door opens and a beautiful 50-something
57:50
dark-eyed woman. But she doesn't know it.
57:52
Stares at you. No, she knows it.
57:54
And she says, yes. We have an
57:57
emergency. I think Francis just like picks
57:59
up his dad as best he can.
58:01
and just starts like marching into the
58:03
vast office. Oh, yes, look at you.
58:05
We just push in. May I help
58:08
you? Not me, him, him, and me.
58:10
We just need some help and we
58:12
can go to doctors as a long
58:14
story. You die. Okay, yeah. We just
58:16
want to, surely you have sutures and
58:19
band-aits and gauze? Dr. Sally looks at
58:21
all of you and you see just
58:23
a hint of tragic mystery in her
58:25
eyes. And you clock that this is
58:27
not the first time Sally Dog has
58:30
a... Sally Dog may not do dogs,
58:32
but she has in the past done
58:34
humans. Oh my god, I have to
58:36
roll not to fall in love with
58:38
Sally Dog. Because it ends up, it's
58:41
like, don't play games with me, I
58:43
can tell from that look in your
58:45
eye, you've done this before. Take her
58:47
mouth. And Sally Dog, just sort of
58:49
casually and calmly, pulls out a cigarette
58:52
and lights it up, and she says,
58:54
if you know. Can I have one?
58:56
Can we go use a good smoke
58:58
actually? She lights up a cigarette and
59:00
then does that sexy thing where she
59:03
puts another one in her mouth and
59:05
she lights that one up and then
59:07
she She sticks it in Blake's mouth
59:09
and then like strokes his hair and
59:11
I heal right? No, what do you
59:14
mean? You just look cool and you're
59:16
attracted to the sexy doctor. Yeah, but
59:18
in the 50s when you smoke cigarettes.
59:20
No, that's how that works. She takes
59:22
up off and she says if you
59:24
know so much you know also that
59:27
such services do not come for free.
59:29
And she goes to not come for
59:31
free. And she goes out for free.
59:33
And she goes on her hand. And
59:35
she goes on her hand. And she
59:38
goes on her hand. Yes, she goes
59:40
on her hand. Yes, she goes on
59:42
her hand. Yes. Yes. Yes. Yes. What
59:44
do you want? Kelsey pulls out? Oh,
59:46
we can do a credit rating role.
59:49
$1,000. What's your credit rating, Kelsey? Actually,
59:51
here we go. I have $40 in
59:53
cash. I have a spending level of
59:55
10. I have cash $40. I have
59:57
cash $40. I have assets, $1,000. I
1:00:00
have assets, $1,000. And my credit rating
1:00:02
is $10. Oh, there's a diners club.
1:00:04
Oh, there's a credit rating. That's luck
1:00:06
if I've ever heard it. All right.
1:00:08
38. I'm hemorrhaging luck. I got a
1:00:11
20. Cut to that morning. Honey, don't
1:00:13
forget to bring some cash with you
1:00:15
today. Oh yes, thanks for reminding me
1:00:17
dear. Let me just stuff it full
1:00:19
of cash. Give me 1s, 5s, 10s.
1:00:22
20-20s. Give me two D-10s. Okay. You're
1:00:24
just gonna do this like a regular
1:00:26
role and just read the numbers off
1:00:28
and it's gonna be the amount of
1:00:30
money it is like any other role
1:00:33
you do. Ten? Nice. Three. So it's
1:00:35
33 bucks? 13 bucks. In 19-50s. Oh,
1:00:37
40, but that's 53 bucks. Sally, Dog,
1:00:39
$700. And then a big guy named
1:00:41
Gregor comes out of the back. And
1:00:44
he just sees this bleeding out guy
1:00:46
and he nods and then he goes
1:00:48
to wash his hands. Oh, wow, that's
1:00:50
a good sign. Yeah, they washed their
1:00:52
hands. We found Hetori Hanso. So we
1:00:55
will say that Wall, Dr. Sally Dog,
1:00:57
my favorite MPs, I've ever come up
1:00:59
with. Oh, and she did real good
1:01:01
on her. That's the first aid role.
1:01:03
So he stabilized. Great. So he's got
1:01:06
one HP. And then. Medicine Roll did
1:01:08
not go well. Good you have practice
1:01:10
now use me. Okay hold on hold
1:01:12
on hold on hold on hold on
1:01:14
I gotta just give me a give
1:01:17
me a second. Will is. Will needs
1:01:19
to play an entire doctors game by
1:01:21
themselves. Tell us what happened? Will's pulling
1:01:23
out a copy of operation. If I
1:01:25
can have a conversation with my fucking
1:01:28
dad. Basically after two hours you guys
1:01:30
are out in the waiting room of
1:01:32
this now closed cat hospital. Can I
1:01:34
close cat hospital? Oh my gosh, I'll
1:01:36
give some of these to Marbles. He's
1:01:38
gone. What do you mean he's gone?
1:01:41
I mean, not gone, gone. He's, oh
1:01:43
yeah, I threw marbles to you. Oh
1:01:45
yeah, I got him right here. Marbles
1:01:47
isn't BB's backpack, just like marbles. Marbles,
1:01:49
here's, okay, he's a tranquilizer, and people
1:01:52
love these. Why are you giving her
1:01:54
tranquilizers? She's just the cat, she's fine.
1:01:56
the little pills that make me go
1:01:58
night night and I was wondering if
1:02:00
Marvel's would too. As this conversation is
1:02:03
happening, the door to the back swings
1:02:05
open. and Dr. Sally Dog. You know,
1:02:07
she's in her cat. Do vets wear
1:02:09
O.R. scrubs? Yeah. Okay, she's got her
1:02:11
scrubs on. Yeah. What do you think
1:02:14
they like dress like teachers like little
1:02:16
cat patterned outfits? She takes her mask
1:02:18
off and likes up another smoke and
1:02:20
she looks at you Francis and she
1:02:22
says the patient would like to see
1:02:25
you. Okay. All right. We'll be here.
1:02:27
Trying to give Marvel something to calm
1:02:29
down. Isn't there anything you can do
1:02:31
for Marvel? Somebody he likes me. Marvel's
1:02:33
looking at Trudy and he's like hissing,
1:02:36
right? She's like hissing, right? She's like
1:02:38
hissing. And then Kelsey wants to like
1:02:40
stand between to like block the view
1:02:42
of Trudy and does Marvel's calm down?
1:02:44
Yes, Marvel's part. And then I step
1:02:47
away and she can see. Okay, I
1:02:49
think we know how to calm her
1:02:51
down. You just can't be in her
1:02:53
life anymore, truly. Blake, as Francis walks
1:02:55
past you, she looks at you and
1:02:58
then motions for you to follow her
1:03:00
into the operating room. We'll be here
1:03:02
if you need anything. Blake limps off
1:03:04
bleeding. Really quick, Miss Dog, just while
1:03:06
this is happening, so we can be
1:03:09
doing two things simultaneously while that conversation.
1:03:11
Can Blake be getting medicine? Yeah, that's
1:03:13
what she just said. She's motion. I'm
1:03:15
sorry. I wasn't listening. Thank you so
1:03:17
much. You're a good doctor. You are
1:03:20
a good teacher. Oh, thank you. But
1:03:22
you're not a very good learner. Oh,
1:03:24
pay attention when people are speaking. Okay,
1:03:26
I take that criticism to heart. I'll
1:03:28
think about that. Thank you. Francis, you
1:03:31
enter the sort of back operating room,
1:03:33
you see your father bandaged up, ragged
1:03:35
as hell. his shirt has been sort
1:03:37
of stripped off and he has like
1:03:39
over his bandages you see a burn
1:03:41
spiral scar. It's the same scar that
1:03:44
you got from the two shadowy figures
1:03:46
that approached you while you were astral
1:03:48
projecting. They burned that symbol onto your
1:03:50
wrist and he looks at you and
1:03:52
you see a sort of apprehension in
1:03:55
his eyes and a little bit of
1:03:57
fear as he really does not know
1:03:59
what to make. Oh, the fact that
1:04:01
you've seen him now like this. Francis
1:04:03
is going to take out his ice
1:04:06
cream scoop. Francis, are you okay?
1:04:08
Francis is going to approach his
1:04:10
dad. Look, son, I can explain.
1:04:12
I didn't want you to find
1:04:14
out like this, but your mother
1:04:17
and I, we have... It's so
1:04:19
complicated. I don't even know. Francis
1:04:21
raises the ice cream scoop to
1:04:23
his eye. What are you doing?
1:04:25
What are you doing? Tell me?
1:04:28
Everything. in World War II.
1:04:30
As you know, I was injured. I
1:04:32
came to learn things about the
1:04:34
way the universe is and the
1:04:37
way the world works. Strange things.
1:04:39
I got a book that taught
1:04:41
me how to see beyond my body,
1:04:43
how to see beyond myself. And
1:04:46
I saw amazing things, Francis. I
1:04:48
learned about things beyond this world,
1:04:50
beyond our reality, beyond the fail
1:04:52
of stars. And I know this
1:04:55
is going to sound like a
1:04:57
lot coming from me right now.
1:04:59
This is all aside of me
1:05:01
that I haven't seen before, but
1:05:04
you have to trust me. That I'm still
1:05:06
your father, and I still love you.
1:05:08
I saw things in the war. I saw
1:05:10
things beyond our world, and I saw your
1:05:12
mother. She was a traveler too, just like
1:05:15
me. You have the same gift that we
1:05:17
do because we passed it on to you.
1:05:19
We made sure that you would have the
1:05:21
gift. This site, this ability to travel, it
1:05:24
makes you special. Francis, like it made us
1:05:26
special, like how we found each other. And
1:05:28
we saw so many amazing things out there
1:05:30
and we saw incredible sites and gods of
1:05:33
amazing power and terror. And we fell in
1:05:35
love. We fell in love actually out there
1:05:37
before we even fell in love in real
1:05:39
life, before we met each other. Why are
1:05:41
you working with a bison? I'm sorry,
1:05:43
I'm getting a little derailed here. I
1:05:46
know, this is a lot. Your mother
1:05:48
and I learned that this world
1:05:50
is doomed. We learned that this
1:05:52
battle that's been going on between
1:05:54
these gods out there has been
1:05:56
going on over and over and
1:05:58
over again, a world. after world
1:06:00
after world and it's come to our
1:06:02
world and everyone on this planet is
1:06:05
going to die except for one person
1:06:07
the person who inherits Zuzel the person
1:06:09
who becomes his mortal form who becomes
1:06:12
this god do becomes this warrior to
1:06:14
fight in this battle that's been going
1:06:16
on and on and on your mother
1:06:19
and I were just two crude little
1:06:21
chunks of meat just like everybody else
1:06:23
on this dirty filthy world this lousy
1:06:26
rotten world of ours and we saw
1:06:28
a chance for you to have something
1:06:30
better for you to have something more
1:06:33
to become a part of something great
1:06:35
and powerful and fast and beautiful so
1:06:37
we took it by peering beyond the
1:06:40
site we were able to see what
1:06:42
was going on here at Project Heartland
1:06:44
and we insinuated ourselves into this town
1:06:47
we made contact and we joined because
1:06:49
we knew that if we pulled the
1:06:51
right strings, if we nudged people just
1:06:54
the right way, we could make sure
1:06:56
you were the one, Francis, you were
1:06:58
the one, that you could survive. The
1:07:01
seed thingy? Yeah, that you could become
1:07:03
this demigod, that you could become, you
1:07:05
could become, you could become, you have
1:07:07
such a bright future. You have such
1:07:10
a kind heart, you have such a
1:07:12
kind soul. But we know that this
1:07:14
world is so hard and so tough
1:07:17
when we just want you to survive,
1:07:19
and this is the best way we
1:07:21
can think to do it. and pulls
1:07:24
his arm back with you, I should
1:07:26
keep on it. And he sort of
1:07:28
looks at his knees, doesn't make eye
1:07:31
contact with his dad as he's talking,
1:07:33
and he says, this whole time, I've
1:07:35
been trying to figure out who I
1:07:38
was. And now, I think I know.
1:07:40
And he's gonna scoop out his dad's
1:07:42
eyeball. Whoa! Whoa! Okay, yeah, you don't
1:07:45
have to, uh... Roll for that, because
1:07:47
he's in a frail state. Do we
1:07:49
hear? Yes. You guys are in the
1:07:52
middle of sweet talking marbles, and then
1:07:54
you just hear. Oh my God. Oh
1:07:56
my God. Francis, what are you doing?
1:07:59
Kelsey was going to run in? You
1:08:01
run in and you see, paid the
1:08:03
picture for me. When you come into
1:08:06
the room, Francis' dad is grasping at
1:08:08
an empty bloody eye socket, screaming his
1:08:10
head off. Francis has, you can see
1:08:12
what looks to be a bunch of
1:08:15
viscera and maybe what's noticeably an eye
1:08:17
in his ice cream scoop. And he
1:08:19
just upends the scoop and it just
1:08:22
plops down to the ground. And he
1:08:24
turns and sees you guys. And he
1:08:26
says, they're monsters. My parents are monsters.
1:08:29
You're okay with ending this world, and
1:08:31
they wanted me to be a monster
1:08:33
like them. Oh, okay, Francis Oh No,
1:08:36
son. We love you. We want you
1:08:38
to live shut up. You're all gonna
1:08:40
die. Don't you understand? Don't you want
1:08:43
what's best for him? He's a child.
1:08:45
God damn it. He's a boy Okay,
1:08:47
Francis. Let's go Come with us. Son,
1:08:50
son, son, please, please, please, please, please,
1:08:52
come on, please, son, no, don't, oh,
1:08:54
and he just collapses onto the ground
1:08:57
because he can barely walk and his
1:08:59
stitches burst open and he starts bleeding
1:09:01
again and he starts, and he starts
1:09:04
crawling towards us, he says, come back
1:09:06
to me, son, it's going to be
1:09:08
okay, you just got to trust mommy
1:09:11
and daddy, okay? Francis slams the door
1:09:13
shut behind him. Thanks
1:10:21
for listening, and thanks for watching, by the
1:10:23
way, those of you who have gone out
1:10:25
to your local theaters to watch We're All
1:10:27
Gonna Die. This strange theatrical rollout continues this
1:10:29
week, week four. We're all gonna die movie.com
1:10:31
for more information. If you want to support
1:10:33
this podcast directly, you can do it on
1:10:36
our patron starting at five bucks a month.
1:10:38
There are many benefits, but as someone who
1:10:40
actually pays for YouTube premium, no ads. That's
1:10:42
my favorite one. It's just raw content, straight
1:10:44
from our audition timeline into your ear holes.
1:10:46
You also get an entire extra show, our
1:10:48
after show discussion, for every main feed episode.
1:10:50
It's called The Peach Pit, as well as
1:10:53
bonus mini series, ongoing series, such as Kingdom
1:10:55
Dad Monster, where Matt is the DM and
1:10:57
we play one of the weirdest and wildest
1:10:59
board games in his extensive collection, Kingdom Death
1:11:01
Monster, the lore, is very deep. with this
1:11:03
one. You can get all that and more
1:11:05
starting at just five bucks a month at
1:11:07
patron.com/dungeons and dads. Dungeons and Dags is Matt
1:11:10
Arnold, as Kelsey Grammar, Anthony Birch, as Francis
1:11:12
Farnsworth, Will Campos is our DM. Beth may
1:11:14
is Trudy Troud and myself, Freddie Wong as
1:11:16
Blake Lively. Our theme song is Trudy Troud
1:11:18
and myself, Freddie Wong as Blake, Freddie Wong,
1:11:20
as Blake, Freddie Wong, as Blake, Freddie Wong,
1:11:22
as Freddie Wong, Freddie Wong, Freddie, Beth May,
1:11:24
as Trudy as Trudite Trudite, Freddie Wong, Freddie
1:11:27
Wong, Freddie Wong, Freddie Wong, Freddie Wong, Freddie
1:11:29
Wong, Freddie Long, Freddie Wong, Freddie Wong, Freddie
1:11:31
Wong, Freddie Wong, Freddie Wong, Freddie Wong, Freddie
1:11:33
Wong, Freddie Wong, Freddie Wong, Freddie Long, Freddie
1:11:35
Wong, Freddie Wong, Freddie Long, as Freddie Long,
1:11:37
Freddie Long, Freddie Long, Freddie Long, Freddie Long,
1:11:39
Freddie Long, Freddie Long, Freddie Long, Freddie Long,
1:11:41
Freddie Long, Freddie, Freddie as Sunrapsila, Mayor Pater,
1:11:44
Mark Pearson, Larkspur Hadley, Muschwich, McKenzie Sullivan, Christine
1:11:46
Lopez, Luca Guttendgiber, Jared, Ultramike, Benjamin M. Meisner,
1:11:48
Jen, Niraj Edward, Nomey Fizikas, and her Silver
1:11:50
Platts, Joe Chamberlain, Tori Brock, Joe Chamberlain, Tori
1:11:52
Brock, and Tori Brock, Chamberlain, Tori Brock, Chamberlain,
1:11:54
Tori Brock, Tori Brock, Chamberlain, Stillenelelelen, Stelen, Stelenenelenlethi,
1:11:56
Stelenllethi, Stelenllethi, Stelenllethi, Stelenllethoelenllethoelelenllethoelenllethoelen, Tllethoelen, Tlletho, Tlletho, Tlletho,
1:11:58
Tlletho, Tlletho, Tlleh We'll see
1:12:01
you then. see that I
1:12:03
can see is a hole in
1:12:05
the stars. Swallowing
1:12:09
my dreams and
1:12:11
making them scarves. Too
1:12:13
far, too far
1:12:16
away. But
1:12:18
I'll stay today. All
1:12:34
that I can see
1:12:36
is a hole in the
1:12:38
stars. Swallowing
1:12:42
my dreams and
1:12:44
making them scarves. Too
1:12:46
far, too far
1:12:48
away. But I'll
1:12:50
stay today. Swallowing
1:13:00
making scarves.
1:13:04
Can we have a scene
1:13:06
have a Blake in the
1:13:08
other room? Dr. Dog and Blake in the
1:13:10
other room? Sure. Okay. Dr. Dog, Dog,
1:13:12
it's been a long time,
1:13:14
time, baby. Don't worry
1:13:16
about the screams in the
1:13:19
other room. in the closer. room. Come
1:13:21
closer.
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