Nancy Worman (Professor of Classics, Columbia University)Karen Throsby (Associate Professor in Sociology and Social Policy, University of Leeds)Marina Galetaki (Classics, University of Bristol)
Karenjit Clare (Geography, University of Cambridge)Adriana Cobo (Architecture, Central Saint Martins)Tatjana Crossley (Design, Architectural Association)Mary Freedman (Creative Arts, Queen’s University Belfast)Natalie Morningstar (Social An
Dr Rosie Wyles (Classical History and Literature, University of Kent)Matteo Augello (Centre for Fashion Curation, London College of Fashion)Ellen Robertson Martinez (Psychology, University of Cambridge)
The Medicalization of the Female Body: What Should Modern-Day Reproductive Technologies (not) Learn from Hippocrates and Aristotle?Professor Emerita Helen King (Classical Studies, Open University)Dr Lucy van de Wiel (Reproductive Sociology
Professor Victoria Vesna (Artist, Professor, Director of the Art|Sci Centre UCLA, and North American editor of the AI and Society Journal)Victoria Vesna, presents excerpts of her work over 3 decades (20+ solo shows, 70+ group shows) followed
Masks, Face, Performance Identity in the Theatre of Surgery and Therapeutic EncounterProfessor Femi Oyebode (University of Birmingham)Dr Jan Parker (University of Cambridge)Emma Barnard (Artist)At a time of a seemingly one-dimensional
John Allen (Former Tutu aide, Communication Director of South Africa's Truth and Reconciliation Commission, Rabble-Rouser for Peace, 2006) in conversation with Louise Blythe (BBC).South African journalist John Allen had a unique lifelong prof
In collaboration with the Centre for the Future of IntelligenceStephen Cave (Executive Director Leverhulme CFI)Hopes and Fears for AI: Four DichotomiesSarah Dillon (CFI)Displaying GenderKanta Dihal (CFI)PersonhoodBeth Singler (CFI)A
The Odissi Ensemble in WorkshopThe Odissi Ensemble, an Indian classical dance troupe, to lead a practical workshop on the devotional, divine and human aspects of their dance practices. The ensemble work across dance, music and spoken word and
Dr Ankur Barua (Hindi Studies, Cambridge)Rvd Peterson Feital (King's College London)Rvd Andrew Hammond (King's College, Cambridge)Ms Rebecca Lees (Faculty of Classics, Cambridge)Dr Ayla Lepine (History of Art, Fellow of Essex)Professor Rob
Professor Leigh Payne (Department of Sociology, University of Oxford)Professor Paloma Aguilar (Department of Political Science, UNED)AbstractWhat happens when state perpetrators publicly confess to human rights violations in past dictato
Michel Foucault's Confessions of the Flesh and the Performative and Material Body in the Documentary Fake OrgasmProfessor Ulrike Auga (Center for Transdisciplinary Gender Studies, Humboldt University Berlin)Chair: Rozelle Bosch (Faculty of
A half-day workshop: 'Antigone's Revolt and the Performance of Protest': Staging radical disobedience, from Brecht to the 1960s and beyond.Co-organised by Freddie Rokem (founding member, Performance Philosophy Network), Annalisa Sacchi (Prin
Dr Paul Connerton (University of Cambridge)Dr Mischa Twitchin (Queen Mary University of London)Anthropologist Dr Paul Connerton and theatre researcher and practitioner Dr Mischa Twitchin will explore how politics, collective memory and per
Rachel Stroud (Music, University of Cambridge)in conversation with John Robb (Archaeology, University of Cambridge)John Robb is Professor of European Prehistory at the University of Cambridge. He has received his PhD in anthropological arc
Dave Beech (Valand Academy, Gothenburg, member of the art collective Freee, writer and Professor of Art)Revolting Places: Art’s Apparatus and Radical Social TransformationChloë Alaghband-Zadeh i(Temporary University Lecturer at the Faculty o
Dr Joanna Melvin (Chelsea College of Arts, writer, curator and senior lecturer in Fine Art theory)in conversation with Dr Luke Skrebowski (Churchill College)Jo Melvin is Reader in Archives and Special Collections at Chelsea College of Arts,
Dr Satinder P. Gill (CMS, University of Cambridge)Michael Byrne (CMPCP, University of Cambridge)Drawing from the fields of experimental psychology and dance, Dr Satinder P. Gill (CMS, University of Cambridge) and Michael Byrne (CMPCP,
Victoria Miguel (Writer, Lecturer, Curator, and former assistant to the Director of the John Cage Trust)in conversation withDaniel Brine (Artistic Director and Chief Executive of The Cambridge Juction)Miguel recounts: One day, over lunch Jo
Sanja Perovic (French, King’s College London)Stuart Brisley (Painter, Sculptor and Performance Artist, widely regarded as a key figure in British art)Sanja Perovic in discussion with Stuart BrisleyDr Perovic will give a specific account of
Margaret Faultless (Cambridge University/Royal Academy of Music)in conversation withMargherita Laera (Drama and Theatre, University of Kent)Can the score or text be re-conceived as a space that invites and activates social (inter)action, r