Episode Transcript
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0:03
Have you ever felt a chill down your spine
0:05
that you couldn't explain? Seen
0:07
an ominous shadow in the corner of your vision, or
0:10
heard a whisper on the wind that seemed
0:12
just a little too clear? Then
0:15
you'll love Sightings, a new weekly
0:17
show from Reverb and Cucode. Sightings
0:20
takes you inside the world's
0:22
most mysterious supernatural events, from
0:24
classic legends like Bigfoot to
0:27
lesser-known phenomena like the Polaroid
0:29
Ghost Rider. Each
0:31
week, you'll be transported into a
0:33
thrilling first-person story that puts
0:36
you at the heart of
0:38
ominous creature encounters, eerie alien
0:40
abductions, and spine-tingling hauntings. Today,
0:44
we're bringing you a special presentation
0:46
of Sightings that will take you back to
0:48
1950s Kentucky, where
0:51
one rural family faces an invasion
0:53
from intruders not of this world.
0:56
And stick around as we unravel
0:58
the truth behind the story, revealing
1:00
how it inspired one of the biggest
1:03
pop culture phenomenons in history. From
1:07
Roswell to Amityville to Loch Ness
1:09
and beyond, Sightings is
1:11
your passport to the extraordinary.
1:14
Click the link in the show notes and
1:16
follow Sightings now to never miss an episode.
1:25
Imagine you're at home with your family. It's
1:27
a quiet night, a normal night, until
1:30
suddenly it isn't. There's
1:33
strange glow outside your house.
1:36
Shadowy figures move across your
1:39
windows. Strange
1:41
sounds echo in the darkness. Something
1:44
is out there. Something
1:46
not of this world. And
1:49
it's coming for you. Welcome
1:52
to Sightings, the series that
1:54
takes you inside the world's most
1:56
mysterious supernatural events. I'm McLeod
1:58
Andrews. And I'm I'm Brian Sigley. We're old
2:01
friends who live for good stories, especially
2:03
ones that push the boundaries of the
2:05
unexplained. So we created this
2:07
series to highlight the encounters, the
2:09
abductions, and the terrifying bumps in
2:11
the night that have become legend.
2:13
So in each episode, we'll dive
2:15
headfirst into an infamous supernatural incident
2:17
that will take you anywhere from
2:19
Roswell to Loch Ness to Amityville
2:21
and beyond. Now you've probably heard
2:23
of some of these before, but
2:25
trust us when we say you've
2:27
never heard them like this. McCloud
2:30
happens to be one of the best narrators
2:32
in the business. Brian, you said we wouldn't
2:34
do this. Well, it's true. You've done some
2:37
of the biggest audiobooks in the world. And
2:39
that's why I'm so excited that in each
2:41
episode of Sightings, McCloud is going to bring
2:43
to life a brand new, mind-bending
2:46
story of a supernatural incident that
2:48
puts you, listener, at the center
2:50
of the action. After
2:52
that, we'll investigate the facts and the
2:54
legends that inspired the story and
2:57
figure out just how far down the rabbit hole
2:59
we're willing to go. For
3:01
our first episode, we're taking you back to a
3:03
quiet summer night in 1955, where one family
3:07
in rural Kentucky encounters terrifying
3:09
intruders intent on invading their
3:12
home. Do they
3:14
run? Do they hide? Or
3:17
do they stand their ground and
3:19
fight? Find out on
3:22
this first episode of Sightings. My
3:53
name is Lucky Sutton. I'm
3:56
25 years old, Kentucky born
3:58
and bred. Not
4:00
to tell you straight off, I ain't never seen anything like
4:02
this shit that's gone down here tonight. I'm
4:05
talking the kind of shit you'll read about in the big papers
4:07
tomorrow. Like Hollywood movies shit.
4:11
Like we're lucky to be alive shit. And
4:13
I mean that, swear to God. Being
4:18
a detail is likely important, and I'm still trying to
4:20
work it all out in my head. I suppose I
4:23
ought to start at the beginning. Set
4:25
the scene, as they say. And
4:28
that scene, at least for tonight, is our farm. I'd
4:32
be lying if I said it was nice. I mean, it's decent
4:34
and all. But
4:36
it sure as hell's got no bells or whistles like shutters
4:38
or even a ripe barn or anything. You
4:40
can find it in Kelly, just off old Madisonville
4:43
Road, and a few miles north of Hopkinsville. Three
4:46
acres of tobacco, some old maple trees, a
4:48
shitbox house I've been telling Ma to fix
4:50
for years. But now that JC's in charge,
4:52
that's a whole other
4:54
story. Anyway,
4:56
speaking of people, there were a bunch of us
4:59
hunkered down when it all started. There was Ma
5:01
and me and Vera, of course, and my brother
5:03
JC and his wife Elaine, and Elise's brother OP,
5:05
plus my friend Billy Ray and his wife June,
5:07
and then the little ones Lonnie
5:10
and Charlton and Mary. That's
5:13
eight of us adults plus the three kids, which
5:16
probably sounds like a lot for these three rooms,
5:18
but you know, it's not normally like this, and
5:20
even if it was, you ought to keep your
5:22
judgments to yourself. Point
5:25
is, it's a farm with good
5:27
fields, plus the house, some pigs,
5:29
goats, too many cats, and a
5:31
whole lot of people. Otherwise,
5:33
they're in a damn thing remarkable about it
5:36
at all, which
5:38
is why it's amazing that of all the farms
5:40
in Kentucky, all the farms on God's Green, this
5:42
is the one a little space bastard decided to
5:44
visit. And you know what?
5:47
Screw them all for doing that. It's
5:52
probably worth knowing. It all started out
5:54
as a pretty normal evening, as far as evenings go,
5:57
since it's been hot as hell all week and the
5:59
skeeter's been. We were all inside trying to make the
6:01
best of it. That meant mostly
6:03
shooting the shit, sometimes playing cards, and I
6:06
ought to say that none of us were
6:08
drinking, at least not more than
6:10
one beer, from me and JC and Billy Ray.
6:13
Now I emphasize that because the first thing people
6:15
will say is that we were fully drunk and
6:17
made this all up, or aren't reliable narrators or
6:19
the like, and they'd be dead wrong, all of
6:22
them. Because I seen this with my
6:24
own eyes, and I guarantee you, I wish I had
6:26
been drunk, so I could have better coped with all
6:28
of it. Yeah,
6:31
as I was saying, it
6:33
must have been about seven when it all started.
6:35
We were all doing our thing, and Billy Ray
6:38
went out to the well for some water. Then
6:41
came running back with some poppycock story
6:43
about seeing a real live flying saucer.
6:46
Course, we all thought it was a load of shit. Billy
6:48
Ray was known for spinning tails. Guess that's what made him
6:51
such a charming bastard. But tonight, we
6:53
were having none of it. Even when Billy
6:55
Ray swore the saucer was sitting in the gully on
6:57
the far end of our plot, we just laughed it
6:59
off. Speaking personally, it
7:01
sounded me like the fool had seen a shooting
7:03
star. I even cracked some
7:05
joke about it, which just about threw Billy Ray
7:08
right off the deep end. He was damn set
7:10
on getting someone to go check out the gully
7:12
with him, but none of us budged an inch.
7:15
And being the hothead he is, he
7:17
seemed brought ready to storm out or throw some
7:19
kind of tantrum, because no one believed him. That's
7:24
when the dogs started barking, not
7:27
just barking, mind you, but
7:29
some kind of infernal fury. We'd never heard
7:31
the thing make before. I never heard any
7:34
dog make this sound before. I
7:36
got up to go see what the trouble was,
7:38
but Billy Ray thought that was his chance to
7:41
show me his flying saucer. And before I could
7:43
even brush him off, he shoved JC's .22 rifle
7:45
in my hand and grabbed the .20 gauge for
7:47
himself. In hindsight, that
7:49
might be the smartest thing Billy Ray's ever done
7:51
in his life. So
7:54
now that I was armed and all, I figured
7:56
the least I could do was follow him out and see
7:58
what all the yapping was about. But
8:01
the moment we stepped outside, the damn dog came
8:03
running at us like a bat out of hell.
8:06
We scanned the horizon to see what spooked her, but hell, if
8:08
we could find the problem, it was pitch
8:10
black out there being a new moon and all, and we couldn't
8:12
hardly see a thing. So I
8:14
turned to head back inside when Billy Ray suddenly
8:16
grabbed my shoulder. He told
8:19
me to look back out at the fields, and
8:21
I'm not exaggerating when I say he
8:23
sounded downright petrified. When
8:26
I saw why he was scared, and
8:29
swear to God, I just about
8:31
shit myself too. A
8:35
strange glow was coming from the far end of
8:37
our field. It was
8:39
kind of silvery like, and damned if I'd ever seen
8:41
anything like it before, but it wasn't the glow
8:43
that scared me. It
8:46
was the thing walking out of it. At
8:50
first it looked like a little man, no taller than
8:52
our fence posts, so maybe three and a half feet
8:54
on a good day. As
8:56
it got closer, I could make
8:58
out a big head, far too
9:00
big to be human, with yellowish
9:02
eyes and arms that nearly reached
9:04
the ground. The
9:06
whole thing, creature, whatever you want to call
9:08
it, was wearing some kind of silvery metal
9:11
that gave off that strange glow. Now
9:13
Billy Ray, big dumb brick that he is, up
9:16
and hollered at the thing, causing it to freeze
9:18
in place, and I tell you, it just stood
9:20
there, staring at us with those
9:22
God forsaken eyes for a good minute or so.
9:25
Maybe because we were too scared, too
9:27
confused, I don't know, but we stared
9:29
right back at it, and it started
9:31
moving towards us again, and it lifted
9:34
its arms up, and that's when I
9:36
saw its fingers were talons. Actual
9:40
goddamn talons. So
9:42
I yanked Billy Ray back into the house
9:44
and slammed the door. Everyone
9:47
else was in the living room laughing about something, but
9:49
Billy Ray and I didn't say a damn word. He
9:52
just aimed back out the wind at that
9:54
thing, which was still on the move, claws
9:56
still reaching for the sky. I
9:59
told Billy Ray to... hold tight until it was
10:01
closer, because even though we're both pretty good shots,
10:03
I wanted to make damn sure we hit the
10:05
bastard. So we
10:07
waited, and I tell
10:09
you, it was excruciating,
10:14
because the thing moved weird and
10:16
kind of slow, but it kept
10:19
coming, sure and steady.
10:22
And once it was about 20 feet away,
10:24
we finally fired.
10:28
And then, all
10:30
hell broke loose. We
10:34
must have clipped the thing, because it
10:36
screeched like some crazy banshee and scurried
10:39
away into the darkness. Meanwhile,
10:41
everyone else in the house went ballistic,
10:43
because there we were shooting like idiots
10:45
into the night. We
10:48
herded everyone back into the living room,
10:50
shut the doors, and had JC and
10:52
OP grab their rifles in case we
10:54
needed to reacquaint ourselves
10:56
with whatever was out there. We
10:59
were about to start explaining what the hell was going
11:01
on when I saw something out of the corner of
11:03
my eye. Another thing
11:05
was at the goddamn window right
11:07
behind little Mary. Ma
11:10
saw it too, and started screaming, but
11:12
JC thought quick and shot right through
11:14
the window screen at the thing. Just
11:17
like the other one, it screeched something
11:19
awful and disappeared into the dark. Of
11:22
course, now everyone in the house was screeching
11:24
just as loud, and I hollered at OP
11:26
to shut them all up while JC and
11:29
Billy Ray and I went to finish the
11:31
thing off for good. But
11:33
the moment we stepped out into the
11:35
night, everything went
11:37
ungodly quiet. Even
11:40
the crickets picked right then to stop
11:42
singing. We
11:45
stepped silent as we could around the
11:47
window JC shot through, hoping to find
11:49
a body or the like. But
11:52
there was nothing. No blood, no
11:54
tracks, none of it. We
11:56
even circled the house three times and couldn't find
11:58
a trace of the damn. them things we shot
12:00
at. Truly, it's like
12:03
they were never even there. And
12:05
you know what? That didn't make one lick
12:08
a sense. Once
12:16
we got back inside, we hunkered down real
12:18
good. The women and kids
12:20
were still a mess, of course, but we men
12:22
knew we weren't going to let anything happen to
12:24
them. At
12:26
least, that's what we hoped. Problem
12:29
was, we had no radio or telephone in the house.
12:32
The damn doors didn't even have locks on them. But
12:34
we knew our guns did at least something to keep
12:36
them at bay. So I
12:39
suggested we hold our ground until
12:41
these things found another farm to
12:43
terrorize. Course,
12:45
right then was the time JC found convenient to
12:47
pick a fight with me, because he thought it
12:49
was a better idea to pile everyone into our
12:51
two cars and drive to the sheriff. Problem
12:54
was, he didn't think about what we'd actually
12:56
tell the sheriff when we got there. I
12:59
mean, seriously, would anyone believe spacemen were attacking
13:01
our farm? Unless we had
13:03
some shred of physical proof, we'd be the
13:05
laughingstock of Christian County. And
13:08
JC tried to push back and get his way. Of
13:11
course, this being his farm and all he likes to
13:13
think, he's the one in charge. Here's
13:16
the honest truth. Thinking you're
13:18
in charge doesn't put you in charge.
13:21
So everyone's eyes turned to me. And
13:25
I tell you, I wasn't keen on hiking those women
13:27
and kids to the end of the night while those
13:29
things might still be out there. So
13:32
I looked everyone over, and
13:35
I made my decision. We'd
13:38
make our stand at the farmhouse.
13:43
So this is what happened. We
13:46
turned this place into a fortress. We
13:49
barricaded what we could, shut off all
13:51
the lights inside, and flipped on the
13:53
outdoor flood lamps. While
13:55
the women and kids huddled in the interior,
13:57
us men posted at windows on each side
13:59
of the house. house and aimed out into
14:01
the dark. And
14:04
then we
14:06
waited. Ma
14:11
always said a full house is a happy
14:13
house. Turns out
14:15
that's a bald-faced lie. Because
14:18
I tell you, I don't think this house
14:20
ever heard quiet like that before. Even
14:22
the kids didn't make a peep. It
14:25
was just the sound of us all breathing,
14:29
praying. Like
14:32
I said before, it was strange for that many of us to
14:35
be at the farm on one night. Usually
14:37
it was just Ma and the little ones, plus
14:39
JC and Arlene of course, because JC stayed on
14:42
to take care of the farm after Pa died.
14:45
But me, I was never as content
14:47
as my brother. I wanted to see
14:49
the world, or at least more of it than
14:51
these hills I knew like the back of my hand. So
14:55
I took off with Billy Ray as soon as I hit
14:57
18. We bumbled around for a
14:59
bit, then landed with the traveling carnival. That's
15:02
where I met Vera, of course, and Billy
15:04
Ray met June. But
15:06
good things don't last forever, and eventually we
15:08
found ourselves back home where we started. We
15:11
were just supposed to be here just a few
15:14
weeks, but soon enough that turned into
15:16
a few months. Time
15:19
has a strange way of slipping away, I guess.
15:23
Anyway, point is, I'm glad me and
15:25
Billy Ray were here to protect everyone.
15:29
I'm even glad OP had decided to crash
15:31
here, even though he couldn't shoot for shit.
15:34
Because frankly, we'd
15:36
be needing all the help we could get. Alright.
15:47
It must have been about 1045 when OP grabbed
15:49
me by the shoulder and pulled me to his side
15:51
of the house. Without a
15:54
word, he pointed up at the ceiling. I
15:56
listened, and I heard it too. One
15:59
of those bastards was creeping around on the roof. You
16:02
could just make out the tapping sound on
16:04
the corrugated metal. We
16:06
followed it across the kitchen where it suddenly
16:08
stopped in place. We
16:11
waited. Listen. Wham!
16:16
The thing pounded on the roof so hard the
16:18
glasses and the cupboard rattled around, and
16:20
after that there was this ungodly scraping
16:22
sound, almost like it was trying to
16:24
claw its way inside. Then
16:27
it suddenly went silent and didn't
16:29
seem to move an inch. OP
16:31
aimed to fire his rifle right through the
16:33
ceiling, but I stopped him and pulled him
16:35
and JC and Billy Ray towards the back
16:38
door. We were going
16:40
to surround the thing, and
16:42
this time we were going to take
16:44
it out. We
16:47
opened the front door as quiet as we could.
16:50
I was first out then JC and
16:52
OP and finally Billy Ray. We
16:55
were all huddled on the porch beneath
16:57
the awning to keep the thing up
17:00
there from seeing us. I
17:02
motioned for OP to go left and
17:04
JC to go right, and
17:06
I had just turned to tell Billy Ray
17:09
to follow me when I saw it. A
17:12
clawed hand was reaching down from
17:14
above Billy Ray. The goddamn
17:16
thing was on the awning right over us.
17:19
Its taloned fingers were just about to reach Billy
17:21
Ray's mop of hair when I did the only
17:23
thing I could think of. I
17:25
jumped out from under the awning and fired at
17:27
the bastard. But just as
17:30
that was happening, JC and OP started
17:32
hollering, and I turned to see another
17:34
one of the things in the maple tree by the fence.
17:37
We all opened fire and it fell
17:39
from the tree. Rather, it
17:41
floated from the tree and
17:44
landed on its feet, looking
17:46
totally unharmed. So
17:48
we fired at it again. This time
17:50
we must have hit it because it
17:53
screeched something wicked and disappeared into the
17:55
weeds. I
17:57
was about to run after it when Billy Ray pulled me back
17:59
just as a another one of the things rounded
18:01
the corner of the house. So
18:03
I aimed right quick and shot
18:05
that bastard point blank in the
18:07
middle of its goddamn body. For
18:11
a moment, it sounded like I shot
18:13
a metal bucket to claim that impact
18:16
made. But there was no blood,
18:18
no holes, no wound at
18:20
all that I could see. So
18:23
I figured my best bet was to
18:25
shoot the thing squared between its yellow
18:27
eyes. But
18:30
it was the damnedest thing. Before
18:32
I could pull the trigger, it retreated
18:35
faster than I've seen anything living ever
18:37
moved before. And even though
18:39
Billy Ray, and OP, and JC got some
18:41
more shots off at it, it disappeared into
18:43
the darkness. That's
18:46
when I knew guns were doing nothing but spooking them. And
18:49
surely, they'd soon enough wise up to
18:51
that fact and push their way inside the house and
18:53
find the women and kids, all of them. Of
18:57
course I wasn't about to let that happen. So
18:59
I made the only choice I thought we had
19:01
left and ordered everyone to retreat to the cars.
19:05
So there we were doing one big, terrified migration
19:07
with Billy Ray, and JC, and OP, and I,
19:10
keeping a lookout as the women and kids made
19:12
a run for the cars. And
19:14
as soon as we were all inside, we
19:17
sped into the night. It
19:25
took us all of five minutes to reach
19:27
the police office in Hopkinsville. Whole
19:30
way Billy Ray kept yammering about how we should
19:32
have believed him. He was right,
19:35
and it was my bad. I'd put
19:37
the entire family in danger, and I'm not sure I'll
19:39
ever forget myself for it. At
19:42
the station, we found Sergeant Pritchett sitting at the
19:44
lobby desk. He's a chubby
19:46
fellow. He usually looks like he's bored out of
19:48
his mind, so I don't think I'll ever forget
19:51
the look on his faces. All 11 of us
19:53
come running in, pale as ghosts. And
19:56
since everyone around town knows, we aren't the type
19:58
to run to the police for help. We didn't
20:00
have to say a word before Pritchett picked up
20:02
the phone and dialed Chief Greenwall. Soon
20:06
enough, we were all heading back to the farm. I
20:09
know what you're thinking, we'd be crazy to go back there.
20:12
But now we have four police cruisers behind
20:14
us. There was Pritchett and
20:16
Chief Greenwall, of course, plus Deputy Batts
20:19
from the county sheriff and Trooper Ferguson
20:21
from the stateies also came along. There
20:24
was even another stateie waiting at the farm when
20:26
we arrived. He said he heard
20:28
the hullabaloo on the radio and thought we'd like
20:30
to know he saw some pretty weird stuff at
20:32
Shady Oaks down the road. Stuff
20:35
like flashes in the sky, he said,
20:37
like meteors heading in the direction of
20:39
our farm. Of course,
20:41
that made me feel a bit less like I'd been
20:43
losing my ever-loving mind, even if it
20:45
put all the cops on edge. So
20:48
everyone drew their flashlights and guns and
20:50
we're about to start searching the farm
20:52
when one more set of headlights pulled
20:55
up. It was Harvey Reeder, an asshole
20:57
photographer from the Kentucky New Era. Everyone
20:59
in town hated him since he was
21:01
as cocky a bastard as he looked.
21:05
Without so much as a hello, he says, all
21:08
right, let's see the little green men already. So
21:13
off we went and searched for them. Flashlights
21:15
were waving all over our fields while Chief
21:18
Greenwall ventured inside the house. I bet he
21:20
half expected to find loads of open liquor,
21:22
but Ma set him straight about that real
21:24
fast. We showed
21:26
him all the windows we shot through, but
21:29
I'll be damned if there was any more
21:31
evidence of the buggers than some blasted out
21:33
screens and spent shells. There weren't even any
21:35
footprints or markings down in the gully where
21:38
Billy Ray said the saucer landed. There
21:41
was one thing, though, out
21:43
by the fence where one of the creatures
21:45
was shot at and scampered away. An officer
21:47
said he saw a bright patch on the
21:49
ground, luminous almost like
21:51
an oil slick. But as we got up
21:54
close, we couldn't see nothing at all. Just
21:59
some kind of cruel. That
36:00
is a valid point and that is my thinking
36:02
on the whole thing. I mean the fact that
36:04
they supposedly shot them point blank and that they
36:07
didn't die. Right. Bulletproof owls.
36:09
Bulletproof owls, yes. The new species
36:11
has yet to be discovered. Okay,
36:14
so if it's not little baby bears and it's
36:16
not Scooby Doo neighbors and it's not owls,
36:20
then who could it be? McCloud,
36:22
you're killing me. I'm
36:25
sorry. I'm sorry. I'm fired.
36:27
I'm firing myself. First episode and I'm
36:29
gone. But where my mind
36:32
keeps going is just sort of human
36:34
nature and storytelling and just these people
36:36
and whether or not their account can
36:39
be trusted. Especially, I mean since this
36:41
guy like worked at a carnival, you
36:44
know, that raises flags right there. But
36:46
I can imagine this guy who's, you know,
36:48
lived in a small town in Kentucky, who's
36:51
left, who's seeking a more interesting life. And,
36:54
you know, returns and sucked
36:56
in by the boredom and spun a tall
36:58
tale to make life more interesting. Yeah, and
37:01
this is a hell of a story. And I think
37:03
that's what makes these so interesting is that after all
37:05
these years, we're still sitting here debating what might have
37:08
happened on that night. I mean, part
37:10
of me wants to believe, still
37:12
wants to believe, even despite all
37:14
those more plausible
37:16
explanations. Exactly. And
37:18
maybe over the course of, you know,
37:21
this series, we'll find one that we
37:23
really think happened. Yeah. Yeah. Yeah. That
37:25
blows our minds. I mean, I think
37:27
that's what's appealing about all these stories.
37:30
Exactly. Exactly. But we want
37:32
to take a moment right now to thank you
37:35
for listening to this very special peek
37:37
at sightings. The series that
37:39
takes you inside the world's most incredible
37:41
supernatural events. Want more alien
37:43
stories, ghost stories, creature
37:46
stories. We've got more episodes
37:48
out right now. So look for
37:50
sightings on Apple Podcasts, Spotify, or wherever
37:52
you get your podcasts. We cannot wait
37:54
to see you. And in the meantime,
37:57
keep an eye out for those owls. Next
38:00
time you hear a whoo, run! Thanks
38:03
for listening, everyone. See you all next time.
38:30
Sightings is presented by Reverb and Q-Code.
38:32
If you like the show, be sure
38:34
to subscribe on your favorite podcast platform
38:36
so you're first to hear new episodes
38:38
every week. And if you know
38:40
other supernatural fans, tell them about us. We'd really
38:42
appreciate it. Whether
38:50
you're in a relationship, single,
38:52
or recently heartbroken, you
38:55
could be navigating some tough stuff,
38:58
and it really can be challenging
39:00
to do this on your own.
39:02
We all need help when it
39:04
comes to our relationships, very specifically,
39:07
our love lives. I'm
39:09
Jillian, and each week on my podcast,
39:11
Jillian on Love, I share
39:14
skills on how to strengthen our relationships,
39:16
how to build a stronger sense of
39:18
self, and how to heal heartbreak and
39:20
choose better partners. Learn
39:23
how to start making change today and
39:26
search for Jillian on Love wherever
39:28
you're listening now. Hi,
39:31
just checking in and seeing if you
39:33
might want to step away from the noise of the
39:36
world for just a moment and connect back to you.
39:39
If so, join me on my
39:41
podcast, Letting It Settle with Michael
39:43
Gallian, where we'll explore mindfulness, self-love,
39:45
and personal growth as I share
39:47
practical insights and tools to hopefully
39:49
help inspire you to start to
39:51
take charge of your mental and
39:53
emotional wellbeing. Search for Letting It
39:55
Settle with Michael Gallian on Spotify,
39:57
Apple Podcasts, or wherever you're listening
39:59
now. What
40:05
is it about the supernatural that's
40:08
captivated us for generations? Is
40:11
it the mysterious allure of the unknown?
40:16
The heart-pounding thrill of an
40:18
unexplainable sighting? Or
40:21
the creeping fear that a life-changing
40:24
encounter could happen to
40:26
you? This
40:30
is the new series that puts
40:32
you at the center of the
40:34
world's strangest unexplained events, from Roswell
40:36
to Amityville to Loch Ness and
40:38
beyond. Each episode combines
40:40
a never-before-heard story of an
40:42
infamous supernatural encounter with mind-bending
40:45
investigations that will leave you
40:47
questioning what's real and what's
40:50
impossible. Enter
40:53
the Unexplained with Sightings, available
40:55
on Apple Podcasts, Spotify, or
40:57
wherever you listen to podcasts.
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